#but also - I can't believe I've been to all the places they featured

[sisididis]

Did you know that Netflix chose to shoot its latest series Wednesday (2022) in at least four places in Romania? 👀

[thankskenpenders]

The Lara-Su Chronicles: Beginnings review

The day has finally come. Many, understandably, thought we'd never get here. Maybe we shouldn't have gotten here. We've been through so much. Lawsuits, reboots, redesigns, unreleased NFTs, empty legal threats over the fact that movie Knuckles has a dad, an attempt to license out Scourge the Hedgehog to fans that immediately got canceled (in both meanings of the term), and many, MANY idiotic Twitter controversies. But now, here we are.

Thirteen years after first announcing it in the middle of his legal battles with Archie and Sega that changed the American Sonic comics forever, former writer Ken Penders has released the first part of his new series: The Lara-Su Chronicles.

Yes. I had to buy the book. I had to take one for the team. Look at the fucking URL of this blog, a blog I've been using to talk about the American Sonic comics for nearly a decade while the specter of this book loomed in the distance. The one time I've actually been paid to write an article about anything in any professional capacity, it was an article about the Penders lawsuits. I'm cited on his Wikipedia page. There was no way I was going to skip reviewing this, and there was no guarantee that scans would ever turn up online given the incredibly small audience for this trash. (Only 166 people preordered this, and even that number feels way higher than it should be.) No, I had to preorder it to ensure I could get a copy and cover it for the blog... even if that meant my name would be forever immortalized in the list of "supporters" in the back of the book. These are the sacrifices I must make as a woman who stumbled ass backwards into being an amateur Archie Sonic historian.

So, what exactly is in this book? How much of it is new? How bad is it? How did we even get here in the first place? How can this exist without Sega pursuing legal action? What happens next? And, most importantly... why are there multiple depictions of an Archie Sonic character breastfeeding in this book?

I'm here to answer those questions as best I can, and in agonizing detail.

First, for those just tuning in to this decades-long saga or those who maybe don't know the full story, here's a refresher on the background info.

"What the hell is this?"

The Lara-Su Chronicles is Ken Penders' long-dreaded long-awaited continuation of his 1994-2006 run on Archie Sonic, ignoring everything written after he left by other writers like Ian Flynn. In particular, it picks up from the cliffhanger ending of the 2003-2004 arc "Mobius: 25 Years Later," which was set in what Ken considers the definitive canonical future of the series. It stars Knuckles' daughter from that future era, Lara-Su, among other new and returning characters. The project was first announced near the start of Ken's legal battle with Archie in 2011, and he's been posting WIP previews online for about a decade. Now, after all this time, a Lara-Su Chronicles book finally exists.

We'll get to the actual contents of that book in a bit.

"He can do that without getting in trouble with Sega?"

Believe it or not, yes, he can.

Thanks to the outcome of Archie Comics' woefully mismanaged lawsuits against Ken (yes, they sued him after he started filing for copyrights, not the other way around), he now has full legal ownership of every story he wrote for Archie Sonic and every character he created for the series. This was explicitly granted to him in the terms of the settlement between him and Archie (acting on behalf of Sega). He can even reprint his old Sonic material as-is to his heart's content. The main catch is just that he can't write new stories featuring Sega characters or trademarks, and his new stories also have to be distinct from Sonic at a glance to avoid confusing readers. As such, reprints can't use Sonic iconography on the cover, a few Sega characters (mainly Knuckles) have been renamed and slightly redesigned in the new stories, and the art style has been changed to less closely resemble Sonic. But otherwise, he can do whatever he wants with his own characters.

All of this is because Archie lost the original copy of Ken's work-for-hire contract that signed over the rights to his work. Without that (or any alternative that was considered permissible in court), his comics and characters are the property of their creator by default. Yes, those old comics are full of Sega stuff, but Sega doesn't automatically own the copyright for every drawing of Sonic in existence. And Sega put their stamp of approval all over those comics and let them get sold at retail for decades, even though (in the eyes of the court) there was no legal paperwork granting them ownership of any of it. It's almost like they were unwittingly distributing a fan comic for years and declaring it a fair use of their property, and now there's no takesies backsies. It's a strange and unique copyright situation. Again, they worked all this out in the settlement. And, yes, fans have long speculated that Ken stole and destroyed his own contract to regain the rights to his work, but frankly Archie was so incompetent throughout the lawsuit (it went so bad that they had to fire and replace their lawyers midway through) that I completely buy the idea of them just losing important legal documents.

Also, in case it needs to be spelled out: while Ken's a weirdo, it's ultimately a good thing for creatives everywhere that Archie lost their lawsuit against Ken. We do not want to live in a world where corporations can claim ownership of peoples' work without the contracts to back it up. That would be an incredibly dangerous legal precedent to set. And more comic creators, and artists in general, should own their own work! Corporations are not your friend! They'll delete your work for a tax write-off in a heartbeat! It's just bewildering that this guy, of all people, was the creator who ended up successfully getting his shit back, and that this is what he's doing with it.

"What about his old collaborators? Are they involved? Is he paying them?"

Ken is mostly doing The Lara-Su Chronicles solo, though he has, in fact, talked about compensating the artists involved in any material he's reprinting. The ones who give enough of a shit to get paid for a small scale reprint of something they did 20 years ago, anyway.

On the subject of his collaborators, it's also worth pointing out that Ken's wasn't the only contract that was lost. Most of the early Archie Sonic writers from before Ian Flynn's time seem to be in the same boat as Ken, with the ownership of their stories and characters defaulting back to them. Again, Archie fucked up big time. But like I said, most of them don't really seem to give a shit. For most of them, Sonic was just a random temporary gig they took to pay the bills while Marvel was busy going bankrupt in the '90s, not the thing that defined their entire careers.

The only other Archie Sonic contributor who's tried to do anything on the level of what Ken is doing was writer and editor Scott Fulop. In 2016 he attempted to sue Archie for the unauthorized use of what are now retroactively considered his copyrighted characters and stories, and he even announced a standalone comic about his most famous Sonic character, the recurring villain Mammoth Mogul (sort of a pastiche of DC's Vandal Savage and Marvel's Kingpin, with wizard powers added for spice). However, Fulop lost his lawsuit because he didn't put together a particularly compelling case. Since then he seems to have wiped all traces of his ill-advised Mammoth Mogul comic and his company, Narrative Ark Entertainment, from the internet. For now, this leaves The Lara-Su Chronicles the only project of its kind.

"What about those other Archie Sonic reprints he just announced?"

At the time of writing, Ken is once again claiming that he's trying to get the band back together to reprint all of Archie Sonic, now under the bad new banner "Floating Island Productions: MOBIAN LINE" that I can't imagine he consulted literally anyone else on.

So, like, look. As we've established, Ken can reprint his own stories. And if he can work something out with the other contributors whose contracts were lost, he can print their work, too. But there is no fucking way he's getting his hands on Ian Flynn's run, which Sega undoubtedly holds the copyright for. Even if they don't, Ian needs to maintain a good working relationship with both Sega and IDW if he's to keep his job, so he'd never go for this. Not to mention that Ian and Ken just... don't get along! Ken's whole plan here seems to be predicated on IDW going out of business (a thing he REALLY wants to happen) and freeing up the Sonic comic license, after which he knocks on Sega's door and goes "hey I've still got dirt on you guys," blackmailing them into giving him the Sonic license back so that he can reprint the later comics. Every step of this plan is ludicrous. It's never gonna happen.

He's been saying he wants to reprint the whole series for a few years now, though. This isn't really anything new. And despite his lofty plans that set Sonic Twitter ablaze, he quickly backpedaled. The only specific things in the works right now are a "two-volume omnibus" of all of his Knuckles stories and a collection of artist Scott Shaw's work on the very early Archie Sonic issues, since they're on good terms with each other. I have no idea how Ken plans on packaging these when he can't put any Sega characters or the Freedom Fighters on the covers, but these projects are small enough in scale that there's a decent chance they'll see the light of day. Scott Shaw only did like five issues. But anything beyond that? I'll believe it when I see it.

Or, y'know, this could've all just been a publicity stunt for his new book. I wouldn't put it past him. Let's just focus on the book that actually exists.

"So he finally did it? He made a whole Lara-Su book? It's out? He finished it??"

Yes and no.

The book that's out now is The Lara-Su Chronicles: Beginnings, a prologue for the series of seven graphic novels Ken somehow plans on making, even though it's taken him 13 years to put out literally anything new. I don't know whether or not this counts as book one of seven, because it only features 30 pages of new comics. 30.5 if I'm being generous.

Most of the book is actually just a reprint of his infamous Archie Sonic storyline "Mobius: 25 Years Later", which ran from issue #131 to #144 in 2003-2004. (Again, yes, he can reprint this, he just can't put Sonic on the cover.) Why's it infamous? Well, Ken had been building anticipation for this future era of the series for basically his entire run. We kept seeing King Sonic and Queen Sally from the future. Knuckles' entire backstory hinges on his dad having a vision of this future. Several years before Silver the Hedgehog was created, it was Lara-Su who was Sonic's equivalent to Future Trunks, the cool-looking child of one of the main characters who traveled back in time to try and prevent a dark future. Believe it or not, yes, there was hype for Lara-Su. And then we finally got M25YL, and none of that cool stuff happened. Instead it really ended up being about how unbearably boring the middle aged Sonic, Knuckles, Sally, and co. are in this peaceful future where Robotnik is dead and they're all married with kids, forced into traditional nuclear family gender roles. Lara-Su is present, but she mostly just does generic teen girl stuff and complains about how Knuckles won't let her do anything even though she REALLY wants to be the new Guardian of Angel Island, like, super bad! Come on, dad!!!

In its original printing, this meandering arc ended on an abrupt time travel cliffhanger that Ken was never able to follow up on before he left Archie in 2006. This new printing slightly changes that ending, using the unresolved timey-wimey shenanigans as a convenient excuse to alter the entire timeline. This creates the slightly different world of The Lara-Su Chronicles, where the few relevant Sega-owned characters have been replaced and everyone is ten times uglier.

After this, we finally get two short new stories picking up where M25YL left off: "The Storm," starring Acorn Kingdom super-spy and known creep Geoffrey St. John, and an early release of the first chapter of The Lara-Su Chronicles: Shattered Tomorrows, the first full TLSC graphic novel.

And now that we're all on the same page about what we're looking at, let's actually talk about the book!

The cover

Let's start by beating a dead horse. The cover art: it's still bad! But why is it bad?

The cover is, of course, based on Patrick Spaziante's cover from Archie Sonic #131, the start of the "Mobius: 25 Years Later" arc. (Ken did the layout for that cover, though, so in the eyes of the law he's the original creator who owns that cover.) That cover was, itself, a tribute to the iconic cover of Giant-Size X-Men #1 by Gil Kane and Dave Cockrum, the issue that introduced the version of the team with Wolverine, Storm, Nightcrawler, etc.

Ken seems to have forgotten that the point of both these covers was to hype up the arrival of a new cast of characters. The new guys are supposed to make a dramatic entrance front and center. That's the focal point. Meanwhile, the cover for Beginnings has the old timeline versions of the cast from Archie Sonic dramatically bursting out of a shattered crystal ball, while their new counterparts look on in mild bemusement - if they're even bothering to look at all, since most of the characters here are just copied and pasted from their profile pages. That's just not how you do this particular homage! The point is supposed to be "out with the old, in with the new." And why are they using a crystal ball to view the past? Hell, why are they even using a crystal ball at all? The original arc was presented as a magical vision of the future courtesy of Tails' uncle Merlin (don't ask), but the new story leans all the way into being futuristic sci-fi.

Of course, there is no real artistic intent at play here. The old versions of the characters are placed front and center in the crystal ball simply because Ken traced over Spaziante's original art of Lara-Su and Julie-Su (the only two characters on the Sonic cover he owns) and threw out the rest, ruining the composition in the process. Look at the awkward empty space where Sonic, Sally, and Rotor once were, and the new drawing of The Character Formerly Known As Knuckles who's no longer properly centered between his wife and daughter. Even if Ken can claim ownership of the cover because he did the original layout, this all just feels scummy and lame.

And, yeah, if it needs to be said, the new characters and Ken's new rendering style look like absolute fucking dogshit. Putting new Lara-Su directly next to old Lara-Su does her no favors. The shattered glass effect looks absolutely atrocious. I could go on, but we'll have plenty of time to talk about the art style when we see how bad the stories inside look.

Changes to "Mobius: 25 Years Later"

Overall, 99% of M25YL is presented identically to its original printing. Sonic, Sally, Knuckles, et al. are still present with no changes to their names and no tweaks to the art. Even the original cover for issue #131 is included only a few pages into this book with its Archie, Sonic, and Sega logos still intact and everything. Again, because of the weird copyright situation described above, these preexisting comics can be released without any changes.

There is exactly one bizarre change to the art, though, where a hand drawn shot of Angel Island is replaced with an unfitting photo background and the ugly Floating Island photobash that Ken has been using as his personal logo for decades. I think he only did this as part of a test for his motion comic app that nobody asked for. I don't know why this had to make it into the print version. It's like the book is firing a warning shot for what's to come if you keep reading.

The new content begins on the final page of M25YL. In the original wet fart of a cliffhanger ending, Sonic and co. accidentally alter the timeline with an old time machine of Robotnik's and Lara-Su begins to fade away. Then, after everything goes white, we just cut to the present day heroes going "gee, you ever think about the future?" In this new printing, that last bit has been cut, and the rest of the page has been awkwardly shrunk down so that Ken can fit in a new panel. We now see the hands of an off-screen villain, seemingly named "Override," proclaiming that "the Praetorian" (Knuckles) has messed up the timeline again and that they'll finally get their revenge.

Who is this Override? I have no fucking clue. The new stories in this book make no mention of them. You have to buy the next book to find out.

My confusion over the identity of this villain overlaps with another big problem: name changes. So many names and nouns have been arbitrarily changed in The Lara-Su Chronicles, even ones Ken didn't have to change for copyright reasons, and I only know what half of them are replacing because Ken's been tweeting about this shit for years.

