#characterization essay

[greatwyrmgold]

After finishing Dungeon Meshi, I had a lot of thoughts. Most of them were thoughts I'd seen echoed by other people, but there's one thing I don't think I've seen anyone else say:

Everyone hates Laios.

Obviously Kabru makes hating Laios his whole personality for a while, and the western elves think he'd be a dreadful dungeon master Lord of the Dungeon, and half of his party gets annoyed by his enthusiasm for monster cuisine. But I'm not talking about that.

Let's start with how almost literally everyone thinks he'd be the worst possible Lord of the Dungeon.

(cut this down)

This isn't just Kabru being in his "hating Laios is my entire personality" phase; everyone assumes that Laios's desires being fulfilled by the dungeon would be bad for humanity.

To be clear, they're wrong. Sure, Laios is susceptible to the Winged Lion's temptation, but so is everyone. At least Laios's stint as ersatz dungeon lord didn't have a body count! (Unless you count the Winged Lion's clones.)

But that doesn't matter, does it? People hated him before he reveals his obsession with monsters, and they have no shortage of reasons. Laios keeps talking about monsters and asking unwanted questions, he can't hold a normal conversation, he can't read the room or understand social cues, he doesn't fit in anywhere.

Laios does his best to act normal (most obviously when he pretends not to notice the Golden Country spirit because no one else sees it), but it's not good enough. People can still tell that he's different. They hate him when he acts weird and they hate him when he acts normal. Don't take it from me; take it from Chilchuck.

The left panel is the whole reason this post exists. It states in plain English that Laios would still be ostracized even if he only said "reasonable" things. People's distaste and distrust of him isn't rooted in how he acts or what he says, but in who he is.

...

Pretty much anyone who knows what they're talking about accepts that Laios is autistic. Probably also Falin, maybe also other party members, but Laios is definitely the poster boy for Dunmeshi autism. And the reasons people hate him are pretty closely aligned with his autism. That's usually subtext, but Shuro says the quiet part out loud.

Shuro doesn't know about the monster-eating or think Laios is gonna destroy humanity. He just can't stand Laios's eccentricities. And he's far from alone.

We don't see a lot of Laios's childhood, outside his interactions with Falin...but the subtext isn't great. You don't need to be a seasoned dungeoneer to recognize that someone is "different"; any kid can do it. And from the sparse glimpses we've seen of the Thorden parents—Laios's nightmare, the little indications that he shaves to avoid looking like his father, etc—they don't seem to have accepted their son's differences, either.

I doubt anyone in the Dungeon Meshi world knows the word "autism". If you tried to explain it to the Thorden party, their reactions would probably range from "Are you sure that's a thing?" to "Come on, everyone thinks like that sometimes, right?" But you don't need words to recognize difference, or to loathe it, or to make different people's lives hell. To make them want to escape their lives, by whatever means are necessary.

Is it any wonder Laios identifies with monsters, when so many people already treat him like one?

[adelrambles]

Tips on Writing Bishop

I've been asked a couple times for advice on how to write a good (03-style) Bishop, and I'm well-aware he can be a bit tough to get a grasp on. As someone who's studied him specifically to learn how to write him as accurately as possible, I figured I'd compile some thoughts in case it'd be helpful to anyone else. I know a lot of Rise takes on him are basing off the 03 version, so maybe this could help generate ideas, too. SO!

Big Overall Points!

At the core of EVERYTHING Bishop does are two primary motivations. The first: the protection of the earth. What this means to him can get tricky, because it doesn't necessarily mean protecting the people, at least not all of them. But it will be better understood alongside the other:

The second: The protection of his sense of safety. Bishop has been deeply traumatized, and everything he does is born of a want to avoid that pain ever again. In his mind, earth is a safe area, a controllable factor, and anything outside it is a danger that must be eliminated. This is why he will still be willing to put himself and other people on the line in service of this; any sacrifice is worth the greater goal. (It's worth noting, Bishop will claim the first as his motivation freely, but is likely not consciously aware of the second.)

Bishop deals in Big Picture ONLY. Another reason Bishop will willingly throw away anything, including the lives of the people he claims to protect, is that he seems incapable of understanding things on a small, individual basis.

Bishop is a cold personality. He does not have strong displays of emotion. He does emote, but for the most part it's muted, so I recommend using emotional bursts very sparingly. (In my own writing, as an example, I try to limit my use of exclamation marks in his dialogue as much as possible.)

