#but thanks for caring!

[kochei0]

I turn to Ares.

Thanks to Tyler Miles Lockett who allowed me to draw inspiration from his ARES piece for page 2! Look at his etsy page it's SICK

⚔️ If you want to read some queer retelling of arturian legends have a look at my webtoon

[shadowtraveled]

"mithrun is the only real monsterfucker in dungeon meshi" is objectively the funniest bit you can get out of his everything, but in all seriousness i think his attraction to his love interest is deliberately overstated—and that makes sense, because romantic jealousy is a classic and digestible motive, which is explicitly what kabru was aiming for in condensing mithrun's backstory, and also because until chapter 94, mithrun wasn't willing to admit to the true nature of his desires.

but because romantic envy is both classic and digestible, it probably isn’t a unique enough or complicated enough desire to tempt a demon’s appetite. mithrun’s wish, as far as we can figure from kabru’s reduced retelling, was to have a life in which he had never become one of the canaries, and that carries like 3857 implications and desires within it. that’s delicious. his love interest acts as sort of a red herring to his motivation for making it, though. (side note: i'm saying "love interest" here because, keeping in mind that i barely speak japanese on a good day anymore, "想い人" is something i'd usually take as just kind of an old-fashioned and romantic way to refer to a lover, but in context i wonder if both the connotation of yearning and the vagueness are intentional, and i think this phrasing gets those aspects of it more effectively. anyway.)

mithrun considered his love interest to be untrustworthy. there was a minute where i thought that comment might be about a similar-looking elf (yugin, one of his squad members), but comparing the two…

the "sketchy" arrow is definitely referring to the elf we know as his love interest—the bangs go toward her right, she only has the one forehead ornament, and, most notably, her ears aren't notched.

every time she’s given a full-body depiction in his dungeon, she’s drawn as a chimera, with the body of a snake from the waist down. (side note: the “what if a dungeon has chimeras before reaching level 4?”/“then the dungeon lord is unstable” exchange just being mithrun grilling his past self alive is so funny. he’s so. but anyway) there are a couple things about this.

first, the snake part of the chimera appears to be modeled after some species of coral snake mimic

which, in the biology-for-fun manga, i… doubt is a coincidence, especially with the added context of the “untrustworthy” comment. the dungeon’s conjured illusion of mithrun’s love interest was a harmless copycat of a venomous original. for whatever reason, he felt this person was a threat and made up a "safe" version of her to be in a relationship with, and while it’s definitely possible to be attracted to or even love someone you find to be toxic and/or intimidating, when you take that into consideration alongside the configuration of her body, you get some interesting implications.

which brings us to our second point: if we assume that mithrun was not in fact fucking a snake, then sexual attraction, at least, was so far removed from his idea of a relationship with this person that he did not even bother to keep her dungeon copy human enough to maintain the illusion of the option of a sexual relationship. this is somewhat echoed in the depictions of their interactions, which also imply a frankly unexpected romantic distance. she kisses his cheek and he doesn't seem to react; she's at the edge of a narrow bed with only one set of pillows, on top of his blankets while he's underneath them.

the kiss is particularly interesting because it seems to contrast the text. kabru's narration tells us this was everything mithrun could have asked for, but mithrun is there looking unreadable to pensive, likely because this is right before the panel that makes it clear things in the dungeon are beginning to go wrong.

walking through this backwards for a minute, we have the physical barrier of his bedding and the spatial separation inherent in a bed made for one person, the emotional barrier of his mounting anxiety getting in the way of his ability to enjoy the affection he sought, and... the snake, which historically carries the connotation of temptation, yes, but also mistrust, barring physical intimacy. okay. ok. if a dungeon reflects the mentality of its lord, all of this might suggest that mithrun was not able to have any real desire for a relationship with this person. his unwillingness to be vulnerable or let another person in was insurmountable. but in that case, why was she such a focal point that she remained to the end, after his dungeon had stopped creating iterations of his friends to come and visit him? why would he get so upset over her meeting with his brother that he became lord of a dungeon about it?

well. mithrun's brother was also interested in her, probably genuinely. and mithrun had to win.

you have an older brother who your parents completely ignore, probably in part because he is chronically ill/disabled and almost definitely in part because he received a ton of recessive traits that resulted in rumors that he was an illegitimate child. you are aware, most likely because those same parents fucking told you, that you actually are an illegitimate child. but they keep you around because you had the good fortune of looking just like your mother. what can that possibly teach you but that you, like your brother, are disposable?

it's utterly unsurprising that mithrun, under these circumstances, developed a pathological need to be better than everyone around him. people don't keep you otherwise. i'd argue this is also why he says he looked down on everyone he knew while milsiril claims his dungeon reeked of feelings of inferiority—he sought out people's worst traits and prioritized them in his mind to protect his already extremely fragile sense of self-worth, and all the while he tried to be as likable and high-performing as he possibly could be. his parents disposed of him anyway, but even then he tried to keep up the performance. he was kind to everyone. he never once lost to a dungeon.

when he saw his "love interest" meeting up with his brother, what he saw was himself being replaced by a person his parents had always treated as worthless, and if that was what they thought of the child they'd kept, what value could anyone possibly see in the bastard they'd given away to die? mithrun and kabru tell the story like he wanted to win this unnamed elf's heart, but it was never about being with her. it was about cementing his worth, proving that he didn't deserve to be thrown away.

and so it's particularly cruel that his demon discarded him, too. but maybe it's also particularly gentle that, in the end, there was someone who refused to even consider giving up on him.

kui laid it out in three panels better than i could hope to.

yeah. it's love. you wanted to be loved, even when the only way you were able to understand it was through the desire to be wanted, and you wanted that so badly that the idea of being consumed felt like the promise of finally mattering to someone.

