#can you tell I don't usually do digital art?

[vampiricmechanic]

[the first time he made her laugh]

ID in alt

[alangdorf]

Had Traitor Magolor almost done except for the legs too, lol. My brush settings were way better on this one; I just did the coloring process kinda backwards and was really stubborn about not pulling it into csp to make the EX recolor better, but I still like the results ok. And I’m including a rainbow version of the background I made but didn’t end up committing to both to shorten the post and because I think it’s funny. Bisexual Flag Guy in the Gay Dimension

[ms-demeanor]

Why reblog machine-generated art?

When I was ten years old I took a photography class where we developed black and white photos by projecting light on papers bathed in chemicals. If we wanted to change something in the image, we had to go through a gradual, arduous process called dodging and burning.

When I was fifteen years old I used photoshop for the first time, and I remember clicking on the clone tool or the blur tool and feeling like I was cheating.

When I was twenty eight I got my first smartphone. The phone could edit photos. A few taps with my thumb were enough to apply filters and change contrast and even spot correct. I was holding in my hand something more powerful than the huge light machines I'd first used to edit images.

When I was thirty six, just a few weeks ago, I took a photo class that used Lightroom Classic and again, it felt like cheating. It made me really understand how much the color profiles of popular web images I'd been seeing for years had been pumped and tweaked and layered with local edits to make something that, to my eyes, didn't much resemble photography. To me, photography is light on paper. It's what you capture in the lens. It's not automatic skin smoothing and a local filter to boost the sky. This reminded me a lot more of the photomanipulations my friend used to make on deviantart; layered things with unnatural colors that put wings on buildings or turned an eye into a swimming pool. It didn't remake the images to that extent, obviously, but it tipped into the uncanny valley. More real than real, more saturated more sharp and more present than the actual world my lens saw. And that was before I found the AI assisted filters and the tool that would identify the whole sky for you, picking pieces of it out from between leaves.

You know, it's funny, when people talk about artists who might lose their jobs to AI they don't talk about the people who have already had to move on from their photo editing work because of technology. You used to be able to get paid for basic photo manipulation, you know? If you were quick with a lasso or skilled with masks you could get a pretty decent chunk of change by pulling subjects out of backgrounds for family holiday cards or isolating the pies on the menu for a mom and pop. Not a lot, but enough to help. But, of course, you can just do that on your phone now. There's no need to pay a human for it, even if they might do a better job or be more considerate toward the aesthetic of an image.

And they certainly don't talk about all the development labs that went away, or the way that you could have trained to be a studio photographer if you wanted to take good photos of your family to hang on the walls and that digital photography allowed in a parade of amateurs who can make dozens of iterations of the same bad photo until they hit on a good one by sheer volume and luck; if you want to be a good photographer everyone can do that why didn't you train for it and spend a long time taking photos on film and being okay with bad photography don't you know that digital photography drove thousands of people out of their jobs.

My dad told me that he plays with AI the other day. He hosts a movie podcast and he puts up thumbnails for the downloads. In the past, he'd just take a screengrab from the film. Now he tells the Bing AI to make him little vignettes. A cowboy running away from a rhino, a dragon arm-wrestling a teddy bear. That kind of thing. Usually based on a joke that was made on the show, or about the subject of the film and an interest of the guest.

People talk about "well AI art doesn't allow people to create things, people were already able to create things, if they wanted to create things they should learn to create things." Not everyone wants to make good art that's creative. Even fewer people want to put the effort into making bad art for something that they aren't passionate about. Some people want filler to go on the cover of their youtube video. My dad isn't going to learn to draw, and as the person who he used to ask to photoshop him as Ant-Man because he certainly couldn't pay anyone for that kind of thing, I think this is a great use case for AI art. This senior citizen isn't going to start cartooning and at two recordings a week with a one-day editing turnaround he doesn't even really have the time for something like a Fiverr commission. This is a great use of AI art, actually.

I also know an artist who is going Hog Fucking Wild creating AI art of their blorbos. They're genuinely an incredibly talented artist who happens to want to see their niche interest represented visually without having to draw it all themself. They're posting the funny and good results to a small circle of mutuals on socials with clear information about the source of the images; they aren't trying to sell any of the images, they're basically using them as inserts for custom memes. Who is harmed by this person saying "i would like to see my blorbo lasciviously eating an ice cream cone in the is this a pigeon meme"?

The way I use machine-generated art, as an artist, is to proof things. Can I get an explosion to look like this. What would a wall of dead computer monitors look like. Would a ballerina leaping over the grand canyon look cool? Sometimes I use AI art to generate copyright free objects that I can snip for a collage. A lot of the time I use it to generate ideas. I start naming random things and seeing what it shows me and I start getting inspired. I can ask CrAIon for pose reference, I can ask it to show me the interior of spaces from a specific angle.

I profoundly dislike the antipathy that tumblr has for AI art. I understand if people don't want their art used in training pools. I understand if people don't want AI trained on their art to mimic their style. You should absolutely use those tools that poison datasets if you don't want your art included in AI training. I think that's an incredibly appropriate action to take as an artist who doesn't want AI learning from your work.

However I'm pretty fucking aggressively opposed to copyright and most of the "solid" arguments against AI art come down to "the AIs viewed and learned from people's copyrighted artwork and therefore AI is theft rather than fair use" and that's a losing argument for me. In. Like. A lot of ways. Primarily because it is saying that not only is copying someone's art theft, it is saying that looking at and learning from someone's art can be defined as theft rather than fair use.

Also because it's just patently untrue.

But that doesn't really answer your question. Why reblog machine-generated art? Because I liked that piece of art.

It was made by a machine that had looked at billions of images - some copyrighted, some not, some new, some old, some interesting, many boring - and guided by a human and I liked it. It was pretty. It communicated something to me. I looked at an image a machine made - an artificial picture, a total construct, something with no intrinsic meaning - and I felt a sense of quiet and loss and nostalgia. I looked at a collection of automatically arranged pixels and tasted salt and smelled the humidity in the air.

I liked it.

I don't think that all AI art is ugly. I don't think that AI art is all soulless (i actually think that 'having soul' is a bizarre descriptor for art and that lacking soul is an equally bizarre criticism). I don't think that AI art is bad for artists. I think the problem that people have with AI art is capitalism and I don't think that's a problem that can really be laid at the feet of people curating an aesthetic AI art blog on tumblr.

