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#but i want to do some concept art to get an idea on how i want him to look
alexanderwales · 18 hours
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The worst thing about creative AI right now is that it produces bad results. The writing is bad, the images are bad, and the video is bad. It's impressive, sometimes, that the technology works as well as it does, but it's still bad.
I think if you sit down and go through a few hundred generations, then tweak and edit and inpaint and think intently, you can sometimes get something worth putting in front of people, if you have the right eye for it. I could definitely edit up an AI-written short story into something worth reading, especially if I was the one who had fed it the prompt and gone through the work of having my own ideas to insert. I think at least part of the output would be the AI's, and I could carve away everything that was nonsense or just bad, leaving only a few turns of phrase or some general boilerplate structure ... and this would take more time and effort than just writing the thing myself.
Most people who use generative AI do not want to do any work, and in fact, have no conception of what work would be required. Most of them are consumers, not producers, and they're used to the modes of content consumption, where you don't look closely at the details. Generative AI, in its current state, just kind of sucks when you're in a "press button, get results" mindset.
The stuff generated by "press button, get results" is the vast, vast majority of AI art that you will see, even accounting for filtering effects. There are a lot of people who have no love of artistry producing artwork via machines that are not good at making artwork, sometimes just for a lark, sometimes with profit in mind, and it's threatening to drown out other stuff in spite of being bad.
This is my thesis: generative AI produces bad results, and this is possibly the worst thing about it. If it were able to produce good results, I think that a lot of people would be less opposed to it. If you could get a short story that was worth reading, or a picture worth looking at, for no additional effort of manipulation or prompt engineering or whatever else, then we would be flooded with good art instead of bad art.
When it comes to art, I care about how it makes me feel, and what it's trying to say, and where the intent is, and what ideas it has. AI is not there. Possibly it will never get there. But sometimes I see a picture that the AI has made, and I do feel something in the sweep of the lines, or the composition, or just the juxtaposition of elements. It's just really really rare, and the product of either chance or really careful work on the part of some human. It's not something that the AI can do reliably, at least at the moment. You can also quibble about intent, because the AI "has none", but I find beauty in nature too, which is not trying to make a statement with its sunsets, and whose intents, if they can be said to exist, are mostly about things that are orthogonal to my perceptions, like the plumage of a sparrow or the curved leaves of a fern. To me, art is art because of the way that it can be read and the emotions that I feel when I look at it. Contentious, I'm sure, but I don't find other definitions all that useful.
But the art that the AI makes is, unless expertly guided, bad. And there's a ton of it, and it's impacting the ability of real artists to make superior work.
I think the future I see, if the AI doesn't get better, is one where we have a bunch of cheap shit that's replaced a lot of good expensive things. I am in favor of cheap things, but I'm not in favor of shit. I would love for translation to be as simple as pressing a button. I would love to have a good painting to go with every chapter I write. But we're in a world where the results mostly suck unless you're willing to put in quite a bit of effort and have some expertise in a field of creative endeavor, and that means we're in a world where the products are bad.
I'm interested to see how the conversation shifts if the results start getting better, because that seems to me like one of the sticking points.
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sproouts-jpeg · 5 months
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OMG I FORGOT TO POST UUUUUUUUHHHH…
STRAWHAT POST TIME SKIP REDESIGN PART 2: NAMI
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my very convoluted thought process! enjoy some word vomit! i was especially indecisive on her haircut and how to incorporate some glitz and glamour :/
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she’s not as fancy (i.e. jewelry and expensive clothes) as i would’ve wanted her to be :( but i looove tomboy nami a lot so i still really like her outfit
the nami on the left is more of a restyling meant to stay pretty close to her canon design, just so that i could gauge what it was about her og look that i did and didn’t like :0
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i’m a little angry at myself for keeping the bikini bra, cause i’ve seen really cool nami designs that aren’t blatantly “sexy” and make her a cooler outfit with a garment other than a bra. but also! she’s chubby! she’s transfem! she’s a lesbian! she’s a criminal! let her be sexy! for the ladies! and for herself! that’s cheesy but idk that’s my thoughts on it
i also think the teal aviator jacket is pretty ingenious! i guess i kinda wanted to give her a similar vibe to kiki from kiki’s delivery service. like how kiki’s both a mail delivery girl and a witch, and now nami’s both a pilot and a witch! idk… does that make sense??? i just have this very vivid imagine in my brain of nami using the clima tact like a broom to fly… but that’s what zeus is for…? ¯\_(ツ)_/¯
ALSO REAL QUICK! COMPASS AND SQUARE PIN ON HER JACKET! IN NO WAY RELATED TO FREEMASONRY OR WHATEVER! THAT SYMBOL HAS A “G” IN THE MIDDLE! I DONT EVEN KNOW WHAT FREEMASONRY IS I JUST FOUND OUT ABOUT IT RIGHT BEFORE POSTING THIS! ITS JUST A COMPASS AND SQUARE CAUSE SHES THE NAVIGATOR AND I THOUGHT IT WAS CUTE! ok psa over :D
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zeus!! he’s silly!! but with a less stupid hat! maybe more stupid hat idk! :D
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i’m gonna tweak everyone’s jolly roger a little bit to match my redesigns (maybe not zoro’s tho i like it as it is and matches him pretty well already… and definitely not luffy’s cause it’s the crew’s insignia)
uuuuuhhh i hope y’all like it! suggestions for making it better are appreciated!!
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r0b0t1me · 2 years
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✨BRIGHT STARS, CONSTELLATIONS, BIBLICALLY ACCURATE ANGELS✨
fanart for bad blud by @/pidgetails/bigdamnher0 
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dandyshucks · 2 months
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the difference btwn irl and online perspective on creativity is so funny to me and idk if I'll ever get used to the stark contrast of it all.
IRL when I mention that I draw and write, people act like I'm some super talented creative genius(???). they don't seem to understand the concept of OCs, and if I try to vaguely touch on my DL project they get visibly overwhelmed no matter how simple I make it for them, and eventually they settle on just insisting that I need to publish traditionally and monetize on it. they don't seem to have the ability to understand the concept of zines and immersive storytelling through non-traditional means.
but then i get online and I'm just another drop in the ocean and always a very mediocre drop at that LMAO, I constantly fight with myself to feel like there is any sort of value to my stories and art, and there's hundreds of people doing the sort of thing that I do but even better than I could ever dream of doing!