The echidnas are now a totally original alien race called "the Echyd'nya." Even in flashbacks to events from M25YL attempting to mimic the old art style, if it's on a new comic page, they're gonna call themselves "Echyd'nya." Evil echidna faction the Dark Legion is now the "Cyberdark Dominion," hailing from the "Cyberdark Colony." The Brotherhood of Guardians is still the Brotherhood of Guardians, but now the main guardian is called "The Praetorian." Angel Island is still called "The Floating Island," like it was in the older Archie comics, but it's ALSO sometimes called "Avion"? When I read this I wasn't sure if he had randomly renamed Albion, the other echidna city from the Archie comics. But no. Now we have an Albion AND an Avion. Sally is mentioned simply as "Princess Acorn," while Sonic is referenced once as an unnamed "blue-spined Erinaceinae," using the scientific name for hedgehog to make it sound more sci-fi. In an incredibly ballsy move, Ken even mentions Robotnik as "the Insurrectionist Kintobor," retaining his original surname from the Archie comics that's just "Robotnik" backwards. Guess Sega never trademarked that one.

Aside from every name change being a downgrade, this leads to confusion when you're not sure if something is supposed to be new, or if it's just an Archie thing you're supposed to recognize despite having a new name and design. Is "Override" someone I'm supposed to know already? Am I just supposed to have read a fucking tweet from Ken where he said he changed the name of some existing villain to "Override"? The answer is no, but I had to term search his Twitter just to verify this.

Moving on!

New story #1: "The Storm"

If you've been following the WIPs, this is that story about Geoffrey St. John that Ken's been posting previews of for almost a decade. The title page copyright dates it to 2015, and that absurdly long gestation is probably why the art is so inconsistent here. Even the style of speech bubbles and the font change between pages two and three.

This is a problem when there's supposed to be a deliberate and noticeable change in art style here signaling the moment where the time travel stuff alters the timeline, replacing the Archie Sonic world with the Lara-Su Chronicles world. If you don't already know that's what's going on, the idea isn't conveyed clearly at all. It just goes from one hideous art style to a slightly different one with no explanation.

The main problem here is that Ken has hitched his wagon to a franchise about anthropomorphic animals when he can't draw furries to save his life. (Though a bit later in the book we'll also begin to wonder if he can even still draw humans.) He's shifted away from the cartooniness of the original designs and given them more human proportions and facial features, but this just ends up making them look incredibly uncanny and lumpy and gross. With some designs he's trying to lean into more of a Star Trek alien vibe, but then he still insists upon retaining the giant Sonic eyes on most characters even though he has no idea how to make them emote.

The rendering of these godawful designs doesn't do them any favors, either. Ken's going for more of a painterly look now, but it almost seems as though he's shading everything with Photoshop's burn and dodge tools that are designed to darken and lighten select areas of a photo. The result is a muddy, smudgy look that makes it feel like the color layer has been smeared in vaseline. And it only looks worse after coming off of 14 chapters of M25YL that have way more palatable art.

The backgrounds, too, are a complete mess, a jumble of low res jpeg photo elements (sometimes with extremely noticeable pixelation), stock textures, and smooth digital gradients. There's no real sense of place here, and it gives everything a surreal, dreamlike quality when you can't really tell where anything is supposed to take place. This first story is seemingly set in a high-tech stronghold below Castle Acorn called "the Bunker," but it could just as easily be confused for the bridge of a spaceship. This whole story features characters speaking to each other over floating video displays and hologram projectors from three different locations, but without a hologram effect and without a clear sense of where the characters are it often feels like they're just in the same room as each other. Characters will be in one location on one photo background, and then the camera angle changes and they're in a completely different place, because Ken just uses mismatched photos off of the internet. It's been like 25 years since he first tried using photo backgrounds in the Archie comics and he hasn't gotten any better at it.

When I had my boyfriend read the book to see if it made literally any sense to him (it didn't), Anthony said this: "This is the kind of shit I'd see linked on a Second Life world that hasn't been touched since 2004." I think he really hit the nail on the head. Now, there's actually a contrarian part of me that thinks that might theoretically almost be kind of cool, in sort of a messy counterculture way. I love weird indie shit. I was a Homestuck reader! But this isn't a scrappy mixed media zine, or experimental outsider art from someone just messing around with Photoshop, or a loving throwback to weird old internet art, or even something intentionally bizarre and offputting like Xavier: Renegade Angel or a PilotRedSun video or whatever where the fact that it's weird and ugly is part of the humor. This is supposed to be a sincere sci-fi epic drawing on Star Trek and Jack Kirby comics, made by a guy who's been drawing comics professionally since the '80s. This is supposed to look good. This is supposed to compete with mainstream comics that are on sale right now. He thinks any day now IDW's gonna go out of business and Sega will come crawling back to him so that he can stamp the Sonic logo on shit like this. It just doesn't work.

But, okay. It's ugly. We knew it would be ugly. But that ugliness would be much easier to accept if it was in service of an otherwise genuinely good story. So what about the writing? After all this time, how does Ken choose to kick off this new saga? Well, credit where credit's due. "The Storm" feels like a proper continuation of Ken's writing style from M25YL.

Because it's eleven pages of characters standing around and talking while nothing fucking happens.

Here's the synopsis: A dog woman named Brownie, an ensign in the Royal Secret Service fresh out of training and the only character who's almost cute, walks up to Geoffrey to deliver a report. He's immediately suspicious of her, asking who let her in and if she's a spy for Elias (Sally's brother, if you're new here) or Alicia (Sally's mom). The art style suddenly shifts when the timeline is altered, but the scene continues uninterrupted. Geoffrey points a gun at Brownie when she won't say whose spy she is. Geoffrey is distracted by a call and proceeds to have a conversation via a mix of holograms and video screens with Remington (head of Echidnaopolis security), Spectre (Knuckles' great great great great great grandpa, the one with the helmet who always looks evil), and a new scientist character named Dr. Zephyr/Zephur. (The spelling of this character's name changes multiple times throughout the 11-page story, because I guess nine years wasn't enough time to spellcheck this shit.) They say a bunch of made up technobabble nonsense about how it looks like the timeline was just altered and Knuckles and co. seem to be involved. It's complete drivel that I'm not even going to try to make sense of. Everyone decides to investigate further, and the conversation ends. Brownie tells Geoffrey she's his spy, then walks out and implies she's actually Alicia's spy in her inner monologue.

To be continued!!!

Yes, that's it. It's really just a bunch of technobabble where some characters talk about how it seems like the timeline has been fucked with. That's it. The whole time Geoffrey doesn't even get up out of his damn chair, which he's of course sitting in backwards to show how cool he is. It's just 11 pages of Geoffrey sitting in a chair and talking to people and looking uglier than he's ever looked. Nothing happens. Nine years for this.

I'm also struck by how meaningless all of this is to anyone who hasn't read Archie Sonic. The added context from M25YL may help a little, but "The Storm" focuses on characters who weren't in that arc, and the story does very little to introduce who any of them are. Brownie could've been super useful as an inexperienced point of view character who's only meeting the others for the first time here, but instead she's really just a passive observer who's here as part of some kind of 4D chess game between Geoffrey and Alicia, an off-screen character whose motivations in this era of the story are completely unknown to even returning readers. Who are the good guys and bad guys here? What are the conflicts and the stakes of the story moving forward? What do these characters want? Basic questions like this aren't really answered. I can't imagine a new reader being able to make heads or tails of this. Hell, I can't really imagine a returning reader who hasn't been following the last decade's worth of Ken's tweets about this story making heads or tails of it, either.

...Maybe more will happen in the next story?

New story #2: Shattered Tomorrows preview chapter

After another message from Ken, the story of The Lara-Su Chronicles proper begins with the redesigned Lara-Su walking along a jpeg photograph beach at sunset and crying while thinking about how Knuckles - sorry, his name is K'Nox now - is dead.

Yep! Straight into the dad stuff!

Look, I'm the last person to complain about writers getting super personal and drawing from their own baggage in their writing, but Ken's just no fucking good at it. There's no nuance, nothing interesting to say. He just keeps writing mediocre-to-horrible dads whose misdeeds are always justified by their "good intentions," and then sometimes they die and their kids are like "we may have fought but actually you were the bestest dad ever and I'll miss you forever, I'll never be able to fill your shoes!"

This is the only part of the new material here that feels like it has any heart behind it, because I know how much his complex relationship with his late deadbeat father means to Ken (there's an author's note in this outright saying as much). But the guy died 42 years ago, and it doesn't feel like Ken has had any new thoughts about this part of his life in those four decades. He's just not an introspective or self-aware enough artist to actually mine his personal baggage for anything beyond "father knows best."

Anyway, so then it jumps forward in time(?) and now we're following this human guy who looks like this.

Previously, Ken got a lot of shit for literally just using the likeness of Anthony Mackie for this guy, based on his IMDB profile photo. Ken has thus redesigned the character... and by that I mean I think he looks more like Ernie Hudson now? Ken's clearly just working off of photo references (if not straight up tracing), given his face is the most detailed and realistic-looking thing on any page where he's present.

But you may be wondering: who is this, and why is he here? Well, for one, he's here to run around in front of some low res space photos while making trite references to things like Planet of the Apes and Star Trek. Haha, he makes a joke about red shirts! Original!! But beyond that, Commander Mykhal Taelor (yes, that's really how he chose to spell it) is a human... from Earth! Archie Sonic readers are probably confused, because in those comics Mobius is Earth in the distant post-apocalyptic future. Well, despite being a Planet of the Apes fan, Ken always hated that particular worldbuilding decision from Karl Bollers, always preferring to think of Mobius as a separate alien planet. And now he gets to make that canon in his own stories and throw out Karl's ideas. So Mobius is basically just, like, a Star Trek planet now, with its own alien creatures that sometimes just so happen to look like anthropomorphic Earth animals.

Also, at one point Taelor wonders if the inhabitants of the dead Mobius might have been human, and the alien ally he's talking to over the radio says it's unlikely. "I don't understand why your kind has a problem understanding you're a minority within a minority." Perhaps poor wording for a line said to the only Black character in the story.

Anyway, Commander Taelor here seems to have discovered the uninhabited husk of Mobius after the vague time-space cataclysm everyone was worried about in M25YL has come to pass, and he finds an audio log from Lara-Su that I presume will explain what happened. I guess those are the titular Lara-Su Chronicles. In theory this flash forward establishes some sense of pressing danger, but when the threat to the planet is so unclear and technobabble-y it just kind of lands with a thud.

It doesn't take long before we get back to Lara-Su being sad about her dad. A good little chunk of the chapter is spent with this new timeline's Lara-Su recalling moments in her life, including echoes of the original Lara-Su's memories from M25YL, which feels redundant coming hot off the heels of a straight reprint of that entire arc. And boy, for anyone who read the later Archie Sonic comics, the protagonist having vague memories of the old version of the series from before a lawsuit-related timeline reboot sure does sound familiar, huh?

The art inconsistency somehow becomes even worse in this story, with Ken flip-flopping on whether or not he wants to use outlines, with the no-outline art managing to look even worse by relying entirely on Ken's awful rendering. By this point in the book, readers are also likely to start noticing how often Ken reuses art from previous panels. This is a shortcut that tons of comic artists use, of course. Invincible famously did a joke about this. It's often understandable. But, again... it sure does stand out in a book that took 13 years to make with only 30 pages of new art. Amusingly, Ken even manages to combine his inconsistency and recycling problems by reusing the same art with and without outlines. And, of course, any time Ken tries to draw the Archie era designs it's just... the worst.

And, yes, it's in this dreamlike montage sequence of Lara-Su's life that we get...

The uncomfortable family nudity scene, followed by the dual timeline Julie-Su breastfeeding scene.

Yeah, you might have heard about this one already. If this incredibly eerie presentation of Lara-Su's hazy memories of the two different timelines make it hard to tell what's going on, don't worry. There's another, clearer version later in the book as part of Julie-Su's character profile, because I guess Ken was just so proud of it.

(I censored these myself because I'm not playing Russian roulette with Tumblr's inconsistent nudity rules and risking getting banned lmao)

Like, okay. Is a mother breastfeeding her child really that shocking of a thing to see in a story? No, not at all. But, like... when it's two characters who you previously created for an officially licensed Sonic the Hedgehog comic for 7-year-olds... and some of those officially licensed Sonic the Hedgehog comics for 7-year-olds are reprinted in the same book... and when it's drawn like this... yeah, it's kind of a shocker.

It just looks so unnatural. Julie-Su is posed very deliberately so that you'll see both of her breasts, and in the new timeline version she's barely even holding Lara-Su so you can really get a good look at her supermodel body, showing zero physical signs that she just gave birth. Most people will immediately jump to this being Ken putting his fetishes in his work (a type of criticism that I'm incredibly tired of - it's 2024, all the cool artists are blatantly putting their fetishes in their work now). And my immediate response is that, no, this is probably just Ken trying to come off as really mature on a surface level, a thing he's been obsessed with since the Archie days. Free from the shackles of writing a licensed children's comic, of course he's going to jump immediately into depicting some nonsexual, artistic nudity to try and prove he's A Real Mature Artist For Grown-Ups who just thinks the human body is beautiful and breastfeeding shouldn't be a taboo etc. etc.

But then, like. You look at some of the other character designs. Like Espio's daughter Salma, who's now this horrifying alien lizard person who's always nude, and her scale pattern puts scales exactly where her nipples should be. Or you look at his comments about the Echyd'nya age of consent. Or you look at how he keeps drawing Lara-Su in this. Like, does the shuttle really need this, like... reverse chaise lounge thing in the cockpit? So that we can keep getting these shots of the 16-year-old Lara-Su lying on her stomach and posing with one of her legs kicked up, her naked ass in plain view?

The vibe isn't great, is what I'm saying!