Machine learning isn't the fucking problem the problem is massive corporations have been trying hard not to pay artists for as long as massive corporations have existed (isn't that a b-plot in the shape of water? the neighbor who draws ads gets pushed out of his job by product photography? did you know that as recently as ten years ago NewEgg had in-house photographers who would take pictures of the products so users wouldn't have to rely on the manufacturer photos? I want you to guess what killed that job and I'll give you a hint: it wasn't AI)

Am I putting a human out of a job because I reblogged an AI-generated "photo" of curtains waving in the pale green waters of an imaginary beach? Who would have taken this photo of a place that doesn't exist? Who would have painted this hypersurrealistic image? What meaning would it have had if they had painted it or would it have just been for the aesthetic? Would someone have paid for it or would it be like so many of the things that artists on this site have spent dozens of hours on only to get no attention or value for their work?

My worst ratio of hours to notes is an 8-page hand-drawn detailed ink comic about getting assaulted at a concert and the complicated feelings that evoked that took me weeks of daily drawing after work with something like 54 notes after 8 years; should I be offended if something generated from a prompt has more notes than me? What does that actually get the blogger? Clout? I believe someone said that popularity on tumblr gets you one thing and that is yelled at.

What do you get out of this? Are you helping artists right now? You're helping me, and I'm an artist. I've wanted to unload this opinion for a while because I'm sick of the argument that all Real Artists think AI is bullshit. I'm a Real Artist. I've been paid for Real Art. I've been commissioned as an artist.

And I find a hell of a lot of AI art a lot more interesting than I find human-generated corporate art or Thomas Kincaid (but then, I repeat myself).

There are plenty of people who don't like AI art and don't want to interact with it. I am not one of those people. I thought the gay sex cats were funny and looked good and that shitposting is the ideal use of a machine image generation: to make uncopyrightable images to laugh at.

I think that tumblr has decided to take a principled stand against something that most people making the argument don't understand. I think tumblr's loathing for AI has, generally speaking, thrown weight behind a bunch of ideas that I think are going to be incredibly harmful *to artists specifically* in the long run.

Anyway. If you hate AI art and you don't want to interact with people who interact with it, block me.

[theelvishfiddler]

AN ARTIST'S GUIDE TO HANDS

No, sorry it's actually not an artist's guide to drawing hands. Those are just warmup studies (which I'll talk about in this post.)

This is a guide to Your Hands and how to take care of them when making art.

No one ever sits down and teaches artists how to take care of their hands. They didn’t even teach me this while I was in art college. This is just what I've learned myself through years of pain and scouring the internet for advice.

This is going to be a long one and geared towards illustrative traditional/digital/pen/pencil artists specifically, but artists of other mediums and crafts should take care of their hands too! Well, we all should take care of our bodies in general, but this is about hands.

(advice is below the read more)

First off I'm not a professional or anyone with actual medical advice. I'm just some guy with chronic hand pain who makes art. This advice is free for you to use or discard.

WARMUPS!

Ever sit down in the morning to draw and wonder why your art is so stiff and looks so much worse than what you were drawing last night? It's because you didn't warm up!

You know how for physical sports they all warmup and do stretches before getting into the actual sport. To prevent injuries and all that? Yeah, it's good to do that for art too.

One way to warmup is to just draw lines. Try to keep them as straight as you can. Going up and down and diagonal. Draw squares. Big squares. Small squares. Circles! You are warming up, keep it loose and relaxed! Basically just scribble away.

(examples. I usually keep going until there is no paper white left. This can double as practice for drawing straight lines without a ruler, which is a great skill to have when freehand city drawing.)

Before hopping right into drawing people you can try doing some quick gesture drawings. Line of Action has timed sessions with a large variety of clothed or nude models. I usually do the 30 min class as it has a nice balance of short and long timed poses. The point isn't to draw nice art, but to warm up. Try to get the basic form down, not the details. I find that doing a full class session can really help my drawings feel more loose and grounded in reality for the rest of the day.

Some examples I found in my folders. I suggest looking into what a line of action (not the site) is and giving it a try with some of the studies!

COOLDOWNS!

For sports it's to return your body back to your everyday baseline after a workout.

Example; you are working on a big project! A masterpiece! It's detailed and cool! You have been focusing on this for hours and drawing so intensely. But you need to stop working for the day.

A cooldown is for winding down out of the go go go mindset. Put away the big project and do a couple small doodles and sketches. You are relaxing your hand and letting it stretch out. Keep the sketches loose. Let the art happen slowly. Don't polish anything, that can happen another day. Just ease yourself out of drawing.

...

Cool! Now we get into the meat of this thing.

HAND PAIN

How to avoid it and how to manage it if you already have it.

I love you artists and creatives, I am begging you to please take care of your most important creative tools. I really don't want this to sound like scare tactics like "oooh you better do this or blah blah!" Nope. I just had to learn all this the hard way and I'm extremely passionate about it.

Take this advice or don’t ╮(ﾟ～ﾟ;)╭ I can't tell you what to do, I'm not your dad

Adjustments and Small Solutions

If you are feeling physical discomfort while drawing there are many different solutions to try! Here are some suggestions that may or may not work for you.

Hold your pencil more loosely. Stop gripping that thang so tightly!!! Relax that hand! They make these… squishy pen grip things... I think they are called Adaptive Pencil Grips or Adaptive Writing/Drawing Aids? They stop your hand from being all cramped up by making your drawing tool wider. It's going to take a bit of time to adjust to drawing with it, but it's worth it for those who hold pencils too tightly.

Don't press as heavily. For traditional art, if you find yourself pressing really hard to get darker lines try moving to a softer pencil. Most standard pencils are HB, the B pencils have softer graphite. Experiment until you find the right one for you. For Digital, adjust your pressure settings so you don't have to press as hard to get thicker lines. You should not be pressing so hard all the time, it wears out both your hand and your tablet! It takes a bit of time to adapt to pencil or pressure changes. Try doing some unimportant sketches, they don't have to be good. You are just training your hand and mind to adjust using less pressure.

Draw with your arm and not your wrist! It's small repetitive motions that cause the most strain. You probably hear this one a lot, what does it even mean? It means moving your arm with the motions of your line, and trying not to make too many tiny movements with your just your fingers or wrist. This one is hard! It takes time and conscious thought to change the habit. Tips? Work bigger. Zoom in more. Use bigger sheets of paper.

(Motions exaggerated for a clearer example)

Change the angle of your drawing surface. They make angled tablet holders, angled desks, angled desktop raisers. Experiment, find and angle that is comfortable and the one that causes the least pain. (It's also good to make sure you don't have to hold your head at an uncomfortable angle when drawing. Staring straight down or hunching over a paper flat on the table can cause pain!)

Compression Glove? Wrist brace/tensioners? Some folks use them and I've been thinking of getting one for years now. I can't give advice on this one, because I don't have experience with it. Look into it if you want!

Managing Pain

First things first.

IF YOUR HANDS START TO HURT WHILE YOU ARE DRAWING. STOP! Put the pencil/pen/paintbrush/whatever down. The art will still be there for you to continue tomorrow.

