☆ you sow; & thus you shall reap what you are owed
{☆} characters tsaritsa
{☆} notes cult au, imposter au, drabble, gender neutral reader
{☆} warnings blood, violence
{☆} word count 0.8k
You are dying.
Gold melts into the dirt, bleeds into the very earth that you'd molded by your own hands – a familiarity you do not understand the source of – you know it to be true, yet you do not remember it as Teyvat does. It weeps, in turn, for the way you bleed upon it, the way your lungs strain for breath.
It is fury and sorrow and fear and hatred so raw that your mind buckles.
You will die.
"A dying godling and its judge, it's jury – it's executioners," The voice is hollow and cold, sweeps across your broken body like the first chill of winter, "Archons who saw themselves Gods, now brought to heel by their own hubris."
A cold hand upon your cheek, the brush of a thumb across your lip, the gentle caress of cold across your skin. You know her – you don't remember, you shouldn't recognize her but you do – and she knows you. The cold beckons and you follow, let her kindness settle in the hollow space of your chest. You want to speak, to cry and scream and rage, let the world burn around you in a fit of flames so hot even she cannot contain it – but she silences you, quiets the anger seeping into your blood, quiets Teyvat itself.
"Do not speak, little godling. Guide my hand," She is cold; her hands are not gentle, yet it is bliss compared to the callous, cruel hands that have shattered you. She is cruel and cold and brutal but she is love in the way she kisses the crown of your head. She is love in the way she is the bulwark between you and the world that has scorned you – she is fury in the way she brings them to their knees. "And I shall enact judgement most divine."
They will pray for forgiveness, and they shall find themselves wanting.
"It wasn't our fault!" They cry, but you cannot recognize the voice – it breaks and cracks like glass. "They were too human. How were we meant to know? We– we thought they were.."
Silence.
You watch your judge – the executioner, the blade that shall carve their sins into the very marrow of Teyvat, stand above you like death. As cold as winter and just as brutal. Your temple has been painted in the gold of your divine blood, and she shall complete the masterpiece with their own. The Archons shall become the grandest art in the world – this temple the canvas, their blood the paint and their bodies the palette. The cold that cuts sinew cradles you – it sings to you, whispers sweetly in your ear and carves bone from body in the same breath. The cold presses it's lips to your wrist and it cradles a heart within it's palm – judges them and finds them guilty.
It is her spear that rests between their ribs, her sword that dissects and her dagger that carves – the cold devours.
In the breadth of this divine sanctuary, the Archons dwindle. They become the pieces of a divine work of art, they bleed and bend and break upon her hands. She shakes the heavens and carves mortality into the bones of the divine – your word is Law, and you weave their deaths into the roots of Teyvat itself.
They shall know of their grand folly in every moment henceforth and longer still and they shall weep.
And as the curtain falls, as the world crumbles beneath fist and blade, she cradles your face between hands too cold – as gentle as a shard of ice between your ribs, as brutal as the kiss of gentle snowfall. The world buckles at the loss of six, but she alone does not allow it to break – you will have to mend the wounds of the world when you are well, but today you weep and Teyvat weeps with you.
And alone, the cold remains.
Stone has eroded, the wind has ceased, the flames have been extinguished, the storm has been silenced, the forests have gone quiet and the seas go still.
But the cold remains, bathed in gold.
It wraps you in thick furs, cradles you against the winter storm that brews beneath a veneer of composure. It brings you home – lets the world settle into a stillness and silence that inspires only dread and still she presses a kiss to your brow.
It is cold, but there has never been something so warm.
Where hands have broken you, she drapes you in furs, wipes away the thick gold that clings to your skin. She pieces you back together where you have been shattered, reshapes you where you have been bent – makes of you something new. Not a god and not a mortal but something wedged between them.
But you are yourself.
And you are where you belong.
They shall put you back together and you shall know only the worship worthy of the divine. They shall carve this world into your image, tear out and burn away the rot that festers.
All you need to do is say the word and they shall be your tools to make this world your own.
One word and those who wronged you shall burn, too.
