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#carp dump
silkhorse · 10 months
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small art dump bc I have nothing else to post;;
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I am only really proud of Tigeress's and Carp's design, I don't even want to look at Saffron, I rlly hate his, but I just wanted to post somethinf!!
All these are beta designs for a set of ROs for am interactive fiction I am planning with my sibling, though neither of us know how to code just yet and we are deciding on a plot—nothing is completely decided just yet and there is still like one or two other ROs we need to design
However, I am taking questions on the setting, worldbuilding, etc, because all of that is mostly fleshed out!!!
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aeide-thea · 2 years
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also: i just finished n*torious sorcerer, and enjoyed certain aspects of it but was left unimpressed/unconvinced by others (longer letter later on this, maybe? no promises tho), which i guess makes it yet another addition to the growing list of m/m tradpub fantasy novels i wanted to love but ultimately didn't, quite? part of me is honestly starting to wonder if the capacity for love is burnt out of me, although that sounds awfully dramatic and i quite frankly think it's equally possible that we're just getting more and more writers coming up by way of fandom and that it's eaten particular, recognizable sorts of holes (ha) in their skillsets...
#i mean—i don't know‚ that may be confirmation bias#it's not as if writers who didn't cut their teeth on fandom are universally good at‚ say‚ establishing worldbuilding#and not just sketching it out suggestively and relying on readers to supply what's not stated#(also like. at some level good worldbuilding can be sketched out as long as the sketch is *sufficiently* suggestive. sargent style.)#(and certainly overexplaining can easily sour into exposition dump. but like. you know what i mean maybe.)#or at writing women#(and actually on that point i thought this book was notably more successful than‚ say‚ meadows' or rowland's most recent efforts)#(still a bit unbalanced in that there were arguably four major characters—the central m/m couple and then a pair of sisters—#and the men had their arcs‚ i thought‚ much more resolved than the women did)#(in fairness i think the 'gotta leave something for the sequels!' factor may be relevant there)#(but—idk. something to be said abt priorities and whose stories we feel it's necessary to resolve at least the opening act of#vs whose stories we think we can leave in-progress and still feel as though we've tied up enough loose ends to have a satisfying book)#anyway—i hope obviously!—i'm not saying writing romance between two men is somehow an intrinsically misogynist move#but like. esp if you're writing something that's got a plot bigger than just the romance‚ i do feel like you ought to have women characters#and they ought to be given enough weight to feel like full people‚ even if they're full people we aren't focusing on#or otherwise spending a ton of time with#i don't know. i don't want to carp about any of this. i want to be magically presented with stories i love#where i don't feel the need to start squinting suspiciously at aspects of them because they've successfully convinced me#i wish i could tell whether the problems are with what i'm reading or with me :/#(very possibly both. road to el dorado gif only it's the dark version so no one has a goatee.)#bookblogging#you may have gotten the impression that i love to be a hater but i'm actually very tired of it#would love to be transported actually! cue patrick wolf the days
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lindaseccaspina · 10 days
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Mike Flynn Junk Man Dwyer Hill Road
Mike Flynn collects history. Lots of it. It’s scattered over about a quarter of an acre. It’s packed into his barn. It spills out of an old school bus he’s acquired. And it’s taking over his modest wooden bungalow. Flynn’s been buying and selling antiques and used articles for about 35 years at his home on Dwyer Hill Road five miles north of Almonte towards Carp. He wouldn’t go so far as to say…
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reasonsforhope · 29 days
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"In China, a landscape architect is reimagining cities across the vast country by working with nature to combat flooding through the ‘sponge city’ concept.
Through his architecture firm Turenscape, Yu has created hundreds of projects in dozens of cities using native plants, dirt, and clever planning to absorb excess rainwater and channel it away from densely populated areas.
Flooding, especially in the two Chinese heartlands of the commercial south and the agricultural north, is becoming increasingly common, but Yu says that concrete and pipe solutions can only go so far. They’re inflexible, expensive, and require constant maintenance. According to a 2021 World Bank report, 641 of China’s 654 largest cities face regular flooding.
“There’s a misconception that if we can build a flood wall higher and higher, or if we build the dams higher and stronger, we can protect a city from flooding,” Yu told CNN in a video call. “(We think) we can control the water… that is a mistake.”
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Pictured: The Benjakitti Forest Park in Bangkok
Yu has been called the “Chinese Olmstead” referring to Frederick Law Olmstead, the designer of NYC’s Central Park. He grew up in a little farming village of 500 people in Zhejiang Province, where 36 weirs channel the waters of a creek across terraced rice paddies.
Once a year, carp would migrate upstream and Yu always looked forward to seeing them leap over the weirs.
This synthesis of man and nature is something that Turenscape projects encapsulate. These include The Nanchang Fish Tail Park, in China’s Jiangxi province, Red Ribbon Park in Qinghuandao, Hebei province, the Sanya Mangrove Park in China’s island province of Hainan, and almost a thousand others. In all cases, Yu utilizes native plants that don’t need any care to develop extremely spongey ground that absorbs excess rainfall.
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Pictured: The Dong’an Wetland Park, another Turescape project in Sanya.
He often builds sponge projects on top of polluted or abandoned areas, giving his work an aspect of reclamation. The Nanchang Fish Tail Park for example was built across a 124-acre polluted former fish farm and coal ash dump site. Small islands with dawn redwoods and two types of cypress attract local wildlife to the metropolis of 6 million people.
Sanya Mangrove Park was built over an old concrete sea wall, a barren fish farm, and a nearby brownfield site to create a ‘living’ sea wall.
One hectare (2.47 acres) of Turenscape sponge land can naturally clean 800 tons of polluted water to the point that it is safe enough to swim in, and as a result, many of the sponge projects have become extremely popular with locals.
One of the reasons Yu likes these ideas over grand infrastructure projects is that they are flexible and can be deployed as needed to specific areas, creating a web of rain sponges. If a large drainage, dam, seawall, or canal is built in the wrong place, it represents a huge waste of time and money.
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Pictured: A walkway leads visitors through the Nanchang Fish Tail Park.
The sponge city projects in Wuhan created by Turenscape and others cost in total around half a billion dollars less than proposed concrete ideas. Now there are over 300 sponge projects in Wuhan, including urban gardens, parks, and green spaces, all of which divert water into artificial lakes and ponds or capture it in soil which is then released more slowly into the sewer system.
Last year, The Cultural Landscape Foundation awarded Yu the $100,000 Oberlander Prize for elevating the role of design in the process of creating nature-based solutions for the public’s enjoyment and benefit."
-via Good News Network, August 15, 2024
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raapija · 1 year
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Käärijä master-post
Version 1.5
Black Box live gig
Black Box mid-speeches translated
Lyrics translated into English
Viherristilippumme/Käärijävirsi
Fun facts about Jere
Origin of Kääryle/Kärtsäri
Jere alarm clock
Get your very own Käärijä-earrings !
Official merch
Archive Of Our Own: Käärijän fast-pass
Jere about his style
That one pic that makes everyone go feral
That one gif-set that makes everyone cry
Mommy and daddy
Tallinn Flex Fest 2023 photo dump
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Iconic videos:
Lie-detector interview
A grower, not a shower (The full unhinged interview)
Why Jere thinks people like him
Käärijä the pacifist
Where the love-story began
This edit
Every night in my dreams...
Bojan is a puppy? Papi?
Käärijä number 1 fan
How to Carpe Diem with Käärijä
Boat party
The snus-proposal
PIDÄN KAKSIN KÄSIN KIINNI JUOOOMISTA
Baby seal reveal
This edit
Rare Jere slick-back hairstyle
Full Bojan Serbian interview with English subs
Journey to Eurovision
WHAT THE FUCK, HUH, WHAT? WHAT?! *sips coffee*
The Pasi-vision Jersey (Bojan wearing said jersey)
Translated interviews etc.
More videos, old stuff too
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Where to find his music:
Spotify
Tidal
Apple Music
Youtube
Music videos on Youtube
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Social media:
Jere's Instagram
Jere's TikTok
Jere's Facebook
Häärijä's Instagram
Häärijä's TikTok
Mikke Pöyhönen
Aleksi Nurmi
Jere DOES NOT have a twitter account, they're all fake profiles.
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Carpe Noctem 3
Warnings: dark elements, noncon, age gap, other dark elements. Proceed with caution. (short!reader)
Note: Please let me know what you think as it helps me a lot with ideas and I love interacting with you all.
Part of The Club AU
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You wad up the napkins and turn to stand. As you do, you feel a firm grope on your ass. You nearly yipe as you tear away and spin to face Lloyd. He sways as he sits forward with a sneer, licking his lips as he reaches for you again. You toss the balled up fabric in his face but it hardly deters him.
“Hey, stop,” you swat away his hand, “what is wrong with you?”
“Come on, baby, it's my turn to take care of you,” he slides forward on the cushion, swallowing a hiccup as he grins at you like a doofus.
He swipes his hand between your thighs and you barely keep him from reaching your pelvis. You swing his arm away from you and his other grasps onto the top of your jeans. You grab onto his wrist as you try to untangle yourself.
“Listen, you creep, get off–”
He pulls you forward and buries his face in the front of your jeans. You gasp and smack his crown as hard as you can. He recoils and touches his skull as he sits back with a pout. You can’t help but deliver another blow, right across his cheek as you growl in disgust.
“Ugh, you’re awful,” you step away, palm tingling from the slap, “I… I was being nice, you jackass.”
“And I’m being nice. Come on, I just want a taste–”
“Shut up,” you snatch your purse off the couch, “good luck.”
You turn on your heel and stomp off, letting yourself out with nothing short of slamming the door. That’s the last time the twins do this to you. You are too old for this. You have a relationship and you don’t relish spending your nights out with jerks instead of your boyfriend. Johnny doesn’t appreciate it much either.
🎀
You get home to the glare of the television, colours changing over the sleeping silhouette of your boyfriend. You lock the door and dump your purse on the chair as you pass it. You sit on the edge of the couch and rub Johnny’s shoulder as he snores, the simulated explosions of the action moving bursting from the speakers.
“Hey, hon,” you squeeze gently, “I’m home.”
“Grmmmp,” he snorts himself away, smiling at you as his lashes flutter dreamily, “hey, babe.”
“Come on, let’s get you to bed,” you coo and bend over, kissing his temple.
He grumbles and throws his arm over his head, hiding under it as he refuses to move. You huff and grab his arm, forcing him to sit up.
“It’s not that far,” you haul him up and he groggily gurgles, resistantly hobbling with you to the bedroom.
You get him on the mattress and he flops across it with a grunt. You pull the blanket over him as he hugs his pillow with one arm. You go back into the living room and shut off the television. You tidy up the empty chip bag and cans of beer from the coffee table, sure to wipe off the crumbs before you shut off the light.
You wash off your make-up, moisturize, brush your teeth, and go through your nightly routine. It’s just little things that help you unwind. After the night you had, you need the mindless habit to calm your nerves.
You go into the bedroom and undress a piece at a time, dumping each into the hamper. You pull on a tank top and pair of sleep shorts before rolling in next to Johnny. He slings his arm over you and nuzzles your neck. He inhales and gives a growl.
“You smell like cologne…” he mutters.
“Do I?” You wonder.
“Yeah,” he sniffs and draws back, laying flat on his back, “you were dancing with some dude, weren’t you?”
“No,” you turn over and prop yourself up on your elbow, “you know I’m not into that.”
“But you were with some guy, weren’t you?” His voice croaks as the grit of sleep slowly fades, “I told you not to go out with those two sluts.”
“Hey, they’re my friends.”
“And I’m your boyfriend. You shouldn’t be hitting up the club when you got a man at home.”
His anger seethes into you. You chew your lip and reach to rub his chest. He smacks your hand away and turns his back to you.
“You know I wouldn’t do anything, Johnny,” you murmur, “I love you…”
“So you go out dancing and leave me alone,” he scoffs, “you shoulda left me on the fucking couch. I can’t even lay next to you right now.”
“You don’t… you don’t think–”
“You smell like someone else, what am I supposed to think?”
Johnny’s fatal flaw has always been his jealousy. It’s as much as you expected but it still throws you off guard. You hoped he’d be too tired to have the same old argument. But you know how to break through his iciness.