At his core, Bishop is afraid, and his response to fear is aggression. This also makes it particularly difficult to talk him down, if he's put in an emotional state. His response to not being in control is often violent retaliation.

With those basic tenants understood, let's move next to some major personality traits:

Bishop is a controlling personality. This is a direct result of his trauma response. Things that can be controlled are safe, therefore he must control everything. If something cannot be controlled, it's a threat that must be eliminated. If he doesn't know why something happened, he becomes angry (including even when it benefits him.)

Bishop is very low-empathy. When writing him, I try to keep in mind that he cannot put himself in the perspective of others. (Or if he can, he doesn't care to.)

Bishop is a sadist. He gets personal enjoyment from hurting others.

Bishop likes fighting, but only when he's winning. He will quickly leave if he can't see a guaranteed victory.

Bishop is paranoid. This is probably self-evident, but it's the reason he's often so well-prepared even when things don't go to plan.

Bishop genuinely seems to enjoy science. He's shown to be far more lenient with scientist characters than anyone else, and he seems to involve himself in his scientists' projects to a degree. Enough to, at the very least, understand their work. (Given he was the one set to dissect the turtles, it might also be argued he has some medical or biology background, himself.)

Bishop is an opportunist and scavenger. He can roll with failures as long as he can find something to get out of it. If he's presented with an opportunity to stab someone in the back, and he has something to gain? He'll take it without a second thought.

Bishop is deeply self-blind. For all his perceptiveness and strategic prowess, Bishop is not very self-aware in the slightest. He is completely blind to his own hypocrisies, and thoroughly confident in his own righteousness.

Bishop adapts fast. He accepts situations for what they are and acts (Though he may still be angry about them, or what have you.) This is likely a skill developed via longevity; the world around him has changed rapidly, but he doesn't feel out of place at all.

Bishop will take extreme risks and thinks wildly outside the box. Also self-evident, if you're familiar with the plans he enacts throughout the show. He'll put a lot on the line if he thinks the reward is worth enough, and he's willing to go to extreme lengths to get what he wants, even if his plans would be considered crazy by normal standards.

Bishop is persistent. If he wants something, he won't stop until he gets it. If he fails, he'll retreat, make a new plan, and try again. It is very difficult to convince him to back down (and certainly not on moral grounds.)

Habits and triggers I've noted:

Being restrained of any sort puts Bishop in a panic. He is more likely to have an emotional response in these scenarios, and seems to have (an albeit muted) desperation to escape. (See: Leatherhead restraining him in the first encounter; His reaction to being trapped on the surgical table in Head of State.)

When being duplicitous or suppressing a reaction, Bishop will go to adjust his tie. This could possibly be considered his tell.

Bishop seems to have a particular fear of aliens blending in as humans. His slayer project was built around the assumption that this is a common threat. (Worth noting: This makes The Shredder the model of the exact threat Bishop is afraid of. Technically, Bishop himself may also fit the description of a threat shaped like a human.)

Writing considerations:

In 03's narrative, Bishop is EPF and EPF is Bishop. Narratively speaking, any organization Bishop is head of acts as if it is an extension of his will and character.

Bishop is shown to strike fear and/or discomfort into most characters he interacts with. Anything beyond this is an outlier, and will draw a reader's attention.

Dialogue-wise, Bishop is generally succinct and blunt. He does dabble in gloating, though, and especially likes to upset others. If he's given a chance to be mean, he'll usually take it. It can help to consider he has a Mission Mode and a Normal Mode. When it comes to Mission Mode, he gets straight to the point and hates unnecessary talking. Otherwise, he's still not very talkative, but will take the time to make pointed jabs or talk through a plan. A lot of his sense of humor seems to be rooted in how He's Better Than You (And You're Going To Die Painfully.)

It's a common pitfall that Bishop is depicted as seeking out the turtles. In 03, once he gets their DNA, he's done with them. Any encounters after that are incidental. Bishop does not care about anything that won't effect his greater goal. If he's targeting another character, it should have to do with a greater plan.

Bishop is an extremely competent combatant, shown to be able to handle up to 7 opponents at once. For a breakdown on his fighting style check out my other post on that!

Bishop is hard to kill, and oftentimes he accidentally contributes to his own defeat. (The hook from Bishop's Gambit is an example I get a LOT of mileage out of, as a perfect symbol of his self-defeating prophecies.)