Just one word. That's all it takes, and they shall take away your pain.
185 notes
·
View notes
If you're interested, here's a prompt from the ones who just shared:
"Then why did you do it?" "BECAUSE I LOVE YOU!"
No rush hehe I hope you get rest and have fun writing this!
Now, see, I could have taken this as an open prompt and went with something else, but I know you like dreamling and so I was good.
Thanks for the prompt dear! 💖 Also special thanks goes to @cuubism for actually going through it 🌻🌻🌻 any mistakes are me ignoring her wisdom or straight up forgetting to edit it. one of the two.
Dreamling - some flavor of hurt/comfort(?) 'you dare?' kind of situation going on there, 1,394w
▾▾▾
“I cannot fathom why—”
Dream halts mid-sentence, his outrage rendering him speechless for a precious moment in which Hob tries, fruitlessly, to come up with a way to placate him, to explain in a way that will somehow pass as acceptable to Dream. The betrayal is tangible in the air, so charged that Hob’s hair actually stands on end as if from static. It feels like standing at your front door, still safe but seeing the hurricane on the horizon, knowing that this false safety can and will change in moments. Hob cannot think of a single thing.
“You.” Dream grits his teeth so tightly that they scrape loudly, the sound of it making Hob’s own teeth ache uncomfortably. “Know.” Dream says each word as if it takes a great burden to even use human speech and not simply burn a hole in Hob’s mind. Given Dream’s past record, which Hob had recently learnt of, perhaps it does. “You know I do not ask.”
“I know.” Hob winces.
There’s no denying that he knew. Knew full well that asking Dream’s sibling for help was a guaranteed way to not only outrage him, but also land Hob a very creative punishment and the end of their long friendship.
He knew that, and did it anyway.
Would again, if he had to.
He will not apologize for that.
Dream seems to come to the same conclusion, cheeks reddening in a surprising display of humanity, of lack of control over his appearance. The darkness that creeps into his eyes is distinctly not human. Hob shudders but fixes his eyes on Dream’s, refusing to avert his eyes like a reprimanded youth. He did what he did, and he’s not sorry.
''Then.” To Hob’s surprise, Dream seems to level himself, to school the darkness out of his eyes and ask with a calm that is somehow more unnerving than his rage. “Why did you do it?" There is a finality to this question, like a judge asking for one last confession to tip the scale one way or another. There will be judgment at the end of it, Hob knows.
“Because…” he sucks in a breath, there’s a ball of nerves in his stomach and frustration, surprising him with its intensity, it feels almost like anger.
Why is he here, searching for excuses for something he believes in wholeheartedly? He doesn’t want to learn firsthand of Dream’s notorious pettiness but he’s not here to play these sort of games.
The outraged huff is stuck in his throat— he didn’t even realize he had raised his voice this much, not until the ring of it strains his ears. He is practically shouting. And he doesn’t care.
''BECAUSE I LOVE YOU.''
There’s anger in it, frustration, a measure of desperation.
“I bloody love you more than I fear you, that’s why.” His own cheeks burn, itch, tingle with the indignation of it all. “Because I’m a besotted fool who would make a pact with the devil if I had to, if it meant helping you.” He gestures curtly at Dream, then spreads his arm in an exaggerated motion of question. “Why else? Seriously, why else?!” He stops at that, breathing harshly. This is not how he had imagined, not even close. Fuck it. And fuck Lucifer, too. And Dream’s all too pleased sibling, on top.
Through his outburst Hob had stopped paying attention to Dream’s face, only his eyes, latching onto them as if they were his anchor in this universe, the only constant thing, in life, in this.
When he finally looks, really looks, he realizes with a start that Dream’s cheeks are no longer red with anger, that his eyebrows are not as tightly knitted, that his pale lips form a small and lax ‘o’.
His friend looks taken aback, pacified and…surprised.
Like he couldn’t fathom this being the reason for Hob’s supposed betrayal of trust. Like this was the last rationale he had expected to hear, like he, an Endless being of incomprehensible wisdom, is unable to conceive this simple truth. Like he’s at a loss now.
