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physalian · 5 months

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10 More Character Types the World Needs More of

Part 1 was specifically character dynamics, but I’m considering this a sequel anyway.

1. Fiercely independent character’s lesson isn’t to “trust people”

I’m not projecting. You’re projecting. There is a divide wide enough to fit the Grand Canyon between “trusting that someone isn’t lying” and “trusting someone to follow through on a promise”. Most dumpster fire attempts at these characters (almost exclusively women) rely solely on mocking them for the former because “not all men” or something.

Being consistently let down in life makes you hesitant to a) gain friends, b) pursue romantic interests, c) maintain familial relationships, d) get excited about any event that demands participation from someone who isn’t you. None of this is simply a bad attitude—it’s a trauma response. There is no lesson to be learned, and not even exposure therapy can help because it’s a real, legitimate, and common stunt people pull, whether they mean it or not.

So write one of these characters and legitimize their fears, give them someone who proves the exception to the rule, but do not let the lesson be “well they just haven’t found the right person yet”. Even the “right person” can let them down. It's about not becoming a self-fulfilling prophecy by sabotaging a good thing to prove it will inevitably go bad.

2. Conventionally attractive men who aren’t horndogs

I’m going to find every way I can to tell you to write more aces. This is to fight the stigma that attractive people must be attracted to people. Give me gorgeous aces and demi’s, men, women, enbys and everyone in between, who put a crap ton of effort into looking their best, and yet happen to not have a very loud libido. They look good for themselves, and not to impress anyone else.

Give me someone who could have anyone they wanted, gender regardless, and just simply has no interest. Or, they do actually have a significant other, but sex, how hot their partner is, or how horny they are, isn’t their internal monologue. I don’t even care if it’s unrealistic, it’s annoying to read.

And, you know, giving men male characters who aren’t thinking about sex all the time can be good, right? Right?

3. Manly warrior men who also write poetry

A.K.A Aragorn, Son of Arathorn. Just give me more Aragorns, period. This dude is either covered in filth, blood, guts, and the last 30 miles of rugged terrain, or singing in Elvish at his own coronation while pink flower petals fall. A man can be both, and still be straight.

A man can also drink Respect Women juice, you know? He ticks off all the boxes—he’s gentle when he needs to be, not afraid to hide his emotions, kind to those who are vulnerable and afraid and need a strong figure to look up to, resolute in his beliefs, skilled and knowledgeable in his abilities without being arrogant or smug, and the first boots on the battlefield, leading from the front.

4. Characters who are characters when no one is watching

This is less a specific type and more a scene that doesn’t get written enough. This whole point comes from Pixar’s Cars. I. Love. This. Movie. It’s not Pixar’s best, for sure, but this is my comfort movie. The best scene, one that’s so unique, is when Doc (aged living legend) thinks he’s alone when he rolls out onto the dirt race track and comes alive tearing around the oval.

This character’s unbridled, unabashed glee and euphoria at proving to himself that he’s still got it, when he’s completely unaware of his audience, is perfection. Not enough credence is given to characters to just… enjoy being themselves. He’s not doing it to prepare for the climactic race, he’s not doing it for the plot, he’s doing it just to do it, not even to prove Lightning wrong—just for himself.

Give your characters a “Doc Racing” scene. Whatever their skill is. Maybe they’re a dancer, a skater, a swimmer, a painter, sprinter. Just let your character love being alive.

5. Characters whose neurodivergence isn't “cute”

A.K.A. Lilo Pelekai from Lilo and Stitch. Really, her relationship with Nani is peak sibling writing. But Lilo herself is just so realistic with how she interacts with the world, how she interprets her relationships with her so-called friends, how she organizes her thoughts and rationalizes what she can’t quite understand, and how friggen smart she is for an… 11-year-old?

