#but also it's totally because she's a woman.

[tls12lessthan3]

a genderswapped orv au would be really interesting to me because orv presents itself as a completely average novel with a completely average protagonist and story to tell - and to be frank, i think that setup wouldn't be the same if kim dokja + yoo joonghyuk were women and nothing else changed, given how male-dominated the genre is. twsa is meant to be a parody of popular fantasy action webnovels which typically have Powerful Male Self Insert MC that fulfill the typical 'men' fantasies of being totally badass and alpha and etc. yoo joonghyuk is the pinnacle of this (at least initially) because thats what kim dokja needed growing up - a Powerful Male Self Insert MC he could cling to, project onto and generally learn masculinity from.

now its not to say that this genre doesnt ever attract women fanbases or diehard women fans, obviously it does, and you could make it so nothing else changes but kim dokja being one of those fans and twsa being a rare story in the genre where the mc is a woman, which certainly has its own meta-textual elements and general merit in exploring. however, i think it would also be interesting to look at the webnovels which tend to be marketed more directly to women, and the power fantasies found within them. the first that come to mind for me are regression fantasy romance stories, or villainess stories, which have their own Powerful Female Self Insert MC's and tropes that they fulfill. what would it look like if kim dokja, looking for stories with a female mc she could relate to, project on and generally learn femininity from, stumbled upon yoo joonghyuk staring in one of those? could be fun to think about!

[crimsonhydrangeavn]

(For those wondering, Rita's Birthday is actually September 19th. )

Ironically enough, the reason why I wasn't able to post something on her birthday was because I was swamped with work thanks to an unrealistic deadline.

But hey, better late than never right?

As an apology to Rita and to you all, I wrote a "little" birthday story detailing how her "Birthday Cookies" came to be!

It was almost two weeks before the date when you found out Rita's birthday was coming up.

It was purely unintentional. You see, you spotted her open planner when she asked you to grab something off of her desk. Most of the days on her calendar had a note or two written in black text, however September 19th was the only exception. She had used a cute little birthday sticker that, you presumed, came with the planner.

At the time you made a mental note of it before fetching her the document she requested and getting back to work. However, that was the moment you knew you wanted to do something special for her. Like you, she had recently moved to the island and had really only focused on getting the bookstore up and running before getting consumed with work. From what you had seen she hadn't really socialized much outside of work, so the chances of her actually having birthday plans were slim.

However you intended to fix that! After all, she was the best boss you had ever had. She was kind, patient, hardworking, responsible, understanding, and made it a point to check in on how you were doing often. It was hard NOT to want to do something special for her given just how much you appreciated her.

During the following two weeks you made it your mission to learn as much as possible about her preferences. You didn't want to outright ask her, otherwise it would be too obvious. So, you would make sure to subtly bring it up with customers whenever Rita was within earshot so she would, hopefully, join in on the conversation, or you would be able to naturally follow up on the topic later that day.

Admittedly it was a pretty round about way of collecting information, but you really wanted to make sure your plans were a complete and total surprise

You also invited her out to the local bakery one day during lunch when she seemed to have a particularly rough day dealing with a bunch of annoying teenagers. It was then and there you had learned that she actually hated cake.

Marcelo, who was in ear shot when she made the comment, couldn't help himself and asked why.  According to her, she was never a fan of the "cakey" texture and she HATED frosting. Marcelo couldn't hide his surprise and began listing a variety of cakes, most of which you had never even heard from before. However Rita had not only tried all of them, but disliked each and every one.

Poor Marcelo had to return to work defeated while Rita and yourself remained seated sipping on your respective drinks.

" If not cakes, cupcakes, or pastries, then what kind of sweets do you like?" You questioned, praying that she would give you something, anything, to work with.

She took a sip of her black coffee as she considered your question. After a few beats she finally answered.

" Chocolate chip cookies."

" Really?" You questioned, surprised by the simplicity.

" I know, I know, It's a pretty basic answer... but I can't help it. It's always been a bit of a comfort food for me. Nothing beats a warm freshly baked chocolate chip cookie. " She paused for a moment before continuing, a soft wistful expression on her face.

"Growing up my grandma would make them for us on Sundays and... Well, it was the highlight of my week." She answered with a warm smile as she glanced down at her coffee.

