#severe problems

[shadowtraveled]

would love to know your thoughts on rinsha dunmeshi. or on rin and kabru :-)

OH!! i love rin honestly lightning damage and unaffiliated spellcasters will get me every time.

i would have loved to see more of her, but i do really enjoy kui's style of storytelling where she gives us the information about a character that will tell us exactly what she wants us to know. it reminds me of the way someone described suzanne collins' writing as surgically precise—she has more information about characters and the world, but she included what would get her story across most effectively. kui gives off a similar impression, and i think rin is a good example of that.

sorry readmore because that was getting long already.

rin's backstory is really interesting to me because it helps us to extrapolate so much more about the world and the other characters in it.

for what it's worth, i don't think it's terribly likely that her parents were practicing ancient magic. they were immigrants of a visibly different ethnicity, though, and they were magic users, which othered them doubly in the northern continent, and that otherness cost them their lives. this is sort of a running theme in dungeon meshi overall ofc, but i think a lot of discussion surrounding dungeon meshi discrimination focuses on the elves. which is fair, since they seem to be the most significant world power and they're weird race elitists as elves in fantasy frequently are, but the story does not want us to forget that discrimination is complex and so is otherness. tallmen may not be respected by long-lived races, but in communities where they do have power, they're still perfectly capable of leveraging it against others. they seem to have a particular bias against magic, but really anything people deem weird or creepy is enough to land you in trouble: laios faced constant rejection and, in some cases, severe harassment just for being autistic; kabru's eye color was enough to push his mother to the fringes of society and get her accused of witchcraft, suggesting that "weird or creepy" is regularly conflated with "magic" in tallman societies; and falin's affinity for magic led to her isolation and ostracism as her mother frantically tried to suppress it. rin's parents, meanwhile, were outright executed. the nature of these reactions to anything unfamiliar or non-standard are definitely meant to convey something about tallman societies in the world, but i think rin and kabru's situations specifically lend some explanation as to why falin is so forgiving of her parents. they didn't really know what to do with her, and some of the things they did to her were harmful, but she seems to see them as trying their best to protect her, perhaps because she knows the emergence of her magic could have put her in immediate physical danger but didn't.

with that being said, i'm surprised rin doesn't have more of an aversion to tallmen, but maybe kabru made enough of an impression on her that she developed some hope for them.

her dislike of elves, meanwhile, is entirely understandable—her interactions with them seem to be framed as emblematic of how they treat short-lived races in a way we don't really see with the others. milsiril objectifies short-lived races but does seem to... kind of care, otta fetishizes them but seems to... kind of care, mithrun's squad only get to be patronizing for a bit before it becomes apparent they bit off way more than they could chew, and mithrun isn't invested in these designations anymore. but the elves that found rin treated her like evidence, then like a toy, and then they got bored and ignored her, and then she was evidence again, and then she got adopted out to elves who kept her like they would a pet. miserable fucking experience, and a very thorough and efficient way of expressing just how little the elves are socialized to consider the humanity of the other races.

as for her relationship with kabru... i'm glad they had each other around. it's impossible to be surprised that she latched onto him in her circumstances, and i think it's sweet that she was the one he stuck with (despite the implication that milsiril was raising other children alongside him that he ostensibly would have spent more time with).

i also love how apparent their closeness is! rin gravitates to kabru, and if i'm remembering right, most of the time she speaks it's to him. that immediately established to me that she is uniquely comfortable with him, and interestingly it goes both ways! it's less apparent with kabru, because he's a lot more social than she is, but vitally, he lets the mask slip with her. she's the only character he goes out of his way to tease, and sometimes he takes it a little bit into "alright that was kind of mean" territory, which sucks of him but is kind of the point. kabru's interactions with rin are the earliest ones where we see him fuck up or be a little bit of an asshole, and that's almost certainly because she is a person he feels comfortable enough with to not try to game every conversation. kabru being a little bit of a bitch is the first time we see him not trying to be charismatic. and she gives it RIGHT BACK lmfao it really conveys the feeling that these two are kind of "safe people" for each other, even if they're bantering a little meanly. very charming, top-tier childhood friend dynamic, no notes.

editing to add:

^ YEAH THIS IS IT thank you @gerrykeay i think this really captures the spirit of her revulsion with regard to things like magic school (and its graduates), etc... she seems to think of magic school as this sort of lofty opportunity only people with a certain level of social standing are able to access (which seems to hold a level of truth) and reject it on the basis that something like that is fundamentally incompatible with who she is as a person, and that's probably the same reason she remains unaffiliated despite knowing practicing magic without organization ties is potentially dangerous for her. these systems rejected and failed her family and her, so she rejects them in kind.... god i'm so obsessed with the way practically every character has a main character backstory and motivations this really is like a ttrpg lol

[sophie-baybey]