it's just so strange going from interacting with this online to IRL, I feel like I'm getting whiplash from being largely ignored or scoffed at online (which I'm fine with btw lol I grew up with that in my family and now I get nervous when I get too much attention) to people at the centre treating me like I'm some kind of artistic genius who cannot be understood because I'm too far above their level 😭
#i simplify the things i talk about so much too like djdksl i rly make it as easy as possible to understand#i continue to simplify things more and more when i talk to ppl. i get vaguer and vaguer. and yet !!!!#it rly is not difficult to understand i feel like ??? the concept of zines is just so simple really#but these ppl are all so deeply entrenched in traditional novels that the concept of a zine is far outside their understanding ig 😭#im just dhfjdls struggling going back and forth btwn these two spaces of online vs IRL#the thing is that i do just want to share my ideas w ppl! i enjoy it!#and i want to hear their ideas too!#but everyone is so weird irl to me about it ??? like. calm down. im a little freak. do not treat me like im way beyond ur understanding!!#if u played w me in the space then u would see oh actually art is smth everyone can engage in!!!#art is not for ''talented'' people only!!! everyone can make it!!! u gain skill the longer u work on it!!#i prefer sharing stuff online bc of this fjdkdl but then online has its drawbacks too#i have a hard time not being mean to myself abt how my work does not measure up to other ppls fjfkdl#which is silly bc i LOOOVE seeing ppl make art no matter what their skill level or whatnot#and i get sad seeing ppl be down on themselves abt their creations#but ... idk sbdjdl I'm rambling LOL i was just thinking abt how strange all this is#sorry for the weird ramble post LOL this is probably smth that should go on my main account but too late now fjdkdl#dandy.cmd#vent //#not rly meaning for this to be a vent but i think perhaps it has some flavours of being one LOL
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bluntforcefem · 4 months
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thought too hard about putting neku from the 3yr timeskip between twewy & neo on the train and now i'm trying to untangle what the fuck that even Means for him
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aroace-number-eight · 7 months
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#i don't like how this past year has been me getting really anxious because of my health#because it really put me on edge deciding whether i want to draw and finish my projects#or do my schoolwork and finish college#because i haven't been able to imagine myself anywhere past graduation and my health situation hasn't helped matters#i could be overreacting and i'm actually fine and this is a temporary pain issue#because i'm continuously denied getting my pain checked out due to expenses and the like#everything is too expensive#who knows maybe i'll live past graduation and i can continue my art as usual#but i'm panicking more over the pain daily and feel like stopping my classes and just draw draw draw#i'm more concerned about making fanart tbh because i have so many ll wips#and i sincerely want to give back to the fandom more than ever#but a dead artist can't contribute#neither can a living artist who is in too much pain to work#still thinking about posting my wips and ideas and maybe they'll inspire some other people here#ideas and concepts will get lost in translation but it's better than nothing#... i wish we had more artists here#maybe i won't feel this way if that was the case#ernest talks#i really don't meant to death scare anyone reading this i could be overreacting over my own health#it just ties real closely to how worried i get about the fandom in general and how much time i dedicate making projects for the community#so i'm just.. scared i guess#how would people know when a blog largely on hiatus is permanently inactive? will i let people know in time if something happens to me?
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axellis-archv-2 · 2 years
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i just need to put these on my blog for science . ramram design evolution video is something
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northernember · 9 months
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Concept art of my FE3H!Red Queen au, starting with Cal as Dimitri of course. If you want to bare witness to my insane rambling, it'll be under the read more. FE3H spoiler warning.
So,,, I recently started another fire emblem 3 houses play through, and will probably go on to finish 3 hopes finally afterwards, but its brought the brainrot back in full swing. I have a general gist of who i want the main lords to be and a few of the house members but uh,, its a lot lmao.
The main ones I have set in my mind are Mare as Byleth, Cal as Dimitri, Maven as Edelgard and Farley as Claude, not only because I think they fit the characters best, but because I think it adds very interesting dynamics in terms of the fire emblem universe.
I absolutely adore Areadbhar, which is Dimitri's weapon, but I also love the very traumatic relationship Cal has with swords so I decided to design a sword based on the creator weapons. These line of weapons can only be safely wielded by those who have crests, and theyre made out of the bones of the goddess, the creator, the beginning,,
so i naturally kept that in mind and designed the sword based off the forearm bones and hand. Ignore all anatomical inaccuracies, its about the coolness factor more than anything.
Cal as Dimitri is just so [chef's kiss] to me, esp after getting that excerpt about Cal going insane in one of the cut concepts from the special edition set,,, it just slots so immediately well into dimitri's arc because they share very similar character motifs and tropes, and also general story tropes, their father dies, their step-mother had a hand in it, they're betrayed by their sibling. but at the end of it, when they come back to themselves and shed that anger they still try and Save their sibling etc etc.
Theyre loyal and duty bond, they were turned into soldiers from a very young age. Their ability is inherently destructive and it makes them more gentle out of fear of hurting anyone around them. they are generally kind and sincere, being deemed weaker due to the way they care and love, with something darker lurking just beneath the surface, but not because they are not who they present but because they are ashamed of what it means, of that part of themselves.
Until everything falls apart and they snap and are driven by anger and vengeance and use their ability to inflict harm that nothing else could ever rival.
And then once they are soaked through with blood, and see themselves in the reflection, their vision clear of that blinding anger, and a hand held out, granting them hope and showing them love and care, they vow to use their ability and and influence to protect their loved ones, and the people around them. they promise to uphold their beliefs and make things Better for those that come after them. im just,,, i love them your honor
Also the fact that in every other route where Byleth(Mare) does not choose Dimitri(Cal)'s house, he always ends up dead, because no one else is able to bring him back to himself, to save him from spiraling further and further until the only path he treads is towards a violent and bloody end, only they can make him believe he is worth saving, that his life is worth living for himself and not just in the pursuit of granting the violent wishes of the dead that haunt him.
And at the end of the blue lions route Dimitri(Cal) finds peace, not in vengeance, not in the arms of the dead, but in the people still living, in the support system that surrounds him, and in Byleth(Mare), he chooses to live for them, and lead a better life, and in the hope that maybe one day the water that washes his hands will run clear of blood.
I am a Marecal and Dimileth truther forever and always
Anyways this au is in no way fleshed out, mainly cause Im the kinda person that simply adheres to whatever is coolest to me at the time, so i don't know if I want to have Cal keep Dimitri's crest which grants Incredible strength (enough to crush a grown mans skull with little effort, one handed) or make a Crest that acts similarly to his sliver ability.
I just,, I love these games, and I love these books and so my brain decides to smush them together for the rabie inducing visuals. I hope you enjoy
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notherpuppet · 3 months
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I LOVE READING YOUR NANNY AU!! The writing and art is amazing!!
Though how you get the dialogue so perfect!?!? I'm trying to do a comic series but I can't do the writing right.
May you please share some tips?
I want to actually be helpful with this, because I looove writing dialogue. It’s my favorite part of the storytelling process. I’ve written works with and without internal dialogue and I like both. It just depends on how much I want the reader to know. Anyway, here’s some advice?
1. Study techniques from media you like
I study scenes from favorite films/tv shows. And there are many YouTube channels that are great resources for writing, but I’m most partial to “Studio Binder”.
This is a great video on dialogue.
Because I write for comics most of the time—rather than prose—I find advice for tv and film to be more helpful because it incorporates the techniques in a visual storytelling medium. But I’d recommend studying technique for the storytelling medium you’re partial to as well. I have several books on comic book storytelling and have studied comics and manga the most in my life haha (cuz I’m a giant fucking nerd).
2. Workshop dialogue to fit the character and scene
Dialogue can change a lot from my first concept—where I want to convey the necessary information—into making it sound “in character”. So I study the writing of the show of course to pick up on the characters’ quirks and unique ways of speaking.
Example:
Carmilla Carmine is bilingual with Spanish/English and it seems that as a character, Spanish was her first language. So some traits she may have are:
1. To confirm her ideas ending with a “no?” Instead of saying “right?”
2. Slipping into Spanish when she’s ‘thinking out loud’.
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Then I’ll read aloud a scene to see if it sounds right. Often, this is when I’ll notice if the dialogue seems repetitive or awkward.