I know from experience that it's extremely hard to pull away when you are hyper focused on an art piece. It's hard to remember all sorts of basic needs like food or bathroom when hyper focused. But you Need to stop when you feel that pain. (Preferably even before the pain…)

Take Breaks! Let your hands rest when you can. Just like a machine, if you don't schedule maintenance, the machine will schedule maintenance for you. Often that means having to wait a few days for it to return to functional. Best to take a day off from heavy usage or take an occasional 30 min break throughout the day to let your hands rest.

Stretching is important! Full body stretches are good; your arms, shoulders, neck, and spine are all connected, but I'm specifically talking about HAND and wrist stretching. There are a lot of stretches and massages for carpal tunnel and arthritis out there. I find they work for hand pain in general. Move into and out of each stretch slowly. Do not push a stretch if it hurts!! Be gentle!!

I am not a qualified professional and I will not be giving out specific stretches (that is beyond my personal comfort level). There are other artists out there who have made helpful stretching info-graphics which are cool, but I will not be because i don't want to be responsible for someone accidentally hurting themself. Ask your doctor for stretches & advice or look some up on your own.

Don't feel bad about forgetting to stretch frequently! Of course it is good to do it regularly and frequently, but I would be a hypocrite if I said that I remember to stretch daily. Setting timers for stop and stretch sessions can work for some people, but also doing stretches whenever you remember is fine! If you are sitting on the toilet you can idly do some hand stretches. On the bus? Laying in bed? At the beach? Do a couple stretches! Even just once a week is better than… nonce a week.

Using Cold or Heat to treat pain. If you really overdid it, put your hands in some cold water or wrap a cloth around an ice pack and apply it to your hand. Cold works best for me, but warmth works for others. This is just pain reduction and reducing inflammation from overuse! This is not a permanent solution.

If your hand hurts a lot! Frequently! Talk to your doctor? Idk mine has never given real advice. Just gently poked my hand and told me there isn't much to be done about it :/ but there are really good doctors out there who will care and give helpful advice!

Again. IF IT HURTS TO CONTINUE DRAWING. STOP DRAWING! This is not a "no pain no gain" type situation. Drawing so much that you hurt yourself isn't noble, it's just… limiting yourself. You only get one set of hands. These things are very handy to have.

Other Advice

Things I couldn't figure out how to fit into the earlier sections.

Your other hand can't handle the strain! Lets say you hurt your drawing hand... the other hand is right there free to use for art. Right? Wrong. Your other hand can't keep up with the demand, it hasn't been trained to the same extent as your dominant hand, it does not have the built up muscle. If you want to use that hand for drawing you are going to have to use it s l o w l y and train it bit by bit over a long period of time. When I tore a tendon in my right hand I decided to just keep drawing with my left and I got Really Good at it. It only took like two months before my left hand hurt too much to move. Then I had 0 functioning hands to pull up my pants. Not fun!!

People who draw on phones. That is extremely impressive! I'm amazed by the things people can create on such a small space. But phone artists are the ones I see most frequently mentioning hand pain. please please please make sure you are taking breaks. Would a stylus work instead of using a finger?

Outside of Drawing. Sometimes it's things outside of drawing that are causing the pain. For me there are multiple sources, but I also have tiny baby hands. Holding a phone too long causes pain. The handheld mode for my Switch causes A Lot of pain. The way my hand rests while typing on my laptop hurts! Playing tense videogames for too long hurts! Find the source of your pain and make some changes. The same things will apply to most; take regular breaks, do some stretches, and find soft things to prop up or rest your arms on.

Change your Artstyle. This one is more of a last resort. You might have to change your art style if you are getting sharp pains every time you draw. I loved drawing tight clean lines and many small fancy details, but drawing like that left me in so much pain at the end of the day. In 2023 I had to take the better part of year off from illustrations just to learn how to sketch and draw more loosely. I had to learn how to be gentle. To stop gripping my pencil so tightly. Learn! Adapt! You might discover a new style that you love even more!

A lot of this stuff gets more complicated in a work setting where you have to draw fast and long in order to get paid. Things like reducing your workload can help, but that can be... financially rough. But outside of that, it’s ok to be a slow artist. Going full steam and hurting yourself is not worth it.

Aaaaaanyway, thats all folks. Today's rant brought to you by me! The guy with chronic hand pain who always forgets to stretch! The guy who got frustrated with a sketch yesterday and decided to push to keep drawing for just one more hour! The guy who woke up this morning and had to spend 2 hours massaging and stretching their hands. The guy who probably shouldn't have typed all of this out because ooww ow ouch

If your hands do hurt, it's going to be ok! You don't need to be a speed demon who draws all the time. It's ok to take your time and take frequent breaks. You are going to do great things! Just be gentle with yourself...

[dee-the-red-witch]

One more time, with FEELING? (April Pinned)

Now that we're past the first, let's do this. One. More. Time.

I'm Dee. Queer lesbian trans woman. Just she/her for the pronouns. Not your Responsible Adult, and while I'm safe for MY work, I'm self employed, my bitch of a boss gives zero fucks about adult content, and I believe in a healthy education. Kinky. Poly. Separated. Witch-adjacent. Occultist. Possibly cute/hot according to others. Sex and body positive. What do I do? Art- leatherwork, digital art, and these days, tattooing and tattoo flash. (Click that link for the goods. Tattoos, for locals only, by appointment, etc.)

Writing- One book (with accompanying tarot deck), two more in edits, several more in progress. Completely unscheduled film/tv reviews and weekly tarot spreads.

I'm also in the process of dealing with a massive work backlog, a life starting to fall apart in a few ways, a transition surgery I'm desperately trying to fund the expenses for, and, y'know, all the wonders of being transfem in late-stage capitalism in a christofascist country.

Yes, that's a lot. Welcome to my life.

Let's get the usuals out of the way. Tipping should be mandatory. Terfs, fash, bigots, can and should fuck off out of here. No, I will not tag NSFW or mature, because it ends up getting creators targeted half the time. And because if you're on here you can learn to consume media critically and censor your own damn experience without me doing it for you. Plastics suck, including your precious vegan leather. Land back. Do it alone. Do it weird. Do it scared. No I don't know what a jerma is, and do not tell me. Yes I do swear. A lot.

I love fantasy, horror, cassette futurism, cyberpunk, brutalism, and all sorts of stuff with it. You want my discord or server? Ask me for either. Yes, I still take voice recording requests, and yes, it's the only form of 'content' I do, though I absolutely support creators of other types like mad. You want to help out? Scroll back up and hit any of those links, or just throw money at me screen here.

Otherwise, that's it. Yes, my inbox and messages are still open for now.