Like he’s a bloody idiot. Hob shakes his head in amazement, his own anger evaporating as quickly as it came. Yet again he wonders how it is possible to be all knowing and yet so blind, so oblivious to such a simple truth, one Hob didn’t even try too hard to hide, really.
“I know you didn’t want me to,” he softens his voice, speaking more quietly “but I really didn’t have a choice. If I could do this on my own, you know I would have, I’d do worse for you.” He smiles at Dream, he doesn’t even try to sound self-deprecating, it’s the honest truth. He would.
His hand drops by his side and he awaits then, for his judgment.
“You love, me?”
Hob doesn't know how to respond to such a simple question other than–
“I do.”
There’s nothing else to add to that, he said it all, he did it all, even Dream must understand this is no passing fancy. One does not risk their immortal soul for something insignificant. Especially not Hob. One does it when it means everything. And in this case, it did. Dream did.
Dream seems to again, come to the same conclusion.
He wilts, shoulders sagging. He looks both much older and much younger at the same time, like this knowledge has stricken him, hurt him.
“You shouldn’t” is all he says.
“But I do.” Hob answers in return.
“I see that.” Dream’s voice is a whisper carried by the breeze, gentle, endless, aching. He looks torn in that moment, the judge whose scales no longer measure in any understandable manner. He casts his gaze down.
“Just let me,” Hob says. He did not come here demanding boons, nor love, only to help Dream. “Forgive my impudent human inclinations to save what I love, and let us continue as we were. Friends. “
“Friends…” Dream repeats after him, as if in disbelief.
Dream opens his mouth to say more—to accept or refuse, Hob doesn’t know—but in that exact moment Matthew half-crashes, half-lands on Dream’s shoulder, a flutter of black feathers and barely muffled curses.
“Boss! Oh for fuck’s sake— I mean cracker’s sake— I mean what the hell— I mean you’re fine—you’re actually okay, I was sure that this time you’re like legit—” he notices Hob then, and cawing loudly he curses again “You actually did it you son of a bitch— you really did!” His wings open excitedly, brushing against Dream’s face, covering it up.
“Matthew.”
“Uh-” Matthew folds his wings immediately.
Hob looks at Dream then, the moment is decidedly broken but he has to know if he’d see him again, he can’t just go on not knowing, it’ll drive him insane. “Dream—” he starts, but Dream speaks over him.
“We will discuss this—” Dream’s lips tighten, eyes flicking to Matthew and then back at Hob. “At a later time.” He concludes rather curtly, seemingly deciding that addressing exactly what they will be discussing is not something he wants his Raven to be privy to.
“Right…” Hob murmurs, not speaking further of the topic either. It’s one thing to break Dream’s boundaries over life and death, another entirely over his own impatience and need to know. Dream wanting to see him again at all is already a damn good sign, and Hob will take it, gladly.
“I’ll see you later then, Dream” He uses the name even while not being sure he is still permitted to, that he did not lose the privilege. Dream tilts his head but doesn’t object, instead he nods once and disappears in a swirl of golden sand.
“Show off…” Hob murmurs into the empty air, shaking his head in disbelief. There’s a good feeling in his gut, he should probably be worried but he has a feeling that things will work out, that it all will be just fine. He can’t explain it, but he has learnt to trust his gut over the years. After all, it once led him to believe that he would never die.
It was right then, and it’ll be right now too. He and Dream will figure it out and will be better for it. Just like the other time, just like always.
108 notes
·
View notes
So I'm confused about something. There was a cover story about Ms Goldenweek and other Baroque works agents breaking Crocodile out of prison but he just. Told them no? And stayed there with Mr 1 and Mr 2? I don't get why he wanted to go to Impel Down just to break out when he had the chance
I can't tell you 100% why Crocodile chose to stay in prison and go to Impel Down, but my best guess really is that he was just...
Taking the L with grace
More specifically. Crocodile had lost everything. I think deep inside he might've been literally too depressed to want to go free again.
Like he does literally say that. He gave up.
