one of my favorite things about actual plays is getting attached to the “little guys” of the campaign and desiquest has two great ones.
chhotu: the giant fluffy squirrel familiar that looks like he jumped out of a lisa frank book
and
baccha: the red panda autonomaton child with projectors in his eyes and a public auntie and uncle tier list, who cries oil when you bonk him on the head even if it didn’t hurt him
they are the greatest little guys and they’ve consumed my brain
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was thinking about takeshi and how he's my favorite brand of unconditional devotion btw. the utter and absolute and all-consuming kind that runs so deep to the very core and is so intrinsic and fundamental to it, it can only express itself in the most casual and natural and certain way. without second thoughts, without any room for doubts or for any moral dilemma to be had over it, because of course he ought to always be breathing and living for his chosen person first and foremost. of course he ought to hang on their every word and make them true no matter what, no matter what he has to do to make it happen, no matter what he has to do to other people to make it happen, and no matter what it might turn him into in the process. because it's obviously the way the world should be for his chosen person. at their feet, ready to bend over backwards and break and build itself again to better answer to all their needs even if they don't ask it for it. it's the only right way it should be for them, and of course takeshi's going to do his utmost at all times to make it a reality as much as possible.
and his devotion comes out as naturally as breathing, comes out lighthearted and nonchalant like he might as well be talking about the weather, but it's not unaware of itself. it's not that takeshi doesn't know it's unhealthy and wrong and that he's willing to go entirely too far in its name for anyone's good. it's not that he wouldn't hear you out if you were to sit him down and explain to him just why he needs to tone it down a little (a lot). logically, he'd agree with you and know you're right. and then he'd tell you he's still not going to do anything whatsoever about it. that he's not bothered by it and doesn't feel the need to change anything to his attitude. makes it a point to never let anyone or anything sway him even an inch in the stand he took when it comes to that, no matter how many thousand of times you might go over the subject with him.
because the morality of his devotion isn't the point at all. is entirely irrelevant to it and doesn't affect the way he expresses it all. it's not the metric with which he draws a line in the sand to hold it accountable to. because the thing is, takeshi's entire world revolves around tsuna--tsuna is his entire world altogether, and it's just a matter of fact, that simple. to him it's a truth as unchanging as the sky being blue, and so being the way he is according to that truth is the only way he can imagine being that'd feel right to him. and so the actual and only metric that matters here is "would tsuna be happier if i were to do this?" and/or "is this something tsuna needs me to do?"
and like. i don't think takeshi ever stops being a kind person capable of compassion and understanding and mercy and forgiveness even ten years later once they became mafia through and through. and i don't think either he grows up to be feared and called a monster per se despite the things they inevitably had to do during those ten years (and the things they'll inevitably keep having to do as long as they keep being mafia), at least not in the way, for example, they'll never stop fearing and calling mukuro one. but i do think that among the tenth gen, he ends up being the one with the most ruthless, merciless and horrific blood on his hands of that particular and distinct loving kind. you know the one i mean, right? he comes to be the one most expected and the one first expected to be willing and to take it upon himself to go through with it when the need arises. and to think little of it after, if anything at all. all in the name of making tsuna's reign as easy on him as possible.
and it's to the point where it's the kind of blood that makes even mukuro pause at times. or, when takeshi is the one coming up with solutions himself during meetings, makes even reborn blink. not because it's unjustified or wouldn't be safe or efficient or anything of the sort, but because it is unwarrantedly thorough in its retaliation. and sometimes, at times like this, he's the one tsuna needs to step in for the most, because he's the only one who can reason with him that "yes, this would work in getting rid of our problem" but "no, please, don't do that takeshi". because if tsuna is the only thing that infers on just how much and in what ways he'll let himself be devoted to him, then of course, he's also the only one takeshi's willing to reign himself in for without second thoughts. because he'd hate to ever do something tsuna would disapprove of or wouldn't want him to do. or do something that'd make tsuna see him differently or love him back less even in the slightest.
and it's also like. his devotion isn't an undisciplined one. it's not one he doesn't have control over, the very opposite. it's a very purposeful and conscious choice he chooses to keep making over and over again every step of the way, and he taught himself to have control over it, to know when it's needed and/or wanted, and how much and in which ways it is when it happens, and to keep it down otherwise. and, yes, to also reign it back in at tsuna's request at times when it still slips past his control. because it's all about making tsuna's happiness easier and secure and long-lasting, and never about burdening him with just how committed he is to do that.
so it comes down to this: takeshi willing to go above and beyond and more for tsuna unless tsuna explicitly asks him not to. and to tsuna needing to ask him not to every now and then. and to other people pointing out to him how too many times tsuna's already needed to stop him, and that maybe there's a hint for him to take there. and to takeshi seeing the hint, looking it straight in the eye and recognizing it for what it is and just. deciding it doesn't apply to him because it's all perfectly normal behavior to him. because it's the only kind of behavior that makes sense to him and feels right.
