introduction in the odyssey, emily wilson / ahsoka, 'master and apprentice' / ahsoka, 'fallen jedi' / so we must meet apart, gabrielle bates & jennifer s. cheng / ahsoka, 'far far away' / between dog and wolf, rené-xavier prinet / ahsoka, 'far far away' / ahsoka, 'dreams and madness' / ahsoka, 'dreams and madness' / camp damascus, chuck tingle / ahsoka, 'the jedi the witch and the warlord' / the sun is also a star, nicola yoon
[A sad violin song plays over an image of a sad hamster]
Pac: This doesn't have anything to do with me – I wear a blue sweatshirt, you're crazy, this mouse doesn't even have a sweatshirt, this hamster! [Reading chat] Am I a depressed hamster?
[ Transcript continued ↓ ]*
–
Pac: Actually– that's fine! I embrace that idea – of course I'm going to be depressed, are you crazy? [He hits his desk, then starts counting off people on his fingers] Fit is gone, Richarlyson is gone, Ramon is gone, Bagi and Empanada who were always there when we were there are also gone, I haven't seen them! It's just me and Tubbo, and sometimes Philza shows up.
Pac: I lost Chume Labs, I lost the Favela, I lost Murder Mystery, I lost Ilha Chume Labs, it's crazy! Look at how much I've lost, and I've gained nothing! Of course I'm going to be depressed, are you crazy?! How am I supposed to be happy?!
Pac: [Reading chat] "You have us Pac," that's true, thank you. No, that's true, sorry.
* NOTE: Please note that this is an incomplete transcript, as I was primarily relying on Aypierre's translation mod at the time and if I am not confident of the translation, I do not include it. As always, please feel free to add on translations or message me corrections.
Sonia and Komaeda getting along well enough to room together is so good honestly. Even if its mostly bc she takes no shit, Komaeda was still like the only person to stand up for her when Teruteru was trying to get frisky about her naiveté in the prologue/ch1.
I kind of suspect she was acting more unknowing than she really was then, to suit her role as a princess, but he had no way of knowing that then. Plus, if she was aware then, it might be easier for her to recognize the side of him that isn't all hope n murder? Since outside of the killing game he's pretty polite (if self effacing) and generally not down for creepy behavior.
If you've got any more thoughts on these two's interactions postgame, I'd love to hear.
I dont think it's perfect by any means (nothing on the ship is!) but its proooobably the best quick-solution scenario?
When it comes to shipping or relationships in general in fic, if the characters are well defined and compelling in canon I don't care whether they actually have an established relationship dynamic or obvious reason to be hanging out. It's really fun to throw two guys together and think about how their neuroses would bounce of each other. What shared experiences they might connect over. What their mutual relationships might reveal.
Dunmeshi is this times 100 for me bc like even the smallest interactions characters do have are so rich and compelling. Almost every character has a backstory that could be a whole story unto itself. The layers of their histories and motivations are so rich and fascinating and fun to pick apart. I reread like 10 pages of one chapter and now my mind is spinning about Mithrun and Marcille and what they would think of each other at various points in the story and in post-canon. What they would do if thrown together in a crisis. How they could support each other or tear each other down.
Anyway this is part of why I think its so silly when I see people like complaining about certain ships bc characters don't interact much or don't interact romantically or whatever. The ingredients are here for a hundred different delicious feasts. What's wrong with getting a little silly with it.
Hello hello!!! Guess what. Yokai art dump below the cut!! So cool and shiny wow
Its true, I do >u<
I'll try and section these and give the usual explanations below! Image ID for more drawing specific inksplanation.
Click for full image! Since a lotta these are weirdly shaped they were cut off....augh...
McKraken and Maddiman related doodlesssss they're some of my faves <3 i will always love them even if they're not my focus characters atm (well. McKraken kinda is rn but also Babblong so YAY)
Misc. Yokai and ocs! The frog is Kerosque, the guy w the swirly pompadour thing is Swiss, and the monkey is Romono (although he's a Regretevator OC from FOREVER ago, he's still my son <33)
SWISS STUFF RAUGHHHH ! inconsistent style will be APPARENT here try not to notice shuhhhhhgh
Height for main yokai in my AU/on Casp's team! (In the anime it's just primary summons then wwwww)
Some yokai practice/design hcs bc my friend asked!! I was so happy to share 🤭 LOVE YOU CHERCHERRRR
Some of my little guys once more! Rawry' prob one of my faves yokai to draw, easy and fun to do show-accurate or stylized.
OCSSSSSS. AND BADDINYAN. MY EVIL CAT <3333 the guy next to the frog in the middle is an oc idea but idk for what yet =▽=
AUGH. THERES AN IMAGE LIMIT? Well in case you're wondering it's 30....post the rest after I get tomorrow's doodles. See you then and thank you for looking at and reading about my arts!
part of me is really curious to hear the lore behind everyone's profile pictures here on tumblr but then again it'll probably just be a variation of "they look good/cute/random xd" for most people
anyway, if you actually have some special connection to/random story behind your picture, please tell me!