We almost only ever see Bishop in the context of his work. While it could be construed that he depersonalizes himself, it's much more clear that the narrative depersonalizes him. As far as we, the audience know, Bishop's work is all that he is.

It's unclear if Bishop was released from his abduction or escaped. Depending on which you ascribe to, this can have ramifications for his mindset on how to deal with the alien threat. (Personally, because so much of his inability to cope hinges on a feeling of helplessness, I believe he was released. If he escaped on his own power, that undercuts it, somewhat.)

Thematically-speaking, Bishop parallels both his own torturers and his own victims at the same time. He has perpetuated the cycle that traumatized him in the first place by trying to fight fire with fire. (In that vein, I don't think he's capable of understanding that, not seeing aliens as people in the first place, just dangers. Considering how deeply ingrained his trauma is in his worldview and actions, it would probably ruin him, if he were ever able to actually grasp it.)

Bishop and EPF are likely a commentary on the military of the time 03 was coming out. This can be something worth keeping in mind, when figuring out his greater themes in your story, though it can just as well be discarded if it doesn't fit.

Adding to that, Bishop has an extensive american military background. His skills and knowledge will reflect that.

Bishop also plays on and references a number of real-life alien conspiracies. It can be worth digging through conspiracy history to drum up ideas and themes, too.

The ethical and philosophical quandaries of Bishop's body-hopping and humanity tend to not hold too much weight, because Bishop, himself, doesn't seem to care.

If I think of more I'll certainly be adding on to the reblogs of this post! Or, if you have more thoughts, please feel free to add! If you're in the mood for more Bishop ramblings, that's practically most of this blog atm, but this post is a particular favorite. If you're interested in Fast Forward!Bishop, specifically, consider this post! (also read Taking Pawns. slipped in that self-promo, nice.)

[cybertron-smash-or-pass]

TF One D-16

[kagooleo]

I did this one to celebrate Silver's bday back in 2021, a sonboy to me who deserves the world ;-;

[stupid-sloot-headcanons]

One major regret I have about the Teen Titans cartoon is that it really colored how Starfire is characterized even today. Like Starfire is cute and has those moments of not understanding Earth culture, but she's also one of the most terrifying warriors in DC. Her emotions power her abilities, and that especially includes her rage. Like. Starfire kills on a regular basis. She's a walking nuke who was enslaved from a young age, and part of her time on Earth was learning how to live outside of those "kill or be killed" circumstances. She had to learn how to NOT kill people in conflicts when she came to Earth.

Like you know the new God of War games where Kratos has to learn how to not kill people and break that endless cycle of violence and revenge? Kory and Kratos would get along.

[mrbluesummers-moved]

I'm too tired to write the full Essay™, but someone said in the tags that Stampede took away Knives' fear and it made me realize that the core issue I have with Trigun Stampede is the fact that the characters lack the emotional depth of Trigun Maximum. Like, I'm enjoying Stampede, and it's emotional, but Knives and Vash especially have had their emotional complexity watered down in comparison to the manga.

In the manga, they were as much at war with themselves as they were with each other and world around them. Knives was expressive, animated, and always playing up the megalomaniac god complex in public, but in private he was exhausted and scared and even expressed guilt towards his sisters for being careless in how he orchestrated the fall. Vash was an upbeat pacifist who was constantly fighting his own urge to take the "easy" way out and kill to solve problems.

It's what made the manga so heartbreaking. Neither of them were entirely right, but neither of them were entirely wrong. Knives shouldn't try a genocide, but he was also a deeply traumatized child who was shown how cruel humans could be to plants. Vash should try to do as much good in the world as he can, but holding onto the ideals of pacifism in a hostile environment does more harm than good and he learns that when he's finally pushed to the point where he has to choose between killing and saving someone important to him.

I don't think it's impossible for Stampede to recover in Season 2, but the foundations aren't great. Changing Nai to being cold as child seems like such a small change, but Knives starting out as the optimist who loved humanity is so central to that internal conflict... I don't know. Maybe they'll come back to the point of Rem being important to Knives and make use of the fact that he intended for her to survive and that might save it. We'll have to see.

