#can you tell I think about this episode a lot. its one of THOSE episodes for me

[reality-detective]

𝙏𝙝𝙚 𝙃𝙤𝙪𝙨𝙚 𝙊𝙛 𝘾𝙖𝙧𝙙𝙨 𝙄𝙨 𝙂𝙤𝙞𝙣𝙜 𝙩𝙤 𝘾𝙤𝙡𝙡𝙖𝙥𝙨𝙚: 𝙏𝙝𝙚 𝙎𝙝𝙖𝙠𝙚𝙙𝙤𝙬𝙣

𝘼𝙘𝙩𝙤𝙧 𝘼𝙨𝙝𝙩𝙤𝙣 𝙆𝙪𝙩𝙘𝙝𝙚𝙧 𝙘𝙤𝙪𝙡𝙙 𝙗𝙚 𝙙𝙧𝙖𝙬𝙣 𝙞𝙣𝙩𝙤 𝙩𝙝𝙚 𝙤𝙣𝙜𝙤𝙞𝙣𝙜 𝙡𝙚𝙜𝙖𝙡 𝙘𝙖𝙨𝙚 𝙖𝙜𝙖𝙞𝙣𝙨𝙩 𝙎𝙚𝙖𝙣 "𝘿𝙞𝙙𝙙𝙮" 𝘾𝙤𝙢𝙗𝙨. 𝙏𝙝𝙚 𝙖𝙘𝙩𝙤𝙧’𝙨 𝙡𝙤𝙣𝙜-𝙨𝙩𝙖𝙣𝙙𝙞𝙣𝙜 𝙛𝙧𝙞𝙚𝙣𝙙𝙨𝙝𝙞𝙥 𝙬𝙞𝙩𝙝 𝙩𝙝𝙚 𝙢𝙪𝙨𝙞𝙘 𝙢𝙤𝙜𝙪𝙡 𝙞𝙨 𝙛𝙖𝙘𝙞𝙣𝙜 𝙨𝙘𝙧𝙪𝙩𝙞𝙣𝙮 𝙖𝙛𝙩𝙚𝙧 𝙖𝙣 𝙤𝙡𝙙 𝙘𝙡𝙞𝙥 𝙧𝙚𝙨𝙪𝙧𝙛𝙖𝙘𝙚𝙙. 𝙊𝙣 𝙈𝙖𝙧𝙘𝙝 25, 𝙟𝙪𝙨𝙩 𝙗𝙚𝙛𝙤𝙧𝙚 𝘿𝙞𝙙𝙙𝙮 𝙬𝙖𝙨 𝙥𝙡𝙖𝙣𝙣𝙞𝙣𝙜 𝙩𝙤 𝙛𝙡𝙮 𝙩𝙤 𝙩𝙝𝙚 𝘽𝙖𝙝𝙖𝙢𝙖𝙨 𝙛𝙤𝙧 𝙝𝙞𝙨 𝙫𝙖𝙘𝙖𝙩𝙞𝙤𝙣, 𝙛𝙚𝙙𝙚𝙧𝙖𝙡 𝙖𝙜𝙚𝙣𝙩𝙨 𝙧𝙖𝙞𝙙𝙚𝙙 𝙝𝙞𝙨 𝙝𝙤𝙪𝙨𝙚𝙨 𝙞𝙣 𝙇𝘼 𝙖𝙣𝙙 𝙈𝙞𝙖𝙢𝙞 𝙞𝙣 𝙘𝙤𝙣𝙣𝙚𝙘𝙩𝙞𝙤𝙣 𝙬𝙞𝙩𝙝 𝙨𝙚𝙭 𝙩𝙧𝙖••𝙞𝙘𝙠𝙞𝙣𝙜 𝙖𝙡𝙡𝙚𝙜𝙖𝙩𝙞𝙤𝙣𝙨. 𝙊𝙫𝙚𝙧 𝙩𝙝𝙚 𝙥𝙖𝙨𝙩 𝙛𝙚𝙬 𝙢𝙤𝙣𝙩𝙝𝙨, 𝙛𝙞𝙫𝙚 𝙥𝙚𝙤𝙥𝙡𝙚, 𝙬𝙝𝙤 𝙬𝙚𝙧𝙚 𝙛𝙤𝙧𝙢𝙚𝙧 𝙘𝙡𝙤𝙨𝙚 𝙖𝙘𝙦𝙪𝙖𝙞𝙣𝙩𝙖𝙣𝙘𝙚𝙨 𝙤𝙛 𝘿𝙞𝙙𝙙𝙮, 𝙝𝙖𝙫𝙚 𝙘𝙤𝙢𝙚 𝙛𝙤𝙧𝙬𝙖𝙧𝙙 𝙬𝙞𝙩𝙝 𝙖𝙡𝙡𝙚𝙜𝙖𝙩𝙞𝙤𝙣𝙨 𝙖𝙜𝙖𝙞𝙣𝙨𝙩 𝙝𝙞𝙢.

• ASU

• CEMEX

• McCain Institute.

• Thorn (Ashton Kutcher)

• NXVIM

• The Rothschilds

• The Bronfmans

During a 2019 episode of Hot Ones that recently resurfaced, Ashton was asked about the parties at Combs' house by host Sean Evans.

'I’ve got a lot I can’t tell,' he said, pausing for a moment before adding: 'I can’t tell that one either.'

Diddy, 54, and Ashton have been friends for decades and appeared together on The Late Late Show with James Corden in 2018 where he gushed about their bond.

'I was doing Making the Band on MTV, he was doing Punk’d and I gave him a call one day and said, "I heard that you are going to punk me and I just don’t think that’s a good idea,"' Diddy told Corden.

As you all can see many celebrities have been quiet about this P. Diddy drama. They know what they did at these parties and they know P. Diddy is not someone who is going to be reserved on who attended these parties if he is questioned on the stand through cross examination once the evidence is presented.

P. Diddy is loyal to no one but maybe Clive Davis & Lucien Grainge. But even they have been brought under scrutiny and its matter of time before they are brought within scope of how they were also participants in some of those parties. You know this case is heavy when all the passports were taken from not only P. Diddy but his children including the baby.

Another thing people have to consider is the fact that P. Diddy has been paying off victims for decades not to go to authorities. Not to say that some were threatened but many took the money and never followed through on what happened. But now P. Diddy no longer has the means to do so at this point. Which is why he was willing to offer his home and his mother's home up for the 50 million dollar bail. Which should imply to anyone that his money is tied up.

So he is in a very tight spot at this time. Which is what makes this case all the more damning to the network of high profile figures who are walking around in fear that they may be getting a subpoena soon. And ofcourse Ashton Kutcher is one of those people. But again I want to mention this for all those who are salivating at the mouth for P. Diddy to be tossed in the slammer. You are thinking way too small here.

The Royals

The Clintons

Barrack Obama

Naomi Campbell

The C!A

The Playboy Mansion

As a matter of fact Most people of influence are controlled with money, drugs, s•x scandals, and pedophilia. The C!A also used prostitution and homosexuality as blackmail and honeypot tools back when they constituted criminal offences and were considered socially scandalous. At Heffner’s Playboy Mansion, straight blackmail targets were lured with a promise of associating with scantily clad beautiful women and celebrities. Innocent targets were drugged and photographed with clearly underaged and/or male sex partners, and the staged photos were enough to create the leverage of control the CIA sought over the now-compromised targets. 🤔

[rearranging-deck-chairs]

language learning revelation i had

[youngpettyqueen]

❓ [choose a random WIP and talk about it]

❓"Choose a random WIP and talk about it"

hohoho ok lemme look through. the fucking collection here

ok ok gonna go with "i told you not to get lost in the wild"- a WIP I do not have mentioned anywhere on here because I very impulsively wrote down some dialogue for it the other night and its gonna be pretty short

so this one's gonna take place after The Best of Enemies which is an episode that I consider to be beautiful and brutal in equal measure. I know you dont know MASH so description- Hawkeye is on his way to take 24 hour R&R when he's pulled over and held at gunpoint by a North Korean soldier, who brings him to another wounded soldier that he wants Hawkeye to save. Hawkeye, with only a first aid kit in the middle of nowhere, cant do anything to save the man, but he cant communicate to the soldier holding him hostage that he needs to move him back to camp. Hawkeye is fully convinced that if he doesnt save this man, he's going to be killed, and in the end he's helpless to do anything as his patient dies. the soldier, however, lets him go, and begins to dig a grave with his hands. Hawkeye starts to walk away, but after only a few steps he walks back and uses his helmet to help him dig. the episode ends with Hawkeye getting back to camp and collapsing in his bed, dead exhausted and still covered in dirt and blood, and his friends not noticing make some jokes about him being sleepy and lazy after a wild time on his leave- which he never got

(the B plot meanwhile is everyone goes insane over bridge. the card game. blood is almost spilled. this episode is fucking insane)

anyways all that to get to the point of the WIP which is FOR THE LOVE OF GOD SOMEBODY TAKE CARE OF HAWKEYE AFTER THIS. we never see any sort of aftermath for this episode and its literally never brought up again! which like, makes sense, if they were gonna do the aftermath they would've done it in the episode itself, but also I need to see my boy hugged?? cared for?? he was supposed to be getting some well-deserved rest and fun times and instead he was held at gunpoint and convinced he was going to be killed no matter what he did! its such a harrowing episode- even on my second watch of it I was still tense- but its also just. such a beautiful moment when Hawkeye turns around and helps dig the grave. its a moment where you wouldnt even blame him for just walking away entirely, but he doesnt. he turns around and takes his helmet off and uses it to help a man dig a grave. its so quintessentially Hawkeye

ok ok I keep rambling about the episode but really I wanted to see Hawkeye being cared for after all of that cause Jesus fucking Christ dude he spent an entire day with a gun pointed at him, completely helpless to save a life, convinced he was going to die at any moment. so this fic is literally just his friends taking care of him and comforting him because its what he deserves. Charles taking care of cleaning and dressing his hands while BJ holds him, letting him just. fucking cry it out. there's a bit more but I dont want to spoil the entire plan here so ill leave it at that

also ik you're not gonna read MASH fic but to any interested parties- @thebreakfastgenie has a FANTASTIC fic on ao3 with the same idea of the aftermath of this particular episodes, it's called safe travels and I love it to death and I highly recommend reading it. while my take is gonna be different, I do really love their vision of how things play out after this episode, I seriously cannot recommend this fic enough for anyone who wants some good Hawkeye being cared for content

[caromari]

just finished watching all of ash coyote’s furry documentaries and ive never wanted to wear a fursuit more in my life than in this moment 👉👈

[oatmealaddiction]

Okay but the weirdest thing about the whole "Brotherhood is better you should skip 03" discourse that's become commonplace now, it sort of forgets the world Brotherhood came out in and why you should watch the original Fullmetal Alchemist. When Brotherhood came out, the original Fullmetal Alchemist was one of the most beloved and most watched animes of all time. Brotherhood assumes you the audience have already seen it because of course you have, everyone has seen it, so it skips important information and speeds the story up because it doesn't want to bore you with things you already know. Have you ever wondered "hey why does the first episode of Brotherhood kind of suck, and why am I being introduced to like 50 new characters, and why are they acting like I know what the hell an alchemist is?" It's because Brotherhood thinks you've seen 03.

The first 7 or so episodes of Brotherhood constitute dozens of chapters in the manga, and the first 25 or so episodes of the original Fullmetal Alchemist. The Nina Tucker episode in Brotherhood, in FMA 03 takes up nearly three episodes. Yoki gets a backstory in 03 and it's genuinely one of the best episodes and taken directly from the manga and Brotherhood glosses over it because: duh, you've already seen it. And so if you skip the original you miss out on dozens of really great character building episodes like Ed and Al meeting Hughes for the first time and getting to spend a whole episode helping him free a train from terrorists, or Ed and Roy having a duel that expands on the relationship they have, or episodes where the brothers just help out random people in towns before the major story gets going.

The original also paces itself quite a bit better than Brotherhood and is more in line with the mangas storytelling. In the manga we don't find out about The Gate until nearly two dozen chapters in, and the same goes for the original anime. Like, that's a twist reveal in those stories, and it's weird that the most watched series is the one where they tell you all about The Gate in the first two episodes because they assume you've already seen the original show.

What's more, people don't know that Hiromu Arakawa helped write for the anime while she was still in the middle of writing the manga, and as a result was inspired to write scenes in Brotherhood that the anime did first. That scene of Edward getting impaled by a falling beam? Directly inspired by a similar scene in the original anime. There's a lot of little instances of that and they're great when you can recognize parallels and things in Brotherhood that are direct references to the original anime, but people don't notice any of that anymore. Because the original anime is just an automatic skip these days, and it's a bummer because people don't realize what a giant it was back before Brotherhood was released. They treat it as *bad,* not realizing it was one of the most beloved anime of its time and the problems people take issue with have a lot more to do with personal taste than any kind of actual flaw in the writing. Brotherhood was never meant to dethrone it, and the original anime was always supposed to be part of the viewing experience which is why those first few episodes of Brotherhood are so fast paced. So like, please stop telling people Fullmetal Alchemist 2003 is a skip, or it's bad, or you don't need it because Brotherhood is better. Regardless if you think Brotherhood is better or not, the original wrote Brotherhood's check. It was huge, it was beloved, and Brotherhood is *banking* on the knowledge you've seen all of it and loved it. And trust me when I say there is so much to love about the original series. It's still my favorite branch of the FMA franchise, and it's worth your time, I promise you.

[miraculouslbcnreactions]

Pick One: Magical Girl Show or Rom-com. You cannot be both.

Early in season four we get the episode Gang of Secrets. An episode that ends with Marinette outing her secret identity to Alya. A touching moment that sparked outrage across the fandom because it meant that Marinette had made the choice to reveal her identity to her best friend while keeping her hero partner in the dark.

This choice spat in the face of the exceptions that many fans had for the series. Thousands of pre-season-four fanfics feature moments where Ladybug and Chat Noir promise each other that they'll be the first to know each other's identities. After the Alya reveal, scores of fanfics were written to salt on Marinette's choice to tell the "wrong" person.

Most of these fics feature a betrayed Chat Noir quitting or otherwise punishing Ladybug for breaking their promise to be each other's first, thereby destroying his faith in their partnership. But that promise was never made on screen. It only existed in the realms of fanfic and, when Chat Noir finally found out in canon, his reaction was largely neutral. He never once blamed Ladybug for her choice or pushed for a reveal or even asked for the right to tell one of his friends.

So what happened here? Why did the fans have such wildly unrealistic expectations of canon? Were their expectations even unrealistic or did canon betray them? The answer to that is not as straight forward as you might think because it all comes back to one of Miraculous' many, many, many writing problems: Miraculous is trying to be both a Magical Girl Show and a romantic comedy, but those are not genres that mesh. You can only be one (or you can be a third thing that we'll get to at the end as it's the easiest way to fix this mess, but I want to mostly focus on where the anger is coming from and why the writing is to blame.)

To discuss this mismatch, we're going to do something that breaks my heart and talk about some of Origins flaws. While I love that episode and unironically refer to it as the best writing the show ever gave us, it's not perfect and its flaws are all focused around trying to set up both genres. Do note that I'm going to use a lot of gender binary language here as magical girl shows have a strong focus on gender segregation and rarely if ever acknowledge gender diversity.

Let's Talk Magical Girls

Magical girl shows are shows that center on young women and their friendships. While male love interests are often present in these shows, the boys tend to take a backseat and function primarily as arm candy while the girls save the day and carry the narrative.

A great example of this is the show Winx Club. This show features a large cast of teenage girls who save the magical universe from various threats with their magical powers. Each girl has a love interest, but the boys are usually off doing their own thing and only occasionally show up for a date or to give the girls a ride on their cool bikes or magical spaceship. I don't even think that we see the guys fight or, if we do, it's a rare thing. They are not there to save the day. They are there to be shipping fodder.

Like most magical girl shows, Winx Club starts with the main character making friends with one of the girls who will eventually become part of her magical girl squad. This brings us back to Miraculous.

Did you ever find it weird that Origins implies that Marinette has no friends? She doesn't even have a backbone until new girl Alya shows up to become Marinette's First Real Friend:

Marinette: I so wish I can handle Chloé the way you do. Alya: You mean the way Majestia does it. She says all that is necessary for the triumph of evil is that good people do nothing. (pointing at Chloé) Well, that girl over there is evil, and we are the good people. We can't let her get away with it.

This is a bizarre opening because Miraculous is not about Marinette making friends or learning to stand up for herself. If you skipped Origins and just watched the rest of the show, then you'd have no clue that Marinette wasn't close with her classmates before this year. You also wouldn't know that Alya was new in town and you definitely wouldn't know that Marinette had never stood up to Chloé before this year. So why is this here? Why waste screen time setting up elements that aren't actually important to canon?

Miraculous did it for the same reason that Winx Club did it: magical girl shows traditionally start with the main character making friends with at least one of her eventual female teammates because Magical Girl shows are all about the girls and their relationships. The boys are just arm candy.

But Miraculous isn't a magical girl show. The writers have explicitly stated that it's a rom-com and romantic comedies aren't about female friendship. They might have female friendships in them, but that's not where the focus is. The focus of a rom-com is on the romance and Origins is very clearly all about the romance.

Origins as a Rom-com

Origins has a lot on its plate. It has to establish the villain's motivation for the first time, show us how the heroes got their miraculous, show us how the heroes first met on both sides of the mask, show us how they met their respective best friends, and show us how the heroes dealt with their first akuma. It would be perfectly understandable if this 40 minute two-parter didn't do anything with the romance. They have a full show to give us that!