I'm not going to try to ascribe authorial intent here. I don't know. I'm not a psychic. Given his very blatant reliance on photo references elsewhere in the book, it's entirely possible he just referenced some figure drawing photos that were maybe just a little too sexy. And also, he's an American comic book artist, and a boomer one at that. Those guys tend to draw women a certain way, even when it's not supposed to be sexual. I don't fucking know. It just sucks. I'm not gonna make some hyperbolic statement about how this makes him a literal pedophile who should be in jail, but it is deeply offputting and objectifying.

But if you already knew about the nursing scenes and were hoping there was some other really shocking stuff in there for me to talk about in this review, sorry to disappoint, but nope. That's the only shockingly weird new thing in here. Once again, not a lot happens in this story, and what does happen is pretty boring.

Once we get past the recap stuff and the human guy, the plot developments boil down to this: The timeline was altered at the end of M25YL... but not as much as you might think. In the new timeline, Knuckles ("K'Nox"), Cobar (now looking significantly younger), and Rotor (now a rhino just called "The Emissary") still traveled via shuttle to go find a time machine in the Badlands and fix the time-space continuum, like in the climax of the original arc. This time, though, Sonic wasn't there, and Lara-Su came along without having to stow away. Lara-Su watches the ship while the grown ups go deal with the time machine, and then after a couple panels Not Rotor comes back with Cobar and is like "Hey, Cobar got hurt, we gotta leave. Dunno what happened to your dad." And then they just, like. Presume that Knuckles must have died. Even though we have no idea what happened to him. And then they just fly away. And then Lara-Su is sad that her dad died.

And that's pretty much it!

This is supposed to be a really emotional sequence - it's literally the scene where Lara-Su learns that Knuckles is dead - but instead it comes off as unintentionally funny because of how poorly it's portrayed. Not showing Knuckles' actual disappearance is a huge misstep, for one, making his uncertain fate more confusing and anticlimactic than dramatic. But also, Ken keeps just using the same two drawings of Rotor for two pages, so he doesn't really seem to be emoting at all, and he's in this spacey hazmat suit that honestly just makes him look like fucking Moltar from Space Ghost. So the whole time I'm just reading his dialogue in Moltar's deadpan voice as he's like "I dunno. We did what we could. Anyway, let's leave."

After this, we get a two-page spread previewing the rest of the story from Shattered Tomorrows. It's basically like a trailer in comic form. It has one of the most mystifying layouts I've ever seen in a comic book. I have no idea what order I'm supposed to read this in.

Yeah, I kinda have a feeling this is the full extent of what Ken has drawn for the rest of that book. I'd love to be wrong, but I fear that I'm right.

Bonus material: Data files

These are mostly very dull, recapping a lot of events shared between Ken's Archie run and the new Lara-Su Chronicles timeline. It seems like almost his entire run is still considered canon to the backstory of the new timeline, just with some names changed, and things only really diverge at the climax of M25YL. But I'll share the interesting stuff here.

Lara-Su

The main thing you'll notice in Lara-Su's profile is the massive, unreadable wall of text where Ken felt the need to list the entire Knuckles family tree, split across both pages.

This is literally so long that Lara-Su's personal history has to awkwardly cut off mid-sentence and be continued on the final page of the book, after the rest of the data files.

Also, please note that this list gives Julie-Su's mom's full name as Mari-Su of the House of Atrades. Incredible on all levels.

There's also a reference to the dark timeline Lara-Su was originally supposed to come from. You know, the one where Julie-Su is the leader of a rebel movement fighting against a Knuckles who had gone mad with power? The timeline that would have been way more interesting than the one in M25YL? Here it seems to have been written off as the result of another "timeline disruption." Lara-Su allegedly has vague memories of this timeline, in the same way that she has vague memories of the M25YL timeline.

Geoffrey

Geoffrey's bio mostly recaps events from the Archie comics, which means the Sonic/Sally/Geoffrey love triangle has to be alluded to. His rivalry with Sonic is described like this:

"He would later resurface when Kintobor was transporting his latest hi-tech weapon, the Dynamac-3000. It was during that mission he discovered a rival for the Princess' affections. Whereas the Princess would be one of a line of conquests where St. John was concerned, the blue-spined Erinaceinae who protested doth a bit too much regarding his affections for the Princess for St. John's taste would prove to be a source of great sport and amusement."

Yes. It's gross. Saying that Geoffrey saw Sally as "one of a line of conquests" is gross. Ken writing this and then still treating Geoffrey as the coolest badass ever is gross. The "Princess Acorn" is also first on the list of Geoffrey's "female relationships" elsewhere in his bio, though I suppose how much of a "relationship" they had is left vague. Honestly, at this point the fact that Ken didn't explicitly confirm that Geoffrey took the underage Sally's virginity in the book comes off as a display of restraint. The bar couldn't be any lower, I know.

Remington

His bio is, frankly, shockingly long for such a minor character, though I guess he does get a large portion of the word salad dialogue in "The Storm." There's a lot of stuff here about how the identities of his biological parents are shrouded in mystery, a plot point that fans have long speculated Ken just straight up forgot about in his time at Archie. (Ian confirmed that Kragok from the Dark Legion was Remington's dad, though, so this isn't really much of a mystery.)

Lien-Da

She gets a bio even though she's not present in the two new stories, just so we get to look at her awful new design and compare it to how Steven Butler drew her earlier in the book:

Commander Taelor

We get to see two drawings of him with the same exact Ernie Hudson face side by side! That's fun.

Julie-Su

She gets a list of "known friends," but the only character listed is Knuckles' mom. Poor Julie-Su.

Also, Ken feels the need to reiterate that Knuckles and Julie-Su are still distant cousins. He made a whole new timeline where he can change whatever details he wants, but THAT had to remain canon. Thanks, Ken.

And then after the data files we get the special thanks page, listing everyone who preordered the book and/or bought TLSC merch from Ken.

With my name on the list. Because I had to buy a copy to cover it for the blog.

My name is on the very next page right after the breastfeeding panel in Julie-Su's data file.

Yep. He got me.

Is it at least a well put together book? Like, in terms of manufacturing quality?

Its physical quality is... fine. It's a nice, sturdy hardcover. The print quality seems fine, though mine does have a bit of smudging from some sort of printing error on one page. The pages don't seem like they'll fall out on me. The image quality is crisp. The colors are vibrant. This is a low bar, but this is one of the few places where I'm able to give this book anything resembling praise.

The formatting and graphic design work, on the other hand...

(I didn't crumple those page corners, it came like that.)

For one, the placement and sizes of the M25YL pages is inconsistent, largely due to the fact that the book doesn't actually match the proportions of a comic. A lot of pages aren't properly centered vertically. Some pages go all the way up to the top edge of the paper, while others leave a visible gap of about half a centimeter. Every page has a 1cm gap to its left and right, which is sometimes filled in with a solid color or gradient that doesn't quite match the page it's surrounding. I have to assume Ken didn't have any sort of source files or original artwork to work off of, as those ideally would've had more generous bleed to account for slight shifts in printing. It kind of seems like he just got the highest resolution versions he could find of the digital releases online and printed those. The colors are a dead ringer for the digital versions, which have always looked slightly more saturated and pastel than they did in print.

I can't say this bodes well for his further plans for Archie Sonic reprints - sorry, Mobian Line reprints. If they ever come out, please, for the love of god, do not buy those. I don't care how much you love Archie Sonic, they aren't going to be good reprints. For comparison, IDW's similarly priced hardcover Sonic collections have none of these formatting problems, because they're made by people who know what they're doing with access to the actual source files.

The book also has its fair share of text-focused pages, split between the data files and messages directly from Ken about the history of his career and this project, and these are formatted in the most amateurish way possible. Just massive walls of Arial text over either plain white backgrounds, simple gradients, or faded photos. I've seen school yearbooks with better graphic design. Even ignoring my subjective feelings about the art and stories within, this book does not feel like it's worth $36 USD.

It's frankly shocking how shabby he let this thing look considering it's supposed to be his baby. And doesn't that really sum it all up?

Closing thoughts

Obviously, I did not expect this to be any good. But I'm still left kind of dumbfounded by it.

I think what really strikes me about it is that Ken had a blank check to do whatever he wanted here. He got an opportunity many writers would kill for when he gained complete ownership of his most famous work. He's free from the limitations of a monthly licensed comic book for children, free to make whatever creative decisions he wants without editors or other writers or Sega to worry about, free to completely reinvent the series to his heart's content and finally tell the story of his dreams. And with that opportunity and 13 years of his time, he made... this. A direct continuation of "Mobius: 25 Years Later" that barely changes anything about the characters or world beyond their awful new designs, even though much of the word count is spent rambling about how the timeline has changed. A story that makes zero concessions for new readers, or even returning readers who don't already have the last decade's worth of Ken's tweets explaining his creative decisions burned into their memory. 30 pages where nothing really happens and the story barely moves forward an inch despite the decades-long wait - but maybe something will happen if you buy the next book!

Who is this for? Maybe this really is a project for no one but Ken. Maybe he just really, really wants to finish the story he started, a story that's personal to him due to the family history it evokes, and the number of people who enjoy it or buy it beyond that is irrelevant. I think that many of the best artists are incredibly self-indulgent ones working with that exact mindset, artists whose enthusiasm for their own work jumps off the page or screen. So, if that's the case, then why the fuck isn't he telling the damn story? What's stopping him? Why is he still spinning his wheels? Where is that passion for his own work? Because it sure as hell isn't there on the page. There's a huge part of me that really wishes I could say "Man, what a weirdo, but you do you, Ken. You tell your weird little story." But there's barely any story here. It's like he loves styling himself as a storyteller, but he's terrified of finally having to actually tell a story after all this time. He's still stuck in the exact same mode of writing he was in almost 30 years ago when he was doing 6-page backup stories about Knuckles, just killing time and stringing readers along until he's eventually able to truly realize his vision. If not now, then when, Ken?

Even the back cover blurb is mostly just a dry recap of the history of this thing. It was a Sonic comic, the original arc was published in these issues, it went unfinished, Ken left Archie, the lawsuits happened, now he's continuing the story. There's nothing about why anyone should give a shit about this as its own story, even though Ken has spent years trying in vain to convince people TLSC is its own beast that shouldn't be judged as a Sonic story. I think deep down he knows that there's no pitch for this beyond the novelty of it originating from Sonic. And that's why, despite declaring that he'd leave the site, he's still on Twitter riling up Sonic fans. It's the only attention he gets at this point.

Maybe this is too harsh when those 30 pages of new comics are just intended as a preview for the "real" book. But the elephant in the room is that we have no idea if that "real" book will ever actually come out, let alone the entire series of seven graphic novels that will supposedly complete this saga.

Ken is undeniably a complete jackass and all around unpleasant, vindictive person who's rightly become an industry pariah. He's a self-proclaimed paragon of progressive values who'll send Comicsgaters after his successors for the crime of not worshiping the ground he walks on, and then turn around and announce he's going to reprint their work without even consulting them. He's a sore winner who already won his copyright battle on a level most comic writers would never dare to dream of, and yet still won't truly be satisfied until he sees an entire major comic publisher go out of business, putting god knows how many people out of work, because he thinks this would get him back the license to a video game franchise he doesn't even like.

But I still have to pity him.

As an artist, the trajectory of his life is my nightmare. I think all of us fear dying before we can tell all the stories we want to tell. There's simply never enough time to do everything. And here's Ken in his 60s, talking about how he's still planning on making his magnum opus all by himself out of stubbornness and pride, despite demonstrably proving he can't handle the workload, and also talking about how if he dies before the project can be finished he'll have to pass the torch on to his kids and get them to finish it for him. It's so grim. Even just typing that sends a shiver down my spine. It took nine years of his limited time on Earth to finish and release an 11-page comic about Geoffrey St. John sitting backwards in a chair.

This is a purgatory of his own creation. And yet... I'm not sure he's ever been prouder. One must imagine Sisyphus happy.

I guess if I want people to take anything away from this review, it's this:

Lesson one: If you're an artist or writer of some kind, or an aspiring creator, don't wait around. No one else is going to tell your story for you. Start writing that novel. Start drawing that webcomic. Start making that game. If Penders can put out this damn book that no one asked for after 13 years of work, then proudly proclaim that he's still going to make six or seven more books and also reprint hundreds of comics he doesn't have all of the rights to, then show up to cons with that foul Lara-Su Chronicles: Shattered Tomorrows banner and sit in front of it beaming with pride, fully aware of his critics but saying "fuck 'em, I know I'm hot shit," then you can do fucking anything. Tell the weird, sincere, cringe story of your dreams. If Ken Penders doesn't have imposter syndrome, then nobody should.

And lesson two: Don't buy Ken's books.

[bountycancelled]

(un)secret admirer

luke castellan x child of aphrodite!reader

tip me on kofi, if you feel so inclined

requested: nope, I'm just currently obsessing over pjo (aren't we all?) and Charlie bushnell is my pookie so luke is also my pookie (what about all the people he murdered– what murdaaaa?!)

warnings: none I believe!

content: probably ooc luke becusse I haven't read the books, I don't know if demigods even nap, I don't remember the movies and he's barely in the show lol, some cuddling, lowercase intended because fuck grammar, also I know demi gods are dyslexic i just dont gaf because i thought this concept was cute, that's all!

a/n: SEND ME PJO REQS! please. also this is short and I'm sorry, I've been having horrid writers block.

"I don't get what the big deal is." Lukes voice could be heard from where he sat on your bed, as you gazed at the piece of paper in your hand, pacing back and forth in your room as you analysed its every minute detail to the best of your abilities. "you get letters from the other campers all the time."