3. Touch grass, go laugh, have fun
Also, I’m sure my very chaotic but-hilarious-family members and friends help me with writing dialogue so make sure you take the time to hang out with people lol!
It’s true what they say about drawing inspiration from real life 👥🌎
Hope that’s helpful 🥰
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poppy-metal · 4 months
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MARRIAGE COUNSELING W ART PLEASEEEEEEEE GOD THE DEVASTATION THAT TAKES PLACE ON THAT COUCH
i think about it alot. tashi staying with patrick, her injury never happening. your arts college girlfriend and now you're married and it feels fucking stagnant, your relationship. but neither of you wants to give up. neither of you wants to reveal to the other true feelings.
under the cut because this got long and i have a whole au in my hear around this concept
you're only in counseling because of tashi. because shes still in your lives, her and patrick. and she recommended it to art when they were having one of their 'friend' lunches. and now here you are, because of course art took her advice.
he hasn't said anything, though. despite pleading for this. saying he wanted to save your marriage, that he wanted to love you how you should be loved but he didn't know how.
so here you are, on opposite ends of the couch, with the counselor staring at the empty space between you like that in itself is very telling. you suppose it is, in a way. couples who want to stay together should be unified, shouldn't they? you imagine how it would feel, if art had sat next to you. put an arm around you. squeezed you to his side. would you even be able to relax into him? its been so long since you touched eachother that way.
"so im picking up on some distance here," your therapist says. shes a small woman. almost swallowed by her chair. her glasses are perched on her nose as she gazes imperiously at empty space separating you and art. "not just physical either, though thats rather obviously there. but emotional distance. do either of you wanna comment on that?"
you cut a glance at art, expecting him to speak up since this was his idea - well. tashi's. but he just looks down at his lap, quiet. spins his wedding band around his finger.
you feel an anger so intense it pricks your eyes with tears.
"well, i guess you could start with the fact that coming here wasn't even either of our idea. it was his friends."
and now. here art speaks. his head jerks up and she shoots you an annoyed look. "you don't have to say it like that. you always say it like that. her name is tashi and she is my friend. and it was her suggestion, yeah, but it was a good one."
you look at the therapist - janet. raise your eyebrows in arts direction like, get a load of this guy. your legs cross and you start picking at a stray string from the couch.
"first words of the session and its to talk about another woman."
arts inhale is sharp and you can feel his eyes on you but you dont look at him. you can't. you wont. you're right, anyway. he can try to deny it all he wants but you know - you know what you are to him. you know where all your problems stem. you dont need to be here to make any grand discoveries over a fact you've resigned yourself too.
"i see." janet says. "and art having a relationship with this other woman upsets you."
"everything upsets her." art cuts in, sounding tired. his elbow is braced on the arm of the couch and hes chewing on his thumb in one of his nervous gestures. he always did that, as long as you've known him. he was a nail biter, he'd chew his lips raw, he'd nibble on straws, the ends of his pens. he was either lost in thought or agitated. your guess was the latter. "nothing i do makes her happy."
"is this true? are you unhappy with art?"
your skin feels hot. you shift around in your seat. the attention is all on you, and it feels like you've done something wrong, even though you know its literally janets job to ask questions.
"more like i know I'm not what he wants and that makes me...... really fucking sad."
art knees almost knock against yours as he turns his body to face you, giving you his full attention the first time today. you cant meet his eyes still, so you look at the faded spot on his jeans. light blue, like his eyes. you wonder how hes looking at you. cant make yourself look up to see.
"what." he stops. seems to gather some thoughts. tries again, with a steadier tone. "what are you talking about."
you try not to roll your eyes. your arm flings out limply.
"just that this whole thing is a joke, art." and you let out an exasperated laugh, even though nothing is funny. nothing has been funny or light between you two in a long time. "we're only here because the girl you really wanted to marry, told you to get your fucking shit together. you didn't ask us to come here because you wanted to mend something, you're here to please tashi. because if playing a good husband is a role she wants for you - well, you want to play it right, dont you?"
its quiet after that. in the silence you cant help but think about those early days. when you'd been full of love and light and art seemed to be really happy with you. you'd go on dates to the movies, walk through the park together with your hands swinging between you. laugh together and steal kisses whenever you could. you felt high back then.
it didn't even matter that art had a crush on tashi, because hell, you had one too, at the time. but she'd started dating patrick, and they seemed to mesh well together. they were both so intense and passionate. back then, you'd been alot closer to tashi yourself. patrick too. you remember the way she'd rant about how much she fucking hated him, pacing around your room and calling him every name under the sun. and you'd sit there with eager curiosity, and ask her why she didn't end it then. if he makes you so angry, why stay?
and she'd get this faraway look in her eyes. kind of wistful. kind of sad. kind of happy.
"because he makes me feel fucking alive. hes like a - like a drug or something. i cant quit. its addictive, you know?"
that stuck with you. it still sticks with you. you remember being envious of that kind of passion. youe relationship with art had always been so easy. you dont think you'd ever fought by that point. you loved art. you felt safe with art. but were you addicted to him? if you broke up - would you feel withdrawal symptoms?
sometimes you layed awake at night and thought about starting a fight - breaking up for no reason. just to see if he'd fight for you back, if the missing of eachother would be so intense one of you would cave.
but somehow you knew that wouldn't be the case. thats just not how you and art operated. if you got angry, he wouldn't rise to meet you, he'd back down. if you ended things, he wouldn't chase you, he'd let you go.
patrick and tashi were fire and brimstone and you and art was ice and you were....... dirt. solid. walked upon. dependable and not at all exciting.
when art had proposed to you after college graduation it wasn't spur of the moment as it had been with patrick when he'd swept tashi up with a ring and a elopement to vegas. it was talked about and agreed upon and you knew it was coming.
you still said yes.
"you think," and arts voice has a barely concealed tremble to it that makes you look up, finally. you're shocked to see he looks wounded. so many of his expressions you can count on one hand - and this - this wasn't one of them. his eyes are dark, stormy. "you think i dont care about our marriage beyond what someone else has to say about it? you really think that?"
you hate the sliver of guilt you feel, because its not a crazy thing to feel.
"yeah, i really do."
because well, that's the truth of the matter isn't it? you and your husband stare at eachother. and it feels like you're looking at a stranger. not the man who's freckles you used to kiss. who's fears you knew. who's hands you know every callous of, every divot and fingerprint.
"it seems you two have very different views of how the other views this marriage." janet cuts in, sounding curious. she taps her pen against the open notepad on her lap. "art, would you like to chime in on why you wanted to come here? even at the suggestion of someone else?"
art stares at you for a long moment. his face is unreadable to you. his jaw works before his chest expands on an exhale and he looks away.
"i guess i - i just didn't realize how..... stagnant things had gotten until it was pointed out to me. harshly." he winces, and you wonder exactly what tashi had to say to him. you haven't talked to the other woman for some time. contact fizzling out after your marriage to art. he flicks a glance to you, then away again. "im not the best at being aware of shit going on around me." his hand comes up to rub nervously at his neck. "i guess you could say im good at brushing things under the rug. going through the motions. that sort of thing."
janet nods like this makes sense to her. well, great, you think. you know my husband more than i do.