[entiqua]

I love your artstyle!! Do you have any tips for drawing?

thank you so much! i'm really happy you like it!!💗 as for tips, what i would say would change drastically depending on what kind you're looking for, but some very general ones:

draw what you love and want to see most, regardless of whether anyone else wants to see it. if you don't enjoy what you're drawing it'll never come out as good or genuine as something your whole heart and soul is in. i mean you'd think this would be a no-brainer but sometimes i've had to sit back and ask myself 'if no one was ever going to see this except me, would i actually spend time drawing this?' and i was surprised by the answer

that said, it is also completely valid if your motivation for drawing is to draw for other people! there have been plenty of times where i was too artblocked to draw my own ideas but was still able to draw commissions or gifts and enjoyed it simply because making other people happy with my art makes me happy.

don't get too caught up in having a consistent art style. in my experience this 1000% hinders you

having your sense of anatomy degrade over time without you noticing because you keep drawing the same types of characters is a very real thing! if this is a concern to you be sure to draw a variety

follow a billion artists that you like the art of and you will have endless inspiration injected directly into your brain every time you open social media

my favourite practical tip for those who draw at a desk: keep a small mirror next to you at all times. absolute game changer for quickly referencing hands

if you're drawing digitally, make the canvas huge! in my experience this lets you draw messier/faster and you can't tell at all when you zoom out. if you tend to get stuck spending unnecessary amounts of time micromanaging pixels (me💀) keep it zoomed out while drawing

related to the above point, messy drawings can have far more expressiveness in them than neat and polished drawings. nowadays i never do lineart and go straight from 'barebones stickman pose' to 'varying-levels-of-coherent sketch' and use that as my lineart. sweet freedom from the sketch-looks-better-than-the-lineart phenomenon

if your goal is to improve, then you really do have to scrutinize your art, figure out what you're not satisfied with, and commit the time to focusing on it. 'practice makes perfect' kinda rubs me the wrong way because of how much i've seen it interpreted as 'just draw everyday and you'll magically improve' but genuinely it won't get you very far if you don't actively think hard about what you're trying to improve and take the steps to do it. is this a hot take idk. also hand in hand with this, not every artist is trying to improve and you shouldn't feel bad for this! maybe you just wanna make a little headshot doodle of your fave blorbo and that's your only drawing goal ever. awesome. maybe you know your art has flaws but it's passable enough to convey what you want and you're perfectly satisfied with that. (this is the stage i'm usually at). also awesome!

don't hesitate to draw something because you think it's out of your skill level. the worst that can happen if you draw it is that it comes out terribly but you learned something and can always redraw it better in the future. the worst that WILL happen if you don't draw it is that you'll never draw it. and then it will sit in the back of your brain haunting you for years. it's not like i'm speaking from experience or anything aha

look up 'hand stretches for artists' and do them if you draw a lot unless you wish to summon the wrath of the carpal tunnel demons

of course, these may not necessarily work for you, and most importantly(!) these are coming from the perspective of someone who is primarily a hobbyist. some of this won't be practical for people who need to build an audience, maintain a consistent style for work, etc. these are just things that have personally helped me over many years of drawing :)

[daemon-in-my-head]

I'm gonna say smth and I need people to read and understand what I mean.

It is perfectly fine to critique games. It doesn't matter what exactly you critique. You don't like the story? Say it. You don't like the combat? Say it. You dislike the way previous lore has been handled? Say it. You dislike the character creator? Say it. You think certain aspects of the game feel lazy or odd? Fucking say it.

Games at this point of time cost 60-70 bucks. Just the game itself. And it's often not even a physical copy, just a digital key they can revoked at any moment if they feel like it. If you want an advantage or a pretty limited skin or what have ya its gonna be 80-150 bucks. Yes that's how outrageous the prices are becoming. Let alone any future DLCs.

And again, it's 60 fucking bucks for just the base game. That's a lot of money for games. Not too long ago you'd be chased with pitchforks and torches had you said your game was that expensive. Some phones are as expensive as two AAA games, games that usually shine with a shit ton of flaws, bugs, missing content, messed up lore and generally feel like the publisher just wanted to make a quick dime. And considering how little time they take to develop, the later often holds true.

But yk what else? If you don't express your disgruntlement or your anger with these practices it's gonna keep going. Shit is only gonna get more expensive while also providing a worse playing experience. Y'all know what the big guys said about BG3. That we, the players, shouldn't expect that to be the new standard.

But hey, listen, we fucking should. It's our money and time. Our enjoyment of long established series or the first title of many. We should expect it to be fucking good and finished especially for such a great prize. We should expect to find entertainment in the things we buy exclusively for entertainment.

So please for the love of god stop attacking people for voicing their very valid and personal opinions. In fact do the opposite and join them and encourage others to do the fucking same. I'm so god damn tired of publishers doing everything only for the sake of sales rather than the art behind it. And yes of course 'the poor employees' and whatever excuses there are for these attacks. Guess fucking what buddy? You encouraging the Publishers behaviour by shutting down any and all criticism and buying whatever the fuck they slapped a name on is just telling them they get away with treating their people like less than shit.

Criticism is healthy. Criticism is required for a system to work and develop in positive ways rather than whatever tf is happening now. Voicing your opinion and critiquing aspects you find poorly handled is not hating a game. It's being disappointed that something you love and are absolutely passionate about was not treated well because some rich guy wanted yet another bonus check.

If a game is shit, call it out. If a system was handled poorly, call it out. If publisher try to limit the content and systems you're exposed to in the first 2 hours because you can still return the game in that period of time, call it the fuck out.

[oxygen537art]

So you're telling me that you draw some of these scrumptious NSFW traditionally??? HOW do you do them so well, do you look up poses/references, or just have that much practice? I'd be grateful for any tips 🙏

Yes, traditionally. In my case, both options work. I use references and have a lot of practice (I've been drawing every day since the end of 2022).

Knowing proportions and anatomy helps me, so I can suggest working on that first. Break the bodies from the reference into simple shapes, e.g. arms and legs are cylinders, joints are spheres, etc. If you can visualize objects in three dimensions, it will be easier. Otherwise, you can use 3D models or articulated artist mannequin.

Learn the location of muscles, how they attach to bones, what bones they attach to, study what they look like from different angles. Not necessarily if your style doesn't involve depicting realistic human anatomy.

I can recommend the books:

Uldis Zarins and Sandis Kondrats Anatomy for Sculptors

Hampton, M. Figure Drawing: Design and Invention

Barcsay, J. Művészeti anatómia (Anatomy for The Artist)

My references for these drawings are mostly all NSFW, some I find on adult sites or Twitter. You can see the muscles very well in these pictures, it's like drawing from nudes in an art studio. But you don't have to use them if you're uncomfortable, the regular ones from Pinterest are just as good!

Using pose references, I usually turn the bodies to a different angle so I don't copy it.