You touch his shoulder daintily, laying a kiss on it, “J, you know I don’t want anyone else, don’t you,” you slide your hand down his arm, “you’re the only man… the only one for me. You know that.”
He says nothing. He’s tense as stone beneath your touch. You lean forward, pressing against his back as you kiss his short hair.
“Johnny,” you soften your voice, “please, let me make it up to you…”
He exhales and you feel him ease, just a little. You lay in the frozen silence. These nights end in two ways; he goes out on the couch or he stays and you… make him happy.
He rolls onto his back, surrendering. He catches your hand and pulls it across his chest. He plays with your fingers.
“Make it up… how?” He slowly guides your palm down his stomach.
Relief washes over you, even as your nerves stir. The night weighs on your eyelids and you can barely keep the yawns from breaking free, but you know you won’t sleep with him mad at you. Besides, it won’t take that long.
“Whatever you want, hon,” you tickle his lower stomach.
He purrs and reaches up to caress the top of your head. He spreads his large hand across your skull and urges you down.
“You know what I like, baby,” he forces you to curl around and you shift as you pull up his ribbed shirt, kissing his stomach as your fingertips dance on the hair that trims his hard stomach, “mmmm, yeah, that’s it, baby. Show me I’m the only one.”
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bonefall · 7 months
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How would the cats get rid of the bile to prepare a prey item for food? The liver is one of the best items to use for gravy--my family uses our roasted Turkey's liver as a gravy base every year and to have to throw it out cause someone fucked up while on kitchen duty would suck.
Not all animals will actually have gallbladders, but removing one from the liver is as easy as just chopping it off when you get to the processing part. It'll be down on the bottom of the liver, usually pear-shaped, and a dark greenish color. Sorreltail, a sapient cat with her great sense of smell, could tell it apart from the surrounding meat with her eyes closed.
I do have to stress, though, you CAN eat bile. You don't have to have the cats toss that, that is a thing they can eat. Again it's not nail polish remover like the Erins think it is. It's bitter, but it's used in human food. You just balance out the bitterness with spice and sweetness.
This is papaitan, from the Philippines, made with tripe and bile,
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Bile is also said to have anti-inflammatory effects and be a generally healthy food, too. I can see ShadowClan in particular really liking to cook with this, especially for a sick cat. They like bitter and spicy tastes a lot more than other Clans. Their version of chicken noodle soup.
Also; a lot of animals do not have gallbladders. Here's a short list of common prey animals and their gallbladder status;
Rabbits = No
Rats = No
Mouse = Yes
Shrew = Yes
Deer = No
Pigeon = No
Quail = Yes
Carp = Yes BUT DO NOT EAT THESE CARP GALL BLADDERS CAUSE FOOD POISONING. ALL species, everywhere. This includes goldfish. Your cat will live if they swallow a goldfish or eat a gallbladder once or twice, but it will make them sick. Process this fish before a Clan cat eats it.
(Side note: It's actually kind of funny how carp keeps coming up as The "Fuck You" Animal in all of these. They're full of seizure-causing anti-nutrients, their gallbladders are poison, what am I going to find next?)
The gallbladder in fish is really easy to find btw, they're usually massive, round, and dark green. If you gut fish regularly it's like... right in the "chest." Also you can poke it open and soak little paper squares in it and then they spin around in water, it's very cool
Bile is for the breakdown of fats, and a gallbladder is for the storage and concentration of bile. Generally, herbivores are more likely to lack gallbladders, because their liver just dumps the weak bile they have directly into their intestines. The mystery of why rats don't have gallbladders has actually vexxed scientists for like 100 years, btw.
Some herbivores (deer especially) have a very tiny "pouch" for bile called a diverticulum. But unlike the gallbladder, it doesn't concentrate it, just stores a little extra. Some hunters will nick this and think they tore open a gallbladder, but they did not.
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capsheartbreak · 8 months
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imagining mia having a project on ww2 and the captain going fucking crazy like "PLEASE PLEASE PLEASE PLEASE" so alison agrees to help cap with an interview (mia is either very excited ab cap getting an interview or incredibly amused (probably)). and cap can't wait to info dump ab weapons and tanks until he gets to the interview and finds its about queer history and not ww2, he misheard because that's the era mia chose/was given to do. he's too prideful to back down tho (ah, yes, ofc I knew this all along. yes I just thought opening with the history of the Enfield number two standard issue revolver would be beneficial to her research. just talk about my own experience? uh yeah. that's fine actually. *cap nosies*). it takes him a while to open up, but once he does he gets to relive moments with havers (I don't think he'd say his name tho. if he did he'd ask them to not put it in) and talk about what happened and why he thinks havers left and how it leads to his death (like mini-therapy (even tho talking to the other ghosts in carpe diem seems to have helped a lot)
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Can I have a lore dump about Cicero, he’s so silly >:D /genq /vpos
Yo, yo! Let's go with some stuff that I have decided for him.
•Cicero was born into one of the tribes which later integrated within the legion. His parents ended up passing afterwards and Nemo decided to step up so, he grabbed him by the scruff and claimed him as his son.
•Dude was trained, however, he was never the strongest nor the sharpest one, ended up becoming a vexilliarius as he thought that they weren't that battle oriented.
•Small frame! He is 165cm/5'4. Dude is sneaky and his best skills are survival, lockpicking and sneaking.
•He questions his loyalty to the legion a lot. He is loyal to his father figure but he definetly hesitates when it comes to his factions' methods. He is still trying to seek his place between the legionary squads thought.
•Early 30s, chaotic neutral.
•Sometimes he sneaks out, after his first encounter with Ranger Church, he has been seeking for her in the Strip in an attempt to ask like, a LOT of questions. Silly man; you are gonna get murdered.
Wondering if I should create a small faction for some legionaries that end up leaving Caesar ngl, it would be named Carpe Diem and they would be mostly a small group by themselves, indulging on everything the legion forbids them but enjoying the roman aesthetics lmaooo.
Thanks for your ask! I will be posting more Cicero stuff soon! I am very happy he is being liked!
Also, feel free to ask about any of my ocs lmaoo, I love to infodump about them!♡
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liz-allyn · 2 years
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heat of the moment, pt 6 - carpe diem (finale) [tasm!peter x reader x groundhog day au]
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summary: everything ends, eventually.  angst; fluff; humor; final destination vibes; and yes this is in tribute to my favorite episode of television ever written - “mystery spot”
words: 11.6k
warnings: death. a lot of it. repeatedly. in this chapter: tw description of death by car accident, fire, drowning, asphyxiation, self h*rm, mass casualty event.
a/n - don't you hate it when stories just dump a ton of exposition in the last chapter? haha fuck
Part 1. Part 2. Part 3. Part 4. Part 5. Part 6.
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The sun had long set as you crouched down stealthily on a roof overlooking an industrial complex next to the Holland Tunnel. It was near the entrance on the New York side of the Hudson River, far from the dumpster you sought out. 
After leaving Claire, you had met Peter across town and inspected the burned-out site tediously. There wasn’t much left behind, save for a few singed sheets of paper nearby. Shipping invoices for an address on the other side of Manhattan. 
Alarms went off in your head at the perplexity of someone dumping their trash all the way over here. You were determined to follow this lead, and quickly. 
Working against time, you were now in pursuit. You gazed out over the street below as you studied the tall, rectangular, art deco-style, brick structure. The exteriors looked repainted and somewhat modernized, part of ongoing renovations to the Holland Tunnel, you figured. Now at the heart of the tallest building, a 50-foot-wide clock face doubled the size of ‘Big Ben,’ with golden dials that added to the aesthetic.
The clock face leered maliciously at you, like a hungry dragon perched on a tower. Like the hands would come alive, and spring out sharp teeth that gobbled you up.
What a way to go.
The face stares down at you, knowingly, like a proverbial ‘Eye of Sauron,’ meeting you at the edge of Mordor. The minute hand lurches past 10:50 to 10:51, reminding you of its quicksilver nature.
You’d never made it past 10:30 PM before. 
You’re deep behind enemy lines. 
Wearing the Spider suit, Peter swung to your position, his feet landing on the roof as gently as a cat’s. He crouched down to your level, lifting his mask from his sweaty face.
“Okay, so something is definitely off with that building,” Peter whispered. “It’s using a ton of power. Way more than any New York City building should.” He noted your distant look and silence, hypnotized by the ominous feeling the clock gave you. He eyed you suspiciously, “Exactly what are we looking for here?”
You pursed your lips, observing the slow crawl of vehicle traffic clogging itself into the tunnel. You could see the lights of a construction crew near the tunnel entrance. You smelled the heavy fumes of semi trucks trickling in between passenger vehicles. You felt the wind chilling the back of your neck, sending a shiver down your spine.
“Something bad,” you replied grimly.
Peter stared at you incredulously, brow furrowed, waiting for further explanation. The humor was beginning to evaporate from his mood, a heavy tension settling in between you. No further explanation followed.
“Okay,” he declared, more firmly now. “We’re done here.”
That caught your attention. He reached for you and you flinched back. “No, wait, we can’t leave!”
“Honestly, this has gone on far enough,” Peter replied with a serious tone, his mocha eyes filled with concern. “You start talking about time loops at breakfast and then you throw muffins at me and ghost me for hours, you won’t answer any of my questions, you can’t just lay shit out like that and not explain yourself—”
“We have to get inside that building.”
“Why?!” he snapped, temper flaring. You knew his frustration was branching from his anxiety, and you had to find a way to diffuse it.
“Something inside that building is affecting your abilities!” you whispered harshly. You were also losing control. “Why don’t you want to find out what it is?”
A deep crease formed in his brow, stubbornness feeding indignation. “Tell me why. Why can’t we just go home right now? Tell me the truth!”
You pulled your eyes away, dropping them to the ground. “We can’t go home, Peter,” you firmly stated, and it sounds like you’re admonishing a child.
“Tell me why right now, or I throw you over my shoulder—”
“Because I never make it back home alive!” you blurted out.
He blinks at you. Eyes narrow. Observes you. Brow furrows. Head tilts. Pupils go wide. Face pales. Heart rate increases. 
“What do yo—” the words trickle off, shrinking away as they leave his mouth. With them, they take the air from his lungs. His shoulders tense. “What does that— what are you talkin’ about? What’re you sayin’?” On reflex, he grasps at your arms. His face searches yours, betrayed.
You reach out for him, gripping his shoulders. It begins to ground him, but doesn’t release the building pressure. You steady yourself. Meet him in his own time.
“Peter, listen,” you softly cooed, “it’s okay. Everything is going to be okay.” 
He exhaled a breath he wasn’t aware he was holding. His eyes looked like he was torn between the urge to argue, and the need to hold you. 
He swallowed hard, his fingers finding yours, gripping your hands like he used to hold his stuffed animals. “I don’t under—”
“What I’m about to say is going to freak you out, but we need to be on the same page about this,” you slowly explained. “Every day for the last... I don’t know how many... several-thousand Tuesdays... I wake up. And it’s Tuesday. And then, somehow, it ends with me dying. And then I wake up—and it’s Tuesday again.”
He stares. Eyes glazing black.
“Stay with me, Pete,” you pleaded, your hands cupping his cheeks. “I think whatever is causing this to happen is connected to something in that building.”
“No,” Peter said. Darkness enveloped his voice. “You’re not gonna die. Don’t say that.” He shook his head. An unsettling firmness crept into his tone.
“I have this feeling,” you explained, “that it’s all connected. The time loop. Your abilities not working right. The dying—”
“You’re not gonna die,” he asserted, with even more resolve.
You pursed your lips, falling silent. For a moment, you let yourself drown in the dark pools of his gaze. They’re like thick, dark storm clouds. Heavy blackness crackling with bolts of lightning. You read his face carefully, choosing your words delicately.
“I believe you,” you answered, finally. It was the truth. He studied your reaction too, and tension released from his shoulders slightly. “But we have to get into that building.”
He nodded once, swallowing back his anxiety, then took you by the shoulders. “But you’re not going in there. You’re staying put.”
You rolled your eyes. “Peter, we don’t have time for this!”
