#but yet this makes perfect sense to me

[hangryhana]

5 sauce🥫

[stuckinapril]

The whole “be responsible not for other people’s feelings but to them” distinction is so so true… at some point you need to realize that other people’s insecurities really are their responsibility & dimming or contorting yourself to make them feel better helps neither you nor them. Firstly, bc they need to realize what they’re doing and grow up. And secondly, bc you’re not just compromising on a one-time thing. You’re comprising on who you are as a person. I don’t want to look back when I’m older and stay stuck wishing I held my ground despite people’s projections or asserted my presence more or didn’t apologize so much for who I am. I really just want to own everything (the good and bad) & continue doing what makes me happy

[rabarbarzcukrem]

Ok so it's like.

The motorcycle scene: Touga is obviously imitating Akio and failing miserably. Represents an attempt at achieving maturity and adulthood through adopting empty symbols of power. Gives the impression of movement and progress, but in reality is going in circles. It gets faster and faster, there's a sense of danger and agitation. Touga is driving and Saionji sits in the sidecar, they're not on the same level and Saionji disapproves. Seems like they're heading towards some destination, but they're going nowhere.

The bike scene: A reference to their shared memories. Represents clinging to the past and trying to return to the time of childhood. The wheels may be turning, but the bike stands in place. It get slower and slower as Touga gets more tired until he finally stops completely. There's a sense of nostalgia and emotional fatigue. Touga is the only one pedaling, but Saionji doesn't comment on it (meaning that perhaps Touga being in control wasn't the problem in the first place. Maybe it was always about wanting to restore their lost connection and equal footing). They're facing opposite directions, but at the same time leaning on each other.

[wisebeth]

why does the pjo series have to unnecessarily villainize goddesses (hera & athena) or show them as silly ladies (aphrodite & demeter) BUT posiedon and apollo are somehow shown as the coolest/most likeable gods, even though arguably, they're right after zeus on terms of corruption?

ares shown as the worst god after zeus and hera amuses me. last time i checked, he was the patron god of amazons and literally killed a man for attempting to rape his daughter but guess who cursed women for rejection? apollo. guess who raped women when they said no (aside from zeus)? posiedon.

[vash-in-the-void]

Inspired by a post I can’t find rn but if you made a similiar post calling Meryl and Vash girlfriends just know you inspired this travesty

[the-sage-libriomancer]

Rewatched Princess and the Frog today and honestly it feels more like a celebration of Disney's 100 years than Wish. A classic fairy tale respun in interesting ways while still being undeniably Disney? Check. A traditional story with modern twists and a (narratively) strong female protagonist? Check. A return to 2D animation in a time when the medium was dying out? Check. Hell, it even takes place in the same time period (1920s) that Walt Disney released the first animated feature film and started a hundred years of magic. There are multiple references to older Disney movies, from classics like Pinocchio and Sword in the Stone to (then) recent films like Aladdin and The Little Mermaid. It features the fucking wishing star! In a more narratively sound manner than Disney's actual 100th year celebration!

And even beyond that, Princess and the Frog feels like it pays tribute to the magic of magic - the power of believing in stories, of having a dream, of working hard to reach your happy ending while never losing sight of what's really important. There is so much effort put into this movie and it shows: the animation is gorgeous, the story is creative and structurally sound, and behind the scenes reveals that the producers put their backs into making sure both the African American aspect and the New Orleans cultural aspect were accurately depicted. It was the first Disney movie in over a decade to return to the Broadway musical format, and they literally had to dust off the abandoned 2D art tools because the company hadn't used them since 2004.

Princess and the Frog was a labor of love through and through, a heartfelt tip of the hat to Disney's legacy while still being its own story. I don't know what could be more celebratory of Walt Disney's dream than that.

[stop-breaking-my-heart-telltale]

if dorian didn't show up, do you think louis would have shot minnie?