[dizzybizz]

he's wasting perfectly good coffee 🙄

[bewarethecircles]

Neil Gaiman: "in season 2 the fan-favorite angel/demon couple will fall in love, overcome great adversity, and eventually defy heaven and hell to run off together to the stars :)"

Fans: "cool! I can't wait, does Aziraphale confess first or does Crowley?'

Neil, holding Gabriel and Beelzebub figures and making them kiss: "Does who do what now?"

[bi-writes]

who to call to clean up after an "accident" than your sick and twisted military boyfriend? :D (dark!ghost x dark!fem!reader, 18+)

cw: dark!reader, dark!simon, horror movie vibes, graphic depictions of character death/murder, unhealthy relationship dynamics, one slip of daddy, smut, unprotected piv, simon "spit in my mouth" riley, reader and simon are kinda psycho :D

you've been so nice to her. really nice. you've let it slide off your back whenever she doesn't do her dishes. you pretend you don't notice when she borrows your shoes from the hallway and wears them out to dinner. you hide yourself in your room when she has her awful, loud guests over, and you have never once said anything about how she takes her sweet time in the shared bathroom in the morning and makes you late 2 days a week for work.

but this? this?

she needs to keep simon's name out of her fucking mouth.

"excuse me?" you say finally. your roommate is shrugging on her jacket to leave, her purse in her hand as she types on her phone, using it as a way to not make eye-contact with you. her long nails are tapping against the screen, and it feels like fucking drip water torture. "what the fuck did you just say?"

she sighs, irritated, rolling her eyes as she keeps tapping away at the screen.

"you're so dramatic, it was just a fucking joke."

"you know, i let a lot of things slide," you laugh, humorlessly, and you cross your arms over your chest as you follow her into the kitchen. "but you need to be careful what you say."

"i don't do anything except call it like i see it," she says, tossing her hair over her shoulder and looking at herself in the reflection of the mirror hanging on the wall. "you need to just...go out more. man like that isn't gonna stay for long if you don't give him something to go for. he's bored, you know. when you have him over here all the time. and i've totally caught him peeking at me after i shower, y'know."

"well why the fuck are you wearing nothing but a towel when my boyfriend is here, anyways?" you snap. "he's trying to be polite, he's a guest. what if i wore a fucking towel when you had your guy friends over?"

she laughs, poking at the edge of her lip to fix the gloss of her pout. "trust me, honey, no one's looking at you in a towel."

you step back, a little shocked. she rolls her eyes again, sighing.

"i didn't--"

"are you kidding me?" you retort. "you're the worst fucking roommate in the world, and i put up with all your bullshit, and now you're going to go so low as to insult the way i look just to make yourself feel better?" you make your way around the kitchen island. "you don't wash your fucking dishes, you steal my fucking clothes, you're always late on your rent so i have to spot you--"

"you know what, just because i'm fucking happy, and you're not, doesn't mean you have to take it out on me!"

"i am happy, you sorry bitch!" you cry. "i'm so fucking happy, you're the only thing in my life making me constantly miserable!"

"oh, shove it up your ass, you ungrateful little shit!" she snaps. "you're just so fucking insecure and hate me so badly just because simon would rather fuck a girl like me than have to spend another minute with--"

the crack of cast iron against her head shuts her up. it dents the side of her head easily, and her face smacks against the countertop before she crumples to the floor.

it's so fast. one minute, she's yapping, high-pitched voice straining your ears. the next, she's silent.

and she won't say simon's fucking name again.

you watch with bated breath as she folds into herself, her head hitting the hardwood last, a slow puddle of blood beginning to grow under the tendrils of her hair as your eyes move to the heavy pan you're still holding in your hands.

fuck, that's a lot of blood. god, you thought she was just full of fucking air.

you drop the pan once the rush of anger leaves your chest. it thunks onto the ground, and your hands shake as you see the specks of blood that are on the back of your hands, sprinkled over the shirt you wear. it stains your bare legs, even your toes, and you don't even want to look at the spray of it along the counters.

you should be crying, you think. you should feel bad. you're trembling a little, but you think it's just the adrenaline beginning to fade and not the guilt you know is supposed to be racking your insides.

you turn your eyes back to her. her eyes are dull. she doesn't move. it's so quiet now, utterly silent, and you take a deep breath as you take in the silence that you've craved for a long while now. you make your way quietly out of the kitchen, stepping over her body before going for your phone that sits on the coffee table in front of the couch.

you keep your eyes on her as you put your phone to your ear. it rings, and you tilt your head to the side as the blood begins to spiderweb under the kitchen table.

"'ello?"

you blink, looking towards the door. you clutch your phone a little tighter to your ear.