and so—to circle back to my first point—he can only express his devotion as naturally as breathing, so casually, almost like it's something inconsequential and not worth talking about despite how unmistakably it couldn't be further away from being the truth. it's the only way he could have always known how to express it, because, after all, who has ever taken time to ponder about the details and the hows of the way they breathe?
and i, for one, absolutely eat that shit up every time, thanks for coming to my ted talk <3
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Akashi's Trophies
From Right to left:
- Tokyo Equestrian Competition, Junior Division
- Math Olympics
-Student Violin Competition
- National student challenge from Minister of Education, Culture, Sports, Science and Technology award.
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trying to not complain about the discrepancy between how much content fictional women and poc have vs the white dudes in every fucking fandom im in, because no one owes me fanart/fic and i can make shit myself, but holy fuck can any of you name a woman?
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He likes to feel tall
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Starlo's personality
I'm still confused about this man's 'true self,' gotta admit. How much of 'himself' IS there in 'North Star'?
What we know about real Star:
He's a nerd/geek obsessed with westerns; that's where he got the inspiration to build WE
He looks different than with the hat on and used to wear braces
Was shy in his teenage years around Ceroba (no idea how he acted normally) + couldn't confess to her
His mom (after killing him) says how he's never been the one to follow rules. I wonder what she meant by that. Rules, like, you're supposed to hate humans like everyone else or rules, like, no sneaking off to practice your shooting and lasso skills? Both?
Ed describes the 'old him' as a fearless leader and as a monster who could 'make his own fun in the little things' (you mean he used to be more humble but at the same time remained an ambitious risk-taker?)
Is insecure about where he comes from and what he looks like
We don't have enough info to know what he was like as a kid. I'm curious if absolutely everything about North Star is the opposite of Starlo (I don't think it is); both are kind and protective. Still, I can't help but wonder if the Starlo after Showdown, in both routes, is the real him or not. Maybe 50% yes and 50% no
Just from the end credits, the only thing I got about him was that he's kind and friendly and optimistic and charming (North Star is this way too, but more exaggerated). Nothing new
So maybe Starlo IS North Star, but more modest (aka not as exaggerated)
I'm curious about your thoughts guys.
Also I forgot to mention how he wanted to plan a PARTY for Kanako, in neutral says that the PARTY in the saloon was great (and the letter he sent was pretty charming), wants to accompany Ceroba in the Steamworks, is open about how he feels (immediately openly confronts Ceroba and calls her out; he's assertive), not afraid to get physical if it means protecting Clover & Martlet, can be pretty loud (like when he spotted Clover after sparing him in neutral, he was like "DEPUTY!!!"
I'm left wondering if all this is the real him or not. I think it is. Just maybe toned down a bit :) It's the only explanation for the fact he's been doing all this for a really long time and never showing signs of wanting to stop/that it exhausted him
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you know, we talk a lot about characters and/or relationships (of all kinds) being 'doomed by the narrative' around here, and how haunting and gut-wrenching that can be, especially when it so often takes the form of death and destruction and tragedy.
and we should keep doing that, obviously. death and destruction and tragedy kick total ass.
however. can we please spare a thought for the clowns trapped in that same (burning) room?
after all, what is a comic relief character if not doomed by the narrative to always act like a buffoon despite any and all circumstances, all for the sake of relieving narrative tension?
how must it feel, to have everyone around you dropping dead, losing limbs, losing loved ones, and otherwise being on the receiving end of unending torment - and all you can do is stand there and prattle off another zinger at your allotted time?
and what if you lose a loved one yourself, o jester mine? what if - hear me out - you lose multiple loved ones? what if it never ends? what will you do then?
well, if you're lucky, you'll get to mourn for all five of the seconds you're allowed to before the size thirty shoes go back on and the narrative moves on to other, more plot-central characters.
if you're not - well. it's a good thing clown makeup is waterproof, isn't it?
anyway, shout out to all my comedy kings out there doomed to play perpetual funnyman to their more plot-central counterparts despite being in undeniably comparable pain. you may be doomed by the narrative, but you are beloved by me <3
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I don’t understand Daenerys Targaryen antis.
You’ve got the show where all your theories about how the former bridal slave/revolutionary will go mad and be murdered by her lover whilst in the middle of intimacies came true.
The evolution of George R.R. Martin's stance from "only the books are canon" to "there are two different canons" should have provided some resolution to the endless fandom debates, but yet here we are.
The white revolutionary is dead, all your also white faves were able to ride off into the sunset. Every named person of colour except for Greyworm is dead and if we're being real, Greyworm is off to die offscreen. Westeros is white again, you won. Whatever winning means in this context. What more do you want?