I do. I know some people think either he wouldn't have or he would've missed so that's why the writers had him shoot Dorian instead, but mmmmmm no, I don't personally think so. I like to think that if he had taken the shot, his shaky hands would've caused him to shoot her fatally.

Mostly because I'm already so normal about the fact that of the Ericson crew, Marlon and Louis are the only ones with a body count. Well, that we know of, but shown to us in the game, at least. Plus, we know it's Louis' first kill.

Like yeah, Clementine and AJ become part of the crew and they have bigger body counts, and if we're counting indirect kills caused by actions, then Tenn has a count... and I guess everyone has blood on their hands for blowing up the boat... but I'm talking about killed directly with a weapon like....... I lied, I'm not normal about that at all, Louis and Marlon are the ones who have killed someone in Louis' route. I'm also not normal about the fact that Louis kills Dorian and then even as he's clearly in shock, he tries to go with Clementine to get AJ, and then later on when they talk about it, he says it feels like bile but not quite and he's glad he has it in him to do it.... listen, listen, listen... I'm obsessed with that.

Anyway, so if Louis shot Minerva, I think he would've accidentally killed her and can you imagine? He's already enough of a mess after killing the woman who pinned him down and tried to cut his finger off [or succeeded] but he knew Minerva, they were friends before the twins were taken. Even Violet couldn't kill her even though that would've been the smarter thing to do, and we know thanks to meta knowledge that killing her would've saved lives, but Violet couldn't, and I don't think Louis would intentionally either.

Speaking of Violet, if Louis killed Minerva, I hate to think about what that would've done to Vi. I think she might've actually left at that point, like what was planned before it got changed to her being burned. I don't think she would've attacked Louis over it, though, like yeah she attacked Clementine in the cell but Louis? I don't know, but I don't think so just because it's Louis and he'd be a mess about it anyway.

Though if he did kill her, it would be a neat parallel to draw... y'know, because Louis forgave AJ for killing Marlon even though he was pissed and heartbroken, and Violet was annoyed with him the entire time... but could she ever forgive Louis for killing Minerva? Y'know? We already have a similar parallel with AJ shooting Tenn, but still.

If Clementine killed Minerva in that moment, though, then I could see Violet attacking her since in her eyes, Clem proved her right.

So yeah, I get why they added the Dorian kill to his route. It adds another compelling element to Louis as a character, but we also need Minerva alive for episode 4; Louis can't kill her, he can't miss, and he's not going to stay with her because we need Violet to stay on the boat and him to be on shore for all routes.

[atthebell]

its actually wild to me how many people weren't following qsmp from the start i always get so surprised by it

[chainofclovers]

Being a human is literally like this weird combo of being okay and not okay that goes on forever except there is also death

[bookwyrminspiration]

rereading legacy and i keep fixating on the detail that in the dwarven King’s Path when Sophie’s having her hallucinations, as you do, she feels her own ears are pointy. while also hallucinating the Neverseen welcoming her with open arms. and this is during the time she’s looking into her bio parents.

I’ve leaned towards Gethen as her father fairly consistently and already made several posts about him and other potential fathers—including Fintan. but I’ve never though about how the ancient ears during the hallucinations may be another hint, as they’re a great place (and so are dreams) to include foreshadowing because they don’t have to make sense with the rest of the characters knowledge. like Sophie dreaming of Brant burning off her hand a book before his own was burned off

I’ve gone in circles on the topic but I’m coming back to consider Fintan again because of the pointy ear thing there. If it’s him, I assume the situation would be: he was approached as a scorned member of society (his connection to the Neverseen unknown) who Forkle thought would be sympathetic to the changes they’re trying to bring about, Fintan agreed in part because he agrees changes need to be made, and in part because he has a secret hope he could sway/get Sophie to his side via familial relation or something similar. that parentage would be catastrophic (fitting forkle’s comment) on many levels, originally because of the rules against pyrokinetics being matched and having kids (especially as a former councillor who is supposed to be better about the laws), and now for his murderous actions and criminal behavior

anyway. still no closer to definitively deciding whether i think her father is gethen or fintan (and don’t worry, im aware of evidence and reasoning beyond this post, this is about the king’s path detail) I’m just further complicated my theorizing attempts and writing it down to make sense of it