Rule: Post seven(ish) sentences of your current WIP - or just a snippet who cares! And tag your writer friends to see what they're working on.
thank u thank uuu for the tag @nicijones! <3
“I’ll get you a fake ID,” Curt says decidedly, shrugging like it’s no big deal. “The summer’s young; can’t spend it ditching you every time I go out to drink.”
“You don’t know how to get a fake ID,” John says, more as a plea than a statement.
“Yeah, I do,” he argues, and with the older employees Curt hangs out with when he’s working the bar at the hotel, John’s inclined to believe him.
“How?” He tries one last time to trip him up anyway, a weak appeal for mercy, but Curt only grins, reaching a hand out to squish John’s cheeks between his thumb and fingers.
“Don’t you know? A lady never tells her secrets, John.”
So that’s how John ends up tucked away in a small booth in the corner of some pub that looks lost to the sixties, old signage and other vintage memorabilia lining the wooden walls, cheery neon LED graphics adorning the kegs behind the diner–style bar.
I'm gonna be honest with you guys, the urge to do the same thing I did with the oitd silhouettes, aka slap text posts onto the art with no knowledge of their canon personality other than what they did in the trailer and pulling from the fandom's perceived personality for them, for the new oxventure characters revealed in that trailer is so real
You know, Villefort is really introduced as a very intentional contrast to Edmond, isn't he?
They are both relatively young, stepping into the role of a superior (the former captain who died, and the crown prosecutor who is away)
They are both about to be married, and in fact both are celebrating their betrothals when Dantes is arrested
They are both facing some disapproval from their fiancee's family
They both have a relationship with their father that dictates a lot of their actions
But of course, despite all these similarities their personalities and the specific circumstances of each are almost opposite:
Edmond's acting captainship was driven largely by duty, which is what gets him involved in the letter business to begin with. While his time spent captaining the ship went well, the actions outside of the typical duties he took (stopping at Elba, getting the letter) were for other people's request without much thought of how it looked for him. He was more focused on this being his duty as an honorable person. On the other hand, during his interview with Dantes, Villefort was looking for ways to please others initially (his fiancée asked for mercy and he wanted to get on her good side) but it was still self-serving motivation in the end (he wanted her pleased for what it got him, not just to make her happy). He also abandoned that plan, and the idea of justice altogether, as soon as he realized the letter Dantes carried could injure him. His motivations were selfish throughout.
Edmond is engaged to a poor woman with almost no family who he loves deeply and sincerely. Villefort is engaged to a rich woman with an important family who he loves 'sensibly' for what he will get out of the marriage in the long run. He doesn't hate her but he isn't in love with her romantically, really. When Villefort realizes the coincidental timing of this arrest pulling them each away, his reaction is brief sympathy quickly superseded by him planning out how to make this a witty story impressive to his guests on his return. He doesn't tell Edmond the similarity between their situations.
Fernand dislikes Dantes because he wants to marry Mercedes instead; a deeply personal motive. Edmond dismisses any suspicions suggested about the man and chooses to see him as a friend, trusting Mercedes. Villefort faces some reluctantance from his fiancee's mother, but it's due to his father's political reputation and how that might look, more than anything. Villefort plays along really well and deliberately, greatly emphasizing his political zeal in order to better ascend higher in society. When he talks about his harshness as a judge he is doing so in front of a group of people with a mind to their opinions, giving a speech calculated to impress.
Edmond loves his father very much and the two are very close. He acts to protect his father's pride, and works to bring in money to support him. At his wedding, his father was a major presence, the most excited person there other than the bride and groom themselves. Villefort has denounced his father publicly, given himself a new name to completely separate them in the world's eyes. He wasn't at the betrothal feast except as a name talked badly of, and Villefort only acts to protect him (by burning the letter and arresting Dantes) because the bad publicity/shame would rebound onto himself.
All in all, Edmond is very focused on personal matters. Personal honor, true emotions... even his enemies are driven by feelings of jealousy and envy and hatred. He's emotion-driven and while he works hard and has ambitions, they come second to his love, his honor, his pride. When political considerations intrude on his life it is due to the actions of others (the former captain) and even the way politics is used against him by Danglars and Fernand is motivated by their feelings for him, not their own beliefs.
Villefort is very focused on public perception. He wants a good reputation, he wants more power, he is climbing that social ladder and politics is his way to get up while distancing himself from his father. He is very calculating, and while he does have emotional moments (affection for his fiancée, sympathy for Edmond) they come in second every time to his ambition and self-interest. His life is built largely around politics and reputation, and his personal feelings of sympathy for Edmond are brief and easily overshadowed by his worries about the connection to his father's politics getting out and harming him. Not to mention his ambition when he realizes he can use this to further his career.
