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cloudravine · 1 month

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🪷 The Lotus Flower in Mysterious Lotus Casebook 🪷

i. Growing Deep Roots

As noted by difeisheng, Li Xiangyi is an image more than he is a person. He’s the “symbol” and “beating heart” of the Sigu sect; “he embodies everything [the sect] stands for” and “has become one with every person he represents” in his role as a leader. As such, one might say he doesn’t exist as an individual who’s allowed the luxury of flawed, fluid humanity. Rather, he’s fixed into an object: a shield protecting those under his care, a mirror reflecting those he’s taken upon himself to be the champion for.

While a heavy burden to carry, this identity as image is also shown to be brittle, hollow, like a hazy mirage which is more dazzling appearance than substance. Even Fang Duobing introduces Li Xiangyi to Li Lianhua by showing him a painting of his shifu — ink on a page, a person turned into a hero to be worshipped and idolated.

Li Lianhua, over the ten years that pass after the Great Battle of the East Sea, works to plant and cultivate a new identity in the same way one might grow flowers. Li Lianhua forms deep roots and grows out of the mythical hero’s shell he’d been carrying as Li Xiangyi, thus developing an identity which is solid and grounding in contrast — an identity which involves “walk[ing] within a crowd instead of [soaring] above it.”

This shift from image to person is itself rooted in the lotus mantra (written by Buddhist Layman Pang during the Tang Dynasty) which Li Xiangyi first encounters after monk Wu Liao rescues him:

一念心清净莲花处处开

The heart attains peace with a single thought; Lotus flowers bloom all around.

Although the exact timeline is left to interpretation, it’s implied that the lotus mantra operates as a catalyst of change for Li Xiangyi and that he changes his name to Li Lianhua after reading it. Now what is it about it that speaks to Li Xiangyi so deeply in that moment? As noted in 《人間福報》, the lotus mantra teaches us that a pure heart will result in an open and enlightened mind. One subtle, profound thought rife with compassion is enough for a person to glimpse Buddha in a flower, a leaf, a grain of sand or a speck of dust. In short, “if you can find peace within yourself, then you will find peace everywhere.” Perhaps Li Xiangyi, at his lowest point, finds solace in the prospect of stripping his life down to its very core and searching for purity, wisdom and peace within his troubled heart.

By renaming himself 莲花/liánhuā lotus flower, Li Lianhua takes his destiny into his own hands; he empowers himself into reshaping his identity and laying down the foundations for the person he wants to become. Similarly to The Yin-Yang Master: Dream of Eternity which tells us that “names are the shortest spells in the world,” Li Lianhua’s new name functions as a spell which speaks a new him into existence. It’s a deliberate choice, a conscious attempt at breaking free from the suffocating shell Li Xiangyi was trapped in and become a person of his own choosing.

The act of (re)naming notably also extends to Li Lianhua’s abode which he dubs 莲花楼 “Lotus Tower.” In addition to this significant choice of name, it’s interesting to note that Li Lianhua starts growing vegetables inside Lotus Tower when he’s left with nothing after his demise at the East Sea and is facing starvation. As such, his home is quite literally a site not only of self-sustenance and survival, but also of growth — a growth which requires hard work, patience and faith and nearly brings Li Lianhua to tears when his hopes are finally rewarded and the seeds he planted begin sprouting. The act of physically planting vegetables and learning to cook those vegetables speaks of a refreshing and grounding simplicity — of something disarmingly vulnerable and human after playing the role of a god-like figure. Li Lianhua has sweat on his brow and hope in his heart; he plants seeds, watches them grow and keeps himself alive by his own hands.

It seems it’s not only Li Lianhus’a home, but also his very person, which steadily grow into a lotus flower. Li Lianhua wears a variety of hairpins directly linked to the lotus, and the colour coding of his garments moves from the red he used to wear as Li Xiangyi to a lighter palette filled with greens and blues — colours which are more obviously linked to nature.

ii. Life Borrowed and Given Away

The lotus, both traditionally and within the drama itself, is closely connected to the theme of rebirth. On a literal level, the exotic lotus flowers of Cai Lian Manor grow directly from the corpses of the victims drowned in the pond, thus embodying life born from death. thawrecka writes in their story that Li Lianhua is “nothing but a lotus nurtured by a walking corpse, a body that doesn’t realise it should already be dead.” On a figurative level, the lotus grows in muddy water but blooms unsullied every morning, thus symbolising rising from a dark place and growing into something beautiful and colourful despite all the odds. The different stages of the lotus’ blooming can be taken to represent the beginning, middle and end of a spiritual path in Buddhism — a parallel to the theme of 趟/tāng taking a journey which underscores the drama in various ways.

