#but now back to normal plot
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review-anon · 17 days ago
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Sorry, yesterday was a bad day for me and I'm very tired, so what's happening??
(//I live in Spain, so yesterday's blackout hit me too)
-✨🌌✨ Anon
//Damn sorry to hear that, it still boggers my mind how entire countries can just lose power like that, and while the UK has a better energy system to not go through stuff like that, we do have issues with power consumption so it might be something to not look forward to in the future.
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A Void Whale Calf got onto the Voidship, which would have been fine since we could have escorted it out of the ship.
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But of course two morons decided to try and kill it and unsurprisely it got pissed off and started rampaging.
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Yes so its time to tell them where they went wrong.
*Heathcliff and Ishmauel are tied up and groaning from the pain of the Pokemon attacks*
Heathcliff: Who are you bastards? Why do you have possession of monsters like that?
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We are the ones who should be asking questions here, as we were having a good time until you two decided to attack that whale calf.
Ishmael: I'm sorry but that's not a whale calf its too big for one.
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You have no idea how big the whale is, and it wasn't doing anything before that idiot attacked it, and you could have caused all sorts of problems!
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Exactly so who are you and why did you do it?
Ishmael: My name is Ishmael, I work at Limbus Company, and the reason this mess happened in the first place is because SOMEONE doesn't know how to control themselves. *Glares at Heathcliff*
Heathcliff: Hey its not my fault, where there's a monster nearby its usually bad news and needs to be killed!
Ishmael: THIS. IS. NOT. THE. CITY. You have no idea what rules apply here and now all you did was destroy property and ticked off the inhabitants of this place! At this rate I wouldn't even be surprised if we get banned from here....
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Do you have someone in charge to speak to about this?
Ishmael: Dante...he's been here before to get another lost collague of ours back from here, and he's not gonna be happy about this.
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Okay this is what we are gonna do, you two head back to your home dimension, you inform your boss what has occured, that boss is to come here, and I'm gonna have a serious word with him regarding what has been going on.
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Things are crazy enough here, we do NOT need anymore havoc that's unneeded.
Heathcliff: Urgh do we have too...
*Suddenly Heathcliff is picked up by Telekinesis*
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YOU ALMOST CAUSED A RAMPAGE HERE! I DO NOT TOLERATE RECKLESS IDIOTS WHO ALMOST GET EVERYONE KILLED! AND I HAVE HALF A MIND TO FED YOU TO THE PENGUINS RIGHT NOW FOR THIS.
Ishmael: Penguins?
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The servents of Tawaki operate this vessal but they have a foul temper and should you provoke them you will banished to the underworld forcifully.
Ishmael: That made absoulately no sense to me.
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You have probably seen some penguins around here, they help operate the Voidship but if they smell blood or dead bodies, they go on a rampage and kill everyone in sight and given how they could probably eat that Void Whale if given enough time you do NOT want to mess with them.
Heathcliff: .....
Ishmael: ....Just....let us go back to the city, we deal with your conduct later!
*Before Heathcliff could say something both of them vanish before everyone*
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Annnnd that's enough of that, managed to find the signal they got summoned on and blocked it so that forced them back home.
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Well that just...happened.
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poorly-drawn-mdzs · 9 months ago
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I'm not going back to Gusu with you.
[First] Prev <–-> Next
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theandrosaur · 2 years ago
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I'm doodling them while I watch the series and get inspired in the meantime.
Did I already said Cole?
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justanotherfanfolks · 6 months ago
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CHAAAAAAAAAATTTTTTT!?!??!?!?!??!?!?!?!?!?!!??!?
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crunchycrystals · 3 months ago
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i'm like 90% sure irving is reintegrated. i think that irving has been reintegrated for a while and that's what the goo is. mark's seeing gemma first now that he's reintegrated, the most important part of this to him, and irving's seeing his paint. also thanks to this episode we know that reintegration takes some time, at least for innies. we only saw the effects of reintegration from petey's point of view when he was in the outside world, so it's entirely possible that reintegration is different for innies and outies at the beginning.
also we don't know how outie irving knows what the testing floor elevator looks like. innie irving doesn't even know what it is so where did he get this info? my guess is that he failed the input survey (since we know that theres a perfect score for it), got sent down to the testing floor to get his memory fixed, and then when he reintegrated those memories came back with it.
