#but nope she still doesn't want it

[kaiba-cave]

This is the conversation I imagine having with my cat every morning:

My cat: HEY! I'M HUNGRY!!! I'M HUUUUNGRY! HUNGRY! HUNGRY! HUNGRY!

Me: Okay want some soft food?

My cat: HELL YES!!!!!!

Me: Here you go

My cat: wtf is this gross shit??? I don't want this, ew.

[heytheredeann]

“Yes, there is a place where someone loves you both before and after they learn what you are.” ― Neil Hilborn

[thatrandomlemononyourcounter1]

literally about to scream

[randomnameless]

Are we ever going to get an in-universe explanation as to why Rhea sets a city with civilians still in it on fire at the end of CF, or is it forever going to remain the "devs wrote Rhea doing something evil so the audience wouldn't feel bad about killing the final boss who'd done nothing wrong up to that point, regardless of how grossly out-of-character it is for her to do that" excuse?

:(

I was typing an answer, switched tabs, and what I already typed disappeared...

Anyways...

Watsonian wise, the game iirc tells us Rhea intends to use the "fiery tiles" as hazards to slow down the BESF's progression to rekt them - and I personally find nice how the devs picked peg knights to act as reinforcments - cementing the "strategy" aspect of the Berning, aka Rhea's own troops are immunte to tile hazards, but the BESF isn't.

Doylist wise, I feel like it was one of the moves the devs pulled out to illustrate how far Rhea fell from... well, what she once was.

It's the culmination of her breakdown, her point of no-return : we came from a Rhea who valued Fodlan and its people more than her own survival and who would refuse to sacrifice anyone to ensure her safety to... a Rhea who lost so much (her remaining family), is PTSD'ing hard and was betrayed by Billy and Humanity "again", she snaps and now will sacrifice Fodlan and its people to get a chance of surviving what she perceives as the second act of the genocide of her species.

Forget the "not feeling bad" aspect of this fight anon, because, at least with the Jp audio, every scene involving Rhea, before this fight when she lost Seteth'n'Flayn, is in Tailtean, or even in this fight laments in her battle quotes, conveys, kuddos to Inoue, anguish, desperation and anger.

The BESF pushes her - during the entire length of this short route - to her breaking point, she breaks (but it's not only a furious/angry breakdown!) and Firdhiad Berning is the consequence.

Imo, even if the gapmoe and the Supreme Court tries to act as if the BESF is "in the right" or wonder what's for dinner, the foes are much more humanised/developed/are mourning on screen that, save for some devoted people, I firmly believe Tru Piss wasn't supposed to be seen as a "Good Route", but more like the Tales games sometimes have a "Bad End" path.

The final close-up on Billy's dead eyes after they lost Nirvana is, imo, telling enough - even if gapmoe and the game mechanics + IS' obsession to sell you Supreme Leader as a S material waifu you can romance sort of killed this intent, since you can get your "and they lived happily ever after" ending and marry Supreme Leader.

Tl;Dr : Tru Piss is written in a way that would make anyone (even on a first PT!) feel bad about the people you're trouncing, from Judith crying about Ignatz'n'Leonie's loss of their future, to Hilda sacrifying herself to save someone against her former nature, aka when it comes to do the "right thing" Hilda will do it even if it costs her life, to Faerghus' desperation to defend themselves at the point of willingly make the ultimate sacrifice and turning into demonic beasts and Dimitri's tender scene with Dedue, or Felix and Rodrigue fighting side by side to defend their land (and dying together) - to ultimately, Rhea losing her mind, breaking down as she learns of her kin's fate and relieving her previous PTSD hard, ultimately telling the player that they betrayed the gremlin living in their head (even if game mechanics means that gremlin is the worst mother in the entire series) and ultimately, herself.

If you're not a first PT, but Tru Piss is your last PT and you know about Rhea'n'Billy's backstories... Well.

I don't like the "you made hit you" rhetoric because it fucking sucks and irl is used by scum, and while I don't think the Firdhiad Berning was made to make Rhea look "evil" so you wouldn't feel bad for rekting her... the game painfully reminds the player, each time, that they are the instigators of this war, they are the agressors attacking people who, in this last map, will do anything to defend themselves.

It's ugly but it's the War the BESF, aka the player in Tru Piss, started/supported.

[depoteka]

why do i have to be the adult of this household

[finexbright]

.