" I mean, I can't really blame you. After all chocolate chips cookies are a classic for a reason." You commented with a smile, only to earn a gentle and affectionate look from the woman before you.

Fast forward a week later and you and a handful of coworkers quietly arrived at work nearly an hour early. Thankfully you had a key to the back door and was able to slip in without much effort. You all spent the next hour quietly decorating the break room without alerting Rita of your presence.

So when she finally descended the stairs an hour later, she was surprised to find you all standing in the dimly lit break room shouting " HAPPY BIRTHDAY RITA!"

She nearly fell down the stairs in shock as she stared at all of you wide eyed.

" W-what on earth...?"

It was then you stepped forward with a wide grin, pleased that your birthday surprise for Rita had been a success.

Well, at least the surprise part was anyway.

" It's your birthday isn't it? We wanted to do something to celebrate! Now why don't you sit down? We have a few surprises up our sleeves." You said with a smile as you grabbed her arm and gently led her over to the couch to sit down.

It was then all of your coworkers presented their gifts and cards to her, thanking her for being such a great boss and how they'll miss her once they returned home for the winter. Fortunately Rita had recovered from the shock by then and politely thanked them all, chuckling along and having a wonderful time.

Once everyone else had given her their gifts, you were up to bat.

" There's one more surprise, so make sure to close your eyes okay?" You said with a smile.

Rita raised a brow before doing as she was told, a playful smirk on her lips. " Oh? What's next? A piñata?" She teased gaining a few chuckles out of your coworkers.

You slipped into her office where you had hidden away a plate of freshly baked cookies you had made earlier that morning. You popped them into the microwave one of your coworkers had relocated to Rita's office right before you started decorating.

Once they were rewarmed, you placed a little candle in the center cookie, thankful that the warm temperature allowed it to stick.

Once they were ready you finally headed out to Rita, carrying the plate of cookies. Placing the plate on the coffee table in front of her you told her to open her eyes before singing happy birthday as your coworkers joined in.

When Rita's eyes finally opened she was surprised by the lack of cake, only for her features to soften considerably once she realized why you of all people had given her cookies instead of a cake. Your coworkers had initially teased you for your choice, however after seeing her tearful and grateful reaction, it was clear that you had made the right decision.

The rest of the gathering went smoothly and despite it all, you all were still able to open up on time. Then most of your coworkers ended up leaving once the festivities were over since it was technically their days off.

It wasn't until nearly everyone had cleared out or gone to the front that Rita finally approached you.

" You know Y/N... I've never gotten birthday cookies instead of cake before." She commented playfully as her eyes shined with affection and mirth as she looked over at you.

" I know I know, an unconventional decision... You have no idea how much everyone roasted me once they realized what I brought instead of a cake." You chuckled remembering their reactions.

"but... I wanted to make sure the birthday girl enjoyed her birthday treat." You met her gentle gaze, a small knowing on your lips.

"Well, I'd say she more than just enjoyed it. Thanks Y/N. This is one of the best birthdays I've had in a really long time." And with that, she wrapped her arms around you in an incredibly warm and thankful embrace.

[chaifootsteps]

As a neutral 3rd party looking over your anecdotal vivzie drama. I am so sorry to say but almost all of your serious claims are unfounded and baised off your own subjective opinions. I don't care about hazbin or helluva boss or whatever, but this critical community is by far the most toxic thing I've ever read in my entire life. Including that 17 year old who admitted to doxxing, and making deepfakes of artists who posted selfies trying to ruin their lives. And also in the same sentence fantazing about vivziepop getting brutally sexually assaulted and murdered. They made fanfics about that. While everyone came in and babied them and told them it's okay because vivziepop deserves it all.

I am genuinely appalled. I didn't even know who she was until maybe 4 days ago when an artist friend of mine got the most vitriol hatred for an innocent art piece of Charlie she posted. I'm trying to understand the hatred and educate myself. But all I see is an artist who was defensive over her OCs in 2018 that you all are pining unfair blame on fandom doings onto.

The critical community is genuinely worse than HetaStuck in the 2010s. You all seem so blinded by your hatred that it's clouding your sense of human decency or mortality. Especially to artists. My friend did not deserve the death and violent threats she got in her DMs. This isnt even just for you, but the whole community. I hope you all grow up and get help.