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bookshelfpassageway · 1 month ago
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i'm gonna be the one insufferable bastard on this earth that liked everhood 2, huh
#my posts#everhood 2#everhood 2 spoilers#if i get right down to it. what did i want from this game?#well i wanted more BANGER music. i wanted to be overwhelmed and surprised and lost and to feel shrimp emotions on existential scale#did i get these things? well... yeah! i did actually! were they worth anything less in that moment for how it ended?#it was real to me in that moment. i remember these feelings. i remember them warmly. those little aliens destroyed me i tried so hard#and the world where i got the green weapon had me making the crying cat meme face#i burst out fucking laughing many times#they happened and they were real then so why not now?#and honestly what COULD you do with the narrative at that point? anything less than fundamentally radical would ring hollow#like you could do a traditional plot that functions correctly and moves characters along arcs. but is that REALLY what you wanted?#in EVERHOOD? In everhood. you wanted a normal plot structure. in everhood?#and what else could you have even done that wasnt in essence rehashing everhood 1? i think i liked it better than where it was ALMOST going#it felt like a fever dream to play. like watching alice in wonderland. shit just happens man. these stories are rare#we've made the euthanasia rollercoaster into a fractal. spiral tighter run faster reach higher yearn forever.#fall into the kaleidoscope and grab your popcorn to watch the infinite combinations of static on the screen#you were there. you felt things. you can draw anything out of nothing. you can send everything back to nothing. for the love of god make ar#any art. any quality. just something that was real to you in that moment and in so doing forever. if someone tells you youre doing it wrong#then you should explode with your mind and in your art and LAUGH#apathy's a tragedy and boredom is a crime anything and everything all of the time#(its fine to dislike it i just found it fascinating in a way which is often more interesting than ''good''.)#(i live for the intersection of absurdity and meaning)#also i felt closer to the companions in this game than EH 1 since you spent more time in them#also cmon we got time with the sexiest character in the foreign gnome universe. the pandering one for a CERTAIN demographic. w big assets.#THATS RIGHT IM TALKIN ABOUT IRVINE BAYBEEEEEEEEEEEEEEEEE!!!!!!!!!#you thought i was gonna say someone else? well tough shit. youre wrong.#anyway my main quibble with this game really was the english translation needed more time to cook for real
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boatboysrowout · 10 months ago
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ik the mcdonalds vs burger king is a 3l au but like. what's lizzie up to in that au. or gem
originally lizzie and joel were supposed to go back home to england together, but the weekend before break joel drains his entire bank account buying limited edition his and hers shrek mugs and is thus unable to afford a plane ticket home.
lizzie leaves his ass in america after a kiss on the cheek for the mug and a slap on the back of the head for the poor financial decisions. joel vows he has a foolproof way to get rich quick and will be back in england with her by the end of the first month of break, but is cagey about how exactly he plans on doing that. lizzie, through years of experience, decides she does not need to know and just tells joel to text her if he ever makes it to the airport.
getting a call from the hospital a few weeks later about her boyfriend being moved into the burn unit for the forseeable future really doesn't surprise lizzie, and honestly it's better than the call pleading for bail that she had been expecting.
next summer though, she'll have to stick around and keep an eye on him. grian had mentioned a mall opening up and hiring anyway, she could use some extra cash.
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dropespeon · 20 days ago
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just watched the 5.6 trailer. whuh. What. Okay. okay. I feel normal
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louisisalarrie · 3 months ago
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tell me why I just got attacked multiple times in my inbox from allegedly a Larrie who has just now unlarried (apparently bc of me?) and is actually losing their mind and is probably an anti in disguise? I’m on here being truthful with yall, I don’t actually have to be here doing this. damn wtf is happening rn
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sheepydwagondraws · 8 months ago
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Hiii I am hopefully slightly back from the void,,, have just had a lot going on and not much modivation to draw, but an aged-up design for one of my rp fellas pulled me back to my tablet lmao
Some rambles under the cut
This is Isidore Moriarty, usually just Mori for short! I don't think I've really posted him here, I've only drawn him a few times anyway.... (I should draw him more...) ((Technically he's also the green-eyed big cloudy fella I posted back last Oct but... it's complicated))
Anyway, he's physically about 17 in his story for plot reasons, and we had a dream sequence where he was aged up to 27 and my brain reeeeally wanted to get what I saw in my head down lol.