I also draw slower on paper than in digital, one drawing can take hours while I check everything, find mistakes and redraw it, so time plays a role too. I also use a mirror, turn the drawing over and look at it while holding it up to the light, or take a photo and turn it horizontally to see the mistakes. In short, flipping the canvas.

I highly recommend taking breaks. And most importantly, don't be too hard on yourself, drawing should be a joy! If you like challenges, go ahead, if not, don't force yourself to do everything perfectly.

I hope it helps!

[etinceelle]

[𝙲𝙾𝙼𝙼𝙸𝚂𝚂𝙸𝙾𝙽𝚂]

Tiny post to say that I reopened my commissions ✨💜

All infos are on my Kofi (link below), but I'll explain more how I work in this thread !

𝙷𝙾𝚆 𝙸𝚃 𝚆𝙾𝚁𝙺𝚂

I use Kofi to take commissions, you don't need an account to buy there. It works like this :

1) Go on my commission page and select the slot you're interested in

2) You can contact me before or after taking a slot if you have questions/need infos :)

3) By paying you confirm the commission and the slot is taken. I usually ask for a full payment in once, but don't hesitate to tell me if you need to several payments so I can adapt to your budget.

4) While I work on the commission I give you updates regularly in dms (on Kofi or your socials if you prefer) and I show you the different steps. I ask for your review on them.

I only allow 3 changes on the sketch, every additional change requires an additional fee :)

5) I send you the final file with WeTransfer for digital artworks. I have never done international physical shipping before for watercolors, so thank you for being patient and indulgent on this !

𝚆𝙷𝙰𝚃 𝙸 𝙳𝙾

Everything is listed on the gif on the first post of this thread, but also on my Kofi and on my commission sheet (also on Kofi). I suggest you take a look ♥

NOTE : refer to Kofi for prices (the commission sheet might be incorrect ) ! Prices are in €.

If you're wondering, I can do original stuff and fanart :) RWBY is of course the main fanart I do but I also don't mind other universes (even if I don't know them). And original characters are of course welcome.

𝚆𝙷𝙰𝚃 𝙰𝙱𝙾𝚄𝚃 𝚃𝙷𝙴 𝚁𝙴𝚀𝚄𝙴𝚂𝚃𝚂 ?

I decided to reopen requests on Kofi after closing them for a long time. Except this time it doesn't work with tips anymore, but like a classic commission. The concept and prices are the same but I added some rules :)

Note about the requests : I'll probably reopen them more regularly than every other slot because they're pretty quick to do and it's a small budget. If you want to have a doodle and support me that way that's something that might be interesting ♥

𝙸 𝙳𝙾𝙽'𝚃 𝙺𝙽𝙾𝚆 𝙷𝙾𝚆 𝚃𝙾 𝚄𝚂𝙴 𝙺𝙾𝙵𝙸 :/

That's fine, it's easier for me but if you really don't want to use Kofi we can discuss things via email or dms on socials ! I can refuse a commission depending on how much work I have tho.

𝚆𝙰𝚃𝙴𝚁𝙲𝙾𝙻𝙾𝚁𝚂

I added something new : watercolors ! I used to do only traditional art for years and I thought it could be nice to do that again ♥

These are original watercolors, but with material and shipping the prices are higher than for digital.

𝙰𝙽𝙸𝙼𝙰𝚃𝙸𝙾𝙽𝚂, 𝙲𝙾𝙼𝙸𝙲 & 𝙲𝙷𝙰𝚁𝙰𝙲𝚃𝙴𝚁 𝚂𝙷𝙴𝙴𝚃

These are the 3 stuff I'm not opening for now because it requires a lot of work and I'm mostly looking for not too big commissions at the moment, something not too huge after graduating. Hope you understand !

I think that's all for now, you can contact me if you have questions ♥

Thank you in advance to those who will commission !

Have a cute photo of miss Citrouille 🎃

[eldritch-spouse]

Shags get obsessed with a girl that works at an art store where he gets his supplies. She's laid back and chit-chats with him about any projects he's working on.

[Okay but what if you had a really strange thing going on?]

You like this little freak.

Yeah, okay, that's a bit of a mean thing to say. But can you be blamed? There's no word that fits him more aptly than freak. Not even in the physical sense, there's a lot of variety in mushroom monsters, you know some of them can be tall and gangly like Shags. He's just bizarre.

The way he speaks, moves, conducts himself. You swear, not a single mannerism this monster makes feels natural or reflexive. Even the way he seems to intensely wait and make himself an obstacle until you initiate conversation with him... God, even the fucking topics of conversation, it's like he makes an effort to speak in riddles.

In this rather boring dead-end of a job, seeing this weirdo bend and squeeze through the doors like Samara about to crawl out of the TV is the highlight of your shift.

That's why he's your favorite client.

He's been standing still in the same supplies isle for too long, you already know what he wants.

" Having trouble finding something, Mr Shags? "

As if, he probably knows this store better than yourself.

In fact, he outright told you he used to be a client before you started working here.

He murmurs a response too quietly to interpret, forcing you to come closer. And, predictably, as soon as you are within grabbing distance (not hard to achieve when you're a lamppost of a monster featuring branch-like arms), a spider hand slithers onto your shoulder. It's cold, he's always a little cold.

You're urged in front of a shelf, his head looming over yours.

" Ahh, I need your honest opinion on something... If you don't mind? "

This is the paints section, a mural of hues that hurt the eyes.

" Sure. "

" What shade of orange do you think I should get? "

You love these questions. Because never once does he elaborate on what he's creating or why he wants you to choose. It's happened many times before. What size of canvas should I get? What pen should I get? What sketch books should I get?

You like the strange autonomy of getting to pick, offering him the same level of context he does to you.

Absolutely none.

" Alloy. " You point.

Shags reaches towards it with little effort, snagging several little containers with his root-like digits. The hand on your shoulders tightens.

" What a choice. Thank you very much, my dear. "

" No problem. "

It takes a bit of shifting before the hand on your skin is lifted.

You stroll back to the cash register with a small smile and occasionally observe the monster in the same way you'd study an animal at the zoo.

It's strange how little he moves sometimes. Initially, you thought it was just so he wouldn't drip ink everywhere, but it seems to be a part of him now. Blending in with all his other vaguely creepy mannerisms. Mr Shags gets all his items at a snail's torturous pace and finally, finally approaches you.

" How are the latest projects going, Mr Shags? " You start while scanning the paints first.

The shroom actually seems to frown for a second. Fingers busy on the balcony. " Not as smoothly as I wished... "

Tap tap tap.

" My latest muse and I, our chemistry, I'm afraid it has no substance. "

" Oh? " Your eyes deviate to his face for a moment.

" Yes... Something tells me it's time to move on. But I do want to honor our time together with one last, preserving piece. "

Tap tap tap.

" Mhm. Sounds good, I hope the next one works out. " Frankly, you're not sure what he's talking about, but you usually never are to begin with.

