#can u tell i was. experimenting with stuff

[inkskinned]

we were sitting on the floor and i was cutting out tiny pictures to make a collage for a friend's birthday. you were on your phone and you laughed about something, and i was still in love with you then, so i asked what had you giggling.

"sorry. i was just..." you took a moment and went back to texting. "i was telling someone about how you're afraid of the dark."

i'm afraid of the dark because something bad happened. "oh." i felt a little slinky of shame crawl down my throat.

you glanced up, and maybe it showed on my face, because you rolled your eyes and held the phone to the side casually so i could see the group chat. "what? was it a secret?"

i looked down to the scissors in my hand. "i just..." no, it's not a secret. it just felt like something private, something serious. saying why would you tell someone that just feels like an accusation. it's unfair. i honestly am not even ashamed of it, it's just a fact about my person that i don't usually share.

what a strange experience. is this a human thing or a generational thing? for our grandparents: did they need to worry about how quickly someone can just... share your personal information? again, i didn't even really have a true objection. what could i say? i want any person in my life to feel they can be honest with their friends. it's not like i said don't tell anyone this.

i cut out another letter to complete the rainbow happy birthday, started hunting for the exclamation mark. i heard you sigh dramatically.

"don't make a big deal about this," you said.

this entire conversation was a pattern for us, and this was when we got to my least favorite part of the pattern. i would get my feelings hurt in some oblique not-technically-terrible way, and then it would be making a big deal about something. you'd get frustrated for me for being soft, but i was born soft. you knew i was soft when you pierced me. it's one of the things that made controlling me so easy.

"i'm not," i felt my voice crack. the question came without my wanting. "why are you guys talking about me?" and why are you saying that thing? why not like - i'm telling them how you're generous and kind and pretty.

you let out this low, tragic groan. "oh my god." you tossed the phone away from your body. "there, see? i just won't talk to them if you don't like it."

the rest of the hour went the way it always went, between us: i said i don't actually mind if you talk to your friends but -, you found a way to call my minor expression of discomfort "being dramatic." you got upset that i had been offended. i ended up apologizing, even though i hadn't actually done anything.

afterwards, you picked up the phone again. after texting for a little bit, you snorted. "okay," you said, "but it is kind of funny you're afraid of the dark. i mean, when you think about it."

[psychomusic]

oc time again! + her town & culture (heavily inspired by pre-roman italic populations)

she is suri sauthon. her story is linked to my swtor imperial agent, tar'x, but most of her life except for the one year away where she meets him, is spent in a town in the mountains of mirial.

despite mirial being cold and desert, and many cities developing underground, her town flourishes thanks to a force nexus, venerated in the form of an ancient, sacred, alive crystal. the ecosystem of that mountain depended on what "the horned crystal" was capable of giving them, but mirialans couldn't live off of that alone, so they developed trade and some rudimental technology, even if oftentimes it was bought thanks to the highly profitable trade of a plant used to make medicines that slowed down aging and had overall healing properties.

note: everything that's generated by this nexus has these healing properties BUT they have to be processed, except for those who bathed in the waters of the cavity under the crystal - the "real" nexus, but not the worshipped one. the waters were sacred but they were not thought to be miraculous, unlike the crystal, who instead was thought of as the keystone of the ecosystem: without it, everything would fall apart (and that is partially true: the cavity was the "real" nexus but thanks to the crystal, also strong in the force, the properties were spread all over the mountains). those who bathed in the cavity's waters - so, all of the town, who had a sort of baptism there - could eat the plant, make whatever food with it, and not only that plant, but everything generated by the nexus, that, again, had similar properties. this allowed people to live up to normal life-spans without advanced medicines or, much, really. to those who didn't live there, though, after the processing, had incredible effects, slowing down aging - for those who took it regularly - and making people able to live up to half a century more than the average]

originally, there were four tribes of nomads that lived thanks to horned farm animals that decided to settle down into one bigger town and other smaller settlements, to live off of transhumance. this division of the tribes stayed into the political and social organization: every person belonged to one tribe specifically, and had slightly different rituals and culture. for examples, each tribe had their own priests and healers, with different techniques and traditions. the town, tho, was guided by a group of people in the high priesthood, a position you could reach only by having earned the trust of all tribes. those high priests had many roles: they guided the people into sacred processions common to all the tribes, they managed the trading with outsiders, they did the maintenance of the temple of the summit (the one that functioned as casket to the crystal) and created a special liquid to offer the crystal that helps it grow.