People have spent years tirelessly attempting to draw parallels between the show's narrative and the book's trajectory, even where these parallels do not exist. You make a post about the book version of Daenerys Targaryen, and her antis scream at you in the comments about how she's a mass-murdering slaver. They never have proof to back this up.
At this point, it has become concerning. What motivates such a fervent desire to witness a 16-year-old die again on the blade of a man (preferably a relative)? It has been years and people are still writing shitty meta with haphazardly edited quotes from the books to prove that Daenerys will eventually go the way of her father.
Interestingly, Young Griff and Jon never seem to suffer this fate, even though they share a mad grandfather and prophecy-obsessed (according to the fandom) father.
Simply saying Daenerys will not die at the end of the series elicits a tremendous amount of vitriol. The show should be enough, replay the scene where Jon stabs her in the heart and savour it. For the love of all that is holy, please stop trying to impose show Dany on book Dany. They are two different characters.
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i think the reason why im so drawn to spirit tracks and pkmn scarvi is that having the legendary/princess as a companion rather than a goal that marks the games completion makes me feel satisfied the way i would after helping a friend
my brother always teases me about how I still havent finished botw after almost 7 years bc "id rather be out picking flowers" which i wont say is untrue. and yes i know Zeldas been holding off ganon for 100 years, yes i can get some sort of idea what her relationship with link was like by recalling memories and going through her diary. ive always loved botw for its unique storytelling and setting which makes it stand out, because it lets you get to know who you're saving.
but because theyre memories, it only works if theres something for the player to investigate that already happened. its retroactive (but effective nonetheless)
on the other hand, spirit tracks does something similar but instead of having the player try to piece together memories and interpret them as a spectator, you actually have an opportunity to get to know zelda yourself by talking to her and working together. besides making it a gameplay mechanic, giving the player control over how they interact with zelda makes it so much more personable.
and I find that making the goal feel personal instead of an obligation gives me more of a reason to work towards it. I know what kind of person botw zelda was but as the player, shes still very much a stranger to me. but spirit tracks zelda? thats my friend!!!! she invited me to go to the beach after we get her body back!!! i dont want to whip her to make her move faster thats mean :(
you know how hostage negotiators are trained to introduce themselves and get to know the person theyre negotiating with because its harder to hurt someone when you know what their favorite food is? its kinda like that, because it feels like im helping a friend than being told or led to do smth
and although i havent played scarvi myself, i feel an attachment to koraidon and miraidon even just watching playthrough clips because its like!! thats my weird scaly dog!! it loves sandwiches and we're friends!!! you know!!!!!!
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From what I've seen so far, Roddy Ho has one fan. It me
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y'all moved on but i literally still can't believe this is real life. what the fuck. spread ur wings, mr schnapp... sniffling, crying, weeping bc i am so full of Joy... not 2 be corny but it's always a lovely thing when someone steps into the light n lives their truth... when they feel safe and loved enough by those in their life that they feel they can and genuinely want to share this part of themselves with the world... mr schnapp who has played will byers for such a big part of his life and explored his own self and come to terms with who he is at the same time that will has... will, who means so much to so many and has such a realistic journey that we seldom get to see, especially in such mainstream media, literally the biggest show in the world... just so moved that he went from being scared in the closet to feeling so loved and at peace that he would share this part of himself with the world in such a silly, light-hearted, and entirely noah way, always so true to himself and full of light... i just. 🥺 a lot of feelings are being felt rn. good for him!! GOOD FOR HIM!!!!! 💗🏳️🌈🫂
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So... on the subject of relative age in Delicious in Dungeon and Mithrun and fandom "jokes" I've seen folks complaining about. General manga and anime spoilers for character ages and names in the manga and anime below the read more:
On the one hand, I do get that people are (or at least were, I see it less these days) mad at the "Mithrun grandpa/old man" jokes/comments because "it's just cause he's disabled" and "relatively speaking, he's the same age as Chilchuck, and no one treats Chilchuck like he's an old man/something about how Chilchuck dislikes being treated differently, mentally, for his presumed age/state of mind".
Okay, yes. Relatively speaking, sure. There's a conversation to be had about the intersection of ableism and ageism and how we often baby (in a patronizing way) disabled people and the elderly, and how we prioritize youth and treat middle-aged people like their lives are over. (And maybe something about how he has silver hair, I don't know). On a more positive note, I love that, relatively speaking, possibly by Elvish standards, Mithrun is at/near middle-age (elvish age of maturity is 80 years, their average lifespan is 400 years), because that's a fascinating bit of world-building.