[taniushka12]

back to my hypotenuse bullshit, i just think its very funny how alice was repeatedly characterized as someone who chooses to look at the bright side of stuff, of ppl, seeing hidden depths or things other might not notice and helping them bringing that to light, and how barry Was introduced in a rather negative light until you get to know him better and learn that hes a champ, AND YET alice dislikes him so much for seemingly superficial reasons

like yeah there are reasons why barry is a good dude, sure, but fuck that actually, this is personal

[merge-conflict]

we really should have some higher level queer discourse (but not the fighty-bitey kind) going like for instance does spending brain time in a woman's body make johnny trans even if it's temporary? what do you call it when your body is the right gender but the wrong body? what's it like to live inside someone and what kind of fucked up body issues does that leave you with? can we talk about dolls? surrogates? identity?! autonomy?? the shape of something that is strangling you and you don't even have words for it?? okay. okay i'm normal now.

[bunkernine]

society if hoo had them at uni age and the lost trio went to chb and chiron is like "how tf are ANY of u alive and unclaimed". wilderness was just community college.

[aaaaaaaaagenloser]

(Tw: kinda transphobia? Use of it/its for a character who hasn’t declared what their pronouns are yet. Arguments over whether a character is a person or not; that ties into the pronoun thing here. Bonus points for descriptions of canon-typical gore yipeeee)

An update from after writing this: oh this. Got. This one got away from me?? I think I started this at 4 minutes past the hour. It is now 43 minutes past the hour. shitt.

Update; it is now 17 minutes after the NEXT hour. 26 minutes after th last update. I have seen god in the past hour and she shook in fear of both my power and audacity. I have lunch with my family scheduled in like 6 hours and I have not yet slept. This wasn’t meant to be as long as it is but I was possessed and this is the result. I may edit it and make it smoother later but I’ll make that a separate post, I want this sleep-deprived chunk of words to be here as like a monument to the fact that I could have been playing stardew valley during this time but I chose to do this instead

TLDR: long ass story ahead written by a sleep-deprived and hyperfixation-driven author. Who is now going the fuck to BED

“We can’t just keep it! What if it has a tracking device? It won’t let us fucking touch it so there’s no way of knowing it has one unless it leads them right to us!”

“Ok, I hear you but think. That hasn’t happened yet. It’s been about what, three days? and that hasn’t happened, and they haven’t been violent towards any of us at all. They haven’t tried to go back either, so there’s no risk of them telling or leading Showfall where we are.”

“Why do you keep calling it ‘they’?”

“Well they can’t be an “it” now can it? …wait.”

“Ok can we figure out the gender of the thing in the other room after we figure out if it’s a threat to us or not. It’s not even a fucking person, you remember what those things did to you back there, don’t you?”

“Those people were not themselves, they were just doing what he wanted them to do—“

“They’re not fucking people! Those things are all part of Showfall, just like Hetch was! It’s just waiting for the right time to turn us in, or pull some shit on one of us like they did before.”

“They weren’t… they weren’t in control.”

“Yeah like fuck they weren’t, I saw it fucking happen!”