I think the invention of the term "traumadump" has done discussion of mental health a lot of harm. I keep seeing discourse vs whether or not it's okay to talk about heavy topics with your friends, and like... I feel like there is a very big and important difference between my definition of traumadumping (ie. Frequently and habitually diverting your conversations with others towards your own misery, often with the goal of focusing attention and sympathy towards yourself at the expense of those around you, and without recognizable effort to reciprocate your empathy towards those you are speaking to or to ensure their comfort) VS the mere act of having heavier conversations with those around you. I've seen a lot of backlash to the idea of traumadumping as a concept lately (they paywalled human connection etc etc) but I think it's worth recognizing there is absolutely a kind of behavior that can create a negative feedback loop with this stuff. Especially if you navigate a lot of spaces in social media, it's not uncommon to find people dropping really heavy stuff on complete strangers unprompted. Idk, I think there's a degree of nuance to be had that's maybe getting a bit lost due to everyone having different definitions of what it means to "trauma dump."

[wonderingwhereiam]

[maru-alidades]

shattered

[redysetdare]

All this aroace character shipcourse has proven to me that a majority of people that interact in fandom cannot actually interact with characters and media outside of shipping and genuinely I believe you need to learn how to interact with media outside of shipping.

[bixels]

I think 90% of my gripes with how modern anime looks comes down to flat color design/palettes.

Non-cohesive, washed-out color palettes can destroy lineart quality. I see this all the time when comparing an anime's lineart/layout to its colored/post-processed final product and it's heartbreaking. Compare this pre-color vs. final frame from Dungeon Meshi's OP.

So much sharpness and detail and weight gets washed out and flattened by 'meh' color design. I LOVE the flow and thickness and shadows in the fabrics on the left. The white against pastel really brings it out. Check out all the detail in their hair, the highlights in Rin's, the different hues to denote hair color, the blue tint in the clothes' shadows, and how all of that just gets... lost. It works, but it's not particularly good and does a disservice to the line-artist.

I'm using Dungeon Meshi as an example not because it's bad, I'm just especially disappointed because this is Studio Trigger we're talking about. The character animation is fantastic, but the color design is usually much more exciting. We're not seeing Trigger at their full potential, so I'm focusing on them.

Here's a very quick and messy color correct. Not meant to be taken seriously, just to provide comparison to see why colors can feel "washed out." Top is edit, bottom is original.

You can really see how desaturated and "white fluorescent lighting" the original color palettes are.

[Remember: the easiest way to make your colors more lively is to choose a warm or cool tint. From there, you can play around with bringing out complementary colors for a cohesive palette (I warmed Marcille's skintone and hair but made sure to bring out her deep blue clothes). Avoid using too many blend mode layers; hand-picking colors will really help you build your innate color sense and find a color style. Try using saturated colors in unexpected places! If you're coloring a night scene, try using deep blues or greens or magentas. You see these deep colors used all the time in older anime because they couldn't rely on a lightness scale to make colors darker, they had to use darker paints with specific hues. Don't overthink it, simpler is better!]

[puppetmaster13u]

Prompt 112

Once again, you know who is underutilized in DCxDP crossovers? Battinson. Skrunkly shivering boi. Who we should definitely give children to care for. 

 Did you know that Jason canonically had a brother named Danny? Well you do now, and it should also be used more. 

 We all want to give Battinson a robin, so why not give him four for the price of two. He of course gets Dick from the circus- he’s never going to go into public again, this was the first time he’d gone to do something out of his comfort zone for a while and look how that turned out. 

 And on one of the nights that Dick has to stay home (Alfred insists he must finish his homework if he wants to go out on patrol) Bruce returns to the batmobile to find not one child, but two. Is Danny reincarnated? Just appeared one day? Who knows, but he’s here now and going to protect his little brother. 

 Bruce might have tears in his eyes when they both hit him in the kneecaps and bolt because even with the armor it still hurts. How he manages to grab both kids he’s not too sure, but he ends up getting them food after they put the tires back. He also doesn’t understand how he’s convinced them into the car but they’ve both conked out and maybe he’s panicking and needs Alfred- 

 D-Dick why is there another child here? He’s the neighbor, cool cool. W-what do you mean he’s home alone, he’s like, 4?? What do you mean he’s been alone for a week now???

…

Alfreeeeed-

[poorly-drawn-mdzs]

Introvert adoption

[First] Prev <–-> Next

[liv-cole]

They know what content to give to aemondwives🤭

[luna-lovegreat]

Currently obsessed with the idea that the boys go to Time for love advice, since "he's married so he knows this stuff right?"

I mean they couldn't recognize a wedding ring??? And neither did he???

And time was saying this in his youth I mean cmon

Twilight: So ancestor. What would you do if like. Malon left to another world and never came back

Time: ... bro Malon called me fairy boy and then we were married like what

Hyrule: So uhh old man. How does one. Meet a girl.