Also he's like a Kitsune now for plot reasons, it's a whole thing. I'm not a double ears person sorry </3
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flying-cat · 7 months ago
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Putting a klance fic in my read later list in 2024... Almost feels like it's 2018 and I just joined Tumblr again.
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mad-hunts · 11 months ago
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this is a very specific scenario, i know, but barton trauma-bonding with a hero and vice versa because they got stuck in the middle of the desert together due to the fact that they were both simultaneously betrayed / LEFT TO DIE there, but they managed to survive after they spent some time vehemently refusing to help each other in the beginning. though, they soon began to help each other (albeit reluctantly) because they realized that would be the ONLY way that they would survive this. and barton tries to kickstart their bastardization arc™ by telling the hero to kill the people who dumped them there. and this is because, in his mind, they don't deserve to live. then barton goes on to tell them that he's planning on killing the person who betrayed him so it's fineee if the hero does it,, because he ain't a snitch + won't tell anyone they killed anyone (,: now whether or not the hero actually starts their bastardization arc is up to them, of course, but if anyone is interested in a plot like this... HMU because i think this would be such an interesting dynamic to roleplay 👀
#OF MONSTERS AND MEN: musings.#ahh. we love... two people that normally wouldn't interact on friendly terms.... trauma-bonding? 🫠 idk LOL but something-#about this plot satisfied a dynamic that i've been wanting for a while and that is the ' people who hate each other become friends -#through a near-death experience / something that FORCES them to depend on each other ' type of thing and just. Thinking about how-#ruthless the desert can be in terms of survivability makes it that much more believable for me that two people would only really-#be able to stay alive there if they actually start collaborating with each other and set aside whatever differences they may have had-#from before so yeah. plus i just... idk why but i just kind of want barton to be friends with a hero okok though not through traditional-#means ofc because they would hate him which is more than deserved. though just imagining them trying to get 'back to normal' after this-#happens and by that i mean them having the usual 'hero-villain' dynamic BUT it doesn't work especially in barton's case-#bc they showed barton that they could trust him and he actually LIKES them as a person now so they just kind of. Meet in secret-#sometimes now and because they were out there for a while (i'm thinking probably around 2-3 months) perhaps they-#depended on each other for comfort too bc OMG is that a long ass time to be deserted somewhere and so man's will just sort of cuddle-#up to them like they did in the desert with his head in their lap as they run a hand through his hair and basically. Yeah they've got a-#complicated relationship now to say the least 😅#tw: mentions of murder.
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leenfiend · 2 years ago
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one of my fav tropes in Star Trek fics is the “away mission went wrong and now we’re stranded on this planet and must learn to get along to survive” and i want more klance fics like that SO BAD!! It suits them so well. Give them to me. I want like a long one….a slow burn….is this gonna have to be a fine I’ll do it myself moment bc don’t tempt me. I’ll consider it.
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las-lus · 2 months ago
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Listen i don't think this is what a lot of you want to hear but.
If you enjoyed twin peaks i really think you should try watching Riverdale
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catsafari25 · 1 year ago
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A/N: Hello again, and with this I think (?) I may have succeeded in writing enough bionicle fic to get it out of my system (unless another plot bunny hits me like a cannonball, but... eh, we'll see) and thus, here is the companion piece to the Vakama & Roodaka oneshot.
This time, exploring the scene where Vakama entered the Great Temple, from his side of things! This was also partially inspired by the scene in Challenge of the Hordika where Nokama is almost physically repulsed in trying to enter the Great Temple :)
x
In the tunnels beneath the temple, Vakama must stoop.
At first he shuffles, mutated arm tucked against him and his sole hand brushing only briefly along the floor to steady himself, but the passages are dark and deep and lined with creatures which seek out the weak. The eyes that watch him are not hungry. They keep their bellies too full for that.