"simon?" you say softly. "a-are...are you busy?"

he hums lowly, chuckling, "no' at the moment, swee'eart, why?" he asks. "mmm...missed y'r voice..." you close your eyes as you hear the buckle of his belt. you try not to picture your giant of a boyfriend leaning back on his worn couch and shoving his jeans low enough to fuck his fist. "tolk t'me, luv...tell me 'ow much ya miss daddy."

you clear your throat gently, willing yourself to ignore the soft squelch of what you know is his hand around his cock, to not let it distract you from what's more important. "uhm...i liked the flowers you gave me, simon. t-they were beautiful."

the sounds on the other end of the phone quiet. you hear shuffling, and then a few moments later, the clink of his car keys.

"tha' right, baby?" he asks, and you close your eyes as you hear the front door of his flat opening. he's already on the way, already coming.

"yeah," you sniffle. "really nice sunflowers."

a yellow flower. he huffs on the other end of the phone, breathing a little easier.

"good girl," he murmurs, and then the line cuts. you set the phone down, making your way back to the kitchen and taking a seat at the table. you watch as the blood continues to curl over the floor. you make no attempt to help her; you just swing your feet under you as you look at her spoiled outfit, just grateful she isn't wearing your shoes or one of your jackets. you would hate to have to throw something out that she got all dirty.

there's a curt knock at the door ten minutes later, and then it opens. simon shuts the door behind him, cracking his neck by moving it from side to side before narrowing his eyes at you. you bite your lip, blinking, forgetting suddenly why he is here when he looks so fucking good. he's got a sweatshirt on under his windbreaker, worn jeans tucked into his boots; you like these jeans, his ass looks incredible in them.

"wot happened?" he asks. you stand, remembering your place. your lip starts trembling, and simon's eyes soften just a little. he's wearing his balaclava, hood up over his head and jacket zipped up, shadowing any true expression on his face. his gait sounds heavy as he lets his hands out of his pockets, coming towards you. when he steps into the kitchen, his eyes dart towards your roommate who's still on the floor, laid out unnaturally just by the oven.

he lets out a low breath, clicking his tongue under the mask. you hold your breath as you wait for his reaction.

"bloody hell," simon mutters, reaching up and throwing his hood off. you wring your hands together nervously, your eyes beginning to sting with tears. you brace for the accusations, for the inevitable terror of facing the music. simon is military, for fuck's sake, why the fuck did you think turning to him would be a good idea?

"i...i-i--" you start, looking up at him, and he holds up a hand, taking the side of your face into his palm before smoothing a gloved thumb over your bottom lip. you blink in confusion, not understanding.

"'s olright, baby," he shushes you, shaking his head. "don't cry."

"simon, i--" you sputter a little, gripping his wrist gently. "i just--i couldn't do it anymore, she just--"

he pities you. maybe you can explain. maybe if you tell him a warped story of what happened, he can help you. he must know someone. he must have important friends, he must--

he uses his free hand to move his mask up over his nose, and you lean into him when he bends, kissing you warmly. your eyes flutter shut, and you shuffle closer as he kisses you sloppy, kisses you hot. you mewl as he slips his tongue into your mouth, licking over your teeth and humming low as he pulls away. his eyes are flashing.

mmm. love.

"hmm..." simon licks his lips, smiling a little. he looks over you, almost pensive, his eyes scanning over your face before he settles back on your eyes. it's tender, the way he looks at you. romantic. "let's get this off of ya."

he reaches for the large shirt you are wearing, pulling it up and over your head. he crumples it into a ball before tossing it on top of your roommate, nodding his head behind you.

it's then that you realize simon isn't going to do the noble thing. he isn't going to call the police. he isn't going to turn you in, make you explain, he seems uninterested in knowing what really happened. no, he already knows what happened. but that's not important.

his pretty, perfect girl got into a little trouble. and he's going to make this go away.

"go on, luv. take a nice shower, yeah?" simon turns you around and pushes on your back gently. you suck in a shaky breath when he fondles your ass, pulling on your panties gently. "mmm...take these off, too."

you slip your panties down your legs, handing them to him.

"they have blood on them, too?" you ask, wiping your face, and he chuckles lowly.

"nah," he shrugs, stuffing them into his back pocket after taking a little sniff. "these are just for me."

jesus fucking christ, there's really something wrong with him. there's something really, really wrong with him.

and something wrong with me.

simon looks you up and down, his eyes catching on your naked body for just a few moments before he nods his head again.

"go on," he tells you. "before i get distracted." you pause for a moment, tilting your head back a little as he reaches out and cups one of your breasts in his big hand. you bite your lip, swallowing back a heavy breath as he flicks his thumb over your nipple gently. "greatest tits 've ever seen," he mumbles, scrunching his nose under the mask before he lets you go. "yeah, go on, baby." it takes everything in you to walk away when you see him reach down with that same hand and grip his bulge through his jeans, adjusting himself as he turns back to the mess in the kitchen.

when you shut the bathroom door behind you, you hear shuffling in the living room. the coffee table scraping. the couch being pushed. the rustle of the rug you have there. he grunts a little, and you hear his boots track from the kitchen back to the living room.

you turn the water on hot. you decide to take a bath, not looking at yourself in the mirror as you sink into the tub and plug the drain. you make the water scalding, and it soothes your sore muscles as you rest your cheek against the edge of the tub and stare at the door.

you're not sure how long you stay there. long enough for the water to nearly slosh over the edge of the tub and for simon to swing the bathroom door open, seemingly done with his...tasks.

he's taken his sweatshirt off. just a black t-shirt tucked into jeans, and there's a slight pant to his breaths that tell you he's exerted some energy. you notice he has his gloves still on, but before he touches you, he takes them off and tosses them into the sink.