In spite of this, Origins has some incredibly touching moments for both Ladynoir and Adrienette because romance is the heart of Miraculous. It is the main focus of the show. The driving motivation for both of our leads and the majority of the show's episodes. To tell the story of how their journey started without at least one of them falling in love would feel wrong. That's why we see both of them fall in love!

First we get Chat Noir giving his heart to his bold and brilliant lady, then we get Marinette's heart being stolen by the shy sweet boy who never once thought to blame her for her snap judgement of his character. We even get a touching moment where Chat Noir inspires his lady to accept her role and be Ladybug, leading her to boldly face their enemy and call him out:

Roger: I have a new plan, unlike you! Move aside and let the pros do their thing. You've already failed once! Ladybug: …He's right, you know. If I'd captured Stoneheart's akuma the first time around, none of this would have happened! I knew I wasn't the right one for this job… Cat Noir: No. He's wrong, because without you, she'd no longer be here. (they look at Chloe) And because without us, they won't make it, and we'll prove that to 'em. Trust me on this. Okay? Ladybug: Okay.

I love this moment, but it does lose a little of its power when you remember that we had an Alya-driven variation of this exact same thing five minutes prior:

Alya: HELP!! (Marinette suddenly gets filled with courage. She gets the case out of Alya's bag and puts on the Miraculous. Then, Tikki appears, happy to see Marinette again.) Tikki:(raising her arms) Mmmm! Marinette: I think I need Ladybug! Tikki: I knew you'd come around! Marinette: Well, I'm still not sure I'm up for this, but Alya's in danger. I can't sit back and do nothing.

This scene initially confused me because - if Miraculous is a rom-com - then why would you make Alya the reason that Marinette became Ladybug? Why wouldn't you have Chat Noir be the one in danger so that Marinette chose to fight because of her love interest and then encourage that bond with the later scene of him encouraging her? Why split the focus like this? Why give Alya so much attention?

In case you haven't figured it out, it's because Origins is trying to establish two different genres of show. Two genres that will continue to fight for the rest of the series (or at least the first five seasons).

Magical Girls Vs Rom-com

Why is Alya the one to shake off the nightmare dust and inspire the others during the season five finale? Why is Alya the one that Marinette trusts with all of her plans while Chat Noir is kept in the dark? Why does Alya and Marinette's friendship get so much more focus than Adrien and Nino's? Why was Alya the only temp hero who got upgraded to full time hero?

It's because Alya is Marinette's second in command in a magical girl show and magical girl shows focus on female friendships while the boys are just there to be cute and support the girls.

Why do most of Marinette's talks with Alya focus on Adrien? Why is Chat Noir the only other full time holder of a Miraculous for the first three seasons and then again for the final season? Why do Marinette's friends become more and more obsessed with Adrienentte as the show goes on? Why is the love square's identity reveal given so much more narrative weight than any other identity reveal?

It's because Miraculous is a rom-com and the love square is our end game couple, so of course the story focuses on their relationship above all else!

Are you starting to see the problem?

Circling back to our original question: no, it was not unreasonable for the fans to expect that the Alya reveal would have massive negative consequences for Ladynoir. That is what should happen in a rom-com and Miraculous is mainly written like a rom-com. But the writers are also trying to write a magical girl show and, in a magical girl show, Alya and Marinette's friendship should be the most important relationship in the show, so it makes perfect sense that the show treats the Alya reveal as perfectly fine because the Alya reveal was written from the magical girl show perspective.

When it comes to Miraculous, if you ever feel like a writing choice makes no sense for genre A, re-frame it as a thing from genre B and it suddenly makes perfect sense which is fascinatingly terrible writing! It's no wonder there are people who hate the Alya reveal and people who will defend it with their life. It all depends on which genre elements you've picked up on and clung to. Neither side is right, they've both been set up to have perfectly valid expectations. Whether those expectations are valid for a given episode is entirely up to the mercurial whims of the writers!

How Do We Fix This Mess

At this point, I don't think that we can, the show is too far gone, but if someone gave me the power to change one element of Miraculous, that element would be this: scrap both the magical girl stuff and the rom-com stuff and turn Miraculous into a team show where the friendships transcend gender.

At this point, I've written over a quarter of a million words of fanfic focused on these characters (the brain rot is real) and one thing I've discovered is that it is damn near impossible to keep Adrien and Alya from becoming friends. They're both new to their school while Marinette and Nino have gone to the same school for at least a few years. Alya and Adrien are both obsessed with Ladybug plus Adrien is a natural hype man who loves to support his friends and Alya loves to talk about her blog. Alya is dating Adrien's best friend. On top of that, Alya, Adrien, Nino, and Marinette are all in the same class, meaning that they pretty much have to be spending time together five days a week unless French school don't give kids a chance to socialize or do group projects. If so, then judging them for the first issue, but super jealous of the latter.

Given all of that, why in the world is does it feel like Alya is Marinette's close friend while Adrien is just some guy who goes to Alya's school? Along similar lines, while canon Marinette barely talks to Nino, I've found that Marinette and Nino tend to get along smashingly, especially if you embrace the fact that they have to have known each other for at least a few years.

If you embrace this wider friendship dynamic and scrap the girl squad, replacing it with Alya, Adrien, Marinette, and Nino, then the fight for narrative importance quickly goes away. It's no longer a question of is this episode trying to be a magical girl show or a rom-com? Instead, the question is: which element of the friend group is getting focused on today? The romance or the friendship?

A lot of hero shows do this and do it well. I think that one of the most well known examples is Teen Titans. That show has five main characters and the focus is usually on their friendships, but there is a very clear running romantic tension between the characters Robin and Starfire with several episodes giving a good deal of focus to their romance. I'd say that this element really starts in the show's the 19th episode - Date with Destiny - and it all culminates in the movie that capstones the series: Trouble in Tokyo. The character Beast Boy also gets a romance arc and, while it's more short lived, it's further evidence that you can have strong romances and strong friendships in the same show and even the same episode. You just have to own the fact that boys and girls can be friends with each other, a very logical thing to embrace when your show has decided to have a diverse cast of heroes instead of imposing arbitrary gender limitations on its magical powers.

I couldn't figure out a way to work this into the main essay, but it's relevant so I wanted to quickly point it out and give you more to think about re Origins. Have you ever found it weird how Origins gives both Adrien AND Marinette the "I've never had friends before" backstory and yet wider canon acts like Marinette has this strong amazing friend group while Adrien doesn't seem to care about making friends and instead focuses all his energy on romance? Why give both the protagonist and the supposed deuteragonist this kind of origin if it's not going to be a major element of the show? It makes so much more sense to only give one of them this backstory and then focus that person's character arc on learning about friendship.

[stevie-petey]

episode one: the hellfire club

Robin waves her hands in the air as if to get Steve’s voice away from her. “Ew! Gross, don’t say boobies–” “Boobies! It’s not a big deal–” You make a face. “It isn’t the most pleasant word.” “Oh, c’mon. You like boobies, Robin likes boobies, and we all know I love your boobies specifically–ow!”  You hit the back of Steve’s head with annoyance to get him to stop talking about your boobs. While he winces in pain and rubs his tender head, you turn towards Robin. “What my darling boyfriend is trying to say is that everyone likes boobs, and Vickie definitely likes them too.” 

Summary: el writes to you as if youre her husband away at war, you debate the intricate nature of liking boobies with robin and steve, lucas is your beloved while eddie munson is your sworn enemy, steve accidentally exposes your (horribly hidden) daddy issues, dustin is an angsty teen, and jonathan really loves to drop emotional bombshells on you. can you believe this all happens in one day ? lol cheers to senior year !

Rating: general, some swearing

Warnings: swearing, fem!reader, use of y/n, mentions of abuse, allusions to bullying, trauma lol

Words: 13.5k (wrote half of this in one day)

Before you swing in: SHES HERE !!!! SEASON 4 !!! this season terrifies me. i spent so much time outlining and making sure it was perfect. i have some changes i want to do, some ideas, and its scary because we dont have season 5 yet and i hate messing with canon ,,, alas: here she is. my baby. my beloved. quick fun fact: theres a scene in here ive had planned since season 1 so .... enjoy !

–

March 21st, 1986.

Dear Y/N,

Congratulations on New York University! Joyce tells me that it is a very good college, and everyone was extremely happy when Jonathan told us the news. He even had a smile on his face! It has been a very long time since I have seen him smile, especially without that weird smell on him (am I allowed to tell you about the strange plants that Jonathan seems to like now? He says that you cannot find out about it, but friends don’t lie and he is your bestest friend). 

I asked Will about it, and he says that Jonathan now smells because he misses you. If you ask me, I think that Jonathan smells because he is scared. We are still waiting for his college letter, afterall. I know you want to go to school with him, but so does Nancy. Is it possible to go to two colleges? Anyways, it must be a lot of pressure, even more with all the waiting we have to do, but Joyce told us that sometimes colleges take a long time to respond. 

While I am positive that Jonathan will figure it all out soon, he pretends he does not care. But he is a very bad liar. He was very upset that Nancy could no longer visit us in California. Will was bummed too, but he was more sad that it was not you who was visiting. Joyce says that the Byers boys were born to miss you, and I think she is right. 

I also miss you. I am still bummed I never went to school with you. I bet Mike is over the moon to have you with him for high school, Dustin and Lucas also. How is Max? Is she still sad? I know school has been hard for her. I will admit that it is hard for me, too. While I am good at maths, and my grammar is getting better, I am still unsure when to use conjunctions or why Angela does not like me. Will tells me to ignore her, but I want to be her friend. She is nice to everyone else. It confuses me that she is not nice to me.

A lot about California confuses me. The flowers here are different, and sometimes I forget that I cannot go and visit you. I miss the smell of Bookstrordinary (did I spell it right?) and your cookies. Please send more as soon as you can. Will and I are almost dying to taste them again! Mike says he will try to bring some on the plane, but I am scared he will be told no by those scary airplane people.

Speaking of Mike, he is coming to California this week! I am very excited to see him. It has felt like years, I think I am even going crazy. I have planned everything for his week here. Spring break will be extra special! It will be a fun distraction from Angela and school. This week I can pretend to be someone else, someone cool, and Mike will be very impressed. I know you tell me to always be myself, so I hope that I can make you happy by taking your advice on focusing only on the good. 

To prove I will focus on the good from here on out, here is a good things list: 

Mike is visiting!

Will has almost finished his painting. I am very curious to see what he has made. He is really talented, he shows me the drawings he sends you sometimes. 

You got into NYU! Is this the correct way to abbreviate? I am still working on conjunctions, but I think I am supposed to use the first letter of every word in the school’s name to shorten it. At least, that is what Joyce says. 

Jonathan’s new best friend, Argyle, will give us free pizza to celebrate Mike’s arrival. It is really good pizza. 

Tasting your cookies again. Fingers crossed Mike’s plan succeeds!

I am sure there is more, but I am too excited about this week and my mind is going very fast. I miss you tons, maybe even more than Will and Jonathan do. Please come visit us soon. Like Joyce says, the Byers boys were born to miss you. Although I am not a Byers boy, I am still a part of the Byers family, and I miss you. 

Love, El.

P.S., thank you for the grammar books. I will be sure to become the best writer ever in California. 

–

Sweet, gentle, El. You can almost hear her voice, reading aloud to you as you used to do when she lived in Hopper’s cabin. She would stumble over the letters, ask you how to sound out particularly difficult words in Spider-Man comics; they helped her learn how to read. Now, almost a year later, she’s writing you letters. 

El has grown up so much within such a short few months, although it doesn’t surprise you.

Laughing softly as you reread the final line she’s written, you wipe your eyes and place El’s letter onto your desk. The piece of paper joins the others, nestled gently with a pile of her other letters that are housed on your desk. El sends you a new letter every week, detailing silly stories about Jonathan and Will or concerned ramblings about Angela.

The letters make you miss El terribly. They make you miss everyone terribly. 

Next to the letters are drawings from Will. He’s become such an artist during his time in California. He sends you beautiful sketches of landscapes in their neighborhood, doodles from class, and incredibly detailed drawings of you and the party. The drawings are Will’s special way to keep in contact with you, and it’s something you cherish so deeply. However, you didn’t know that he was working on a painting, and you’re curious to see what El is talking about. Eventually he’ll reveal his art to you, he always does.  

Skimming a finger over one of the more recent drawings from Will, your hand catches on the walkman that lays next to it. Jonathan’s messy handwriting is scrawled on the mixtape that sits within it.

For bug.

The words, familiar and loved, stare back at you. The mixtape contains songs that Jonathan so carefully chose for you. He spent countless hours selecting songs that he knew you’d love, songs that reminded him of you. It had been his gift for you before he moved away. And now he’s gone, and you miss him so much more than you ever thought you would. More than you ever thought you could miss anyone.  

Jonathan never did end up coming to Hawkins for spring break. 

“Dusty, what’s going on in there?” The sound of your mother pounding on Dustin’s door breaks you from your thoughts. “You’re gonna be late.”

“Don’t come in, I’m naked!” You hear the boy screech back at her, which you roll your eyes at. Steve will be here to pick you guys up any minute. Dustin knows he should be ready by now, the schedule has never changed. 

Throwing on the cardigan Steve got you for Christmas last year, you grab your walkman and storm over to Dustin’s room. At the same time, your mother nearly crashes into you in the hall. Her face is pale, horrified of the idea that she almost saw her son naked, and you pity the woman. Dustin has become relentless lately, even more difficult to deal with. 

“Y/N, my dear,” your mother clutches at her chest and fans her face. “Can you please make sure your brother is ready? I think that boy is trying to give me a heart attack.”

You sigh, figuring you would have to do so anyways. “Yeah, sure. Go finish getting ready, I’ll handle him.”

“This is why you’re my favorite daughter!” Your mother kisses your cheek before running off towards the kitchen to make her morning coffee. 

Once she’s gone, you immediately start banging on Dustin’s door. He knows you hate being late. Plus, it’s the Friday before spring break. You’re getting antsy waiting for this week to end. “Dustin Henderson, you have three seconds before I kick this door down.”

“Not now, Y/N!” Dustin shouts back, frantic and desperate. 

You narrow your eyes. He’s using his suspicious voice, the one he only uses when he’s doing something he absolutely shouldn’t be doing. Glancing down at your watch and noting the early hour, you curse in disbelief. “It’s not even seven yet, what the hell are you up to so early in the morning?”

“Nothing! Just go away, I’ll be out soon–”

“I swear, if you’re trying to sell my limited edition comics again I will hurt you.” You throw your body against the door, causing it to fly open as you stumble inside. Dustin is at his computer and he nearly falls off his chair in his haste to cover the screen from you. He’s remarkably horrible at playing cool. You’re about to tell him this when Suzie’s voice crackles through his radio’s speakers. 

“Yikes, Dusty.”

“Suzie?” You walk over to your brother and shove his hands off the computer screen. He falls to the ground with a loud thud, which pleases you. He may be a teenager now, but you’re still stronger than him. At least for now. “Why are you calling her right now–” Your eyes land on the screen and you recognize Hawkins High’s familiar orange and green school colors. “Is this the student gradebook?”

“No!” Dustin exclaims, but Suzie’s small and soft voice responds, “Yes.”

“Oh my God,” you cannot believe he’s making his girlfriend hack into your school’s database. Sure, she’s a genius, but you also know she’s incredibly religious. “Dustin, this is so illegal and goes against, like, all of Suzie’s religious morals–”

“I will repent later.” Suzie interrupts you, and you raise your eyebrows at what she’s just said. Before you can question her, Dustin’s computer refreshes. 

He leans forward, eyes scanning to see if they’ve succeeded, and he seems to like what he sees. Suddenly Dustin lets out a sudden whoop and fist bumps the air. “God, I love you Suzie.”

Curious, you lean over and read the screen as well. There, where you know Dustin had a D- in Latin not even a day ago, is now an A. There’s no possible way he was able to raise his grade in under twenty-four hours. He sucks at Latin, he hates it, which means… She did it. Suzie changed his grade. All she had to do was press one single button to save Dustin’s GPA. 

You have to admit, it’s impressive. And shamefully genius. 

“Hey, Suzie.” You bring the radio to your lips, shoving Dustin away when he tries to take it from you. “Do you think you could change my grade in calculus? Jonathan was the only reason I passed any of my other math classes.”

“Oh, I don’t know…” Suzie’s voice raises a pitch, she doesn’t want to tell you no. She likes you, she really does, but her God figurine stares down at her with a disappointed look in his eyes. She’s sinned for love, but she doesn’t think she could ever do it again. 

You’re about to plead with Suzie, tell her NYU really prioritizes their student’s grades, but the sound of a car honking outside catches your attention; it’s Steve. Dustin yanks the radio from your hand and shoos you away. “Go, leave without me.”

“What, why? We always drive together.” You frown, feeling like a little kid when you cross your arms. Dustin smiles apologetically, a smile you’ve become familiar with. Your mood darkens, anger rises to your cheeks. You know exactly why Dustin is now skipping out on you. “Don’t tell me it’s that stupid Eddie Munson–”

“He wants me and Mike to work out some campaign details before lunch today!” Dustin scrambles to mediate. He hates that you don’t like Eddie, and you like everyone. It’s unnerving how much disdain you seem to carry for his friend. “Nance is driving us, but I swear I’ll ride with you and Steve after break!”

You scoff at Dustin, not at all believing his promise to you. Ever since September your brother has been at Eddie Muson’s beck-and-call, who dictates everything Dustin says or does. At first it was innocent enough, choosing to sit with the guy instead of you at lunch. Skipping out on a few weekend plans with you and Steve to campaign with Eddie. You’d been happy for Dustin. He was making new friends, no longer your little shadow; he was his own person with his own priorities and interests now.