“You can’t just… Ok. Sneeg. Stop. You don’t speak for me, the one who, oh I don’t know, was the one that shit happened to? They were being controlled just like us—“

“No, no, not like us. We were wandering around and not knowing what the fuck was happening. None of us knew what was happening. We just went along blindly. Those things—on purpose—dragged you to that stupid wall and sewed wires into your hands—“

“Shut up, Sneeg—“

“No you shut up! You didn’t see it fucking happen! I saw them and Bitchface literally hold you down until you passed out! They were fucking choking you, they fucking—they nearly fucking killed you with just their hands, that’s not a little suggestion in the back of your brain, that’s on purpose! That is fucking deliberate, that is a thing those machines chose to do! You don’t remember, you weren’t conscious when they fucking stapled you to the wall and strapped your head in—“

Sneeg glanced at Ranboo for a moment in-between pacing as he ranted, and the far away look in their sibling’s eyes shut them up immediately. Ranboo was still present, thank fuck, but they were looking at their brother like he was holding up a knife to their throat.

“Fuck, Ran, okay, okay—I’m sorry. I shouldn’t have… shit. Do you need Charlie?”

“You don’t know when to shut the fuck up.”

“…okay. Okay. I’m sorry. Do you need me to get Charlie?”

“No, I’m fucking fine.” It did not sound like he meant that at all. His voice was less steady than before. “I don’t want him to worry about our… hitchhiker. He’s worrying enough about… well, everything.”

“The fact that it’s here, so close to us is the reason I’m trying to get you to see, Ran. What if it turns on him? What if it does that shit to him when we aren’t there?”

“We will be there.”

“And when it tries anything, we can kill it?”

“Sneeg!”

“You wouldn’t kill it, even if it hurt our fucking brother?”

“Of course we wouldn’t keep them around if they did that, could we at least just… just leave it behind? …wait, no, they couldn’t take care of themselves. If we had to leave it behind, maybe we should…”

Silence lingered for a bit too long.

“We should what, Ran?”

“…Sneeg, I was about to say that killing it would be a mercy.” The Hero laughed. “Doesn’t that sound familiar?”

The Taken didn’t reply.

“We have to help them. I don’t… I don’t want to be on the other end of a mercy killing. I don’t want to hurt anyone anymore.”

“Okay. I’m—are you okay?”

“…m fine. It’s fine. Just. Can you stop acting like they’re any different from us? Please.”

“What do you want me to think then?” His voice was softer than it had been a few minutes before.

“Just assume that they… that they were someone. Just like we were before. And they didn’t… they didn’t do anything on their own, it was all Showfall.”

“Okay. Fine. Let’s assume they were controlled, they didn’t mean to, so on and so forth. Why haven’t they talked yet.”

“I don’t think any of the drones even could talk. Wait, should we really be calling them a drone—“

“Shut the fuck up, Ranboo, we have got to figure out what to do with it. It probably doesn’t even know what is happening, what the fuck does it matter what we call it.”

“It matters to me! Do you want me to call you by your title? Do you want to call me by mine? …No? Then why are we treating them like all they are is what Showfall made them? We had lives before, we were someone, so they must have been too. They might not realize it, or… or act like it, but they used to be someone. They are a whole person, Sneeg. We have to help them, we can’t just leave them behind because that would mean we are giving up on someone just like us, and we cannot give up on each other. They… they would have hurt us by now if they were going to. And Showfall hasn’t found us since… you know, which means there aren’t any more trackers.

…okay, Sneeg?”

“…okay. If it,” he sighed at the look Ran gave them, “if they try anything, we have to leave them behind. I’m not letting a dumbass puppet be the reason we get taken back.”

“If they—ok, whatever, you’re not understanding. You can’t say one of us somehow wanted to be controlled, and they’re a ‘puppet’ but those rules don’t apply to the rest of us—“

“There is not an ‘us,’ Ran! That thing isn’t like us!”

“Guys?”

A sleepy voice shut the two of them up instantly. They had a split-second conversation with their eyes before looking to their brother. ‘We aren’t done talking about this’ ‘You’e absolutely right, so later?’ ‘Later.’ ‘We’re telling Charlie nothing happened?’ ‘Of course.’ ‘Ok good plan.’

“Why are you two fighting? I’m tired, can we please go back to sleep?”