"I already told you Luke. this handwriting isn't the same as any other letter I've gotten, so that means it's from someone who's never sent me a note before, and I need to know who it is."

you had recieved a myriad of letters ranging from 'I think you're pretty' to 'I would sacrifice my right arm just to get a hug from you' during your time here at camp. beyond being drop dead gorgeous, you were kind, always wearing a charming smile on your face, and having the ability to comfort people with your presence alone.

that (coupled with the facts that most kids here had some kind of parental baggage and your kindness definitely filled some kind of void) meant that you recieved many a words from not so secret admirers. you were sure that you knew the identities of the people who had given you sealed envelopes and tightly folded papers, but you were currently stumped.

you were startled out of your staring contest with the scribbled ink by the feeling of Lukes arms around your shoulders as he spoke. "I'm sure you'll figure it out eventually, now can you please come back to bed? you know that I can't nap if you're not with me."

you sighed, letting him lead you back to your bed so that he could rest before you two inevitable of the two of you needing to help around the camp occured. you stared up at the ceiling as he slowly started to dose off beside you, before you gasped and shot up, effectively spooking him out of a peaceful moment.

"it's Percy!" you shushed Luke before he had the chance to complain about your sudden exclamation or the fact that you weren't letting him get a wink of midday sleep. "I mean, he's just met me, and one of my friends probably told him some stuff about me–"

"it's not Percy." Luke deadpanned, pushing you down by the shoulder from the upright postpone you were sat in to make you lay back down, and wrapping his arm around your waist. you were shocked into silence, because although Luke was an affectionate friend, he had never cuddled you while he was still awake. he would always wake up and discovering that he had wrapped around you in his sleeping state, apologising sheepishly while retracting his limbs.

after a few moments of stunned silence, you furrowed your eyebrows in confusion at his statement. "and how do you know it's not him, huh?" he simply blew air from his nose, tightening his grip around your waist.

"because it was me, sweetheart."

now that shut you up fairly quickly, as you bit your lip to try to hinder the giddy smile that wanted to form on your features. you opened your mouth to speak again, only to be interrupted by Luke placing a small kiss on the back of your neck.

"we'll talk when we wake up, alright?" but you weren't having any of that. "okay... but, before you go to bed. how long have you liked me? is this actually the first letter you've sent? why wouldn't you just tell me, you idiot. obviously I like you too. I know you said some stuff that you like about me in the letter, but I want you to tell me about everything you like about me, like every feature, every trait-"

Luke chuckled, sporting a big grin as you spoke. he would tell you all of that and more, he would do anything you asked of him, just as long as he got to hold you in his arms just like this.

[franzivonkarma]

I desperately need people to understand that Franziska's whipping thing really isn't solely a silly character gimmick. Of course it is to a degree, just like Godot and coffee and Klavier and air guitar in court, but so often I see people dismiss Franziska's whipping trait as an annoying feature that adds nothing to her character and I cannot stand it. This is a bit of a rant and I touch on gender inequality and the way I see a lot of men treat her as a character a decent amount within this because I feel like the fact that she is a woman is actually very important to this element of her character, and her treatment is also a lot of the reason why I feel compelled to talk about this in the first place.

Firstly what you need to understand is that not only is Franziska a woman, she is also laughably young when she becomes a prosecutor. She's a 13 year old girl trying to hold the attention of a courtroom of mostly grown men and be taken seriously. It's no secret that misogyny does exist in the Ace Attorney universe of course (see: Godot), but aside from this, maybe it's just because I've been playing Ace Attorney Investigations recently, but she is just very small all around. It's a running gag in Turnabout Reminiscence that she is short, she's small, she can't see things Edgeworth can - although granted Edgeworth is definitely fairly tall, most estimates I've seen linger around 5'8-5'10 (around 170-180cm). And of course, she is only 13 here, she's not done growing, but it's at this age that she actually did begin to prosecute. Naturally, she'd often be underestimated, and we can see a strong desire to prove herself during Turnabout Reminiscence, even just to her father; I can only imagine that this would extend further into her trials as a young girl. Secondly, she's the daughter of Manfred von Karma, whom she idolises to a godlike status and who teaches her everything she knows about prosecuting, and also a lot about life in general - he's her father. There's a lot I could say about their dynamic, but I feel that much of it doesn't need to be said in this specific post if you're already here dedicated to Franziska enough to bother reading this post.

Manfred's courtroom (and often, regular) behaviour revolves a lot around him taking complete control of the entire courtroom, with him even speaking over the judge, overruling objections he does not like and sustaining his own, and instructing witnesses himself. He also often snaps his fingers to direct attention to himself and his point. Franziska learns this, but how does a literal 13 year old girl follow her father in this regard? Well, by force. Whipping someone is a very clear way to get their attention. Not only the person it hits but the people around - whips cracking are loud, they take up a lot of visual space, and they also obviously cause harm to the person they hit. These are all things you can't really ignore - it forces you to look at her and pay attention to her and gives her control of the room exactly like Manfred. I've also been thinking a lot about the end of Justice For All in relation to this. She's lost to Phoenix multiple times and she couldn't beat him even once just to prove that she was better than Edgeworth as she so desperately wanted to. This brings me to another point about her use of her whip. While I think control is a huge aspect and is my main focus here, I think it falls more under the umbrella of Franziska's own perceived shortcomings. We also know that she doesn't believe she lives up to her father's genius, and that she consistently feels like she's walking in Edgeworth's shadow, she says it herself:

I think at least some part of the reason her whip is so important is because she believes she could very well be less than equal to others in the room in terms of certain traits. She sees her father as a genius, knows she isn't equal to him, and internalises this (whether she is actually less intelligent or not I personally don't know what I believe, I haven't played Justice For All in over a year and a half and I would have to replay it to decide my thoughts).

In having to be perfect, there are many expectations she cannot live up to, and this leads to many ways in which she falls short of what she believes she should be. By using her whip, again, she can account for her perceived shortcomings in other areas - control, her intelligence, her ability as a prosecutor. I think this last scene of JFA actually introduces us to the idea that Franziska is somewhat self-doubting in some ways and compares herself a lot with others, not just Manfred, but also Edgeworth, which we see more of in Ace Attorney Investigations during Turnabout Reminiscence, where we see her at 13 attempting to prove that she can "out-logic" Edgeworth for the entire case, and essentially, that she is "more perfect" than he is.

But to come back to her whip, control, and the end of Justice For All.

She is left with little of who she was before and doesn't know how to move on - everything she was taught to be from the moment she was born, she no longer is. She is 18 here, prosecuting for 5 years already and desperate to be prosecuting for even longer. As far as her life was set out, this was basically it for her - become a perfect prosecutor and prosecute perfectly just like Manfred - the ideal prosecutor in her eyes.

A Von Karma is perfect, but she is not - she lost, just like Edgeworth, whom she shamed for the same thing. She gives up her whip here, and I feel that it's truly symbolic of how she feels like she's completely lost control of herself, her life, her relationship with her father and most obviously her occupation as a prosecutor. How could she continue being a prosecutor when she no longer lives up to the idea of it that she's had her entire life? What use is her whip if she will not need to hold the court's attention any longer?

I'm sure a million other people have thrown their coin in the pot on this exact topic, and I'm sure many have said the same thing as me and many have said something different, but I needed to write my thoughts out about it because I couldn't stop thinking about her. This is one big reason why I feel like I see a lot of men who don't understand Franziska and see her as very annoying, gimmicky, and my least favourite - a "female Edgeworth." She is a woman who steals attention and space forcibly; both from characters in-game, and also from the player with her animations that take up time in trials and a lot of the visual space. Of course this makes her unpopular with a lot of men. I'm not saying that if you dislike her or the whip it comes from a place of misogyny, I am saying that I think her whipping trait is reduced to a stupid, annoying gimmick more than, say, Godot and his coffee, because a lot of people don't really care to see that there is intention behind it that reveals a lot about her character, just like how Godot's coffee problem is relevant to his backstory.

[yesihaveaobsession]

Midnight Melody

Alastor x single!mom female reader

Summary: After being kicked out your apartment and the baby daddy disappearing you end up at the hotel, it's late at night and your infant is acting up. The Radio Demon steps in and helps.

A/N- So I read somewhere Viv might've confirmed that Alastor doesn't like children, but I feel like he might like infants, he may noy like the crying, but I do believe he finds them interesting so enjoy this cute little fic I put together!!

IF YOU SAW THE OTHER ONE PRETEND YOU DIDNT I MADE A MISTAKE AND ACCIDENTALLY DELETED IT 😪

Things weren’t going right for you. You were kicked out of your apartment without even a chance to grab your belongings, and the baby daddy disappeared after the infant was born. With no better solution in mind, you got a room at the Hazbin Hotel. The hotel manager, Charlie Morningstar—the Princess of Hell—welcomed you with open arms and a bright smile. You explained your dilemma and, not having much money, she kindly said you could stay as long as you needed, and that it was on the house.

She placed you in a quieter part of the hotel, and that’s where your room was. Alastor, the Radio Demon, was also generous enough to get you all the baby essentials you needed since you didn’t have time to gather your things. It was tough.

On this particular night, the hotel was quiet—you assumed the others were asleep—but your pride and joy weren’t having it and wouldn’t settle down. You sat in the corner, hair slightly disheveled as you gently rocked your baby, trying to soothe them back to sleep in the dimly lit room, hoping not to disturb anyone. As you murmured soothing words, a gentle knock on the door startled you. Holding your breath, you hoped the infant wouldn't cry louder.

"Shhh... It's alright," you whispered, adjusting your hold and the blanket to try and calm them down, but nothing seemed to work. The door creaked open, and Alastor himself stepped into the room. He had obviously been alerted by the baby's cries and had come to offer some assistance to the pretty woman staying next door to his room.

Although his intentions were masked by his characteristic smile, his eyes softened as he saw you—the mother—and your tiny bundle of joy.

"Good evening," Alastor said smoothly. You suddenly felt nervous and protective of your child, and he seemed to notice. “I couldn’t help but notice the gentle cries coming from this room. May I assist you with the little one?”

You looked up at him, a hint of relief gracing your tired features as you felt utterly grateful. "Oh, Mr. Alastor… I’m sorry for the disturbance. I just… I’ve had a tough night; she can't seem to calm down. I've tried everything." You sighed, using your free hand to run through your hair.

Alastor approached; his presence somehow calming. “If I may, might I take the baby to offer some assistance?” he asked politely, his tone gentle and respectful. You weren't sure if he should be trusted, but seeing the genuine look in his eyes, and feeling utterly exhausted, you were willing to accept any help you could get.

“Please, if you think you can help,” you said. Alastor then carefully took the baby from your arms, his touch surprisingly gentle. As he cradled the tiny infant, he began to hum a soft, melodic tune. The sound was almost like a soothing white noise. He slowly rocked the child, and you just watched.

The baby, sensing the soothing aura, gradually relaxed. The tiny, clenched fists softened, and the baby’s little face, scrunched in distress, smoothed out. The infant nestled into Alastor’s arms, curling up against him as if finding comfort in his presence. The delicate head rested against his chest, and the tiny body seemed to sink into the warmth of his embrace. The cries ceased, replaced by soft, rhythmic breathing.

That's when you noticed that Alastor's crimson eyes twinkled with a rare tenderness as he observed the baby's peaceful transformation. “Such a delicate little creature,” he murmured, rocking the infant with practiced ease. “You’re doing a wonderful job, you know. Parenthood is no easy feat, especially under such circumstances.”

You continued to watch in awe. He had helped you more than the baby's father had in the three days you were here, and you were utterly grateful for the Radio Demon's assistance. The little one’s breaths were steady and calm in Alastor’s arms. The magical resonance and gentle rocking seemed to work wonders.

"Thank you," you whispered. "I don't know what I would have done if you hadn't come in." Alastor looked up from the sleeping infant and gave you a courteous nod as he still held the baby.

“It’s my pleasure. It’s not every day I get to assist with such a heartwarming task. If there’s anything more you need, don’t hesitate to ask,” he said softly. With the baby now peacefully asleep, Alastor carefully handed the little one back to you.

You took your whole world back with a grateful smile, feeling a wave of relief. Alastor snapped his fingers and left a mini old-fashioned radio.

"This will play nursery rhymes, white noise, and the sound of waves crashing," he said as he turned toward the door before glancing back at you and your child. “I’ll make sure to visit again, just to check on you both,” Alastor said before leaving. “Good night.”

You gently put your child back in the crib and finally managed to get some rest. In the morning, you decided you wanted to get Alastor something to thank him for everything.

[tetragonia]

A Wave of Feelings

Rafe Cameron x F!Pogue!Reader

Blurb: Rafe and (Y/N) got into an argument for God knows how many times, about literally anything when they breath the same air, ranging from a small accident to a heated one about their cultural beliefs. But something in the air was different this time. Or was it only in the air? Not something in their heart and mind when the two of you finally realize something big that could change your lives?

Note: I have always wanted to write an angst especially for this character and it has occurred to me one day that arguing/miscommunication plot is kind of my fave trope so here we are lol.

Warning: angst, hurt/comfort, miscommunication, argument, bad writing lol English isn't my first language. also, soft!Rafe in the end!

Words: 1490

The sun hung low over the Outer Banks as Rafe Cameron and you found yourself embroiled in yet another heated argument. This was clearly not the first time you both got into an argument. Some of them were heavy like that one time when your best friend asked you to go to the party just to talk to Rafe (which she did) but then he dumped her after the party and she cried for weeks on your shoulder, or some Kook-owned properties that limited your access, or some insulting banter between Rafe and your friends (that got you realized how much he hated JJ).

But most of the time it was just about silly things: when he knocked up your beer accidentally, when you sailed in front of him and accidentally splashed some water (it didn't even make his already oily hair wet), or when you were napping in a near beach and he claimed that it was his territory (he was in the Cut area, for God's sake!). You two always found a way to argue.

This time, your voices clashed like crashing waves, echoing off the walls of the old shipwreck where you had sought refuge.

"You're impossible, Rafe! Always acting like you own this place, roaming around thinking that you're so much better than us Pogues," you exclaimed, your voice tinged with frustration. Pogues always owned this place, not some rich snobby kids like him, you thought.

Rafe's jaw clenched, his temper flaring and pride wounded. He hissed, "Maybe if you Pogues have some ambitions, you wouldn't be stuck in the same place your whole life!"

Oh, this was definitely one of those heavy arguments.

Your fists clenched at your sides as took a step forward. Your voice trembling with emotion. "You have no idea what it's like to struggle, Rafe. You've always had everything handed to you on a silver platter."