But ever since getting into NYU last week, Dustin has been pulling away even more from you. You don’t know why, but he’s become even more obsessed with Eddie and his stupid Hellfire club. 

Eddie Munson is the air your brother now breathes, stifling the air Dustin once breathed for you.

And it seems to only be suffocating you, not him.

“Yeah, whatever.” Halfheartedly you ruffle Dustin’s hair, and he leans into the touch. You don’t want him to know his repeated absences are upsetting you. Deep down, you know you’re being irrational. You’re almost eighteen, soon you won’t even be living under the same roof as Dustin. He’s allowed to live his own life. “I guess I’ll see you at the pep rally. Tell Suzie I said bye, please?”

Dustin nods, though you don’t linger in the doorway like you desperately want to. Instead, you shut the door behind you and place a swift kiss to your mother’s cheek as you leave. 

Steve’s car is parked in its usual spot at the end of the driveway. The teen’s arm hangs out the window and his face breaks into a smile when he sees you approaching. Steve’s smile is infectious, it’s always charmed you, and it settles the ache in your chest from your brother’s earlier dismissal. Feeling a smile spread across your own face, you run towards Steve and poke your head through the open window.

“Hi,” you breathe out, nose almost bumping against his cheek.

“Hi, angel.” Steve kisses you, solidifying your morning tradition. Neither one of you really remembers who started it, but sometime during the school year you began to slip your head through Steve’s car window so that he could kiss you slow and sweet. 

And, as tradition follows, Robin starts boos. “Do you have to do that every morning?”

Steve makes a face at her and she punches his arm. He yelps in pain and you roll your eyes at the two of them before running over to the passenger’s side where Robin sits. Her window is rolled down as well and you duck your head inside. “Aw, Robin. If you wanted a kiss, you could’ve just said so!” 

“A kiss–?” Your lips press against Robin’s cheek, smushing against her face while making a dramatic sound. She squeals and pushes you away, wiping her now wet cheek in disgust. “That is not what I wanted.”

You giggle at her and finally get into the car. It’s getting late, you see the assortment of Robin’s limited makeup dumped into her lap haphazardly. She’s been stressing about this morning’s pep rally all week, and clearly she isn’t coping very well. Trying to cheer her up, you flick her shoulder. “I’ll have you know that my cheek kisses are cherished in Hawkins.”

“How many people’s cheeks are you kissing?” Steve turns in his seat to face you, slightly alarmed. Then, noticing that there’s only one Henderson in his car, he frowns. “And where’s little Henderson?”

“Eddie Munson.”

“Woah, wait, you mean Eddie as in where Dustin is, right? Not, like, you’ve been kissing his cheek? I’m right, right? Please tell me I’m right.”

You roll your eyes fondly at Steve while Robin rolls hers in displeasure. “Just drive, Steve.”

–

It becomes pretty apparent five minutes into the car ride that no one seems to be having a good morning. Robin has spent the majority of the drive applying and reapplying her mascara while messing with her hair. She groans every time she looks in the mirror and her eyes lack their usual brilliance. 

Meanwhile, Steve has been complaining about yet another fight with his dad. Apparently they argued during breakfast, something that has become a common occurrence in the Harrington household. 

“The asshole again reminded me that I’m turning twenty soon. As if I don’t already know that! I mean,” Steve laughs in exasperation. “For weeks now he’s been asking me what my plans are, as if working at Family Video just isn’t good enough for him. As if my dad isn’t the sole reason I had to get a lousy minimum wage job in the first place!” 

“Family Video isn’t a lousy job–”

“Yes it is.” Both Steve and Robin say at the same time, which you sigh at. Can’t really argue with that. 

“Okay, yeah. It’s pretty lousy.”

Steve rubs his eyes tiredly. “And that isn’t even the worst part. There I was, pouring syrup over my pancakes, trying to enjoy the fact that my parents are actually home for once, when my asshole of a father tells me that if I don’t have a respectable job by the time I’m twenty, he’ll kick me out. I mean, can you believe that?” 

You suck in a breath. “Steve…”

Richard Harrington is a cruel, awful man. 

While you understand his frustrations towards Steve, it’s completely unreasonable to expect him to get a reputable job in a few short months without any college education. Steve’s right, it had been Richard’s idea to make him work at Scoops Ahoy in the first place. When the mall burned down, he had no other option but to work at Family Video soon after. 

“I’m sorry, honey.” You intertwine your fingers through Steve’s hair and rub your thumb up and down the nape of his neck in a soothing manner. Steve allows the touch, but he’s still tense. Guessing that he’s uncomfortable feeling so pitied, you try to make light of the situation with humor. “But hey, who knows? Maybe you can come live with me in New York if he ends up kicking you out.”

Steve risks a look at you, taking his eyes off the road for a few moments, and his eyes shine. He’s ecstatic over what you’ve just said. He looks like a little kid on Christmas Eve. “You really mean that?”

“Well, I mean…” It had mostly been a joke, a throwaway comment to try and get him to smile. But Steve’s body finally relaxes under your touch and you can’t tell him no. “Yeah, I guess I did.”

“You hear that, Robin?” Steve preens, wanting to get her attention. However, when he realizes that she hasn’t been listening to the entire conversation, he makes an offended sound. “Robin, are you listening to me?”

“Uh, yes?” Her eyes meet yours in the mirror, startled that she’s been caught. “You were-uh. Talking to Y/N about your dad. We-we hate him! Yeah, we hate the guy. He really… grinds my gears?”

Steve groans. “We all hate my dad, but that wasn’t what I was talking to you about!”

“Cut me some slack, please. Your relationship with your father is one of labyrinthine complexity–”

You poke your head between the two teens. “Actually, it’s not that complicated.”

Robin covers your mouth with her hand and continues with her rant. “It’s seven in the morning, we have the stupid pep rally, and I woke up looking like a total corpse!” 

“I think you look lovely as always, Robin.” You mumble through the girl’s hand, barely coherent.

Steve, however, isn’t as supportive. “You’re worried about a pep rally? You really expect me to believe that?”

“Yeah, so?” Robin removes her hand from your mouth and goes back to doing her makeup. She’s avoiding the conversation now, which only means that Steve is onto something. Why has she been so obsessed about this week’s pep rally? Robin has been in band for years now, she’s done a million pep rallies during her high school career. It can’t be performing that makes her nervous. 

Which means it has to be about someone. 

Locking eyes with Steve, he seems to be thinking what you are. “I think we all know what this is about, okay? Y/N and I aren’t buying that bullshit.”

“This is about Vickie.” You finish for him, a smirk on your face. For weeks now Vickie has been all Robin has talked about. Her hair, how pretty her smile is, how cute her freckles are. Vickie also happens to be in band with Robin. “C’mon, you can’t tell us we’re wrong.”

“I absolutely can tell you you’re wrong.” Robin denies what you and Steve are implying.

Steve shakes his head. “You know we’re right! And you know what else we think?”

“I really don’t care–”

“Y/N and I think that you gotta stop pretending to be someone else when you’re around her, okay? You just gotta be yourself.”

Robin doesn’t want to hear any of this. At least not from you and Steve. “You guys are biased, you do realize that?”

“What do you mean?” You’re practically laying across Steve’s car console in order to be a part of the conversation. “I think we’re objective people.”

“You’re telling me that all I have to do is be myself and Vickie will want to date me?”

You frown. “Yeah? What’s wrong with that?”

Robin throws her head back. “Because it took Steve months to ask you out. Mind you, this was when you were already in love with the guy! And he knew you were in love with him!”

“Okay, hey–” Steve doesn’t at all like what she’s insinuating. He didn’t necessarily know you were already in love with him, he just… had a small hunch. 

“I’m not done,” Robin holds her hand up. “All Steve had to do was man up and admit his feelings for you. He didn’t have to agonize over whether or not it’d blow up in his face. There was no risk, no danger, no world ending consequences. I mean, if you had rejected him then maybe Steve’s ego would’ve been bruised. But if I ask out the wrong girl? Bam! I’m a town pariah.”

“This is true,” you reluctantly agree. While you could never envision a world where you’d ever say no to Steve, you also recognize that the world where you somehow do wouldn’t be the same world as Robin’s. Things are different for her, whether you like it or not. Robin has to live with this knowledge, and her conversation with you about luck and love from last summer echoes in your mind. 

Steve places a hand on his chest, betrayed. “Whose side are you on, Y/N?”

“True love’s side.”

Robin snorts and Steve doesn’t bother to hide his smile. He wants to tease you for being a hopeless romantic, but now isn’t the time. Instead, he continues the previous conversation. “True love aside, we can’t ignore that Vickie is definitely not the wrong girl.”

“Oh, she definitely isn’t straight.” You agree.

“We don’t know that!” Robin quickly sprays some breath freshener in her mouth and gags, which you cringe at. Vickie is one lucky girl if Robin ever manages to become her girlfriend. 

Steve doesn’t let up, he’s convinced he has it all figured out. “She returned Fast Times paused at fifty-three minutes, five seconds.”

“The bikini scene, mind you.” You butt in, and Steve nods eagerly.

“And you know who pauses Fast Times at fifty-three minutes, five seconds? People who like boobies, Robin!” 

Robin waves her hands in the air as if to get Steve’s voice away from her. “Ew! Gross, don’t say boobies–”

“Boobies! It’s not a big deal–”

You make a face. “It isn’t the most pleasant word.”

“Oh, c’mon. You like boobies, Robin likes boobies, and we all know I love your boobies specifically–ow!” 

You hit the back of Steve’s head with annoyance to get him to stop talking about your boobs. While he winces in pain and rubs his tender head, you turn towards Robin. “What my darling boyfriend is trying to say is that everyone likes boobs, and Vickie definitely likes them too.” 

Robin can’t even look at the two of you, appalled by how many times the word “boobies” has been uttered during the duration of the conversation. You can’t blame her, the word has practically lost all meaning for you as well.

Steve, however, can’t seem to get enough of it. “It’s boobies!” He exclaims again to no one in particular.

You and Robin lock eyes, and then, without saying anything, your hand covers Steve’s mouth while Robin flicks his forehead, effectively putting the boob conversation to an end. 

– 

The moment Steve’s BMW slows in front of the school, Robin throws the door open and rushes out with a quick “see you later!” to you as she runs to follow after her bandmates. Steve waves weakly as she goes and sighs in disappointment.

“She’s never talking to Vickie, is she?”

“Not a chance,” you sigh as well, watching as Robin’s figure disappears in the crowd of students. Spring break looms over the student body, everyone buzzes with excitement over their week of freedom and tonight’s basketball game. The pep rally in just a few short minutes only adds to the exhilaration. Leaning forward, your lips graze against Steve’s. “Anyways, see you tonight?”

He bridges the gap between your lips, skin meets skin and warmth floods your stomach. “Of course, angel. I love you.”

“I love you, too, honey.” And with one last kiss, you exit Steve’s car and make your way towards the school. As always, Steve waits until you’re safely on the sidewalk before he pulls away and heads towards Family Video. He’s started picking up morning shifts to fill the time he isn’t with you.

On your way inside, you see Ms. Kelly talking to Max near the buses. The conversation is short, doesn’t last much longer than a few seconds, and when Max turns away you notice Ms. Kelly’s patient smile drop. Clearly Max still isn’t being cooperative when it comes to their sessions. She promised you she would start trying, but Max Mayfield has always been stubborn and you’ve always been slightly overbearing.

Not the best combination, honestly.

With a sigh, you make a mental note to ask Max about what the counselor talked to her about later. There’s too much going on this morning to focus on it, and you’re already pushing Max by having her attend the pep rally anyways. Originally she had wanted to skip it and hide in the stairwell, but after begging her about it, Max finally agreed.

The conversation can wait. For now, at least she’ll be next to you in the bleachers alongside the boys to cheer on Lucas.

The thought was enough to brighten your mood a little, but it quickly became a pain in the ass to corral the party into sitting together. It took you almost fifteen minutes to find Mike and Dustin in the mass of students heading into the gym. You’re not necessarily sure how it took so goddamn long given the fact that Mike towers over half of the students anyways. He’s grown freakishly tall since starting freshman year. It unnerves you. 

While his towering height annoys you, Mike likes that he can finally, literally, look down on you. 

“There you guys are!” You grab the back of Mike’s shirt and he lets out a startled yelp. Dustin stumbles back as well, and an annoyed sophomore glares at the three of you. Ignoring her, you grab your brother’s shirt and start dragging the two boys towards the bleachers. “Thought we agreed on meeting at the water fountain that squirts water in your face?”

“I thought it was the library?” Dustin gives you an odd look. “Wait, is there even a water fountain in the library?”

“You amaze me.” You remark, not even bothering to answer his question. He listens like a bag of rocks. Mike just allows you to pull him, not at all contributing to the conversation.

Max waits for you in the bleachers. She’s saved you seats, something that you feel slight relief over. The simple gesture is small, but it sparks just enough hope within your chest to make you exhale softly. Hope that she’s getting better. Hope that she’s finally trying again.

Thanking Max, you and the others fill the seats as the gym quickly fills with more and more students until it threatens to overflow. The roar of the crowd is nearly deafening. Across from the bleachers resides the marching band. They’re playing the school’s anthem as the cheerleaders start their routine. Chrissy Cunningham leads them, her smile lovely and beautiful, she shines so brightly upon the crowd that you can’t help but fall in love with her.

In the midst of the cheerleaders’ twists and flips, Robin manages to catch your eye from across the room.

You eagerly wave at her and mime playing the trumpet, copying her movements as she actually plays one. Robin laughs, and next to her is a girl with fiery red hair who laughs as well. She’s pretty, you’ve heard countless sonnets about her red hair and dotted freckles. Knowing the girl is Vickie, you point at her as you wink at Robin, who scoffs and goes back to playing the trumpet. 

Next to you, you catch the tail end of some bizarre conversation between Mike and Dustin.

“Look, I’m not saying that my girlfriend is better than yours.” Dustin is clarifying, glaring at you when he hears your sarcastic snort. “It’s just that Suzie’s, like, a certified genius.”

Mike crosses his arms, looking towards you as if somehow this is all your fault. “Your brother realizes that El saved the world twice, right?”

“Admittedly that is hard to beat,” you shrug. “That, and she has cool powers.”

Dustin points a finger at the two of you. “And yet Mike still has a C in Spanish while you’re barely passing calculus.”

Mike rolls his eyes and you shrug again. Your brother isn’t necessarily wrong either. El’s saved the world, Suzie has saved his GPA. Both are nearly impossible feats. “Touchy subject, but touché.”

“And what can your boyfriend do, Y/N?” Mike asks, now bringing the attention to your love life.

“He’s good with a bat.”

Both Dustin and Mike groan, but you shush them when the school’s broadcaster announces the Tigers basketball team. Applause breaks out across the bleachers and you notice Max looking around for Lucas. Though she tries to hide it, you can see the interest and excitement in her eyes. She’s happy for him, but it breaks your heart that she feels that she can’t show it.

Jason Carver, captain of the basketball team and former Scoops Ahoy patron before Steve spilled ice cream all over his pants, runs out first. The crowd goes wild, but you don’t start cheering until you see Lucas. He’s smiling wide, proud to be a part of the team. You scream as loud as you can for him, he’s come so far since confessing to you about wanting to join the team earlier this year. As Jason starts his speech, dramatic as he always is, Lucas sees you in the bleachers and waves shyly, a blush creeping across his face. Then, seeing Max next to you, his confidence seems to grow as he waves more enthusiastically at her. 

The moment is sweet, it makes you smile. 

Except Max doesn’t wave back. She crosses her arms, pretends she hasn’t seen him, and your smile drops alongside Lucas’. 

You know they’ve been having some trouble recently. With Max pulling away more and more each day, Lucas struggled to hold onto the fading girl. Despite his pleas and reassurances, Max still seems to be icing him out. According to Dustin, they broke up almost a month ago now. 

But they’ve always had a tumultuous relationship, long before nightmares and monsters darkened everything. The news hadn’t worried you at first, you thought it was simply another one of their weekly breakups over something small, innocent. Afterall, they were just kids when they first started dating. Their breakups were always childish, though endearing, and always temporary. 

Now, you’re scared that this time it’s permanent. 

You’re not sure what that means for Max. She already has so few people left in her life to tether her. Billy died, her mother works two jobs and is never home anymore, El is in California, and you and Lucas are breaking skin trying to claw onto whatever small hold you have left of the girl.

Another loud cheer from the crowd breaks you from your thoughts. Jason must’ve just said something important, something worthy enough of a roaring reaction. He’s always been popular in Hawkins, Steve used to complain about him to you back when he was still on the team. But when Steve graduated and Billy died, Hawkins High had needed a new King to crown.

Jason Carver was more than happy to ascend the throne. 

“Chrissy, I love you, babe.” Everyone awes and you see Chrissy blow Jason a kiss. It’s sweet, you suppose. They fit together nicely, head cheerleader with the star of the basketball team, and they seem genuinely happy. Chrissy’s shy and kind demeanor balances Jason’s loud and charismatic boldness. They truly are a good match. 

“I think I can speak for all of us when I say it’s been a tough year for Hawkins.” Jason continues his speech, the room is eerily silent as everyone listens with baited breath. “So much loss…” The gym almost exhales simultaneously, remembering all the people who died last summer.

Your own breath exhales, and beside you Max tenses. Billy’s ghost floats through your minds, in through hers and out through yours. Hopper’s own ghost follows after him, only he doesn’t haunt Max the way he haunts you. He lingers over you, his final words to you engraved into your skin. 

You’re the best of them.

“And sometimes I wonder, how much loss can one community take?”

Enough to fill a mall of burning bodies, you think bitterly. 

Jason paces the gym’s floor now, he almost seems to glow before the crowd. He rambles on about needing something to believe in. That everyone should be doing something to honor all the lives lost in July, that playing basketball can absolve all the despair. As if it can bring them back.

