#but now I find it even more interesting

[fragmentedblade]

Fu Xuan also has that master/apprentice thing going on for what she's telling. The concept is also closely at the core of why she wants the position of general so passionately

[floq]

you know, a big reason i kinda drifted away from the phandom last year was because of how prevalent dp x dc content had become. at the time, i was more of a marvel girlie and i didn’t know much about the batfam or dc content in general. but this year during my (somewhat unintentional) hiatus i coincidentally got really into superman media, which then spiraled into an interest in the batfam and dc as whole and oh god I GET IT NOW

I GET THE APPEAL

dp x dc content creators, keep it going, y’all are doing wonders for this community

[timethehobo]

Finally got a copy of the series after looking for years. Damn region restrictions and censors. Had to scribble.

[cator99]

out of curiosity, would you consider yourself butch?

used to be a blonde underweight twink and now I'm a based jock still got the chanel bag and the sick albeit matured mind of a suckpig to prove it so I'm gonna let you decide whether you wanna call me that word just cuz I got a pussy and short hair. I promise you that there have been enough advancements made in the art of lesbian sexual dynamics in the past 50 years to broaden the vocabulary used to describe the plethora of types of masculine females.

[littencloud9]

bsd fandom has always mischaracterised kunikida to hell and back but the fact that i am seeing SO MUCH hate for his character right after his 'death' is insane

[ask2ps]

Who's 2p Italy's type in partners?

NORTH ITALY: Grazie lo stesso! [ Thanks, regardless! ] NORTH ITALY: And before you ask, no, I had nothing to do with my boss' death. I still dunno what happened there! I was only gone for a few months..

[stellaluna33]

The thing that's so endearing to me about the fact that Jess was obsessed with Almost Famous is that... There's something so earnest and idealistic about this film. Like, at its core, it's about people who love music (or even writing about music) and about people who are searching for something that's real, trying to figure out how to be honest with each other and with themselves, and longing for a genuine connection with other human beings. And everyone gets a happy ending! They all end up better as people from having been on this journey together. The pain and the love is all incredibly sincere, and while there are certainly humorous moments, there is nothing flippant here. And yeah, ultimately, all of that very much fits with who Jess ends up being as a person in the long-run, but the fact that this was his favorite movie in Season 3 just confirms to me that this is who he has always been, all along.

[caluupin]

Finished TGAAC around 2 1/2 weeks ago but only finished the doodles today. but still, here ya go!

[mccromy]

Character: *is canonically violent and abusive but has a sad backstory*

Normal people: he isn't real and it's cool and fun to explore his character in different scenarios

Freaks: he was right actually AND he is a poor little boy, he was MISUNDERSTOOD. actually those children were abusive towards him first but the narrator was unreliable so :/

[the-judicial-assistants-notebook]

sits up in bed. so lana and ema definitely thought they were responsible for edgeworth "choosing death", right?

(the rest of this post was supposed to go in the tags, because it's not very well organised or written, but it got too long so. here are the slightly edited tags for your reading pleasure (or otherwise)):

i was going to make this solely about ema because she's the obvious one with her open adoration of edgeworth, but the thing about rfta is that it goes to great lengths to emphasise the connection between lana and edgeworth as well.

the sl-9 incident showed that lana grows attached to people deeply, hence angel starr's comment on how, when neil marshall died, 'she (lana) felt like her own brother had died.' with edgeworth, i think it was similar but worse. because he's not just a coworker or subordinate who's dear to her. he saved her life. and it cost him his own.

at the beginning of the case, edgeworth says he was mistaken for thinking that lana was always looking out for him post sl-9 (a statement interesting on its own because that's when everyone else says she grew distant), and, later on, he brings ema fingerprinting powder because lana asked him to. then, of course, there's the 'lady luck' comment he makes.

similarly, on lana's side, you obviously have the end of the trial when she says he did well, but there's also that additional moment post-trial where she's the only one to notice — in a group comprising her, ema, phoenix and gumshoe — that he's 'hiding', listening to their conversation. point is, there's enough to suggest that she might have been the nearest thing edgeworth had to a mia; his 'chief prosecutor' to phoenix's plain 'chief'. they're as close as two people can be in a relationship where one of them is constantly lying and the other is von karma's star pupil.