"you're not a fan of confrontation, are you?"
art actually laughs. a genuine one. one that brings a dimple to his cheek and flashes his teeth. you stare at it, like its an exotic animal, and you wont see it again. quickly you catalog the expression in your memory, so you dont forget what he looks like when hes happy.
"yeah, no." he shakes his head. "but I think thats part of the problem. I've obviously let too much shit get put under the rug and now its so full other people are noticing."
you look down at your hands, lips pressed together. your face burns at the knowledge that tashi and by extension - patrick - know your marriage is in shambles. how embarrassing, to be caught lacking in such a momentous way. to come up short and have your husbands friends know about it. you wonder - does he talk about all the ways you make him miserable with them? does patrick shake his head, say, "she's sucking the life out of you, man." does tashi look at him with pity? like hes some poor abused cat that needs to be let in from the rain?
the rain of your marriage.
the rain of you.
you're the storm. you're the problem. you're not enough. art needs fire. you're not even dirt, you're glass. and you can feel yourself breaking.
"that clearly hit a nerve, my dear." janets voice is soft. soothing. she hands you a tissue and you realize you'd begun to cry. "do you want to explain what you're feeling about what art said?"
"i...."
you dab dab dab at your eyes. sniffle. look around the room, trying to collect your thoughts. they feel like flyaway dandelions. you dont know which of them to grasp.
a warm hand settles over yours in your lap and you startle. its arts hand. warm and calloused and tan, covering yours. the gold glint of his wedding ring winks at you, the engraved words etched into them, "my soft epilogue". a shortened version of your favorite qoute i think we deserve a soft epilogue, my love.
at the time, that's what art was to you. your life before him hadn't been easy. being with art had felt like coming home from a long day and falling into a soft bed. it had felt like being able to land after weeks of being made to fly.
you turned your palm up, so he could slide his fingers between yours. he squeezed your hand.
"i think, i. i think i just think - I'm a failure." your bottom lip wobbles. you look at your enterwoven fingers and it makes you so sad that you haven't done the simple gesture of holding your husbands hand in months. "the two most important people in your life are. are so passionate and loud. and i see. i see how happy they make you - and i cant - i cant b-be that for you. we aren't - im not - you dont need me. im not a limb for you how they are. you could extract yourself from me and be. be happier."
your breath shudders out of you.
"you don't need me." you echo.
you wait for him to pull his hand away. this is more than you thought you'd share. some of it you weren't even aware of till the words were spilling from your lips. but they ring true.
without patrick and tashi art would drown. without you..... he'd float just fine.
"and that's important to you." janet says. a statement not a question. "you want to feel needed by art, and you feel as though you aren't. that his needs are met better with his friends than with you."
you nod slowly.
"baby." the word sends a shock through you. not the word itself but how its said. art calls you baby all the time, in a monotonous kind of way. routine. now he says it softly. with feeling. he lets go of your hand in favor of cupping your cheek, still damp with tears, turning your face to his. he looks pained. "of course i need you. i know i haven't been good at showing it. i just - you shut down - after we got married. you've been like a fucking ghost. like you dont want me to touch you. like i could dissappear for all you care and you'd just carry on. i don't know. but i need you, okay? i. need. you."
both hands cup your face, he makes you stare right into him. the conviction in his voice takes your breath away. theres a fire burning there you've thought long put out.
"obviously we have shit to sort out, and we will. but you've got to. you've got to know that. tashi only pushed me to do this because she how - how desperate i was. that's all."
you inhale deeply. exhale. swallow hard. tears cling to your lashes. you reach a hand up to clutch at one of arts wrists. eyes fluttering automatically when you do. you feel grounded again. less like you might float away.
"okay."
"yeah?"
"yeah...." and you smile. it trembles across your lips. but its there. "we'll sort our shit."
art lets out a relieved breath. kisses your forehead, lingering there. the gesture so tender you get emotional again. you want to crawl into his lap, have him wrap you in his arms. you want to feel held by him, like you used to.
"our time is up." janet sets her pen down. smiles. "but i think that was a wonderful first session. i can see the love between you hasn't faded, and that's more i can say for alot of couples who come to see me. keep your chin up."
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insertdisc5 · 28 days
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hihi!!! i absolutely adore isat and it inspired me to start making my own rpgmaker game, so i had a quick question for you! if you haven't talked about it before, how did you personally go about finding a publisher? im pretty early in my own development process but it just seems like a daunting thing to find one :o
i hope you have a wonderful day!!! :3
I'm so good at bideo game that they came to ME (sparkles) thanks start again a prologue for showing publishers I can do game good
Here's some advice for finding publishers tho (source: I have eyes, and I've taken classes about this):
-first, ask yourself: why do you need a publisher? Money, marketing, producing, all of the above? There are lots of options out there that aren't getting a publisher. You can just hire a producer (like my producer Dora Breckinridge <3)
-have a pitch ready!!!! you can find examples of pitches online, but I highly recommend looking at the Bear & Breakfast one for example. At the very least you should have concept art, if not mockups of what the game could look like, if not actual screenshots
-making a good pitch is art. Highly recommend having someone look it over. Rami Ismail has consultations available just for that purpose and he knows his stuff (all the advice I have comes from him! I took a great class of his a couple months ago)
-once you have a pitch ready, email it to literally every publisher out there. yes I know you're making an rpg and this publisher is only looking for platformers, but send it to them anyway. They will not blacklist you for this lol, worst case scenario is that they won't look at it.
-if you get zero answers, redo your pitch. If you get a couple, that's the ticket. Look at their offers and take the best one. Only say no to the others once you got that shit signed. If you get a BUNCH of answers, it means your idea rules and you could probably self publish it and don't need a publisher. But take one anyway if you want (especially for your first game!)
-having a vertical slice is always good for pitching, but not always needed? (AKA a slice of your game that shows off the story, gameplay, etc... aka shows you know how to do this)
-once you get a publisher contract, ASK A VIDEO GAME LAWYWR TO LOOK IT OVER. NOT JUST A LAWYER. A VIDEO GAME LAWYER. ITS YOUR BABY!!! FUCKING DO IT
-you should probably add a clause about if the publisher goes down. Reminder also that the video game industry is in shambles right now. Manage your expectations
-you can also self publish. It is a thing you can do. Patreon is here. Kickstarter is here. You have options!!! If you can't get a publisher it's not the end of the world!!!!!!
-I'm just a humble dev and those are my own humble thoughts as someone who got very lucky with their publisher. Armor Games was very good to me during the dev of isat!
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hazard-c-horror · 2 months
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I've been playing Dandy's World (Roblox game) nonstop for the past 8-10 (I've lost count) days. And decided to make a crossover Au. Things are still a work in progress, but I have some concept arts and ideas. For now, here are the concepts character sheets
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Updated
If you don’t want to look up/ play Dandy’s world, here’s a quick summary. I bad at explaining so sorry if it doesn’t make sense
You start by getting in an elevator which takes you to all theses different floors one by one. Toons (players) are tasked with extracting ichor from machines found around the map on each floor. But there are Twisteds (enemies) ;Toons consumed by ichor, patrolling the area as well. If they spot you they will chase you until you lose them. Or they hit you. If they do hit you they will be temporarily stunned/frozen before going back to normal patrol or chase. Most Twisteds have their own stats and or ability to help them find you
Each Toon have a different amount of stats and or ability to difference the play style.