Being critical about media is important. You don't need to agree or like everything being produced. But this isn't objective criticism. This is dangerous, half of these messages read like a school shooter manifesto disguised as performative social justice.

"I'm a neutral third-party who has no dog in this fight and just learned about Viv five minutes ago and I think you're all just dumb jealous haters harping over Viv drama from 2018 and I'm totally not a stan at all."

You guys have got to get better at lying, or at least a better script to read from. I checked off an entire bingo card with this one.

On the paper thin chance that you're serious about learning why people criticize Vivienne Medrano, my advice is to actually read the receipt Twitter and stop assuming everyone who breathes a negative word about this woman condones the actions of crazy people, because I certainly don't.

[paintpanic]

What are your thoughts on Susie?

I'm a Susie enjoyer! She's not one of my favorites, but that's been rapidly changing as of recent. She's fun and cute and pink and a little bit evil. I dig it!

Her story is cool. It's very funny to me that like halfway through Robobot decides to have a plot going on, but I'm into it. Her little monologues to Kirby before boss fights are great and a super fun way to characterize her.

I wish her backstory was clearer and not revealed via Miiverse post. I'd love to know more about her time in Another Dimension. How long was she there? In an interview, Kumazaki says she came back "after [she] grew up". How did she get back? How did her time there influence her ideals and morals? It's something that feels like it should have a much greater effect on her character than it's shown to.

I really hate how she's demonized by parts of the fandom. Like yes she's a bad guy but I'd argue that she's about equally as bad as Taranza, a character beloved by fans and who's bad actions are often glossed over (including by myself). Both of them helped an evil person who was trying to destroy Pop Star and made a main character fight Kirby. The discrepancy in how they're treated by fans feels kind of sexist to some degree to me.

TL;DR: Susie is a character with a really neat backstory and potentially interesting morals to play with. She's not a great person but also free my girl she's adorable.

[yardsards]

"milsiril is an evil manipulative puppet master who wants to control other characters as if they were her dolls"

bro. look @ her... shes literally just here playinge with her tuoys.

[aaandbackstabbed]

Scrooge: I’m not that in love with Goldie

Huey: you are doodling your wedding invitations

Scrooge: no, this is our joint tomb stone.

Huey: …my bad

[milfygerard]

but fr outside of my contracted madness i absolutely refuse to give joe alwyn gold rush like how is that song at all related to their relationship the lyrics clearly spell out a relationship that either never existed or only existed in implication and fantasies and maybe-maybe nots and its so bitter and yet desperately soft in the bridge where it almost projects a sense of envy, of wanting to be them as much as you want them. It continues an interesting oft ignored lyrical trend of taylor wanting just as much to be her lover as to have them, envying their easy charisma (you were flush with the currency of cool/i was always turning out my pockets) or quiet dignity (your integrity makes me seem small) dating back to her earliest songs (the kind of flawless i wish i could be). Theres a projected self hatred and yearning to be better that twists itself into both romantic and sexual lust for her partners thats so fascinating and speaks to how all of her songs regardless of who theyre about are also an act of self reflection on who she is and who she wishes to be.

[bonefall]

So, your Clear Sky post is absolutely horrifying, but it was very needed, so thank you. What are your general thoughts on tackling his abuse for the AU? Like you've said, pretending he's a good guy is not the way to go, but are you planning on toning down *some* of the situations, just to give some of the cats a break? Clear Sky is a very realistic depiction of abusers, but that seems to come across even without victim number 25, yknow? I'm very curious about how you'd like to go about this.

My most recent big change was bringing Slash back into the fold, because I realized that it was actually a disservice to not address where DOTC's themes dip into Colonialism. It's a hard topic, and I'm still trying to work out the details, but I realized it was important.

With how BB!DOTC is such a MASSIVE overhaul, to properly address abuse and the ways it impacts you, ableism and its violence, and xenophobia broadly, a huge reworking of Slash belonged here too. He's one of the greatest examples of how badly WC demonizes non-Clanborn cats. I shouldn't dance around it.

That's what I need to do with Skystar.

MANY of his victims have happier endings than canon, though. Bumble is one of the most famous, bumped up into a major character and directly responsible for the formation of ThunderClan. Bright Storm is taking most of Gray Wing's roles. Birch and Alder are getting examined, with either a father who wants his kids back or Milkweed as the mate of Misty.