He shook his head, jaw firmly set. “I’m not doing this again.” He wasn't talking about last Tuesday.
“I am not Gwen,” your voice bellowed.
He went silent at her name, still dumbstruck by shame and grief. It was like you slapped him. He dropped his eyes to his feet, sorrow building steadily.
You softened your expression and your tone. “You aren’t the ‘you’ from then, either.”
The sharp, smooth line of his jaw quivered for just a moment, and you brushed your fingers along the freckles there. His lashes fluttered closed at the gesture. 
“I know that you’re afraid of what you’ll lose,” you whispered, featherlike. Like telling a secret. “I know you think it’ll break you. But I’ve seen the best and the worst of you, Peter Parker.” 
He looked up at you, and the utter endearment on your face was enough to take his breath away. It brought tears to his eyes. 
“I believe in you,” you stated. As certain as the sky is blue. “Every day. Forever. Even if you don’t believe in yourself. So please. Believe in me.”
Peter grimaced, fear piercing his chest. He pushed it down. He nodded. “Always.”
You held his gaze lovingly. Despite your predicament, you strangely wished you could freeze the moment.
“Okay,” you smirked, eyes bright. “Let’s do this. Remember, there’s no fate but what we make, right?”
You moved to stand, but he reached out and grabbed you. “Wait.” You glanced back at him, catching the puzzled look on his face. “When did you see Terminator?”
You quirked a brow, teasingly mysterious in your reply. “I’m a sci-fi nerd, now. What about it?”
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11:14 PM
After careful effort, and more minutes than you wanted to lose, you made it inside to find your suspicions were correct. 
You were standing inside of a control room next to two knocked out, webbed-up security guards. You closely studied a vast array of CCTV monitors above you. Your boyfriend was hunched over a screen, listening intently to the conversations of plant workers—some of which he’d recognized as former science division employees of Oscorp. You recognized some of them too, from Alchemax. And Horizon Labs. And Roxxon.
“Okay,” you asked, glancing warily at the time. “Do we have any idea why these guys are all in this building? Was there a mad scientist convention or something?”
“Is it weird that I’m low-key, kinda offended that I didn’t even get an invite?” Peter grumbled, shaking his masked head bitterly. “Am I weird for thinking that? Is that bad?”
You gave him an incredulous glare. “I’m sure it’s in your spam folder.”
“It’s fine,” Peter flatly declared. It wasn’t fine. 
He uncrossed his arms to lean his weight on his palms, staring at one of the screens intently. “Here,” he noted, calling your attention to a computer screen visible on the security camera. “These are plans. They’re building something. We need to find out what.”
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11:22 PM
Deeper inside the facility, you hid behind the door of a windowless office. Your palms were clammy, and sweat poured out of you. It wasn’t just the tension. It was the heat. A massive source of energy, Peter had explained, from some part of the building.
A bespectacled, bird-like, middle-aged man wearing a lab coat entered the office. You slammed the door behind him. Startled, he turned around and spotted you, a mix of confusion and growing alarm. He opened his mouth to yell just as two red gloves reached down around his head and clamped his jaw shut. 
You looked up at Spider-Man, dropping from his hiding place on the ceiling, as he muffled the screams of the captive. The scientist flailed uselessly in Peter’s arms, overcome with panic. You shuddered as you noted Spider-Man’s grip was little a rougher than normal.
“Spidey,” you soft admonished. He looked up at you and spotted the timid anxiety in your eyes. He took the hint.
Peter turned the captive scientist around and sat him down in his own desk chair. With a couple of webs he was bound to the fake leather padding. 
The man gaped up through wire-rimmed glasses at Spider-Man’s towering frame, his eyes wide with terror. Without being prompted, you reached into the pockets of the lab coat, snatching his ID badge off its lanyard. You pocketed several keys, metal and magnetic. You flipped through his wallet for clues.
Spider-Man kicked his leg up on the seat of the captive’s chair, leaning on his own thigh crassly. “Hey, buddy!” the vigilante greeted with a bright, cheery smile as you searched him. 
You glanced at the name on the scientist’s ID badge. “Joseph,” you supplied.
“Hey, Joe!” Spider-Man corrected. Despite the chipper tone, the muscles in his neck were pulled taught. He looked like a dog about to snap. “Whatcha buildin’ under here?”
Your boyfriend released the scientist’s mouth. His wild eyes darted anxiously between the two of you. ‘Joe’ attempted to calm himself down, stuttering as he sought out what’s left of his courage.
“Do you have any idea where you are?” he spat ferociously. “You two are screwed! You’re not getting outta here. You’re in way over your heads! I’m not telling you anything! You can’t make me talk—”
A web slapped over Joe’s mouth, gagging him. You shot your boyfriend an impatient glare. “We don’t have time for this,” you warned him.
Spider-Man kept his attention on his captive, shrugging his shoulders. “You heard the lady,” he said, almost apologetically. Peter dropped his foot from the chair and sidled up to the man, gripping his hair and yanking his head back. You flinched as you watched him brandish a blade and swipe at the webbing across the man’s mouth with cobra-like quickness. He sliced an opening in the gag, allowing his captive to breathe.
“Since we’re a little short on time, we’re gonna cut to the chase, yeah?” he explained, his pleasant-sounding demeanor coming short of masking the malice in his tone. “I’m Spider-Man. You’re a bad guy. And you caught me on a really weird day. So instead of hanging you by your ankles off the edge of a high-rise, or tossing you off the Statue of Liberty, or webbing you up over Fifth Avenue in nothin’ but your tighty-whities, I’m gonna fast-forward.” 
The vigilante tilted his head down until he was directly in front of Joe’s face, lowering his voice to a serpent’s hiss. “You’re going to tell me what you’re building here, or I’ll end you. Simple as that.”
You flicked your eyes to Spider-Man, shifting your weight between your feet. You squeezed your eyes closed, pushing images of Peter’s rage from your anxious thoughts. 
“Keep in mind, I can hear your heart beat,” your boyfriend sneered, looming over his captive. “I can tell what it sounds like if you’re lying. I can hear my own heart, too. Wanna know what it sounds like right now?”  
The scientist stared back blankly as beads of sweat trickled down his forehead, eyes as wide as saucers. 
Spider-Man tilted his head, lowering the opaque lenses of his mask closer. “Murder.”
The single word hung in the air like the toll of a bell, or the echoing crack of thunder. Thick black toxic smoke that threatened to choke them. Your stomach twisted, recognizing that his teasing savagery was more than simple posturing. You’d seen him like this before. You had experience in keeping an eye on the pressure gauge.
You glanced at the clock on Joe’s desk. 
11:24 PM
“Please,” you blurted out, unsure to whom you were speaking. Maybe to anyone who would listen.
“Here it is,” Spider-Man declared. “The one and only time I’m gonna ask. What supervillain’s new gadget are you building here?”
The quivering man stared at him, dumbstruck, slowly turning so white he’d eventually camouflage into the walls. “You-you got this all wrong...” he stuttered.
“How so?” Spider-Man didn’t miss a beat. “Details, Joe.”
“...Claire?”
Your surprised tone snapped both men's attention back to you. You stood at the scientist’s desk, eyes fixed on a photo frame. You picked it up, gazing down at the faces in shock.
Joe’s demeanor changed instantly. Any sense of bravado he had evaporated. “That’s my daughter’s name,” he gulped, pulse thumping in his throat. “How-how do you know my daughter’s name?”
You stared down at the photo of your beautiful Grim Reaper, flanked by a woman you had come to recognize as her mother and the man currently webbed to a chair. The photo was taken on a bright sunny day, Yankee Stadium in the background. Claire looked much younger than she did now, as did both of her parents. Not just younger—brighter. More hopeful. More alive. 
Your mouth hung open as you glanced up at the captive. “Joseph Rivers? You’re Claire’s father?”
Dr. Rivers looked up at Spider-Man, his face going pale. “Please,” he whispered, his voice breaking. “She doesn’t ha-have anything to-to do with this mess. Leave her out of this. I beg you.”
Peter met your eyes, and although you couldn’t see his face, you knew he was confused. You didn’t tell him about Claire today, or any of the times she’d tried to kill herself.
Your gaze dropped down to Dr. Rivers. “Do you have any idea what your daughter’s been doing today?”
He looked perplexed. “I... I—” 
“Do you know she tried to commit suicide?” you snapped, marching up to his chair. He flinched at the information, a lightning bolt shooting to his heart. You crossed your arms, glaring down at him indignantly. “And where were you?” 
You know it’s judgmental. You know it’s unfair. But this was Claire. And Tuesday had given you enough insight into her life to feel like defensive, after everything.
“I—” Rivers was still opening and closing his mouth like a fish. “I don’t... They don’t let us have our phones—I mean, I-I knew she had troubles before...” His throat tightened, chest constricting, “Is-is she okay?” He looked heartbroken. Terrified. You saw Peter’s shoulders slump, head turning away.
You watched Rivers through narrowed lids, but you couldn’t deny the agony in his question. The fear in his face. “For now,” you answered. “Because I saved her. But she needs real help.” You leveled your gaze. “And so do we, Mr. Rivers.”
Rivers looked back up at Spider-Man, still observing the side of his mask. The masked vigilante was unable to meet his gaze. He looked over at you again, reading your resolve. His eyes dropped to the photo frame in your hands, his chin clenching. Eyes also filled with shame.
“It’s a weapon,” Rivers declared. “They tell us it’s not, but I’m not stupid. We all know what it is.”
“What kind of weapon?” Peter asked, facing him again.
“You ever heard of Havana Sickness?” Rivers asked him. “Well, that was version one.” 
Your eyes ping-ponged between the two scientists. “Can somebody translate?”
Peter explained, his gaze fixed on Rivers, as he provided you context. “Few years ago a group of diplomats started getting sick in Havana. Nausea, dizziness, ringing in the ears—all the way up to sudden, unexplained pain and trouble with cognition. Nobody ever found out what caused it. Some people think it was all in their heads, others think it was some kind of staged attack.”
“A directed energy weapon,” Rivers revealed, his voice grave. “And now it’s been perfected. This one is far more advanced than anything that’s ever been built. Electromagnetic waves charged by plasma. Its power is unprecedented.”
“Sounds rad,” Peter snipped flatly. “Probably worth a pretty penny to the highest bidder. Speaking of which. Whose bankrolling this, Joey? Is it Fisk? Is it the Osbournes?”
Rivers let out a bitter laugh. “You’re joking, right?” He stared at you incredulously. “You think you’re dealing with some greasy, mob boss? Some corporate shenanigans?” 
You and Peter glanced at each other. 
“Look around you, kids!” Rivers spat. “We’re in a secret underground base underneath the Hudson River, for godssake. This whole operation is run by Uncle Sam. It’s the fucking C.I.A., you dimwits.”
You stared at him, stunned and silent. 
Peter threw his arms in the air in exasperation. “I don’t believe it! Seriously?” He spun in a circle, hands landing on his head, then faced Rivers again, jabbing his finger in his face.
“Okay. Number one. Rude," he said, clipped. Just because I wasn’t invited to your little World of Warcraft campaign doesn’t make me an idiot, got that?” Your shot a withering look at the back of your boyfriend’s head.
“Second:” he continued, with a disgusted tone. “Billions of dollars and almost all of the greatest minds in the world and the G-Men are using this—for what—a new toy? What, did Santa not bring you guys enough guns for Christmas?!”
Rivers argued, “Technology like this would make nuclear war obsolete! It could stop any intercontinental ballistic missile—safely—miles above the Earth’s atmosphere.”
“Could also burst the eardrums of some unruly protestors,” Peter criticized with disdain. He crossed his arms, glaring down at the scientist suspiciously. “Destabilize a few unfriendly governments?”
“Burn the tiny hairs off a spider?” You asked, finally interrupting the quarrelling men. Rivers and Peter gave you a look.
You sighed, “This is exciting and all, but I can’t reiterate how much time for this shit I don’t have!” You glared at Rivers impatiently. “Congratulations, Doc. The weapon you’re building also tears a hole in the space-time continuum. Well done. Now would you please just tell us where it is, so we can pull the plug?”
The older man glanced back and forth between you. “You… can’t…?”