But she’s not “cute”. As in, she wasn’t written by generic Suits who were trying to cash in on the ND crowd by writing what they think will sell, but also making her juuust neurotypical enough to still be palatable by the rest of the audience. Lilo’s earnestness is what endears her to everybody. But also, she doesn’t get a free pass for her behavior, either. Her “friends” aren’t forced to accommodate her and Nani isn’t written as the cold-hearted villain for trying to discipline her.

6. Straight male characters with female friends

Am I double-dipping a bit here? Yes. While I completely understand how tempting it can be, this type of character is in dire need of exposure and representation to prove it’s possible. No weird tense moments, no double-glances when she isn’t looking, no contemplations about cheating on his girlfriend (and no insecure jealous girlfriend either). Just two characters who enjoy each other’s company and are able to coexist in a space and be in each other’s spaces without hormones getting in the way. Peak example? Po and Tigress from Kung Fu Panda.

Let these two rely on each other for emotional strength in times of need, let them share inside jokes, let them have a night alone together at a bar, at home, cooking dinner, getting takeout, talking on the patio in a porch swing… with zero “will they/won’t they.”

7. The likable bigot

I’m actually on the fence with this one but it’s something I also don’t see done often enough and I’m adding it for one reason: Bigots aren’t always obvious mustache-twirling villains and the little things they do might seem inconsequential to them, but are still hurtful. So showing these characters is like plopping a mirror down in front of these people and, I don’t know, maybe something will click. They don’t have to be MAGAs to be dangerous, and only writing the extremes convinces the moderates that they aren’t also the problem.

Example: I have a “friend” who recently said something along the lines of “I have lots of gay friends” followed up shortly by “I don’t think this country should keep gay marriage because it’s a slippery slope to legalizing pedophilia.” You know. The quiet part being that she *actually* thinks being gay is as morally abhorrent as being a pedo. But she totally has lots of gay friends. Including one who was driving her during that conversation. (It’s me. Hi. I’m apparently the problem, it’s me.)

She’s absolutely homophobic, but the second she stops announcing it, she’s a very bubbly person. She’s a ~likable~ bigot and thus thinks she can distance herself from the more violent ones.

8. The motherly single father

I say “motherly” merely as shorthand for the vibe I’m going for here. “Motherly” as in dads who aren’t scandalized by the growing pains of their daughters, and who don’t just parent their sons by saying “man up boys don’t cry”. Dads who play Barbie with their kids of either gender. Dads who go to the PTA meetings with all the other Karens and know as much if not more than they do about the school and their kids’ education.

Dads who comfort their crying kids, especially their sons. Dads that take interest in “feminine” activities like learning how to braid their daughter’s hair, learning different makeup brands, going on nail salon trips together. Dads who do not pull out the rifle on their daughter’s new boyfriend and treat her like property. Dads who have guy friends that don’t mock him and call him gay. Dad who does all this stuff anyway and is *actually* gay, too, but the emphasis is on overly sensitive straight men’s masculinity here.

Wholesome dads: a shocking amount of single-parents to female anime protagonists.

9. The parent isn’t dead, they’re just gone

Treasure Planet is an awesome movie in its own right, but what’s even better? This is a Disney movie where the parent isn’t dead, he’s just a deadbeat who abandoned his son and isn’t at all relevant to the plot beyond the hole he left behind for Jim to fill. The only deadbeat dads Disney allows are villains and those guys are very vigorously chasing an aspiration, that aspiration just doesn’t include quality fatherhood. Or motherhood. Disney has yet to write a deadbeat mom, I’m almost certain.

I just wrote a post about the necessity of the “dead parent” cliche, but what is perhaps more relatable because it’s more common, and what earns even more sympathy and underdog points for the protagonist? The hero with the parent who left. Then there’s a whole extra layer of angst and trauma available when your hero can now plague themselves with the question of if the parent leaving is their fault. Death is usually an accident. Choosing to abandon your kid is on purpose.