A lot of people will die because of him, even more will be hurt, but I see BB!DOTC as a story about victims and survivors.

Others might grab POVs here and there, but as a response to canon which I feel is Clear Sky's story told in many parts, I center this rewrite around Thunder Storm. The path of kindness he marches down, with love and with anger, and the people he helps.

So BB!Star Flower...

Previously I was playing her as ENTIRELY just manipulating Clear Sky. She was loyal to One Eye and trying to get at Skystar to bleed him dry for 8 lives to sacrifice; but connected to Thunderstar over recognizing him as a victim who deserves her idea of justice. So, she offers Thunderstar the final kill, so her father will be grateful to him and he'll get power AND the death of his abuser.

(When Thunderstar looks upon Skystar, pathetic and neutralized down to one life, he thinks about the collateral damage that will descend upon the forest if he accepts the deal. He decides that he has found the line between Justice and Justification. Of course he wants the power to make his enemies cower, protect his people, and eliminate Clear Sky so he never threatens them again; that's not the problem.

He can still do these things. He wouldn't NEED the power of a war god to do so.

But if One Eye returns, he will be endlessly hungry, ruthlessly dedicated to revenge, and set out to devour the whole forest. Everything would get worse, and even more people he loves would die. It's where his desire to destroy a monster would lead to him BECOMING one.)

Even on its face, it was previously missing an element. There's a step between "Starf decides to bring One Eye back" and "Starf offers Thunderstar the final kill" that was bare. This is the piece that was missing-- That she, herself, is trying to reach out to the only person who's ever really understood her.

But more importantly... I do feel this topic belongs here, in BB!DOTC. Abuse is a MAJOR theme. SKYSTAR is a monster already. He's harmed two wives in BB (Bright Storm and Falling Cry) and played toxic games with all three kits (Thunder Storm, Pale Sky, Tiger Sky).

And I'd avoid Star Flower being abused... why? Because it's uncomfortable to confront the pattern that Clear Sky displays? That in-canon, he tries to cut all his victims into the same ideal shape, from Storm to Thunder to Star Flower? ...it should be uncomfortable. Everything that I described in Clear Sky Is A Monster is rooted in the same desire for control, power, and punishment most abusive people share, he just happens to be a severe example.

Yes. That includes how he treats his child and romantic partners. The parallels that are drawn between Starf and Thunder are there because he wants power in the form of obedience. Starf replaces the son as a narrative award for his "growth" of not killing random people anymore for a while.

A cookie cutter is an effective tool because IT ONLY MAKES ONE SHAPE.

You know what's more uncomfortable? Reading canon!DOTC and seeing someone who hurt you reflected almost perfectly in the character the writers think did nothing wrong. Because of "good intentions" that were not there.

I will say though, just to be clear; I don't see a purpose in being more than PG-13 about serious topics for this project. I promise none of my intentions have changed. Nothing will be more graphic or gorey than canon WC-- just more intentional.

I'm keeping the sacrifice because it's dope. No one is taking this from me. Girl Moment: Killed her awful husband 8 times to count as 8 sacrifices and offered the last life to her buddy as a show of good will. How else do you make friends outside of high school

But I know now that Star Flower NEEDS to keep the canon fact she has very little agency, UNTIL that moment she snaps.

She's sacrificing one abuser to try and bring back a bigger, badder one, because in spite of everything, her father One Eye always made her feel safe. Even though he promised her off to Skystar, and expected her to be willing to die for him. She's followed every command, every order, past the death of his mortal vessel.

The first, and only, selfish choice she's ever made was in reaching out to Thunderstar to offer him the power of her father.

Thunderstar's Justice is a story about a Thunder Storm at the pinnacle of his arc, how the survivors of his Clan are settling into the new normal after the carnage of The First Battle, how Skystar's arrogance brings a violent god to the Forest... and the connection Thunderstar makes with the daughter of a monster.

[liauditore]

new suicide squad anime got me thinking about the genderbend batman au i made when i was 16 again.

extra (nsfw??? body horror + shirtless doodle lol) art under the cut + drabble.

A mysterious actress appears in Gotham!

