HMMmmmm I'm considering doing a certificate program at my local university.
my formal education is all in illustration and evolutionary biology, whereas my writing knowledge has been mostly self-taught from reading books and thinking "hey, wouldn't it be funny if I made one of those!"
I don't think 'having a certificate' would help me in any way re: waving my education around for clout points, but it might make me understand books better. and also it'd be nice to be back in a class environment, where I might be able to make writing friends.
the cats have definitely skewed my idea of what's affordable though, because I'm looking at this like "hey, that's less than a Pangur hospitalization bill 😊"
707 notes
·
View notes
ok im waffling on about fallout instead of having breakfast but i saw a criticism of how the prisoners were treated that's stuck with me.
spoilers!
so i think the criticism wasn't incorrect, per se: it condemned the way the show portrayed the vault dweller's naive intention to rehabilitate their murderous captives. it found fault with a common, and horrible, message that tv shows like to say, which is that carcerial violence and even the death penalty is the only effective way to deal with criminals, who are a fundamentally Bad category of human. im sick of that message too! but i think that wasn't what was going on here, actually.
so like, the vault dwellers had only ever experienced violent loss the once, and didn't really know how to cope other than denial and repression of the ordeal. but they were all hopeful and enthusiastic that their prisoners, the invaders that came to kill them all and take their stuff, could be eventually welcomed into the community as their comrades. the champions of this cause were nebbishy dorks and painfully out of touch academics. this is pretty normal for how prison reformers are portrayed, if extremely fucking annoying for those of us who ARE in favor of prison reform.
but so of course when the son of the former overseer, Norm, speaks up and suggests killing the prisoners, because why should they share resources with invaders who explicitly wanted to keep hurting them? why should they show mercy to their attackers? everyone is appalled by this suggestion. because they had to reinvent the whole concept of vengeance right then and there, because grudges and cycles of violence are anathema to a bottle society like theirs. they have been raised all their lives to forgive and forget and now, put to the test, they're recommitting to this ethos: get along, let the past go, look towards the future, believe the best of everyone.
but the prisoners die, anyway. the prisoners are killed with rat poison. and the thing is that Norm who suggested it didn't do it himself. and the prison guard who's blamed for it, even though she privately agreed with Norm that the prisoners are dangerous and unforgiveable, she didn't do it either. it's not a moment of triumphant, cathartic vengeance and it doesn't prove that there's no way to negotiate with terrorists and invaders but kill them like vermin because that's not what the message is meant to be.
the message is that norm stands there in the middle of these inconvenient prisoners, these corpses dressed in his own people's uniforms, and he looks at the new overseer. and he knows that she killed them, and she knows that he knows. she wanted him to know. this is her message and he's reading her loud and clear. and he doesn't look like a guy who's just been backed up by authority, who's just been validated in his desire for the ultimate control over those who have wronged him.
he's scared and pale and the music is ominous as fuck. and he's inside the cell, he's directly in the middle of it.
because what just happened is that he realized his entire society is being held prisoner, and the overseer is the one with the rat poison. and that he doesn't know, anymore, what freedom and safety and justice actually mean, just that he doesn't have them and he doesn't know where to find them.
that's what that scene meant. not that rehabilitative justice is a pathetic delusion of people who have no idea how to make hard choices.
but that before you advocate for killing prisoners, you might want to see how big that prison is, first.
and which side of the bars you're standing on.
897 notes
·
View notes
Oofh. The hate in the comments. It's starting to get to me. I've been trying to ignore it for a long time now, but like they literally want one of the romantic leads to disappear. So many people. They just hate her. Like not even "love to hate her." Just despise her enough to call her slurs and pray for her death. In a wlw.
I must have really fucked this up, I think.
758 notes
·
View notes
Wild Ass Theory - IT'S ABOUT TYME!
As much as I think Tyme is coding on that table in the first episode, I believe both of them are dying, and it would make sense that Great is on the table coding at the exact time that Tyme gets shot since that's what we were shown, which could mean they end up here as some sort of limbo
Because at first, I thought maybe they'd go on a little vacay together, but we only have eight episodes to bake this biscuit, so . . .
Tyme wants to stay in limbo but Great knows neither can, especially Tyme who needs to survive, and when Great is banging on the door in the trailer, it's Great's apartment that he is in because the paintings and pool table are there but Great is missing.
But the biggest WTF is in the first episode scene when Tyme is shot, it's raining on him,
Just like it is in the hallway from the trailer.
TYME NEEDS TO LIVE!
I think the light from the doorway is the light the patients mentioned seeing from the operating room, so I don't think this is the light of heaven. I think Tyme will survive, but Great is wearing white all the time which the patient said she thought were angels but were actually nurses, but . . . like . . .
Once a character wears white, chances of death increase because blood shows up well on white or something, but also Great's powers are pulling him to Tyme which we saw with him being kicked back so he would accept Tyme's dinner request, so all roads are leading him to Tyme, so is Great the angel who is supposed to save Tyme or even sacrifice himself for Tyme?
Once again, as much as I think Tyme is on that table, it makes sense that Great is being operated on because we keep seeing the light over him as if he was on the operating table!
(There is also another theory about the light but I don't have time for that)
So what I'm trying to say with my cork board and sticky notes is that even though the show is being framed through Great's perspective, the most important character is Tyme since he is the one who needs to make it out of limbo, so Great has to make him see the light.
(Also, I think this woman is connected to Tyme)
TLDR: It's about Tyme
And Great needs to save him.
294 notes
·
View notes