For a moment, you needed to convince yourself that you saw Rafe's gaze softened. You wanted to believe that a flicker of remorse crossed his features before he quickly masked it with a defiant glare. "At least I don't have to scrape by just to survive. Maybe if you Pogues worked harder, you'd actually amount to something."

His words struck deep, a painful reminder of the challenges you and your community faced every day. You recoiled as if struck by a lightning, your eyes stinging with unshed tears and your face was red, "You don't know anything about me, Rafe. You don't know what I've been through."

Your argument drew the attention of Sarah who was nearby with John. She was one of your best friends and you felt nothing but pity every time you realized that she shared the same blood with Rafe. With a furrowed brow, she stepped between you two, her hands raised in a gesture of peace trying to calm you down.

"Hey, what's going on here? Can't you two go five minutes without arguing?" Sarah pleaded, her voice filled with concern and annoyance. She must be tired with all these arguments, you thought. But those were all about Rafe's incapability to control his temper! And that might or might not be your issue as well...

Rafe shot you a scorching glare before turning his attention to Sarah. "Stay out of this, Sarah. This doesn't concern you."

Your eyes flashed with defiance as you stepped forward beside Sarah. "You're the one who concerns everyone with your existence!"

"What did you say to her, Rafe?!" Sarah looked at you with a concern. You were one of her strongest friends and she rarely saw you tremble like this. "Come on, talk it out like an adult, will ya!"

Rafe's fists clenched at his sides, his frustration boiling over. "Talk? What's there to talk about? I said, stay out of this, Sarah."

His gaze turned to you, "You think you know everything, (Y/N). Being the weaker one of the community, blaming us for having some money. If you said that I don't know anything about you, then you also don't know anything about me!"

His words cut like a blade across your pain. Your expression softened, a hint of hurt flickering in your eyes and you were not sure whether Rafe realize that or not. "Let's just cut it out. You would never understand what I've been through. What we have been through. Let's go, Sarah. Let's get out of here."

Sarah watched the exchange with growing concern, her heart aching for her brother and her best friend. She knew there was something deeper at play here, something that neither of them wanted to admit.

"Come on, you two. Let's take a step back and calm down, especially you, Rafe," Sarah suggested, her voice gentle yet firm. She glared at his brother. His face was as red as you, his forehead frowned deep.

You and Rafe exchanged a wary glance before reluctantly exhaled a deep breath. As much as you hate him, as much as you didn't want to admit, you really want him to apologize. The tension in the air began to dissipate, replaced by a palpable sense of unease.

Sarah sighed, running a hand through her hair as she tried to find the right words. "Look, I know things have been tense lately, but I really can't bear another sight of you guys bicker over things. If you still want to do that, please not where I can see you. I need you two to be in your best behavior when I'm around. Especially with you, Rafe. I have enough of you already."

Rafe's gaze softened as he looked at his sister, a pang of guilt tugging at his heart. "You're right, Sarah. I'm sorry for snapping at you earlier."

Sarah still held her concern, but she relieved to see them finally finding common ground. "It's okay. Now I'll leave it up to you. I can't mom you around like this, geez."

She walked away from you both. She lived long enough with both you and Rafe and there was no way she did not realized that beneath the surface, there was a different kind of tension simmered—a tension born from unspoken feelings and unacknowledged desires.

You stood still, refused to meet his gaze. The wind blew your hair as the sun began to set. You started to feel the chill and instinctively hug your own body, fixing your shirt together. You accidently drew a sharp breath when a cold wind sent chills down your spine. You sniffed and looked over the horizon. Refusing to take even the tiniest glance at him, you kept looking at the sea while stroking your upper arm.

Despite the heat of your argument, Rafe couldn't ignore the way the cold seemed to seep into your bones, making you appeared small and vulnerable against the vast expanse of the beach. His heart ached at this view.

You didn't see that he wanted to reach out, to wrap his arms around you and shield her from the biting wind; his hesitation to offer you warmth and comfort in the midst of your argument.

But his pride held him back, a barrier he had built long ago to protect himself from vulnerability and pain. Yet now, standing on the windswept beach with you before him, he couldn't ignore the truth any longer.

With a heavy sigh, Rafe took a step forward, his voice barely above a whisper as he spoke. "(Y/N), I... I'm sorry. I shouldn't have said those things. I was out of line."

Your eyes widened in surprise at Rafe's apology, your anger momentarily forgotten as she regarded him with cautious curiosity. You had expected him to be stubborn, to be the usual Rafe: to dig in his heels and refuse to back down. But instead, here he was, standing before you with such humility you'd never seen before.

For a moment, the two of them stood in silence, the only sound the crashing of the waves against the shore. And then, slowly, hesitantly, you took a step forward, closing the distance between them.

"Rafe," you said softly, your voice barely audible above the wind. "Thank you."

And with that, Rafe's resolve crumbled completely. Ignoring the voice of doubt in his mind, he opened his arms and pulled you into a tight embrace, provided you with the warmth of his body against yours. He could feel the softness of your hair against his cheek and he kissed your head softly it almost gave you a heart attack.

So you were not hallucinating all this time. The glances, the gestures, the underlying concern for her.... He felt the same way, too.

In that moment, with the cold wind whipping around them, you knew that he had finally acknowledged his feelings for you. And as you stood together on the windswept beach, you both vowed to never let your pride stand in the way of your connection again.

[danieyells]

Rui mizuki’s lines from Tokyo debunker if you haven’t yet PLEASE I will love you for all eternity

They’re edging me with the rui crumbs every chapter I can’t take it anymore

One flirty reaper coming right up!! And by right up i mean almost a week after you asked hhahaha

BUT YEAH WE DO GET A LITTLE OF HIM HERE AND THERE i wonder why he pops up so much. Especially for someone who allegedly tries not to be around other people much due to his deadly touch? Kinda sus--

also this is the first time i've posted all of someone's lines! not that i don't always end up posting 95% of them anyway, but for some reason some of Rui's were ordered weird(they're normally not entirely in order but they're usually sectioned properly, but for some reason one of his affinity chats was way in the wrong place) and I ended up closely paying attention to which one i was looking at and before i knew it i posted all of them lmao. . . .

Hello: (the first time the game is opened after that character is set as home screen NPC. Only happens once per day, unless the character is switched out and back.)

"{PC}, hey! Here's to another day vibing our way through curse twin life!"

You've Got Mail: (whenever there's something in the inbox, usually Arena rewards)

"Huh? Did you know you've got unread messages? Oh, that's why you've been leaving me on delivered! Ahaha!"

no that's just because my adhd makes me hyperfocus on things and it refuses to allow me to attempt to allot attention or energy to things it deems me not having enough attention span or energy or time for and i'm sorry--

Default: (requires no affinity, has no time constraints)

"Aw c'mon Ed, again? Why does he always leave his socks on the floor... It's actually exhausting picking up after him all the time..."

lazy sloppy vampire lol

"You look kind of tired {PC}, you doing okay? Why don't you stop by the bar later? I can be your shoulder to cry on."

"Hey! You on break now? If you're super nice and you're gonna come chill with me now, put your hands up!"

"{PC}...were you just checking me out? Hey, it's all good, don't be embarrassed!"

"Oof, Ed popped out of nowhere so I accidentally touched him and he died again. Now I have to carry him all the way back to the dorm..."

i love the face he makes when he says this lmao like he is so tired of Ed's carelessness!

Affinity 1: (between 5am and 11am)

"{PC}! Did you come here to see me first thing? No way! You just made my day!"

Affinity 2: (between 11am and 4pm)

"Aw c'mon, Ed, what are you doing sleeping out here? Didn't you just take a nap, old man? You're gonna catch a cold!"

Affinity 3: (between 4pm and 8pm)

"Oh hey, it's {PC}! Can't believe I ran into you here, so random! Guess we've gotta go on a date now, huh? It's like, written in the stars!"

i love flirty characters like rui lolol just. there's always More Going On there. and Rui starts off with More right off the bat.

Affinity 4: (between 8pm and 5am)

"I can touch the plants as long as I have gloves on! I mean yeah, I'm pretty sure the same goes for people, but don't you think it'd be scary to test it out?"

Affinity 5: (between 8pm and 5am)

"Come swing by the bar later! I'd rather watch a pretty face like yours while I work instead of a bunch of drunk guys."

Affinity 6: (between 4pm and 8pm)

"What? Ed was praising my good looks? I mean he's right, right? People always tell me my face is my only redeeming feature!"

but rui works so hard!? who's saying that!!

Affinity 7: (between 11am and 4pm)

"Oh sorry, I don't do the whole class thing! You go, I'm all good here!"

Affinity 8: (between 4pm and 8pm)

"Ouch! Aw man, that rose thorn just scratched my arm... Wait, nooo! My rose bushes are wilting!!"

it's so easy for him to accidentally kill anything lmaoooo

Affinity 9: (between 8pm and 5am)

"Are you out here by yourself, {PC}? Isn't that like not super dangerous? ...Wait, did that make sense? Whatever, let me walk you back!"

Affinity 10: (between 10pm and midnight)

"Sorry! A drunk customer broke a glass, so I'm cleaning it up! Everyone's a little pent-up lately, I guess."

Affinity 11: (between 5am and 11am)

"Watering plants in the AM is such a mood lift, right? Whoa, everything's blooming like crazy out here! Better get my pruning shears."

it's a testament to how well he takes care of these plants that they grow super well in permanently-night Obscuary, i think. 8'D

Affinity 12: (between 11am and 4pm)

"Huh? Look, you've got loose threads on your uniform. Give it to me, I'll fix it for you!"

Affinity 13: (between 4pm and 8pm)

"Hey, {PC}, did you eat yet? My door's always open! You can just stay the night after!"

damn already inviting you to stay over at affinity 13--just don't share the bed, you'll wake up super dead

Affinity 14: (between 5am and 11am)

"(yawn) Wow, I am dead tired... but I've gotta take a shower, make breakfast, and do the laundry before those two sleepyheads get up."

it takes a real man to be a single mother. . . .

Affinity 15: (between 5am and 11am)

"Oh hey, what's your poison? Wait, I mean, morning! Man, I tried to take my friend's drink order when we were hanging out yesterday too, occupational hazard I guess."

Affinity 16: (between 11am and 4pm)

"A mission? I'm good, thanks though! Oh hey, you should invite Lyca! He'd totally be into that!"

Lyca also probably needs them to pass the grade lol

Affinity 17: (between 10pm and midnight)

"No way, look at the time! Wish I could keep listening to you talk... Wanna stay over?"

Affinity 18: (between 8pm and 5am)

"Oh man, I'm sorry! I'm closing early, I've got plans with a friend tonight. It'd be awesome if you could come by tomorrow!"

Affinity 19: (between 10pm and midnight)

"Congrats on making it through another day, {PC}! I seriously admire you for working so hard. You're not doing this all for me, are you?"

Affinity 20: (between 5am and 11am)

"Morning! Whoa, you wanna help me with the housework, {PC}? It's all good, thanks though! The thought's more than enough for me."

c'mon, refusing help at affinity 20? let the pc be your little helper at least!

Affinity 21: (between 11am and 4pm)

"Obscuary looks like it'd be full of downers, but it's actually pretty lively in there, right? Not gonna lie, I def prefer it that way."

Affinity 22: (between 4pm and 8pm)

"Lyca's an open book, but the flip side is he says the darndest things... I feel like watching him is bad for my heart..."

he talks so much about his teammates, he really is such a mom. . . .

Affinity 23: (between 8pm and 5am)

"My eyes are red? Huh, that's weird... Oh yeah, I was cutting onions just now when I was preparing the appetizers for the bar!"

. . .idk this is pretty high affinity. . .you were crying about something weren't you rui. . .or romeo paid you in weed and you were getting tweaked up in the back of the bar

Affinity 24: (between 10pm and midnight)

"Oh, don't worry about me, I always sleep late! I'm down to chat till you drift off to dreamland."

Affinity 25(max): (no time constraints)

"Sometimes I wish I could've met you as a regular guy. I guess you wouldn't have given me the time of day if I had though, ahaha."

is it just me or. . .does it feel like he gets a little more distant as his affinity gets higher? like after affinity 17 it feels like he gets a little less flirty and a little more at arms length. . .like he knows his feelings are getting so strong that he might not be able to resist touching you, but he's too scared to do it even with the gloves on. . .so he tries to keep you a little further away. . .and then he admits it, he wishes he could be with you like a normal person, but if he were just some flirt in the street none of this would have ever happened. Poor Rui, he's cursed to be beloved but unable to give love how he wants in return.

Spring: (March-May) (between 5am and 11am)

"Oh man, so nice... The weather's like perfect this time of year, right? Wish we could just chill like this forever."

(between 11am and 4pm)

"Man, you wouldn't even know it was spring with how bleak it is in Obscuary! Aren't there any cuter anomalous plants out there?"

(between 4pm and 8pm)

"I feel like Ed's getting more senile every day... Maybe I should confiscate his tablet."

(between 8pm and 5am)

"So, what do you think of my spring-inspired cocktail? Almost as cute as you, right? I'm gonna add it to the menu!"

Summer: (June-August) (between 5am and 11am)

"C'mon! It's summer, how can the sun never rise in Obscuary!? I wanna get a tan!"

(between 11am and 4pm)

"It's not summer if you don't hit the beach! I used to go all the time back when I surfed. And then I'd pick up girls on my way home... Just kidding, I promise!"

why 'just kidding' lolol you're not together! this relationship is not monogamous even if you were!

(between 4pm and 8pm)

"Ta-da! I've got sparklers! Fireworks are fun and all, but there's something special about holding a light that only sparkles for a hot moment."

(between 8pm and 5am)

"It's so hot out, I bet the bar's gonna be a ghost town... Guess I'll send Harurin and Romi a PR message!"

reaching out to the local population of alcoholic ghouls to remind them to give him business lol

Autumn: (September-November) (between 5am and 11am)

"There's so many dead leaves this time of year, it's a nightmare keeping on top of them! But you can use them to make a fire and roast stuff. Gotta look on the brights!"