rfta is pretty straightforwardly depicted as the case which solidified edgeworth's resolve to do what he did; i don't think i have to prove that. rumours about him have reached new heights, his car and knife were involved in goodman's murder, he makes an unprecedented mistake in court by failing to connect the evidence room and carpark incidents, thus forcing the chief of police to enter the trial to do so himself, and he's publicly revealed to have relied on falsified evidence to secure a conviction in the sl-9 case, all of which only happened because of lana. jake marshall even claims that from the beginning — that if you trace edgeworth's rumours back to their source, you end up meeting one person: lana skye.

and it gets worse because at the end of rfta, she thinks he's fine!! she literally says, 'i was afraid the pressure would break you, but you rose above it,' and reminds him he's nothing like gant because he's not alone. she leaves the case thinking he will be okay. and then, what, like a week passes, and she finds out that he wasn't, and that he's gone, and it's her fault. even after she was freed from gant's control, even after she had finally stopped lying, she couldn't prevent herself from claiming another life. so much for 'lady luck', i suppose.

and the game reiterates this multiple times. gumshoe states at the start that edgeworth's ties to those higher up in the department have made him the subject of constant rumours, and phoenix says (in front of ema) that he shouldn't be held responsible for the forged evidence because that was all lana's doing, which then leads to edgeworth commenting (again in front of ema) that he feels as though 'something inside him has died.' it all goes back to lana. we can argue and say that it was technically gant's doing that caused all of this, but lana still took actions that led to it. even her complicated friendship with edgeworth isn't spared; it's that closeness between them that exacerbated those rumours. how could she not feel responsible in some way?

and with ema, it's rather obvious, isn't it? if she hadn't gone poking her nose into things, none of this would have happened or come to light. and, of course, she'd never choose anyone over her sister, not for anything in the world — it's simply not a question, but that's the problem, isn't it? it's not a question. it's not some hypothetical moral dilemma. it just is. she may not have killed neil marshall, but she still has one king of prosecutor's blood on her hands. and now she has to live with that. she just. has. to live with it. no matter if he chose otherwise.

moving on from that a little, i think it's actually wild how much of ema's journey to becoming a forensics investigator is paved with bad memories. neil marshall's death and her subsequent inability to testify are what drives her to begin pursuing it, her first proper investigation results in her idol's "death" and when she finally graduates, the person who saved her sister has been disbarred, and she can't even help because she isn't allowed to. all that pain and constant pursuit of her goals, and she's still the same ema skye, still that girl shrouded in darkness, always one step behind the truth, one step a little too late. no wonder she was angry in aa:aj. i would be furious.

[randomfoggytiger]

What a difference in the two interviews - Duchovny's in 1997 and Anderson's in 1998.

Duchovny was super arrogant and pretentious, thinking he was the King of Cocada Preta, trying to pass himself off as an intellectual, bored with fame. Winona Ryder never came out to David because she was much more famous at the time.. Thankfully, in the years that followed, he had to tone it down. Less Duchovny, much less…

Anderson, on the other hand, looked like a working mother, working non-stop to support her daughter, zero glamor, a bit depressed, like a middle-aged woman broken by life.

And in none of the interviews did the geniuses who interviewed them talk about Mulder and Scully, who were the soul of the show.

I'm slowly working on a progress-through-Season-8-based-on-the-burnt-out-interviews post, so this was timely. :DD

To be fair, David was suffering. Both of them were. The X-Files was simply a job to DD and GA; and they coped with its insane hours and insane stresses differently. For Gillian, she internally imploded: eating disorders, panic attacks, anxiety so bad she wouldn't wish it on her worst enemy. She was afraid to put a foot wrong because she'd gotten pregnant so early on and could have threatened the longevity of the show; but she kept putting a foot wrong due to a shoot-from-the-hip personality. Then she was a divorced co-parent trying to do everything herself. David, meanwhile, didn't have that stress; but instead of marrying quick to escape the unbearable loneliness (like Gillian did), he tried to escape by getting outward attention... or through porn, joking in Playboy that his favorite pornstar had gotten him through some very, very lonely days. He also outsourced constantly, making connections with other entertainers and etc. to try to establish himself in Hollywood away from the show. Part of that persona-- that he had everything together and was living the dream-- was part and parcel of selling himself to the business for, in turn, more work.