Health: how many times you can hit before you perish
Skill check: when doing a machine sometimes skill checks will appear. This determines how big the skill check is.
Movement Speed: self explanatory
Stamina: how much stamina you have
Stealth: how far a twisted can see you, and what targets Twisteds prioritize
Extraction Speed: how fast you can do machines
Toon also have abilities. Some are passive and are always in play. While others are active and have to be activated, with a cooldown
On every even floor; before you go in, Dandy the face of the company, will appear and offer you items in the exchange for tapes (currency in the round)
There’s more but for now that’s all I’m gonna write
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reidmarieprentiss · 2 months
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Ink Impressions
Summary: Y/N is a hot new tattoo artist that Derek and Emily want to see more of...
Pairing: Spencer Reid x fem!reader
Category: fluff
Warnings/Includes: tattoos
Word count: 2.1k
main masterlist
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Derek Morgan found himself walking through a part of town he didn't visit often. His steps slowed as he passed a new shop front: Ink Impressions. The sign was sleek, with an artistic flair that caught his eye. It was new, and he’d heard a few people at the gym talk about how talented the artist was. Curious, and with a rare free afternoon on his hands, Derek decided to check it out.
The interior was a mix of industrial chic and cozy comfort. Dark wooden floors complemented exposed brick walls adorned with framed tattoo designs ranging from intricate mandalas to minimalist line art. The hum of tattoo machines filled the air, mingling with the scent of antiseptic and the quiet murmur of clients and artists in conversation.
Derek approached the front desk, where a young man with a friendly smile greeted him. "Hey, welcome to Ink Impressions. How can we help you today?"
"I'm thinking about getting a tattoo," Derek replied, his voice carrying its usual confidence. "Do you guys take drop ins?"
The young man nodded, gesturing towards the back of the shop. "You’re in luck. Our lead artist is available. Her name’s Y/N. She’s amazing. I’ll take you to her."
Derek followed, feeling a mix of excitement and anticipation. They rounded a corner, and there she was. Y/N was seated at her station, her focus intense as she worked on a client's arm. She was striking, with vibrant hair that fell around her face in waves, a few tattoos peeking out from under her sleeves. She exuded an air of confidence and artistic passion that immediately drew Derek in.
The young man cleared his throat softly. "Y/N, this is Derek. He’s stopped by for a drop in. Do you think you can fit him in before your next appointment?”
Y/N looked up, her eyes meeting Derek’s with a warmth that made his heart skip a beat. She smiled, setting down her tools and removing her gloves. "Hi, Derek. It’s nice to meet you. I’d love to help you with that. Do you have any specific ideas, or would you like me to create something unique for you?"
Derek felt his usual charm waver slightly under her gaze, but he recovered quickly. "I have some ideas, but I’d love to see your take on it."
After Y/N finished with her initial client, she sat down with Derek and discussed the concept, and Y/N sketched a design that captured the essence of strength and resilience, elements that resonated deeply with Derek. Her talent was evident in every stroke, and he was impressed not only by her skill but also by the way she listened and understood the emotions behind his request.
As she prepared her station, Derek glanced around the shop, trying to mask his growing interest in her. "So, how long have you been tattooing?"
Y/N smiled, her eyes sparkling with pride. "About seven years now. I started apprenticing right out of high school and never looked back. I opened this shop a few months ago."
"That’s impressive," Derek replied, genuinely admiring her dedication.
Y/N began the tattoo, her touch gentle yet precise. "What about you? What do you do?"
"I’m an FBI agent," Derek said, watching her work. "Behavioral Analysis Unit."
Y/N looked up, a hint of intrigue in her eyes. "Wow, that sounds intense. Do you solve a lot of mysteries?"
Internally, Y/N couldn't help but laugh. She knew exactly who Derek Morgan was. Spencer had talked about him often enough—his partner at the BAU, a close friend. She could almost hear Spencer’s voice, recounting their cases, his admiration for Derek's skills and strength.
So this is the famous Derek Morgan, she thought, amused. Small world. But she kept her face neutral, professional. She didn’t want to mix business with pleasure. The last thing she needed was for Derek to know she was dating his colleague. It would complicate things, and she prided herself on maintaining a clear boundary between her personal and professional life.
"Yeah, it can be," Derek replied, oblivious to her internal amusement. "It’s challenging, but I love it."
As the session went on, Derek found himself captivated not only by Y/N’s talent but by her presence. She was easy to talk to, and he enjoyed the way she seemed genuinely interested in his stories. There was an effortless connection, a spark that he hadn’t felt in a long time.
When she finished, Derek looked at the tattoo in the mirror, his heart swelling with emotion. "It’s perfect," he said, his voice thick with gratitude. "Thank you."
Y/N smiled, her expression warm and sincere. "I’m glad you like it, Derek. It was an honor to create this for you."
As he paid and prepared to leave, Derek couldn’t help but linger. "Maybe I’ll be back for another one," he said, his tone slightly teasing.
Y/N’s smile widened, and there was a twinkle in her eye. "I’d like that. You know where to find me."
As Derek walked out of Ink Impressions, the cool air hitting his face, he couldn’t stop thinking about Y/N. He knew he’d be back—not just for another tattoo, but to see her again.
The bullpen was bustling with the usual Monday morning activity as the team settled back into their routines. Derek Morgan entered with a confident swagger, a fresh energy emanating from him. As he passed by desks, he couldn't resist pulling up his sleeve to show off his new tattoo. It was an intricate design, beautifully done, and it immediately drew attention.
Emily Prentiss, seated at her desk, caught sight of the tattoo and her eyes widened in admiration. "Wow, Morgan! That’s incredible. When did you get that done?"
Derek grinned, obviously pleased with her reaction. "Got it on Saturday. There’s this new shop called Ink Impressions. The artist is amazing. She really knows her stuff."
Emily stood and walked over, examining the tattoo more closely. "The detail is fantastic. Who's the artist?"
Derek leaned back in his chair, a playful smile on his face. "Her name’s Y/N. She’s not just talented—she’s also incredibly sexy."
Emily raised an eyebrow, a smirk forming on her lips. "Sexy and talented, huh? Sounds like you had quite the experience."
Derek chuckled. "You could say that. She’s got this way about her—confident, passionate about her work. You should definitely check her out if you're thinking about getting some ink."
Emily's interest was piqued. "I’ve been considering a tattoo for a while now. Maybe it’s time to finally go for it."
Derek nodded enthusiastically. "You won't regret it, Prentiss. Y/N’s the real deal. Plus, the shop's vibe is great—professional but with a cool, laid-back atmosphere."
Emily looked thoughtful, already envisioning what design she might want. "Alright, I’m sold. I’ll swing by Ink Impressions this week and see if she has any openings."
As they chatted, Penelope Garcia sauntered over, having overheard part of their conversation. "What’s this about a sexy tattoo artist?" she asked, waggling her eyebrows.
Derek laughed. "Garcia, I think you’d love her. She’s got this artistic flair that’s right up your alley."
Garcia clapped her hands together. "Well, now I have to see this for myself. Maybe I’ll get something small to start with."
Emily grinned. "Looks like Y/N might have a few new clients this week."
As they shared a laugh, the phone rang, signaling the start of another case. The team quickly shifted gears, but there was a newfound buzz of excitement. Derek's tattoo had not only impressed his colleagues but also sparked a sense of camaraderie and curiosity.