"move over," simon mutters, starting to undress. you look up at him as he undoes the button on his pants, shucking his shirt off and into the corner before dropping his jeans. the water swishes as you sit up, and you swallow hard when simon kicks his boots and pants off, his cock hanging heavy as his mask is the last to hit the floor.

fuck, he's so pretty.

he has no regard for his size. he simply steps into the tub behind you, taking a seat. he looks comically large in your small bathtub, and you squeak a little as the water spills over the edge of the bath and wets the floor. he hums as he feels the hot water on his back. you don't say anything as his hands start to turn the water a little red. you just look up, away, at him.

you shuffle between his legs, tucking yourself into his space. you can't help but look him up and down, admiring his naked physique. he's just hot. big arms, thick thighs, sunburnt tattoos and scars cutting across his face. he hasn't shaved today, so there's some stubble along his jaw, but your eyes focus a little too much on his girthy length, heavy as it sits on his stomach and leaks a little there. his fat stomach, all solid and pudgy, such a nice place for you to rest your hands.

"you did good today," simon says finally. you look at him, and he tilts his head to the side. his approval makes your chest warm. "callin' me like tha'. wot a good girl you are."

keeping quiet on the phone is what he doesn't add out loud.

you purse your lips, trying not to keen at the praise, but it's hard not to when he reaches over and slides his hand over your shoulder, thumbing at your jaw.

"i-i didn't...didn't know what to do," you admit, and he clicks his tongue, shaking his head. you didn't know what to do, so you called him. level-headed enough to not do something rash and call someone else, no, you called him.

"mmm...tha's wot i'm 'ere for, luv," simon soothes you. "made such a little mess..."

you close your eyes. it's sick. deranged. fuck, it feels nice.

why don't i feel anything?

"i know. i'm sorry."

"nothin' ta be sorry about."

you slump into his arms, resting your cheek on his solid chest. you can feel his cock pulsing against your tummy, and you adjust yourself in the water, straddling him as you rest your chin on his pecs and look up at him through watery eyes.

you aren't sad. no. not sad at all. simon has shown you what he will do for the you. the lengths he will go. what he'll forgive just to take care of you. he's so capable, so understanding.

sick. twisted. mine.

"then i'll just say thank you," you mumble, grinding your hips slowly. simon hums, a wicked smile coming over his scarred face. he licks over his bottom lip, big hands gripping you by the fat of your hips as you grip the edges of the tub for stability. "say thank you to my big, strong man for taking such good care of me..."

he chuckles, his eyes lowering, watching your tits sway as you fit your pussy over his length and grind down on him.

"tha' so, baby?"

you nod.

"mhm," you whine. "how can i thank you, my big boy? how can i show you how grateful i am for cleaning up after me, hmm?" you bend at the waist, kissing him wet and warm, and he hisses as you suck his tongue into your mouth. he tastes like cigarettes, and normally you would curse him for it, but right now it tastes so much like him, and you lick around his teeth trying to taste more of that sweet nicotine.

"fuck--such a naughty little girl..." he snickers, reaching down. you sigh when he slides his big palms over your ass, forcing you to grind slower, the tip of his cock sliding through your folds leisurely. you grip the edges of the tub tighter, pressing down to give you more leverage to grind down harder. "make such a mess, oll the time..." you gasp when he presses into you just enough, the tip breaching your entrance and forcing you to squeeze around him, your cunt trying to suck him in. "olways needin' me ta pick up afta ya..."

you giggle, sliding your hands up his chest, gripping his shoulders for leverage as you sink down onto him. he grits his teeth as you do, his eyes focused on the way his cock disappears inch by inch until you're seated down in his lap, his length kissing deep and twitching excitedly. he always feels like a teenager again whenever you fuck--like you're the first pretty girl to ever wet his cock.

you cup his cheeks finally, smoothing your thumbs under his eyes as you bring his gaze up to meet yours. you swallow hard, looking down at him.

"i-i love you, simon," you breathe. he stills underneath you, his jaw clenching as he frowns just a little. you come a little closer, nuzzling your nose against his, your thumb falling to trace the outline of his torn lip. "i should've said it a long time ago...i-i..."

"heart's beatin' out y'r chest, luv," he mutters lowly. "'s olright...'m not goin' anywhere."

it's so disgusting. you should be fucking ill. you should be scrambling to the toilet, your breakfast halfway up your throat. you should be crying, emotional, begging simon to tell the cops that it was all your fault, because it is. he should've come here and made you do the level-headed thing and confess your terrible crime.

he shouldn't be here, sitting underneath you in your tub, cock-deep inside of you after helping you commit murder and then fucking clean it all up.

"what did i do?" you gasp, sitting up. you move to get out of the tub, but simon growls, putting two firm hands on your ass and shoving you back down on his cock, making you cry. "w-what did i do? s-simon, why don't i feel bad, why am i not sorry--?!"

simon tsks, feigning comfort. he juts his bottom lip out into a pout, mocking your little cries.

"oh, luvvie, don't start cryin' now," he chuckles. "don't start pretending like y'care."

uhm...