Deep below your ribcage, nestled right underneath your scar and just in front of your stomach, rests a pit of anger that always simmers. You were born with it, it has always followed you. It has grown with you, the anger almost possessed your body when your dad left. Now, hearing Jason recite all the names of the ones who died that Fourth of July, the anger’s low simmer heats into a soft boil. 

You try to quell it. Jason means well, he’s only trying to uplift the community in a passionate, albeit uncomfortably pastor-y way. He’s only doing what he knows best; he’s being a leader. In another life, one where Demogorgons never harmed you, you think you would’ve really admired Jason and his resilience. 

“Think of Billy,” Your breath stills, yet your hand instinctively finds Max’s. She turns away from you, but the room is spinning and you can’t remember how to inhale. But Jason keeps going. “Think about our heroic police chief, Jim Hopper.”

Next to you, in your haze of grief and panic, you think you can feel Mike and Dustin shift uncomfortably. Grief sinks her claws into the kids, and you want nothing more than to puncture Jason’s lungs with them. 

This was supposed to be a pep rally for the Tigers, it was supposed to be joyous, an opportunity to bring Max out of her shell. To distract her from the hell that she calls her life. The entire school knows what happened to Billy, they know that he had a little sister named Max Mayfield.

You hate Jason Carver.

But you’re here for Lucas. Today is about him. He’s finally happy, he’s smiling again. The least you can do is swallow down the anger and grief and hope that you don’t end up choking on them later. That they don’t strangle you in your dreams.

“And now tonight, we’re gonna bring home the championship trophy!” Jason screams into the mic, erupting a volcanic roar from the stadium. People throw paper into the air, whistling and jumping up and down at the prospect of Hawkins High finally winning a championship.

“Tonight?” Dustin’s agonized exclamation causes you to jump. He looks at you, bewildered and panicked. “How is that possible?”

Your heart still hasn’t steadied from the surge of fury Jason evoked. Swallowing once again, you clear your throat and shake your head at your brother. “What, you guys didn’t know about the game tonight?”

“They call it a tournament,” Max explains for you, figuring you need some time to clear your head. You squeeze her hand appreciatively. “You win one game, you go on until there’s only one team left.”

Mike and Dustin exchange frightened looks, and you eye them suspiciously. “Did you guys really not know? I thought Steve explained all of this to you already. Why is it such a big deal, anyways? I mean–wait,” the boys won’t meet your gaze. They avoid facing you, Mike stuffs his hands into his pockets and Dustin pretends to read someone’s poster. 

You know the fearful look on their faces. It’s the same look Dustin gave you this morning when he ditched you to ride with Nancy and Mike. 

Goddamn Eddie Munson. 

“Oh, don’t you guys dare.” They wouldn’t. They wouldn’t fucking dream of missing one of Lucas’ games for a stupid club centered around some guy with enormous ego problems. “I swear to God, if you two skip the game tonight–”

“We won’t! I-I mean… Well. It’s, uh. It’s complicated” Dustin gulps, elbowing his way through the crowd of departing students as the pep rally ends. Mike follows, ready to step in at any moment, while Max slips away before you can stop her. Seeing how contorted your body is from anger, Dustin tries to appease you. “Look, I can’t promise anything, alright? Eddie is… Eddie.”

You’re about to scream some very choice words about that curly haired emo asshole, but Lucas intercepts the group and joins you guys. He looks between you, Mike, and Dustin, sensing some underlying tension. “What about Eddie?”

Mike quickly explains, and the more he talks, the more you want to shove your knives down Eddie’s throat. It’s one night, one goddamn night, and here Mike and Dustin are, almost shitting their pants at the idea of missing one Hellfire meeting to support their friend. While it’s unfortunate that all of this is happening on the same night, and though you recognize how long a campaign can take and how much the game means to the party, for once you can’t bring yourself to understand Dustin’s side. 

A championship game versus one single campaign meeting that can easily be done tomorrow instead.

Seems like a pretty easy decision to you. 

Lucas doesn’t understand why Mike and Dustin are so conflicted either. “I don’t get the big deal.” You’re all outside now, heading towards the main building for your classes. “Just talk to Eddie. Get him to move Hellfire to another night.”

You nod, agreeing with him, and Dustin rolls his eyes. “‘Just talk to Eddie.’”

“You can’t be serious right now,” your shoulder brushes harshly against the boy’s. You’re barely containing your anger right now. “Why does Eddie have such a strong hold over you guys? Hasn’t he repeated senior year twice now?”

“Why does that matter?” Mike looks at you as if you’re the scum of the earth that he just so happened to step on. “Why can’t Lucas just talk to his coach and get him to move the game?”

Dustin quips that he thinks Mike’s idea is a great one, but you shove between them and throw your hands in the air in annoyance. “You can’t possibly think that’s the same thing, right? A nationally organized game being postponed for a board game.”

Mike and Dustin both gasp at you, acting as if you’ve just threatened to kill a baby bunny in front of them, which only annoys you more. Sure, maybe you’re being a little mean right now, but you’re not appreciating how they’re treating Lucas. He’s never done anything to warrant this blatant disrespect from them. They’re refusing to see his side, too lost in their Eddie induced high. 

“DnD isn’t just a board game, Y/N! I’m honestly disappointed that you of all people would even say that. You’ve seen the intricacies of a campaign. You know I’ve spent all month now preparing for the end of Eddie’s campaign!” Dustin waves his hands in front of him, he’s in his own ecstasy of anger and annoyance, something innate in the Henderson bloodline. “A semester of adventuring has led to this moment, and we need Lucas.”

“Yeah, and the Tigers don’t.” Mike looks over at Lucas. “I mean, no offense, but you’ve been on the bench all year–shit!”

You swat the back of Mike’s head, the sound of his yelp satisfying and the sting of the hit soothes you. He looks at you, offended, and you just shake your head at him. “No, that was out of line and you know it.”

“One day I’m gonna be too tall for you to hit me, you know.” Mike scowls at you as he rubs his head. 

“And I’ll mourn the day when that happens,” you respond dryly before pointing at Lucas. “Now, apologize to him before I hit you again.”

Lucas lowers your finger and shakes his head. “It’s fine, Y/N. Me being on the bench isn’t the point, anyways.”

“Please, arrive at the point.” Your brother drops his head back and closes his eyes. He’s tired, he regrets even starting this conversation in the first place. The more the four of you talk, the angrier he can feel you become. Mike’s head may now be sore, but Dustin lives with you. If anyone here is in danger of your lecturing, it’s him.

“If I get in good with these guys, I’ll be in the popular crowd, and then you guys will be too.” Lucas explains, looking between Dustin and Mike as he urges them to understand, but they don’t. Mike claims that they don’t want to be popular, something that Lucas doesn’t believe. “What, you wanna be stuck with the nerds and freaks for three more years?”

“We are nerds and freaks!” Dustin exclaims, causing a few students in the hall to look at you guys. You wave at them awkwardly, you’re starting to regret following the boys. This conversation feels personal, like you shouldn’t be intruding. Though you think Lucas has every right to want a good high school experience, you also think Mike and Dustin deserve to have their own experiences as well. If they don’t want to be popular, then that’s their decision just as much as it’s Lucas’ to want to be. 

You step between the three boys, finally getting their attention. “Guys, no one here is necessarily right or wrong. Lucas has every right to want to be a part of the basketball crowd, and you two,” you raise your eyebrows at Mike and Dustin, “have every right to want to stick with Eddie’s crowd.”

Dustin sighs, “thanks, Y/N–”

“I’m not finished,” you hold a hand up and shush your brother. “What isn’t right, however, is abandoning one another. You guys are friends, and right now Lucas wants you at his game tonight to support him. Tonight is special, everyone will be there, and I want you guys there as well. I know high school is hard, but it’s even harder when you’re alone.”

“Says the girl who is adored by everyone in this shitty town.” Mike huffs, he can’t believe how hypocritical you’re being. “You’ve never had to deal with what we do. No one has ever laughed at you or tried to make you jump off a cliff just because you’re different.”

You clench your jaw. Dustin looks at you wearily, he doesn’t like what Mike is saying, but he also can’t help but agree with his friend. You haven’t ever been bullied. All your life you’ve blended in, stood out only when you were kind to others, admired for your selflessness, but never enough to be invited to parties or dumped behind a dumpster.

“Mike…” Your brother tries to pull him away from you, but you both stand your ground.

“You’re right, Wheeler. I don’t know what it’s like.” You stare up at the boy, and Mike’s expression softens only slightly. He’s just as stubborn as you are, it’s why the two of you admire the other so much. “But you forget that I’m Jonathan’s best friend. The creep, the loser, the psychopath. Kids may not have ever targeted me, but I’ve seen what they do to the people they hate.”

All the times you had to ice Jonathan’s bruised face. The nights you spent in his room holding him as he cried because Lonnie’s fists and Tommy’s cruel words were too much. The sneers, the stares Jonathan received because he was different. Quiet. Being your best friend hadn’t lessened the blows. 

For years you wish you could’ve done more for Jonathan. Now, presented with Lucas’ opportunity to befriend the crowd that once was so cruel to your friend, you refuse to lose it. “That’s why I don’t want Lucas skipping the game tonight.”

It’s silent for a few moments, all three boys don’t know what to say. Taking a deep breath, Lucas stands beside you and breaks the silence. “We came to high school wanting things to be different, right? Now we have that chance. Like Y/N said, if I skip tonight, that’s all out the window. So I’m asking you guys, as a friend, just talk to Eddie. Get him to move Hellfire.”

Lucas pauses, he wets his lips and looks between his friends again. He feels so small, pleading for their attention. “Come to my game. Please.”

The bell rings, ending the conversation, and Lucas spares one last look at Dustin and Mike before mumbling a soft goodbye to you. He leaves you alone with the boys, who in turn mirror conflicted expressions. 

“Shit!” Dustin kicks his foot out and looks at you. “This is all your fault, you know that?”

“What is?”

“Me having empathy. I hate this. Why couldn’t you have raised me to be an asshole?”

You snort at Dustin before pulling him into a weak hug. You only have a few more minutes before you need to get to class, you can’t stay very long, but you also don’t want to leave the boys without some semblance of comfort. “You’re too charming to be an asshole. Just… Come to the game, alright? Both of you. I’ll even make brownies if I have to. I just-I’ve missed you guys. This will be good for all of us.”

Mike ducks his head and Dustin sighs once more. Neither want to say anything else, so you reluctantly release your brother and leave them alone to wallow in their self-created misery. 

They’ll do the right thing. You’re sure of it.

– 

Lunch comes and Alex sits next to you. He started sitting with you at lunch just after winter break, and you’re endlessly grateful for him. You’re no longer alone, and he’s good company. A part of you regrets that it took the two of you three years to grow your friendship outside of Bookstrorindary. 

You’ll miss him when you graduate. 

Max is with Ms. Kelly today, a change in their usual meeting schedule of Tuesdays and Thursdays, meaning you had been right. She did skip their meeting yesterday and the counselor had to corner her this morning to schedule another one. 

“Be honest, how excited are you to move to New York this summer?” Alex asks you, taking a bite out of his carrot stick. You’ve come to learn that he has a weird obsession with the vegetable, always packing at least twelve of them every day. 

You pick at your own lunch, a wilted salad and sandwich your mom left for you this morning. “Honestly? It hasn’t really hit me yet. I mean, I only got in last week. I think my mind is still trying to catch up with reality.”

“Oh, c’mon. You can’t tell me you’re not at least a little excited.”

“Okay, okay,” you laugh and nudge the boy. “I’m a little excited. I just.. Haven’t really had time to think too much about it, you know? Between work, my brother, Steve, the kids, and…”

“Jonathan?” Alex finishes for you. He’s the only one who knows about how distant Jonathan has been. You’ve confided in him about how worried you are, about the phone calls while he’s high and the way Jonathan’s voice no longer sounds like his. 

You shove your lunch away, no longer hungry. “Yeah.”

“You guys call every Friday, right? Maybe tonight will be different!” Alex tries to cut through the tension that now corrodes your demeanor, which you smile at him gratefully for. 

“Yeah, who knows.” A piece of hair falls in your face and you push it behind your ear. Picking up your fork again, you attempt to finish your meal, but a sudden commotion interrupts the low buzz in the lunchroom. 

“As long as you’re into band, or science, or parties.” Eddie Munson sneers from the cafeteria table he’s standing on. He looks around the room as if everyone else is beneath him. Not worth his time just because they enjoy different things. Looking at Alex, you both sigh and prepare for whatever Eddie has to say today. His voice grows louder, shouting across the room towards the basketball team’s table. “Or a game where you toss balls into laundry baskets!”

Jason stands up and a few students whoop and cheer. “You want something, freak?”

Eddie sticks to fingers up behind his head as he creates little devil horns, snarling with his tongue out and hissing. Jason grimaces, you do too. 

“He’s a little much, isn’t he?” You say to Alex, relieved when Eddie starts to step down from the table. 

“He terrifies me.” Alex breathes out, not taking his eyes off Eddie in fear he’ll somehow cast a spell on him.

You laugh at your friend’s unnecessary fear. Eddie is harmless, Hellfire isn’t a demonic cult like some students at Hawkins seem to think. It really is just a club centered around a board game with impressive storytelling and detailed plotlines. From what Dustin has told you, Eddie truly is the best dungeon master in Indiana. 

And while you believe him, you can’t wrap your head around why your brother idolizes Eddie so much. The fascination runs deeper than just DnD. Dustin has spent almost every day of his freshman year wrapped around Eddie’s finger. He spends all his time with the teen now, rarely with you, but you’re not bitter. Of course you’re not. Dustin can have his own friends, you know this, but you also feel so… unneeded. 

Your little brother doesn’t need you anymore, and it’s a hard pill to swallow.

Truthfully, Alex’s question earlier about moving to New York in the summer sparked more than just your usual anxiety over Jonathan. It also reminded you that in only a few short months you’ll be in an entirely new state, a new city, far away from Dustin. 

“Y/N!” Dustin flies into the seat next to you, nearly upending the table itself with how violently he throws himself down.

Alex shrieks and you steady the table before anything can fall. Heart pounding, you clutch at your chest as your nerves settle. “Why must you always be so violent?”

“Because it’s fun,” Dustin responds, not even bothering to acknowledge Alex’s presence. Instead, his eyes are only on you, and there’s a crazed spark in them. He’s breathing heavily, frantic, and you dread where this is going. “Look, I need to ask you a huge favor.”

“Do you realize that this is the first time you’ve sat with me at lunch since the first day?”

He winces. “And I will repent every day for my horrendous sins. I promise, I just–Jesus you’re terrifying when you don’t blink.” Dustin removes his hat to fix his hair, a nervous tick of his. He’s stalling, he should’ve never come here. Gulping, he rips the band aid off. “I need you to sub for Lucas tonight.”

“I’m sorry?” You’re giving him an out, one chance to back down before you strangle him.

Only Dustin tightens the noose even more. “Please, Y/N! Eddie won’t move the campaign. He said something about sheep and-and finding subs because Mike and I are, uh. I guess the future of Hellfire and he needs us and did I mention how important this campaign is? It’s super cool, super gory and totally up your alley and–”

“No.”

“N-no?” Dustin practically deflates in front of you, the light in his eyes dies. 

You shove him away from you, you don’t want to look at his pathetic pouting. You’re so unbelievably hurt right now, so fucking infuriated. “You have spent every goddamn waking hour ass kissing Eddie. You haven’t so much as looked at me during lunch this entire year as if I’m a fucking plague. You’ve canceled plans, you’re hardly ever home, and now you expect me to abandon Lucas, someone who has spent time with me this year, someone who has made this entire year less lonely for me. Something, by the way, that you haven’t even noticed, all because you finally need me?”

Dustin’s mouth opens and closes, he doesn’t know what to say, but for once you don’t care. How could he possibly think you’d miss Lucas’ game tonight? You adore the boys, each and every one of them, and now Dustin expects you to just abandon one of them for the others? 

“You’re only here because it’s convenient for you.” You hiss, venom pouring from your voice. “For Eddie.” 

“Y/N…” Dustin’s voice breaks, he sounds like a little kid again, the baby brother you doted on your entire life. “Please.”

“No!” You scream at him. 

The word echoes throughout the cafeteria. A few students turn to you, some curious, some annoyed. Alex draws into himself, wishing he were anywhere but here right now. Dustin’s eyes widen, his skin pales, and you clamp your hand over your mouth, completely and utterly mortified. 

You’ve never, ever yelled at Dustin like this before. Not with so much malice, vitriol. 

You feel like you’re twelve again, your anger hurting your baby brother. 

Red hot with embarrassment and shame, you quickly get up from the table and flee the cafeteria. Dustin calls after you, but you stumble through the hallway towards the nearest bathroom. Tears burn your eyes, guilt wracks your body in painful thuds. 

By the time you lock yourself in the bathroom’s stall, your sobs have begun to claw their way out of your throat. Pressing your back against the wall, you sink to the ground and pull your knees into your chest as you finally allow yourself to cry.

Abandonment makes you cruel. Your father taught you that.

– 

You don’t see Dustin for the rest of the day. He’s missing Lucas’ game and you’re angry with him for that, but you also feel such an intense guilt over your outburst. You can’t stomach the thought of seeing him. 

School ends and Steve drives you to work. The shift will be a short one due to the championship game, and Steve is staying with you so that you can drive to the game together. However, the moment you get into his car, he notices the dried tears on your face and the redness in your eyes and immediately throws his arms around you. In between shaky breaths and cries, you explain what happened to Steve.