Secondly, DD WAS arrogant. It wasn't until AA that he learned gratitude, per his own words. Until that time, he'd overachieved into such heights of success that he, naturally, developed an ego. But that wasn't enough-- it never is-- and he kept devising other ways to get attention. Per his old interviews, he described being 'shocking' or 'funny' or etc. as a way to keep others' eyes (and attention) on himself. He always feared they'd lose interest in him and walk away, otherwise (still does.)

That mindset, he's stated here and there, was a result of habits he'd formed in his childhood-- the middle child caught in a turbulent divorce: father suddenly gone, mother heartbroken, and older brother and younger sister taking sides. He had to become intermediary for his siblings and shoulder-to-lean-on for his mother. He became his mother's pride and joy: a shy kid who thought he wasn't a looker when he was younger, who transferred to a better school on a scholarship, who was "captain of the basketball team and the baseball team and a straight-A student, and I was in my last year of high school, and I'd applied to four schools–Harvard, Yale, Princeton and Brown–and I got into all of them." Who was, in short, an over-achiever; and became arrogant because he achieved everything through his own efforts. But he was also a kid who fainted in senior year, breaking his front teeth, because the stress was too much.

And he was also a man who spent long hours overworked on a show he wasn't particularly passionate about. One who spent long, isolated hours alone (in the bathtub) in Vancouver when not working. And one who always had to be "on" when he was out with his friends or spotted by people on the street. Further, no one wanted (wants) to hear the rich and successful complain about the hardships of their success. So, he turned on the charm for attention, instead; and resented having to "sell himself" for people to care about his work. And his performance, on and off screen, earned him fifteen years of public backpatting and"Fox Mulder"ing everywhere he went.

He didn't deal with the stress perfectly, and created his own problems that had to be worked through later on. But Gillian did, as well (per her own words); and they've both owned up to their mistakes and have, seemingly, moved on from the past.

Lastly, there are other interviews where his truer self comes through: those are sadder, pre-marriage; or more stable and happy, post-marriage. Gillian had happy interviews, too; but her life was much more accelerated than his (marriage, pregnancy, divorce on close heels), and thus sounded more burnt out than he was.

I don't like to pit or compare faults because I'm sure they both handled global fame and nonstop work better than a lot of people would have (David was rock-bottom depressed and Gillian was afraid she'd quite literally go insane; but they made it.) And there are always interviews where he looks like a cherub and she a hag, or he an arrogant scumbag and she a hard-done-by saint. Neither were either.

About the Winona Ryder speculation:

Even in interviews from the early days, DD kept personal details close to the chest, referring to romantic partners as "my girlfriend" unless his significant other had an established public persona (or an upcoming project.) The person he spoke the most about was Tea-- and that was after their marriage, and only during interviews to promote their next tv series or movie. Tea was a talker, and she didn't mind when he talked about her; so, she rubbed off on David for a good chunk of their relationship-- even after the rehab stint-- until their divorce. (Now, she's taken a vow of silence and enforces it strictly with Tim Daly, as stated by both.)

I'm not up-to-date on Winona, but I'm sure the relationship wasn't serious enough for either to really acknowledge it. She looked happy in their picture together; and I don't think she's the type to deny a relationship because it might not be advantageous to her "brand." But what do I know? XDD

Those are my thoughts, anyway~ :DDD

[crownedwille]

Are there still Crown Prince!Wilhelm stans out there despite S3 turning it into the number one problem? Please report, we need to unite and no, that doesn't mean that I don't support Wille's mental health and happiness and that I love the monarchy, some people out there must get it

[bisexualcherdegre]

D:BH Rarepairsweek 7 | @dbhrarepairs

Day 3: Hank/Markus After the revolution, Markus and Hank are both trying to deal with the new situation they've been handed. Their paths cross.

[mic-check-stims]

Walkshipping board for that one anon from forever ago who asked about my ships

X-X X-X X-X

[lovecoredeity]

fun scene idea that I’ll probably never get around to drawing: someone grabbing a wanted poster from a board or wall only to reveal a missing persons poster featuring the same person as on the wanted poster underneath it (also the reward for them as a wanted person is higher than the reward for returning them when they were missing)

[thewingedwolf]

luther: the golden child

diego: the mastermind

allison: the peace keeper

klaus: the clown / mascot

five: the rebel / truth teller

ben: the lost child

viktor: the scapegoat

is this something i think this is something