“We weren’t fighting, we were…”

“…talking about plans for tomorrow. And you can go back to sleep.”

“I don’t want to be by myself.” Charlie looked at Sneeg pointedly, who sighed to Ranboo with a playfully annoyed expression.

“Well I guess I gotta go be a teddy bear again.”

“Have fun”

“Absolutely not.”

Charlie punched Sneeg in the shoulder lightly for that, who just giggled in response and led his little brother back to their room.

Which left Ran by themselves.

Some nights, he would join them, but some nights Charlie couldn’t stand to be anywhere near Ran, and the three of them had made a silent mutual agreement that Charlie trusted Sneeg more than he did Ranboo.

…Ranboo was okay with this. He wasn’t hurt by it. He didn’t cry on the nights he slept by himself.

He didn’t wish he could be the one Sneeg comforted sometimes. They were just fine.

They were fine, which is why they went to the living room where their… well. Their hitchhiker? They weren’t exactly a brother, or a sibling, more like a fourth wheel on a tricycle. Or a flyaway hair. Okay, maybe Ranboo needed to get tbr fuck to sleep, alone or not.

But he found himself in the living room, where their hitchhiker slept. Or, didn’t sleep, as they seemed to not need to. They would sit on the couch and stare idly at the tv. That was what had started the whole conversation with Sneeg in the first place; Ran wanted to leave some kind of entertainment for the fourth person so they wouldn’t be made to sit in the dark for hours. Sneeg took this remark as a perfect opportunity to explain all the reasons why the former drone should be abandoned, but Ranboo would have fucking none of it. Maybe the couch potato (shit, he really needed to come up with a name for them—) didn’t seem to sleep, barely ate, and stayed still unless actually verbally told to move, but they were still a person. Ranboo was sure of it.

Their hand wandered up to the fresh scabs where their mask had been. The fourth person had a mask, one that hadn’t been touched. Despite usually staying still, the person—(Ranboo thinks they might just call this person Couch for now. Maybe it’s not accurate, and they’re tired, but it’s something. C, for short.)

C would back away any time the others would try to get near them. And they did in fact try, but despite how creative or sneaky they got, C always ducked away. It reminded Ranboo of the drone who had followed them with a camera, always one step away and never letting the Hero get too close.

The mask turned to Ranboo, who stared back quietly. C hadn’t talked at all, so Ranboo didn’t expect them to suddenly start now. He wasn’t even sure if they understood what was said to them, but Ranboo wanted to try anyways. Better to be polite.

“Do you like the show that’s on? I think it’s called Lucy, or something. I don’t know, Sneeg said it was funny. And it didn’t seem, uh- scary or anything.”

The mask didn’t speak.

“If you want to change it, the remote’s right there, um, I showed you how to use it before. And there’s like, instructions drawn on there. You can thank Charlie for that one.”

…

“I think I’m going to head to bed.”

…

“Fuck it, can I stay here?”

The mask still didn’t speak, but the head hidden behind it tilted a bit at the sudden change in tone. Ranboo took this as an absolute win.

“So I just. I don’t want to be by myself. And I don’t think you sleep, I mean if you just sleep when everyone else is asleep that’s cool, but also if so how do you even? function? on that much sleep? It really isn’t that much but to be fair you don’t do much so maybe you don’t need it. …do you sleep sitting up? And just somehow wake up when we get close? I know, um. Sorry about that, again, we were just worried your mask had a tracker like mine used to.”

Ran laughed nervously. “I think I did convince them that it doesn’t, so that should stop now. If um. If we make you uncomfortable you still don’t have to be touched, it’s, it’s fine.”

Other than the head tilt before, there wasn’t a reply.

“Okay, since. You can’t talk, I’m just gonna… I’ll sit down beside you. On the couch. And if you don’t want me to be that close you can uh- you can leave. Or like, get up, and then I’ll leave. This is the only room with a tv, so I’ll let you stay here, but I can’t tell if you want me to be here or not, so. Okay, sorry, I’m rambling. Just… move if you want me to leave, okay?”