[musical-chick-13]

The existence of this Rosaline movie makes me so MAD, because SHE WAS NEVER IN A RELATIONSHIP WITH ROMEO. SHE TOOK A VOW OF CHASTITY, AND SAID THAT SHE WAS JUST GONNA NOT BE IN LOVE.

SHE. REJECTED. HIM.

SHE WAS NEVER INTERESTED IN BEING WITH HIM AT ALL.

And then they just...make a whole movie from her supposed perspective (which is loosely based on a book which...hoo boy we’ll get to that in a second), where the premise is that she’s jealous and wants to break him and Juliet up? That she’s so in love that she has to win him over again? (Also, how do they justify her knowing that they’re together? The entire point is that no one knows Romeo and Juliet are in love?? I know this is an adaptation, but Jesus Christ.)

WHY DID YOU PICK THIS CHARACTER. TO HAVE THIS STORY WITH. THE WHOLE POINT OF HER CHARACTER IS THAT SHE CHOOSES NOT TO BE WITH HIM. THAT’S WHAT OPENS THE DOOR TO HIM MEETING JULIET. IF ROSALINE IS DEEPLY INTO ROMEO, THE ENTIRE PLAY DOESN’T WORK.

Are we saying that she was just “““playing hard to get”””? That she was toying with his heart for fun? That when she told him no, she really meant “yes”?? I THOUGHT WE LEFT THAT BEHIND OVER THE COURSE OF THE LAST DECADE, I THOUGHT WE DECIDED THAT WAS BAD???!!?

Don’t even get me started on the book this is based on, where that general premise is that Rosaline is just an Innocent Average Girl, and her cousin who is Beautiful™ and vOLaTiLeLY uNsTAbLe and cRaZy comes and “takes” her poor unsuspecting boyfriend who is completely blameless for his own terrible behavior away from her while being called a “slut” the whole time. (I doubt much of this carried over into the actual movie, because that’s being billed as an ironic rom-com, and I highly doubt ANYONE would try to make that genre work while keeping this premise 100% intact.)

WHY WOULD YOU EXPAND THIS CHARACTER LIKE THIS. WHY. WE STUDY THIS PLAY IN SCHOOL AS AN EXAMPLE OF LITERARY STRUCTURE AND POETIC LANGUAGE AND FORESHADOWING AND HOW TO WRITE A TRAGIC NARRATIVE AND FOR WHAT. FOR PEOPLE TO NOT TAKE AWAY ANY OF THE INTENDED MEANING FROM THIS PLAY???!?!?!? I AM SCREAMING SO HARD I WILL BREAK THE EARTH’S CRUST UNTIL I AM SUBSUMED INTO HELL.

If you’re going to adapt something, you’ve gotta make it clear that you have some significant understanding of the original work. Retellings are fine! They can even have different functions or deconstruct tropes or be unexpectedly edgy! But it’s 1000% obvious when you don’t have any knowledge or engagement with the source material, and that is a problem. It’s ignorant, it’s lazy, and everyone involved deserves better.

[theheadlessgroom]

@beatingheart-bride

"I don't think she's ever mentioned how they met and married," he shrugged, thinking a little more about it-he wanted to say she may have mentioned in passing that they married after she took over the haberdashery, but even then, he wasn't sure. Minnie seemed to like gossip unless it involved her, and outside of complaining about her husband, she talked very little about her past.

"I'm sure it goes without saying now, but...I only ever want to marry for love," Randall smiled shyly, as he took Emily's hand in his, eyes full of quiet adoration as he gazed at her, his future wife. He hoped the two of them would have a long and happy marriage not only like they did in the future (how bittersweet it was to think that, even as ghosts, even when they were apart, they were still happily married, they still loved each other), but like his parents, who were happy together all their days, even in the face of so much discrimination from their neighbors.

"I never want to be that miserable," he continued, pale cheeks turning a soft pink as he gave Emily's hand a gentle squeeze. "And...I know I-we-never will be. I just...I can't see it happening! Even if I didn't know the future from what you've told me, I...I have a very good feeling that we'll always love each other, no matter what happens."

He punctuated this with a kiss to her knuckle, his heart skipping a little beat when he did so-theirs was a love that had already survived so many ages, and he believed in his heart of hearts that, even as they changed the future, it would stay that way.