(between 11am and 4pm)

"Hey {PC}, when are you free? I have a date idea for us—a romantic walk to admire the fall leaves! I'll pack us a lunch!"

(between 4pm and 8pm)

"Oh damn! You look so cute all bundled up like that, {PC}! We've gotta take a selfie together!"

direct contrast to romeo who sees you in winterwear and calls you a fat slug kekw

(between 8pm and 5am)

"That piano anomaly makes the soundtrack for the bar! The song picks really tug at the heartstrings, right?"

Winter: (December-February) (between 5am and 11am)

"You're a little late today, huh? If you can't get up in the cold, I could be your alarm!"

just gotta be really loud since he'd be too afraid to touch you awake, since he actually wants you to y'know wake up--

(between 11am and 4pm)

"Oh man, how is Lyca so full of energy when it's this cold? You should take him to Frostheim and see if he runs around in the snow like a puppy."

rui pointing at lyca: that dog is my son please take care of him

(between 4pm and 8pm)

"Nothing like winter to make you miss the warmth of human touch... Oh, I'm good! Just getting to talk like this is all I need!"

BBY WE ARE ALL BUNDLED UP. YOU CAN HUG YOU'VE BOTH PROBABLY GOT ON AT LEAST TWO LAYERS JUST DON'T TOUCH FACES.

(between 8pm and 5am)

"Here, this Rui-original hot cocktail will warm you up! I'll blow on it for you, free of charge!"

is this the next step after gamer bathwater. host club host breath.

His birthday: (March 14th)

"Yeah, it's my birthday today! Oh damn, you're gonna celebrate it with me!? No way, I'm like, super touched right now!!"

Your birthday:

"{PC}... Happy birthday!! C'mon, birthday girl, sit down and chill out! This is your day, you should take it easy!"

New Years: (January 1st)

"Happy New Year! Want to start the year off on a high and come on a shrine date with me?"

Valentine's Day: (February 14th)

"Oh damn, are these for me? My heart! Is this your way of professing your love to me? Do I have a shot here?"

White Day: (March 13th)

"Ta-da! Happy White Day! This is for you! What's inside? You've gotta open it and find out!"

April Fool's Day: (April 1st)

"Guess what!? I finally broke my curse! Let's hold hands... just kidding! April Fools!"

this feels more like a joke on him than on you. . .a mean one at that lol

Halloween: (October 31st)

"Happy happy happy Halloween!! Trick or treat! Obviously I'm picking trick, ahaha!"

Christmas: (December 25th)

"Merry Christmas, {PC}! Oh man, I must be like, super blessed to get to spend it with you!"

Idle: (about 20 seconds without interacting with the game) (below 13 affinity)

"Hey, hey, hey! We finally get to spend some time together, it's illegal to take your eyes off me!"

(13 affinity and above)

"{PC}? You seem kind of busy, guess I'll take this chance to get some work done…"

Absent: (logging in for the first time in 2 or more days?)

"{PC}, you're back! I was worried you'd forgotten about me!!"

he's so flirty and clingy, but also he can't be clingy because he's scared you'll die if he touches you, even if he's wearing gloves. . .also surely your curse would cancel out his? Then again I'm sure a reaper i stronger than any other [living] anomaly out there. . . .

but. yeah. rui's a darling haha he just. he's another one of the 'i just wanna be a regular person, i wanna go back to normal' characters whose desire to just be a guy makes him special in a more fantastical world. i'm really looking forward to seeing the Obscuary chapter--probably like a month away, right? 'u'

[kazimirovich]

all i can say forever

i'm jewish. as a child i moved from a rural town where my family saw acts of rage and hate, emigrated from a country with a horrifying history with jews. you know the one, though there are many. i'm 31 now and i have seen and experienced antisemitism my whole life, in the many places i've lived, to varying degrees. not that i should need to qualify this before everything i have to say - but i know what that looks and feels like. in my life there have been times at which i have been in danger. i choose to stay out of danger in all the ways i was taught. (part of that is not moving into someone else's house uninvited (more in a sec))

(well-meaning?) people want me to have a relationship with israel. they are very invested in assuming i have some connection to this shifting space, this project. they associate my german jewishness with a place i have never been and never felt. home, for me, is the uncle i haven't seen in too long, the ailing brother of my mother, the same red nose. it's fresh sheets hung over dry summer grass, it's bavarian farmland, it's thick liptauer on pumpernickel bread warmed over the wood stove. it's my grandmother's dining room and rough fenceposts, borders we disrespected as kids. home is also here and there and where my family is, where my friends are, where i've built myself.

in a geopolitical sense, it is clear that the antisemitic position is to sequester jews into a partitioned state conceived of by non-jews after the sunset of our most recent attempted decimation. antisemitic, to tell jews "move here, be at home in this space of constant war. impose war on others. fight for a tenuous link to an ancestry you've never seen or studied." in a religious sense, sort of a key feature of judaism since the second exile is that - we're in exile. this is an orthodox argument, but i have to admit that rabbinical discourse is pretty convincing. the secular establishment of the israeli state in an attempt to accelerate any so-called redemption has left us at a point where i really don't know what hope we have for that to occur. if you believe in god, how can you believe they are looking down at us, impressed

because beyond theoretical or spiritual reasons, the bloodlust, the vengefulness, the racism, the violation of law (i know that laws are agreed upon, are broken all the time by those who grant themselves impunity), the evil of this continuance, the evil which grinds babies and text and memory, gnashes it all in its droning machinery, its cold horror and inhumane (unhuman) practice, seemingly perfected... it is obvious to anyone with a single thought that it is an ethnic cleansing. the forcible "movement" (murder) of people of one group from land people of another group want. is ethnic cleansing. we are watching it in real time, and the world stands by and in many cases, it endorses, it beats and imprisons those who are brave enough to stand up to it, it rewards cowardly men in war rooms who having read fukuyama and arendt and maybe even voegelin conveniently forget themselves, because they can afford to, and wave their hands and make calls and decimate entire families cities sovereignties. and liberalism - that fickle ideology whose sole search is for the justification of atrocity - sends its thoughts and prayers, and emphasizes how just horrible both sides are, and conveniently forgets the histories that have led each "side" to this. convenient.

and i can't do anything about it. i can perfectly articulate every well-thought-out argument, i can cry the most frustrated tears from the well of my chest and i can scream that this isn't right, because it isn't, but nobody fucking cares. those who matter have decided for those who don't.

if you align yourself with israel, or feel any sympathy toward the supposed plight of active settlers (not a neutral spot to be in, by the way - another rational argument), i hope you know how thoroughly you've been manipulated. how successful the project of those with the power to decide we don't matter has been. you and i don't matter. so-called free thinkers meme. you fucking idiot. you genocidal maniac.

not putting this under a cut. fuck you. read it all and remember my jewish name and keep it far out of your mouth the next time you tell someone why the people you've told me are my neighbors deserve a flattening.

[lightofraye]

Debunking Nonsense Against Jared

There's apparently some crap about Jared that is just absolute nonsense. Full of lies and bullshit.

It'd be one thing if people just didn't like him. It happens. Not everyone is likeable. You're not expected to like him. But don't pull up lies to explain why you don't like him. Especially when they've been debunked again and again and again.

1. The "racist" tattoo. Y'all, this is nonsense. It's been debunked over and over and over. It's not a racist tattoo. For one, it's lacking the logo of "Come and take it", which would make it a racist tattoo. But a lone star above a cannon does not a racist tattoo make.

Jared is a proud Texan. He also donates to many a charity and organization that help people, speaking out about them often. Not to mention, prior to pro-gun rights appropriating the symbol and logo, it stood for a proud history in Texas. Jared would've known.

So how about instead of focusing on a mere tattoo, come up with more proof that Jared is a racist? Hmm?

Besides, if you're mad at Jared's tattoo, are you then mad at Jensen's t-shirt, which did show the saying as well?

2. Fighting with fans online. Oh come on. Misha's done it. (Misha's done worse, in fact.) Danneel's done it. Jared doing it does not a bad person make. And I don't think he's done it in a long time.

And of course, people will go "Danneel was hitting back!" And? What's the difference? Jared was hitting back too. Danneel went a step farther most of the time, siccing her followers on them, threatening them with Clif, even ran crying to Clif because people were being "mean".

3. RE: Prequelgate. Give me a fucking break! Jared was right to be upset! He called and texted Jensen for hours before he gave up and responded to that tweet about The Winchesters announcement. Jensen also lied about not being allowed cellphones on The Boys set. When they weren't filming, they were allowed. (Of course they can't have their cellphones on their person during filming, unless it suited the scene!) Besides all that, Jared honestly didn't know about it! Kripke was even shocked when he learned Jared didn't know! Supernatural and its legacy is as much Jared's as it was Jensen's! The whole freakin' industry gave Jensen a massive side-eye for his unprofessional behavior. Kevin Smith, a man who has directed, written, and acted in the industry, thought it was uncool. Also, Jared wasn't drunk.

4. Supposed bully accusations. I'd need to see more of this to believe it, but outside of occasionally putting Misha in his bullshit place, I've never heard of Jared bullying anyone. Everyone he's worked with has sung his praises. The only one who hasn't is Misha and that's because Jared won't let Misha put him down. And in fact, has had to step in to stop Misha from torturing Jensen. So fuck off with your noise.

5. His fanbase. Is he now responsible for his fanbase? I never knew that. What about Misha's fanbase sending Jensen death threats for denouncing Destiel? Has Misha ever stopped that? What about AAs hoping for Jared to suicide after Walker was cancelled?

6. What about Genevieve? Oh come on! Do I like that Gen is featuring the kids a lot? Myself, no. But if Jared was truly bothered by it, I'm sure he would've spoken to Genevieve. And Gen isn't any different than many other mommy influencers. I'm not keen on exploiting the kids like that, but would you say the same about Danneel abruptly grabbing the kids at Wales Comic Con and dragging them out for a photo op? All because she had no one in line for her autographs and desperate for attention?

7. Jared's Hair. Apparently there are some claiming Jared had gotten hair plugs. My response to that is: So what? Misha's had plastic surgery (trust me, it's obvious--his eyes and clearly lip fillers). Danneel's had worse--her hair is fried, bad extensions, plastic surgery galore that has ruined her hair line because of facelifts, fillers, Botox, and breast implants (twice!). Jensen's likely had a bit of work too.

So. Fucking. What. About Jared's hair?

--

Come up with truthful reasons to hate Jared, hmm? Not bullshit.

[1800-page-not-found]

Being drunk and complaining how you think your bf is prettier than you (genshin men x fem reader)

I'm picking the men who i think have feminine facial features for this, but if you'd like, feel free to ask for a character that hasn't been written :)

(attempted)pure fluff and having your pretty boy reassure you that youre pretty too <3

Albedo was studying your reaction to the potion he made, or 'special drink' as he'd like to call it. It was apparently supposed to taste like whatever the drinker liked most-yours just happened to be alcohol. At least he's learned that the drink will also bear whatever effects the original drink may have. Your face was warm as you drank your-how many shots have you had again? This..was alcohol right? He didn't poison you by luring you with his pretty face? Oh my fucking god he's so pretty. You gaze at his face lovingly, and suddenly shouting, "I can't believe my boyfriend is prettier than me..." You start crying. "Your so fucking gorgeous Albedo oh my god.." You hit your head on the table, surprising him. "Y/n!" he rushed to your side and caressed you forehead, which was now red. "Darling," he stated, "I think you're the prettiest person I've ever seen." You threw his hands off and pointed at him accusingly. "Albedo...we need to get you a mirror," you sob, "you are literally the prettiest thing to ever exist." you started to absolutely praise his whole fucking existence because if you dont you really dont deserve this guy hes fucking gorgeous

Kazuha was panicking at your state of mind. You were off the side of the path/road, hugging your knees and absolutely sobbing. "Y/n! Y/n!" he shook your shoulders franticly. Now, usually he's pretty calm but your the type of person to get into some deep shit whenever your alone. You looked up at kazuha, teary-eyed. This guy with his weird sense of smell could immediately smell the strong stench of alcohol on you. "My lovely and pretty boyfriend has come to save me again..." you pulled him down with a hug as he collapsed onto you. worried about hurting you he attempted to free himself, but drunk y/n is hella fucking strong, like the equivalent of being on steroids. "y/n i dont wanna hurt you or crush you..please let go.." You were not having it. "My darling kazuha..youre so fucking pretty.." you cry even harder. "how can a guy be prettier than a girl?!" this man's shoulder was drenched with tears. and despite being drunk, you noticed his shoulder was wet, so you switched to the other fucking shoulder. "Why do i have the muscles and you have the face?!?! shouldnt it be the opposite?" you cried even harder. like-damn.. kazuha looks like he jumped into the ocean and came out. admitting his defeat, kazuha now only sought to comfort you. "hey..shh..theres no need to cry love, you know i think your the prettiest girl out there right?.." he patted your head softly, whispering only the loveliest of compliments in your ear, until you fell asleep.

Kaeya laughed. This little shit knows he's gorgeous and practically flaunts his beauty, but seeing you insecure about it made him a bit sad, so why not cheer you up? "Y/n...your the woman I want to marry and you think I'd fall for someone who's not on my level?" He grins teasingly, as he places a finger on your chin and lifts your face up. "If anyone, and I mean anyone tells you otherwise, just tell me ok babe?" he peppers you with kisses, and stops you from making a mess in the tavern..If his brother were to find out, he'd for sure kick you and him out. "Kaeya, my beloved, the love of my life..." you slurred, "please stop using such a cringy name.." You were falling asleep, tired from blabbing on how pretty he was. After all it never hurt to hear such compliments from you. "Well," he smiled at you with love, "I'd like to call you my wife soon."