"simon--"

"no one likes a liar."

you're still trying to pretend, and he knows this. you're still trying to act how someone normally would react. someone normal, someone who thinks rationally, would never have picked up the pan in the first place. and even if they had, they would've scrambled, cried, picked up the phone and confessed, called an ambulance as they tried to get her to start breathing again, put both hands on her chest and tried to get her wake up.

but you didn't. you watched, unnervingly calm, as she stained the hardwood with her blood. you watched as her eyes glassed over, lifeless, and you watched as her insides began to paint the floor in abstract shapes as you gave it time to spread. and not once during that time, or waiting for simon, did you think to help her.

you didn't want to help her. and you certainly didn't think she deserved to get back up. maybe she hadn't done anything quite harsh enough to deserve death in someone else's eyes. annoying, overbearing, rude.

but it's hard to feel bad when she talked about simon. when she called him by his name. when you've seen her let her towel slip when he's in her vicinity, trying to coax him into her room when you're looking away.

you should've taken one of the throwing knives that simon hides in his boot and thrown it at her then, just for that.

"we're cut from the same bloody cloth, baby," simon says, almost accusingly. you grip the edges of the tub, trying to stand again, but he cants his hips and fucks up into you, drawing a frenzied moan out of you. you reach for his shoulders as he does it again, his tongue darting out before he licks a fat stripe over your pebbled nipple. "'s olright. 's okay, luv. don't worry. don't hafta get y'r hands dirty, swee'eart, i've got it."

"but simon," you whine, but all he does is shake his head. you don't have to put on this morality act for him. you don't have to pretend that you are sorry for something that you had every right to do, you don't have to explain to him why you aren't feeling the way you should be feeling.

simon doesn't care about how you should feel. he only cares about how you actually feel.

"she was in y'r way," simon grunts. "always bein' a bloody brat." he fists your hair and brings your mouth to his, groaning as you tighten around his cock. "'ow many times did she fuck ya over, baby, hmm? 'ow many times did she steal y'r fuckin' things, come outta the loo wearin' nothin' but her fuckin' knickers, yeah? 'ow many times?"

you kiss him, frantic, digging your nails into his pecs and dragging them angrily.

yeah. fuck her. fuck what she did to me, fuck the way she behaved, fuck her stupid face and her stupid attitude and her stupid little games.

"called ya names..." he's hitting your sweet spot now, making you cry from pleasure. your pussy feels so hot, squeezing him because you know he's right, and the way he fucks this time makes you think he really knows what you are and knows exactly how to get you there. "wot a fuckin' twat. deserved every bit o' it, baby."

you meet his eyes, dark and cruel. he's still moving, still holding onto your hips and drawing out little whines, but it's different suddenly, it's more. you nod, understanding.

simon is terrible. no good. his head isn't in the right place, maybe it never has been. you wonder, briefly, if this is what he does when he's at work, if these are the things that he's used to. maybe simon has been in service too long--maybe he doesn't understand that you aren't at war here, that you can't just kill and clean up, that you aren't in the field.

"she deserved it," you whimper, and he grins, all teeth, all mean.

"tha's it."

"she was such a bitch."

"fuckin' right."

"she got what was coming for her."

"nnghhh--fuck, baby, gonna make me fuckin' cum, tolkin' like tha'," he hisses. you practically smack him as you grab onto his scarred face, gritting your teeth as you glare down at him. his lips part, and you spit in his mouth as he fucks up into you, thighs hitting your ass with a wet smack that makes your head spin.

"and i'll get rid of the next bitch that so much as looks your way, simon."

the kiss is searing. hot, blinding, white noise fills your ears as he cums with you, stuffing you full as he cums hard, a pained groan leaving him as he collapses against the porcelain tub with a harsh thud. you follow him, chasing after him, kissing him between heavy breaths as you don't make any effort to move off of him. when simon opens his eyes, he can't help but smile.

he's never seen his reflection without a mirror.

[min-play]

cooldown drawback

[gotchibam]

Rockruff and Houndoom ko-fi doodle for teethcritter!

[catboy-teeth]

ToToDental - Only the Best Dental Care for your Pokémon Companions!

*Don't forget to schedule your Pokémon's annual check-up!*

[cryptcoop]

You're the best, Moira !

[batboyblog]

Things Biden and the Democrats did, this week #16

April 26-May 3 2024

President Biden announced $3 billion to help replace lead pipes in the drinking water system. Millions of Americans get their drinking water through lead pipes, which are toxic, no level of lead exposure is safe. This problem disproportionately affects people of color and low income communities. This first investment of a planned $15 billion will replace 1.7 million lead pipe lines. The Biden Administration plans to replace all lead pipes in the country by the end of the decade.

President Biden canceled the student debt of 317,000 former students of a fraudulent for-profit college system. The Art Institutes was a for-profit system of dozens of schools offering degrees in video-game design and other arts. After years of legal troubles around misleading students and falsifying data the last AI schools closed abruptly without warning in September last year. This adds to the $29 billion in debt for 1.7 borrowers who wee mislead and defrauded by their schools which the Biden Administration has done, and a total debt relief for 4.6 million borrowers so far under Biden.

President Biden expanded two California national monuments protecting thousands of acres of land. The two national monuments are the San Gabriel Mountains National Monument and the Berryessa Snow Mountain National Monument, which are being expanded by 120,000 acres. The new protections cover lands of cultural and religious importance to a number of California based native communities. This expansion was first proposed by then Senator Kamala Harris in 2018 as part of a wide ranging plan to expand and protect public land in California. This expansion is part of the Administration's goals to protect, conserve, and restore at least 30 percent of U.S. lands and waters by 2030.

