#but also I actually like the imagery

[snekky-arts]

barreling towards a brighter future

1 - 2 - 3 - 4 - 5 -6 - 7

(this along with many other prints in my inprnt shop!!)

[theonewhowails]

rotating this fucked up cat in my head like a rotisserie chicken

[icewindandboringhorror]

I made a few new wax seal stamps out of clay (like the ones I did for my worldbuilding stuff forever ago), this time just of random symbols that I thought might look good done in the style of painting over the raised part of the wax or etc. :0c Some of them aren't carved deep enough to really show up that well, but overall they worked okay for being clay lol

[stormofdefiance]

I wanted to share some wee thoughts about Ratio’s E6 art & why I believe it is a symbolic parallel to Michelangelo’s David. This speaks to both Ratio’s humanist beliefs and possible future plot points.

Ratio’s E6 is Vincit Omnia Veritas or Truth Conquers All. I’ve heard it claimed (although I have no idea if it’s explicitly stated anywhere?) that the character’s E6 art represents them at their innermost core, an honest and deeply vulnerable shard of themselves. Evoking David here is an interesting choice; the biblical figure who, using nothing but a stone and sling, took down the tyrannical Goliath. The parallel is perhaps as simple as this: Ratio views himself - and by extension the truth - as the underdog, someone never accepted into the Genius society, forever to be kept from Nous and THEIR gaze, but nonetheless will, in the end, prove himself the final victor. Truth will topple the seemingly unconquerable, whatever that might be.

But I also think Michelangelo’s David is a specifically interesting parallel to draw on from a historical perspective. Ratio is pretty much the textbook definition of a renaissance man - he is a philosopher, a scholar, interested in medicine and science and the vast array of human achievement. He speaks in Latin (the language of education during the renaissance in Europe that allowed the transmission of information without having to rely on translation) while heavily styling himself on Ancient Greek symbols and drawing from Greek philosophy (often seen at the time as more ‘sophisticated’ and interested in ‘wisdom’ than the contemporary ‘militaristic’ Romans).

Michelangelo’s David was the first colossal marble statue to be carved since antiquity, and it came to be a symbol of the renaissance itself. This is interesting to me for Ratio and what I believe are his humanist beliefs. Humanism was an ideal that propagated during the renaissance that championed the belief that man had beauty, dignity and worth that deserved as much respect and adoration as any deity. Keep in mind this philosophy was emerging following the Middle Ages and at a time where religious institutions across Europe held exorbitant and sometimes absolute power. David as a statue is an ode to the sublime beauty of the human body, completely unashamed and uninhibited in his gigantic nakedness (Doctor! You’re huge!) retaliating against the idea that prominent idea at the time that man’s body is inherently sinful. The humanists sought to recenter humanity, and David became a symbol of man’s independence against the seemingly unconquerable might of the Church.

Consider how Ratio centres humanity in his Simulated Universe project, how he values every life, how interested he is in constant self-improvement. How this symbol - of not just the renaissance but of the re-centring of humanity itself - becomes an echo of an effigy fixed in the centre of his soul.

Ratio has never - as far as I’m aware? - stated or hinted at any desire to overthrow the Aeons or even disparage or rubbish them, but it is clear to me that he believes in the strength man can draw on despite them, through sheer force of intelligence and clever planning and fiercely independent thought, the weak can ultimately overcome, or at least stand shoulder to shoulder with, the strong. Perhaps this will become a more pertinent plot point in the future - who knows? - but this was fun to chew through nonetheless 🫶

[medicalunprofessional]

the phoenix

[invisiblesketches]

The Hero

This was supposed to be for the founders cut but I'm a bit late...

Alt version under cut:

[0zzysaurus]

Just a couple of my favourites from Lynd Ward’s illustrations of Les Miserables

[landoffreaksandfrogs]

POV: you are eridan

[carlottastudios]

Every day I get closer to making an unhinged behemoth of a post listing all of the things about Kaeya and his possible connections to mythology & stuff that I notice but NOBODY ELSE SEEMS TO BRING UP IN THEIR THEORIES

(edit: OMG I reached the tag limit I'm so sorry)

[neon-catarina]

couldn't a reason Mind and Heart hate each other be because of whole's love interest (sung in Haiku and Hidden In The Sand), like how Whole really liked them, but he thought that they would never love him, so basically his Heart wanted to ask them out and pursue a relationship, but his Mind refused thinking they would never love him. And its mostly because of that Whole split into three in the first place, so they both blame each other for it, and that's why they hate each other?

[waywardsunlight]

I was thinking about Philip's religiousity about Caleb and how Luz mirrors Caleb, especially in the scene where she's finally wearing her witch hat and staring him down as he's on the ground in front of her. And the intentional choice that we saw Caleb in a witch hat too. Kind of about... how gods or echoes are created through obsession, how Philip created the concept of Caleb and made him a god completely against what Caleb wanted, and how Caleb appears as an omen of his death with Philip's other murder victims before he sees Luz with the same expression as the rain begins to fall.

It's interesting to me that Philip argues with Caleb and tells him that it's "all his fault". He's trying to put the blame on this outside figure that acts of it's own accord rather than facing that Caleb's been dead for centuries and while Philip has used Caleb and Luz and Hunter and Evelyn and Darius and Lilith and Eda- to justify himself, in the end the decisions that put him there are not from any outside force but rather by his own hand.

[icewindandboringhorror]

I know this is just a silly bad quality random screencap of a screencap that I found on facebook lol, BUT it's a succinct enough image to easily describe the concept in a quick/accessible way hopefully :

-

(and of course, feel free to elaborate in tags, etc.! (especially elaborating about other senses as well.. can you "hear" in your mind just as well as you can "see"? taste? etc.) It's an interesting topic to me, as someone who's like a 4.5 at MOST lol. I'm curious what option will be the most common :0c )

[what-even-is-sleep]

thinking about Bodkin again bc I mean,,, ALL THE SYMBOLISM OHHHHHGH. i NEED some tumblr film analysis hobbyists to watch this show and tell me all the themes n such

[skullzy20]

First thing that came to mind was the little freddles/ nightmare freddy

🦊

yeah I can do that

[androgynouspenguinexpert]

bonus character design post wow its d'deridahn!blake

[clegfly]

“Of course you have an Other Brother,” he says, waving off her denial as he opens some nearby cabinets. “Who else would I be if I wasn’t?”

Small WIP sketch of the Other Brother from IDKSomethingClever99’s fic “Mari in the Pink Palace”!!! OMORI and Coraline are my two biggest interests ever so this fic was like winning the lottery for me. Not to mention how good it is… please go read it ragh