Li Lianhua’s journey, more specifically, is that of a lotus being reborn. The soundtrack piece 《一壶莲花醉》 “A Pot of Lotus Wine” emphasises this connection in the following lines:

问一句莲花的悲喜断一柄弃剑入青泥

I ask about the joys and sorrows of the lotus; A broken, abandoned sword is thrown into the mud.

Not only does Li Lianhua keep stressing at different points of the drama that Li Xiangyi is dead and all that is left behind is Li Lianhua; he even breaks his own sword Shaoshi at the end of the story, thereby physically reenacting a process of destruction—death—and rebirth. As Li Lianhua writes in his farewell letter:

剑断人亡

My sword is broken, and I will be gone.

The significance of Li Lianhua’s action is further intensified here by the fact that the sword in the song is said to be thrown into 泥/ní mud, the site from which a lotus flower grows.

Considering that Shaoshi operates as a device embodying Li Lianhua’s character development throughout the drama, the fact that Li Lianhua decides to break it in the last episode should be taken as a key moment in which he chooses how his own narrative is going to end. Li Lianhua decides to kill for good the glorious image of Li Xiangyi which has become sullied with pain and regret in his heart, so that a simple, fragile peace can begin growing in its place like a lotus flower amidst the mud.

However, the tragedy of Li Lianhua’s narrative is that the rebirth he works to achieve for all these years is not his own to enjoy and never was intended to be. After the Great Battle of the East Sea, as Li Lianhua is reborn from Li Xiangyi and starts planting seeds all around him, he has already accepted that he’s nothing but a ghost, “wandering in the jianghu to close his loose ends and finally [...] vanish without a trace, not even a body left behind.” As mx-myth remarks, even the shift in his garment colours to an overwhelming amount of white as the story progresses makes it clear that he’s resigned to go and has “already started dressing for his own funeral.”

The lotus flower symbolism permeating the narrative accentuates this bone-deep, unshakable resignation. While imprisoned by Jiao Liqiao, Li Lianhua is full of an aching, bittersweet fatalism when he recites a section of Guan Hanqing’s《窦娥冤》“The Injustice to Dou E”:

花有重开日人无再少年不须长富贵安乐是神仙

Flowers will blossom again, But a man can never be young again. Seek not eternal wealth; You only need to be content.

Independently from the original meaning of the lines written by Guan Hanqing, the words seem to take on a sad, wistful quality when spoken with a bitter smile by Li Lianhua. In this scene, while the speaker reflects that rebirth occurs outside of themselves in flowers, they acknowledge that their own reality is one inevitably bound to end in old age and decay. Instead of looking forward to a bright future, the speaker doesn’t express any dreams nor ambitions and is only grateful that they’re alive this minute, this second, without any future prospects awaiting them. Perhaps a similar sentiment is reflected in the following lines from 《一壶莲花醉》 “A Pot of Lotus Wine”:

了了心事只不负众生而已

After settling my worries, I just want to live up to all sentient beings.

Li Lianhua’s connection to the lotus flower, in fact, was always meant to be one of non-attachment. While Buddhism believes desire to be the root of all suffering, the lotus symbolises non-attachment due to being “rooted in mud (attachment and desire)” while “its flowers blossom on long stalks unsullied by the mud below.” This explains in part why the lotus is considered pure and noble. For Li Lianhua, this non-attachment takes on sorrowful connotations: it means that he stubbornly refuses to reap the seeds he sows and focuses his purest heart and will into ensuring those around him get to reap them instead. Non-attachment means allowing himself enough (a roof over his head, food on his plate) to survive, but rarely letting himself indulge in the precious luxuries of reciprocated love and care — of carefree joy and thirst for adventure.

The ten years he lives after his first death at the East Sea are, for him, only borrowed time he didn’t deserve — borrowed time not dedicated to himself, but rather dedicated to others.