this particular temple was important because 1. it was very visible, from every angle of the town, and it became an important identity symbol; 2. it stored the venerated horned crystal; 3. it had the altar where sacrifices were made for the crystals. that altar had a hole connected to the cavity, that allowed the liquids to reach the underground; 4. it had various symbols: statues representing each tribe + the high priesthood, and typical mirialan tattoos carved into the wood of the trees that served as columns for the temple, symbolizing 8 values that who dared to enter HAD to have; 5. it was on the way to an important lake (called "mother lake" because the lake the town was built around to depended on the waters of that other lake) where they traveled to in important processions; 6. it was said that a the wizard who unified the tribes made it with its magic, making the plant grow to hold the temple's roof. this wizard was, actually, a force user, obv.

BACK TO HER THOUGH: she's daughter of one of the high priests, who was in charge of managing the trades with outsiders, and lives in a house on the mountains with her mother and him. her parents are from different tribes (that's one of the things that earned him trust from the 4 tribes): when a child is born from two different tribes, they don't pick one to allign to, but they're usually linked automatically to the one with more relatives in it (in her case, the father's tribe: she had many uncles and aunts on his side while her mom only had one sister).

later, though, she got quite tied to her mother's tribe due to a mysterious illness that only her mother's tribe healer was able to cure. she spent 4 years (from 10 to 14 years old) living with the healer and learned her secrets. to better study, she wrote them down. when she returned home, she studied to become a priestess with her father. at 22 (the average age: you can't become priest before your 20s), she was supposed to take a test and become a priestess, but the healer of her mother's tribe died and the tribe asked her to take her place. she couldn't technically do that, but both tribes estimated both her and her parents and she was allowed to become both. she then decided to try to become a high priestess, and became one at 25 (a quite young age). being part of the council, she tried to convince the various tribe healers to unite their knowledges and write them down, and eventually made it. healers still remained tribe based but they now had an "upper, inter-tribe level" similar to high priesthood.

years later, the sacred horned crystal is stolen from the temple by some Hutt mercenaries looking for a profit. given the trust she has earned from all the tribes and the fact that her father is the high priest that deals with outsiders (and she's been hearing stories and advice about it since she was little), she is the one tasked with getting it back. without the growing crystal, the keystone to their ecosystem, the village would have lasted only a few years. in hrr quest, she meets imperial intelligence agent tar'x laran and, as they "solve the mystery" and fight to have it back, they get closer. they'll get married and have a daughter, Vegoia (who's the only one who actually will get to the plot of my story. this was all background)

[gomzdrawfr]

favourite nintendo games? and amount of hours you spent on them favourites.

Because nintendo games cost a kidney, I only played these

Probably Stardew Valley, it's the 2nd game I bought after BOTW (first game)

[starlightshore]

long shot lol but...

anyone know blockbench? or has a good understanding of 3D? if you're willing to spend some time giving me the run down, i'd be willing to draw some art for you!

I'm finding the tutorials on blockbench to be... pretty limiting. and blender, well, i haven't had that good of luck with blender so far and I've found block bench to be great so far! i just, er, don't really know how to do more complex stuff.

the most comfortable I feel like i could do is the chair + round table and it's dog food bowl. and probably the door. (maybe the glass cabinet? it's a lil weird of a design tho) but past that, the booths look terrifying, i worry about the counter and then the jukebox? where do i even start with that thing.

and bottles maaaybe, but i doubt i'm doing them the "proper" way.

