After finishing She-Ra 2018 I'm trying to work on my unified theory for why CatDora bothers me as the endgame ship. Cause as CEO of mentally ill cartoon women, there's something about it that feels a disservice to Catra's psychology and trauma. She is genuinely such an interesting character to watch because they so clearly lay out the abusive dynamic that informs her entire character, but by the kiss, I feel like they lost steam with it.
The biggest thing to me is the simple fact that Adora is basically a trigger for her. Adora's personality as someone who is constantly self-sacrificing and forgiving is something Catra has a deep hatred for because she believes she is worthless and unforgivable, and when people try to help her she feels they're using her to look better while she fails to get better.
The fact that ADORA herself was the one in that original dynamic that traumatized the hell out of her makes me uncomfortable with how Catra eventually just... stops getting set off by things. I just can't imagine how what happened leading up to their kiss would desensitize Catra enough to that trauma response that she'd be in love with her. Like in that same season she was fucking death gripping the table at hearing Adora's name, and in seasons earlier she straight up like dissociated when people brought up her heroics. Not only the unearned healing, but the "I've loved you all along" feels a bit patronizing to her past. That all her emotionality was complicated romantic feelings, and not... having really nasty childhood trauma.
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📣ANNOUNCEMENT📣
THE BIG 2024 PROJECT
At long last, I'm announcing what I've been working on🥁
Starting February 6th and continuing every other Tuesday through at least mid-December, this blog will be highlighting the work of various illustrators of A Tale of Two Cities over the many decades since its initial publishing!💫
As it stands right now, the archive will span from the very beginning in 1859 all the way through about 1992 (with a heavy density at the turn of the century) and will contain just under 500 individual illustrations by 20 individual illustrators — in styles ranging all the way from pen to painting and abstraction to realism✍️
All of these numbers will continue to grow, however, because this is an ongoing project! In fact I expect the queue to continue through a good portion of 2025 as I keep finding and archiving more and more — there's just so much out there!
For this reason I am not posting these in a sorted order — I looked at what I have right now and ordered them to feel random and balanced, with some themed for certain months😎
Also!
A large percentage of these (about half of the artists and well over half of the total illustrations) are coming from sources difficult or impossible to find on the Internet and are instead coming from my own scanning work:
When I would discover in my research editions that I knew to have work by new illustrators whose pages weren't available for online viewing, I would seek out and buy those editions for super cheap online and scan them on my own printer's scanner — so for a lot of the old illustration work that this blog will be posting, it will possibly be the first time some of these have ever been uploaded for public view on the Internet!🤩
As far as keeping the archive organized on this blog, the organizational tag for these posts will be " #illustrators ", and I will also tag each post with the highlighted artist's name and with the decade in which each set of illustrations was initially published (as far as my research tells me)🏷️
On the off-weeks, this blog will be posting its usual miscellany, with a sprinkling of behind-the-scenes and extras for this specific project. But starting next week and continuing every other Tuesday* through about the entire year, expect a new post highlighting the work of a given A Tale of Two Cities illustrator — and be prepared because sometimes the number of illustrations on a single post will be in the tens/dozens since Tumblr increased the max image count for a single post to 30!
*with the exception of April, which is going to have a special schedule for reasons you'll see when the queue gets there👀
I'm just so excited to at long last get to share this incredible archive here! I sincerely hope you enjoy this fascinating and often breathtaking look at these tiny, beautiful pieces of art history!🌟
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Knights Who Carry Objects Around
Arupek - “How am I able to carry it all the time?” “That’s easy~! If you like something a lot, a little pain isn’t going to stop you.”
Arupek - “But I have a department right inside my jacket! See?”
(Arupek, approaching you like a dealer in an alleyway)
Arupek - “Heheh… Would you like one of these bad boys!?”
Arupek, who opens his jacket to reveal multiple water guns!
He takes off his hat to reveal a smaller water gun...!?
He takes the card out of his sleeve...
…to reveal another water gun!?
Tuxam - “It’s retractable.”
A simple answer—as expected from an inspiring gentleman!
Chaco - “You can ride it. You can sit on it. You can even ram SEEDs with it.” “If you approach them in a certain angle… bwamnh! Skin and insides—everywhere!”
Chaco - “Bashing it senselessly into a SEED is also an option, but I don’t want to harm the painting job, no?”
Pikero - “I’ll have someone else carry it.”
Hangyon - “Lili isn’t an object~” “For your transgression, the interest rate will be 100%!”
Badobarm shares the same sentiment.
Kurode - "It's the cost of being an iPad kid." "I have to carry it around forever. It can never escape my hands."
Merold - “(Sigh) I don’t know what I was thinking—carrying around such a big baton...”
Merold - “But look at me now. Without the pains of having to carry a big ol' thing all day.”
Rimicha - "Heheh... I thought about this before~ So I added belts to my outfit!"
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