The Department of Transportation announced new rules that will require car manufacturers to install automatic braking systems in new cars. Starting in 2029 all new cars will be required to have systems to detect pedestrians and automatically apply the breaks in an emergency. The National Highway Traffic Safety Administration projects this new rule will save 360 lives every year and prevent at least 24,000 injuries annually.

The IRS announced plans to ramp up audits on the wealthiest Americans. The IRS plans on increasing its audit rate on taxpayers who make over $10 million a year. After decades of Republicans in Congress cutting IRS funding to protect wealthy tax cheats the Biden Administration passed $80 billion for tougher enforcement on the wealthy. The IRS has been able to collect just in one year $500 Million in undisputed but unpaid back taxes from wealthy households, and shows a rise of $31 billion from audits in the 2023 tax year. The IRS also announced its free direct file pilot program was a smashing success. The program allowed tax payers across 12 states to file directly for free with the IRS over the internet. The IRS announced that 140,000 tax payers were able to use it over their target of 100,000, they estimated it saved $5.6 million in tax prep fees, over 90% of users were happy with the webpage and reported it quicker and easier than companies like H&R Block. the IRS plans to bring direct file nationwide next year.

The Department of Interior announced plans for new off shore wind power. The two new sites, off the coast of Oregon and in the Gulf of Maine, would together generate 18 gigawatts of totally clean energy, enough to power 6 million homes.

The Biden Administration announced new rules to finally allow DACA recipients to be covered by Obamacare. Deferred Action for Childhood Arrivals (DACA) is an Obama era policy that allows people brought to the United States as children without legal status to remain and to legally work. However for years DACA recipients have not been able to get health coverage through the Obamacare Health Care Marketplace. This rule change will bring health coverage to at least 100,000 uninsured people.

The Department of Health and Human Services finalized rules that require LGBTQ+ and Intersex minors in the foster care system be placed in supportive and affirming homes.

The Senate confirmed Georgia Alexakis to a life time federal judgeship in Illinois. This brings the total number of federal judges appointed by President Biden to 194. For the first time in history the majority of a President's nominees to the federal bench have not been white men.

[thatkoiboi]

//WARNING: meltdown, dissociation, spiraling//

I'm proud of you and all your accomplishments! Everything will be okay <3

[sunderwight]

Bingqiu AU where Luo Binghe's the chosen village sacrifice to the evil deity who lives up the mountain.

Normally the village sends maidens, but they've more or less run out of expendable girls of the right age and, ahem, "virtues". So of course Luo Binghe's early life bad luck kicks in. In the wake of his mother's death there's no one to really care about what happens to him, he's fairly pretty, and the village leaders decide that if they dress him up like a girl the teenaged homeless kid should pass well enough. And hey, y'know, he's probably got a hard life ahead for him anyway -- dying in a brothel of some venereal disease or on the streets of exposure or starvation. At least as a sacrifice, everyone else gets to benefit from his loss! And the kid will get added to a shrine and be remembered as a hero! If anything, he should be happy about this!

Binghe is not happy about this.

But he's also a skinny underfed nobody who is easily overpowered, dressed up like a bride, and tied to a post. So. Not much he can do but wait for the evil deity to come and do whatever horrible thing he's gonna do to him.

Meanwhile, Shen Yuan is pretty sure he's been isekai'd into the over-powered hero of some kind of supernatural adventure story? He's not totally sure because he doesn't recognize the setting, but the signs are there. He's got a shrine-like base of operations (though it seems to have become corrupted/ruined, probably he has to restore it somehow), he has a very resilient and handsome new body with spiritual energy of some kind flowing through him, and a very clearly magical sword. Plus lots of neat starter powers! Though it feels like he has other abilities that have been blocked somehow? Probably he has to level up in order to access them.

When he treks out of his "base" and finds what seems to be a distressed maiden, he takes it for his beginner hero mission. The girl claims that she's been doomed to be sacrificed to an evil god. That sounds a little above Shen Yuan's pay grade for dealing with, so he unties her and decides that they had better just get out of the whole region altogether. He already packed up anything useful from his base, anticipating he might get caught up in an adventure once he left, so they follow the river away from the settlement until they reach another one.

While they travel, Luo Binghe tells Shen Yuan about the cursed deity, Shen Qingqiu, who was cast out of the heavens for slaughtering one of his brethren and has apparently being do-who-knows what to maidens from the local village in exchange for his "protection" ever since. Sounds like a real asshole! And also mid-level boss type bad guy at least. Shen Yuan hopes he doesn't have to fight him, but he probably will.

Thank goodness he found Binghe, though! Clearly the helpful little sister type! He's definitely going to require her assistance if he's going to figure out how to navigate this world and level up his skills enough to take on a god.

[dottyistired]

early 1980s to early 2010s is possibly one of the funniest 30-year periods of history to miss out on, especially for a scientist

[poorly-drawn-mdzs]

I'm not going back to Gusu with you.

[First] Prev <–-> Next

[wifelinkmtg]

TUMBLR POST EDITOR WON'T LET ME TITLE THIS POST ANYMORE SO I GUESS THIS IS THE TITLE NOW. WEBBED SITE INNIT

So let's say you grew up in the nineties and that The Lion King was an important movie to you. Let's say that the character of Scar - snarling, ambitious, condescending, effeminate Scar - stirred feelings in you which you had no words for as a child. And then let's say, many years later, you're talking about it with a college friend, and you say something like, "oh man, I think Scar was some sort of gay awakening for me," and she fixes you with this level stare and says, "Scar was a fascist. What's the matter with you?"