Throughout the day, Derek couldn't help but think about Y/N and the connection they’d shared. He was eager to see her again, not just for her talent but for the undeniable chemistry between them. Little did he know, Emily and Garcia’s upcoming visits to Ink Impressions would bring them all a step closer to intertwining personal and professional lives in ways they hadn't anticipated.
Emily Prentiss walked into the shop, greeted by the familiar hum of tattoo machines. She was greeted warmly by the receptionist and soon found herself in front of Y/N, who looked up with a welcoming smile.
"Hi there! What can I do for you today?" Y/N asked, her eyes sparkling with curiosity.
Emily smiled, feeling instantly at ease. "Hi, I’m Emily. A friend of mine, Derek Morgan, got a tattoo here recently. I was so impressed that I decided to get one myself."
Recognition flashed in Y/N's eyes, and she chuckled inwardly, remembering the charismatic agent. "Ah, Derek! He’s a great guy. What are you thinking of getting?"
As Emily described her idea, Y/N listened intently, her mind already envisioning the design. Despite knowing Derek and his world, she kept her focus on her craft, maintaining the professional boundary she valued. But as she worked on Emily's tattoo, she couldn't help but feel a growing connection to these agents, wondering how long she could keep her secret before the lines between business and pleasure inevitably blurred.
The BAU team had decided to unwind after a long week, gathering at their favorite local bar. The place was lively, filled with the hum of conversation, clinking glasses, and the distant sound of live music. Spencer Reid had just returned from visiting his mother in Las Vegas, and he was grateful for the chance to catch up with his colleagues in a more relaxed setting.
As the team settled into their booth, drinks in hand, Emily Prentiss and Derek Morgan were excitedly discussing their recent tattoos. Emily pulled up her sleeve to show off the intricate design on her forearm, while Derek proudly displayed the tattoo on his bicep.
"You guys have to see this," Emily said, her eyes shining. "Y/N is incredible. Her artistry is on another level."
Derek nodded enthusiastically. "And she's not just talented—she’s smoking hot. I’m telling you, she’s got this whole vibe that’s hard to resist."
Emily laughed. "We were just saying, it’s almost a competition to see who’s going to ask her out first."
They both looked at each other, playfully competitive. "You think you can beat me, Prentiss?" Derek teased.
"Oh, I know I can," Emily shot back, a mischievous grin on her face.
Spencer, sitting quietly beside them, listened to their banter with a growing sense of unease. His fingers tightened around his glass as he processed their words. The name Y/N echoed in his mind. He knew exactly who they were talking about. His girlfriend, Y/N, was the talented artist they were raving about.
Trying to maintain his composure, Spencer asked, "What shop did you guys go to?"
Emily turned to him, still smiling. "It’s called Ink Impressions. It’s a new place, but it's already getting a lot of buzz."
Spencer bit his lip, a mix of emotions swirling within him. He felt a pang of jealousy but also pride knowing how highly they thought of Y/N. He took a deep breath, reminding himself to stay calm.
Just then, the bar door swung open, and Spencer’s heart skipped a beat. Y/N walked in, looking around until her eyes landed on him. She smiled warmly and started making her way over to their table.
Emily and Derek continued their playful debate, oblivious to Spencer’s internal turmoil. "I don’t know, Derek. I think I’ve got the upper hand. I mean, she seemed pretty interested when I was there," Emily said, winking.
Derek laughed. "We’ll see about that, Prentiss. I’m not backing down from this challenge."
Spencer couldn't hold it in any longer. He set his drink down and cleared his throat, catching their attention. "You might want to rethink that competition."
Emily and Derek looked at him, confused. "What do you mean?" Derek asked.
Before Spencer could answer, Y/N reached the table, her presence commanding their attention. She placed a gentle hand on Spencer’s shoulder, leaning down to kiss his cheek. "Hey, baby."
Spencer's face lit up with a smile, and he looked up at her with obvious affection. "Hey, beautiful. I’m glad you made it."
Emily and Derek’s jaws dropped simultaneously. "Wait, you two know each other?" Emily asked, incredulous.
Spencer nodded, a hint of smugness in his voice. "Yeah, you could say that."
Y/N grinned, sliding into the booth next to Spencer. "I guess the secret’s out," she said, laughing softly. “Spence here is my boyfriend.” Y/N gazed at him lovingly.
Derek shook his head in disbelief, but there was a playful glint in his eye. "Well, Reid, you’ve been holding out on us. I guess that means you win by default."
Emily chuckled, raising her glass. "To Spencer and Y/N. I guess we don’t need that competition after all."
The team raised their glasses, toasting to the unexpected revelation. As they settled back into their conversation, Spencer felt a sense of relief and happiness. He had nothing to hide anymore, and the night seemed even brighter with Y/N by his side.
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miru667 · 4 months
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The whole Once-ler family is working full tilt!
Here's my full piece for the VK Onceler Zine! I was very lucky to get to be a part of it...🥹 I used concept art as my inspiration this time: [link] Keep reading below for my process vid and all my director's commentary!
Thank you for being curious! Here's a video of my WIPs:
Deadlines were TIGHT for this zine! We were given only 2 months (compared to the 6 months I had on the previous onceler zine), so to make sure I could finish on time, I decided to do only base colours and lighting, with almost no shading anywhere. Still, trying to balance all the colours took the longest for me, as you can see in the vid. xP
Also idk if anyone noticed, but for the face I chose to use an already existing onceler doodle: [link] Why? Well, why not! I really liked that doodle and I didn't want it to go to waste. 😆
Things that I enjoyed sneaking in:
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-the golden spiral! Vaguely, at least! At the very least I hope your eyes can follow the order of thneed production, from the fallen tree at the window to the tuft harvesting to the thread spinning, to knitting the thneed and then drawing up plans for bigger and better things, and then ending with him pulling on his iconic glove to show he's going to take control now
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-15 cents, a nail, and a great great great grandfather snail, as well as a tin pail since that's where you're supposed to deposit your payment
-combining things from the 2012 movie and concept art, the 1972 movie, and the 1971 book (e.g. that funny wrench he uses to fix pipes)
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-Miss O'Schmunce-ler! You can see from the vid that I added the bracelet pretty late, because it was a late decision to have a Miss O'Schumunce-ler somewhere. I chose her to be the one picking up the pencil in the end, since she's pretty good with a pencil in the movie hehe. You guys can pretend the arms holding the phone is Miss Funce-ler.
-a thneed, a seed, and a (grickle grass) weed on the floor. The thneed is just the first of many that will soon create a giant pile. The seed lies forgotten in the corner. The weed is foreshadowing the future.