In many ways, Li Lianhua’s path effectively goes full-circle by the end of the narrative. When he and Di Feisheng reminisce about the moon they remember from ten years ago, they conclude that today’s moon isn’t any brighter than the one alive in their memory: rather, it remains constant, unchanged, as though the past ten years never existed as anything other than a short pause in the story, a coma, long enough for wrongs to be righted but not for an already-dead person’s fate to be changed.

It’s interesting and particularly significant that the Styx flower (忘川花, from 忘川 “River of Forgetting” in the original Mandarin) is said throughout the drama to be the only thing capable of saving Li Lianhua’s life. In traditional Chinese culture, the Styx or River of Forgetting is part of the process of reincarnation; only by crossing it (and forgetting everything they’ve ever experienced and everyone they’ve ever loved) can a person finally reincarnate. For Li Lianhua, salvation through rebirth comes at a high cost — a price he’s evidently been ready to pay since the beginning, even if it means turning him into a ghost who must vanish from the story in order for those around him to grow and thrive further.

When Li Lianhua breaks his own sword to allow for rebirth, it’s not himself he’s saving. His sole purpose throughout his journey as Li Lianhua is to use whatever meagre strength he has left, whatever passion and drive are still alive in him, to save the world in any small ways that he can. He becomes a doctor who heals people; he looks for answers and solves mysteries to atone for the sins he thinks he has committed and rectify the mistakes he thinks he has made, so that those he has hurt can finally find peace and comfort.

The most powerful legacy Li Lianhua intends to leave behind by the end of the story has nothing to do with himself and everything to do with the people around him who he never truly admits he loves — the messy, imperfect world that’s caused him so much pain but that he nevertheless insists on saving with everything he has.

Most strikingly, Li Lianhua chooses—whether consciously or not—to leave the life and future he’s renounced for himself to his companions Fang Duobing and Di Feisheng. The only traces he purposefully leaves behind live in them: in the Yangzhouman coursing through Fang Duobing’s body; the home, dog and recipe book he passes onto him; the worthy opponent he leaves for Di Feisheng to fight in his stead after he’s gone…

Fang Duobing, by the end of the story, has grown into more than a disciple and a friend to Li Xiangyi/Li Lianhua: he himself has become the lotus flower bringing renewed life after Li Lianhua has left the narrative, thereby taking Li Lianhua’s legacy into a hopeful, vibrant future. As mx-myth mentions in their colour analysis, Fang Duobing notably wears bright pastel tones including a large amount of green/blue — a colour coding which emphasises Fang Duobing’s connection to spring and, by extension, new life and beginnings. “Life will always go on if there’s spring”; and so Fang Duobing’s youth, vitality and optimism can grow in the empty space left behind by Li Lianhua after he fades into the autumn of his life.

While Li Lianhua’s predominantly light colour palette might appear to align him with other characters in the drama who have left the past behind and are looking towards the future, Li Lianhua made peace long ago with the knowledge that he’s destined not to belong in that future. Just as the Lotus Sutra teaches us that “the inner determination of an individual has great transformative power” and “gives ultimate expression to the infinite potential and dignity inherent in each human life,” Li Lianhua focuses all his transformative efforts on creating a future which, despite having no place for him, will be fertile ground for the entire martial arts world to grow deep, healthy roots. In Li Lianhua’s own words:

幼芽生枝新木长成武林也一样这未来如何谁又能说得清楚呢

The young sprouts and the new trees grow. The martial arts world is the same. What does the future hold? Who can say clearly?

Should we say, then, that Li Lianhua’s story is one of sacrifice, self-renunciation and resignation — of drifting inevitably towards death as a flower carried by a stream? As he disappears on a boat and is asked where he’s going, Li Lianhua gives a response which echoes his first death at the East Sea in a way that feels entirely deliberate:

小舟从此逝，江海寄余生

From now on I would vanish with my little boat; For the rest of my life on the sea I would float.

How are we to understand a person being reborn simply so they can pass on that new life to others, and being convinced that their only true value lies in their death?