Time: By speaking to her I guess? Or not, Malon did the talking for me

Hyrule: riiiiight...

Wild *no tact*: Hey so like... what if your redheaded wife who's name started with M died.

Time: what?!?!

Wild, undeterred: but like before she proposed.

Time: ...

Wild: and you don't remember if you would have said yes. What's your advice for dealing with that?

Time: ... vent to a fairy?

Warriors: hey old man

Time: no no no not this one asking me please

Warriors: how do I get women to stop coming after me. So I can ya know. Choose without war trying to force me into relationships

Time: I can safely say I've never had that problem captain

Wars: of course not *smirks*

Wars: ok but seriously how do I make them go away

Time: ... wear a wedding ring so they think you're taken, I've got a shiny extra

Time: no no why- they won't stop, I don't know how to do love!

Time: ok well at least I have legend. That kid would never ask for advice, I'll sit by him.

Legend: so old man.

Time, looking forward to a normal conversation: yeah?

Legend: hypothetically, what would you do if you found out Malon didn't exist.

Legend: And her whole world didn't, but it did, and now it doesn't

Time: ...Excuse me for a minute.

Time, writing a letter as fast as he can: MALON HOW DO I GIVE LOVE ADVICE THEY THINK IM WISE

Malon: lol

Happy Valentine's Day guys, have a headcanon :P

The boys go to Time for love advice and Time spouts whatever wise-sounding bs he can, before shoving them all on Malon for therapy when they visit the ranch

Art and comic by Jojo @linkeduniverse! :D

[shadowtraveled]

"mithrun is the only real monsterfucker in dungeon meshi" is objectively the funniest bit you can get out of his everything, but in all seriousness i think his attraction to his love interest is deliberately overstated—and that makes sense, because romantic jealousy is a classic and digestible motive, which is explicitly what kabru was aiming for in condensing mithrun's backstory, and also because until chapter 94, mithrun wasn't willing to admit to the true nature of his desires.

but because romantic envy is both classic and digestible, it probably isn’t a unique enough or complicated enough desire to tempt a demon’s appetite. mithrun’s wish, as far as we can figure from kabru’s reduced retelling, was to have a life in which he had never become one of the canaries, and that carries like 3857 implications and desires within it. that’s delicious. his love interest acts as sort of a red herring to his motivation for making it, though. (side note: i'm saying "love interest" here because, keeping in mind that i barely speak japanese on a good day anymore, "想い人" is something i'd usually take as just kind of an old-fashioned and romantic way to refer to a lover, but in context i wonder if both the connotation of yearning and the vagueness are intentional, and i think this phrasing gets those aspects of it more effectively. anyway.)

mithrun considered his love interest to be untrustworthy. there was a minute where i thought that comment might be about a similar-looking elf (yugin, one of his squad members), but comparing the two…

the "sketchy" arrow is definitely referring to the elf we know as his love interest—the bangs go toward her right, she only has the one forehead ornament, and, most notably, her ears aren't notched.

every time she’s given a full-body depiction in his dungeon, she’s drawn as a chimera, with the body of a snake from the waist down. (side note: the “what if a dungeon has chimeras before reaching level 4?”/“then the dungeon lord is unstable” exchange just being mithrun grilling his past self alive is so funny. he’s so. but anyway) there are a couple things about this.

first, the snake part of the chimera appears to be modeled after some species of coral snake mimic

which, in the biology-for-fun manga, i… doubt is a coincidence, especially with the added context of the “untrustworthy” comment. the dungeon’s conjured illusion of mithrun’s love interest was a harmless copycat of a venomous original. for whatever reason, he felt this person was a threat and made up a "safe" version of her to be in a relationship with, and while it’s definitely possible to be attracted to or even love someone you find to be toxic and/or intimidating, when you take that into consideration alongside the configuration of her body, you get some interesting implications.

which brings us to our second point: if we assume that mithrun was not in fact fucking a snake, then sexual attraction, at least, was so far removed from his idea of a relationship with this person that he did not even bother to keep her dungeon copy human enough to maintain the illusion of the option of a sexual relationship. this is somewhat echoed in the depictions of their interactions, which also imply a frankly unexpected romantic distance. she kisses his cheek and he doesn't seem to react; she's at the edge of a narrow bed with only one set of pillows, on top of his blankets while he's underneath them.

the kiss is particularly interesting because it seems to contrast the text. kabru's narration tells us this was everything mithrun could have asked for, but mithrun is there looking unreadable to pensive, likely because this is right before the panel that makes it clear things in the dungeon are beginning to go wrong.