-hinting that Lorax and Once-ler were actually good friends, like they were in the Lorax musical stageplay. 🥺 I kept this part of the script in my mind for this piece:
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This was aftermath Once-ler talking to the Lorax, reminiscing on their good times...and also being stupid and inconsiderate because the Lorax was in fact there all along as his friend, trying to warn him of what was going to happen. 😔
So in my zine piece we're witnessing a peaceful time before all the real biggering really starts. I like to think that in this scene, the Lorax had been sitting on the Once-ler's lap, holding his gloves for him and having a nice chat together with maybe some harmless bickering, but then the Once-ler gets a phone call so he cuts their convo short and rolls his chair over to the window to answer it. Putting business over friendship as usual, of course. Inspo for the lap sitting comes from this fanart by Emi that I love: [link]
What else...the parts that I'm proud of the most are the stool (I spent 2 days just drawing this stool), the curtains, the fact that I was able to include every truffula colour, and the Once-ler's pose. I was close to giving up on that pose because I had no idea how to draw it but I'm glad that I tried again. I wanted to show him at ease during a stage in his life that we never got to see much: the happier and more innocent days of his biggering when he only had a small shop. 😊
That's all, I think! Thanks for reading if you did! Once again it was an honour to be part of this zine!!
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intotheelliwoods · 2 months
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Alright gang, heres Avocado Toast! :) The Steven Universe style fusion between Sprout and Poptart!
All assorted art and asks and posts related to them will be under the tag #freshavocado <- <-
Here is a bunch of notes, some have links to related art:
-First and foremost, the fusion is the literal embodiment of self love. It is going to be super hard to catch them without a smile!
-The initial fusion happened by complete accident! Poptart joined Sprout for the night for insomnia mixed with feeling cuddly reasons. In the morning they woke up fused haha!
-Sprout didnt tell anything to poptart about his fusion with Big Leo and that it was possible for them to do the same, it was after their initial first accidental fusion that he opened up more about the concept and his experience
-You can often find Toast hugging themselves and fidgeting with their hands! A related thing to note is that it takes the fusion a while to learn how to use two arms on the same side without bonking them into eachother, and also takes a while to learn how to not fall off balance with so much arm weight on one side without being on the other!
-Clothes are not part of the fusion, when they unfuse the result is either Poptart or Sprout in some VERY oversized clothes haha
-The fusion between Big Leo and Sprout is the same fusion! Same personality! But minus the 'Toast' part of the name, back then the fusion was just named Avocado!
-Related to what is above, there is a thought in the back of the fusions mind thinking that they would never get to exist again, up until Poptart showed up that is allowing them to exist once more, and they cannot thank Poptart enough for that
-The first time Big Leo and Sprout fused (Avocado) was different than Sprout and Poptarts (Toast) first time fused. With Avocado, they fused the same way Poptart and Sprout did (cuddles) but this never happened before, the fusion panicked instead. However the fusion was too strong and stable to unfuse. Big Leo and Sprout didnt know how to even unfuse after all! Anyways they spend the whole day fused and trying to hide themselves from the family while also figuring out how to move with the new body haha
-Toast is, hilariously enough obsessed with Sprout and Poptart and loves to see pictures and hear stories of them, some part of the fusion wishes it was possible for them to meet the Leos they are composed of
-Sometimes when Sprout is having a really bad chronic pain day, Poptart offers to fuse with him as a way to 'share the pain' since Toast has twice the amount of pain tolerance, and can handle the pain way better than Sprout can
-Similar to whats above, at some point both Sprout and Poptart become reliant on Toast to fight for them in physical battles. Sprout doesnt want to fight, it hurts, and he hurts even after the fight, but Toast can fight for him pain free. Poptart is tired of trying to learn a new fighting technique and is often upset he is not as strong as he used to be, but Toast is strong and knows how to fight.
-lmao they also become reliant on Toast to do chores
-What Sprout and Poptart remember doing fused depends on how emotional and stable the fusion was
-An amazing idea thanks to @dianagj-art that I am in love with is that Poptart/Sprout and Toast often pre record videos and write notes to eachother to say hello in the only way they really can. Toast loves to see and understand who they are composed of and whos love they represent. While Sprout and Poptart love to see who they can become
Crossover notes with @dianagj-art:
-The initial time they fuse and form Toast, Sprout is so happy he gets to feel what it is like again. He missed the feeling. The fusion is super fun and cheerful at first, but with time Poptart gets tired and wants to stop. While Sprout insists they keep staying together because he doesnt want to lose the feeling again. Due to this the fusion slowly becomes more and more loopy and unresponsive throughout the day and zones out frequently. Eventually Oneion asks whats wrong before realizing what is going on inside their head, and is the outside trigger to get Sprout to finally let go.
-Out of everyone else, Toast has the best chance of getting on One-Ones good side out of the excitement of another Leo fusion like them. Unfortunately in Toasts attempts to befriend One-One through some sparring, it does not go well....
-Toast is a perch for One and Oneion... do you understand.....
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rxzennia · 4 months
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rare critters
– tales of the voracity pathstrider
✎𓂃 a healthy dose of curiosity (ft. dr ratio) yall if i have to write another report i think i might kms sorry im 3 days late lol i was busy making concept art 
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when dr ratio somehow acquired a few rare critters from herta space station, he thought of one person:
aventurine.
if he’s so bad at looking after himself, maybe he could take care of something else instead. and these cat cakes are pretty tame and adorable… seems just right for him.
ratio sent a text to let aventurine know he’s coming to drop off some souvenirs
said souvenirs being these critters
ratio has one on top of his head and two in one arm as he rings the bell
it’s sometime in the afternoon, and you’re not around
(you’re attending a meeting on aventurine’s behalf so he can have a longer lunch break)
(you do that pretty often, actually. that’s why your boss can have entire afternoons or evenings to himself)
nothing would’ve prepared ratio for what he sees when aventurine opens the door
one, no, two? no, three?? faceless serpents slithering around his feet
and one really huge one around his neck???
their maws, aeons, their maws. as stunned as ratio is, he’s also scared shitless
they remind him of a certain aeon and he isn’t sure if he liked the implications
though, that aeon has long since disappeared…
the very moment the serpents sniffed something in the air, they’re all right up in ratio’s face
the trash cakes are definitely scared shitless
they’re quivering and whimpering
ratio is trying so hard to hide his unease
“since when did you have pets, gambler?”
“oh, they’re my assistant’s – don’t bite, please.”
and these dangerous, dangerous noodles listened???
they backed off obediently while still scenting the air again and again
at least they’re not one hair away from ratio anymore?
wait, more importantly…
“you’re living with your assistant?” ratio can’t help but ask. “and… they brought their pets over?”
technically, the slithery creatures around the house aren’t your pets, they’re literally parts of you, but does aventurine want to get into the details? not particularly.
“doctor, it’d be heartless of me to tell them to leave their pets,” aventurine chuckled, “it’s a long story. are these…?”
“i thought pets would do you some good. seems like your assistant has the same idea.” ratio passes the three cakes over to him. “here – from the space station.”
aventurine tells the especially thick leviathan on his neck to get off so he could hold the trash cakes
more like patting its body a few times until it got the signal and slid off of him
the cakes like him!
once he’s passed the sniff test, the cakes are all over him
they do remind him of someone, with those yellow eyes and grey… trash can(?) like body…
he holds them carefully, because unlike your creatures, he needs to hold onto these little guys
else they’d fall
invites ratio in while he’s at it, and he sits down to properly examine them
ratio watches aventurine for a moment, until your serpents catch his attention
oh, he’s so unnerved by them, but also…
he’s so curious! his scholarly senses are telling him to seize the opportunity!
are they really the same creatures as the ones depicted in the scriptures for oroboros?
how did aventurine get his hands on them? or rather, how did you get your hands on them?
and why are they so, so… docile, if they are really what he thinks they are?
what have you done!? how did you get them to be your pets?
his academic interest in you might have just skyrocketed
he engages in a staring contest with a creature with no eyes
somehow, somehow he just knows it’s a staring contest
he’s debating between approaching or not
they look like they would snap his neck before he could even react
“don’t try it, doctor,” aventurine warns, reading ratio’s actions from a mile away, “they’ll probably bite.”