[arctic-hands]

T.I.L that there is no "grandfather clause" in the Americans with Disabilities Act, and Baltimore has no such flimsy-ass excuse in being as inaccessible to those with mobility issues and devices as it currently is and always has been

[killerchickadee]

I'm still really annoyed at my mom for being like, "I want you to come to Denver in a month and 1/2, I've known about this since October but I'm just telling you now," when I'm like... I'm STILL a month behind on my bills and I had funsies plans for what little extra money I have. So what, I'm supposed to give up the things I've been trying to do so I can pay for my own hanukkah present? I'm supposed to put myself back on the poverty diet and work even more hours for something I'M NOT EVEN THAT INTERESTED IN IN THE FIRST PLACE?

Like yeah let me dish out several hundred dollars to visit a place that I fucking HATE to see a concert I'm pretty uninterested in, thanks for the gift?

[writterings]

gravity falls is so funny through robbie's pov

>be me, 15 year old emo in a bumfucknowhere town

>lives in a funeral home. my parents embalm bodies twenty feet and an entire wall away from where we cook dinner

>have a friend i want to be my girlfriend

>she starts hanging out with her boss' (???) twin niece and nephew outside of work hours even though they're like in elementary school

>friend becomes your girlfriend

>weird shit happens around these twins. conscience store ghosts, a weirdly pixelated adult man beating you up, your dirt bike gets stolen, your girlfriend's boss and his nephew make your gf break up with you???

>gets memories erased at some point

>suddenly in love with only other female friend, like instantly in love and it's like this came out of nowhere but she's so perfect and you loooooove her it's so great don't question why there's a part of you that doesn't remember ever actually falling in love with her. also those fucking twins had something to do with this again.

>apocalypse happens

>mfw im apparently part of a secret key of people that can save the world by holding hands but it gets fucked up last minute by your ex's boss fighting with his twin over grammar (did he always have a twin?? why are there so many twins??)

>the ritual you were a part of failed. you were supposed to be a special person and part of saving the world but nope. that failed.

>get turned into a statue

>apocalypse ends and you have no clue how or why

>things like immediately go back to normal

>still with girl you don't remember falling in love with

>the twins just fucking. leave the town. and now there's two of your ex girlfriend's bosses around. no one ever explains how or why any of this has happened. you still live in a funeral home.

[weaselle]

had an interaction with a cat at my mother's friend's house (we dropped by to feed her while my mom's friend was out of town) and my mother said "i was surprised how much that cat liked you, she doesn't usually let people pet her but she followed you around and let you pet her a lot"

and in explaining to her my interaction with the cat i put into words a thing i'd never put into words before, having always automatically understood what i was doing. But once i put it into words my mother said she'd never thought of that and it felt like something worth sharing here.

This cat did a typical cat thing where she sniffed my fingers i was holding out, and then acted like she wanted me to pet her, but then when i started to move to pet her, moved her head away slightly to prevent it.

I instinctively understand this interaction, and stopped trying to pet her and moved back to a neutral position and waited to see if she would re-initiate an interaction.

Because this is basically a consent test. This is how a cat can assess "how closely are you paying attention to what i'm telling you" and "how respectful of my boundaries are you".

If i am responsive to her yes/no game, moving to pet her when she indicates i can, stopping immediately when she seems to change her mind, then she knows she can trust me to understand her, and also to respect her choices. That's what i did, so then she knew she could trust me and relax around me and enjoy my company. She was actually a very friendly and social little cat, who clearly wanted to make friends with me.

But if i had insisted on trying to pet her when she seemed to change her mind instead of simply understanding that she didn't want to be pet in that moment, she would have known she couldn't trust me to understand or respect her, and she would have treated me like she has to treat 90% of the people who visit that house, evidently.

I work mostly with dogs these days, but i grew up with cats too, and am generally good with animals. Many shy animals will also do this same "sniff sniff okay touch me nope just kidding" routine, especially if they've had experiences with people that make establishing that kind of communication and trust important to them.

And in fact, a lot of animals will do some version of this kind of consent test in a whole variety of situations. When well socialized dogs do that thing where they are rough housing and then they both stop suddenly for a moment until one of them play bows or makes a little pouncing motion and then they fly back into rough housing mode, that's what they are doing, they are doing a consent check-in, like "whoah this is getting wild, are you still in? are we still playing, is this still a good time for you?"

anyway, that's why this lovely little cat followed me around asking me to pet her the whole time we were visiting that house, because i showed her that i understood her signals and respected her boundaries, which is something i see a lot of both men and women not doing when interacting with cats and dogs.

[keets-writing-corner]

Thinking a LOT about Lucifer in the latest Hazbin episode. Idk what I was expecting but not this??