10. Victim who isn’t victim-blamed or told by their friends (and the narrative) to forgive their abuser

Izuku Midoriya lost so much support from me the moment he told his friend, bearing the consequences of domestic violence across half his face, that Midoriya thinks he’ll be ready soon to forgive his abomination of a father. I am firmly in the “Endeavor is a despicable human and hero” camp and no I’m not taking criticism. I audibly gasped when I heard this line and realized Deku was serious. Todoroki needs friends like the Gaang to remind him that he's allowed to hate the man who's actions caused the burn scar across his f*cking face.

I understand that the mangaka apparently didn’t anticipate the vitriolic backlash toward Endeavor during his debut and reveal of his parenting tactics but the tone-deafness of telling a fifteen year old with crippling emotional management issues and a horrible home life that his abusive dad in any way deserves and is entitled to forgiveness on the grounds of being related is disgusting.

Take it back further to a more famous Tumblr dad: John Winchester. Another despicable human who got retroactively forgiven by his sons after his death in a “he wasn’t so bad, he really did try” campaign. It’s one thing if the character believes it, it’s a whole different matter if the narrative is also pushing this message.

Katara is a perfect example: She lets go of her grudge for her own peace of mind and stops blaming Zuko for something he had no hand in, stops blaming him simply because he’s a firebender and he’s around to be her punching bag. She doesn’t forgive the man who killed her mother, because that man doesn’t deserve her forgiveness. Katara heals in spite of him, not because of him, and had she let him off the hook, she would have gotten an apology for getting caught, not for what he did (which is exactly what happened).

#writing advice #writing resources #writing tips #writing tools #writing a book #writing #writeblr #character design #character development #aragorn #pixar cars #kung fu panda #lilo and stitch #treasure planet #atla #katara #my hero academia

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mysicklove-main · 1 year

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“You’re staring again,” The low voice accuses from underneath the car. You watch his hand pat the concrete, searching for his toolbox, before quickly grabbing the wrench. His hands are black with dirt and oil, probably calloused from the heavy work.

“Am I not allowed to?” You hum, sitting on your garage cabinet while sipping on some water.

You watch Eijiro put a screwdriver in his mouth, now using both hands to tighten a bolt. Sweat drips down his temples and onto the floor beneath him. You sigh at the sight.

“It’s distracting” He mumbles around the tool, trying to stay focused on the task at hand.

Kirishimas sanctuary was his garage. He spent a good proportion of the house budget on simply making this area perfect for him. It has everything a guy like him needs, and tons of room for him to work on his hobby. Fixing cars.

Your hobby conveniently lines up perfectly with his. Watching hot men do manual labor, specifically watching your lover fix cars. So you also spend a great amount of time here.

He was currently under one, but the older truck is being suspended into the air (to your request) so you get a perfect view of him underneath the car dealing with all the technical stuff you cannot understand. You sit there and watch, not giving a damn about the broken car.

He lets out a groan as he tries to secure a pipe into place. You watch his biceps contract and his eyebrows furrowed in concentration.

“You know, it's got to be hot under there. Don't you think you'll be more comfortable if you take off your shirt?” You tease, crossing your legs with a grin on your face.

Though, the black wife beater he was wearing was already making you swoon. And the way it was stuck to his skin? You had to be in heaven.

He glances back at you, taking the screwdriver out of his mouth, before using his arm to wipe some sweat off his face. Black streaks coat his cheeks. “You are looking at me like you are a starved animal,” He laughs, before using his moveable stool to kick back away from under the car toward where you're sitting.

He climbs off the stool, and over to you, while you swing your legs out lazily. He places his hands on the counter on either side of you, trapping you in his hold. You meet his stare, the corner of your mouth picking up in a smile. He is grinning at you, eyes tired from the work, but still pinning you in place.

“Thirsty?” You hum, holding up your cup to his mouth.

His eyes flicker toward the glass and he nods. You tilt the glass upward, watching the way his throat moves as he swallows it down.

When he looks back at you as to say, enough you just continue pouring. The water drips down his face and onto his shirt. He pulls away with a small cough.