" Me too. " Then he smiles again, and you get the distinct feeling his stare has turned into a more scrutinizing one.

Far from the first time, it doesn't scare you like it did initially.

It's pretty funny, actually. You started out thinking this guy was some kind of loser looking to harass you, to intentionally make you uncomfortable. Nowadays he's more of an entertaining almost-friend.

Tap tap tap.

" Will that be all, Mr Shags? "

" Shags. "

He's told you to call him just by his name a couple of times. You always ignore it, but he keeps trying anyway.

There's a silent beat.

During your first years of work, the lack of action would have made you antsy enough to break the silence, which is what you know he wants you to do. But now, you have no trouble staring back placidly until he continues the conversation.

Apparently, the shroom enjoys that continuous challenge, because his grin widens slowly.

" You have a peculiar facial definition. " He eventually rasps.

A nothing statement, not quite a compliment, not quite an insult, definitely said to confuse and prompt a question. One you don't give him the satisfaction of hearing.

" Thanks. " The customer service smile has an edge of playful smarm this time.

Tap tap tap.

" ... I would enjoy sketching you sometime. Your facial expressions are intriguing. "

This is essentially his way of asking you out, you presume.

" You've drawn me before. "

He's even given you the pages, pencil depictions of you caught in a selection of moments. Mostly bored to tears and staring at the little universe between the cracks in aged walls.

Shags tuts. " It's quite different when the muse in question is part of the experience. I much prefer it that way. "

You can't help the hint of a snicker that tugs at the corners of your lips as you bag his items to hurry things along. Not that there's anyone else inside right now.

" Mm. And what if we don't have good chemistry? "

The shroom monster hands you his card, not even caring about hearing the total.

" I think we both know that wouldn't be the case. "

Tap tap tap.

It's only a few moments of intentionally creating suspense until you hand him all his new belongings and card.

" See you soon, Mr Shags. "

His grin only twitches for a delightful glimpse of a second before he carefully takes his possessions and leaves.

Playing with fire is fun.

One day, you'll get burned.

[lowkeyrobin]

hiii I was wondering if I could request a sorry boys x reader? (Totally understand if not tho! Just Tommy, ranboo, Charlie, and Philza (: )

but the reader is like a streamer who just does art streams? I like to think of it as crumb-like streams? Anyway, the reader also has an idea for a possible indie show or comic or whatever they wanna make one day and they sometimes draw or animated stuff for that?

(also do you mind if I be the ⚠️ anon?)

oooo yeah of course! ; and welcome to the hotel ⚠️! love the reference haha ; anyways thank you for requesting, hope you enjoy! ; again, apologizing for how short this is

SORRY BOYS ; auti-artistic

summary ; youre an art streamer chilling with the sorry boys

warnings ; language

word count ; 504

masterlist

You were currently live with Tommy and Phil at your sides, watching you draw. You usually streamed when you were working out the blocks for your upcoming comic, wanting to get some outside opinions from friends and chat as you worked.

Charlie and Ranboo's voices hung in your head over the Discord call, where you'd repeat their words to Tommy and Phil as they talked. Those two were streaming some weird simulation game, so you were listening to them babble with your volume on 10 as you worked, more so listening to Phil and Tommy. The blondes were giving you suggestions, compliments, and were talking about some movie they'd recently watched together.

You place your pen back down on the iPad screen, coloring in the blocks as you worked. You had numerous amounts of pallettes to make sure all the colors were correct, plus it made life easier in the long run.

"No, no, no!" Tommy waves his finger dangerously close in front of Phil's face, "That movie sucked. The dad can kiss my ass!"

"The dad was trying to save his kids, Tom!"

"By shooting their mum?!"

You slowly look up at your webcam, your jaw slightly agape, eyebrows furrowed. You listen as they both blabber on and on, talking about whatever plot there was to this random apocolypse movie that they'd seen.

"What are you talking about...?" You finally ask, looking slightly back and up at Tommy.

"Explaining to Phil about how he's wrong!"

"Okay, pal"

You turn back down to your iPad, continuing to color in the boxes as you had been. You flinch and push yourself back in your desk, hearing Charlie and Ranboo both scream into your ears.

"Jesus fuck, why are you screaming?!" You exclaim, bringing your mic closer to you to become louder.

"Charlie!-"

"No, that was your fault!"

You look over at chat, seeing some users explaining why you just got jumpscared with screams. Tommy and Phil had quieted down, looking at chat as well.

"No way you got that scared over a game." You deadpan at your webcam, knowing one of them had your stream up.

"Don't give me that look!" Charlie exclaims, "These ghosts are fucking scary, Y/n!"

"That's not my problem." You joke before deafening. The Discord ping rings in your ears before you're greeted by silence.

Tommy blinks before looking down at you. "So, like, what happened?"

"Some ghost scared them." You shrug, twirling your digital pencil in your fingers.

You glance at chat, seeing Charlie's green username and VIP star tag pop up. "tell ranboo to stop sumging them HLP ME"

You slowly nod, seeing that he was clearly typing in a rush. "Have fun with that, my guy"

Tommy chuckles, "Is he that desperate?"

"Guess so" Phil shrugs, "What are they even playing? I thought they were playing some stupid simulator game"

"No idea" You shrug, "But that gives me an idea for this comic-"

"Here we go again"

"Tommy, be supportive"

"I am supportive, I'm a fifth gay!"

[am-i-the-asshole-official]

WIBTA if I put my own sketches into AI to give myself references?

I've been doing digital art for the past few years, just as a hobby, and while I'm fairly confident in my skills I feel like I have a lot to improve on with drawing living things. People, especially; I always end up feeling like something about it looks terribly off, no matter how good it looks. I've been improving, but it still really bothers me, especially since I can usually tell something's wrong with my rough sketches but can't point it out or fix it.

A few days ago, I had the thought of putting my rough sketches into an AI art program, particularly when trying to draw something I couldn't get a good reference pose for, and using the results to assist in improving my sketches. After all, while I have difficulty finding the problems in my own sketches, AI art (particularly of people) has much more obvious flaws. I'm good at recognizing the issues with it and how it could be fixed. So presumably, I could combine the AI output and my own sketch to get a better idea of what I actually want to draw.

The problem is, though... well, it's AI. I probably don't have to explain why that's got me concerned. I really hate how these programs are just stealing other people's art, and even if I'm using my sketch for a reference, it's not going to stop doing that. I don't want to support these programs, and I know some people can (understandably) get upset if you even consider doing so. Besides, I could just... get good. On the other hand, I'd be strictly using this to improve my skill and get inspiration- pretty much the only thing I could ever approve of using AI for in its current state- and I wouldn't even be making money off of it. But still, would using it in this way be an asshole move, considering how scummy AI is?

What are these acronyms?