Heizou was currently walking just outside of inazuma city, after the tenryou commission recieved multipule complaints, he had over heard that it was near the place you'd like to hangout, he got curious and decided to check it out himself. (the commission were flabbergasted asf, well i suppose if its you then its a whole different story) And here you were, sitting on one of the larger branches of a tree crying loudly. Like...sobbing hysterically. He was surprised to say the least, you usually were quite happy go lucky. He studied you, noticing the bottle in you hand, as well as the flushed expression on your face. Just how much did you drink? You had finally noticed your curious boyfriend studying and observing you. "My pretty boyfriend the love of my life..." you slurred. suddenly, you shot down from the tree and charged at him, engulfing heizou in a tight embrace. "Woah! y/n are you alright?" he laughed, you were quite harmless when you were drunk, though that did leave you defenseless and made him a bit worried when you were without him. "you bastard..." you seethed in anger. "What the fuck is your skin routine? how are you so gorgeous? perfect? i love you soooo much heizou.." To be honest, he never recieved lots of compliments, as he was usually deemed annoying. perhaps he was good at masking it, but boy his insides were practically on fire. He loved you to the ends of the observable universe and back. he would gush at every compliment you gave him. "Y/n...you are the absolute best thing that could've happened to me, sometimes I feel like I dont even deserve you. You are the prettiest person i have ever known, and you make me the happiest. I love you so much." ok...so now he's tearing up. you, still drunk but still as in love with this lovely man as you are sober, made sure he felt loved on your walk home.

Venti is girlypop already saying every compliment that comes to mind, hell this guy is about to sing about how much he loves you and how gorgeous you are for hours, EVERYWHERE. the whole mondstat shall know how much he adores you. Thats because he's also drunk!! <3 You honestly, and swore, that you would watch him incase he does something stupid, but here you are, drunk (venti the lovely drunkard is hella good at convincing you to do stupid stuff with him.) and complaining how absolutely magnificent his face is. Although it is his deceased friends face, he takes it as you would get along with his deceased friend, and that makes him happy. a bit self concious though when you mention his physical features,(you dont just like his looks right?...right?) but he tries his best to stay positive. You know he's the anemo archon, but not that he takes on the looks of dead people. You suddenly burst into tears. "Venti i'm SO SO SORRY.." drunk venti is confused, flabbergasted, confused pikachu face kind of emotion. "Heyyyyyyy dont cry you'll make me sad to" he pats your head, a bit roughly since well he's drunk. way too much alcohol for an archon to drink. "Your pretty y/n verrrrrrrrry pretty." you shot up and look at him. "No! thats *hic*not why im *hic*crying!" you cried too much, to the point where you were hiccupping and couldnt breath (idk how to really describe it but yeah) "I made*hic* you s*hic*ad!" did you notice? In that moment, venti started to sniffle. So you noticed every little detail, even when drunk? Oh how he loved you so much. He was so so thankful to have you by his side. Now...this all happened at the angel's share, you guys were definitely banned from coming there ever again.. not even after paying off venti's rather expensive tab.

--------------------------

THE END >:) it got a lil angsty but thats ok

should i do pretty adult women too ehehehehhehehehehehheheh

[nicoline1998enilocin]

Jumping into your inbox with a request babe!!

Could you possibly write ‘car sex’ with Tony??? Young or not, that’s up to you!

Thank you 🌸

A wild ride

PAIRING || Boyfriend!Young!Tony Stark x Girlfriend!Pregnant!Fem!Reader

WORDCOUNT || ~ 875 words

SUMMARY || You recently discovered that you're carrying Tony's baby, and while life has changed drastically for you both, you're also settling into a comfortable routine. Tony has taken you to a food festival tonight, and you'll seal the night with lovemaking under the stars and fireworks.

RATING || Explicit (E)

TAGS || Young!Tony Stark AU. Pregnancy fic. Explicit sexual content.

SMUT || Pregnancy kink. Breeding kink. Dirty talk. Semi-public sex. Car sex. Clothed sex. Unprotected sex (Wrap it before you tap it!). Cream pie. Aftercare.

A/N || This drabble is part of Nicoline's Summer of Drabbles. The drabble takes place during the events of Reveal, but can be read as a standalone. This was such a cute and fun story to write, and I always enjoy taking a look in their dynamic before they had children! This is proofread by the amazing @ccbsrmsf1, for which I’m very thankful 🤍

Photo: @ccbsrmsf1 || All other graphics are made by @nicoline1998enilocin

Main Masterlist || Tony Stark || Young!Tony Stark || Summer of Drabbles

It's been almost two weeks since you discovered you're pregnant with Tony’s baby. While it was a huge shock at first, you're both settling into a routine that allows you to enjoy it as much as possible.

Tonight, Tony has driven you both to a small town near New York, where they're hosting a week-long food festival. After trying all the delicious food, you're now seated in the large trunk of his car on a blanket, some pillows, and some more food you two bought at the festival, ready for the fireworks to begin.

"Y'know, I still can't believe we're having a baby next year! Out of all the things I thought I would experience when I am 21, this surely isn't one of them," you tell Tony, your hand splayed over your small bump.

"Neither can I, Sunshine, but knowing I'm going to have a baby with someone as amazing as you make every second worth it. They'll be the perfect addition to our lives and a beautiful mix of our shared love, too," Tony says as he puts his hand next to yours. The butterflies in your stomach go wild at his words, and a smile adorns your features as you listen to him.

"You're right. I look forward to seeing the little feet kicking me in a few months! It's going to be amazing, My Love." You give him a soft kiss on his lips, and he's shifting uncomfortably as you pull away, making you raise a brow at him.

"Sorry, it's just... Whenever I think of you with a large belly and boobs about three times the size they are now, I'm instantly getting hard," he confesses with a deep red blush on his cheeks, making you chuckle at the cuteness.

"Is that so? Well, maybe we should do something about that then. There's no one around for miles to spot us, and I've been craving you and your delicious cock all day," you tell him in a steady voice, though the nerves are practically soaring through your body at the confession.

"Please," he breathes out, his pupils taking over most of his dark brown eyes as his lust starts to grow, making the hunger for him inside you grow along with it. Before you know it, Tony's comfortably lying on his back as you're straddling him, his achingly hard cock lined up with your dripping, needy heat.

"God, I can't wait to fill you up again, Sunshine. Keep you pregnant all the time with my babies," he groans as you sink onto his cock, stretching you to perfection while soft moans tumble from your lips. His hands are gripping your dress tightly as you take all of him.

As you set a slow, comfortable pace, your brows are pulled together, lifting yourself before sinking again. Your hands lie on his chest as your gaze is locked on your boyfriend. Behind you, the fireworks are turning the sky into a beautiful display of colors, though neither of you pays any attention to it.

"You feel so good, Sunshine, taking my cock like a good little slut," he grumbles with a smirk, which makes you clench around him, a whine leaving your lips as the moment feels more intense than ever before. Anyone walking could technically see you by only adding fuel to your fire as you bend down, capturing Tony's lips in a bruising kiss as your tongues fight for dominance.

"C-close, Tony," you moan as you pull away, and he takes the hint as he plants his feet on the floor of the car, his hips setting an almost bruising pace that has you seeing stars in no time. In time with the giant finale of the fireworks, you cum around his cock with a loud shout of your boyfriend's name, and he spills every last drop of his cum inside you as well, painting your walls white.

As you collapse on top of him, he's whispering sweet words in your ear, his hands rubbing your back soothingly until you've both come down from your highs. Once you've regained your strength, you push yourself up to look into your boyfriend's eyes again, and you can't help but smile at the pink tint on his cheeks.

You climb off his lap before reaching for some baby wipes Tony always has in the car. Usually, they're for cleaning your hands after getting take-out - which happens more and more since you're already getting a few pregnancy cravings - but today, they're coming in handy as you're cleaning yourself and Tony up from your adventure.

"I love you, Tony. And I can't wait to carry all the babies you're putting in me once the time comes," you tell him, his head immediately snapping over to where you're sitting. Before he can say anything, you put a chocolate-covered strawberry in his mouth, making him chuckle.

"I wuv you," he mumbles around the fruit, making you chuckle this time as you get comfortable by his side, lying there for just a bit longer until it's time to go back to your dorm and catch Natasha up on everything that has happened today and during the night. After all, she wants to know the details about your date as soon as possible.

[harsh-lites]

backshots here

(aka horny after stream shenanigans between damien and f!reader)

meme made by @haasmaxxing

an 18+ damien au headcanon made with all the naughty ideas my twitter chat group and i shared inspired by that one time damien said “backshot” unprompted during his recent Sunday stream 😀

i can't believe had enough spare time to do all of this 😭 enjoy, i guess

(full hc under the cut!)

“backhand blades, backshot blades. s-sorry. we can all forget that that happened”

although damien shyly told his twitch stream audience to forget whatever he said as he was picking the weapons for his elden ring character to use, he knows they’ll certainly never forget the events that transpired a little after the stream a few days prior.

after last thursday’s stream had ended, damien got to relax a bit from the interaction. this was when he would usually set down his equipment - he'd turn off the camera, give the harsh lights a break, and take down the green screen to keep for another stream.

as he unrolled the green screen, he found you waiting at the doorway to his surprise.

you asked him how he was feeling now that the stream is over. "feeling a bit fatigued," he replied, "but i'm curious to see what you've been up to!"

(gentle reminder btw that this is set in an au where damien didnt end up sick with covid post con shhhhhhh)

that's funny, you thought. "i'm glad you said that, because i do have a proposition."

"okay... i'm all ears."

"there's not a lot to do on a sunday, right?"

"this sunday? no, not really. why"

"i've been thinking about having some of the free time today to ourselves."

eventually, damien detected hints of teasing and playfulness in your tone. "yeah, sounds like a great idea." a smirk forms across his lips, and that lit up the flame inside you.

that flame in you somehow increased in intensity as he leaned to touch the bare skin that hasnt been covered by your oversized shirt - you have yet to tell him that you weren't wearing anything else underneath.

"so, what's your plan?" he whisperes into your ear

"we could start here, perhaps," you answered. the tension between you and damien is so sharp, it could cut a big block of paper clean.

"my streaming room?" damien chuckled lightly. "well, if we were to start here, i can lend you my gamer chair."

"sounds like a great plan to me."

you two got closer and closer, until his lips reach yours. gentle kisses turn into passionate open-mouth clashes, and the rest is history.

that's where you both ended up - hot, steamy sex in the place where your boyfriend freely interacts with much of the outside world.

the thought of you getting railed in damien's stream room was that of pure naughtiness. although it wouldn't fly in reality, you got more turned on by the potential that anyone out there could be hearing the whimpers of profanities, titles, and damien's name, as a way to show them that you're his and his alone. and you were certain as hell that he's sharing the same sentiment.

but, little did you two know that his stream hasn't actually, fully turned off yet. YIKES.

luckily, the camera was already off by then, but somehow, unbeknownst to his twitch moderators, an error unknowingly happened while they were trying to close. it caused the audio to still be on - and, consequently, the chat feature.

in other words, while you and damien were moaning and panting through each rough fuck, some of the audience that hadn’t left yet were bewildered by what they were hearing in real time.

others even left comments as his chat was also on! the reactions range from “ayo 💀💀💀” to “WHATS WITH ALL THE MOANING”

damien, however, seems to not give a care, even as the chat (and eventually his discord) was blowing up. his focus here and now was you and the way you wrapped so tight and nicely on his cock.

he enjoyed in particular how you were taking his sharp yet languid thrusts so well - you got your legs spread and your back pressed well into the chair, greedy cunt welcoming him and begging to be fucked until you couldn't take it.

he’s holding on to the chair for dear life as he pounds into you, but the more rough the fucks get, the more difficult it was to keep you still.

despite the obstacle, you were enjoying the feel of him so much that you wouldn’t mind anything that may come in your way. you’ve craved for his cock for long now, and you were glad now that the craving came true.

damien was floored by the euphoric look of your face, no matter how rough his poundings could get. that's just one of many reasons why he loves you.

midway, he asked how you were feeling so far. your response: “i’ve never felt so much better; fuck you feel so fucking good; need you like this until i cum, until you cum” - basically a litany of praises out your mouth that have a twinge of horny.

meanwhile over at the chat, the audience was practically in shambles after what they heard from you. one of the mods took wind of what was happening at the moment, so in panic they immediately reached out to their fellow mods to help fix this whole issue.

on the chair, damien leaned you in on a kiss, which quickly evolved into sloppy frenching, teeth clashing, tongues dancing and open mouths slotting into each other.

as he pulled from such an intense kiss, he saw that the position both of you were in was making the chair pull a bit further from where you originally were.

he suggested another position where both of you can stay still even with all the intense movement. as agreed upon, you come down and lie your head on the seat cushion while your ass is up. he followed by kneeling behind you shortly thereafter.

he teased your now wet entrance with his cock, swollen head sliding up along your folds and to your throbbing clit, which gets sensitive everytime the tip touches it.

you illicit a whiny moan, and from there you were begging him to play with your pussy, even while he’s buried deep inside.

damien obliged, setting out to do exactly what you were hoping for. his dick fits into you like a glove, and one of his hands snakes its way into your clit and folds.

you instantly fold the moment you feel the pads of his fingers, every touch making you melt like putty.

as you two were enjoying the new position, the mods were frenzied in trying to mute damien's mic feed, but ran through a deluge of errors! ultimately, they had no choice but to wait for him until whatever freak shit he was doing was over and done.

your hands hold tight onto the sides of the chair as his cock drags so swiftly within your walls, hitting the most sensitive spots that are guaranteed to make you cum faster.

the noises coming from both your mouths get increasingly louder upon each thrust, and it would reach the loudest the moment you feel like cumming onto his cock - fuck if the chat cares, anyway.

when you do cum, you feel your walls tighten, and that’s enough for damien to lose control and reach his tipping point.

keeping up with the momentum, he haphazardly pulls out of you and fists his now throbbing cock until dribblets of his cum spurt out from the tip to your ass and back.

the position you were in may not look as ideal, but God, the backshot imagery here looked as astounding as ever.

the drippings have even reached within your ass cheeks - the view of your rim like this is in and of itself a much naughtier sight.

as you both wind down from the high, damien stood up to his stream deck to a shocking revelation.

a barrage of concerned chatters and clever coop members reacted to all the strange, unhinged noises coming from his mic during the stream, which he thought should have ended already almost 30 minutes ago.

he was also sent a stern warning note from his mod group, stating that they ran into a lot of errors in trying to mute his mic, but it was ultimately up to him to turn it off... at this rate, he definitely had a lot to explain. whoops!

glitches aside, he was too light headed to deal with all of this. he went to turn the mic and chat feed off. then, he turned to ask ask if you were up for another go - "but in the bedroom, please i can't deal with so much embarrassment - it's k!lling me!"

without a doubt you said yes, and with his sheer strength he lifted you there. in damien's point of view, sex in a private bedroom is a million times much safer and less prone to unwanted visitors.

the fun certainly didnt stop as soon as you reach the bedroom, though. now with all thr pressure of the concerned clever coop out of his way, damien now got to have you all by himself - he eats you out while you savor the feeling of his thick fingers thrusting in and out of you.

at least here, he’s satisfied that the loud, incriminating moans you made are contained within these four walls. fuck if the chat cares! it’s just him and you against the world.