He soothes you, tells you that you can always talk to Dustin after tonight’s game. Right now you and your brother need space from one another, and you hate that Steve’s right. You’ll force Dustin into a code blue, you’re long overdue for one, anyways. He’s been acting weird for weeks now. Someone has to give in, you know this, and if it has to be you then you’ll do anything to get your brother back. 

For now, Steve holds your hand as he guides you through the crowd of people in the bleachers. They all cheer for Hawkins High, the energy in the gym is electric. Faces are painted, cheerleaders wave their pom-poms, and you’re wearing Steve’s old Tigers jersey. You’re not much for school spirit, but Steve almost crashed the car when he realized you were wearing the jersey, and you know Lucas will appreciate it too.

“Y/N, over here.” Steve’s hand falls onto the small of your back as he gently pushes you towards some open seats he’s found. You lean into his touch and sit beside him. With his body against yours, you try to immerse yourself in the joy from the crowd. 

The entire town is here tonight. Everyone is smiling, kids laugh and parents wave posters for their sons. Tonight will be a good night, you’ve decided this to be true. 

The national anthem is announced and everyone rises in their seats. When the broadcaster announces that Tammy Thompson will be singing, you and Steve look at each other incredulously. Laughter rises within you and you cackle when Robin finds the two of you in the crowd. There’s no way this won’t end in disaster. 

Tammy walks out, wearing a horrendous faux cowboy outfit, and almost immediately sings off-key. You cringe, ears stinging from the attack, and try desperately not to let out any laughter as she continues to butcher the song. 

Steve whispers over to Robin, “told you. Muppet.”

“Okay, she does sound like a muppet.” Robin agrees, which only makes it harder to contain your giggles. Tammy is worse than a muppet, she sounds like a goddamn muppet that broke into her dad’s alcohol stash. 

“You sound better, angel.” Steve whispers into your ear, breath warm against your skin. 

You lean back against him and smile sarcastically. “Anyone can sound better than her.”

Steve chuckles and you can’t help but join him. You know it’s rude, that Tammy is honestly not that bad, though definitely not good enough for Nashville, but you can’t help it. You can’t believe Robin ever had such a huge crush on the girl who now drones the national anthem like a dying parrot. 

In between breaths of laughter, you see Lucas looking up at the bleachers. His face is grim, he doesn’t see Mike or Dustin or Max. None of his friends showed up, and you watch him with sympathy. You can’t believe them. 

But then Lucas sees you, and he gives you a weak smile. Your attendance isn’t enough, you know it isn’t, but you hold up the poster you made for him and he laughs despite himself. 

The game starts, and from the moment the whistle is blown, it’s intense. The Tigers are neck and neck with the Falcons. Steve tries to explain what’s happening throughout the game, but it all goes over your head. The energy in the room is intoxicating, though. You lean forward in your seat, you cheer when everyone else does, boo when you think you should.

“Carver just loves hogging the spotlight, doesn’t he?” Steve says with disdain as he watches Jason side sweep his teammates to score. 

You poke his side, you know he’s only saying this because he’s still bitter that Jaosn tried asking you out last summer. “Honey, your jealousy is showing.” 

Steve tries to deny this, but then a player gets injured during a foul from Falcon, causing you and Steve to both spew insults at the player. You have no idea what the foul even is, but you’re enjoying the chaos of the game.

In the midst of your uproar, you almost miss Lucas being sent into the game. You slap Steve’s chest repeatedly to get his attention, you almost don’t believe what you’re seeing. “Steve! Is that–”

“Sinclair!” He whoops, but he quickly scrambles to catch you as you nearly throw yourself off the bleachers in your blind excitement cheering. You’re screaming your head off, hardly even registering Steve’s hands on your waist. You’re incoherent and ecstatic, drunk on adrenaline. 

Lucas is playing.

The game only gets more brutal from there. The points even out, both teams neck and neck. Anxious, you squeeze Steve’s hand with anticipation. Everything happens so fast, Lucas plays so naturally with the others, as if he was born to be there. 

“Go, Tigers!” You jump up and down as Lucas runs after Jason. They’re doing a new play, attempting to score the tie breaker. Jason shoots, the ball hits off the backboard and onto the rim. Your breath catches, there’s only three seconds left on the clock. The ball falls, and there isn’t any time left.

Until Lucas catches the missed shot. He dribbles the ball, you clutch Steve’s hand, neither one of you utters a single word as Lucas makes the final shot. It’s an all or nothing throw, a risk, but he takes it anyways. The ball soars through the air, hits the rim. The buzzer sounds, the game is over, and the ball spins around the rim before finally sinking through the net.

Your chest burns as you violently cheer, Steve flings himself into your arms. You’re both jumping around, screaming together like little kids. “Hey did it!” You scream, and Steve shakes you in his arms with the biggest smile on his face.

“Sinclair did it!”

Down below, Lucas’ face lights up as the crowd goes wild for him. This is the happiest you’ve seen the kid in so long. The entire basketball team swarms Lucas, they lift him into the air and you cheer alongside them.

Steve tells you he’ll go warm the car up and you practically run outside to find Lucas as soon as the game is done. Your body buzzes, you’re still breathless with exhilaration. When you find Lucas, he’s just left the crowd of teenage boys. Wanting to surprise him, you creep up slowly before throwing your arms from behind him. “There’s the star!”

He stumbles from your weight, but he knows it’s you. Laughing, he turns around and you pull him into a bone crushing hug. “You came!”

“Of course I did, you moron!” You giggle, pulling away to straighten his jacket. “I made you a poster and everything.”

Lucas looks down at the poster that hangs by your side. His eyes light up, he remembers seeing it in the stands at the beginning of the game, but he hadn’t been able to read it from so far away. “Can I see it?”

“I’d be offended if you didn’t want to see it.” You unroll the poster and present it with a grand flourish. “Tada!” 

Sin to win, Sinclair!

You’re incredibly proud of the wordplay, and Lucas chuckles. It’s good, he has to admit. You’ve left no white space on the poster, littering with small 8’s for his jersey and millions of small stickers and decorations. The poster was made with love, and Lucas knows you spent hours making it.

“I love it, Y/N.” He does. It will hang on his wall as soon as he gets home.

You beam at him. Then, from behind you, you hear your brother’s own cheers as a door opens. Lucas’ smile fades, hurt creeps upon his face. Frowning, you turn and find Dustin and Mike high fiving their Hellfire friends as they all celebrate the end of their campaign. Erica is with them, cheering with everyone else. 

“Lucas…” Your breath gives out. He doesn’t deserve this. Tonight was supposed to be his night. You turn to him, wracking your brain to try and figure out what you’re even supposed to say at this moment. Fifty feet away Lucas’ close friends are celebrating a night without him, his sister overjoyed as well. They’ve forgotten about him.

For once, you can’t find the right words to say.

“Thanks for the poster, Y/N.” Lucas doesn’t want your sympathy. He leaves, crestfallen, and you’re left standing alone holding the poster he had been praising seconds ago. The late March air chills your bones. 

You’ve never been so disappointed in your brother before.

– 

Steve drives you home and you’re silent the entire time. 

“Dustin isn’t a bad kid, Y/N. You know that.” Steve tries to reason with you, but what your brother has done tonight leaves a bitter taste in your mouth. “I’m sure by tomorrow he’ll realize he was a jerk and apologize. He always does, he’s just being a stupid teen boy right now.”

You face the window, watching the trees fading into the distance. You know Steve is right, you know that Dustin is still growing up, making mistakes. Hell, no one is perfect at fifteen. When you were his age you were falling in love with your best friend as you hunted monsters together. Neither you or Jonathan or Nancy knew what the hell you guys were doing back then.

But this is different. Dustin has never betrayed his friends like this before. He, out of all of them, should understand the pain of being left behind. He spent half the summer upset that the party ditched him, and now he’s ditching Lucas?

“You know, I used to be a stupid teen boy.” Steve says, trying again to get you to say something. To look at him, at least.

It works, a small smile turns your lips. “I never knew.”

He laughs at the sarcasm in your voice, but he plays along anyways. “Oh, I totally was. I just hid it really well by, you know, making you hate me for a while by being annoying. But hey, look at me now! I’m still annoying, but at least I have it all figured out with you.”

“And what do you have figured out, honey?” You turn your head towards him, watch the street lamps illuminate his face.

Steve smiles. “Us. Our future. Sure, I may not know if I’ll ever get a better job, but I’m sure as shit staying with you, starting a life together so that I can annoy you for all eternity.”

“How romantic,” a giggle falls from your lips. You’ve been with Steve for nearly a year now, but you haven’t really talked about the future yet. At least not so intimately, with so much assurance that in the end it’ll be the two of you. “And where will we live, Romeo?”

“New York, obviously. As soon as you graduate, we’ll find some horrible, run down apartment that’s barely big enough for two people. We’ll move in, but there won’t be any air conditioning so we’ll almost murder each other in the heat. Everyone will hate the place, but we’ll love it.”

As Steve talks, the smile that had once been on your face begins to fade. He rambles on, not noticing the shift. He dreams up the plans, how he’ll stay home while you go to class. How he’ll fix the leaky faucet that will inevitably annoy everyone. Steve envisions himself waiting for you to come home after a long day of classes and falling into his arms. 

“Steve–” But he doesn’t hear you. He’s busy explaining how he’ll probably have to sell his car to afford the apartment, but that he doesn’t care, and you feel sick. It’s too much, he’s giving up too much. He’s willing to give up his entire life for you, drop everything and follow you without any questions asked. 

It’s what your mother did for your father. They met in college, both attending Purdue. Their relationship had been a whirlwind. Love at first sight, married as soon as they graduated, your father convinced your mom to follow him back to Virginia. To abandon her family and move two states over while pregnant with you. She didn’t know anyone in Virginia, her father moved them to a small town where only his name was known. 

The divorce that followed twelve years later ruined your mother’s life. She had been left all alone, no family to support her, no friends, in a state she never grew up in.

And now Steve wants to do the same for you.

Raising your voice slightly, you try to interrupt him again. “Steve!”

“What?” He looks over at you, words finally dying. “Do you want to keep the car?”

“You… you can’t.” 

Steve frowns. “I can’t what?”

Your hands shake. Your heart trembles. Your words die in your throat. There’s so much you want to say, you can feel the pit in your stomach build into a fist. You can’t let Steve do this. He doesn’t understand that he deserves more than this. “You-you can’t come to New York.”

Everything stills. You don’t dare to breathe, to disrupt the silence. Your words come out all wrong, you know they do, but they’re out in the open and Steve doesn’t look at you as he pulls into your driveway. Silent, he turns the car’s engine off.

“Y/N…” Steve still can’t look at you. He places his hands on the steering wheel, as if bracing himself for whatever will unfold tonight. He’s scared, he doesn’t understand what he’s done wrong. His mind flashes, and for a brief second he’s back at the Halloween party and you’re Nancy in his passenger seat. “Do you not see a future with me?”

“I do!” You sit up in your seat, reach over to touch Steve’s thigh. You need to feel him, to ground yourself to him. Everything about this feels wrong. As if you’re hanging over the edge of a chasm with a long, long fall. “God, of course I see a future with you, I just-this isn’t what you really want.”

Steve doesn’t want to move to New York, even if he doesn’t realize it now. What he’s really doing is chasing after a dream that isn’t his. The timing of this is off, he fought with his dad this morning about a future he was unsure of. You know Steve, maybe even better than he knows himself; he’s not doing it for your relationship or out of love. Steve only wants to appease his father, fulfill whatever desire he thinks you have. This isn’t what he wants, and he’s worked too hard to build the life he has now, without you, to simply throw it all away.

But he can’t see that right now.

“Of course this is what I want, Y/N! All I want is you.” Steve finally looks at you, but there’s a hardness in his eyes. He’s detaching himself from you, putting his walls up. “You and me, that’s what I want.”

You grab his hand, you try to keep your voice calm. “Steve, I love you so, so much, but I can’t-I can’t let you give everything up for me. Your life is here, in Hawkins. You have a job, you have your friends and-and your family, and it wouldn’t be fair to either one of us if you abandon it for me. You could-you could resent me for it later, you could realize you hate our life and wish you never followed me and–”

“Y/N, what did you think was going to happen when you were applying to all those colleges?” Steve runs a hand through his hair, he thought you were beside him this whole time. He assumed you’d been carving out the same future he had been. But he was wrong. “Did you really think I’d just stay behind and wait for you to come home every break?”

“I…” Shamefully, you hadn't been considering what would happen between you and Steve. In your mind, he was your future, he was in it, but the details were hazy. You weren’t sure how, or why, or when, but you knew that in the end, Steve was the person you’d spend forever with. 

Steve takes your hesitancy as his answer. “God, I’m such a fucking idiot.”

“Steve–”

“You were just going to leave me.”

He tears his hand from yours and you blink back tears. You’ve never fought with him before, not like this. “I wasn’t just going to leave you! I just-Steve, please just listen!”

“I am, Y/N!” Steve exclaims, voice reverberating the car. You flinch away, and he immediately lowers his voice, apologetic. He hadn’t meant to scare you, he hadn’t meant to make you cry. Ashamed, Steve turns away from you. “I-I’m sorry.” 

He wants to wipe the tears he’s caused, but selfishly he also wants you to hurt like he’s hurting. You don’t see a future with Steve. You were going to leave him just like everyone else does. 

Steve should’ve known all of this was too good to be true. 

“I love you,” your voice is almost inaudible, the three words barely reach the light before they disappear into the dark night. You’re not sure why you say them, the words had built in your chest, the pressure heavy, and you needed to release them. To remind Steve of your oath to him. 

Silence fills the car. Steve doesn’t look at you, his shoulders are drawn together. His jaw clenches and you know he’s trying desperately to bite his tongue, withholding the cruel words that only heartbreak can provoke. 

“Honey,” you beg him to say something, anything. “Steve.”

“I think you should go.”

The dismissal punches your throat, knocks the wind out of you. He’s shutting you out, closing himself off from you, and you don’t understand how the two of you got here. “I… Are you sure?”

“Yes,” Steve’s words are cool, composed. Indifferent, almost. He still doesn’t look at you, his eyes remain focused on something in your driveway. “It’s late, you should get some sleep.”

“Okay,” you don’t want to leave, you know it isn’t good to go to bed angry with the one you love. Anger should never simmer, it should never be left unwatched. But Steve is silently asking you to give him space so that he can hurt, and you aren’t selfish enough to deny his request. And yet you’re selfish enough to press your lips to Steve’s cheek, but he doesn’t lean in like how normally does. Instead, he remains stoic, and you swallow down your tears and open the door to leave. “Drive home safe, honey.”

Steve doesn’t say anything else. Instead, he starts the car as soon as the door is closed and drives away. He doesn't look back, he doesn’t wait to see if you’ve made it inside your house safely. 

Tears spill down your face as you blindly walk towards your front door. Your argument with Steve replays over and over again in your head. You analyze every second, every word, you try to understand when everything fell apart. 

It’s dark in your home, your mother is asleep and Dustin’s door is closed, but right now all you want is your brother. You need to talk to him, cry into his shoulder and smell the shampoo he’s used ever since he was a baby. Your feet carry you to Dustin’s room and you pound on his door, begging him to let you in. You don’t bother masking the tears in your voice, you’re too exhausted to hide them from him. “Dustin, please let me in.”

“Go away!” There’s a thud on the door, he’s thrown something at it to shut you up. He doesn’t want to hear some stupid lecture right now. He knows he was an asshole tonight, he regrets it, but right now all Dustin wants to do is sleep. He’ll deal with you tomorrow. 

“Code blue,” you press your forehead against the door, your tears fall to the ground. “C-code blue.” Your voice hiccups, more tears come, minutes pass, and your brother never answers.

For the first time since you were kids, Dustin rejects your request for a code blue. 

The phone rings. The sound pierces through your ears, cuts through the headache that is starting to form. It’s Friday night. Jonathan is calling. 

Squeezing your eyes shut as you head pounds, you inhale shakily. You have to answer him, otherwise he’ll only call over and over again with concern. You’ve never missed a phone call, not once in the months since Jonathan has moved, but tonight you’re exhausted. 

“Can we call tomorrow?” You’re too tired to greet him and voice cracks, revealing far too much already.

“Bug?” Jonathan’s high, he’s always high. And yet even in his cloudy haze of smoke he can hear the anguish in your voice. “Is everythin’ okay?”

His question only makes you cry more. You’ve always tried your best to put up a front for others, to pretend that everything is okay. You’ve never wanted to worry people, you’ve always pushed aside your own hurt for the sake of others. Now, as anger and grief and despair clasp their hands around your throat, you’re terrified you’ll suffocate. 

You’ve never been able to lie to Jonathan, and tonight you don’t think you can. “I’ve had… the worst night.” You confess to him, wiping away tears.

You tell him everything, your fight with Dustin, how you think he may resent you leaving for college. You tell Jonathan about Lucas, how you were so disappointed in Dustin and Mike. Choking through tears, you explain to Jonathan your fight with Steve. How your words failed you, how hurt he looked, that you can’t explain to him how he only wants his future to align with yours, but not with your relationship. 

Even though you know that Jonathan won’t remember any of this tomorrow, for once you’re grateful that he’s too high to remember anything. It feels good just being able to say it all out loud. 

“‘M sorry, bug.” Jonathan mumbles over the phone once you’ve finished explaining everything. He sounds far away, figuratively and literally. You can’t imagine how much his drugged mind retained, but you’re thankful to have gotten it all off your chest anyways. 

“It’s fine,” you inhale again, you’ve finally stopped crying, though your chest still hurts and your head still pounds. “Steve and I… We’ll figure it out.”

Jonathan pauses, and for a moment you think he’s fallen asleep, but then his voice floats through the telephone line. “Do you.. Do you ever wonder if we’ve made a mistake?”