Perhaps, in spite of it all, we can find some small comfort in the knowledge that, no matter how sorrowful Li Lianhua’s fate, it’s at least one that he chooses — one that he has full control over, even poisoned and robbed of his life force as he is. As the lyrics of 《一壶莲花醉》 “A Pot of Lotus Wine” underline, “it’s just a matter of picking an ending that you like.” Perhaps that’s all that truly matters.

wuxia-vanlifer makes an excellent point when asking: “What would be more tragic? That he never believed he was loved? Or that he did, but vanished anyway?” While I don’t have an answer to offer, there’s one thing I can say. Li Xiangyi, Li Lianhua — they live and die by love. They can’t conceive of themselves as anything other than a sacrificial tool because, for all that they pretend to be aloof and untethered, they actually love others—and the world—in a bone-deep, profound way they’ve never loved themselves. That love is not only the true driving force behind Li Lianhua’s character and the fate he chooses: it’s the beating heart of the entire drama.

“In this life, I have loved and I have been loved. That is enough.”

Shoutout to the following authors and bloggers whose brilliant words and ideas inspire me, as well as this gorgeous video 💖

ao3: @extraordinarilyextreme @thawrecka

tumblr: @difeisheng @extraordinarilyextreme @mx-myth @wuxia-vanlifer @xinyuehui

#mysterious lotus casebook #莲花楼 #li lianhua #li xiangyi #cheng yi #fang duobing #di feisheng #it's sad nerd hours lmao 💕 now we can all suffer together 😘#i'd apologise for shamelessly referencing yym every chance i get even when it's barely relevant but.... well i won't 😌💅#also - please tell me if you notice errors or inconsistencies in any of my points ✨#although i'm always very thorough with my research i don't have a native person's knowledge of chinese language and culture #no doubt i'll think of lots of changes and additions i want to make once this is out there ssdhds 🥴 why is publishing anything so hard??#text: mysterious lotus casebook

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red-moon-at-night · 10 months

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Let's talk a little bit about Mahiru's boyfriend

This post is alternatively titled "Mahiru's Boyfriend Probably Had An Eating Disorder And I Am Very Sad About It So Now You Get To Be Sad About It With Me" but that felt a bit much in the bold title font so I'm trying to tone this down at least a little bit :')

So I was reading this wonderful post earlier (you should too btw it has a LOT of interesting information), and as I was going through the food section something clicked in my brain. Pieces of information that were drifting aimlessly before quickly came together for me and I almost wish they hadn’t because oh boy is it depressing.

Now, nothing I’m about to say here is explicitly stated - but I do think it is strongly insinuated, through the MVs of both ‘This Is How To Be In Love With You’ (TIHTBILWY what an acronym wow) and ‘I Love You’. I am aware that the latter video has a lot of metaphorical imagery, but I still think some of this imagery can be taken in a literal sense to reinforce ideas established in TIHTBILWY.

TW/Trigger Warnings: discussion of eating disorders (anorexia, bulimia, etc.), discussion of suicide and suicidal thoughts. Please take these into consideration and stay safe!

credit to iaobug’s transcribed images from ‘This Is How To Be In Love With You’ used below btw!

Now I’ve always had an inkling this could be possible, but I didn’t realise until recently there was this much evidence supporting a little idea of mine dancing around in my head.

But First, Some Quick Definitions and Criteria

First things first, I think we should briefly clarify what an eating disorder is and what eating disorder I think Mahiru’s boyfriend most likely had.

Here are some definitions:

Eating disorders are behavioral conditions characterized by severe and persistent disturbance in eating behaviors and associated distressing thoughts and emotions. They can be very serious conditions affecting physical, psychological and social function. (source)

An eating disorder is a mental health condition where you use the control of food to cope with feelings and other situations. (source)

And here are some brief introductions to several types of eating disorders:

The most common eating disorders are:

anorexia nervosa – trying to control your weight by not eating enough food, exercising too much, or doing both bulimia – losing control over how much you eat and then taking drastic action to not put on weight binge eating disorder (BED) – eating large portions of food until you feel uncomfortably full

Other specified feeding or eating disorder (OSFED) – A person may have an OSFED if their symptoms do not exactly fit the expected symptoms for any specific eating disorders.

(source)

Okay, so we have some basic information down, cool! This is not fully comprehensive but it will do for the purposes of this segment.