Where Dantes trusts those around him and says he has no enemies, Villefort worries deeply about the consequences of the letter getting out. He assumes the people around him will shun him easily if his name is dirtied by this affair. (He's probably right, but it's a very different view of people than Edmond.) He is willing to send Edmond to prison rather than trust him to never mention the letter to anyone, placing his suspicious and self-serving nature above any sense of honor.
I wanna know ur Fontaine msq criticisms 👁️👁️👂I’m all ears
I'm not sure if you wanted me to talk about this secretly or publicly but! Here I go!
The TLDR: Fontaine MSQ aestheticised prison, poverty, child abuse, the justice system/court and didn't properly address any of it.
More:
Focalors/Furina has way too much of a sympathetic angle for a dictator who's lets people drown with her inaction.
Neuvillette feels Bad for sentencing some people to death/prison, but that's it. He's one of the most powerful people in Fontaine. If he felt like there are systemic injustices, I.E sending an abused Child to prison, he should be the first person to DO something about it, not just cry and be sad so the audience can be like aw, that's complex character writing isn't it? No it's not! And guilt doesn't absolve you!!!!!!! (These are stuff we deal with in OTCOJ read my fic now /j)
Meropide has children in it, both Sentenced there (Wriothesley) and BORN THERE (Lanoire), and this is just a quirk of the place. Not only that, Meropide accepts prisoners of all genders and crimes. There are abusers and abuse victims in one place. Do you know how bad that is? How much potential for crimes to happen in a place like that— oh wait, Meropide isn't under Fontaine's jurisdiction. If you are assaulted as an inmate it literally means nothing to the court.
Wriothesley had no qualifications when he took over. Depending on how long he lived on the streets, how old he was when he killed his parents, how old he was when he was first taken in by the orphanage, etc, the man might never have more than 4–5 years of formal education. Sigewinne probably had to teach him how to write reports. And do Meropide's spreadsheets. Edit because I forgot to elaborate on this one: This isn't a point brought up anywhere, which is bad, because when poverty and incarceration robs you of a proper education (and the rights to vote in many places too, too, by the way), it reduces your prospects for jobs, reduces many people's ability to get a home etc etc. Wriothesley was just, narratively, Given his position.
Meropide is an industrialized prison, and they portray this as a good thing. Prisoners are paid in coupons for their labour, and this is also portrayed as a good thing.
The One-Meal-A-Day reform was something Paimon gushed about being so great of a perk, that people might want to go to jail for food (could be interesting and reflective of systemic poverty if MHY had brains, but they don't, so I was just Pissed because essentially all Paimon wanted to say was "Prison isn't so bad, but still don't go to prison guys! Prison labour is really hard!"). By the way, in most real-world prisons they are obligated to feed you three meals a day. Because that's how much food a human needs. MHY went with one meal just so they can say "if you want to eat more, you have to work." And then the welfare meal is a goddamn gacha. So imagine you're a starving child who's too weak to work in the fucking robot assembly line, and you wander up for your first meal in 24 hours, only to luck in with a shit one. I'd kill myself.
They wrote Wriothesley, who's a victim of the system, into a guy who's say shit like "I'm the Duke I can do whatever I want" for a cool moment where he choke-slams an inmate (I know he was a bad guy. But also, in copaganda when cops are violent/disregarding protocols, they are always only portrayed to do that against bad guys, so what does our critical thinking tells us about this one?) They wrote Wriothesley, who was an inmate of a prison so bad, so notorious that it is the literal boogeyman of Fontaine, that has a legal (???) fighting pit, with an administrator who abuses his position to be unreasonable, to willingly stay in the place and become an Administrator who would choke-slam an inmate while saying a cool line about how he has the power to do whatever he wants. They wrote him, the guy who had to be fed on the streets by melusines, to think one-meal-a-day was a good enough reform (while he spends god-knows how much on his boat). This wasn't a victim-turns-into-abuser narrative either, they want all this to be seen as positive character growth.
And then, the final kicker is, they gloss over his entire abuse. You can only read about these shit in his profile, which most people don't because they don't Have Him or doesn't care to unlock it/read it online, and they jammed his entire backstory into a flaccid info-dump at the end of his character story quest. This man isn't Allowed to feel abused and neglected and show any reaction to it within the narrative of Fontaine itself, because if they actually Gave Weight to what happened to him, they'd have to confront THE FUCKING JUSTICE SYSTEM they had NO PLANS on criticising. I don't think they ever explicitly said the fucking Crime-Theatre nonsense was Bad either.
I could go on, but this is already so long. But yeah, I hope this gave you an idea.
just learned about sonic dating princess sally and them having kids in the archie comics when they were both like, in their forties. absolutely devastated by this information.
like i do imagine many of the sonic characters to be in their twenties because i want 2 relate 2 them, but on god, forties? do they have low back pain now? does sonic have knee pain, from all the running? does tails own a house now? does he have mortgage payments? what kinds of taxes does everyone have to file? have the chaotix been arrested for tax evasion or have they managed to avoid law enforcement thus far? do they even have income tax in mobius?