In the end, it is easier quicker to drop to all fours, to share the weight between claw and tool that feet alone cannot. His altered form folds into the new stance with frightening familiarity. It's comfortable.
Natural.
The crown of his mask grazes the tunnel's ceiling, but only in passing. His gait is sure. Well. Surer than the ungainly slouch it had been before.
It was said – back when Matoran were awake to say such things – that even the strongest swimmers of Ga-Metru would hesitate before plunging into the depths of the protodermis sea. Not because the creatures there had any fondness for the taste of Matoran. In truth, it was thought that the rahi actively disliked the flavour. No, it was because the way Matoran swam was indistinguishable from the rahi's usual prey. Only when they had sunk tooth and jaw into their meal would they realise their mistake.
It was an annoying, if harmless mistake for the rahi.
Matoran couldn't say the same.
Vakama's early crawl through the passage had been like that of a Matoran swimmer: functional, but slow and indiscernible from wounded prey. Creatures drag themselves down into these depths to die, in hopes that they will be devoured only when they are too far gone to feel it. The eyes are patient. They will wait to see if this newcomer is similarly inclined.
And so when Vakama drops to his haunches, the eyes blink. Reassess. He moves less like the hunted and more like the hunter now, more predator than prey, and the eyes – and teeth – keep their distance after that.
The path Vakama stalks through was once a protodermis pipe, made obsolete even before the cataclysm. Newer conduits had been built, more efficient, more resilient, and this one had been disconnected but never dismantled. When he reaches its origin, it takes some effort – and his blazer claw – to break the seal across the hatchway, but when he does, one of the temple's protodermis purification chambers looms above him.
The room beyond is quiet.
Unmarked.
He doesn't realise he's stopped until the chittering of his audience draws closer. The snarl he throws back echoes off the pipe's walls, and the eyes retreat, but do not leave.
Vakama curls his hand around the lip of the hatch, and then falters.
Something is wrong.
It's not a pain, because the feeling does not hurt as it ought, but something is undeniably, fundamentally wrong. It causes his breath to catch, his hand to flinch, and it would be so easy, so easy, to turn and walk away, only...
Only he came here for a reason.
The wrongness flares, amplified for a moment, and then he pulls himself up. The eyes watch, but do not follow. Do they feel it too? Can even such base creatures sense the innate malice the temple exudes?
He clambers out of the purification chamber – empty and abandoned now – and stumbles upon his landing. He catches himself, but does not rise back to his feet.
Wrong.
This is wrong.
And at the edge of the wrongness there is a strange sort of terror. It dreads the same way the fire fears the sea, the same way the prey fears the predator; it is the meeting of two primally antithetical forces where only one can survive. It whispers turn back through his mind.
He moves into the next room.
It's one he knows well. Light filters down from the rot-stained windows, centering – as it had the day he'd first seen it – on the suva, and casting long sentinel shadows of the columns standing to attention around it. A crack mars the suva, its stone dome now split cleanly in two from the quakes, and – drawn by some desire he cannot identify (instinct, curiosity... nostalgia?) – he approaches.
It seems so small now. Even bowed and altered in his Hordika form, he looms over the Ta-Metru symbol he'd once had to stretch to reach.
Unbidden, his hand moves to the niche where once he'd placed a Toa Stone – where once he had though himself chosen, duty-bound, destiny-gifted – and falters a breath from the stone.
The wrongness spikes.
Screams.
And with a twist of something he will not call horror, he understands it is not originating from himself.
But from the temple.
It is repulsion. It's alienation. It's recognising him, but as other, as rahi.
It's disgust that a monster would dare enter its sanctuary.
In the Ta-Metru carving, stone once polished to the point of fragmented reflection, he sees a glimmer of his own face. Neither Toa nor Matoran. Nothing blessed by Mata Nui.
Vakama recoils.
And then a wave of his own disgust, propelled by that fury that runs so close to the surface now, rolls through him. If you didn't want us as the Toa, you should've stopped Makuta from choosing us, he thinks, and digs his claws into the stonework.
The wrongness sings.
But he knows it for what it is now, and his morphed, clawed hand gorges scars through the carving. The stone is soft. Its makers had never imagined someone would take a blade to it.