So what eating disorder do I believe Mahiru’s boyfriend had?

I’m not sure! The information we have is not conclusive enough for me to confidently pick an option. What I will say is most likely, and most common, is OSFED and the concept of the eating disorder cycle. People’s symptoms will often overlap with multiple diagnoses, or shift from one mode of behaviour (e.g. the restrictive eating behaviours found in anorexia) to another (e.g. binge eating and following compensatory behaviours found in bulimia).

Things are often not as clear-cut or black and white as we’d like to imagine.

Let’s move onto looking at the MVs, shall we?

This first music video has a wealth of information hidden in its cute magazine-style annotations and imagery - information that, when you look a little closer and consider the bigger picture, raises all the alarm bells in my mind.

Parts of ‘This Is How To Be In Love With You’ That Make Me Pause In Concern, In Chronological Order:

The Bread

Let's start off with a not very obvious one.

One of the first things we learn about Mahiru’s soon-to-be-boyfriend (which by the way this is literally the 2nd time he’s mentioned) is ‘wow he buys a lot of bread’. Insignificant on its own, I know, but consider this through my lens if you will: my man has bought 5 whole baguettes from a bakery. Not 2 or 3, but 5. Actually, on closer inspection there's even more bread of a different type at the bottom of that bag too. These aren’t store-bought, they’re fresh and will probably go stale in a few days. Pray tell, if the man is not eating baguette for breakfast lunch and dinner over the course of 72 hours... why did he buy so much fucking bread?

What comes to mind when I see this is binge eating. Bread is one of the most common binge foods out there; anything with high carbohydrates or high fat content, in fact, often due to its “unhealthy” or “forbidden” nature.

We'll just have a quick look at Mahiru's comment again:

"I thought to buy the same bread he did, but this is far too much for me to eat... ><

I forgot to ask how many calories there are..."

If it hasn't been established by now with the MV's aesthetic, Mahiru cares about her appearance. A lot. Her self-image and beauty directly ties into looking 'good' enough for others, so she can find the love of her life and please him with her looks.

If Mahiru is also calorie counting, this does not bode well for their relationship. I should probably speak in past tense, actually... Mahiru's own self-image behaviours made her blind to her boyfriend's self-image behaviours. There we go.

But I'm getting ahead of myself here.

So, We have an indication of binge eating behaviours. Remind me again what comes after binging?

The Jogging Hobby

Oh, that’s right - purging.

Excessive exercise is an indirect method of purging/compensatory behaviour found in bulimia. A more commonly known purging method is self-induced vomiting, but that's certainly not the only way to counteract excess calories.

So the jogging, while harmless in isolation, is starting to paint an ever-so-slightly worrying picture.

Again, let's take a look at Mahiru's comment:

"I had a chance to chat with him today, and he mentioned his hobby was jogging. ... I haven't exercised this much in ages... I'm totally exhausted..."

The only hobby (not hobbies but hobby, singular) that we learn the boyfriend has is this. Sure, there's one movie that he also likes... but that's it. There's not much else to him! So when the two most prevalent ideas attached to this guy are 'food' (in excess) and 'exercise' (in excess)... you can see where I'm going with this.

And by the way, the post I linked at the very beginning? Well, they worked out the location of where this running loop is, and judging by Mahiru’s position and direction it would suggest she’s already jogged about 5km and beginning another loop. So we’re looking at a jog ranging from 5-10km (or more)...

The Alcohol

Okay, here's a quick pop quiz question for you. Who is more likely to get drunk on the same volume of alcohol: a 5"1 woman, or an average height (5"7 in Japan) man?

In theory, it should be the 5"7 man on the basis of his height and size. Alcohol tolerance goes up the bigger you are.

So why is it that the boyfriend ended up blackout drunk, and Mahiru... didn't?

Let’s take a look at the comment:

“My first date at a bar, how heartpounding!

Here is where I learned he’s the biggest lightweight I’ve ever met! ...or maybe I’m just really good at holding alcohol?

Whatever the case, blackout drunk him is so cute!”

Three possible options:

Mahiru really can 'hold her liquor'. Judging by her sheltered home life and general lack of adult life experience though, I'm gonna press x to doubt here sorry mappi.

