"How come you never talk to me about sports?"
It's late in the afternoon on a lazy Sunday, and they're just curled up on the couch together. Eddie's got a book in one hand, and he's carding the fingers of his other through Steve's hair. Steve's got the sports pages from the morning paper in his lap, and he's looking through it idly.
He stops when he hears Eddie's question, though, cranes his neck back to look at him.
"Huh?"
"How come you never talk about sports? I just realised I don't even know what teams you support." Eddie dog-ears his book and sets his book aside as he asks.
Steve frowns. "But… you don't care about sports. Like, at all. Why would I bore you by talking about it?"
"Are you bored when I talk about D&D?” Eddie asks, hand stilling in Steve’s hair. Steve shakes his head. “I tell you about my sessions all the time. I tell you about the books I'm reading and music shit, and you always listen to me. You don't really care about any of that stuff, either."
Steve shakes his head. "Yeah, but that’s different,” he tries to argue.
“How so?”
Steve wracks his brain for the words to describe it. “I like listening to you talk about D&D because you get so excited. I like hearing you talk about something you care about."
Eddie smiles and kisses Steve’s forehead. He looks almost smug, like he’s won a debate Steve hadn’t even realised he was part of.
"So let me ask again. Why don't you talk about sports more?"
Steve is quiet, staring at nothing in the distance as he puts the pieces together.
"I never... Nobody ever.... I mean, except Lucas, but Robin and Dustin always rolled their eyes when I made references to it, so..."
Eddie cups Steve’s face and looks him in the eye. "Tell me something."
"What?"
"I don't know. What's the drama right now? How's your team doing in the league or the championship or whatever it's called? Tell me about the last game you saw on TV! I wanna hear you talk about your interests, too."
Steve feels warmth burst in his chest as he sets the newspaper aside.
Eddie leans back against the couch, watching fondly as he listens. Steve is hesitant at first, stumbling over his words. A little voice in the back of his head keeps tripping him up, telling him Eddie doesn't care about any of this and you're boring him, wrap it up.
Every time he lets the voice win, though, every time he stops talking, trails off, or tries to change the topic to something Eddie might enjoy more, Eddie asks him a question.
"What does that rule mean?"
"How does team selection even work?"
"What would your dream line-up look like right now?"
And Steve answers. And Eddie listens.
When Eddie finally runs out of questions, Steve's surprised by how happy he is.
"You're really cute when you talk about sports, you know that right? Your face lights up with it."
Steve leans in and kisses Eddie. "I love you."
"Love you too, babe. I really do."
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whoever this beloved anon was I am so touched by your kindness! You definitely didn’t have to do this but I am so happy you enjoy this idea and I will happily expand upon it for you!
this is just a collection of word vomit bullet points for the time being but I will happily answer any and all questions about this pair!!
warnings: violence, angst, child death (Sarah Miller), foul language, the same warnings that apply to tlou, reader is Sarah's mom and described as having similar features to her.
So the general Idea is that you and Joel are happily married before the outbreak.
You had been Sarah's mother, his high school sweetheart he got pregnant when neither of you were old enough to have any reaction to the pregnancy test other than a fucking panic attack in one another’s arms. but you made it work
you both worked but made time for one another and your sweet girl, going to museums every other weekend and joel insisting on swooping you off for a date every now and then
nothing special. He knows you’re more of a diner gal than anything too fancy that makes you both feel out of place.
On his birthday in 2003, you had planned to tell him that you were pregnant again. But the memories of your own fears of motherhood from all those years ago begin to swirl through your head again and you get cold feel. deciding to tell him the morning after
it is his birthday afterall, you want to focus on him.
but when you’re woken up in the middle of the night because tommy needs to get bailed out, Joel kisses you sweetly one last time before promising he’ll be back and you can’t shake the feeling that something bad is happening.
its you that shakes sarah awake that night. shouting at her to put on her shoes when she’s still rubbing the sleep from her eyes because you’ve been listening to the radio for the past two hours, calling joel again and again and again praying for him to fucking pick up but to no avail.