Production for the long-anticipated remake of the 1930s classic horror film, "The Clay", is saved in part thanks to the audition of one woman with no credits to her name, just a face and demeanor identical of the late leading actress of the original film.

However, the cast and crew have bigger worries than their limited budget and endless demands from their producers -- everyone involved seems to be disappearing one by one!

While the average gothammite worries that the cult classic's "cursed" reputation might be a little more than an urban legend, The Batman refuses to entertain such unfounded silliness and aims to get to the bottom of this crime against cinema!

presenting BATMAN '63 - THE RISE OF CLAYFACE coming not actually ever lmao

(her hair is brown now because I like the idea of her appearance never being fully consistent lol. shapeshifters gotta do their thing)

[jacksprostate]

Things I won't forgive the fight club movie for regarding the character of Marla Singer, entry C:

The manic pixie dreamgirlification of her own struggle with life and death. The narrator gets to have a serious issue driving his alienation but Marla gets her cancer removed so her pithy statement about the tragedy of death being that she doesn't fall over dead randomly is just a bit Offbeat And Interesting And Edgy haha! She's a real tourist, really, nothing ever stated to be wrong about her. Sure she overdoses. Sure you can see she's got a shit life. But she doesn't get backstory. She doesn't get a life beyond fun little statements that, when her own reason for saying and thinking them is removed, mostly just reflect the narrator. In the book, it is very, very clear. Marla does what she does because she has cancer and is afraid of The Slow Death. The Wasting. The Struggle. By taking that away you even reduce her suicide attempt. It puts it all in this context of nothingness. Sure, you can assume a depth, but I don't think we should be uncritical about the fact that they chose to remove it. Marla Singer is more than an object that bothers the narrator out of the support groups and gets fucked by Tyler Durden. Marla Singer is a person in her own right in the book, and in the movie she's just... not.

[stop-breaking-my-heart-dragonage]

This week on "CJ needs to gush about DAO": Morrigan's dark ritual.

I adore Origins because depending on how serious you take roleplay, every decision you make is a thread that leads back to your origin, and in this case of the ritual, who you choose to romance can have a major impact on how you handle this choice.

For context, my canon run is with a female Tabris who romances Alistair and keeps him as a Grey Warden, and is close friends with Morrigan. It's more in character for my Tabris to reject Morrigan's ritual and not even bring it up to Alistair, which would result in her leaving him behind while she makes the ultimate sacrifice in killing the archdemon... however, agreeing to convince Alistair to do the ritual with Morrigan is the only choice in the entire game where I break roleplay because I'm selfish and weak and I want Tabris to live.

I have a lot of strong feelings about the ritual, like it hurts me. It makes me want to chew on furniture. I can talk about it until I can talk no more. I so badly want to be strong enough to remain in character and reject the ritual.

Let me explain: Tabris survives an origin that deals with sexual assault. She gets kidnapped on her wedding day, she watches the other kidnapped women and her husband get murdered, and then is too late to save Shianni from being assaulted... and Tabris carries that trauma with her throughout the entire game.

If the way to save her life is to ask the two most important people she cares about; one being her lover and the other being her best friend; who she knows hate each other, to have dubiously consensual sex in order to make a baby to absorb the old god soul... she's saying no. The last thing Tabris would ever do is put someone into a sexual situation where consent is at all dubious after what she saw happen to Shianni and nearly happened to herself. She'd rather die than force that upon Alistair and Morrigan.

That's what I mean when I say origin affects everything; I know some will side eye that with "Really? Your warden would rather die than let Alistair sleep with another woman? It's one time, and Alistair agrees to it, so no one needs to die?"

Let me be clear in saying this isn't a "Morrigan slept with my man" issue. Sure, that part's awkward and it sucks, but that's not even breaking water tension, let alone diving into the deep waters to the core of the issue.

For my Tabris, this is about betrayal, consent, and accepting fate.

The person offering Tabris this deal is someone she thought of as a trusted friend who has actually been lying to her the entire time. It doesn't matter what Morrigan's intentions are now or if she genuinely wants to save the wardens. She knew from the beginning why Flemeth sent her with them, she admits as much. She knew a warden would need to make the ultimate sacrifice and then leveraged that to get what she wants. Morrigan waited until the night before, when Alistair and the warden learn one of them has to die to defeat the archdemon, and took advantage of the high running emotions and possibly the fear of dying to make the warden agree to her ritual.