Your eyes widen at the sight in front of you. His shirt clinging now completely to his skin, his body glistening from sweat and now the water. This right here is why this is your favorite hobby.

“Really?” He sighs with a small grin, looking down at the black tank top.

You pout dramatically. “Aw, guess you gotta take your shirt off,” You tease, running your fingers up his shirt toward his neck.

He chuckles low, before blinking slowly at you, leaning forward, and brushing his lips against yours. “Mmm? Can you take it off for me?”

You grin, fingers running up his arm. “Gladly.”

The day ends up like it usually does. With both of you covered in sweat, dirt, and car oil, but you didn’t mind, this is exactly why this is your favorite hobby.

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techdriveplay · 2 months

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Top 10 Car Accessories You Need

Owning a car is more than just a means of transportation; it’s an extension of your lifestyle and personality. Whether you’re a daily commuter, a road trip enthusiast, or someone who simply enjoys the comfort and convenience of a well-equipped vehicle, having the right car accessories can significantly enhance your driving experience. This article delves into the Top 10 Car Accessories You Need…

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thenxthird · 19 hours

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i started at my new job so that means they r also employed

full sketch page vvv

#persona 2 #as previously mentioned id been drawing all their hair wrong so i acrually had 2 go back and redraw alot.....#realistically i think lisa would get a job because she wants to be Independent but i also think its funny that #shes rich #jun kurosu #tatsuya suou #lisa silverman #eikichi mishina #hes barely here once again #shoukd i even tag maya #i put stupid amounts of effort into researching flower meanings and #japanese car repair tools #only to not use it and just put a png of spark plugs but whatever

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feroluce · 4 months

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For me, as much as I adore the theme of travel companions, henghill is more of a "someday" thing in that regard. I love Boothill being a weird loner Galaxy Ranger rather than a Nameless- man is undomesticated and belongs sleeping in the cargo holds of supply ships, threatening silence out of anyone that tries to report him. Let him be wild and free!!

I would LOVE it if Boothill just hitched a short ride off Asdana to whatever the Express' next destination is, though!

Like maybe the Express decides to stick around Penacony for a while, the same way they do other destinations, and Boothill is there anyway to investigate Oswaldo Schneider. It's rare to find a planet where the IPC is present, but doesn't actually have a lot of power; he can't pass this opportunity up!

And in that time, he sees a lot of Dan Heng.

Boothill gets text messages asking him to the quieter parts of the Dreamscape (he threatened and made a scene - it's called standing up for your rights, Dan Heng was given a room with a Dreampool by The Family for helping root out The Order) or mostly to the Express, where Dan Heng curiously asks him about Paths, about aeons and Emanators, The Rangers, all the worlds he's seen and places he's been.

Boothill isn't really surprised the first time they spend an entire night talking and discussing- after all, they'd chattered a lot that first day they met at the bar in the Reverie! But in talking so much, of course the topic of home comes up.

Dan Heng asks about Boothill’s homeworld.

Boothill tells Dan Heng it's gone now, and changes the subject.

Boothill asks about Dan Heng's past, before the Astral Express and the Nameless.

Dan Heng freezes up and closes off, and changes the subject.

In yet another moment of tacit understanding, neither of them ask again.

But this continues, all throughout their stint in Penacony, finding each other and seeking the other out for no reason other than good company. Dan Heng adds ridiculous amounts of data to the archives that Boothill dictates to him. They both know he could get that information elsewhere if he really wanted. Boothill finds he's kinda happy he doesn't.

And Boothill is someone who's hard to keep up with. He knows he is, and he has no problem with it. It's part of what makes him excel as a Galaxy Ranger. But there's something fun about how Dan Heng just rolls with it, and so effortlessly! Boothill finds something shady going on, grabs a guy who was preying on people, and has this dude held up by the collar with his feet swinging while he cackles right in his face, when Dan Heng shows up.