[cheekypockets]

Ramble about art block/burnout

I think more people should explore other art mediums when in art block or burnout, or just try more art mediums in general if they're able to.

So far every time I'm in a digital art block/burnout, I paint or make something with clay. I even just doodle with my mouse in MS Paint, no pressure to make it look perfect.

It doesn't really make it go away but it makes me feel happy and good, instead of frustrated that I'm not able to do anything. I also feel it helps since I usually only do these mediums when I'm in a digital art burnout so It's something new and fresh for my brain.

In 2022 I made an undertale diorama for the first time.

Other times I paint a Steven Universe painting (Hid the spoiler paintings)

This time I made a memorial piece for my hamster and a little clay figure of my dog based on a doodle I did. I'm not the happiest with it but I keep telling myself it doesn't have to be perfect.

and don't get me started on the hoard of ms paint doodles I have. I started a whole MSPaint Breaking Bad blog once during an art burnout.

It's hard not to listen to that side of you that gets upset when you're not amazing at something straight away, but I really recommend trying more art mediums out!!

Also if it's not clear, I'm in an art block/burnout (I can never tell which) Doing a lot of Pride YCHs comms exhausted me so I don't know when I'll next be posting more digital art T^T

Ramble over ✌️

[nemkero]

its the same anon as before-

Can I just say I love the way you add depth to the skin tones and I also love your color line art?

The textures and expressions ahahghjdbhjdgjdfbdf <3 not to mention the lighting on some of these are just great!

uh if you don't mind can you tell me how you do your colors? Like the base ones I don't mean all the lighting stuff

im still fairly new to digital art so how do you color inside the character instead of just each individual shape?

jfbdskjbjksfbdf thank you ^v^

THANK YOU SO MUCHH!!!! much appreciated c:

im pretty bad at explaining it but usually i just use much more saturated and warm colors in my art since im biased (i like warm tones a lot) and i also think it more eyecatching!

heres an example-- i make the values generally similar with mainly the darker colors (hair, shoulder thingy) being lightened slightly to reduce contrast so its more easy on the eye & makes it look softer ig? i also like to choose one color in particular to "base" all the other colors around, and that color is usually some sort of primary color and the most saturated. in this case, its a red/orange color, so i had all of my other colors shift closer to it (in reference to the color wheel)

heres another (really crappy LOL) example based around a more orange tone (though looking at it i think i made sokka a little too orange... whoops) and if you look at the values themselves...

basically the same! most of this is just preference too so its not like you need to REALLY stick to the original values or anything, but all that id look out for is that you pay most attention to stuff like skin tones just to make sure youre not like whitewashing by accident lol

im overcomplicating things but its kinda just something i think you learn over time? the way i figured colors out was by abandoning any and all reliance on blending layers (stuff like multiply, add, overlay, etc.) and just eyeballing literally everything and it kinda forced me to figure out how to make colors look good without relying on filters!

as for blocking in colors in general... i forget how to draw sometimes so im never really consistent with it LOL but lasso fill is your best friend! i either just use a random color and lasso fill the whole character manually (left) and set that layer to alpha lock/protect alpha, or i just lasso fill each color individually (right) bc im a freak sometimes

what i recommend doing/the fastest way is using the magic wand to select outside of your lines, invert the selection and then fill in the selection with a color and setting that to alpha lock.

i dont use it as much anymore mostly because i dont line so my stuff is really sketchy (so stuff like on the right happens) and i kinda like messy coloring anyways soooo... but yeah!!! i dont really recommend using the fill bucket that much unless the situation calls for it c:

(and if you do struggle with this and ur results look like whats on the right, try just manually closing your lines or seeing if your wand has an option for automatically closing gaps!)

[ribbonetteart]

Tribute to one of my favorite movies of all time + the franchise that has me in a death grip 💖

a bit late for Christmas but at least Valentine's day is around the corner ^^;;

Process below if that interests you:

AS I SAID EARLIER, I had been working on this piece as early as December of 2021 😱!!!

This was the original sketch! I was inspired after learning about Blaze's own design inspiration coming from Takarazuka theater, as well as it being the Nutcracker season so this film was in bouncing around in my head.

and this was allllll the way back in 2021 ^^; I had put the idea to paper to capture the image in my head immediately. But the idea in my head was extravagant and beautiful and would certainly take time to complete, as well as the patience and skill to work with watercolor 😔 I've certainly done my share of watercolor, both physical and digital, but I still feel like my physical watercolor work is a fluke, and I was still a novice digital artist at the time of this sketch.

In short, I wasn't confident my skill could live up to the vision.

So I would put this on the back burner. It wouldn't be ready in time for Christmas, and I could use this as an opportunity to hone that digital art experience so it could be ready next year!

2 Years Later...

It's December 5th. Fuck it. Let's crack this open again, I tell myself.

SO starting with the line art, it's actually 2 different brushes layered over one another.

I also changed Sonic's expression to be more love struck-looking, because I'm a sucker for romance.

The image on the left is a watercolor line brush, while the right is a pencil brush. The reason I wanted a water color look was because I thought it would make the illustration look dreamy and fantastical, and I wanted that to extend to the line art as well. However, my usual lines on traditional usually veer more towards thick and cartoony from years of studying the Sonic art style, so I really felt like I was working against myself here. I had also asked friends for their input and they preferred the lines on the right as well. If my followers actually do read these blog posts, I'd love if you could comment which line art style you prefer drawing or looking at.

The happy medium was to just combine the 2. Here's a better look at that:

I like it! I think it combines the solid line with the rustic water color grain. Best of both worlds :]

For the actual painting, The most notable thing I can say is that getting the right pastel-y color was VERY difficult to achieve for someone like me who often loves to use bright and saturated colors in her art. I feel like I really set myself up to do one of those "evil art style" or "opposite art style" challenges I've been seeing around. I had to repaint Sonic at one paint because the blue of his fur was WAY too saturated for the style I was going for:

I started with painting Sonic and Blaze in first and then working on the background. I think that's probably the backwards way of doing it but one of the perks of digital art is you can do stuff any order you want when you have layers.

The background wasn't actually as difficult as I thought it would be. I wasn't going for any difficult perspective, and I was using a reference so that could be it. I'm usually averse to backgrounds but I really wanna tackle more of my weak points in art. I actually had way more fun than I was expecting, painting the sky and adding texture to the grass. I think I had the most fun rendering the water coming from the fountain (which you can't even see too well anyway, lol).

Funny enough, I had just about finished painting the characters and background by early January. So why am I posting this in February?

The Flowers...

In case you don't know. I love flowers. I love looking at them, I love learning about flower languages, I love drawing them. so seeing that my reference image showed flowers circling the fountain, I was excited! I was already having more fun than I expected to be having (working against my usual style, rendering a background), so how could this be a pain in the ass?