The immediate feeling is not unlike missing a step: hang on, what's happening, what did I miss? You knew there were goose-stepping hyenas in "Be Prepared," but you didn't think it mattered that much. He's the bad guy, after all, and the movie's just pointing it out. Your friend says it's more than that: the visuals of the song are directly referencing the Nuremberg rallies. They're practically an homage to Riefenstahl. This was your sexual awakening? Is this why you're so into peaked caps and leather, then? Subliminal nazi kink, perhaps?

And then one of your other friends cuts in. "Hold up," he says, "let's think about what Scar actually did in the movie. He organized a group of racialized outcasts and led them against a predatory monarchy. Why are you so keen to defend their hereditary rule? Scar's the good guy here." The conversation immediately descends into a verbal slap fight about who the real bad guy is, whether Scar's regime was actually responsible for the ecological devastation of the Pride Lands, whether the hyenas actually count as "racialized" because James Earl Jones voiced Mufasa after all. Your Catholic friend starts saying some strange and frankly concerning shit about Natural Law. Someone brings The Lion King 2 into it. You leave the conversation feeling a little bit lost and a little bit anxious. What were we even talking about?

INTRODUCING: THE DITCH

There is a way of reading texts which I'm afraid is pervasive, which has as its most classical expression the smug obsession with trivia and minutiae you find in a certain vein of comic book fan. "Who was the first Green Lantern? What was his weakness? Do you even know the Green Lantern Oath?" It eschews the subjective in favor of definitively knowable fact. You can't argue with this guy that, say, Alan Scott shouldn't really count as the first Green Lantern because his whole deal is so radically different from the Hal Jordan/John Stewart/Guy Gardner Corps-era Lanterns, because this guy will simply say "but he's called Green Lantern. Says so right on the cover. Checkmate." This approach to reading a text is fundamentally 1) emotionally detached (there's a reason the joke goes, oh you like X band? name three of their songs - and not, which of their songs means the most to you? which of them came into your life at exactly the right moment to tell you exactly what you needed to hear just then?) and 2) defensive. It's a stance that is designed not to lose arguments. It says so right on the cover. Checkmate.

And then you get the guys who are like "well obviously Bruce Wayne could do far more as a billionaire to solve societal problems by using his tremendous wealth to address systemic issues instead of dressing up as a bat and punching mental patients in the head," and these guys have half a point but they're basically in the same ditch butting heads with the "well, actually" guys, and can we not simply extricate ourselves from the ditch entirely?

So, okay, let's return to our initial example. Scar is portrayed using Nazi iconography - the goose-stepping, the monumentality, the Nuremberg Lichtdom. He is also flamboyant and effete. He unifies and leads a group of downtrodden exiles to overthrow an absolute monarch. He's also a self-serving despot on whose rule Heaven Itself turns its back. You can't reconcile these things from within the ditch - or if you can, the attempt is likely to be ad-hoc supposition and duct tape.

Instead, let's ask ourselves what perspective The Lion King is coming from. What does it say is true about the world? What are its precepts, its axioms?

There is a natural hierarchical order to the world. This is just and righteous and the way of things, and attempts to overthrow this order will be punished severely by the world itself.

Fascism is what happens when evil men attempt to usurp this natural order with the aid of a group or groups of people who refuse to accept their place in the order.

There exists an alternative to defending and adhering to one's place in the natural order - it consists only of selfish spineless apathy.

Manliness is an essential quality of a just ruler. Unmanliness renders a person unfit for rule, and often resentful and dangerous as well.

And isn't that interesting, laid out like that? It renders the entire argument about the movie irrelevant (except for whatever your Catholic friend was on about, since his understanding of the world seems to line up with the above precepts weirdly well.) It's meaningless to argue about whether Scar was a secret hero or a fascist, when the movie doesn't understand fascism and has a damn-near alien view of what good and evil are.

There's always gonna be someone who, having read this far, wants to reply, "so, what? The Lion King is a bad movie and the people who made it were homophobes and also American monarchists, somehow? And anyone who likes it is also some sort of gay-bashing crypto-authoritarian?" To which I have to reply, man, c'mon, get out of the ditch. You're no good to anyone in there. Take my hand. I'm going to pull on three. One... two...

SO PHYREXIA [PAUSE FOR APPLAUSE, GROANS]

We're talking about everyone's favorite ichor-drooling surgery monsters again because there was a bit in my ~*~seminal~*~ essay Transformation, Horror, Eros, Phyrexia which seemed to give a number of readers quite a bit of trouble: namely, the idea that while Phyrexia is textually fascist, their aesthetic is incompatible with real-world fascism, and further, that this aesthetic incompatibility in some way outweighs the ways in which they act like a fascist nation in terms of how we think of them. I'll take responsibility here: I don't think that point is at all clear or well-argued in that essay. What I was trying to articulate was that the text of Magic: the Gathering very much wants Phyrexia to be supremely evil and dangerous fascists, because that makes for effective antagonists, but in the process of constructing that, it's accidentally encoded a whole bunch of fascinating presuppositions that end up working at cross-purposes with its apparent aim. That's... not that much clearer, is it? Hmm. Why don't I just show you what I mean?