“It was a figure of speech, man,” Peter snapped at him. “She doesn’t actually think there’s a power cord—”
“No, what I mean is it’s already been built,” Dr. Rivers explained. “You’re too late. It’s on a truck leaving now.”
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11:41 PM
This is the stupidest thing you’ve ever done. You’re certain of it. 
And it may very well be the last thing you ever do. 
You watch helplessly as the box truck carrying the Weapon of the Future is driven into the tunnel. Your boyfriend (who left you behind to stay put) is attached to the top of it, in an attempt to steal it. 
You think on that again. 
Your boyfriend, Spider-Man, is going to steal one of the most advanced weapons the world has ever known, from the C.I.A.
This is only the second stupidest thing he’s ever done. The top spot was recently awarded when he webbed you to Rivers’ desk and left you behind. For your safety. 
As if you didn’t have your own pocket knife on you, to free yourself from the webbing.
You had run outside just to see the unmarked white truck entering the tunnel. There was no way of catching up to it on foot.
So. Here you are, contemplating the stupidest thing you’ve ever done. 
You see a stationary police cruiser, brake lights on, engine running. Waiting in line to enter the tunnel. You recognize the single occupant in the front seat. 
“Y’know, Cage,” you declare as you saunter up to the open drivers’ side window, “you really gotta stop working doubles.” The rookie officer flinched at the sound of your voice, turning towards you in utter confusion. “Just because your wife threw you out doesn’t mean you don’t need sleep.”
He gazed at you, jaw falling open, white as a ghost. 
You reached forward and gripped the back of his head, slamming his nose into his own steering wheel. 
He hissed in pain as you opened the drivers’ side door and reached down towards his belt. You unclipped his service arm pistol, pointing it at him. Like you’d done it 1,000 times before. 
Officer Cage froze in horror, staring up at the barrel of his own gun, stunned at your speed and dexterity. Doing that never failed to give you a rush. 
“Out,” you ordered.
Hands raised, he pulled himself out of his seat and stood awkwardly next to his car. You hopped in the drivers’ seat and flipped the switch to turn on the emergency lights. 
Like you’d done it 1,000 times before. 
Perplexed, Officer Cage watched you incredulously, as you leaned out of the window and tossed his weapon back at him. 
The second it landed in his hands, he’d accidentally pulled the trigger. But no bullet was fired.
“I emptied it,” you explained. 
He looked at you like you were a witch. 
“Maybe spend some more time on the range first?” you offered gently, shifting the car into gear. “And maybe in some therapy, too?” You stepped on the gas pedal, leaving him in the dust. 
You swerved, driving around the heavy congestion of vehicles, entering the tunnel. Sirens wailing.
11:43 PM
Peter held on tightly to the roof of the cargo hold as the truck drove around the traffic, allowed by the tunnel construction crew to pass. He honestly started to wonder if the tunnel was really under construction at all, or if it was all some elaborate hoax.
Maybe you were right, he thought. Maybe everything is connected and therefore nothing is nothing and we’re all pawns living in some sort of simulated plan.
“God, I really need to touch some grass,” he groaned through gritted teeth, as he ducked his head beneath the overhanging signs of the tunnel. 
11:44 PM
You saw the truck ahead of you. You toggled the police car’s sirens, switching it to a piercer effect. 
The short bursting yelps must have caught the driver’s attention, because you saw brake lights flash. Then, they turned off as the truck sped up. Your stomach sank.
“No, no...” 
You could see the lanky limbs of your boyfriend flail as he struggled to get a better grip on the roof of the vehicle. You sighed, biting your lip with trepidation. The device wasn’t even on and already he was becoming less sticky. The truck dashed on, weaving around vehicles, disappearing from sight. You stepped on the gas and tried to catch up.
What you could not see, what Peter could not see, and—tragically— what the truck driver could not see, was the debris in the road. 
A six-inch steel ratchet that had fallen off of one of the construction trucks.
For any speeding vehicle, running over it would’ve resulted in a missing hubcap and a bent rim.
For a 26-foot box truck weighing 15 tons, traveling at 67 miles per hour through a crowded construction zone, the result was catastrophic. 
You watched, wide-eyed, as the truck jolted in front of you. 
It was simple math. 
Peter was knocked loose as the vehicle swerved like a serpentine from left to right, side-swiping vehicles on both sides. 
Every variable locked firmly in place.
Spider-Man was thrown into the hood of a stalled vehicle. You screamed as you watched his body crush the windshield. You slammed on the brakes. 
The unchanging constant. The outcome was inevitable.
Everything else that followed was like a choreographed dance.
A symphony written by fate. Every note falling into place, crescendoing to a deafening disaster.
The truck swerves. Pitches. Thrown off balance.
Road construction workers turn and shout. 
Another truck is stopped in the path. The cargo filled with flammable gasses.
There’s a collision.
A spark. A bright light.
A shockwave.
11:47 PM
Outside the tunnel, Officer Cage pauses from his frantic shouts into his radio. He turns and sees a bright light shooting out of the entrance. The shockwave that follows jolts cars, bursts glass, sets off alarms, and moves the Earth beneath his feet. 
The clockface of the Holland Tunnel ventilation tower is jarred, the hands jerking loose. The arms drop.
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The time now says it’s 1:21. But it's wrong. Everything about this is so wrong.
There is no time left.
Cage turns pale as the tunnel entrance crumbles like a sandcastle, sealing all the vehicles inside. 
Another burst of light erupts. This one from the middle of the river.
11:47 PM
You’re gripping the steering wheel, and then you’re upside down, slamming into the roof. You taste blood and glass and metal.
Everything is white. You reach up to shield your eyes, but you can’t.
The light is blinding, shooting through your flesh like an x-ray. You can see right through your hands, observing every bone, vein, and capillary. 
Then.
Darkness.
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“It was the HEAT of the MOMENT...”
No.
“...Tellin’ me.  what.  my. HEART meant...”
No, no, no, I need more time!
“...The HEEEAT of the MOMENT…
Showed in your EYEEEES…”
Your eyes pop open as you are viciously ripped away from the darkness. They burn instantly from the smoke.
Your senses are assaulted by the smell of blood and gasoline and salt water. Screams and sirens invade your ears.
“It was the HEAT of the MOMENT...”
Your bleary eyes struggle to adjust to the shadows, dark shapes taking form. You see an orange flickering glow. Punctuated with flashes of red and blue. Flames. Voices call out. Echoing. Steady horn blasts. Car alarms shrieking. The shrill cacophony of dozens of personal safety alarms—PASS devices, as Tuesday had taught you—magnify as they bounce off the concrete. 
There’s a roaring sound, too. Like a train passing. 
A sheet of crushed glass blocks your view. It looks like ice and snow, like you could reach out and wipe it off the windshield. 
You remember that you’re in the police car. 
You’re on your chest. You know your ribs are broken. You’re used to the pain.
“Tellin’ me.  what.  my. HEART meant...”
Peter. You have to find Peter.
“The HEEEAT of the MOMENT…
Showed in your EYEEEES…”
You hate this fucking song.
You push yourself up, crawling over the inverted dashboard, pulling yourself along with bloody fingers. You kick the shattered windshield out, feeling the sharp heat of crushed glass cutting into your leg. It’s no matter. If you have air left in your lungs, you have to find Peter.
When you crawl out, you’re drenched in freezing water. Your feet slosh in it as it crawls up your ankles. You take a shaky breath, and immediately sputter. Your ribs are definitely broken. And the air burns your lungs when you breathe.
You look up, trying to get your bearings. Look around. 
This is the worst, you think. This is the absolute worst. 
But no one will ever have to take your word for it, you realize. 
History will be more telling.
Around you, it’s pandemonium. 
The lights in the tunnel have gone out, save for headlamps and flashing lights of work vehicles. The red and blue police lights from your overturned cruiser are among them. And there’s fire, all around you, at both ends of the tunnel. Pockets of blackness in between the bonfires. 
It reminds you of war. Of war movies depicting the aftermath of the Blitz. Of grainy film footage of napalm swallowing a landscape, like somebody took the Sun and poured it out on a jungle.
The smell is awful and it makes you want to gag. Burnt rubber. Burnt hair. 
Dozens of cars and trucks, some of them crumpled like empty soda cans, all of them burning thick pillars of black smoke. The smoke looms across the tunnel ceiling. You can’t even see the ceiling tiles. Above you, there’s a boiling sky of black clouds. 
You hear the chorus of shouts. Shrill shrieks reverberating off the cement and tile. It sounds like people are being tortured. Like giant Grizzly bears must be ripping people apart. Disembodied voices screech for help, for God, for missing loved ones. You think you can hear an infant crying. Selfishly, you just want them to be quiet.
In the distance, the deep rumbling roar continues, like standing next to a jet engine. You also hear the echo of a synthesized keyboard riff, the wailing of an electric guitar. Asia rings out over the tinny squawk of car speakers from a battered minivan nearby. 
Because of course it fucking would be.
Massive chunks of concrete and twisted steel litter the broken asphalt. The whole roadway is flooded. A steady icy current claws at your calves, threatening to push you off balance. 
Immediately, you hear shrieks at your left, louder than the ones in the distance. You spot the figure of a man who has just woken up from the blast. 
Awful timing on his part. 
He’s engulfed in flames, burning alive. His lower half is pinned beneath an SUV. He looks like the squirming wick of a candle. The screams tear at your soul. You yank your eyes away. Your first instinct is to look for a rock to put him out of his misery. He’d thank you for it. 
Another sound jars you, the crumbling collapse of a wall nearby. You hear several sharp pops. You struggle to see through the dark. Melted bodies clad in safety orange glow clothing are right beside you. The water crests over them.
You look up towards the popping noises. Ceiling tiles, you realize. Water shoots into the tunnel under the immense pressure.
You squint beyond the dark, your eyes stinging from the acid clouds. Through the smoke and shadow you can see a wall. It’s moving. Your heart nearly seizes as you connect it to the roaring sound. 
It’s the sound of the Hudson River, pouring into the tunnel, waves crashing into the new underground cavern.
“Peter!” you shriek. Eyes darting around, remembering that you saw him fall. You turn around towards the opposite end of the tunnel. There’s nothing but rock and ash and burning metal behind you. And more screams, echoing in the dark. 
The tunnel must have collapsed, you realize. You wonder how many cars were buried beneath the rubble. Could be hundreds.
Your heart slams in your chest. You wonder if Peter is buried among them.
“Peter?” you scream, more panicked. 
Your voice cracks, and you know you’re not hoarse yet. You know it’s the carbon monoxide, the formaldehyde, the cyanide—the fatal cocktail of poison billowing around you. You can taste it in the air. You have minutes maybe.
It’s getting harder to see. You don’t want the darkness. The hellish chorus bouncing off of the cave of the tunnel. You’re struggling to hear his voice. You don’t want the quiet. 
You hear your name. Like a ray of sunshine.
You hear it again. Your boyfriend’s voice rings out.
“Peter!” you call out to him. 
In the shadows, a lanky figure stumbles out. You can barely make out the red-and-blue of his suit. His mask is off, he clutches the remnants of it in his bloody fist. It looks like he’s been dragged underneath a vehicle. The space shuttle, maybe.
He limps, his suit filthy and torn. A mix of sweat, blood, and soot coat his face and hair. 
But you can see his eyes. Black holes ripping galaxies apart. You feel a rush of relief as you wade through the water towards him.
“Peter!” you sob, unaware of when you started crying.
He spots you, and he might as well have dropped to his knees with tearful praise. “Thank god,” he gasps. He darts to you, sloshing through the water with his limp. As soon as he reaches you, he grabs ahold of you like he’s never going to let you go. You don’t want him to. 
His hands expand around the sides of your face like blinders, blocking out horrors that he didn’t want you to see. “You’re bleeding,” he exclaims, studying you carefully.
Blood streaks down the right of your face from a gash at your hairline. It’s not as bad as it looks, but now you’re aware of the pain. You don’t mind it too much. You’re mystified by his freckles. Your thumbs idly come up to wipe away the mud on them, wiping away some of his tears as well.
“Bug, look at me, are you okay?” Peter pleads. He’s still searching your face, unaware of how bad the damage is. 