As I was watching my immediate thought was just "huh... Lucifer is kinda of weird..." but as the episode went on I realized the issue

the dude is off the chain depressed, like he says it as a joke but holy cow it is SO BAD

He's manically just creating rubber ducks cuz his daughter really like it that one time but it's empty, it's never good enough but he keeps doing it, maybe cuz he doesn't know how to pass the time otherwise.

like I get the feeling he HAS better things he SHOULD be doing than making rubber duck after rubber duck. At first I was like, "Bruh why isn't the king of hell doing anything?" aaaaand then it became clear...

The dude is disassociating so bad he can barely hold a conversation let alone remember information. He clearly WANTS to, he wants to be involved with his daughter so bad, he wants to care about the things she's doing so bad, but his depression keeps interfering. It's like he can only hear every other word and he grasps onto the ones he does hear semi-out of context. Like you can see every time he catches something that he hadn't before and he just "well shit I didn't catch that part"

and that's why he reacts so weird when people talk to him. He is struggling so bad to engage with the conversation he's only getting 50% of it

does that look like the face of a man who knows what the hell the conversation is even about??? he is STRUGGLING

like Charlie spent so long telling him about the hotel, and he STILL didn't understand what she wanted. Yeah it comes off as ditzy but literally I've been in that position where your brain just "nope, not doing this right now" and nerfs your conversation comprehension. So as someone who's BEEN in that position, to me it feels exactly like what he's dealing with. He's sorta engaged with the conversation, but only as much as his brain will allow

For example, when I'm dealing with this, this is what someone talking to me feels like this where the crossed out parts are what I missed and bold is what I catch, "Hey! You know I was thinking for dinner we could either make some chicken with rice? But if you don't feel like cooking, pasta is super easy and you love that right? What do you want to do?" you can kinda get that someone is trying to talk to you about dinner, and towards the end you get the impression that they asked something that needs your input so you can decently put 2 and 2 together and try and pass off, but crucial bits were left out, I would have no idea that either chicken or pasta is in the conversation only having heard "rice". When someone is just talking at me, I can decently pass off as being engaged but the second I'm required to participate in the conversation I'm screwed. Seem familiar? At which point I have 2 options, try to give a bullshit answer, or admit that I missed what they were saying and ask them to repeat

Lucifer, unfortunately, is trying so damn hard to hide that he's dealing with like 24/7 dissociation, so he can't admit that he's missing entire chunks of the conversation, hence his really weird replies. He does eventually get the full picture and then he and Charlie start having the real conversation

Also, the Alastor/Lucifer rivalry was hilarious but also really indicative of more of what Lucifer is dealing with

Alastor is, unfortunately, really good at picking up people's insecurities, and thanks to Charlie's description earlier and watching Lucifer clearly trying to overcompensate, he immediately picks up on the fact that Lucifer KNOWS he struggles to be a good dad (we know cuz it's cuz of the depression, hard to be engaged when your brain keeps turning off) and decides to rub salt in the wound by pretending he's been acting as a surrogate father to Charlie. Now why Alastor decided to pick a fight with the king of hell is beyond me, I do not understand Alastor (and I LIKE IT) (maybe it's cuz Alastor thinks he's hot shit and was expecting Lucifer to at least have heard of him but Lucifer just treats him like a nobody? who knows)(why would Lucifer listen to radio anyways when he can't even pay attention to a conversation it'd just be white noise)

But yeah I just was expecting someone who oozed either charisma or presence and instead I got a depressed dad who's dissociating so bad he can barely function and be present in his life. The only thing it seems he CAN do is make rubber ducks cuz his daughter really liked it that one time

Idk Lucifer is tragic to me. Whatever the full details of what heavan did to him absolutely broke him and he can't deal with it. He's aware of it, and he doesn't know how to fix it, so he tries to over compensate and sorta makes an ass out of himself but no one says or does anything cuz this guy is supposed to be THE king of hell

Suddenly it's making a lot more sense why he just rolls over and lets heaven do what it wants and even told Charlie to go in his place the start of the show. He's not in any headspace to hold a basic conversation let alone negotiate! He didn't even know who Alastor was, he's been so out of touch

idk I like him, he seems sweet, I hope Charlie brings some light back into his life. He really needs to get out of that rubber duck room

[randomnameless]

The "i don't want to kill Edelgard" dialogue the game forces you to pick for Byleth in Verdant Wind is still one the funniest things in the game when you think about what that means in-universe; Byleth has had no issues killing people to get what they want all route-long, but the second Claude brings up killing the girl who started the war and is most at fault for everyone that died because of it, including her own soldiers, they say they don't want to, presumably just because they had such a deep bond with her during their time at Garreg Mach (even though it's perfectly possible to have Byleth spend all their time there never interacting with Edelgard once).