At least, that's how my Tabris interprets this confrontation. She feels betrayed by someone she came to love like a sister and went out of her way to help Morrigan with her mother upon learning what's in Flemeth's grimoire. And then that someone tells her no one needs to die, she just needs to convince Alistair to sleep with her... which is a huge fucking problem.

The Alistair and Tabris romance is slow; it took a long time for either of them to be comfortable with being emotionally vulnerable and trusting each other with basic intimacy, let alone sex. Tabris is mortified at the idea of putting Alistair in this situation. Not only would it feel like a betrayal on her part to ask that of him, but she knows the last thing Alistair ever wants to do is father a bastard who then goes on to grow up without him. How could she possibly ask him to do that?

Then you consider that ritual or no, there isn't a guarantee that they'll survive anyway. Say they do the ritual and Tabris dies anyway; she made Alistair sleep with Morrigan in order to save her and then she died anyway. Or if Alistair dies then Tabris gets to live with the fact that the last person Alistair was with was a woman he hates because she asked that of him… and either way, Morrigan gets to walk away with what she wanted.

Tabris led the group, and she's accepted that if Riordan dies [which he does] then she'll be the one to make the sacrifice, even if it means breaking both hers and Alistair's heart.... except she doesn't because I'm a coward who doesn't want to lose her because my worldstate isn't good without her in it but I also refuse to lose Alistair so I just pretend it plays out differently in my head it's fine-

But... that's how I play Tabris and view the situation. My friend @pi-creates and I have discussed the dark ritual at length. While I play a Tabris who romances Alistair, Pi plays a Mahariel who romances Morrigan, so we have vastly different interpretations of the ritual itself and Morrigan's intentions.

Which yeah, it makes total sense that someone who romanced Morrigan with a different origin, and has the option to do the ritual with her rather than asking someone else to do it, wouldn't see this the way I do.

To quote Pi: "Playing as a male warden in the Morrigan romance makes the whole situation feel different, and maybe it’s because she’s presenting it differently due to the emotional connection, but it feels more like she’s opening up about her initial instructions (that she had been given by Flemeth) and offering a solution to avoid the possibility of death. And for my Mahariel, the constant threat of sudden death has haunted him from the start – he caught the blight and was ripped away from his clan (something he did not want to do in the slightest), got forced into a Grey Warden ritual that could kill him, was forced into a battle that could kill him, going on this whole quest that he never wanted but has now become responsible for regardless of his thoughts on the matter… the dark ritual may be one of the few moments where he is presented with an option to decide if he wants to walk into certain death, or take actions of his own volition to stop it.

"The idea of the ritual still feels like a dodgy thing to do since the ultimate outcome is unknown at that point, he’s taking Morrigan at her word that it will save the warden and that this child would be unharmed, just with an old god soul that she isn’t exactly clear on why she wants that and is determined to runaway immediately after the battle to secure it properly. It could be interpreted that it’s purely a preservation thing, but I’m biased to wanting Morrigan's intentions to not be power based.

"But also, taking part in the ritual isn’t as outlandish for my warden since he and Morrigan have already been involved in an intimate relationship. It’s the future of the ritual that is scarier – the idea of this old-god baby, and the idea of Morrigan insisting that she’s leaving afterwards when Mahariel and her have a loving relationship. He’s hurting, but he doesn’t want to die, he doesn’t want Alistair to die, he doesn’t want Morrigan to leave, he definitely doesn’t want pregnant Morrigan to leave on her own… it’s complicated, but for completely different reasons."

And I find that fascinating. I want to know how other players approach this part of DAO, what origins they play, and who they romanced. Seriously, this is an invitation to anyone reading to share their thoughts.

What about a warden who doesn't even have Alistair in their party because they made Loghain a warden? Is there anyone out there who has Loghain do the ritual with Morrigan and why? What about male wardens who don't romance her? Do you choose to do it with her anyway, or do you ask Alistair or Loghain to do it? Do you tell Morrigan to fuck off with the ritual? Why? Who makes the ultimate sacrifice in that case? And what about Morrigan herself? How do you interpret her intentions/motivations? I want to know.