The terror in his throat snaps you from your daze. You nod, salty tears stinging your wounds, as you bury your face in his chest. Your voice shakes. “I thought you were gone—”
He pulls you upright, his hands planted on the sides of your head as he steadies you. “I’m here,” Peter declares. It’s a promise. “I’m gonna get you outta here, alright?”
Your eyes widen, remembering the futility of your situation. You glance around, sparing another look to the chaos around you. 
Peter lets go of your cheeks to grip one of your coat sleeves. With a yank, he rips the fabric of the arm at the seam, clean from the shoulder. You watch in a haze, as he rolls the torn sleeve off of your arm, dipping it in the water below.
“Put this to your mouth!” he instructs, handing you the wet fabric. He has to shout over the roar of the water. “It’ll help with the smoke. We’re downwind right now. We gotta get below the flames.”
You know that’s a gross oversimplification of your current predicament. And you want to protest, because what about his lungs? But you follow his orders.
You glance from left to right, as does he. It’s pitch blackness away from the fire and water. You’re pinned between rock and river.
He holds your hand, tight enough to hurt. The shouting has begun to diminish now, which brings you no relief. You realize you can’t hear the baby anymore. You can't stop crying. You wonder what Peter must be feeling, and hope that his senses are still dampened. 
“C’mon,” he pulls you closer to the water side. That way leads further underground, but you understand the physics of it. Smoke rises, and the tunnel is acting like a chimney. Choosing to instinctively go back the way you came, to try to dig through the mass of rubble closer to the exit, would mean death by asphyxiation in less than two minutes.
You sludge through the frigid water. It’s waist-deep now, swirling around you. The further you descend the higher it gets. Peter grips you tight. It’s the only thing that keeps you from losing your mind. 
“Please help! Somebody help!”
You freeze in your steps and need your whole weight to keep Peter from pulling you along. You search frantically, recognizing that voice.
“Please, somebody help! I’m stuck!”
You see a crumpled taxi tossed on its side, teetering dangerously on a pile of rubble. Water bubbles up around the cab. Chewed fingernails with chipped polish reach out through a small gap, waving frantically. 
“Claire,” you breathe, stunned. You watch with wide eyes as the woman you saved earlier that Tuesday flails, trapped in the crushed taxi. The steel cages her in. Black water steadily creeps up around her. “Claire!”
“Help, please, I can’t move! I can’t—!” You hear coughing, gargling. 
“Peter, she’s stuck!” You point, and look up at him. The look on his face breaks your heart. He’s overwhelmed. He’s terrified. He looks at you, looks at the cab. He’s being torn apart inside. You’re asking him for too much. 
You pull away, “C’mon, help me!” Reluctantly, he moves with you, releasing your hand. He moves faster than you through the water, standing taller in the depths.
You reach the taxi as Claire’s screams become more panicked. The car is beneath boulders of concrete. You attempt to climb up on the cab. 
“Stay back!” Peter tells you. “This whole thing’s unstable!” The water is swarming, rising. Boiling, frigid, black death threatening to swallow the cab up. 
“Please, please, please,” Claire is babbling. You can barely see her bloodied face between the bars of her cage. “I-I can’t move my legs, please… I can’t—”
Peter works quickly above you to clear the rubble. “Hey, it’s me!” You tell her, your voice bright and placating. “Remember me? It’s okay. We’re here. Spider-Man’s here and we’re gonna get you out—“
Claire’s voice is weak, she’s barely able to speak between giant gasps of air. “Please, don’t—donwanna die… don’t wanna die, please I don’t want—”
You grip her hand tightly in yours. Tears sting your eyes. “Peter!”
“I’m goin’ I’m goin’!” He’s using his whole body to lift and loosen the rubble from the taxi.
The ground beneath you quakes. A rumble. Suddenly, you drop. You fall backwards to the water as the mound that the taxi is teetering on collapses. The taxi drops beneath the waterline. 
A web snatches your shoulder, keeping you above water, though the vacuum of air caused by the displacement threatens to drag you under. Peter plucks you from the water, suspending you by the web. 
“Be right back,” he huffs, like it’s nothing. He dives back in after the submerged taxi. 
You watch him disappear into the blackness, and can’t help but feel overwhelming horror at being left alone. It makes you feel ashamed. After the longest few seconds of your life, he reemerges. A body with sopping corn silk hair flops over his shoulder. 
He climbs back up to you and you drop from the web onto the hood of a floating car. The space between you and the ceiling is dramatically lower. You’re barely able to see him through the smoke. He hoists Claire up and lays her on the floating car, and you crawl towards her, putting your face to hers.
Her eyes are wide. Still. You have to be inches from her face to be able to see her terror-stricken look. 
“She’s gone,” Peter tells you, his heart breaking a little more as he says it.
You’re leaning over her dead body, seeing her bluish face for the 10,000th time. And you’re shrieking her name. Sobs wracking your body. The whole tunnel vibrates with your howls.
And that song. The notes melting away. The chorus drowns as its pulled under the river.
“C’mon, we gotta go!” Peter pleads. He grabs you by the arm. It’s not a request. He’s getting you out of there. Somehow. “We gotta climb—”
A horrible groan roars above you. You look up to see a piece of the ceiling moving downwards. It’s hurtling towards you, like a giant asteroid. Your extinction is imminent.
Peter pushes you out of the way.
You plunge back into the water, and it feels like a thousand needles pricking your skin. You open your eyes, which was a mistake, because you’re nearly blinded by the chemicals and salt water. You kick for your life. Your shoes feel like bricks, but you kick until you break the surface.
You gasp and choke and sputter. “Peter!” You gag and cough. “Peter!”
You open your eyes and you're still in Hell. Only blurrier. Darker. So quiet. No more babies. No more anyone.
You hear your name again. His voice chirps out. You look up and see the devil in question. The sight of him reels you in like a gravitational pull. You crawl over broken glass and rock and metal until you’re beside him.
Despite being half dead, your heart flutters at the sight of him—a glowing freckled face. Sparkling amber eyes. Messy crown of brunette hair, sopping wet with saltwater, motor oil, and blood.
He looks at you from the side, deliriously dazed and huffing with exhaustion.
Once he sees your face, he grins wide. Soft. Reminds you of the bright warmth of your bedsheets.
“Sunflower…” he breaths. He sounds dreamy. He sounds exhausted. His smile dims. “You’re bleeding...”
“I’m okay,” you sputter and cough, trembling from the cold and adrenaline. You're higher up now, near the ceiling of the tunnel. You can feel the water creeping up your back. Your eyes scan his face, attempting to see his freckles through the building smoke. You wrap your hands around his face just to know he’s there. “I’m okay, I’m okay... We have to get out of here, baby—Are you okay?”
“I’m good,” he nods, but he isn’t moving fast enough. He looks so tired. “Need— n-need explos...ves.” He shutters, the cold piercing him. “C-cop car. Look—look in the trunk. Needa... explosion. Flash grenade. R-road flares...” He grimaces sharply. You can’t take your eyes off the softness of his lips. “Ch-check f-for pressurized can-canister—”
“I don’t understand what you’re saying—”
“Need to create an explosion... at the ho-hole, wh-where the water... C-create a vacuum—”
“There’s nothing, Peter, there’s no cop car, it’s underwater—”
“You need to go,” he states, and you fall silent. You stare at his lips. Blood tints them. You shake your head. Pull at his arms.
Your whole body shakes. Your eyes are hard. “We don’t have time, Pete. We have to get out—c’mon, we have to go—”
Your icy fingers grip at the warmth beneath his chest. They tug at him frantically. You mean to pull him up with just your thumbs if you have to.
“Bug,” he blinks at you. Tears fill in his eyes. 
Your hands are warm. Burning hot. You look down. And that’s when you see the spear lodged in his side. A half-inch wide black, twisted piece of rebar piercing his chest. Your mouth falls open at the sight. It’s needled through his ribcage, piercing the back, slicing through his lung in a way that you can physically feel. Phantom pain from past experience. 
Peter Parker’s blood coats your palms. You can’t handle this pain. It’s too much.
You look down at him, head shaking furiously. He silently mouths your name, a hopeless apology. You don’t even know what he’s apologizing for.
“You ha-have to...go,” he chokes out. There’s more blood spilling from his lips. It’s harder for him to breathe. The water creeps up your shoulders, and threatens to drown you both. He’s going to drown before you, you realize, in his own blood.
“Pl-Please,” he says, voice breaking, “please ge-get out of here. Pl-please g-go.”
You shake your head. You grip his hands like holding onto the edge of a cliff. You hold tight, as if that could keep him with you. As if it could bring you more time.
“Ba-baby, please go... Please just go... Please, pro-promise me... you’ll get out of here...”
He’s fading, you realize, and you want to scream into the void. You want to headbutt the rebar and lodge it through your eye socket. Your chest heaves. You squeeze his hands tightly.
You nod your head. Realize that he doesn’t know what you know. He hasn’t seen what you’ve seen. There’s no way out of the tunnel. There’s no saving you. Either of you.
You nod. And he relaxes. “Just go... without me,” he pleads. His hard to hear him over the roar. You nod silently, tears roll down your face. 
“Mmm—m'sorry... so-so sorry—”
You’re still nodding as he fights to keep his eyes open. You pledge with your gaze. You promise him that you’ll survive. You lie. 
The light is gone. In his eyes, and in the tunnel. His grip loosens in your hold. The water crawls up your chin, and your head hits hard rock. You don’t want to let go. You don’t want to look away.
The water takes him, but you’re still holding onto his hands.
“It should’ve been me,” you cry. To yourself. Alone. In the dark. Underwater. It's the last thing you get to say.
You’re fighting to keep your eyes open, to see through the murky depth. You want to remember every freckle on his face, even as they’re drenched in tears. Darkness settles in anyway.
It’s hard to see how beautiful he is in the dark. 
Your lungs burn. There’s nowhere to go.
It should’ve been you. Not Peter. 
Every cell in your body screams at you, telling you it should’ve been you. You open your mouth to scream back. A heart-wrenching yowl. Water fills your mouth and your lungs.
You want to wake up. You want to go home. You want to go back. You want anything but this. 
Why aren't you waking up?
Elsewhere, above the Hudson.
A clock turns.
11:59...
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TUESDAY, 7:00am
Your eyes popped open as you were viciously ripped away from the darkness. Music invaded your ears, your senses assaulted by a toe-tapping tune.
“It was the HEAT of the MOMENT
Tellin’ me.  what.  my. HEART meant
The HEEEAT of the MOMENT…
Showed in your EYEEEES…”
You opened your mouth wide and let the air fill your lungs. You can still feel the heat. You can smell the water. You gaze up at the stark white of your ceiling as giant tears flood your vision.
Tuesday.
Tuesday again.
You laid there. Shook with an odd mix of horror and relief. It was like waking from the most vivid nightmare of your life. Visions and sounds latched onto you like leeches. You cried silently like a child, cradled by your soft pillows and bedding. The only thing that keeps you from screaming out hysterically is the grounding feeling that comes with faith. Unquestionable. Undeniable.
You will die today.
It’s gospel. Inevitable. You’re supposed to die today. Not just you, you know now, through divine revelation. So many others. 
Regardless of how you meet your fate, nothing will prevent that horrific weapon from leaving that facility. The truck will drive into the tunnel. It will hit that debris. It will crash. And everyone in the tunnel will die.
Including Peter.
That is how the day ends, should you be alive to see it. That’s how his life ends. 
“Mornin’, Sunflower!” a pleasant voice rang out from your en suite bathroom. A moment later, Peter Parker’s head poked around the corner. His expression serenely naive of your gory last moments. 
Your heart shattered at the sight of him—a glowing freckled face, his sparkling amber eyes, a beautifully mischievous smile, and a messy crown of brunette hair. 
The memory of his dead face sliced through you. 
You looked away, grimacing. Sat up in bed, tears welling in your eyes.
You know what’s going to happen and you know what you have to do. No matter how painful. 
Today is the last day of the end of your life. 
“Babe?” he questioned, appraising you with a fading smile. He sensed your distress. He could smell your tears. “What’s the matter? You okay?” 