Sarah, bless your little girl’s bleeding heart is the one who insists you check on the adler’s against your better suspicions and when you find the eldest looming over her daughter, blood and sinew dripping from her mouth, you grab your daughter hand and burst into a full sprint until something slams into your back and sends you tumbling onto their front lawn
its how joel finds you, struggling to keep the once sweet old woman, whose now nothing more than dead eyes and gnashing teeth straining to snap at your pulse point as you push against her while sarah shrieks before your husband runs forward and cracks her skull with a wrench.
there’s hardly a moment of pause, just enough for him to pull you up and into his arms before he’s ushering you both into the car with an urgency.
when the truck crashes, you get separated from them. Perhaps at Tommy’s side when the flames rise and create a wall, separating you from your husband, or maybe pulled into the mob of chaos when trying to escape from those already infected-
all joel knows is that you promise you’ll find him: just get sarah to safety and you’ll meet him at the river
Poor thing is already so frightened, held in her father’s arms with tears streaming down her face insisting they can’t leave you they just can’t but her father kisses her forehead and reassures her its going to be okay
“we just need to be brave, okay babygirl? Your mama’s real tough, she’s gonna be alright.”
he isn’t sure if he’s saying it to his daughter or himself.
but when he comes to the river you aren’t there. Only a soldier who points a gun at the scared little girl in his arms and then he loses everything
its when the light is gone from his daughter’s eyes that he realizes. His voice cracked and raw from sobbing that he looks around to see his brother with drawn in shoulders and tears in his eyes but his wife is nowhere to be found.
Tommy says you got lost in the chaos. Everything was so loud, so sudden that he turned around and suddenly you weren’t there.
Joel wants to go back but its Tommy that stops him, that dulls the red in his vision to a sad faded pink because his brother points at the orange horizon not too far from them, so much of the city is already in flames.
“We’re gonna find her, but not there.”
So Joel searches. for the first year spent in the world post-outbreak its all he did.
He became a smuggler because of it.
Information came at a price and he needed to be able to fucking pay it, whether it be in blood or ration cards. He was willing to do anything to find you or any thin thread that lead your way.
But it’s Tommy that asks him to give up. Not in those words of course.
The youngest Miller knows better than to say something so cruel that would make his brother, the only person he has in this world turn on him.
But his voice is worried when he asks him one night in Boston when he hasn’t even had the chance to wash the blood from his knuckles
“You think she would have wanted this for you?”
the fight that followed his words was brutal. Vicious insults and scarred fists slamming against each brother until they're both too tired and bloody to continue. Each leaning against a wall for support and Tommy’s wavering voice breaking the silence.
“I don’t know where she is, Joel. But I do know you're gonna get yourself killed if you keep lookin’ for her.”
All he can do is nod.
It’s a few days later when he meets Tess. Who has heard plenty of stories about the elder miller’s brutality and wants him to put that muscle to good use for some extra profit.
It begins his new life. One that empty and cold but one he can live.
Until of course, Ellie comes along. The sweet and incredibly opinionated girl that makes him become something akin to the man he thought died twenty years ago.
its when he’s traveling with Ellie, that it happens. When a warm familiarity has settled between the two because so much blood and pain has been shared he can’t help but see her as something close, something bright even though all he can force himself to utter in her reference is “cargo”
when theyre traveling through the woods as Ellie chatters away, probing his memory about a movie that may or may not have existed thirty years ago because her descriptions of the plot are incredibly odd he hears a voice shout for them to stop and finds himself staring at a man- no, a boy- pointing a gun at them.
Ellie stills, but Joel can see enough to know that from the lanky figure and dimpled face that he’s young. Maybe twenty, twenty-two at the oldest, but his eyes dart from Joel to Ellie with a pinprick of fear that allows Joel the time to charge forward and slam him to the ground before wrestling the gun from his hands.
He has enough to time to tuck it under the stranger’s chin before he hears the sound of the safety being turned off and finds himself looking up and seeing a gun just inches from his face.
Joel’s head whips around when Ellie’s voice calls out his name in fear, he turns to see another stranger holding her a gun point, shoulders drawn back and a shadow cast over their face by the had obstructing their identity.
“You hurt one of mine, I hurt one of yours. That a fair deal?”
Its takes him a moment to recognize you. It’s been so long since he’s heard your voice, the sweet tease when you would poke at him each time he woke up late despite the fact that you reminded him to set his alarm the night before, the times you’d chide him with a harsh “Joel Miller!” whispered in public anytime he was able to grab you a bit too passionately to be appropriate in public but the laughter in your voice let him know you were never truly mad at him. You didn’t know how to be.
But that sweetness is buried under a cold rasp that cuts through the air as you point a rifle at the scared little girl in front of you.
“You think I won’t?” You’re older now, skin covered in scars from a life he didn’t know you got the chance to live and your eyes are cold as they regard your husband. “Put the gun down and get the fuck off of him, I won’t repeat myself.”
Joel mumbles your name in awe. The woman he loved, the woman he mourned the one he fought so hard to find stands before him like some sort of hallucination and suddenly the world feels like its spinning until you bark orders at him again.
“You’ve got five seconds Joel, make a fucking choice before I make it for you.”
He looks down and realizes the boy under him, the one with the bleeding nose and snarling face has your eyes and his dimples.