He strings his words slowly together, says them one by one with a hesitancy, and you frown. You don’t understand what he’s trying to say. What mistakes could you have made together? “What do you mean, bee?”

“I just… everythin’ is so hard. With Nance. Feel like… like ‘m never enough for her. And you, Steve. ‘S hard between you guys.” Jonathan’s words slur, he’s almost too incoherent to understand, and later you will wish that you hadn’t been able to understand him at all. “But you ‘n me? ‘S easy. Always so easy.”

His words toe the line between you, he can’t mean any of it. You don’t want him to mean any of it, because then the fallout would be too catastrophic to contain.

He’s Jonathan. Your oldest, dearest friend. Your best friend. Years ago, you could’ve been something more, you almost were something more, but the time has passed. 

You’re with Steve now, you’re happy and so, so in love with him. Even though everything is tangled between you right now, even though you’re fighting, you know that you and Steve will figure it out. He’s the one. He’s the man you want to marry one day, if he’ll allow you to. 

Jonathan is your past, Steve is your future, and right now you’re terrified that soon you’ll lose them both.

“Jonathan,” you finally say, his name now heavy on your tongue. It feels like you’re betraying someone while saying his name, but you need to end this conversation. Before Jonathan says something he’ll regret in the morning. “You love Nancy, I love Steve, and you need to go to sleep.”

“Love you,” Jonathan’s words slur even more, his voice drifting off. “You, always you…”

You slam the phone done, ending the call, as a chill runs down your spine. Silence encases you, the house is still. The strings and threads from years ago constrict around your throat. You choke on the lines Jonathan has crossed tonight, the tightness in your head stabs against your skull. 

There is no one to hear you, no one there to hear your final words to your best friend. “Goodbye, Jonathan.”

-

⌑ series masterlist

⌑ i am no longer doing a taglist, my apologies ! however, please feel free to like, reblog, and comment instead :)

[spacingstars]

Sometimes, I find myself breaking down Kix’s character, turning over his traits, his patterns and behaviors… and more and more I find the personality construed by fandom for Kix to be so wildly jarring from what we do have of Kix.

Kix has, roughly, 17 minutes of screen time across the entirety of TCW, which, when compared to the likes of Fives and Rex, who clock much more screen time than most other clones, this doesn’t seem like a lot—but when you factor in most clones' screen time, we get a lot of Kix, and there’s a lot you can learn about him if you pay attention to the moments he does have on screen.

And to illustrate my point, and because I genuinely love Kix, I’m taking it upon myself to examine what we do have of Kix—both for my own purposes, creatively, and because I also happen to enjoy being neurotically intense about my favorite characters.

From “The Deserter” (S02:10) which is also Kix’s debut episode:

1. Kix speaks with a softer and gentler affliction in his voice compared to other clones (as seen with Jesse, who debuts alongside Kix and contrasts him in being more assertive.) I generally extrapolate this to be reflective of a softness that underscores Kix’s mannerisms. 2. When confronted by Suu, Kix doesn’t react with aggression of defensiveness (even if he’s also escorting an injured Rex and has a rifle pointed at him,) instead he opts to gently, and slowly, explain the situation, (in fact, Suu cuts him off and it is Jesse who has to explain, Jesse, who speaks quickly and in a more assertive manner than Kix did.) Kix’s tone is also likely influenced by caution. 3. The most notable scene in this episode that Kix appears in is when he’s tending to an injured Rex—I say notable because I think it informs much of how Kix treats his patients, even when they’re being uncooperative. Because in this scene, Kix is nothing but gentle an caring towards Rex, even when Rex tries to order Kix into letting him back into the fight despite the nerve damage he’s taken from the shot to his chest. When he pulls rank on Rex it is done so firmly, but kindly, and his face is one of sheepishness. If this scene shows anything, it’s that Kix is patient.

From Kix’s debut episode, what can be described about his character is that he’s much more reserved and gentle in comparison to the much more assertive personality of Jesse—from his mannerisms to the tone of his voice. He will be firm, but he is not unkind. He also shows patience towards his patient, even when said patient is, initially, being uncooperative.

From Umbara (S04:07 - S04:10) which is when Kix gets the most screen time:

1. The first moment of note Kix appears in is when he raises concerns to Rex about the pace Krell has had them marching at, that this pace is taking its toll on the men and they need to rest. Kix raises these concerns respectfully, secondly, Kix is doing his duty as a medic, which, is fundamental to his character, finally, Kix cares about those around him and he does what he can to ensure the welfare of these men. (And also, I think it’s quite telling that Kix doesn’t press the issue after Krell scolds them for it, as noted before, Kix does not have an assertive personality.) 2. When Kix is taking care of an injured clone he’s dragged into cover Kix retains his professionalism and keeps himself together even under stress. Kix comforts his patient instead, and I think it speaks of that gentleness I keep mentioning that Kix says, “You’re gonna be okay, buddy, this’ll ease the pain.” Kix is comforting, and he holds himself together under stress because he has his brothers to take care of. 3. I think it’s also notable that when Torrent is starting to express their distrust in Krell, though you can tell Kix is beginning to get frustrated with the treatment of the men (expressing that with Krell’s plan, casualties will be high,) his comments are not nearly has harsh as those of Tup or Jesse. Once again, Kix is shown to be more reserved, and I see it as him maintaining his professionalism in raising these concerns, even as he is beginning to grow frustrated with this poor treatment. 4. The note of Kix beginning to grow frustrated with the treatment of his brothers will be expanded upon throughout the Umbara arc; especially in light of Kix taking his frustration and horror out on the wildlife of Umbara for feeding on the corpses of his brothers. If I am to extrapolate, those dead clones serve as a reminder to Kix; a remainder that he, more and more, has been unable to properly care for all his injured brothers. These clones are a reminder to Kix of the brothers he could not save. This is the first crack within Kix, due to the stress of Umbara, and I have to emphasis, this is not Kix’s normal pattern of behavior. 5. Continuing the thread of Kix beginning to crack under the pressures of Umbara, there is a moment in Umbara where Kix is tending to an injured clone—one that’s in his arms, and this clone gets shot to death in Kix’s arms. This is directly Kix being unable to save a clone’s life despite being right there, because Umbara is that overwhelming—to such a degree that he’s forced to leave behind the injured in this moment, even if he can save them. And this is another crack in Kix’s composure, because he snaps at Rex, he drops his professionalism and his respect, and even resorts to barbed comments against Rex for ordering him from tending to the injured because Torrent needs Kix alive. This is not Kix’s normal behavior, this is Kix, stressed and crumbling under the weight of Umbara. 6. The last notable scene Kix appears in, and this is the moment where Kix finally breaks under Umbara’s pressure—it’s the moment where he starts haphazardly firing his blaster at the enemy. This is intended to be shocking—because this is not how Kix nominally acts, he’s in immense distress, and it takes Tup pulling him into cover to get him to calm down. Kix holds his composure for so long, and when he does break, he breaks hard. 7. To cap off the Umbara thoughts, though Kix does have more scenes, he is relegated to a background character for the most part—but, I can only imagine what was going through Kix’s head when he had, under the orders of Krell, fired upon other clones, it is completely counter to who he is, both as a person and as a medic, and I imagine it cuts deep—as it did for all clones involved in that moment, but for Kix… some of that hurt I imagine would be coming from how he’s meant to save his brothers lives, he’s the medic… and yet, in that moment, all he did was take theirs.

Umbara shows that Kix—who has been shown to be a respectful, kind, and helpful clone who just earnestly wants to do his duty in providing his brothers with the care he needs—is broken by an inability to help.

From the Chip arc (S06:01 - S06:04):

1. Not much to be said about some of Kix’s first appearances in this arc, as Kix is doing what he does as a medic (and expressing concern for Tup.) But the scene where Tup is in the infirmary, and Kix is confused about what’s wrong with Tup, I do think that Kix being willing to say that he can’t figure out what’s wrong, and that if they want answers, he’ll need to be sent back to Kamino, is indicative of Kix is aware of the limitations in his knowledge and is willing to humble himself. 2. This is more light-hearted scene (at first, anyway,) and is mostly conjecture on my part but I find it too amusing to leave out. That is the scene in which Kix is checking himself out in the mirror at 79’s. I do not think this is indicative of Kix being conceited about his looks—rather, I think it’s indicative of something else entirely in light of how he also talks in this scene. When he realizes someone else walks in, he talks with a deeper tone that I can only describe as Kix trying to present himself as being cool and mysterious. All the while he’s nonchalantly brushing his shoulders off. It’s so funny to me, especially when he realizes it’s Fives who just walked in, and immediately he tone switches to his typical inflection—and his mannerisms return to the typical ones we’ve seen of him. (Yes, I also think Kix had the haircut he does because he tries to present himself as cooler than he actually is, I imagine he grew embarrassed by this insistence given he grows it out later on—Kix is a dork, I said what I said.) 3. And yes, Kix immediately jumping to concern, before offering his help to Fives—even if his duty would insist that he turn Fives in because of the attempted assassination—I think, this is because Kix fixates on Fives’ distress, and he focuses on how to alleviate that stress, so even as it’s clear he’s confused by what Fives has gotten himself into, Kix still offers his help, and gives it freely in getting Fives in direct contact with Anakin and Rex at his behest. It’s a strong moment for his character, and his face when he asks what he can do to help… it’s so earnest. He’s loyal to his brothers.

And finally, there is the Echo arc of season 7, (S07:01 - S07:04):

1. When their gunship gets shot down, Kix is the first to notice that Cody was injured in the wreck and is trapped; I put this down to Kix being attentive and keeping track of the head count of the party he’s with, something done because he is the team medic and he is responsible for the well being of those around him first and foremost. 2. Then there is the scene at the campfire, which, firstly shows the bond Jesse and Kix have given the ease of banter between them and the comfort between them in their interactions. Secondly, I find it interesting how when Wrecker strangles Jesse, while Rex resorts to more direct action (trying to pull Wrecker by his collar,) Kix kind of just hovers, it’s a pretty… non-violent action when Rex and Jesse both jump to the defensive with the batch (Rex, even more directly, later on, when he actually punches Crosshair.) Similarly, even when Crosshair shoves Kix away, Kix shoves back before getting stuck in a headlock, and even after getting out of the headlock, at most he puts his hands on Crosshair to keep shoving him away. Generally, Kix is a lot less confrontational compared to either Jesse and Rex are in regards to the batch—which, circles around to my point of Kix not being as assertive, neither will he be overly aggressive towards allies. (This may be extrapolated as Kix refusing to take more direction action against another clone, given Umbara. But, that’s just extrapolation; a theory, a musing on motives.) 3. (Also yes I am aware that Kix makes jabs about the batch and I mostly construe this to be that Kix can be judgmental about others when he’s skeptical of them, I have my reasons as to why I’m not putting a lot of weight on this but it’s tied to a critique of the arc’s writing, which is not what this is about.)

In summation, Kix is shown, repeatedly, to be someone whose kind and helpful—what matters most to him is the care and well being of his brothers. He’s earnest in that care, and he’s got a softness that underscores a lot of his mannerisms and speech. He does his best to hold himself together for the sake of his brothers. He gets frustrated and breaks down in the face of mounting casualties and an inability to help his brothers. He’s respectful and professional in how he conducts himself as a medic, and even if he pulls rank, he’s firm but kind about it—he expresses patience in how he handles those under his care. Additionally, and in my own conjecture of his character, Kix tries to present himself as cooler than he actually is, suggesting a level of dorky insecurity to him. He’s also shown to lash out and make barbed comments when he’s incredibly stressed, and Kix carries judgment towards others when he’s skeptical of them.

What Kix is not is a hard ass medic whose sick of everyone’s shit, who berates and scolds his patients relentlessly—complaining about how they make his job harder. He is not quick to anger nor does he easily take his frustrations out on those around him—especially those under his care. He does not constantly throw his rank around to get those under his care to do what he wants.

It is a far cry from Kix’s character, and I think it’s a damn shame Kix’s actual character gets ignored in favor in fanon, because honestly, Kix as he is in canon is incredibly interesting—carrying a host of traits that can be explored and examined in their own right.

(Also, in quick references, I’ve narrowed down two videos that compiled Kix’s screen time across TCW, this one which clocks at ~14 minutes, and the second one with clocks in at ~17 minutes.)

[phantomarine]

Clam's Quick Tips for Starting Your Very First Webcomic

Howdy! Here are the three bits of advice I tend to give people who ask me about getting into webcomic-making. Maybe they can help you jump into the fray with a little less fear.

1) Make Your First Chapter a Pilot Episode

You will be told by webcomic veterans to start with a short, simple comic idea first - which is wise - but if all you can think about is your big magnum opus, then you might as well hop in, right? Otherwise you'll just be glancing back at the other cooler project forever.

But if you can't start with a small simple story, start on a small, simple part of that larger story. Your first chapter should be a snapshot of the main conflict - show us a simple scene with few characters, ease us in slowly, keep things clear and focus on emotion/impact/clarity. Get the audience to care by offering something easily digested, but full of promise.

Once you're done with that 'pilot' chapter, and you're feeling more comfortable with the whole comic process, you can open the gates and show us the larger world. At that point, you'll be way more ready.

2) Simplify Your Art Style For Your Own Sanity

Always try to make your webcomic's art style as simple as possible - the standard rule is to use only 75% of your artistic skill for every comic page you make. Otherwise you will burn out quickly and terribly.

But you also need to be PROUD of your art style. If you're really feeling itchy, add a couple bells and whistles to your style so you can look at the finished page and say "Yeah, looks cool." You'll find the right balance the more you draw.

Also, don't be afraid to change your art style as you go along. Ultimate consistency is often impossible in webcomics anyway - so embrace your desire to try new things, streamline your work, whatever you feel needs to happen to be happiest. Sometimes the coolest part of reading a webcomic is noticing that style change - so don't hesitate to embrace it!

3) Resist the Reboot! RESIST!

The curse/blessing of drawing the same things over and over is that you'll inevitably get better at drawing those things. The trouble comes when you look back at old stuff and start thinking "Damn, I could draw that way better now."

You must recognize that this feeling never goes away. Not after a hundred pages. Not after three hundred. Not after a thousand.

I think everyone should be allowed one soft reboot for their first webcomic. Redraw some panels that bother you. Change up some dialogue if it doesn't make sense with your new story ideas. Do maintenance, basically. One of the beauties of webcomics is that they can be easily edited, without reprinting a whole book or remaking a whole game.

But if the ultimate purpose of a webcomic is to tell a story, then constant reboots will just be retelling the same story - slightly better each time, but the same at its core. We've heard it before. Most audiences would rather you save your strength and just keep going, rather than circling back year after year and going "Wait wait wait! I'll do it better this time."

Reboot early, not often, and only when you absolutely must! You're a storyteller, and you're constantly getting better at telling your story. Don't be ashamed of it - look back how much ground you've covered, and keep walking!

---

That's a good start. Happy webcomicking - don't be afraid to jump in, but be prepared to learn a lot very quickly. And if this advice doesn't work for you or adhere to how you did it, that's absolutely fine - webcomics are diverse by nature, and so are their creation processes. Feel out what works best for you, and good luck!

[liveontelevision]

Okay, this started as a rant about Lucifer lore and turned into an argumentative essay on why Lucifer is a bottom. My b.

18+ Smut ahead, lots of angst

•••

Here's the thing about Lucifer. He was an awesome dreamer, fell in love with Lillith, and was banished to Hell. Literally forced to see what the gift of good will can do at its worse. Unless he's made some personal contact with a sinner to get like updates about what the gift of good will did right, he had to be stuck in a depression for centuries, at least until Charlie was born. And while that would've definitely given him a new passion, he'll never feel confident in dreaming again.

With how much he dislikes sinners and what they represent, i wonder if there had to be some strain on their relationship when it came to Lillith taking control? They never really talk about if they had a fallout or if she just disappeared, but i dont think they really got divorced either.

When Lucifer looks at that family picture and winces, does he feel bad about not contacting charlie? About something he did to make lillith leave? Or maybe he feels bad about being upset at lillith for leaving in the first place? There's so much to umpack there i live for the lore.

Love Interests:

But when that comes to potential love interests in the future, Lucifer hasnt had to court anyone before like ever. Not in the circumstances that they live in a big city like Hell. So when he finally ends up catching feelings, he has no idea. People around the hotel literally need to pick up on context clues for him and have an intervention to tell him he's in love again.

Even if he hasnt seen lillith in 7 years, their relationship had to be a drastic change compared to new love. I think that his love interest would also pick it up before he does, and you would let him work at his own pace. Fuck, it is so important that he goes through this process at his own pace.

With so much strain on his past relationships with loved ones, he fully gaslights himself into thinking he doesnt deserves and isnt allowed to feel affection anymore. I hate making characters i love suffer. But i feel like in his state of mind he'd go through depressive episodes and panic attacks, maybe some night terrors. Theyed be about his past and his subconscious would essentially tell him he has feelings again, and he shouldn't act them in case he scares you away and abandons you, like heaven. Or drives you away like lillith. Or purposely blocks you out like charlie. Mans is struggling i swear. He needs some comfort.

After finally coming to terms, hes a nervous wreck about every decision he makes. He'll constantly stare in the mirror in the mornings, making sure he looks his best, would plan mental scripts before even having a conversation with you, and would become a bumbling mess just trying to make jokes out of the situation, some base level actions, like how we saw in the show. He'll manage to finally ask you out, but all he really knows how to do is profess an undying love (i feel like his confession to lillith was hella dramatic) so it was a little awkward, but still cute. And of course you said yes.