You stared at the blankets for a long while, your weight leaning back on the heels of your palms. You remained still, contemplative. The silence goes on longer than he is comfortable with.
You turned your face toward him, eyes sorrowful. 
“I’m breaking up with you, Peter.” 
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It was quiet at the top of the Empire State Building. That’s why it was his favorite spot. Hair slicked with sweat, cheeks damp with salty streams of tears. Tragically, only sort of drunk. Peter’s mask was discarded beside him, next to an empty 3-liter bottle of McCormack’s. 
He took a swig from an identical bottle, nearly empty as well. Sourness set heavily on his tongue and it made him even more bitter. He couldn’t even afford the good stuff.
Fucking loser.
He swallowed down the acid water with disdain and self-contempt.
In his other hand, he toyed with the velvet box he kept hidden in his bedside drawer. Today, of all days. 
He was past the shock. Past the denial. Past bargaining. Somewhere between anger and depression. Actually, he was a mix of all of the emotions. 
You’d killed him. Crushed him. Murdered him in less than 100 words. A shot straight to the heart, without batting an eye. You were the deadliest assassin he’d ever known. You were savage, the cruelest villain he’d ever faced. 
You were his everything. He was the problem. 
That’s what you’d told him, swinging the axe down and cutting your ties. He was always gone. He was always late. He was always Peter Parker. 
Peter Parker would always be Spider-Man. 
And that was the nail in the coffin. That was reason enough. The killing blow.
As stunned as he was, he was almost… relieved. He knew this day would come. He knew you were too good for him, too good to be true, and this was a natural progression of that.
He always knew would lose you. He was grateful that at least he wasn’t standing over your grave this time. 
He didn’t know how long he’d been crying. He wasn’t sure what time it was. Time was meaningless.
The buzz of his phone was the first thing that broke him from his pity party. He flinched as he frantically dug for the advice.
Shamefully, he prayed that you were calling him to tell him you changed your mind. Or your conversation this morning was part of an elaborate hoax. The world’s greatest ‘punking.’ Ashton Kutcher springs out of nowhere. He’d happily laugh it off. He’d chuckle like a fool and rush home to scoop you up in his arms. Sick burns and all.
Fingers fumbling, he accepted the call and slapped the phone to the side of his face.
The whimper of his voice was pathetic. Truly. “Bug?” 
Fucking loser.
“Peter?” A middle-aged woman’s voice shattered his hopes.
Confused, he pulled the phone away to look at the screen: KIM MANNERS.
Fuck. Your mom had his number. He knew it was a risk, reaching out behind your back. She’d been calling him all week, adding steadily to the pressure of his upcoming proposal. No wonder she drove you crazy. She’s probably wanting details about when he was going to pop the question. 
Fuckkkk.
“Peter? Are you there?”
He put the phone back to his ear, and briefly considered throwing his phone off of the Empire State Building. 
With a flayed voice, he replied, “Hi, Mrs. Manners.”
“Peter? Where are you? What’s going on?” She sounded like a parrot. A parody of a typical New England voice. “What happened?”
Fuck fuck fuck fuckidity—
“Sorry, Mrs. Manners, I-I was gonna call—”
“Peter,” your mother interrupted with a sultry tone. If he wasn’t such an idiot he’d recognize the cougar purr of her voice, “you know I told you to call me Kim.” 
He squeezed his eyes shut, his head pounding. Not just from the alcohol. “Ugh, yeah—” He tried not to make it sound like a gag reflex, but it crept out anyway. “Yeasshh, I, uh, sorry, I gotta little tied up—”
Ew! Gross, noo, fuckfuckfuck.
“Now’s not a good—”
“Is my daughter with you?” 
FAHHHHHK… She doesn’t know? Of course she wouldn't. She's not subscribed to the 'Watch Peter Parker Get Fucked Again This Week' Newslet—
Ahh! No! Gross! Ew! “Uhm… no, I—”
“Do you know where she is? She’s not answering her phone.” 
“I… I-I don’t think she wants to talk right now—”
“I think something weird is going on,” Kim blurted, still oblivious to the fact that Peter had spent the last few hours sobbing on roofs of several New York landmarks.
The concern in her voice pricked the skin on the back of his neck. He stiffened, his spinal column locking in place. Peter shook his head confusedly, “I’m… I’m not sure what you—”
“Peter, listen to me, I know my daughter. I think something is wrong.”
Peter felt faint all of a sudden. “Waddya mean? What’re ya—what’re you sayin’?”
“I think she’s in trouble,” she explained. “She left me a weird message. She can be so moody sometimes. She gets that from her father. I can sense these things, y’know. I’ve always told people I have a sixth sense about this stuff. You know, my grandmother said she could—”
His heart is pounding, threatening to break through his chest. “Wait, wait, wait, what do you mean ‘trouble?’ What message? What did she say exactly?”
Silence on the other end of the line. Peter felt like he was going to vomit.
“She said that she loved me, and she was sorry,” Kim finally said, with an exasperated tone. Equal parts embarrassment and concern. “And that she forgave me.” She said the last part with a growing sense of dread. 
“And she called me ‘Mom.’”
Peter’s mouth hung open, every cell in his body alerting him. Something was wrong. He pulled the phone away from his ear, glancing down. 
He also had a voicemail. From you.
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This was the stupidest thing you’d ever done. But damn was it thrilling. You should’ve been a car thief in another life. 
“Hey, Peter,” your voicemail recorded a few minutes ago said, “I realize it’s probably hard to listen to this message, but it’s important that I say this, so I need you to listen...”
You’d hotwired the box truck carrying the weapon and detoured away from the tunnel. You stepped on the gas pedal, increasing speed steadily. 
Fifteen minutes before, you’d found Dr. Rivers. You told him urgently that his daughter was going to hurt herself, and that you would tell him when and where she could be found, and that information you were going to give freely, because it was the right thing to do. That despite his past absence, his daughter needed him more than ever. They both deserved a second chance. 
Everyone did. And that’s why you needed him to tell you how to destroy the weapon safely.
And he did. 
“I’m sorry that this is how things need to end. It’s not what either of us had planned, but life is like that. This isn’t your fault. You really need to know that. In fact, I have to thank you.” 
Now you were running. Driving a hot wired truck carrying one of the most powerful weapons ever created, stolen from the C.I.A. You pushed the gas pedal all the way to the floor. 
“You’ve taught me the meaning of life, how fragile and precious it is. How important. I want you to know that what you do matters. Even when it feels like it doesn’t.”
You glanced in the rear view mirror, seeing a flurry of red and blue light behind you. Sirens wailing. You smirk. You wonder if Officer Cage is among them.
You switched on the radio.
“It was the HEAT of the MOMENT…”
Your smile widens. You fucking love this song.
“You have no idea how many lives you touch. Including mine.” 
The pier is ahead of you. At the end of it, your watery grave. You were pleased as pie, knowing that at least you were taking this bitch down with you. 
You sang along, “Showed in your eyeeeeeeeeeeees—”
The pedal is on the floor. The truck launches off the end of the pier. Curves in an arch. Collides with the water. The windshield crumples in front of you as the frigid water pours in, surrounding you, submerging the truck, sinking the weapon. 
You feel so alive. Your heart is pounding. Your body is sizzling with energy, even as you’re dragged into the water. 
“Did you know that you have the prettiest fucking smile? I can wake up to that smile 10,000 times, and I wouldn’t trade it for anything. I’m so grateful for every second of it. Even the painful parts.” 
It’s getting dark. It was beautiful today. And now, darkness. Rising steadily. Coming up to cradle you in its arms as you sink further below. This is how it ends. You’re certain.
You look up out the window, enjoying the rays of sunlight poking down from the surface as they get further away. Your chest is burning, like a flaming sword through your heart. Lungs aching. Ribs threatening to implode. The pressure is unbearable. But you don’t mind. You’re used to the pain. 
It’s worth it. Just to say goodbye to the rays of sunlight. To thank them for keeping you warm. For rainbows. Sunsets. Sunflowers and pineapples. For lighting the eyes of the man you love, casting them in a golden hue. 
“Live your life. Be better than you were yesterday. And don’t be too hard on yourself, because you can be better tomorrow. Do good things.” 
Speak of the devil. A figure torpedos through the surf, descending lower. You see him in the murky haze of the water, the familiar red and blue catching your eye. 
Peter’s eyes widen as he recognizes you in the passenger seat. His mask is off. You smile at him. You wave, as water shoves itself down your throat. 
“And don’t worry about me. I think everything is gonna work out.” 
It’s time to go home, you think. Safe and warm. Where your ancestors await you. You’ll see Nana Manners there. You’ll see your old cats there. Your grandparents. Your parents. Maybe you’ll finally get to meet Gwen. Meet Uncle Ben.
Peter will be there too, one day. You’re certain.
“One way or another... I’ll see you later.”
Peter swims up to the window. He’s scared, but he needn’t be. You can still move your arms, even though they’ve gone heavy. You place your hand on the glass.
“Goodbye, for now. I love you. Forever.”
There’s a message written on your palm. You hope he can read it. Hope he sees it. Takes it to heart. Holds it there. Believes in it as you believed in each other. Forever.
Three simple words.
'SEIZE THE DAY'
The light fades from your eyes. 
This is how it ends.
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Or so you’d thought.
Round, mellow notes fill the air. Clean, thick strings, weaving together. Vibrating with warmth. Delicately rising, like steam from a hot spring.
Over the hum of a vintage, six-string, acoustic guitar, peppered with banjo plucks, and the crisp ring of a distant electric hardbody, the gentle crooning of John Denver filled your ears.
“He was born in the summer of his 27th year
Coming home to a place he'd never been before
He left yesterday behind him, 
You might say he was born again
You might say he found a key for every door...”
Your eyelids creaked open, as dim lights swam in your vision. Your eyelashes fluttered. The ceiling foreign. The room cast in shadow. A machine steadily beeps, off-tempo from the music. Your eyelids are heavy. 
Why?
“...When he first came to the mountains his life was far away
On the road and hanging by a song...”
You drew back the curtains of your gaze again, going crosseyed for a moment as they attempted to adjust to the light. You focused on a single, blurry shape, willing it to be still and come into focus. 
You squinted, your head aching. Your chest felt sore. Like you’d worn a vise as a bra. Or spent a day as a shake-weight in a gym for giants.
Your vision sharpened. It’s Peter’s eyes—doe-like, dreamy, warm, and so, so tired—that pulls you from your slumber.
He’s so pretty, you thought, and your lip stung from the grin that stretched your face. He sat in a chair at your bedside, dressed in wrinkled clothes that were a little too worn to be clean.
You blinked a few times and really took in the sight of him. 
Dark circles colored heavy bags under his eyes. He’s even more pale than usual, you noted. His skin looked dry, like all of the moisture had been squeezed from his body. Through his bleary eyes, you assumed, observing how bloodshot they were. 
Peter was worse for wear. 
But he was so damn pretty. 
Your heart ached at the sight of him. And seeing your eyes illuminate had a similar effect on his. Despite looking utterly exhausted, like he’d been awake for a few millenia, his cheeks pinched up and he could no longer hide his teeth behind his lips.
He smirked at you, then glowed as he drank you in.
Despite this, there was a melancholy in his red-rimmed eyes.
You gazed around at your surroundings. A darkened hospital room. You were in a hospital bed. 
You remembered where you’d been and realized you weren’t where you were—the jarring discrepancy confusing and overwhelming you. 
“Hey, hey, hey, shh, you’re okay,” Peter whispered, leaning forward out of the chair. Instinctively, he reached up and brushed a lock of hair from your face. He shifted his body closer to you, scooting in the chair, like he was magnetically charged to gravitate to you. 
“You’re okay,” he cooed. “You’re in the hospital. You’re safe. You’re... you’re gonna be okay.”
You were dead, you recall. 
You were sinking, lungs filled with water, brain shutting down.
You glanced over to see an outdated clock radio plugged in on a table nearby, this one with a 30-pin dock meant for a first-generation iPod. You gaze at the retro white device, recognizing the music.
“...But the string’s already broken and he doesn’t really care
It keeps changing fast and it don't last for long...”
You blinked. Your jaw hung open. Tears pricked your eyes. 
