#cardinal huntress Artemis

[cryptid-called-ash]

I see you're asking for interactions 👁️👄👁️ idk if your overhaul au is in the shield dad umbrella but i want to know what happens in the otherworld arc!!! what changes?? since there isnt much thats different about the spirit tortoise arc

- naofumi Risha and ren all end up together.

- ren takes the level reduction a lot better than naofumi, but only marginally

- Naofumi’s first panic was not knowing where his daughters were. His second was not knowing if he could still communicate with Kieka. Ren joins in this panic.

- they can, provided they calm the fuck down for a second.

- it continues as normal, apart from Nao and Ren successfully fighting the kappa, right up until they met kizuna.

- kizuna was the friend ren saved back in book one. She thought he’d died. It’s really heartwarming. +1 child, dad skill increased.

- when they realize kizuna is also a hero, with help from kieka, naofumi convinces kizuna to communicate with her weapon.

- introduction to Artemis, the cardinal huntress and twin spirit to Orkian. Kizuna doesn’t have cardinal mastery like Ren and naofumi just yet, but she well on her way.

Thats all I have so far 😅 sorry this isn’t longer

[mia-paintings]

Diana the Huntress, Giovanni Battista Gaulli, c. 1690, Minneapolis Institute of Art: Paintings

Mythology: Diana the Huntress. Artemis. The mythological goddess of the hunt, Diana, reclines in a forest setting with her hunting dogs, Syrius and Phocion, observing a hunt underway in the middle ground below. Diana (or Artemis, in Greek mythology) was revered as an inaccessible maiden, an avid huntress, and the patroness of wild animals, forests, and hills. This painting was commissioned in about 1690 by Cardinal Pietro Ottoboni, the powerful nephew of Pope Alexander VIII. For several decades, Ottoboni was one of the great artistic patrons in Rome. Both of Diana's dogs are certainly individual portraits of household pets dear to the Cardinal. One wears the heraldic device of the Ottoboni family on his collar. The setting is in the Alban hills, an area about sixty miles from Rome. Size: 62 1/2 x 83 1/4 in. (158.75 x 211.46 cm) (canvas) Medium: Oil on canvas

https://collections.artsmia.org/art/1735/

[theblissfulstars]

Diana: Tidal Huntress

Diana: tidal huntress

Number:78

Nature: yin

Energy: Cardinal

Element: Water

Dignity: Cancer

Exaltation: Virgo

Colors: teal, sea foam, green, beige

In mythology, Diana is the virgin goddess of the moon, hunting, childbirth, the wilderness, and wild beasts.

One of her more famous myths involves her, and her huntresses and nymphs bathing nude in a sacred spring under the light of the full moon. In her nakedness, a man by the name of Acteon sees her, and she is enraged, as he has already spoke of his hunting skills surpassing the gods, and now has the audacity to see her naked. In her anger, she turned him into a deer, and unleashed her sacred hounds upon him and they gorged upon his flesh. The themes of this myth include water ((the pond)) vulnerability/nakedness ((the nudity)) female camaraderie ((the nymphs and huntresses)) punishment for pride ((acteon)) animal desires turn you into an animal ((acteon)) being consumed by your beastial side ((the hounds))

Another Myth with Diana is the myth of artemis and orion, there are quite a few, I chose the one that touches my spirit. Diana and Orion were hunting partners, they had great fun together in the wilderness. Orion though, was arrogant and boasted that he was the greatest hunter of all time, a master of nature so to speak. In his pride, he invited the anger of the goddess Gaia, and she sent a scorpion to kill him. Diana mourned his loss, and asked her father along with her mother Leto, if Orion could be placed in the sky, and thusly made immortal. Zeus thought both the scorpion and orion deserved a seat in the heavens and granted their plea. The symbols in this are wilderness ((the wilds)) hunting ((Diana and orion)) punishment for pride ((orion)) wrath of nature ((gaia)) poison ((scorpion)) sadness and loss ((Diana)) ascension through heroism ((orion))

In a natal chart Artemis shows where we are wild and untamed, she shows where we have wild emotions, she shows where we have animal impulses, our views on childbirth, and our views and skills with hunting and providing

[mia-paintings]

Diana the Huntress, Giovanni Battista Gaulli, c. 1690, Minneapolis Institute of Art: Paintings

Mythology: Diana the Huntress. Artemis. The mythological goddess of the hunt, Diana, reclines in a forest setting with her hunting dogs, Syrius and Phocion, observing a hunt underway in the middle ground below. Diana (or Artemis, in Greek mythology) was revered as an inaccessible maiden, an avid huntress, and the patroness of wild animals, forests, and hills. This painting was commissioned in about 1690 by Cardinal Pietro Ottoboni, the powerful nephew of Pope Alexander VIII. For several decades, Ottoboni was one of the great artistic patrons in Rome. Both of Diana's dogs are certainly individual portraits of household pets dear to the Cardinal. One wears the heraldic device of the Ottoboni family on his collar. The setting is in the Alban hills, an area about sixty miles from Rome. Size: 62 1/2 x 83 1/4 in. (158.75 x 211.46 cm) (canvas) Medium: Oil on canvas

https://collections.artsmia.org/art/1735/

[mia-paintings]