[fromtheseventhhell]

Seeing awful takes about Arya is even wilder knowing that people would lose their minds if we said the same things about their fave. Can you imagine if we were genuinely theorizing that Sansa's story ended with her dying, warging into a bird, and becoming a pet for one of her siblings? They would have a fit and call us all kinds of misogynistic, but they'll never explain why their logic is suddenly wrong when it's used for anyone except Arya

[ilynpilled]

we do not excuse jaime for just being an inexperienced teen, we are acknowledging the reality of it straight up not being possible for him to teleport over from 7 to the drawbridge of 26 faster than it takes two men to finish scaling the walls of 26 (the text confirms twice that the scaling was happening already when jaime was murdering aerys) to prevent an order the text says he doesnt know about that also contradicts a command that he explicitly gives to his father’s men after hearing incomplete information about the state of the situation. and all this after he finishes committing one of the most significant oathbreakings in history and the most defining act of his life of murdering his own king to prevent a whole city from being nuked. he was left alone as the only kg to guard the red keep. there is a core issue here of him being unable to do all of this alone even if he had all the information. even if he tried to do everything in his power and had all the right suspicions and the knowledge to act he would have been unable to stop it. the text emphasizes this, it emphasizes that he was with the king, slitting his throat, to save a city, instead of being near or at the drawbridge at maegor’s (a knight of the kingsguard is positioned there usually for a reason). jaime was surrounded by the kg, experienced adults, who for two years enabled an erratic and paranoid tyrant to burn people alive, start a war by doing so, rape and abuse his wife, and place caches of wildfire across a city. and all this time these adults have told jaime nothing but “accept this, you swore to obey, stay near him. keep your oath.” but the person that has to be condemned for “incompetence” and “cowardice” (because, yes, based on all this information it is the only ground you have. there is no evidence of malicious intent or apathy of any sort. we know what information he has. we know what he thought during) is him. i dont even blame rhaegar, again, he expected to return “we will talk when i return”, and even finally do what was long overdue and deal with aerys, and he was likely confident he would because of a prophecy that i know concerned an existential threat to humanity, and he did not know what would happen at the trident and that his father would be so paranoid that he would lock elia and her children in the red keep (if you use the argument that jaime should know and think about everything his father may or may not do the very minute he is found murdering the king by the men that tell him, incorrectly, that the place is secured, and he should suspect that his order to spare everybody that yields is already being contradicted by a secret order of his father’s, then this same exact argument can be applied to rhaegar and he should have had a different strategy or a safety net, or been more cautious when it comes to the threat his father represents or straight up just been able to deal with him as if it is that easy. his family were just not allowed to leave with rhaella and viserys (who was named heir, with aegon effectively disinherited) as elia wanted because aerys felt like he was betrayed by dorne and lewyn after the trident (also speaks to what duty rhaegar even expected of jaime when he left. it is present in their last conversation. what threat he is aware of. we see what he tells him. both he and darry expect him to remain with the king at all times and serve as a hostage against tywin and keep aerys in check. they also know he is just one person)

why is jaime even singled out? not other kingsguard who knew he was in the city alone (post the trident or before the trident) and that aerys is a tyrannical threat (but my vows and orders wahh), not pycelle, not tywin, not the men that did the horrid action themselves. in order to absolve rhaegar of any and all responsibility when it comes to naivety or lack of foresight (neither flaw is a detriment to his moral character) u shift the blame and criticize jaime for the exact same thing in an even more absurdly unfair way. you guys want him to be someone this evil and apathetic from the beginning, with his guilt over failure rooted in that, when the whole point is that he stagnated and morally deteriorated due to how cynical all of this made him.

and regarding the argument that he is considered the most skilled kg by these people and so they rightfully think that he should be able to handle the red keep and all these responsibilities alone: “Selmy had never approved of Jaime's presence in his precious Kingsguard. Before the rebellion, the old knight thought him too young and untried; afterward, he had been known to say that the Kingslayer should exchange that white cloak for a black one.”

[2deadkat]

i'd love to hear ur complaints abt modern geronimo! If u'd like to share that is

Thank you for asking anon, I’d love to share and you have inadvertently entered the dragon’s den/lh

But fr tho, it’s a lot. It’s mostly pertaining to the writing.

The reason why I hate modern Geronimo is in the biggest nutshell possible, they screwed up the original dynamic for the Stiltons, a majority of the books is just one big game of Geronimo torture porn between the other characters, and overall a lot of wasted potential for unique interactions between the wider cast and the rest of the Stiltons as its limited to just Geronimo himself. Hell a lot of the plots could have the input from the other Stiltons if they were brave enough. And there seems to be a new character every few books and there’s no rhyme or substance to it anymore. Since when did trap reproduce???