Well, I am my own worst enemy 😞I couldn't exactly identify each flower offhand from this screenshot alone. The texture of the flowers is kinda grainy, since I don't think the animators were expecting viewers to look too closely at the set piece to use as reference for my lovingly crafted crossover fanart. If anyone has this in high quality though, please tell me.

(I think I actually got this reference from a tumblr post but I can't find it on my blog for the life of me nor can I find it in the tags I'm so sorry)

I'm a huge stickler for details so I really wanted to be as "accurate" as possible in my illustration. I can hardly identify some of these flowers with confidence. I think there are roses in there? or tulips? I'm not sure if those yellow flowers are roses or some kinda petunia or if I'm way off.

I'm sure these details won't matter to most viewers but it was EATING AWAY AT ME. Eventually I decided to try drawing in flowers that might look similar to the ones in the reference. Or some based on their flower languages. I was certainly overthinking it ;;;; It led me to going "fuck it" and just throwing in whatever I wanted. There are no irises visible in that screenshot but I made it the centerpiece of the flower ring. Who give a shit.

I made some guides for me to follow: The blue ring was so I could make sure the flowers make a half circular border around Sonic and Blaze. I was envisioning how it could look as like an icon or sticker or something, which is why it's framed this way. then the second guide is the sketch of the flowers I made. I always do line art and I'm not great at just improvising with color to paper, or color to screen in this case.

The rest of this process is then just working on each flower piece by piece (with the help of the mirror tool of course) with varying degrees of detail. Some flowers are more abstract than others, and I had debated if that would look jarring and disrupted any kind of harmony I was trying to maintain with the style parameters I set for myself. And then I decided I was overthinking it once again which is why this was taking me nearly 2 months to complete.

At some point during this process, my wifi went out for a whole week! Of course, I could still work on this illustration offline, but I had a lot of tabs open with a bunch of reference images on there (plus I like to listen to music while I draw otherwise I lose focus and I had neglected to download a varied selection on my phone or laptop 😭 Learn from my mistakes).

The most tedious of this process was making each set of gladioluses a unique color.

Was it worth it? You tell me! I think they're pretty, at least.

Along the way, I repainted the grass because it wasn't symmetrical (It didn't need to be but I had been using the mirror tool for a lot at this point and it was bugging me). I made other little final adjustments, like color adjusting the leaves on the flowers, lowering the flower ring border, and so on.

Ultimately, I'm extremely satisfied with the final product. I had my heart set on doing something like this for a long time. I had so much fun just experimenting throwing on color or not worrying about technical stuff. Of course, I did do what I usually do and overthink it at some points, but I'm working on it!

I've wanted to do an extremely indulgent AU illustration and other drawings for a Sonic x The Nutcracker story for a long while. I will be totally honest, I'm still a little embarrassed to share stuff like this, even after years of posting fan art online. It feels like the more self indulgent something is, the more people might judge me for it ^^; But I wanna practice what I preach and kill the thing inside me that cringes at my harmless attempts at joy and whimsy.

I would love to do some more drawings for this AU, but maybe post them around December when it would be more seasonally appropriate. I hope you'll stick around for it!

If you read this whole thing to the end, thank you. Whether you follow my blog or not, I hope you have a lovely day :3💝

[jeeyuns]

writing patterns

tagged by @exhuastedpigeon ✨

rules: list the first line(s) of your last 10 8 posted fics and see if there's a pattern!

Buck's Coma vs. Real World Checklist

0.3k | rated G | multimedia art Turn over & look at the digital alarm clock. If the numbers can all be read, this is real. Try to breathe through a fully closed nose. If impossible, this is real.

morning glory

2.6k | rated E | buddie non-linear: the morning after the night before He wakes up slow as molasses trickling out of the pan. A line of warmth is searing down the length of him from the back of his neck to the ticklish points behind his knees. Buck can tell the sun is up too by the weak bands of light creeping their way over the bed and just inside his field of vision.

hope is a sword 

5.5k | rated T | whumptober 2023 prompt #5, debris, pinned down, "It's broken." The next call sounds through their radios and A shift is in the engine as one in the next minute, all jammed in like sardines with sweat trickling down their backs, grins and bellies sharp with hunger. There’s no other place in the world Eddie would rather be (aside from his couch with his son and Buck, but that’s a story for another time).

proof of concept: ach tagais 'nós na hoíche

part 1 of a series | 8.2k | rated E | eddie helps buck through a bad drop Buck’s just closed his utensil drawer as softly as it will let him, hardly gripping the edge of the kitchen counter with his other hand, when his phone chirps. The unexpectedly piercing ding of his message tone rends straight through the eardrums, making him gasp and lose his grasp on the edge of the granite.

slouching towards bethlehem to be born

ch 3/8 | 23.7k | rated M | eddie is haunted by memories that don't belong to him Awareness blows through his eardrums and he’s rudely yanked back into the ability to chronicle two of his senses. “Come on, Eddie! Eddie, hang on. Eddie–” the pleading, formless voice blooms out and begs him. 

eros 

3.1k | rated E | buddie feelings realization and a demonstration They find themselves, like any other easy, lazy night, on Eddie’s couch. Buck looks over from his usual sprawl, attention already drifting past the moody resolve of John Wick choosing violence over the death of his dog Daisy on the Diaz’s TV screen.

slip like freudian

4.5k | rated T | slightly cracky: eddie is taught a lesson by a witch After a rather sideways, unusual morning, Eddie finally makes it to the station parking lot. He’s somehow five minutes early, so he allots three whole minutes to lightly smacking his head against the steering wheel. 

how life goes on the way it does 

ch 12/12 | 39.6k | rated E | buddie & past lives movie au Ravi’s just finished collecting the last of the devices ready for the probie charging pool when a woman with a wild halo of curls strolls into the station’s engine bay. “Hi! Can I help you with anything?” he calls out to her. 

definitely love to set the scene with descriptions that i always hope can help you visualize...feel like you're plopped right in the middle of a scene with a character. also like to switch povs every time i switch fics. indivdually, i can't do multiple povs within one story though. i feel like i take my cues from screenwriting more than anything when i set out to put words on the page. this is making me hungry to blow dust off my fics again!

no pressure tagging: @kitkatpancakestack, @transboybuckley, @shitouttabuck, @eddiebabygirldiaz, @devirnis, @malewifediaz, @spagheddiediaz, @puppyboybuckley, @pirrusstuff, @cal-daisies-and-briars, @pantsaretherealheroes, @lemonzestywrites, @thewolvesof1998, @captain-hen, @rewritetheending, @athenagranted, @butchdiaz, @housewifebuck, @honestlydarkprincess, @homerforsure, @anakinfallen and anyone else who wants to! it's been an age and a half since i tagged anyone for anything. mwah! 💞