Diana the Huntress, Giovanni Battista Gaulli, c. 1690, Minneapolis Institute of Art: Paintings

Mythology: Diana the Huntress. Artemis. The mythological goddess of the hunt, Diana, reclines in a forest setting with her hunting dogs, Syrius and Phocion, observing a hunt underway in the middle ground below. Diana (or Artemis, in Greek mythology) was revered as an inaccessible maiden, an avid huntress, and the patroness of wild animals, forests, and hills. This painting was commissioned in about 1690 by Cardinal Pietro Ottoboni, the powerful nephew of Pope Alexander VIII. For several decades, Ottoboni was one of the great artistic patrons in Rome. Both of Diana's dogs are certainly individual portraits of household pets dear to the Cardinal. One wears the heraldic device of the Ottoboni family on his collar. The setting is in the Alban hills, an area about sixty miles from Rome. Size: 62 1/2 x 83 1/4 in. (158.75 x 211.46 cm) (canvas) Medium: Oil on canvas

https://collections.artsmia.org/art/1735/

[mia-paintings]

Diana the Huntress, Giovanni Battista Gaulli, c. 1690, Minneapolis Institute of Art: Paintings

Mythology: Diana the Huntress. Artemis. The mythological goddess of the hunt, Diana, reclines in a forest setting with her hunting dogs, Syrius and Phocion, observing a hunt underway in the middle ground below. Diana (or Artemis, in Greek mythology) was revered as an inaccessible maiden, an avid huntress, and the patroness of wild animals, forests, and hills. This painting was commissioned in about 1690 by Cardinal Pietro Ottoboni, the powerful nephew of Pope Alexander VIII. For several decades, Ottoboni was one of the great artistic patrons in Rome. Both of Diana's dogs are certainly individual portraits of household pets dear to the Cardinal. One wears the heraldic device of the Ottoboni family on his collar. The setting is in the Alban hills, an area about sixty miles from Rome. Size: 62 1/2 x 83 1/4 in. (158.75 x 211.46 cm) (canvas) Medium: Oil on canvas

https://collections.artsmia.org/art/1735/

[mia-paintings]

Diana the Huntress, Giovanni Battista Gaulli, c. 1690, Minneapolis Institute of Art: Paintings

Mythology: Diana the Huntress. Artemis. The mythological goddess of the hunt, Diana, reclines in a forest setting with her hunting dogs, Syrius and Phocion, observing a hunt underway in the middle ground below. Diana (or Artemis, in Greek mythology) was revered as an inaccessible maiden, an avid huntress, and the patroness of wild animals, forests, and hills. This painting was commissioned in about 1690 by Cardinal Pietro Ottoboni, the powerful nephew of Pope Alexander VIII. For several decades, Ottoboni was one of the great artistic patrons in Rome. Both of Diana's dogs are certainly individual portraits of household pets dear to the Cardinal. One wears the heraldic device of the Ottoboni family on his collar. The setting is in the Alban hills, an area about sixty miles from Rome. Size: 62 1/2 x 83 1/4 in. (158.75 x 211.46 cm) (canvas) Medium: Oil on canvas

https://collections.artsmia.org/art/1735/

[mia-paintings]

Diana the Huntress, Giovanni Battista Gaulli, c. 1690, Minneapolis Institute of Art: Paintings

Mythology: Diana the Huntress. Artemis. The mythological goddess of the hunt, Diana, reclines in a forest setting with her hunting dogs, Syrius and Phocion, observing a hunt underway in the middle ground below. Diana (or Artemis, in Greek mythology) was revered as an inaccessible maiden, an avid huntress, and the patroness of wild animals, forests, and hills. This painting was commissioned in about 1690 by Cardinal Pietro Ottoboni, the powerful nephew of Pope Alexander VIII. For several decades, Ottoboni was one of the great artistic patrons in Rome. Both of Diana's dogs are certainly individual portraits of household pets dear to the Cardinal. One wears the heraldic device of the Ottoboni family on his collar. The setting is in the Alban hills, an area about sixty miles from Rome. Size: 62 1/2 x 83 1/4 in. (158.75 x 211.46 cm) (canvas) Medium: Oil on canvas

https://collections.artsmia.org/art/1735/

[mia-paintings]

Diana the Huntress, Giovanni Battista Gaulli, c. 1690, Minneapolis Institute of Art: Paintings

Mythology: Diana the Huntress. Artemis. The mythological goddess of the hunt, Diana, reclines in a forest setting with her hunting dogs, Syrius and Phocion, observing a hunt underway in the middle ground below. Diana (or Artemis, in Greek mythology) was revered as an inaccessible maiden, an avid huntress, and the patroness of wild animals, forests, and hills. This painting was commissioned in about 1690 by Cardinal Pietro Ottoboni, the powerful nephew of Pope Alexander VIII. For several decades, Ottoboni was one of the great artistic patrons in Rome. Both of Diana's dogs are certainly individual portraits of household pets dear to the Cardinal. One wears the heraldic device of the Ottoboni family on his collar. The setting is in the Alban hills, an area about sixty miles from Rome. Size: 62 1/2 x 83 1/4 in. (158.75 x 211.46 cm) (canvas) Medium: Oil on canvas

https://collections.artsmia.org/art/1735/