There comes a tapping from across the room, echoing brazenly off the ancient stone walls, and Vakama retreats instinctively into the shadows. A Rahaga enters.
Norik?
No, this Rahaga's armour is more akin to a Po-Matoran than a Ta-Matoran's, the colour of dust and stone. Vakama tries to recall the Rahaga's name – and then dismisses the attempt.
It won't matter, in the end.
The Rahaga walks as he always has, stooped and slow, but clearly unhindered by the temple. He passes by the suva and runs one gnarled hand across the stonework, his movements marred by curiosity rather than reverence.
The rage arrives a fully-formed creation. It drowns out the wrongness, floods the apprehension, and he is moving before he's decided that this is the path he wants.
It is not pain, for it does not hurt as it ought.
But it does still hurt.
x
Whatever the Rahaga might once have been, they are old and weak now. Four are captured before Vakama's rage has a chance to cool, but the ire is no less dangerous when it does.
(That's the thing about Ta-Metru; it's not a place of fire so much as it is of magma. And magma doesn't extinguish with the cold; it sets. It moors itself into place, an unmovable, burning force.)
The rage settles, solidifies around his heart and lungs and carves a home between his breaths.
(Magma is not fire. It does not leap blindly from one source to the next. Instead it advances. Slowly. Steadily. It finds a channel, a destination, and it engulfs all in its path until it reaches it.)
He finds the last two remaining Rahaga, pathetically ignorant to their brothers' fates and still scavenging the temple for answers. He hears the way Norik appraises his sister's translation, relief clear in his voice that they are one step further on this wild rahi chase. Relief, surely, that the Rahaga are one step closer to regaining their Toa form.
(And Vakama's anger has found its destination.)
He does not descend on the Rahaga's leader the way he has the others. No. Norik will know what's coming for him first. He gets to fear. Vakama waits until Gaaki has gone, until Norik is alone, and then he circles. The wrongness thrums in his veins, weighing him down and labouring his breaths. It doesn't matter. Let Norik hear his approach.
Norik doesn't try to run. Vakama will give him that much. (A wise choice. Vakama intends for this encounter to last, but if Norik runs, Vakama cannot be sure he won't chase.) Instead, the malformed once-Toa calls out and actually tries to approach him. Stupid. Doesn't he know that he won't win any fight, transformed as he is? As both of them are? No, instead, he tries to talk. As if they are equals, as if Norik has done anything to deserve his respect rather than his scorn. As if he has earned the temple's forgiveness for his trespassing.
Even when Vakama raises the fate of Norik's fellow Rahaga, Norik attempts to sway him with the illusion of reason, talking of duty and unity, as if he's not using the other Toa Hordika to chase after a rahi myth for his own desires. As if their roles are in any way comparable, both Toa of Fire once, both leaders, it's true, but Vakama hasn't forgone his duty to chase after selfish needs.
And it stops now.
Vakama circles closer, and Norik is still talking, unease in his voice, but not fear. Still searching for the right words to turn Vakama to his bidding as he has the other Toa Hordika. Ever the voice of two-faced logic.
Why won't he just shut up?
Does Norik think him to be as gullible as the others? As quick to desert his duty as them?
And Vakama knows he wants – needs – to shake that assurance, that arrogance out of Norik. Needs to see that facade of self-righteous wisdom crumble into the terror of his situation.
The growl begins deep in his chest and, unleashed, it becomes a roar. He rears out of the darkness, into the weak sphere of light surrounding Norik – and there, there he finally sees true fear fill the old fool's eyes.
Something slams into Vakama and he reels, his roar cut short. His hand reaches automatically, defensively, to his mask. He finds only water there. It clings to him, imbued with some sort of power – he can feel something other in it – but otherwise impotent.
"Leave my brother alone," Gaaki snarls. She stands in the doorway, small and hopelessly overpowered, but her shoulders are tensed with a stubborness Vakama recognises. Already, her spinner is powering up for another shot.
Well. Two can play at that game.
Vakama's rhotuka fires into motion, but the water has seeped into the mechanism, and dowses the fire before it has a chance to catch. He gives it a withering look, before turning the expression onto Gaaki. "Very clever."