The boyfriend drunk more alcohol than Mahiru. Also unlikely, as she calls him a 'lightweight' and I think she would've highlighted this in her comment.

He drank on an empty stomach. Alcohol absorbs way faster if you haven't had anything to eat beforehand. This, I think is the most likely scenario.

Here's a little more on the subject that I found interesting:

You absorb 20 per cent of alcohol into your bloodstream through your stomach and the rest into your bloodstream through your small intestine.

Drinking a small amount of alcohol stimulates your appetite because it increases the flow of stomach juices. A large amount of alcohol dulls your appetite and can cause malnutrition. (source)

What have we learnt so far?

So we’ve established some concerning behaviours here.

He eats in excess

He exercises in excess

He drinks in excess (on an empty stomach)

I’m actually going to move onto material from the ‘I Love You’ MV, but intertwine it with some of the remaining points from TIHTBILWY.

At this point the relationship has progressed, we’re moving into winter which brings with it the holiday season! Yay! Except not yay, because things are starting to look really bad for Mahiru’s boyfriend. We've gone from this:

To this:

The carousel was fine at first but now it’s taking its toll on him. Both of them have tattered clothes but Mahiru looks optimistic, whilst the boyfriend looks very distraught. His cheekbones are visible and overall he looks a lot less healthy. I guess this is a good time to point out how distinct and visible his collarbone has been this entire time by the way? He’s even bonier than before. Not great.

A lot of events occur at this time of year, such as Christmas (celebrated between couples in Japan as more of a lovers holiday) and new years. What happens a lot during that period of time? Food. Lots of it. This point in the year is not ideal for someone suffering from a worsening eating disorder. This is a period of time which someone would want to move very quickly from because they can’t see the end of it.

I think it’s time to read Mahiru’s comment from day 15:

“Happy new years! To celebrate, we went to a shrine.

Predictably, I already have my wish in mind.

May we stay like this until the end of time.

May nobody stand in my way”

She, on the other hand, is very happy for things to remain as they are.

Day 16 - AKA, Oh No Things Have Gone Terribly Wrong

This is where the narrative hits its climax and everything starts to snowball.

Now, we reach this scene where the boyfriend stops walking and breaks down. He kneels on the ground, digs his nails into it, and pleads for... something. Help? An intervention? A stop to this carousel that’s doing him no good and only making his health (physical and mental) worse?

He never speaks. It is a silent plea.

One that Mahiru misses.

Saying I love you but doing what I did, I know I have no right, crossed and covered in sin

My love, it scored an own goal, destroyed my love and me with its weight

Tell me, oh tell me why, can’t I just do it right

What did you do, Mahiru?

I believe that this scene and response:

Is directly parallel to this event:

As in, they’re the same thing.

One more comment to read:

He’ll be in for a big, delicious surprise once he gets home!

I’ve made SO many notes about his favorite foods, and practiced my butt off!

I can’t wait to see the look on his face when he sees it all.

Her love - her surprise buffet to cheer him up - scored an own goal, so to speak.

I don’t think I need to say much about this picture, or this scene. She’s giving him excess but that excess is literally driving him over the edge. The nuance is lost between them, and they both need different things from each other and they’re not getting it. Cake to rats, rats to cake.

They’re back on the carousel, spinning around and around with things never changing, no end in sight.

I want to end on this frame of the MV. You see the pole behind the boyfriend? It’s reminding me of rope, and of a certain visual at the end of the video. The juxtaposition of Mahiru forcing her ‘love’ onto him, and of suicidal ideation being the only way off this ride and his problems.

#milgram #mahiru shiina #analysis #long post #eating disorder tw #anorexia tw #bulimia tw #this is how to be in love with you #ai nan desu yo #I love you #daisuki #I DID THE THING and it's... long. and sad :(#this was a really interesting interpretation to write! it's certainly not bulletproof but I truly believe this guy had problems in life #and mahiru couldn't have changed that fact. did she help? not really! did things get bad bad? y. yeah. but! ...#...I have nothing uplifting to say here. her love was plentiful and well meaning but woefully misguided </3 #I genuinely care about this nameless character now... he looks so happy at the start embracing her and im certain in better--#--days between them they were having a great lovey dovey time!! ugH my heart it hurts.....#if there's typos it's because it's late and I'm tired LMAO

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