------------------------------------------------------

it’s been a while since the incident during his last stream. with the help of his mods, damien has become strict on banning anyone within the clever coop or outside who may clip the moment.

he also collaborated with the mods to edit all of the leaked audio out - that way, he hopes, nobody can see let alone hear how you and damien have been to each other.

even while he tries his damndest to erase any evidence of his one big oopsie, he sure knows he’s getting teased by everyone who’s aware of the incident - his friends included.

(one of his friends, who works in the sex industry, suggested he try out recording audio porn or set up an onlyfans page filled with audio porn content)

(damien kindly declines, but given the curious buzz that incident had created, plus the profit that comes with nsfw content in general, he thought it wouldn’t be much of a bad idea after all)

[the-amber-raven]

I would never delete my fics

I got linked to a reddit thread today where people were being advised to download my mortifying ordeals/Buddie fics, since apparently "now that I'm a BuckTommy shipper", I might be "petty" and delete all my Buddie fics.

So. I'll move past the complicated feelings it gives me to have people hoarding my fics while actively shitting on me as a person (and seemingly not even telling me that they enjoyed my work, although in fairness that could just be a difference in usernames.) That's the nature of fanfic, fandom, and putting things out there on the internet and I accept that.

But I do want to reassure people that I would never delete my fics. I still have the cringy-as-fuck Harry Potter fics I wrote in high school up; believe me those would be first on the chopping block if I was inclined to delete my work. And all of my 9-1-1 fics hold a special place in my heart, but none more than the mortifying ordeals series, which consumed basically a full year of my life and reminded me why I love writing. Hell, I got engaged while writing the final chapters of I once was lost. That fic is indelibly tied to my life now.

And look... I don't think it really matters, nor should I have to explain and justify what I do and don't enjoy about a show or fandom, but this whole experience has upset me more than it probably should have and I can't help but want to get it off my chest anyway.

My favourite thing about this show is the found family feels. I either love or am at least intrigued by every single character that has appeared. You'll notice that family is the central theme of every story I write, whether the story is Gen, Buddie, or BuckTommy.

Because yes, the idea of BuckTommy and how that plays into the family themes of the show has intrigued me and captured my muse.

I've also said before that I didn't think Season 7 left Buddie in a great place in terms of romantic relationship potential - in my opinion, the ghost of Shannon would be an absolutely massive barrier to them getting together right now. The post season 7 Buddie fics have also heavily featured character bashing, which isn't something I generally enjoy seeing, and infidelity, which I really don't like seeing romanticised especially since I've had a partner cheat on me.

So yes, I've distanced myself from the post-S7 Buddie fandom because I just don't enjoy the pervasive negativity I've seen and the way that cheating and violence is suddenly celebrated by a significant subset of the fandom.

That does not mean I've given up on Buddie altogether. I still have a whole list of pre-S7 buddie fics in my to-be-read list that I've been making my way through and 2 out of my 5 WIPs are Buddie fics (both in the mortifying ordeals 'verse, just to make it even clearer that I'm not at all interested in deleting that series.)

But two of those 5 are BuckTommy, because as I said above, their relationship was intriguing to me and it captured my muse.

I don't think those opinions make me some kind of betrayer, or that they inherently make me a "petty" person but I guess I just didn't realise that not-exclusively-shipping-Buddie was such a High Crime in this fandom.

[cripplecharacters]

Feel free not to answer this question as it's more a research-type question, I'm just not sure how to go about finding what I need: do you happen to know any fiction books with portrayals of medium to high support autistic people that are considered realistic and positive? All I can find is rep of low support autistic ppl (unless it's in semi-educational children's books) and it's making it harder to figure out how to write medium to high support autistic ppl myself.

Hello!

When I was diagnosed, it was before the levels were used (Or at least before they were used where I lived). I suspect that I would be considered 'level one autistic' today but would likely have been 'level two', bridging into 'level three' as a child. This is all just to explain my perspective with this.

That being said, here are some of my recommendations:

A Step Toward Falling by Cammie McGovern

I just finished this book earlier today and while it isn't specifically about autistic characters, it does feature several autistic characters with high support needs as well as other disabled characters. The book is written from the perspective of two characters, one of which is developmentally disabled (Belinda). Although her disability is never specified, I do see a lot of autistic traits in Belinda. The premise of this book is a bit heavy. It's about two characters (Who are not disabled) who end up volunteering at a centre for adults with developmental disabilities. One of the things I appreciated about this book was how well rounded the characters are. Each of them has their own stories, interests, and ideas. I also like how it discussed sex and relationships in the context of people with developmental disabilities. Something to note is that this does have some sensitive topics such as ableism, sexual assault, and bullying. It is also written by a parent of an autistic child but, as far as I'm aware, the author herself is abled. I did have some conflicted feelings about specific parts of it but I'll leave that for you to make your own decisions about. Target Audience: Young Adult

How to Speak Dolphin by Ginny Rorby

I also read this book recently and I personally really disliked it. There were several scenes that made me feel very gross and I found that the autistic character was dehumanized very often. One line that stuck with me was another character about a blind character, essentially saying, "I thought she was going to drown herself. If I was blind, that's what I would do." Although the character does get to know the blind character and changes her mind, it really felt awful to read and seemed so unnecessary -- especially given the target audience. The way it talks about blindness in general bugs me. That being said, I have seen several autistic people recommending the book (Which was why I read it in the first place) so I'll include it here anyways since my opinion seems to be in the minority around this book. Target Audience: Elementary/Middle Schoolers This is a brief review from another autistic person. [Link]

Planet Earth is Blue by Nicole Panteleakos

This book centers around Nova, a young autistic girl with high support needs. Nova is a foster child who is missing her older sister and the story is told through a mix of narrative, letters to Nova's sister, and flashbacks. It's been a while since I've read this book but I remember really enjoying it (And maybe crying a little bit too). The author is autistic herself and also consulted many other autistic people with a variety of experiences, which I appreciated. Target Audience: Middle Schoolers This is a more in-depth review on the book from a reader who (I believe) is also autistic. [Link]

These are also a couple books that I've seen recommended but can't personally recommend as I haven't read them myself yet:

Real by Carol Cujec

Remember Dippy by Shirley Reva Vernick

I know it's not very much but hopefully it's enough to get you started! If anyone has any recommendations for anon, feel free to mention them in the notes.

Cheers,

~ Mod Icarus

[kbs-and-fds]

Yo, Welcome to my photography blog!

This is a photography project with a focus on older digital cameras sold before the mid 2000s. I've been working with these sorts of cameras since 2022, which grew from my interest in retro computers that I have had since 2020 or so. Here, I'll introduce you to my cameras, my computer rig, and try to convince you that this is a cool hobby.

General Q & A:

Whats in the name? - Kb refers to Kilobyte, all of the photos I take with these cameras only take up a little over 100 Kilobytes of digital storage per photo. FD refers to the physical media the photos are stored in, currently one camera uses floppy disks (FD), the other two use compact flash (CF) and smart media (SM) cards. unfortunately, their shortened forms do not rhyme and so they do not matter.

What can I expect from this blog? - amateur photography using old cameras, I guess. I'll say some nonsense below each photo but you're free to ignore it. I don't plan on reblogging anything here, so don't expect that. I am the star of this blog. me me me. I tend towards finding weird buildings/architecture, "liminal spaces", sunsets, and generally trying to see how well I can make a photo look like a blender render in a Kane pixels video. don't expect any consistency, though. the medium will remain the same but the vibes will absolutely fluctuate with my mood. I'll try and tag things correctly if it's off putting.

Are you a cool person? - I tend to be! I don't want this place to be alienating for anybody but assholes who don't deserve to see the stuff I do. being a tumblr blog, I follow a lot of the standard stuff. jerks are not welcome and I'm not gonna give you the pleasure of an argument if you do turn your head round these parts.

who are you? - trans pan girl. takes pictures. listens to Femtanyl. much unlike Peter Parker.

My Cameras

Mavica FD-7

released in 1997, this was the second of Sony's "Digital Mavica" line of cameras. it records photos of around 50Kbs in size to a standard 3 1/2" floppy disk. it has some standard features like a manual focus wheel, 10x optical zoom, and exposure control. I haven't found a strict source but I believe this camera is less than one megapixel. I actually have a few different Mavica cameras (a fd-71/75/83/85/87 and a cd-1000) but they aren't different from the fd-7 enough to justify being used often. I'll make note on individual posts if I use 'em at all.

Kodak DC220

released in 1999, with a quality of exactly one megapixel the DC 220 is a weird little thing. it has custom software, connects to a computer via com ports with a transfer speed of ~11,000 bit/s. (roughly 30-60 seconds per photo in my experience) you can add custom text to your photos in the cameras built in software, and attach custom audio to each photo. it is a pain in the butt to get working, but it's quirks make it worth the frustration.

Olympus E-10

made in 2000 with a quality of a whopping four megapixels, the Olympus E-10 is the newest addition to my collection, and possibly the nicest camera I'll ever own. it's a fixed lens DSLR camera capable of 4x zoom, you can easily adjust the aperture and exposure on the fly, it's photos tend to be a whole 100kb in size (1/10th of a megabyte!) and to be entirely honest I have no idea how to use it. but I will eventually!

My Computer

I try to use all era-appropriate tech to transfer photos and do any edits, this is the computer I do all that processing on! its a Dell Optiplex gx1- the daddy of pretty much any computer used in public schools (Chromebooks don't count) It's got a Pentium 3 CPU clocking at 500MHz, 512mb ram, running windows ME. it has all the original Kodak DC220 software installed, and I can't really access the Kodak's photos any other way. I've also got a few other weird bits attached to it -an HP sketch pro cad tablet and an external data cartridge SCSI device. both work, but I don't really bother to use them, they just look neat.

that's about it. have a good one! thanks for reading this all, if you did.

[weirdmarioenemies]

Name: Dubior

Debut: Kirby's Return to Dream Land

Kirby's Return to Dream Land is very realistic, because it accurately depicts the phenomenon that, when you go to space, you will encounter funny robots flying about! What is their purpose? We don't know! There is, however, a sort of controversy or misunderstanding revolving Dubior.

You see, Dubior grants the Spark ability. Because it is a robot that runs on electricity, and uses all sorts of electric attacks! However, many people do not like this, and think it should instead give the UFO ability.

Perhaps I am in the minority here, but I disagree! Dubior may be a flying machine in space, but at least to me, it does not seem all that much like a UFO! It is just a funny robot. The UFOs in this series have all had a very distinct design trend, which Dubior does not follow. Besides...

What is a UFO? An Unidentified Flying Object. Dubior is not unidentified. It's Dubior! It says it right there on its health bar! Objectively, Dubior is not a UFO. It is just a FO. And nobody says FO.

What Dubior HAS always reminded me of is those little handheld vibrating massagers! You know, the ones with a central round part and three or four orbs that vibrate and you rub it on your back? It is a fun thing to be reminded of!

Anyway, Dubior is a mid-boss, and a very special one! As Kirby and friends journey across Popstar, they will encounter various mid-bosses as usual, culminating in a classic Mid-Boss Tower Level in which they are fought one after another, each fight taking place higher in the tower.

This tower is so high that it pierces the atmosphere, and Dubior is fought last, on nearly the top floor! It is no coincidence that the most alien of foes is only on the closest point of this planet to outer space. This foreshadows that it will reappear, and more often, on the distant planet Halcandra! This seems to be where it was created, but for what reason? We don't know!

What we do know is that in Planet Robobot, the Haltmann Works Company uses Dubiors as part of their invasion! I assume they reprogrammed or recreated ones they found on Halcandra, since we know they have been there. It is the only of their returning mid-boss arsenal to not be mechanized, which is amusing. How are you going to mechanize a robot? You're not!

Geez. I can't believe I've said so much about Dubior and I have not even gotten to its wonderful antenna thing! It's clear by now I find Dubior delightful, but to me, the antenna is its best feature. When it first appears and sees Kirby, the three weird floating rectangles seem to freak out, growing and flashing red and white, as if it would be saying INTRUDER ALERT INTRUDER ALERT.

Dubior is also a parent! Happy birthday to Dubior Jr.! I love love looove when things are named like that. This is a machine! You would think it would be named something like Dubior Lite or Dubior Micro, but no! This was Born, and Named, after its proud robot parent. As were its many siblings, because many Dubior Jr.s can be spawned! Mollusc Fans may notice that Dubior Jr. looks quite like a nautilus, with a body like a curved shell, and a brim above its eyes like the leathery "hood" of a nautilus! It is a strange decision, since Dubior's design does not appear to draw from any real creature, but of course I am very happy about it. I'm Mollusc Fans!

Finally, we have Dubior EX, who I do not have much to say about, but am including because it would be wrong not to. This one is pink, and with only one eye, positioned to appear slightly menacing as opposed to regular Dubior's wide-eyed innocence! I prefer regular Dubior, but EX is very cool on its own merits, too.

If after all this you still consider Dubior to be UFO-like, I'm not upset with you.