Another water spinner hits him, but this time he is braced for it and all it does is wash harmlessly off him.
"Is that all you have?" he asks. His blazer claw splutters, but the claws on his hand flex. After all, there's more than one way to defang a muaka...
Gaaki steps back. Good. She knows she's outmatched. "It's a devastating attack underwater," she offers, and her words are strong but there is a cracked edge to them.
"Then you'd better start finding a puddle," Vakama growls, "before my claws find you," and he drops into a run, feet pounding and fangs bared and that ever-present wrongness humming about him.
She doesn't flee. Just like Norik, she stands her ground, gnarled fingers wrapped tight around her staff. Her eyes are hard, but he sees the way her hands shake.
How long will her resolve last, Vakama wonders. Before or after the claws find their mark?
He never finds out.
He's knocked off his feet before he reaches her, and when he hits the ground, ropes of energy pin him to the earth, like a water-bound rahi caught in a net.
What–
Norik.
He'd forgotten Norik.
He thrashes against the restraints, but they hold strong – for now. His blazer claw splutters again, but it does nothing to the energy that binds him.
He stills as he hears footsteps approach.
The two Rahaga hobble into his line of sight. Gaaki is breathing hard, as if only now is she allowing herself to feel the fear. "You left that late, Norik," she says, and even the breath that follows sounds more like a shaken wheeze than a nervous laugh. "Almost too late."
"I only had the one shot. I couldn't afford to miss," Norik replies. "He's got our brothers. Gaaki, go find–"
"I'm not leaving you alone with him," she retorts. "I only went for a moment before, and look what would have happened if I hadn't returned."
Vakama tilts his head as well as the energy net will allow. He grins at the Rahaga, anger curdling it into a sneer. "Yes, Gaaki, you're very good bait, congratulations." He shifts his gaze to Norik. "But you've always been so good at getting others to do your dirty work, haven't you, Norik?"
Norik doesn't even have the decency of guilt. Instead, he simply looks tired. "Whatever you think you know–"
"I know the truth! You don't care about the Matoran, you only care about yourselves!" He strains against the ropes, and although they do not break, there's a little more give in them than before. He slumps back to the ground, breathing hard. "You might have the other Toa fooled. You might even have the temple fooled, but not me," he growls, and the temple's hatred presses down on him, straining his last words.
Gaaki places a frail hand on her brother's arm. "Norik," she says, and there is such unbearable sorrow in her voice. "He looks in pain."
"It's not my doing," Norik assures her softly. "My snare spinner only binds."
Vakama snarls. "I don't need pity from the likes of you. I know what you are."
"We're allies, Vakama," Norik says, in that insufferably reasonable way of his. "Friends."
"You're frauds," Vakama snaps. He twists against his restraints. They slacken, just a touch. "Liars. You don't deserve to walk these floors."
And the Rahaga stand there, unburdened by the temple's hate, strangers to this land, to Metru Nui, and yet it is Vakama the temple repulses? After everything he has forgone, the life he's abandoned, the friendships he's lost, Mata Nui punishes him?
His rhotuka fires off a fire spinner, and it goes wide, cracks a wall. Norik and Gaaki stumble back, Norik preparing another snare shot, but the energy net holding Vakama snaps. Vakama lurches forward, suddenly free, and slams into Norik.
The snare spinner wraps itself around a column. It lights up the room with crackling energy.
A blast of water grazes past his shoulder, too shy of hitting Norik to commit to taking the easy shot, and Vakama reels towards Gaaki. He fires with a snarl, but hears the snare spinner coming again and ducks at the last moment.
Again his own attack misses and the shot cleaves clean through a wall. Something on the other side begins to smoulder.
Then it begins to rumble.
It's a low sound at first, as deep as the earth and just as vast. Almost like a distant growl. But then the cracks begin to spiral out across the roof, along the columns, and the room buckles.
The light flickers. The frames of the high windows above collapse.
The world becomes fragmented, filled with flickering images. Falling masonry and toppling pillars and dust – but the sounds never relent. Even in the depths of the passing darkness, the thunder continues.
And when the dust settles, so does an awful silence.