“One.”
The one above him has Sarah’s hair. Soft brown curls that shine under the sun.
“Two”
Wait. No, they both do.
“Three.”
Twins. Jesus fucking Christ you had twins.
“Four.”
Joel holds the rifle up above his head and the one boy standing snatches it from his grasp, tossing it to the ground and kicking it far from his reach. He slowly stands, allowing your son- dear god your son- to scramble to his feet.
Your voice softens just for a moment. “You okay, Duke?”
Blood stains the bottom half of his face from where Joel slammed his fist into the boy’s nose just moments before, but he nods nonetheless.
Now, they both stand on one side of you and he can see the resemblance clear as day the same way he would whenever Sarah was by your side.
When you order him to hand over his bag, he does so without question before telling Ellie to do the same.
She watches him with wide eyes, her hands still up in the air but gaping at her companion as if he had grown a second head.
“Joel!” “Just do it, alright?”
He doesn’t miss the way you watch their interaction with narrowed eyes until she tosses her bag to you and you slowly lower your gun.
“Now, you want to tell me what the fuck you think you’re doin’ at my home?”
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"Captain."
The quill scratches roughly along the page, too aggressive for the paper softened and hardened over time by wear and tear and seawater air. Ink spills, making a mess of the log's entry, splotching over fingers and staining them almost black in the cabin's dim light, a flame flickering in its hold to the right, unaware of the tension in the air. Unaware of the captain's rapidly beating heart and his hands clenching around the quill until he fears it might break.
Although the fear he feels is not on behalf of the quill in his hand.
"Captain."
His first mate is insistent on gaining his attention, but he refuses to acknowledge that she already has it. He knows it can only mean one thing if she comes to him at this hour, if she seeks him out despite clear orders – or, rather, because of them.
"Steve."
He looks up, his jaw clenched, and the quill breaks, spilling ink all over his palm where the sharp tip is cutting into his skin with a spark of pain that pales in comparison to what he can find in her features.
Robin nods, imperceptible to every other soul in this universe. Every soul that is not him, attuned to her every move, every twitch of a brow, every hint of a frown, and every gesture that she dares him to overlook if only to have an excuse later on.
But she nods. And Steve swallows.
"It's him. He's back."
It's the captain who nods now, incapable of doing anything else, and feeling as his sanity slips away from him, through the cracks in the floorboards and sinking down to the bottom of the ocean to join his heart and his conscience. All have long been lost at the cause of one man.
"Thank you," he says, though his voice does not feel like his own, and the candle beside him flickers once more as if to signal that, really, he shouldn't be sounding like that. He blinks, deliberately, because he has been staring for too long and she doesn't need to know that he has been losing himself since the second she appeared at the door.
"Steve–"
"That's Captain to you."
She swallows, defiant, but choosing her battles wisely. He is grateful, for he hasn't the strength to argue any more than he has the strength to stand upright in this moment.
"Captain," she says, deliberate but gentle, because she knows and she forgives. "Are you alright?"
"No," Steve says, and his voice remains remarkably steady in this confession. "I'll be out in a second. Make sure they do not to say a word to him. Shoot everyone who does, or throw them overboard. Nobody talks to The– to Munson but me. Understood?"
"Understood," she says, straightening her posture, though her eyes remain worried and wary. There is more she wants to say, but Steve dismisses her before leaning his fists on the table and breathing deeply. The tip of the quill buries deeper into his palm and he closes his fingers around it, hard, to keep himself anchored and distract from one pain with another.
Theo is back. Theodore Munson. Though he will have a new name, Steve knows. But those eyes... Those eyes never changed, not once in all this time, and Steve fears that he will break apart if he has to look at them again and find no ounce of recognition. No memory of words whispered in the dark, of gentle touches to roughest scars, of time spent together in different lifetimes.
Steve plucks the tip soiled in ink and blood from his palm and reaches for a book hidden underneath a false bottom in the first drawer of the desk. A book with the initials T M pressed into fine, deep red leather.
He writes, with blood and ink in unsteady hold,
27th March
He came is back. I wish he weren't.
@vampeddie remember me talking about this before i disappeared? remember how you went insane? remember that you like me?
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Ranting about Nucani
There is something I want to express and this fandom should know.
Nu: Carnival is a Harem game but unlike most games in the genre the relationships with MC are all canon within the same story, there are no "Routes", no "Alternate Universe/Timelines", it's all 1 Main Story where you get to gradually meet all the Characters who'll be your companions, in this game named Clan members, and all of them one way or another end up falling for Eiden (MC), which makes polyam relationship canon with Eiden as the center:
Like very few games have polyam representation, let alone a positive one, like yes the polycule it's very Eiden central but even then all the Clan Members interact with one another, as we see mainly in the time limited Events but also in the Main Story, and have friendly and amicable interactions, they rely on one another sometimes even without Eiden being involved.