He had been building his reputation as "the Hero of Alabasta" for at least 10 years at this point. He had built not just a criminal organization that he had been running for four years, but also he had been running legal business stuff (like his casino) for probably longer than that.
A decade's worth of work and effort to take over a country, and most importantly, get away with it. The reason he had orchestrated that whole rebellion was so that the rebels and the royal family could "take each other out", leaving the country wide open for a World Government Official such as himself to take up. The reason Baroque Works was doing this all in secret was so that the WG never found out, otherwise they wouldn't have let him have Alabasta.
But indeed, his plans were foiled by a kid in flipflops in less than 24 hours, just at the final moment before Crocodile would win. He lost everything. And the World Government found out about what he had been planning.
So even if he escaped from that prison with his former agents, what was he going to do?
He wouldn't be able to take over Alabasta anymore because he did not have manpower (as he had lost all his goons), and having lost his financial empire he wouldn't be able to build a new army any time soon. And even if he did, now that they knew what he had done the people of Alabasta would not accept him as their new king, even if he personally assasinated Cobra and the entire family.
Not to mention, the WG finding out about his plans meant that they had every fucking reason to try and stop Crocodile if he did as much as set foot on that island again. By which I mean, they could launch a Buster Call on his ass. Send all the fucking Admirals after him.
And so, even if Crocodile still believed Pluton was somewhere in Alabasta and that he just had to comb through the entire desert to find it... Between the Alabastan people and the WG in the way, finding Pluton would not be easy. Especially when Robin wouldn't even be there to just point him directly to it. It could take years, if not decades, while fighting off the WG by himself.
And that's while assuming Pluton was somewhere in Alabasta. Like WE the readers now know Pluton is in Wano, but since Robin didn't tell him that. All Robin said was that the Poneglyph "didn't mention the weapon", and Cobra's reaction to the name merely proved the weapon's existence in Crocodile's mind. But surely, because Crocodile is a smart young man, he'd understand there was a risk that Pluton could exist, but just not be in Alabasta, right? Like that would be a possibility too, right?
I think this is why Crocodile has given up on Alabasta. He had one opportunity at seizing the country, and he failed. And without Robin, he could spend the rest of his life combing through a haystack for a needle when there's no needle, and he'd have no idea. I think is why he explicitly says in Impel Down he no longer has "interest in that country". He won't be able to pull off another stunt like this, ever.
And that leads us back to "why not escape earlier and avoid going to Impel Down to begin with".
Thanks to his status as a Shichibukai, Crocodile hasn't been on the run from the WG for like two decades. And the past 10 or so years he has seemingly lived a life of luxury in his funny little casino. But now, having lost everything, he'd be back on the run. And because he's a world famous former "hero of the people", there would be nowhere he'd be able to go where people would not recognize him and send the marines after him.
So he'd be on the run, for the rest of his life or until he'd get capture again. And mind you, the guy does not trust anyone, so he'd be on the run alone. Without any purpose or goal.
And you might be thinking, "Daz and the rest of BW was still there!", yeah, arguably true. But at this point Crocodile had no reason to trust any of them.
Like personally, I think the reason Crocodile ended up taking a liking to Daz was BECAUSE he chose to follow him to Impel Down when he really did not have to. Like Daz showed an unusual level of loyalty to Crocodile, and I think Crocodile recognized that. That's why Daz is still with Croc, post-timeskip.
But Miss Goldenweek and co? Crocodile had no reason to believe they wouldn't betray him if given a chance and a reason. And if the WG would come chasing his ass, they'd have plenty of reason to try and betray Croc (handing Crocodile over to spare their own lives).
Not to mention, when they come release their former boss from jail, what did Miss Goldenweek say?
"Let's do Baroque Works again"
As I've already explained in detail, I think we might know why Crocodile wasn't interested in being Baroque Works' "boss" again.
So. Yeah. If in Crocodile's mind he'd be on the run from the Government for the first time in two decades all alone, in a situation where rebuilding what he had before would be bloody hard if not downright impossible, and he wouldn't be able to obtain what he had spent the last decade working for regardless...
Taking the L and just going to prison might've been the easier option
60 notes
·
View notes