So let's say its been 5+ years since he moved into the hotel, met you and finally managed to confess his feelings. When it comes to the actual relationship? You give him reassurance and support him through his mental episodes, and laugh at his jokes and praise him for everything he does. He has such intense imposture syndrome though, that even other demons have to reassure that theres no way you dont love him with all your being. Because it is literally obvious to everyone but him.

He's pretty good at doing the romantic fluff stuff in public, he loves to make a big show out of treating you like royalty and even trying to embarrass you when you become close enough. He's always more charasmatic in public, it seems easier than doing that alone.

Not in a negative way, but Lucifer is so never to be alone with you. You take the lead a bit more in those scenarios, suggesting ideas like movies or just coming up with small talk yourself. He needs someone who'll be patient with him. Being alive for millions of years AND being left or shamed by all your loved ones during that time is literally the definition of Truama.

Of course he's been bottling all that shit up, he has no one to confide with. There's no one who's been alive and witnessed it all the way he has. So bless you for loving and caring for him even without understanding all hes been through.

You'll have some rough patches, where this emotional side locks him away from you and everyone else. It might be a few days before you see him. He'll lock himself in his office, pumping out ducks by the dozen just to keep himself from sleeping, because he's scared he'll have night terrors if he feels asleep. He's in a constant loop;

"what if i fucked up?"

"what if i try to talk about it and then they realize how bad i fucked up?"

"what if that's enough of a reason for them to leave me?"

"what if i scare them away?"

"what if that fucks this up?"

"what if i fucked up.. Again..?"

After he leaves his office, youre excited to see him out and about, but you cant make a big deal out of it. You have to speak to him calmly, make sure he's physically okay before talking to him about his thought process. It might take awhile, but he'll eventually trust you enough to open up. And of course it'll never be bad enough for you to leave him, he's just struggling.

Physical Contact:

It takes him an even longer time to become physical with you. He hasnt been intimate for over a decade at this point, but as soon as he becomes comfortable with little affections like hand holding, cuddling, wrapping his arms around your waist, and kissing? Hoo boy, he melts after your first kiss. It couldve been even a small peck and he would still become a nervous wreck just trying to ask for more.

He'll ask for physical touch more than provide it at first. You'll give him a quick kiss and he'll look up at you super eager just like, "another?" He'll grow into tastful pda's, linking arms, quick hugs and smooches, holding hands all that.

He becomes putty in your hand when you're alone though. You'll nudge him to lean against your shoulder or even lay his head in your lap while youre lounging or watching movies. He becomes so relaxed in your presence, that you'll want to suddenly peck him just to see his suddenly flustered reaction.

You'd give him massages that he would always be hesistant over. He was always a little nervous that he wasnt giving enough to you, but you were quick to assure him that wasnt the case. You'd straddle his hips while giving him a slowww massage. It starts with light touches, tracing your fingers over his shoulder blades and spine. You'd trace your fingers over his chest when you would cuddle too, depending on the position. Or stroke his back sweetly. It was enough of a distraction to keep his mind occupied, away from any spiraling thoughts he might be having.

He purrs. Convince me that he doesnt purr. (You cant)

Being secluded for so long probably means that he doesnt fly as much as he used to. It was probably a passion of his, and he was especially delighted to share it with lillith and charlie.

So during those 7 years he barely flew, he also didnt take care of his wings. I feel like theyre something to be summoned, so they arent constantly tucked into his back. You'd basically scold him sometimes to just let you clean his wings.

You'd do it in like a spring-type bathhouse that Lucifer would have in his castle somehow. It was one of the first intimate moments he's experienced in years, so he was generally going insane. Feeling your hands and a little comb rake through the feathers on his giant wings? You'd have to tap his shoulder sometimes to keep him from falling asleep to the relaxation alone. After the first time, the water you used was pretty dirty and he had a lot of loose feathets that were combed out. Damn, he needed this.

Intimacy:

After awhile, you sit down and would have a discussion about being intimate in bed. Lucifer would be absolutely nervous about overstepping by asking this, (even though you've been together for about a year at this point). He would use his mental scripts and basically practice what he wanted to say.

It would mainly be him saying he wants to do this because he loves you and youve done so much for him that he wants to give back to you in this way. It would consist of him saying its okay if you dont want to, or if you ever want to stop to just say so. But of course you want to, how could you not?

It would start slow, he actually tries taking the lead in this specific situation. He would kiss you first, his lips trembling at the thought that this is actually happening. Feeling his nerves, you'd cup his face and stroke his cheeks with your thumbs lightly. That will help him ease up enough to start letting the passion take over more.

He'd become more confident in slipping his tongue into your mouth and placing his hands on your hips to pull you closer to him. Lucifer would get lost in the moment, pulling you to straddle his lap as he kissed and licked and bit his way across both your shoulders and down to the softeness of your breast. After leaning back to look at the damage his eyes would become increasingly wide, looking up at you with a flustered expression. Seeing you losing it as much as he was, gave him enough courage to keep up at it.

He would almost hesistantly take a hold of your breasts and would massage them softly, running his thumbs across your nipples and becoming absolutely delighted at the reaction you gave. The adrenaline from the pleasure would make you start grinding against his lap, which would make lucifer's hands on your hips pull away for a moment and make his breath stutter. Lucifer would look you up and down as if he didnt know what to do next, studying your body with darting eyes. You'd press a small kiss on his forehead before guiding his hands back onto your hips with yours, keeping your eyes on him the entire time.

"Are you okay, Luci?" He would gulp before nodding his head and turning ridiculously red across his face, maybe from the idea of what was to come, maybe just from your voice alone. You'd keep your hands ontop of his at your hips as you'd keep moving, letting out breathy moans. He would be holding his breath without realizing, an absolute nervous wreck just from the view.

He would already be hard just from the previous make out session, so this would cause him to lean his back against the bed, his strength giving out. You'd keep up at it, feeling his hips jolt up to meet yours at times.

He was a sweaty, twitching mess in front of you and you hated to admit how much that excited you.

His scripted plan was immediately forgotten, but he was quick to remember that he wanted to please you.

He'd snap out of his state of intense pleasure, to carefully switch positions, him looking over you with your back against the bed.

You both discuss it, of course, attempting to set boundaries before hand. Even just the tender discussion would get him riled up. So he'd lean foward and kiss you again, showing off his forked tongue before peppering kisses down your entire body, until he was close enough to let his hot breath heat up your folds.

You'd feel his nervous breath on you before delving in. He would be hesistant of course, but would be quick to get used to your entrance after running his tongue across your entirety multiple times. Lucifer loves providing pleasure this way, so his brain immediately knew what to do once the nerves past. He was quick to take a tight hold onto your thighs to keep you in place as he entered you with his demonic lengthy tongue. He would look up at you as he sort of aimlessly dug around at first, waiting for a reaction. Once he'd see you dip your head back with a muffled moan, he would close his eyes to focus all his attention to that one spot. He'd reach his thumb around to circle and massage your clit that he would find far too quickly. You'd arch your back and try to get more friction against his tongue, but it's easy to forget that he is quite literally the strongest being in Hell. You weren't going anywhere.

He'd love feeling your hands in his hair and would absolutely lose it feeling you pull hard when he'd hit just the right spot. As soon as he set a steady thythm and was hearing your voice become more unhinged, he'd speed up to an extent that you didn't realize was possible after going for so long. You discussed cumming before and he made it very clear that he was okay with you finishing on his face. Fuck, he wanted it. You still warned him, moaning out his name to get his attention, "I-I'm almost there- K-Keep doing that.. like that..! Luci-" you'd almost direct him though the whole process, but were quick to become a moaning mess unable to communicate with words. You'd reach your limit and he would let you buck up into his face this time, loosening his grip on your thighs. He'd pull away after licking you clean, sending overstimulated pleasure across your entire body, with a line of your juices following his tongue as he lifted his head. He would pant with his tongue still sticking out of his mouth, and even through hazy eyes you loved seeing his demonic tongue and thinking about how it just drove you to climax.

Things would switch up again, and you'd sit him against the back of the bedframe. you'd have another quick discussion before seating yourself slowly on his length, which had been throbbing for any contact since the night started. The first few times, he'd do his best not to cum immediately. He hadn't been touched like this in a while, after all. You'd only begin to move once you made sure he was okay since his struggle was written all over his face.

The moment you began to keep a steady space, he would jut his hips upwards, becoming needy to feel this sensation he hadn't felt in over a decade. The first time didn't last long. It was sweet, and he would constantly moan out your name and babble on about how much he loves you. The entire time, you'd be praising him through every move until he was going too fast for you to get a sentence out.

He'd cum inside of you, another previously discussed topic. You essentially had to beg to convince him it was okay. You'd collapse onto his chest, a position he didnt see often. While the two of you always cuddled, you were so focused on making sure he was comfortable, Lucifer realized you didnt often get the chance to just relax on top of him. So after realizing that? Aftercare was amazing.

He'd let you sit with him inside you for a while, before pulling you off and immediately cleaning you up. Some nights, when he felt especially dominant, he would lap up his own cum from your incredibly sensitive cunt. He would swallow some of it, but was mainly pushing anything that dripped out back into your entrance.

After cleaning you up, he would wiggle his way back underneath you and pull you onto his chest, enjoying taking care of you the way you took care of him.

After the first night, lucifer would be much more confident. He'd have that healthy glow, but would be more assertive during meetings, more communicative and wouldnt shut others out as often. It really helped him realize how much you gave to him, and he was determined to give all that and more back to you.

[sarshles-cheescake-li]

Lu Guang's love language: Words of attack

The English subtitles for Link Click, from what I can see, universally translate Lu Guang's various insults towards Cheng Xiaoshi as "idiot." There may be a "moron" and "fool" or two in there, but I will be honest when I say that I don't really want to re-watch the entirety of seasons one and two to check. However, there is a little bit of subtlety in the exact words for "idiot" that Lu Guang uses.

Mandarin has… a lot of words for "idiot." Ones I can think off of the top of my head are 傻瓜，白痴，笨蛋， 蠢货，biao (an insult in the Muping dialect which I don't know the character for)，二百五，傻子，无脑，傻逼. For your reference, those are just the insults that specifically mean "stupid." If we get into other insults, we'd be here all day.

So the conclusion is that insults in Mandarin are an art. And man, does Lu Guang master said art perfectly. The insult he most commonly uses for Cheng Xiaoshi is 弱智 (ruozhi, weak intellect) which is one that allude to disability (please take this with a grain of salt! I really, truly don't know anything about the disabled Chinese community, so it's possible that it doesn't really carry the same meaning). This particular insult is interesting, because it's a really hard-hitting insult. Like, if I call someone 笨蛋 (bendan, stupid egg), it's a pretty weak, sometimes even affectionate term, frequently used by children. But ruozhi is an actual, legit insult, that someone will punch you for calling them. It's also something I would categorize as kind of an adolescent-young adult insult -- you would hear older folk using 蠢货 or 白痴 more often for "idiot." But Lu Guang calls Cheng Xiaoshi that like it's his second name.

The way Lu Guang uses the term, it takes on its own affectionate feel to it. He uses it whenever Cheng Xiaoshi's done or said something he's not happy with, even when the action isn't necessarily [being an idiot]. It's got a similar feel as a resigned sigh, or perhaps frustration.

But there are times when Lu Guang uses an insult that isn't ruozhi. During episode five of season one, while he's comforting Cheng Xiaoshi after a dive, he calls him 傻瓜 (shagua, stupid melon). Shagua is probably one of the most gentle of all the "idiot" insults, tied with maybe bendan. It's frequently used as a term of endearment, especially between couples (make of that what you will). The "stupid" in shagua also means a slightly different type of stupid than the one in bendan. If I had to define it, sha is stupid in terms of wisdom, and ben is stupid in terms of intelligence, in D&D terms. Like, if I failed my physics exam, I would be more ben. If I didn't read through my insurance policy before requesting my medication and had to cough up forty dollars for them (totally didn't happen just a few hours ago), I would be more sha. So Lu Guang, here, is calling Cheng Xiaoshi something like "unwise" or "naive," which is very fitting for the situation.

Interestingly, during Cheng Xiaoshi's flashback to Lu Guang in episode one of season two, Lu Guang cycles through three different insults: baichi, chunhuo, and bendan. Of these, baichi and bendan are within the "yeah couples call each other this sometimes" group, and chunhuo is a more genuine, demeaning insult. The fact that three of the nine different Lu Guang dialogues Cheng Xiaoshi flashes back to include Lu Guang calling him an idiot in various affectionate ways is pretty funny, I won't lie to you. There's also that a vast majority of the remembered sentences, even the ones that don't explicitly say "idiot," are basically Lu Guang clowning on Cheng Xiaoshi. As a side note, it's interesting that the last thing memory-Lu Guang says is bendan -- the softest, most childish insult, and the one with the most explicitly affectionate connotations in general use.

Lastly, in the twelfth episode of the second season, when the two are in the tunnels fighting and Cheng Xiaoshi tells Lu Guang to not push himself, Lu Guang responds with "baichi, you're not doing much better than me." In this case, he switches from ruozhi to baichi likely because it's a more serious situation, where the almost joking ruozhi wouldn't have been as appropriate. The stupid in baichi (the chi) is more of a "dim-witted" connotation, akin to calling someone slow or head-in-the-clouds.

In conclusion, Lu Guang's insults for Cheng Xiaoshi are:

弱智 (ruozhi) -- basically his nickname for Cheng Xiaoshi at this point, commonly used when he's annoyed with him or wants to make fun of him. Appears to be the default when Cheng Xiaoshi does something he doesn't like in a dive. 白痴 (baichi) -- the most commonly used alternative to ruozhi, I can't see any patterns of its usage. Seems to be the one he defaults to when the mood isn't right for ruozhi. 蠢货 (chunhuo) -- used only once (that I could see) in a sentence without context, so… /shrug 傻瓜 (shagua) -- a rarer insult, seems to be the one he uses when he's trying to comfort Cheng Xiaoshi but still needs to insult him. 笨蛋 (bendan) -- a more teasing, casual insult, one he flings out when he just wants to insult Cheng Xiaoshi in a non-serious situation.

[piratecaptainscaptainpirates]

The more I think about season 2, the more grateful I am.

In a lot of ways, OFMD's writers, cast, and crew were given an almost impossible task. S1 was brilliant and took everyone by surprise by how successful it became. I am still shocked every time I rewatch by how smart and efficient the writing is, how intelligent the social commentary. S1 is a masterclass in good television.

And for s2, expectations were incredibly high. OFMD found massive word-of-mouth success in a way I've never seen with any other show, and they suddenly had a big, incredibly passionate audience - the renewal was because of massive fan support, and that must have translated to an incredible amount of pressure in the writer's room. Plus, as if that wasn't enough on its own, they're having to deal with budget cuts and Max slashing them down to only 8 episodes to tell a 10-episode story. This is an incredibly daunting task.

And yeah, I've been critical. OFMD is my favorite show, no contest, and it's easy to be critical of the things we love. We can all see that the pacing was off this season, especially in those last two episodes. Some arcs felt rushed; some side characters didn't get enough screen time to set up what they're doing this season. Jim and Olu especially suffer for that. It's inexcusable that this show's budget was slashed the way it was and I'm sad for what we could have had.

But, on the whole? Holy shit, this season was incredibly successful! Despite an incredible amount of fan pressure, the writers told the story they wanted to tell. They never lost sight of Ed and Stede's story, and were smart about allocating screen time so our leads' arcs never suffered too much for it. There's so much creative problem solving - when they realized they'd need to be smart about which side characters to keep on screen, they turned Buttons into a bird in a way that underscored season themes of transformation and change. 10/10, no notes. They even remembered their audience and left us on a satisfying note for all our characters - we get to end with Ed and Stede, happy and together, starting their new life.

They had an impossible task and they did a fucking commendable job. Character beats and humor are balanced amazingly well. Ed and Stede feel so much more fleshed out this season. Just like in s1, OFMD will never be a show where you can catch everything with one watch - there's so many little jokes, hidden gags, small details to discover with every rewatch. And every single actor is giving it their all in every scene! You can tell how much this show was a labor of love for everyone involved.

I'm proper fucking impressed. Here's hoping they get a renewal and a better budget for season 3!

[ofswordsandpens]

what do you think could’ve been done better regarding camp half-blood besides spending more time there/pacing? i’d love to hear your thoughts!

!! okay I know you're specifically asking for things that could have been done better beyond spending more time at CHB, but straight up that one issue is really the crux of everything. -- The time we spend at CHB before the quest in the show is half the time we do in the book. (And for a different frame of reference, the book is aprox. 40% over by the time the trio is leaving camp borders.)

And since the show runners halved the pre-quest chb runtime, as a result we lose quite a bit of content that helped to establish context, tone, foreshadowing, character dynamics etc.

Because we have to prioritize Percy and Luke's relationship in the show, it forces the rest of the relationships that were established in CHB in the book into the background, (or simply makes them none existent):

We have pretty much only ever been told verbally about Luke and Annabeth's bond by this point (episode 5). They have a two second interaction at camp that's not particularly noteworthy and that's that. Imo that's not particularly compelling story telling lol. We'll likely (hopefully) get something from episodes 6-8, but I maintain we still should've gotten something more substantial between Luke and Annabeth at camp. I've said before, at bare minimum the show should have had Luke see them off at Thalia's tree like he did in the book.

I've mentioned this before but Annabeth and Percy's dynamic had a much greater establishment in chb in the book because she's the one that's his guide at camp and she actively seeks him out more. In the show, we have to give this role to Luke and while I can give this change between book to screen more leeway because, yes, we have the entire quest to build Percy and Annabeth's dynamic, I still didn't like that it pretty much forced Annabeth into the periphery in the show. As a result, it made her seem a lot more distant and aloof than she ever was in the book. (Shoutout to Leah's armor strap improv, she's doing more for Annabeth than the show runners are).