But also, Aster and Morvay have a relationship established too since way before the events of the prologue of the game, Kuya and Quincy have hinted some sort of situationship (idk I don't care about Quincy and my knowledge about Kuya is limited to what happens in the story and events cause I have no limited SSRs nor have I read any of his Intimacy Rooms).
[Also if any of you knows of any other relationship that have been hinted at that i'm missing feel free to share, i specifically ask of you to refer to only canon, i know in fanon anything and everything is possible and sometimes we may be missperceiving some interactions between characters so i ask of you to take those rose tinted glasses off and see unfiltered canon, it's hard for me too ngl so dw]
All this started with some posts I saw about ppl feeling bad for Yakumo and/or Edmond to be "forced into a polyam relationship" when they are the "most romantic members" and "deserve a monogamous relationship", their words not mine, as if mono > poly , but also do you really think they're against it!?
One thing is being Clan Members against their will (which is all Huey's fault btw), having to work together to regulate the Altars' Essence (or their own) and then another one completely is involving themselves in a personal and intimate way with Eiden, which the latter they all did in their own terms and out of free will.
Also i wanna share one of the best and my fav scenes with Karu, which i know not everyone was able to experience it cause it's hidden in the Intimacy Rooms of a Limited SSR, but it expresses exactly why the polycule is consensual.
Context: Eiden has been worrying about forcing the Clan Members to be with him because he is the New Grand Sorcerer, against their will just because of Huey's magic that ties them together and the responsibility of Regulating the Altars and basically maintaining stability in the Klein Continent.
His worries began (at least that i noticed) in "Eerie Escapade" (Halloween Event), that was also the first time Garu got hurt while protecting Eiden and the first time Karu got mad at him and fronted to yell at Eiden (which is my another fav scene of Karu omg i love him so much i gotta go back and take screenshots of that but that's for another post), the second one being in "Army x Blood x Oath" (which are the screenshots i'll show u)
Because this are the Intimacy Rooms of Garu/Karu's Limited SSR this scene focuses on Eiden feeling guilty because Garu got hurt in the past (Halloween Event) and this time he lost his memory (temporarily, due to this event's story) and Eiden blaming himself for it all and wondering if they would be better off without him, but the same can and is applied to the rest of the Clan Members, seeing how Eiden met and approached Rei while respecting his privacy and independency even tho he's also a Clan Member and the newest introduced in the story, means that the Limited Events are also canon and part of the story because Eiden seems to be growing and learning from previous Events and showing that development in future Events and the Main Story.
Karu also mentions that Garu (prior to losing his memories) was also worrying about the same thing Eiden was, like 'what if Master (Eiden) stays with us just because of the contract with Huey? :c' and he calls them both idiots because they don't communicate and fronts to fix it! (Mighty Karu to the rescue)
And talking about "Eerie Escapade" that is also the event where Yakumo's possessiveness towards Eiden shows, i'll admit i haven't seen the last room but i feel like those people i mentioned before are using it as fuel to their idea, because if Yakumo is jealous of other Clan Members interacting with Eiden and "Wants him all to himself" that must mean he wants a monogamous relationship, right?
WRONG!
That just means Yakumo is a complex person that feels different emotions specially when it comes to the most important person in his life (Eiden) other than his grandparents!
And Yakumo feels guilty for having those feelings, not because of them being in a polycule and he not wanting to be in it, but because he has trauma and sees his desires and wants as selfishness and he would never allow himself to be selfish cause he doesn't want to hurt people, he's a people's pleaser! He lives with constant fear of hurting others like the Great Serpent did when it killed many (but apparently there may be more that meets the eye, because the current event hinted that the Great Serpent actually liked humans and took care of children ???)
And Yakumo dealing with those feelings along with his yokai powers as a descendant of The Great Serpent have been the main topic of his last 3 Limited SSRs, which is great because that means CHARACTER DEVELOPMENT~
Now unfortunately i cannot talk about Edmond's Intimacy Rooms as i'm missing ALL OF HIS SSRs (why do you hate me Edmond if ily) but from what i've seen he's also pretty happy being with Eiden, heck even HIS MOM is happy his son is with Eiden!
That's right, she's the first and only parent of the Clan Members that knows and approves of their relationship, if it weren't because most of them are orphan we could get many more... i wonder if Yakumo's grandparents are aware hmmm ... and we all know Olivine's parents are gonna HATE it xD and maybe Garu's wolf pack will approve of Eiden by the end of this event.
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