“This song,” you breathed, and probably sounded crazy. You felt giddy. You felt like laughing and crying and screaming at the top of your lungs. “It’s... it’s not Asia...”
“Uhm, no,” Peter replied. He rubbed the back of his neck. “It’s John Denver. Sorry. It’s lame. I, uh, I didn’t get a chance to make a playlist, or anything—”
He swallowed hard, his shoulders tense. He looked away from you—to the wall, to the floor, to the space on the pillow next to your head. His Adam’s apple bobbed in his throat. It looked painful, like a rock is lodged in there.
“Wha-what day is it?” you stuttered, gazing up at him. You’re still trying to decide if you’re dreaming. If this is Heaven.
Peter’s brow quirks suspiciously. “Wednesday,” he replied, and you take pity on the exhaustion in his voice. “You’ve been out for almost 20 hours—”
You laughed. “It’s Wednesday?”
He stared at you, his concern growing. “Y-yeah...?”
You giggled uselessly, relishing in the sensation of hot tears streaking your cheeks. “It’s Wednesday!” Your chuckling grew louder, until your throat trips and you cough. Your lungs feel like paper mache.
“Easy, take it easy,” Peter softly admonished you, as he brushed his hands over your face possessively. He didn’t take them off this time. You don’t want him to. “You need to rest,” he replied. “You... got banged up... pretty bad...”
You gazed at the redness of his eyes, and realized what must have happened. You’re stricken with guilt. “I’m so sorry, Peter,” you muttered, but you couldn’t stop smiling.
He shook head, refusing to make eye contact. “S’okay. You’re okay.”
“No, no—”
“You’re alive,” he bit off, a little more firm than he needed to be. “You’re going to be okay. That’s all that matters.” 
His thumbs rubbed circles into your jaw. You sensed that he was at war with himself, debating between pulling away from you and stapling himself to you. His fingers gripped you with a compulsive anxiety. A phobia that he would be forced to let you go, and this time, lose you forever.
“I’m so sorry I hurt you.” You looked up at him like you were staring through pearly gates. Like you could see souls being formed with the stars. “I didn’t mean it, didn’t mean any of it—”
“It doesn’t matter,” he repeated, but the tears welling in his eyes told you the opposite. “None of that matters,” he stammered, still unable to look at you. 
He felt so far away. You needed him closer. You needed to be wrapped around him, smothering him like a koala. 
You giggled and pulled at his arms, squirming in the hospital bed. The movement made you wince. You felt your pulse in your head. 
“Just relax,” he fretted, pinning your shoulders down gently. The weight of his palms felt divine. “You gotta rest, Bug. Doctor’s orders.”
He pinched his face, like he’d bit his tongue. That caught your attention. You stared up at him, noting the discomfort he was failing to hide from you. He hadn’t looked at you yet.
“Bug, listen. There’s—” He winced again. “You were out a while. The-the doctors, they ran some tests, and... um, they... Somethin’ came up on the MRI.”
You study the brown of his eyes. It reminds you of whiskey. Of chocolate. Of mahogany. 
He struggled to speak, failing to keep his voice calm. “They, um... They s-said there was, uh, a-a shadow of some kind. On your brain.”
You curved your eyebrow as you focused on his mouth. Simultaneously listening to the words on his lips, and watching how his lower lip quivered. You wanted to kiss it. To steady it with your own. Your fingers ached to pull him in.
You must have been squirming again, because before you knew it, Peter grasped your hands up in his, holding them tightly to his chest. He hovered over you, practically whispering in your ear.
“You were already under,” he quickly explained, the rest of the words tumbling out at once. “The-they did a biopsy. Just a little cut, and-and they said they were going to send the tissue off for a-a lab test. And... and when it comes back, we’ll know more about it, but... but the doctor said, he said it was good, whatever it is. Good that we caught it early. He said—” 
Peter’s voice broke, and then his eyes met yours. They welled up with tears. He looked deeply shaken, pulled taut. Like his limbs were made of matchsticks and he would crumble or go up in flames at any moment. 
He looked so afraid. 
He looks as scared as you should be. Your brain moves like molasses to catch up with the fact that it nearly caused your ultimate demise. 
Your mind spun with what-ifs and destiny and alternate universes and higher purpose and you have to stay focused on the chocolate of his eyes because that’s the only thing that mattered to you. 
Peter swallowed hard, digging out his voice. “They said that you coulda had an aneurysm any day now. Like, you’re there one minute and just... you’d be gone.”
You gazed up at him, spotting the tremor in his chin again. He bit down, to keep it steady. You wanted to pepper his chin in kisses for the next 100 years, or 100 minutes, or 100 seconds. Whatever you could get.
“I, uhm,” he struggled to continue. “I don’t know what I woulda done if... you... if you’d...”
He doesn’t finish the sentence. He can’t, you realized. 
“Pete,” you softly replied. 
He looked up at you, and he’s so beautiful, it hurts. 
You gazed lovingly at him and showered him with adoration. Looking at you is too much for him. 
His brow creased with sorrow as he buried his face in your joined hands. Shoulders shaking. You felt him sob into your skin, tears soaking your hospital gown. 
“It’s okay,” Peter said with a sniffle, for both of you. He pulled himself upright. He was trying so hard to stay strong. “S’gonna be okay. You’re going to be okay. I-I promise, whatever happens. I’m not gonna leave your side. We face it together. I don’t care if I’m not with you, or we’re not together anymore. It’s—-this isn’t about me. I’m there for you. ‘Til the end, okay? I swear to you. It’s going to be okay.”
You watch him like you’re watching a sunrise. Like a rainbow is forming behind him. Sunlight piercing heavy rain clouds. You’re in exactly the right place. Exactly the right moment.
Time is meaningless. Time is priceless. Time is everything.
You cried happy tears. “I know.” 
If he asked you to marry him right now, you’d say yes in a heartbeat. 
You couldn’t help yourself—you ran your fingers through his hair. Across his chin. You wanted to map every freckle with your fingertips. Draw invisible lines in his skin. “I know it will, baby, I know. I believe you.”
His expression softened at your smile. He let himself get lost in it. Letting waves of hope crash over him and pull him along with the tide. His lips curved gently, and he returned it. The muscles in his body relaxed slightly.
“We’re gonna be okay,” you promise him, with no real way of knowing.
No way of predicting the future. 
And yet, no doubt. 
“Because today is Wednesday,” you explain, heart floating in your chest, swelling with gratitude. “And we have today.”
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The End.
A/N: Thank you for riding with me for this story. I hope that it brings you peace and healing and happiness.
Take care of yourselves!
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Did you like this story? Please share your thoughts with me via comment, ask, or reblog! Thank you for reading, and thank you for supporting fandom and fandom writers!
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yuriyaoidestroyer · 18 days
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Doodle dump! With @chonkibeeboi agent ocs and mine!
Here text :3 :
My 4: “I like myself! And others and blah blah, wah..”
Other 4: so this is other me?”
My 8: talking about 3 and 4
Their 8: being themselves:3
Their 3: “cod that smell..”
My Neo: “carp..what do I say..?”
Their Neo: “world domination.”
I hope you like it >_>
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th3mangled · 8 months
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Holy carp I forgot about this account
Have an art dump
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aealrizen · 3 months
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It was hard for Whip to watch the teen girl run from them, eventually getting lost between the buildings at the edge of the rice fields. He could track her. It would be easy to do so. Just switch his vision to x-ray and heat sensitive, and modify his hearing. He could easily catch her and bring her back to ask her questions.
But he wouldn’t. Midas seemed to think it would just make things worse, and had opted to let her go. So Whip would follow that decision, even if he didn’t quite understand it. Midas had been so ready to abandon the retrieval of the tokomov reactor in favor of following a lead once before. Yet perhaps it was because the lead was a person this time that he chose to respect their free will to leave.
Or maybe it was just because Midas already had too much information flooding his mind to handle, and didn’t want any more until later. It took several minutes of him just resting his forehead against Ian’s chest, keeping his eyes closed as he tried to filter through the torrent of pseudo memories that had been pulled to the front of his mind. Getting them categorized again and tucked away in their proper places. By the time Midas pulled back, eyes blinking, Whip had given up on being a sentry and had taken to fishing Midas’ and Ian’s shoes out of the water, dumping a small carp back into the pond when he turned one over.
“...Are you alright?” Ian asked softly, keeping his hands on Midas’ shoulders as he started looking around slightly. The question prompted Midas to look up instead of at the water, and he still had a slight squint.
“Yeah,” Midas assured, giving a small nod and blinking a few times before relenting and putting his hand back to his temple. “Just a headache,” he explained as support to his claim. “...Sometimes… I guess it’s like a box gets tipped over in my head. I have all these memories, but they don’t really feel like memories to me. Not like Whip’s memories did to him. And they sometimes contradict each other. Like telling me that a person is my sister, but also my aunt or something. And this time it just… happened all at once.”
The explanation was somewhat confusing at first, but the more Midas described what happened the more Ian was able to make a connection. “...The migraines you used to get,” Ian noted after nodding slowly in sudden realization. “When we first picked you up. Those were caused by the same thing?”
It took Midas a second to realize what Ian was talking about, but he was quick to remember the first half a year he’d been with the Sector 1109 people. He’d been snappy, and reclusive, and sometimes found curled up in the darkest corner he could find with his eyes closed and head covered by his arms. “Yeah. It happened a lot more often after I first woke up. But eventually I was able to categorize things? Kind of lock them away as data in the background instead of active memories,” he confirmed with a nod, rubbing his temple slightly.
“So that girl… made some of the data resurface?” Whip asked, semi satiating his own curiosity by bringing Midas’ attention back to the girl they’d bumped into, and using similar vocabulary as him.
Midas went quiet for a stretch, turning to look where the girl had run. Was that someone else looking at them? He didn’t recognize them, but they had a similar wide hat. Maybe they were just another worker that was wondering what all the commotion was about. Maybe they should leave before they caused anymore trouble. “...Meri…. I think her name is Meri, but I’m not completely sure. She’s… older than I have in my head. But there’s a lot of images of a little girl that looks a lot like her. W-... She-... Something about a stuffed bear. She always had it with her. But now she doesn’t.”
He was raising his hands to his head again, eyes pressing closed as trying to think too much caused the headache to get worse. It wasn’t something that Ian thought would be an easy solution, and he didn’t want Midas to end up feeling sick if the headache did devolve into a migraine. So he rose his hand again to rest on Midas’ back to start directing him away from the rice fields. “C’mon. Let’s go find some shade to sit under and take a break. We need our shoes to dry off too,” he prompted, gently guiding them towards the nearest set of trees he could see. They were a short ways from the edge of the rice fields, amidst a field of wildflowers and grass. Midas seemed to be affected by the sunlight a little more than usual, so Ian figured the shade would help.
“...You dropped your shoes in the water?” Midas asked, a mild teasing snicker in his voice as he followed Ian’s direction and sluggishly made his way out of the water canals.
“It was either that or watch you face plant in the water,” Ian countered, expressing what his thoughts had been at the moment. He’d honestly been worried Midas would get dizzy enough to lose his balance, or possibly completely pass out with the way he’d suddenly reacted.
Midas gave a snort of amusement that suddenly went quiet as Ian’s words sank in. So he cared more about him than the shoes possibly getting ruined by fish water? That was… nice to know. It caused a faint smile to pull at Midas’ mouth.
With the size of the rice fields it took them more than twenty minutes to reach the edge of them. And the walk was slowed even more for a moment as Midas and Ian both gingerly hobbled across the pebble strewn dirt pathway that prevented the meadow from invading the crop fields. Once they were back in the grass it was easier though, and Midas let the grass brush against his fingertips as the wind created waves in the foliage and tugged his hair. It smelled different from the rice fields. A faintly sweet scent that was calming along with the breeze. The smell of plants never faded. But the scent of flowers was different from the water, and the peaceful scenery helped his mind start to settle again. A slight rustle of grass and tree leaves caused him to close his eyes, his steps slowing slightly as he simply enjoyed the environment. It felt familiar. A bittersweet peace that was broken by the faint call of someone in the distance.
“Midas?”