“huh…” ratio makes a sound of pure wonder as he stands still, staring at the few noodles slithering over each other and scenting the air around him. “how did you tame them, then?”
“i didn’t.” aventurine shrugs as he plays with the new critters in his arms. “just sit tight, my assistant should be back soon.”
does that mean you’re the one deciding who gets to touch your serpents and who doesn't???
meanwhile aventurine has taken to the cakes from the space station
they’re so delicate and adorable, with their huge eyes and how stretchy they are
such a contrast to your huge serpents
your serpents are curious about them too, it seems
they keep trying to slither up aventurine’s legs
he has to keep pushing them down, all the while their maws opened and closed
trying to get a feel for the taste of these critters
not trying to outright eat them, just trying to get a taste
ratio is itching to just… grab one of your noodles
he can’t
how devastating
just then, the door opens with a click
“i’m home, aven.” you enter and practically throws your shoes off. 
the sudden need to retain some semblance of formality in your home feels foreign to you now, but you’ve sensed someone else’s presence. it can’t be helped, even if the name aven feels odd on your tongue.
weird, aventurine usually runs out the moment he hears you
when you made your way to the living room, you see him and… some random guy?
said random guy looks like he’s into greek mythology?
is he like zeus or something
no, more like male athena or something
“oh, welcome back!” aventurine perks up as he lifts one of the cakes and shows it to you like a proud parent. “look at these little guys!”
your eyes never quite look away from the stranger, but you also dazedly take the critter into your arms. “this is…”
you immediately catch ratio’s eye – the way you carry yourself, the way the ends of your scarf seem to move on their own, and the way the few serpents find their way up your neck without so much as trying to touch the cake in your hands (even though they’ve been trying to taste it when it was in aventurine’s arms).
“veritas ratio.” he stands up before aventurine could introduce him and offers you a handshake. “you might know me as dr ratio of the intelligentsia guild.”
you stare at him without much of a reaction
his hand stays outstretched as he watches you expectantly
after a few seconds, you give his hand a firm shake and introduce yourself
you do know him, actually, you’ve read a few of his works
you quite liked his takes on philosophy and natural theology
he’s very insightful for a mortal
“can i help you?” you ask, because you don’t think ratio would bother talking to you if he hadn't been curious about something.
“your pets are most fascinating,” he gets straight to the point, “may i examine them?”
???
your pets?
the serpents? 
you look to aventurine, who just turns away like he didn’t tell ratio those are your pets
you pinch the bridge of your nose and exhales exasperatedly
then again, perhaps calling them your pets is the best course of action right now
because the other option is spilling the beans about yourself
yeah
so… nice save, aventurine
you set down the critter in your arms on a nearby table and turn to face the doctor
“here.” you pick up one of your leviathans and guide it over to ratio. “they might do… things around you, but they won’t hurt you.”
ratio tries not to flinch when the heavy leviathan slither up his arm and coil around his neck loosely, but he winces and backs away slightly anyway. “how are you so certain?” he watches the creature with so much wonder as it scents him, then lifts its head so he can stare at it properly. or the other way around; so it can stare at him properly. who knows.
a healthy dose of cynicism is always good
it’s not like you don’t understand where he’s coming from
you shrug, because you really have no better answer without outing yourself
“i have them trained.” you say, but at this point you’re just pulling shit out of your ass
aventurine immediately covers his mouth to hide a snort
you shoot him a quick glare
you run a hand along its smooth body to show ratio that yes, he can touch them
its maw opens a little wider and drools a little onto the carpet
ratio carefully puts his hand on top of its head
it turns its head on contact and nudges against his hand
trying to scent the thing touching it (aka ratio’s hand)
but it doesn’t do anything other than what appears to be purely harmless scenting
could this possibly be the subject of his next paper?
“don’t think about it, doctor.” you cut him off the moment you see the telltale glint of academic interest in his eyes. 
“i must disagree; they are of leviathan descent, are they not?” ratio asks, now caressing the big noodle with both hands and handling it with less hesitation than before, “this is of utmost significance; they might shed some light on the mystery of oroboros the voracity.”
you narrow your eyes at ratio
he doesn’t even try to prod around the subject, he just hits you in the face with it
as expected of such an erudite scholar, but still
(aventurine is watching the interaction with much interest while he plays with the cats)
(it’s like he’s enjoying the show)
(the remaining free serpents of yours has coiled up by his feet and fallen asleep)
(since they’ve realized aventurine doesn’t want them near the cakes)
you don’t want to bring too much attention to yourself, or your serpents
you don’t want things about oroboros to spread, either
in fact, you’re quite thankful to the enigmata and the ipc for heavily censoring them 
“with all due respect, i refuse.” you do not allow any room for disagreement. “you are prepared to uncover the truth. is the rest of the cosmos ready?”
that’s not all of your argument, but the one you determine would be enough to keep ratio from conducting and publishing research about leviathans for now. oh, right – you’re not against ratio’s curiosity. you simply don’t want that curiosity to spread far and wide.
ratio frowns, not expecting such a swift rejection from you, but you do have a point. he’s a little blinded by his excitement.
your rejection sounds a little personal, if aventurine may say so himself
to ratio, it is very much just you being overprotective of your pets
as all pet owners do
to be fair, it’s hard to say. ratio is a sharp man
you stare at him, and he stares at you
the leviathan hanging on his neck tilts its head in confusion
if ratio is anything, he’s persistent
especially when it comes to knowledge
he opens his mouth to try to convince you again
you beat him to it and raise a hand to stop him from talking. “you can examine them for as long as you do not make publications.”
ratio is taken aback, his brows furrowing as you give him permission for further interaction with these descendants of ancient leviathans. this is your first meeting, so why –
in fact, aventurine is wondering the same thing
like, why are you getting along with the doctor so well when you’ve only met today
he’s not jealous or anything, he just has a huge question mark on your reactions
you’re usually very, very guarded against people who ask questions
especially about your scarf
but then ratio did see your serpents slithering around
perhaps you see no way of weaselling your way out of this?
anyway
if we’re being honest, ratio also has a huge question mark on your reactions
“i am a fan of your philosophical works,” you say, guiding your serpent back around you, “hence i am willing to satisfy your curiosity… provided you agree to my terms. think of it as an invitation.”
ratio takes a moment to mull over your words. to think that someone under the ipc has read multiple of his works, and has enjoyed them… is that why you are willing to compromise? but, well… you give him a feeling of a learned person. perhaps he will enjoy debating you.
“very well, that is good enough.” he nods, even if he still feels just a little bit disappointed, he’s anticipating a good back-and-forth with you already. “in that case…”
“i will let you know when i am free.” you sit down next to aventurine and let the critters on his lap crawl over to you and knead your thigh with their little paws. “and, doctor?”
it’s apparent to you that ratio has the same thought as you did when you decided to let your serpents drop their disguises at home. you glance towards aventurine next to you, then back at the doctor.
“thanks for the critters.”
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