I'm telling you, this is a discussion that gets me excited, as most discussions about DAO do.

[valiant-portabella-pirkko]

just a little bit of experimenting with Scarlet to shake the rust off 👍

[dominiq-e]

I don’t think you have the right to insult someone’s musical talent and their recognition for such if you haven’t actually paid attention to their music.

“Taylor Swift is soooo basic and boring and bland and she does NOT deserve all the praise she gets” — someone who has only heard five t swift singles

congratulations you’re playing into the hands of patriarchy. good job dismissing a woman’s hard-earned accomplishments just because her music doesn’t suit your personal tastes. sit down.

[mayybirds]

Important question, do more of the RE8 villagers survive in this version?

Yes, very much yes. I can't, at this time, guarantee any specific characters other than Elena (definitely) and Luiza (probably), and an undetermined number of unnamed villagers, but I definitely plan for some of the villagers to survive.

While the total wipe-out of the Village in RE8 is a lot more believable than other "total wipes" like Raccoon City or the Pueblo in RE4, as it seems significantly smaller than both RC or the Pueblo, and has a more intelligent breed of bioweapon under specific instruction to exterminate the Village, Resident Evil has a weird and kind of uncomfortable history with complete massacres over its long history that I'm always inclined to push against. It's lazy, uninteresting writing to me when it's a trope recycled so frequently... especially given it's very clearly mostly used to provide clean narrative "closure" between each game by eliminating any other survivors other than the main protagonists (and Wesker lol). Like... RE4, for example, functions as a contained narrative because the Pueblo dies at its end. Its function is over in the continued story of "Resident Evil"... it only matters going forth in the context of Leon, Ashley, and Ada as characters. But as a writer, I'm much more intrigued by a version of that story that involves other survivors. What would it mean to live through something like that, not as the hero outsider protagonist, but as a civilian? How do you even recover? Who would you be after?

The weight of the horror of the complete destruction of a place that's isolated to a single game becomes faded when it's the same shit in every game. I'm sick of it, and bored of it. It would hit harder if it wasn't every damn game... better to take it apart and try something new with its empty box.

[allsortzofcrap]

i feel like for the rest of my life i will be walking around totally normal and then periodically, i will be absolutely brained with a metaphorical anvil falling off the side of a building that represents the absolute bafflement i have towards modern adaptations of sherlock holmes and their treatment of irene adler. bbc's most recent adaptation in particular.

im so sorry. please repeat. she was stupid u say??? and i'm sorry, IN LOVE with him u say??????

i'm a feminist so i think women are capable of being in love and also of being stupid. they can do anything they put their minds to ofc ❤️. but this is too far even for me.

it's just that i can't understand why you would choose to write a narrative that is more mysoginistic than the source material when the source material was written in 1891.

was it intentional? did they somehow not pick up on the implications? was it random?

i can't fathom it. it keeps me awake.

[marzipanandminutiae]

hello!! i’m so sorry to snoop in the tags, but i saw you mention a book you were reading where one of the women uses a spell to disguise herself as a man and the other one is into it!! may i ask what book that is? id love to read it or something like it

A Restless Truth by Freya Marske. Generally quite a good book, I thought, though it took me some time to get into it! It's a fantasy murder mystery/MacGuffin HuntTM story set on a luxury steamer in 1909.

The disguise part is very brief; the character is a generally femme bisexual cis woman, but she's played trouser roles in a music hall and used her magic powers to enhance the illusion. And she demonstrates that to her new lover (femme cis lesbian) while they're kissing at one point. It doesn't happen again after that.

I found it offputting, especially because the lesbian has just figured out whey she's never had any interest in men and now here she is briefly pretending the woman she's falling for is a man. Genderfuckery is not generally something I'm into in terms of reading romantic or steamy lit and trying to lose myself in it, but if that's something you like, that aspect of the scene will probably appeal!

(I should hardly have to say this, but it's Tumblr, so: obviously IRL I support people in whatever gender or presentation they find most authentic. You don't have to be attracted to someone to want them to have basic rights, and be happy and comfortable in their skin. I'm also perfectly content to read books that don't reflect my experience or what I personally find attractive. This specific book was very much in Comfort Food territory for me, though, so I approached it from that angle and that colored my reactions. Clear? Excellent.)