That was his name, but not Whip or Ian who said it. A voice in the semi distance that caused Midas’ heart to skip a beat even as his throat closed slightly. Whip and Ian definitely heard it as well, their forms quickly shifting to face the source of the questioning shout and Whip’s hand subconsciously resting on the hilt of his sword.
And yet, once again, Midas raised a hand to still them for reasons he couldn’t explain, his body feeling suddenly weighed down as he also turned to the source of the shout. There was a man running towards them. A white swallow tail lab coat denoting his profession in medicine and biology. A symbol of status that was starkly contrasted by the presence of house slippers on his feet. But what caught Whip and Ian’s attention the most was the man’s features.
“MIDAS!”
A red haired man, the same shade as Midas’ own hair, was sprinting towards them, feet stumbling on the uneven ground. He barely slowed when he reached the three, keeping from knocking Midas over completely as he threw his arm around the lad in a smothering embrace. Yet Ian noticed the hold held a sense of fragile tenderness to it, as though the man were afraid he might hurt Midas by something as simple as a hug that was too rough. And while Ian and Whip were raising brows in confusion, Midas had frozen stiff in barely comprehending shock. Seeing the man’s face briefly before he’d hugged him had been like looking in a mirror; one that showed a few decades in the future with added glasses. And yet Midas found it was increasingly more difficult to breathe at no fault of the man’s tender yet all encompassing hold. His foreign yet eerily familiar voice quieted into sobbed words Midas couldn’t remember being stored in his mind prior to now.
“T’thank heavens! You’re alive-...”
The man was both laughing and sobbing as he spoke, pulling back only to cup both hands on Midas cheeks and look at him through his tears. Midas could feel the man’s whole frame shaking, both from exertion from running and from emotion. Tears saturated his cheeks even as they were squished by an overjoyed smile.
“My little Midas…”
The simple phrase caused Midas to feel like he was choking on his own esophagus, his frame unconsciously leaning forward slightly. And yet his expression was only a blank stare in lack of understanding. The vague answers to the misty cloud of questions in his mind beating against a wall that prevented them from being known by his conscious memory. He felt petrified. Unable to think of how to respond to what was happening since no coherent thought was able to present itself. Just a blank haze of emptiness only filled by a question and a statement.
Who are you?
I know you.
He was unable to even attempt to trigger any potential memories though. An attempt to further study the man’s face was continually thwarted as the man leaned forward to kiss his forehead, then hug him again, then kiss his temple then cheek. He was very affectionate, and half of Midas found it very odd. But what was more odd was that even though Midas couldn’t place a single memory of this man, the gestures of care still felt like they belonged. Like they’d happened before.
Who was this person? 
Midas didn’t know. But he also couldn’t bring himself to ask because it felt so wrong to even consider doing so. As though the mere words would break this man’s spirit irreparably. Which only reinforced Midas’ thoughts that he should know this man, but didn’t.
His thoughts were inevitably distracted by realizing his own cheeks were damp. A shaking hand raising to his face as he was once again pulled into a tight hug made Midas realize it was because of his own tears. His body was crying despite having no prompting from his mind. Fresh, fat tears spilling from openly staring eyes and fingers shaking as the man’s frame shuddered with choked but elated sobs. It was a longer hug this time, and Midas’ nose was pressed against the man’s shoulder as the man’s hand moved to rest on the back of his head. The scent of the man’s figure inevitably became a smothering blanket to block out the rest of the ambience around Midas. A smell that made Midas’ chest ache from the comfort and heartache it brought. A familiarity that his heart knew but his mind didn’t. As though the words had been stolen from his memories but not the emotions.
Midas let out a confused, choked sob as he gave up on his mind and allowed himself to react completely on his emotions this time. Raising his shaking hands to return the hug and hesitantly gripping the white fabric of the coat, Midas hid his face into the man’s shoulder and let out a choked yet soft mixture between a laugh and a sob.
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As Midas became lost in the whirlwind of complete lack of coherent thought smothered by overwhelming emotions, Whip ended up distracted by another approaching figure. One that was familiar to him. It was a shock to see her there, but after the initial surprise faded Whip gave her a wry smile. “So this is where you were hiding, Crystal,” Whip greeted, finding his anxiousness strangely calmed by the sight of one who had helped him so many times in the past.
“Yep. It’s ironically the last place people think to look,” Crystal responded, nodding her head in her own greeting while her hands remained loosely tucked in empty pockets. She decided against catching up with Whip though, putting that conversation aside for later and instead turning her gaze to Midas as he peeked his eyes over the shoulder he was buried in.
“Hey babe. It’s good to see you again,” Crystal greeted, her voice softening and expression growing slightly sorrowful as Midas’ own expression lacked recognition. “You can’t remember anything, can you?” she asked, gaining a slight smile when Midas looked faintly panicked at her pointing out what he’d subconsciously thought about trying to hide. “It’s okay. We had a hunch. I’m just surprised you ended up with these two,” Crystal consoled, turning her gaze back to Whip and Ian. “It’s funny, because I almost tried to contact you for a rescue mission a while ago. For the same kid.”
By now Whip was used to Crystal not starting from the beginning when talking about events, and he could only shake his head with a wry smile. “You gonna get around to telling us who this guy is? Or are we going to have to play guessing games instead of bodyguards like you initially wanted?” he asked, shifting his hand that had never left the hilt of his sword to let Crystal know he was uneasy with this stranger smothering his friend.
Luckily for both of them, the man realized the pieces of the situation he’d initially glossed over and gave a sheepish cough while reluctantly straightening slightly. “Sorry,” he apologized quickly, raising a hand to rub his eye under his glasses but still remaining reluctant to fully let Midas go. “I was… overwhelmed. Thank you, so much, for taking care of Midas and bringing him back.” For a moment he bowed his head low in gratitude, shifting Midas to the side before rising again and wrapping Midas close to his side this time. “I’m Hesopher Clandel. Midas’ father.”
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Extra long post again because I wanted 2 pics for this one but I didn't want to spoil by having that 2nd pic on the top of a post X'D
I finally reached the scene that motivated me writing this entire story |D It feel so strange to reach that goal, but I can officially say that Midas' daddo is still alive and well, and full of hugs and kisses.
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lindaseccaspina · 3 months
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History of Dumps --Where Was Rump's Dump? Levine Landfill...
2007 Ken Smith photo and text The Levine Landfill Site just off the 10th Line in Beckwith was actively used as a dump for Carleton Place from 1966-1973. But it wasn’t until the Spring of 2000 that it was discovered that chemicals dumped at the site had contaminated the groundwater and contaminated wells for over 250 homes in what became known as The Beckwith Plume. I actually bought a house in…
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izpira-se-zlato · 7 months
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your Stožice Photo Dump photos have pictures from so many different angles and distances from the stage, did you move around so much somehow? 🤔
ahaha I wish -- I switched places with a friend after the shoving got too bad, but mostly the stage was just a pretty fun layout! We were on the left side of the cat walk if you looked at the stage (so "Kris's side"), and they came up the cat walk bit quite a lot, which enabled me to get different angles of them.
Since this got long -- and turned into something of another pic spam -- more under the cut :D
Here you can see the catwalk pretty well:
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It was a really cool layout, imo, bc it made for quite a lot of "front row", and granted, I wasn't actually barrier, but second row (behind the person streaming for JO Subs, actually! So my view was really close to what "viewers at home" got).
... Still close enough to get caught in the Omamljeno Telo Shower 😂😂
And then, of course, I thought the crowd was pretty stunning, too, so this is me having turned around and photographed the crows "in front of" the cat walk ... tip. Or whatever it's called
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Not included in the photodump (I think): the large LED screens they had so people further in the back could also see things. That was very helpful when Bojan lay down for Padam, because I'd suddenly lost track of him and the LED screens meant I could find him (and then zoom in on him, which is how I got the pic of him on the floor)
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This is said view during Padam -- probably looks familiar from the first pic I posted, because Bojan lay down right where the catwalk grew out of the main stage (and from the pixellation, you can tell that I had to zoom to catch him bc he was kinda small from where we were standing)
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But they were really great about moving around, and so they all kind of stopped in front of where we were standing? In the Bojan pic, you can see the camera mounted at the "tip" of the cat walk, and in the Kris with Jan and Nace (respectively) pics underneath, I was facing straight ahead. (The lying water bottle/cups are the same in all three pics)
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And, as I said -- I was right behind JO Subs, which you can see in this pic :D (I'd say "you have to trust me it's indeed JO subs", but you can probably cross-reference this with the stream, I think it's floating around somewhere)
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And finally, here's them on the "main stage" during Carpe Diem -- which probably shows why I only took very, very few pics of them on the main stage. They were just too tiny from our spot. But they did come to the front of the cat walk there, too, so I did get to see them up close once more.
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And finally -- my friend was sitting in the bleachers, so I can even pinpoint exactly where I was standing (even though you should probably be able to triangulate my position from all the pics). I marked my position in blue in their pic (this pic actually is not by me)
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God, Stožice was a blast -- if you made it to here, thank you so much for indulging with me in this trip down memory lane 😊
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we-are-inevitable · 2 years
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ok so i was talking to @to-be-a-dreamer @tarantulas4davey and @carpe-diem-since-1899 about racetrack things the other day and i just thought i would dump some of those thoughts here bc i am So invested in this weird little guy
anyway i just ,, i have a lot of feelings abt jack passing the newsies onto racer once he ages out.
i feel like. charlie is the next choice, but charlie in my eyes is the same age as- if not older than- jack; if jack hadn’t been the leader of the newsboys, it definitely would have been charlie, but jack is the one who took the reins. (this age hc is mostly because of west endsies ngl.) anyway! moving on
jack and charlie have always been a team. charlie is definitely jack’s second in terms of always being there, but race is his second in terms of business- it only makes sense for race to take over when jack is gone, and i just,, i love the concept of race either not really wanting that or not really knowing how to handle that. i think, at his core, race is trying to hold onto whatever youth he has left. its why he’s always cracking jokes, despite how jaded and angry he is under the surface. he pretends not to care or else he’ll crack under the pressure, and when he cracks, it’s angry. it’s mean. his bark is as bad as his bite. so he puts on this front- this childish, snarky, comedic relief front- and he’s terrified of the implications of Being The Leader because he feels like he’ll no longer have that front to hold onto or hide behind. and it takes him a long time, i think, to realize that he doesn’t have to be exactly who Jack was- he can lead the newsboys how he sees fit, he doesn’t need to be a carbon copy of jack, because they’re fundamentally so different. and i think that is just very fun
but more on the anger, because i think it’s an interesting take that is very much represented in West Endsies- as @roideny and @jack-kellys have pointed out before:
i’m interested in the other newsies- especially albert, finch, and maybe spot- seeing that sadness and strain and anger that seems to be taking it’s place as his dominant trait. yeah. bc i think,, i think race is angry at his core, like i said. angry at his position in all of this. angry that jack left, that charlie followed, that davey was never staying in the first place, that spot still thinks of him as a kid instead of a new leader, that other burrough leaders don’t take him seriously because they know him as the jokester. angry that these kids are his kids now, and angry that his kids are still starving, still walking holes in their shoes, still shivering at night and still dying of sickness when the cold weather hits too hard. i want this race to be fucking pissed and i want everyone else to be caught off guard by it.
because, let’s be real, jack wasn’t the roughest leader. he was strong, and dependable, and not afraid to put kids in their place, but he’s still nurturing and parental. after years of being used to that, i think the newsies would struggle with Race for a while, especially as race tries to figure out his leadership style, and i think a lot of that would manifest in this anger that has been bubbling up under the surface for ages- the anger he never lets anyone see because he doesn’t want that.
race has spent anywhere from 5 to 10 years- depending on when you headcanon him to join the newsies- being the funny guy, the clown, the joker; if he’s going to earn respect, he’s going to have to take it from a few kids. lashing out and being brash- all for the sake of keeping everyone safe, of course- but he’s such a different leader than jack, and i think it would be SO fun to explore that more in post-canon works.
i feel like this post is a little disjointed and i may not be explaining things correctly, plus i haven’t actually seen west endsies yet! a lot of this is based on convos with the besties and i am just having brainrot. besties, feel free to jump in with any additions, and anyone reading this: feel free to send asks or talk in the tags <33
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