Vakama straightens, or does his best approximation of it. Fragments of cracked protodermis fall from his shoulders, his head, his back. He withdraws the hand which has somehow found itself raised above Gaaki, knocking aside the stone slab caught against his arm.
Where's Norik?
Both Hordika and Rahaga stand side by side, that quietness disturbed only by the skittering of stone shards settling. There is wrongness in his breath, his head, and it's impossible to separate where the temple's ends and his begins. But any moment now, Norik will reappear from the wreckage, bearing that ever-same holier-than-thou look, and the anger will rise anew in Vakama.
Any.
Moment.
Now.
"You've killed him," Gaaki says, and her voice breaks that terrible stillness. She draws in a half-breath that cracks into a sob. "You've... oh, Norik..."
No.
No, it was an accident. He hadn't meant to– Norik had simply been in the wrong place. It wasn't as if he'd taken a blazer claw to Norik, or hit him directly with a fire spinner. He'd only meant to... what? What had he only meant to do?
Something swings towards him and he grabs the staff before he even registers what it is.
"He's not dead," Vakama says, and maybe if he says it, he might even believe it. He snaps his gaze to Gaaki, as if her grief is bringing it to pass. "He's not. He's not as easy to kill as that. When the others– when the Toa find him, he'll be fine. Fools like him always find a way to survive."
Gaaki attempts to pull her staff free, but her strength is no match for Vakama's. He wretches it out of her grasp and tosses it aside.
"Stop that."
She doesn't listen to him, only steps back and charges up her rhotuka. The grief in her eyes fogs into hatred.
The water spinner hits him but does little more than rock him.
"Stop."
Gaaki screams, a sound of rage and anguish, and releases a volley of spinners as ineffectual as the first.
Vakama's patience – or whatever had held him in place until now – snaps. He lunges forward. His claws close around the joints of Gaaki's rhotuka and pins the mechanisms harmlessly into place, in the same manner one might pick up a baby ussal crab by the widest edge of its shell. She thrashes, but Vakama's grip holds.
"I said, stop," he snarls.
She's breathing hard, her gasps sharp-edged with agony. "You killed him," she says, voice hoarse and hateful.
His insides twist, and – Gaaki hauled by his side – he starts the ascent to where the rest of the Rahaga are trapped. He doesn't look back to the rubble. Doesn't glance for one last glimpse of Norik's resting place.
He's not dead. He's not dead he's not dead he's not
The wrongness, the hatred, has woven so deep into him, it's almost a part of him now.
Toa don't kill. Vakama can't remember who taught him that (he recalls, briefly, the flash of a gold mask, but it comes with pain – grief – and he pushes it aside before it can take root) but it gnaws at him like a trapped stone rat. Toa don't kill.
But he was never meant to be one.
And if the Great Temple – if Mata Nui – thinks a mistake was made in Vakama's destiny....
Well. That's somebody else's problem.
x
The Hordika that returns to Roodaka is different from the one she sent out. There's something new in his eyes... or perhaps something lost.
"How was the temple, Vakama?" she asks when it's just the two of them.
He looks to her. Beneath the anger, beneath the rahi, there's almost a haunted look to those eyes. It vanishes a moment later, but Roodaka never doubts her own eyes.
"Unwelcoming," he replies, and Roodaka smiles. She could have suggested Vakama pick the Rahaga off one by one in the chaos of Metru Nui, outside where her Visorak could have been an aid... but the temple had been too good an opportunity to miss.
"Good." She sets a hand on his shoulder. "You owe no loyalty to Mata Nui, Vakama. Not anymore."
He rolls his shoulder, but not sharp enough to dislodge Roodaka's hand.
"One thing I do not understand," she says. "What happened to the sixth Rahaga?"
The Toa growls. It is a gutteral sound, rooted deep in the chest and at home in a way it wasn't before. "You wanted a message left for the other Toa. I needed a messenger."
"Alive?"
Vakama shrugs his shoulder again, and this time she lets him roll her hand loose. "Does it matter, so long as they understand?" he growls.
No, Roodaka concedes as she surveys the remains of the Toa before her. She supposes not.
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theskeletoninthegarden · 11 months ago
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I'm in one of those weird creative ruts where I have an idea, and some threads of what could happen, but I have no idea how to start it
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