It's shit like that that makes me understand where the same-crest attraction people come from; that forced dialogue choice is at least understandable in Silver Snow, where Byleth is forced to teach Edelgard for a while and would have logicaly formed a bond with her because of that, but the only way that line makes any sense in VW is to assume that their crests made them feel a deeply-heightened and accelerated sense of attraction to each other, to the point that the few short and irrelevant interactions they had in their short time together at GM was enough for them to form a deep bond.

Anon,

If same crust attraction was a thing, do you really thing Billy would angst about Supreme Leader in VW, when Nemesis himself pops up at the end of the route???

I mean, between Supreme Leader and Nemesis, who are you going to simp for if you never talked to any of them, and both are leading a faction to destroy you and your allies?

Supreme Leader, or Nemesis??

All jokes aside,

There's, sadly, no Watsonian explanation for the very Doylist "but she lufs u!!! feel sad about her!!!" approach the devs wanted to hamfist in their game : Billy will feel bad for killing Supreme Leader, even if it doesn't make any sense for them to do so because that is why the devs designed FE16 to be : a story where the player will feel bad about killing the red emperor.

(or at least the player avatar, because damn if this completely missed the mark regarding some players lol)

Just like you feel super BaD for icing Randolph and Ferdie who still works with the Empire, fighting side by side with a Demonic Beast - when the game doesn't expect you to feel a thing when you kill the poor sod who was turned into a monster because the Imperial Army needs War Assets.

that's why some people really felt a bit disturbed by all this Supreme Pandering coming out of nowhere - same with Rhea in VW since her supports are optional, so if Billy is really a player avatar, why should they care about Rhea?

(granted, I'd say even if you only do the strict minimum, Billy still wants to help Rhea in the cinematic before falling in a ravine, so at least there's this sign that Billy cares about her - sure, Billy protected and saved Supreme Leader against Kostas, but after the Flamey reveal, we don't have anything to even remotely indicate Billy still cares specially about Supreme Leader : Billy's avatar status is the reason why they're written to care about Supreme Leader, and yet, Billy's character status explain why they care about Rhea - again, another example of the devs wanting to have their cake and eat it too!)

[rackartyg]

to imitate how animate dead works in tabletop i've installed a mod that makes its summons permanent and then every morning when the wizards are setting up everything else (mage armor, longstrider etc) i have cairie fire off a couple upcast ice knives to get rid of the spell slots she would've used for reasserting control. we're finishing off act 2 now so she's amassed a nice little squad of eight skellies, kept around for the price of two third level spell slots each morning. fun fact you can cast longstrider on summons

[yamujiburo]

prev / next

From my Hanamusa AU! A lot of people wanted a Jessie and Ash heart to heart. Extended dialogue under the cut!

--------------------------------

1 / 2 / [X] / 4 / 5 / 6 / 7 / 8

[All comics in order here]

Jessie: Listen, I know this is weird for both of us. I wasn't trying to fall in love with your mom.

Ash: Ugh you're making it weirder-

Jessie: I KNOW I DIDN'T LIKE HOW THAT SOUNDED BUT PLEASE LISTEN. I know you still don't trust me either and that's understandable. I was a massively successful, evil villainess after all

Ash: That doesn't help your case

Jessie: But that's behind me now. And I promise, I would never do anything to hurt Delia.

Ash: ...I get it. Mom deserves someone to be there for her. Must be lonely here since I started my journey.

Jessie: You could stand to come visit her more. I'm sure she'd appreciate it.

Ash: She does seem happy. And that's all that matters to me.

Jessie: You're a good twerp, kid– I mean, a good kid, Ash.

Ash: Y'know, you seem happy too!

Jessie: W-well of course I am! It's... nice. To be a part of a family. I care about Delia a lot, and I care about you too. Especially after all this time.

Ash: Thanks, Dad

Jessie: DAD??? Oh god I'm gonna puke.

Ash: Mom's already "mom"! You can't be mom too!

Jessie: I do NOT wanna open the can of Orthworms that comes with being your father.

Ash: Fine, what about "Mother"?

Jessie: NOPE!

Ash: "Ma"?

Jessie: BAD!

Ash: "Mum"?

Jessie: WORSE! Please just call me Jessie, this conversation is over!!!