Boothill says they're just having a friendly chat. He makes zero effort to hide what he's actually doing. Boothill's new friend pleads for Dan Heng to help him, please! This guy's crazy!

Dan Heng materializes his spear.

The guy apologizes even harder, tells them he won't do anything shady ever again, promise, promise! Boothill's jabbers at him and shakes him around some more before Dan Heng taps the pole of his spear against the covered metal of Boothill's leg and tells him come on, he's already scared the man witless, they have a date to keep. Boothill drops the guy and watches him scurry off like a cockroach.

"So, now it's a date, huh?"

"...Come on, let's go."

They go to the Dreamflux Reef after that, because Boothill just so happened to totally by coincidence find that shady guy's wallet (read: robbed him blind) and he wants that money to go back to the native Penaconians before anyone else. Dan Heng follows, and stuffs all of the man's credits into the tip jar of the bar they go to.

And even when the Express embarks anew from Asdana (with Boothill hidden away in some corner or compartment, because the IPC finally got pissed enough to start looking for him under The Family's noses skzikske) this continues. The next planet is difficult to get to because of Stellaron activity; so they have to fly manually part of the way instead of warping. Boothill doesn't get his own room since he's only hitching a ride, but Pom-Pom graciously allows him to sleep on a couch-

("Thank ya, Fluffy. No hard feelings about before, right?" "You're lucky my other passengers like you. And no shoes on the couches!!")

-in one of the cars. And it becomes normal commonplace to find Boothill telling stories, and Dan Heng rapidly writing them all down, at obscene hours in the parlor car while Himeko and Welt ask if either of them even slept.

Boothill teaches Dan Heng all about his favorite drinks and liquor in general, how to aim and shoot a gun, how to hunt and track prey. Dan Heng teaches Boothill about a lot of the teachings of Lan and The Hunt from the Xianzhou, what it's like there, some of the culture, some of the fables and old tales.

Boothill still leaves when it's time to go. He's still got things to do and people to kill, after all.

But it never feels like he's very far. The archives are full of him, even if he's never mentioned by name. The article on the Galaxy Rangers is several times longer than it was before. There's new data on multiple planets and worlds.

There's one that's still just a header and title. Boothill doesn't know about it yet. Dan Heng hopes he can fill the page on Aeragan-Epharshel someday and show it to him.

And even if he doesn't stay, he does return. Boothill breaks in stops by any time he happens to be nearby. He's used to traveling without much rest, and only takes what he can easily carry on him- nothing that can slow him down or hinder him. He can't put a bullet between Oswaldo Schneider's eyes if he gets himself killed over something as stupid as being weighed down in a fight, after all.

Dan Heng is similarly sparse. He still sleeps in the archives, with nothing but his futon and old suitcase to mark the space as his.

But there's an old wooden guitar carefully propped in the corner, just waiting for its owner's return.

#honkai star rail #henghill #boothill #dan heng #hsr #bootheng #hsr boothill #hsr dan heng #HOW DID THIS BECOME LIKE A WHOLE FICLET I MEANT TO WRITE LIKE TWO PARAGRAPHS OTL #they do things to me argh #JUST.#i love that kind of slow burn #they both have different goals rn but they still make space for each other #Dan Heng has a home in the Express rn #Boothill doesn't really have a home anymore but he seems fine with his nomadic roaming #maybe they'll meet in the middle someday when Oswaldo Schneider is facedown in a ditch skzjsmkdkd #Dan Heng even keeps some things on the Express for him #there's the guitar that Boothill loved but couldn't carry with him #some spare parts and maintenance tools for the next time Himeko wakes up to Boothill in pieces in the parlor car haha #a gun that broke beyond repair but was too sentimental to be tossed #a hat that was similarly burnt and torn up in a firefight that Boothill couldn't let go of #Boothill got along fine before all this. he doesn't NEED any of that.#but it is nice sometimes #Boothill doesn't really have a home anymore and that's fine for now #But Dan Heng is someone he can always return to

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