I just want to build up my fundamentals and get better/faster with pixel modeling. i think these would be a REALLY COOL alternative to hand drawn backgrounds for my webcomic. i mean, worst case scenario, it's an interesting way of blocking out the bg to draw it out.

i should mention i'm doin some commissions so i can't be the most urgent with this but!!! we can talk deets

[clumsypuppy]

if escape rooms as team building exercises became popular im not sure if id be more excited or terrified

[wiklm]

some of my other atla art (+cyno??) from this years bout of fandom craziness

[seiwas]

conversations on love #3 (gojo x reader) lil snippet sneakpeak!

Print photos aren’t as important anymore when cloud storage spaces are just as–if not more–accessible, but Gojo is admittedly sentimental despite every front he puts up to hide it. 

He’s kept every single gift you’ve given him and camouflaged it as decoration in his office, and the family drawing 10-year-old Tsumiki made is still folded between the pages of a self-help book Yaga gave him when he first decided to teach. 

When every moment is experienced so vividly, seen through a muddle of infinite energies, there are those he wishes could stay still—ones that take up space to remind him: ‘this is real, it happened, and because of it your life is irrevocably changed’.

For the longest time, Gojo has kept a photo hidden, locked away in the drawer by his bedside as if keeping it there means the memory will stay guarded forever—untouched, unspoiled, unruined.

It becomes clearer to him then, by the look in your eyes and remembrance soft-spoken, that what good is a photo unseen? 

What good is a love unwitnessed?

[oh-cramity-its-amity]

i love my friends so much. i feel like yesterday i had a lot of shit going on in my head and i woke up to my friend explaining things in a way that put my mind at ease. i dont feel as anxious anymore because i know i was overthinking. i think my dad said it best when he told me that he thought my wonderful brain of mine just wants to think problems are bigger than they actually are. he is right! im just inexperienced in life and half of the time im scared im doing something wrong but- HEY. i need to be more confident in making mistakes. making mistakes doesn't define me as a person!! i need to stop worrying about doing life right and just live for the sake of living and doing what makes me happy!!!!!!!

[connormoving]

watching a youtuber talking abt a horror movie and itis so obvious when somebody has only talked to mental health professionals for like. depression or anxiety* . bc shes sitting here like Woah i dont understand this guys like engaged to a therapist why doesnt he understand that someone being mentally ill doesnt mean theyre an evil scary person... I am sorry to say this but even being a mental health professional doesnt mean you dont think mentally ill ppl r evil and scary and gross

*this is an assumption on my part bc this yter has never talked about having anything other than those afaik Obv its her right not to just in my experience and the experience of other ppl ive spoken to . it seems like if you have pretty much anything other than those and talk to a therapist you would not have this idea that mental health professionals are like. inherently understanding and whathaveyou

[tobyisave]

hedge clippers

[chocolate-cream-soldier]

-.-

[inkats]

reading Tokyo ghoul is really reinforcing how important the page turn is.

[pastempomat]

Lyanna Stark this Lyanna Stark that - Elia Martell is MY ASOIAF dead girl

[bmpmp3]

I NEEED to go back to making art that makes it ABUNDANTLY clear that theres something wrong with my brain BUT NOT in a cool or stylishly interesting way. i need to do it in a way that makes people say "hm." and walk away

[spotsupstuff]

ur grading people and if they get an f theyre blocked? my main you aint a kindergarten teacher this is a microblogging platform

yeah, that's why there's that function called blocking! :) cuz this is a microblogging site! that's what microblogging platforms have! :) so you don't have to put up with people's shit! :) interesting that kindergarten teachers where you live are capable of blocking people in real life, hope you had fun with that

[eats-the-stars]

I feel like there are roughly two kinds of "painfully weird kid" that you can be during your K-12 school years. the first is your "I am trying so hard to be normal but I just cannot seem to hit the mark. there's just something wrong with me and I don't know how to fix it" and the second is the category I was in, which is your "everyone around me is so incredibly weird but they obviously can't help it so I will just have to accept this."