Atraxa, Grand Unifier (art by Marta Nael)

In "Beneath Eyes Unblinking," one of the March of the Machine stories by K. Arsenault Rivera, there's a fascinating and I think revealing passage in which Atraxa (big-deal Phyrexianized angel and Elesh Norn's lieutenant) has a run-in with an art museum in New Capenna. The first thing I want to talk about is that, in this passage, Atraxa has no understanding of the concept of "beauty". A great deal of space in such a rushed storyline is devoted to her trying to puzzle out what beauty means and interrogating the minds of her recently-compleated Capennan aesthetes to try and understand it. In the end, she is unable to conceive of beauty except as "wrongness," as anathema.

So my first question is, why doesn't Atraxa have any idea of beauty? This is nonsense, right? We could point to a previous story, "A Garden of Flesh," by Lora Gray, in which Elesh Norn explicitly thinks in terms of beauty, but that's a little bit ditchbound, isn't it? The better argument is to simply look at Phyrexian bodies, at the Phyrexian landscape, all of which looks the way it does on purpose, all of which has been shaped in accordance with the very real aesthetic preferences of Phyrexians. How you could look at the Fair Basilica and not understand that Phyrexians most definitely have an idea of beauty, even if you personally disagree with it, is baffling. This is a lot like the canonical assertion that Phyrexians lack souls, which is both contradicted elsewhere in canon and essentially meaningless, given Magic's unwillingness or inability to articulate what a soul is in its setting, and as with this, it seems the goal is simply to dehumanize Phyrexians, to render them alien, even at the cost of incoherence or internal contradiction.

Atraxa's progress through the museum is fascinating. It evokes the 1937 Nazi exhibit on "degenerate art" in Munich, but not at all cleanly. The first exhibit, which is of representational art, she angrily destroys for being too individualistic (a point of dissonance with the European fascist movements of the 20th century, which formed in direct antagonism to communism.) The second exhibit, filled with abstract paintings and sculptures, she destroys even more angrily for having no conceivable use (this is much more in line with the Nazi idea of "degenerate art", so well done there.) The third exhibit is filled with war trophies and reconstructions from a failed Phyrexian invasion of Capenna many years prior, which she is angriest of all with (and fair enough, I suppose.) But then, after she's done completely trashing the place, she spots a number of angel statues on the cathedral across the plaza, and she goes apeshit. In a fugue of white-hot rage, she pulverizes the angel heads, and here is where I have to ask my second question:

Why angels? If you are trying to invoke fascist attitudes toward art, big statues of angels are precisely the wrong thing for your fascist analogues to hate. Fascists love monumental, heroic representations of superhuman perfection. It's practically their whole aesthetic deal. I understand that we're foreshadowing the imminent defeat of Phyrexia at the hands of legions of angels and a multiversal proliferation of angel juice, but that just leads to the exact same question: why angels? To the best of my knowledge, the Phyrexian weakness to New Capennan angel juice is something invented for this storyline. They have, after all, been happily compleating angels since 1997. We could talk about the in-universe justification for why Halo specifically is so potent, but I don't remember what that justification is, and also don't care. Let's not jump back in the ditch, please. The point is, someone decided that this time, Phyrexia would be defeated by an angelic host, and what does that mean? What is the text trying to say? What are its precepts and axioms?

Let me ask you a question: how many physically disabled angels are there in Magic: the Gathering? How about transsexual angels? How many angels are there, on all of the cards that have ever been printed for Magic: the Gathering, that are even just a bit ugly? Do you get it yet? Or do you need me to spell it out for you?

SPELLING IT OUT FOR YOU

There is a kind of body which is bad. It is bad because it has been significantly altered from its natural state, and it is bad because it is repellent to our aesthetic sensibilities.

The bad kind of body is contagious. It spreads through contact. Sometimes people we love are infected, and then they become the bad kind of body too.

There is a kind of body which is good. It is good because it is pleasing to our aesthetic sensibilities, and it is good because it is unaltered from its (super)natural state.

A happy ending is when all the good bodies destroy or drive into hiding all of the bad bodies. A happy ending is when the bad bodies of the people we love are forcibly returned to being the good kind of body.

Do you get it now?

ENDNOTES

It's worth noting that the ditch is very similar to the white American Evangelical hermeneutics of "the Bible says it. I believe it. That settles it," the defensive chapter-and-verse-or-it-didn't-happen approach to reading a text, what Fred Clark of slacktivist calls "concordance-ism". I don't think that's accidental. We stand underneath centuries of people reading the Bible very poorly - how could that not affect how we read things today? We are participants in history whether we like it or not.

I sincerely hope I haven't come across as condescending in this essay. Close reading is legitimately difficult! They teach college courses on this stuff! And while it is frustrating to have my close readings interrogated by people who... aren't doing that, like. I do get it. I find myself back in the ditch all the time. This stuff is hard. It is also, sorry, crucial if you intend to say something about a text that's worth saying.

I also hope I've communicated clearly here. Magic story is sufficiently incoherent that trying to develop a thesis about it often feels like trying to nail jello to the wall. If anyone has questions, please ask them! And thank you for reading. Next time, we'll probably do the new Eldraine set.

[aunmenosheteroenespanol]

2.12 Chimney Begins - 2.09 Hen Begins - 2.16 Bobby Begins Again - 7.04 Buck, Bothered and Bewildered

Tommy's family arc