walking through this backwards for a minute, we have the physical barrier of his bedding and the spatial separation inherent in a bed made for one person, the emotional barrier of his mounting anxiety getting in the way of his ability to enjoy the affection he sought, and... the snake, which historically carries the connotation of temptation, yes, but also mistrust, barring physical intimacy. okay. ok. if a dungeon reflects the mentality of its lord, all of this might suggest that mithrun was not able to have any real desire for a relationship with this person. his unwillingness to be vulnerable or let another person in was insurmountable. but in that case, why was she such a focal point that she remained to the end, after his dungeon had stopped creating iterations of his friends to come and visit him? why would he get so upset over her meeting with his brother that he became lord of a dungeon about it?

well. mithrun's brother was also interested in her, probably genuinely. and mithrun had to win.

you have an older brother who your parents completely ignore, probably in part because he is chronically ill/disabled and almost definitely in part because he received a ton of recessive traits that resulted in rumors that he was an illegitimate child. you are aware, most likely because those same parents fucking told you, that you actually are an illegitimate child. but they keep you around because you had the good fortune of looking just like your mother. what can that possibly teach you but that you, like your brother, are disposable?

it's utterly unsurprising that mithrun, under these circumstances, developed a pathological need to be better than everyone around him. people don't keep you otherwise. i'd argue this is also why he says he looked down on everyone he knew while milsiril claims his dungeon reeked of feelings of inferiority—he sought out people's worst traits and prioritized them in his mind to protect his already extremely fragile sense of self-worth, and all the while he tried to be as likable and high-performing as he possibly could be. his parents disposed of him anyway, but even then he tried to keep up the performance. he was kind to everyone. he never once lost to a dungeon.

when he saw his "love interest" meeting up with his brother, what he saw was himself being replaced by a person his parents had always treated as worthless, and if that was what they thought of the child they'd kept, what value could anyone possibly see in the bastard they'd given away to die? mithrun and kabru tell the story like he wanted to win this unnamed elf's heart, but it was never about being with her. it was about cementing his worth, proving that he didn't deserve to be thrown away.

and so it's particularly cruel that his demon discarded him, too. but maybe it's also particularly gentle that, in the end, there was someone who refused to even consider giving up on him.

kui laid it out in three panels better than i could hope to.

yeah. it's love. you wanted to be loved, even when the only way you were able to understand it was through the desire to be wanted, and you wanted that so badly that the idea of being consumed felt like the promise of finally mattering to someone.

[sergle]

When I talk about something bad I've experienced, Baked In to my experience as A Woman, I am not "making my little cousins feel like shit for being women", because I am talking in a space with, allegedly, adults. I am not bringing my problems to children in the first place. That said, I don't HAVE to make my baby cousin feel bad, because she's already experienced sexual harassment in her life, and she's only 8, and doesn't even understand what any of it means yet. And everyone in her family can try to instill confidence in her, and never talk about our bodies in a negative way. But she can still feel like she's too chubby, because she still goes to school, and talks to other kids and their parents, and still sees ads, and still watches tv. We can be positive, but we can't fix the root of the problem. And I don't HAVE to tell trans women that "pain is a rite of passage", because that's not a Rule being enforced (by me), because I've already sat and listened to my friend complain about constantly shaving as a Baseline necessity and how it hurts her skin and she has to put makeup onto fresh cuts on her face because going out without a full face of properly feminine makeup would make her life worse, and being anything less than thin and lithe makes her "less feminine", and ALL the things that can make her "more feminine" are behind a paywall. And I can try to make her feel better, and I can hear her experiencing the tenfold version of problems I relate to, but I can't fix the root cause of her problems by just telling her not to complain. Forcing happiness as a core personality trait for women is not the Girlboss Feminist move that you think it is, and no amount of gender euphoria in the world will make you immune to systemic oppression.

[strawberrysamara]

"Kaidan Alenko is boring" WRONG. Kaidan Alenko is one of THEE characters of all time. He's Canadian, he's Schrodinger's man of colour, he's DOWN to fuck and still didn't manage to figure out that he's bisexual until his thirties, he killed a man as a teenager and almost caused a diplomatic meltdown bc of it, his tits are bigger than yours, he's constantly getting migraines, he has autism but doesn't know it AND he glows. What more could you want

[bpdcrybaby213]

The BPD urge to constantly try to explain to them my pain to make them understand. But they never do. So I explain again and again in so many ways I think they might get it. But they just don't. And I continue feeling alone in my mental illness.

[realbeefman]

stacy is sooo interesting because she's in love with house but knows that they will never ever be able to have a healthy, stable, sane relationship because they're too similar so. she finds house-lite instead and marries him and. essentially moves on with her life! and is successful in this because she's a moderately well-adjusted person!

wilson, in contrast, never manages to escape the inevitable, in spite of his best efforts to find a house-lite of his very own, because he's an absolute fucking freak and ends up glued to house to the bitter. bitter end

[wibble-wobbegong]

will. pay attention . Please