...On the other hand (please rest your pitchforks momentarily), Mithrun is literally 185 years old, he is the fifth oldest cast member for characters whose age we know as of the English release of the Delicious in Dungeon World Guide: The Adventurer's Bible (after the Elf Queen, who's 372, the elder Flokes, who are in their 200s, and Milsiril, who's four years older than Mithrun), and he is the oldest member of his group of the Canaries (he's literally 103 years older than his subordinate, Pattadol, and still 39 years older than Cithis, the next oldest Canary after Mithrun). And speaking of Chilchuck, who is, yes, a married father of multiple adult children... and also 29. Mithrun has lived over six times as long as Chilchuck has. (All ages come from Delicious in Dungeon World Guide: The Adventurer's Bible; Sissel + the other Golden Country residents don't have listed ages there, though they're at least 1000 years old, and the other elves don't show up). Mithrun was in recovery after the central watchtower dungeon for longer than at least five characters have been alive.
Age chart:
Elf Queen: 372
Tansu Floke: 210
Yarn Floke: 204
Milsiril: 189
Mithrun: 185
Cithis: 149
Otta: 137
Fleki: 130
Lycion: 126
Senshi: 112
Noor: 98
Totan: 95
Pattadol: 82
Gillin: 79
Brigan: 78
Holm: 76
Fionil: 62
Namari: 61
Daya, Invar: 58
Marcille: 50
Maizuru: 41
Chilchuk: 29
Laios, Toshiro, Hien: 26
Rin: 24
Falin, Benichidori: 23
Kabru, Mikbell: 22
Zon: 21
Kaka, Kiki: 20
Kuro, Doni: 18
Izutsumi, Inutade: 17
Leed: 14
Mithrun is older than Senshi, older than Marcille, older than Kabru's entire party, including Holm and Daya, and older than the oldest human we have an established age for, Maizuru (again, the first Adventurer's Bible doesn't list the Golden Country resident ages, and Mithrun is definitely younger than them, but also they're generally minor characters except for Yaad and Delgal). He's older than Senshi's former dwarf comrades were when they died. He's also apparently older than Flamela, the vice commander of the Canaries (she's 170, at least according to the fanwiki, which is possibly going off the Complete Adventurer's Bible).
He is of course younger than Obrin, his older brother, whose age we don't know, but we do know that Mithrun is the younger brother. He is also obviously much younger than the demon.
I also find it interesting that people are jumping to the big assumption that he's middle-aged (relatively) due to... I guess just chopping the average lifespan of elves in half and assuming that's what they think middle-aged is? We know the average lifespan of elves and when they come to maturity. We do not know what elves think of Mithrun's age or what their concept of being middle-aged is, if they have one. He could be considered young by elf standards. He could be considered old. We have no idea.
Thinking about the conversation in Volume 8, Chapter 51: Dumplings 2, it's just about total/average lifespan and how near the characters are to dying by average race age, not middle age.
Chilchuck on p.37: "What's the difference between our actual ages and how old we look?"
Laios: "Well, dwarfs do live two and a half times as long as tall-men."
Chilchuck: "If our actual ages affect our looks, then... ...I'm curious about remaining life. Will we age at the same rate we did before? Or will it match our bodies now?"
They never get an answer for this. We do get rough estimates for what one race's age means to another by comparing Laios' actual age (26) to what Senshi thinks dwarf!Laios is, age-wise (his 60s), and both ages put him near but not at assumed middle-age for the respective race (for tall-men it would be 30, for dwarfs, 100), but otherwise they don't come to many conclusions about anything. They just guess and try to change back before something worse happens. Marcille doesn't even say anything in this conversation about elf culture. She just panics because half-foots live shorter lives.
I would not personally call Mithrun a grandpa and I don't particularly connect with jokes about it. By Elvish standards, and relatively speaking, he is perhaps not, arguably, old. ...But he's no spring chicken, either, despite how strong and fast he is. By the standards of most characters he is interacting with in the story, he is the oldest person in the room, by a substantial margin (heck, the age gap between Mithrun and Cithis is more years than Chilchuck has lived). That doesn't make him a grandpa, either. But I do find people getting mad about folks pointing out this literally 185-year-old being is you know... 185 years old... odd...? Especially when he's around all these by and large substantially younger people (younger people who are adults by and large!!!) for most of the story. Again, there's definitely a conversation to be had about the intersection of ageism and ableism, and how we treat people who are middle-aged as if they're elderly even when they're able-bodied, and about the way other characters in-universe treat him (though the one time I think his age is pointed out, it's about the stuff he knows, not to mock him for it; mostly people treat him badly due to his disabilities (e.g., Fleki with his aiming in chapter 55, Cithis in the Adventurer's Bible), not because of his age)... but it does feel very much like people are ignoring that he is honestly one of the oldest characters in the story, and not by dint of being the oldest youth, but because he's a character who has lived to be nearly 200 years old.
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you know if we do accept the last epilogue-esque sequence as a sort of dream/wish of ted's and therefore not necessarily canon, very funny if we then simply go "yeah, trent's book is called 'the lasso way' actually. he didn't change that. nope."
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