Ranboo waited for a response that didn’t come, then sighed. “Okay.” He kept his hands up and open while sitting down, waiting for a few moments before tucking his feet under himself to get more comfortable. “I’m just gonna stay here, okay? Like I said, just move if you want me to leave.”

The mask had tracked them to where they sat now, but the person—C—didn’t make a move to leave. Ranboo turned their attention to the tv, keeping an eye on their couch partner in their peripheral vision. During a moment of audience laughter in the show—I Love Lucy, they remembered—C turned their head back to the television as they had been before Ranboo walked in.

Seeing as how C (they needed a better name than that—) didn’t speak, this was the closest Ranboo could get to being told “you can stay here.” So they did. A few episodes later, his head was on the arm of the couch and his eyes were closed.

Five turned its attention to the Hero, who was now asleep. He had said it was a person, which was almost hilarious. And the Taken and the Hero seemed to think it couldn’t talk? They had to know it needed to be given permission first: any handler of a Drone or Prop knew that basic rule. It would wait until permission was given: it knew how to obey. It wasn’t meant to speak to a superior unless it was told it was allowed. It would wait.

…in the meantime, it studied its handler, the Hero. The other Actors, their two other handlers, called him ‘Ranboo’ but Five knew that wasn’t his actual label. The Hero was his character in the last show, and so that is who he was. Five didn’t know if Actors had a number, but he had been called the Hero in the script, and so the Hero he will be until the script changes.

It hoped to get new instructions, a new script for itself, something, soon. It was tired of simply watching the Actors go about their incredibly off-script show. It was sometimes told to participate, and since no other superiors were nearby, it had to obey its current handlers. But it was told to participate, to stir eggs, to help clean the kitchen, to attack small webs in corners with a stick with soft spikes on the end. Those sorts of things weren’t it’s usual directive, and so it found itself…

It didn’t resent its handlers. They were doing their best, and they at least knew that they were meant to give it orders. It simply wished they were familiar orders. It wished the Hero had told it to play dead, or play chase, or play camera, or caught, or prop. It would even listen if it was told to power down until needed. At least then it wouldn’t have to be conscious in this boring and unfamiliar set.

.

Y EA I know they probably don’t like tvs. Shhhhhh. I didn’t think about that until like. I had already written the tv part. At this moment it is 55 minutes past th hour and I want these characters to go the fuck to sleep so I can go thr fuck to sleep /lh

And yeah Five only uses “he” for glran. That is intentional. It’ll be talked about and shit later. Something about being put into a role, something about showfall being transphobic, something something I want to go to bed

Powering down = “sleeping” for a drone. Different but similar. I’ll explain how it works later?, anyway The others hav e told Five to “sleep” but it doesn’t understand because it is only ever told to “power down” so it’s like error.sleep_not_found and it stares at them like “bitch you said the wrong. Thing. You’re supposed to know how to control me so you don’t want me to power down I fucking guess” and it’s gonna be really funny after that miscommunication is taken care of.

If you remember the Five Gets A Cold And Wants To Throw Hands With Everyone post, this is wayyy before that. These motherfuckers are fresh out of showfall. Don’t ask how they got a house. I’ll figure it out

I am! Tired! I’m not proofreading this!! Goodnight please give me your thoughts if you have them. I need to know I didn’t sacrifice tbis much sleep in vain /nf /lh (I appreciate words but you are Not required to give them. Love you have a good nigt/p)

[emmafallsinlove]

s9 of modern family when the whole family is going on boat trip was a great episode to establish lesbian!alex and bring back andy. there i said it

[frogathy]

childhood was spent thinking i’d go to hell and men would not love me if i swore so now to heal from that i am swearing as much as i fucking can until i come to my own fucking conclusion about how i feel regarding the usage of such crude vocabulary