2. We don't really get see the effects of Percy being claimed as Big Three Kid at camp:

Yeah, Percy moves into the new cabin in the show but then almost immediately after he's off on his quest. Meanwhile in the book, Percy's claimed as a big three kid... and then we see how it ostracizes him.

He misses being in the Hermes' cabin. Campers avoid him. He sleeps and eats alone now. He has to have solo lessons with Luke because the others are scared. He's miserable! And none of those experiences were translated to screen.

Again, they told us that big three kids are taboo, but have not shown that impact.

Like the difference in reaction during the claiming scene between the book and the show pretty much sums up this discrepancy.

3. General loss of foreshadowing and tone:

Because we don't get as much Annabeth, we lose how in the book, she had been aware that something was wrong with the gods and surmised that something was stolen long before the quest. She shared this with Percy. It was a great showcase of her intelligence. It helped set the tone that something was wrong before the quest even stared. And all of it just, didn't really make the cut.

The hellhound attack also didn't make it and its just another loss of foreshadowing. Luke was straight up trying to kill this kid from day one. Percy was not safe even at camp. Things weren't okay ever.

The weather! Yes the boundary keeps the weather mild at camp but in the book Percy remarks on the huge storms that surround them at one point. Before he leaves there's a storm so bad approaching that the campers are nervous. Even before he got to CHB there were "inexplicable" storms all the time. I wish this had been maintained in the show even beyond the camp. The gods, Zeus, they aren't happy.

Also, I tried rewatching the episodes to find this convo but I couldn't so please let me know if it's there somewhere but I don't think Luke conveyed anywhere in the show that his quest "messed things up" for anyone? Like, sure, they could include this at the end, but I think it's more impactful when we see more hints of his bitterness early on.

4. Minor Nitpicks + More things I miss:

Annabeth should have gotten soaked by Percy's Supreme Lord Bathroom moment like she did in the book. Percy had flooded the entire bathroom and she wasn't speared. In fact, Percy was the only person who wasn't wet.

The self-filling goblets in the book + the blue Coke moment.

I wish the show had Percy like, white knuckling his minotaur horn refusing to let it go. In the book he saw it as the last souvenir of his mother, refused to let anyone else hold, and was afraid it would be taken.

Rip Argus :(

[tabithatwo]

are we ready to talk about shauna's barely hidden but somehow very ignored psychosis and how it, like a ton of her other qualities, is brushed aside by both those around her and the audience? like, i think its clear that a central focus of the show is the way lottie is the only one who got stuck in a facility (and natalie in and out of rehab being the next closest to reckoning with her shit) when the rest of them are very clearly not okay. as a certified Crazy Girl, i've been weary of how they'll handle lottie's story line (blurring psychosis and the supernatural is a very delicate and tricky thing and thus far i've been sort of just waiting to see where it goes). our data on and understanding of mental health is incredibly limited for a lot of reasons (but that's a rant for another time) but there is a large mainstream misconception of when hallucinations and delusions can happen. psychosis isn't just something that happens in schizophrenia and its very complex, so if you want to learn more there's plenty of info out there i'm not going to get into it here, but it happens in a lot of other cases. psychosis is, most simply put, a loss of contact with external reality. ptsd can cause psychosis, especially auditory and visual hallucinations.

so shauna is shown to have these experiences and i didn't realize that they were being so heavily overlooked by a large amount of people until the reaction to the scene where she beats lottie nearly to death. shauna is introduced in s1 as having hallucinations of jackie 25 years later. she is shown to disassociate. in 207, she both holds the baby's body and believes the delusion that they ate the baby. the episode shows her fighting the delusion until she can't anymore. meanwhile, adult shauna tells lottie she keeps callie at arms length out of "fear that she would die...i guess? or maybe that she was never even...real to begin with." then she adds "i think something is broken, lottie." implied: she's broken. something is wrong with her. this is the is the most honest about her mental state we've ever seen shauna be.

why? because lottie has always been and likely will always be perceived as crazier. lottie is the one they pin it on, lottie is the cult leader both then and now, lottie is the scapegoat, lottie is the one who got sent to switzerland. i think there's something to be said for the effect lottie has on people (again, a whole other post) but honestly, that alone is enough. shauna is feeling vulnerable for a lot of reasons and she can tell lottie that she thinks she's crazy, that she's never quite sure her daughter exists, that she's constantly afraid she'll die to the degree that she doesn't let herself interact with her in a real, tangible way, because it's always safer to tell the crazy girl you're crazy, too.

and lottie knows. shauna knows that. lottie clocked her psychosis almost immediately, when she was in the meat shed for all hours. the other girls were shocked by the makeup, and their shock was so fucking strange to me when i watched it, but now on reflecting i'm realizing maybe its the lottie effect. like, have i done the shit shauna has? abso-fucking-lutely not lol. but does my mind work in a way where i immediately would assume shauna was doing something along the lines of the shit she was doing out there, because to me its like...what else would it be? yeah. like sees like, in a way. lottie knows what this looks like at baseline, even if its coming out way different in shauna. even if in shauna it looks like aggression and violence a lot of the time. lottie gets it.

jeff doesn't get it, he thinks strawberry lube is too wild. taissa gets it to a degree, and we see shauna be the second most open with her, but tai suppresses and hides it a degree that she wouldn't dare step foot in a therapist's office (this is yet another thing that makes me crazy but is a whole other post lol). shauna's main goal in this life she's created is pretending to be normal. and she's like, impressively bad at it. but people let her, because what else are they going to do? addressing the clear issues is taboo, because we categorize people so heavily. she masks better than lottie, but it's fucking wafer thin. you see this when she interacts with people who aren't her family or the other yjs. the way she speaks to the taylors? to adam? shauna is only sometimes masking passably when she's in her set world, where she has a routine, and is surrounded by people she only has to half-convince of her sanity.

if shauna is honest about the level of psychosis she experiences, she knows she'll end up like lottie. and i think there's an argument to be made that the people around her (which at this point in her life is pretty much just jeff because she's done another common thing and insulated herself from other people, re: the way she behaves being clockably off to others who won't overlook certain things or can't relate) understand that too. it can't be addressed, because then in their minds there must be action of some kind if it is. (taissa yelling you're acting crazy, shauna is one of the most purely terrified moments we see of her in relation to shauna, because she knows she's admitting something. jeff yelling something to the same effect after the carjacking, same thing.)

the person we see try to get shauna to open up about it is callie. her teenage daughter, who bares the brunt of her difficulty maintaining reality, (who knows that shauna has never accepted her fully as her child, and seems to actually sense that there is a deeper reason for that), asks her to open up. she tells her after the club scene that she knows something is wrong. she even mentions jackie directly. she spends all of s2 trying to relate to shauna, to get her to be open with her about everything. there's no way shauna's trauma and psychosis and general issues have gone unnoticed by callie. daughters always know. they see it in their mothers before they even have a concept of the world. so we're watching a 16 year old try to get her mom to open up, because she doesn't understand fully why that's so dangerous to shauna. to callie, it may even be a secret she thinks other people are in on that she's being left out of. i think maybe she's realizing that it isn't personal and that shauna is guarded like this in general, and we're watching that happen.

callie is learning to care for and relate to her mother and she doesn't see why shauna won't let her in, because to her it's an innate truth that she'll be by her side no matter what (if only she'd let her be). she has unconditional love for her mother and that is the scariest thing in the world to shauna, because the last person who had unconditional love for shauna died because shauna didn't know what to do with it. a baby she never got a chance to meet in reality could've replaced the love that jackie gave her, and shauna was maybe starting to look forward to that, but that ended before it began. so twice shauna has killed that figure in her life. the one who loves her wholly and for who she is, which is terrifying to shauna in it's own right (she tried to take that away from jackie in their last moments, maybe you never really knew me, because that would be easier. shauna can't handle someone really knowing her because she can't handle really knowing herself because, again, that means addressing things that go unaddressed). and she doesn't plan on killing that figure again.

(if callie's even real, because the baby wasn't real when she met him and jackie wasn't real every time she's talked to her in the last twenty-five years, so who the fuck is to say callie is real?)

[mapleaves]

25 Days of Agere Moodboards Day 6: A character you headcanon as a regressor 

to everyones shock and dismay Rabbit appears in my posts again <3 im obsessed with him sorry. headcanons below the cut

one two three / four five six / seven eight nine

💭 please dni if nsfw (including ddlg/abdl/etc.)

Headcanons:

I actually think Rabbit both regresses and is a cg!!

Very fussy during regression, but not in the sense that he wants to be babied as much as he wants things kept how he left them when he was big. He's very particular about his home, and he will NOT abide by any messes just because he's small!!

If he had a tv he'd be one of those toddlers who screams at the tv like NOOO ELMO THE HAT DOES NOT GO ON YOUR FOOT!!!!

But on that note, he can be very very silly. It's a lot like when he's big - he'll pout and glare about it at first but with the right tricks you can have him giggling and happy

When he starts to have fun, he gets REALLY into it. Think of that episode in New Adventures where he dresses up as a wizard - if he gets too wrapped up in a game he has to be redirected eventually or he'll never get any rest (and neither will his cgs)

Loves picking flowers with his cg and bringing a plushie out to his garden to show off his plants - as long as they bring a blanket so nothing gets dirty 🙃

Gets worked up really easily, especially if he thinks he's made a mistake and starts beating himself up, or if he's especially overwhelmed

Sometimes he just seems especially anxious or grumpy, but you can usually tell he's getting small when he starts stumbling over his words really badly, going quiet, fidgeting a lot, gnawing on his thumb or getting clingy, etc

World's #1 napping fan

Sometimes tries to force himself to be big when he really needs to regress - he has to be reminded its okay to be small because he puts to much pressure on himself to keep things in order

He won't usually initiate physical contact, but if he's upset a blanket, a warm drink, and some quiet cuddling can help calm him down

Main cg is Tigger, and sometimes they end up regressing together, though Rabbit is more in the toddler-young kid range whereas Tigger is more of a big brother type

[miraculouslbcnreactions]

Regarding the post about Marinette being punished for trusting people and the response to it, this is something I always have trouble explaining because it sounds callous? But fictional characters aren't people. It's not that their lives just so happen to get in the way leading to something bad happened the writers decided that should happen, and it's important that you stop and ask WHY this happens. If the camera is "on" per se, people assume it's relevant and will tie into something larger. So like if the camera is on and all we see is Alya revealing her identity and then the result is she's outed in the same way she was in Heroes Day, the audience naturally concludes it's connected and thus realizes the lesson is either "Alya learns she shouldn't share her identity" OR "Marinette learns she shouldn't trust people" or both.

Secret identities are a great example of this phenomenon. We're NOT shown every time a villain's plan is foiled because they didn't know the heroe's identity, we ARE shown every time a heroe's identity causes friction in their lives. As such, large parts of the audience think of secret identites as inconveniences because that's what's shown (not just in Miraculous Ladybug, in tons of other shows)

Like you are supposed to make connections in Television about what's being shown to you that no one would make in real life (or at the very least no one SHOULD make in real life) because there's a limited space to tell the story and the audience is assuming the writers aren't wasting our time.

If these were real people it would be unreasonable to say because people have their own lives Marinette can't trust them, but in a story where Marinette is the main character who is explicitly always supposed that's. An accurate way to read the story!

And I also understand that this is a very boring construction if you're making headcanons or thinking about these characters! But that's a different lens, it doesn't make the broader writing lens invalid. You're speaking different languages at that point.

Anyway I hope that helps someone, that's my two cents

You summed it up perfectly! There's a ton of valid criticism to be had of Miraculous, but you can tell from the narrative framing that almost all of it comes down to writing choices and not things that are supposed to be seen as in-universe issues even though a lot of fans treat them as such. It's really weird to see things like people complaining about everything revolving around Marinette as if it's a personal flaw of hers and not the result of her being the main character in a fictional world. "Main Character Syndrome" literally pulls its name from the fact that this is how main characters work in a lot of media. It's a flaw when a real person does it, but in terms of story telling, it's extremely normal - and often good story telling - to have everything revolve around your main character or a core cast.

The issue with Miraculous is that they chose a lot of poor conflicts if they wanted Marinette to be the one and only main character, but that's not her fault. She didn't decide to have the rules around identities make no sense. The writers did. She didn't decide to make the main villain Adrien's dad while also keeping Adrien from being involved in the story. The writers did. The list goes on and on and, because none of it reflects badly on Marinette in the writers' eyes, the show doesn't act like Marinette is in the wrong. Remember, these are the same writers who think that Derision was a great episode that added depth to Marinette instead of destroying her character and making her look unhinged. Their judgement is clearly a little skewed.

While the writers love to make bad plot choices, they are generally using proper story telling language to make those choices, which is why I can tell you how characters' actions are intended to be read. The Rena Furtive and Nino example is a great one because it allows me to show that the writers do understand how to set things up. In fact, once they've decided that they're going to do a thing, they pretty much always set it up at a basic level. It's rarely spectacular and often frustrating, but it's never shocking.

In Rocketear, Alya promises Marinette that Nino will never learn about Rena Furtive. The episode then ends with her breaking that promise via the following exchange:

Alya: (sighs) I'm still Rena Rouge. (Nino gasps.) But now I'm in hiding and that's why Ladybug asked me not to tell anyone. Nino: But why are you telling me if no one's supposed to know? Is Ladybug cool with this? Alya: I can't hide it from you, because I love you, Nino, and we share everything.

Look at how this confession is presented. Look at what the dialogue focuses on. When Marinette confessed her identity to Alya, it was all about the confession and supporting Marinette. There was no discussion of this being a problem for Chat Noir or anything like that because - in the writers' eyes - that wasn't a problem for some reason. This is why Chat Noir almost instantly absolves Ladybug of blame once he finds out about the identity reveal (see: Hack-San.) The writers didn't want it to be an issue so it wasn't:

Ladybug: I'm really sorry, Cat Noir. I should've told you. I mean, if I found out that you told someone about your secret identity, I'd... probably be upset, too. I'm really sorry I hurt your feelings. Cat Noir: You didn't hurt my feelings. You did everything right

But when Alya confesses her identity to Nino, the conversation is not just about her confession. It's about her confession and how she's not supposed to do this. That's why Nino's response is not loving support. Instead, he asks if this is a good idea and if Ladybug knows.

These things are getting focused on because the writers are telling you that this is a bad thing. It's supposed to feel ominous. When I first watched Rocketear, I assumed that the season was going to end with Gabriel getting the fox off of Alya due to Nino because that was an obvious way to raise the stakes and they'd just heavily implied that Nino knowing would be a bad thing. I was, unfortunately, right. The only on screen consequence of Nino knowing is that he outs Alya to everyone in an incredibly forced series of events (see: Strikeback):

(Ryuko successfully prevents the Roue de Paris from hitting them, yet, it flies to the direction where Rena Furtive is. This causes Carapace to panic.) Carapace: Rena! (takes out his shield) Shell-ter! (Carapace's superpower successfully prevents the Ferris wheel from hitting Rena Furtive on top of the Tour Montparnasse. But the information of Rena Furtive's active status shocks the heroes, as well as Shadow Moth.) The heroes: Rena?! Shadow Moth: (from the top of the Eiffel Tower) She's still active?

Of course the Ferris Wheel goes straight for Alya's hiding spot and of course Nino screams her name before casting his power and of course the villain overhears it. It's all so forced and unnatural, which should make it glaringly obvious how much the writers wanted this to happen. This wasn't something they were kind of forced to do because it made sense for the narrative and they wanted to tell a good story. Instead, they wrote an awkward series of events because they really, really, really wanted Nino knowing to be a bad thing that outs Alya so that Marinette loses all of the miraculous even though none of this makes much sense.

How the hell did Gabriel hear Nino's shout from so far away? Is he able to overhear everything the heroes are saying? How does Nino even know that Alya is hiding there? And since when was a Ferris Wheel a threat to these guys? Your girlfriend is a magical girl and she's in her magical girl form, dude. You could drop a building on her and she'd be fine, a thing you have to know because this scene literally goes on to have Chat Noir go flying into a building, hitting it so hard the cement literally cracks, and no one really cares. I guess it's fine if Adrien is a punching bag, but Alya must be protected at all costs...

Anyway, while the above series of events was annoying, none of it was surprising. In fact, it would have all be perfectly predictable even if Alya outing herself was that treated as a more neutral event. Her choice leading to bad things falls perfectly in line with a truly bizarre running theme in the show: outing your identity to the person you love romantically is a bad thing that leads to bad consequences. That's why Chat Blanc and Ephemeral ended the world and why Nino knowing cost Ladybug the fox and why the character they call Joan of Arc has to give up her miraculous to be with her love and why the Kwami's have this absolutely asinine dialogue in Kwamis' Choice:

Plagg: Sugarcube! Having to force them to choose between love and their mission is just awful! Maybe Master Fu was wrong to choose them. Tikki: No, they’re made for each other. Love is what gives them their strength. Plagg: But the impossible part of that love is destroying them, and I know a thing or two about destruction. Tikki: (sighs heavily) What can we do? Plagg: We must free them of that impossible choice. We must… free them of us.

This is the voice of the author telling you that outing the identities is not and never will be a good choice for the love square. Never mind that Alya is allowed to know Marinette's identity or that Gabriel finding out is what actually ended the world in the alternate timelines or that Felix outted himself in public but is still wielding or that freaking Gabriel was allowed to know half of the temp heroes' identities while they were still actively wielding. For some reason, those things don't matter to the narrative, probably because romantic love wasn't involved. The "identity reveals are a bad thing" rule only seems to apply when romantic love is a key element to the point where it's a reoccurring theme in this supposed power of love show.