And you’re telling me von Volt has another relative???? Yk at some point you just stop reading the books. Oh and do not get me started on the Thea problem…

Let me start with the Stiltons real quick, somehow they got worse by watering down their personalities to a bunch of cheap jokes.

What made the classic (or early) books work was that the whole point of Geronimo’s character is that yes he’s a wimp, but that’s because he’s a tired boss who gets dragged into his family’s shenanigans, and by extension his friends and allies around him. Everyone has some eccentric personality that shocks or baffle him in some way, and that’s where the comedy comes from. He’s able to stand on his own because of his duties and eagerness to stay in his comfort zone is where the meat of the interactions come from.

His family especially Trap and Thea were meant to be respective foils to him. Trap consistently bullies him and Thea is meant to be the direct opposite of him, she’s the driving force in the group and has more pants to cover up what Gerry doesn’t have. She’s the one behind a lot of their adventures or scoops, hell she’s also the one who keeps finding them in the first place and drags her family and connections into them which makes sense because that’s her job and also where a lot of the plots start from. She fills out the spots that Gerry doesn’t have. Trap is just pure comic relief and is basically that outside force to the group. Hell the two even have a dynamic of their own where’d they just fight over the most trivial things and that makes us side with Geronimo more because of the ridiculousness of his family, that’s what made it click (to me). Highly recommend you read the early books, it shows the strongest character imo (#1-20).

Now Geronimo has all his autonomy stripped away and he’s been reduced to a nothing but a punching bag for everyone around him. I hope I’m not kidding here but try reading a classic book (let’s say #7 or #26) and compare it to the writing in a modern book (let’s say #46 or #74) it’s very jarring. They put more emphasis on different ways his day is ruined and give him no room to breathe or stand on his own. There’s just no charm to that anymore. There’s no fine line with his relationship with the other characters (Run for the Hills Geronimo is probably the worse one and represents everything I don’t like about the new dynamic)

Now over time that initial draw to action is also done by Trap, which I thought was cool because it still plays into the idea of Geronimo’s family dragging him into their shenanigans and the motives make sense to him specifically. It’s like he keeps getting calls from his relatives on schemes which is fun. But the more you keep reading the modern books the dynamic gets skewed over time and here’s the part I’ve been waiting for…Thea gets shelved completely. And now it’s somehow the GOD DAMN GINGER BROS SHOW?????

Now I think about it, Trap used to be a lot more clever in the classic books as well, he’s essentially a bumbling fool who keeps falling into the wrong situations to make a quick buck which slowly backfires on him. If you know me that well you know I’d call him a less scummier Grunkle Stan. The fact that there’s no Thea to balance it out or at least ground the dynamic to some level feels really annoying now.

You don’t really see much of her anymore as she’s either smiling at the back or doesn’t say more than five lines anymore, which is baffling because she’s the one who can pick up the pace the most. I really wished they showed more of her involvement again…They’re a trio, not a duo…and the books are suspiciously phasing her out to make room for the ginger bros fail routine and it ultimately feels very empty…there’s not much acknowledgement or involvement from her really like they could say she’s busy at mouseford or something but nope! Shelved completely without an explanation or a missed opportunity for a tie-in mention.

So far the only redemption I see is the Mayan Mystery one and the Soccer one where she had a more integral role which are way more recent but it still bothers me that they just shelved her for a majority of the modern run.

Listen if the modern books weren’t cowards she would SOLO all these people

she’d probably have an interesting dynamic knowing that she gets along with everyone well and is technically an adventurer. It’d be such a good parallel to her brother to play off of.

hell it’s even worse in the comics. Like there’s legit no acknowledgment of her at all, when trap is absent that gets an explanation but she’s just suspiciously…gone and the only time she does have a major role is when she’s used as a fake mask for a psyche-out to the villains (I’m sorry but if the comics are gonna pull that shit then I’m baited to believe that Thea and (cat lady) would have a homerotic switcheroo fight akin to Ms.Bellum and Sedusa. SHES THE TOUGHEST AND SMARTEST RODENT, USE HER GODDAMIT)

Idk man I tried reading some of the comics and it never worked out that much, again the dynamic feels suspiciously empty with zero acknowledgment. It’s not the Stiltons it’s just the fucking ginger bros for some reason. It doesn’t feel solid like it used to. I really can’t get into them which is a shame, and tbf why would I want to read a comic where Geronimo goes back in time and helps a colonist do his thing 💀

I’d be very happy if someone here can give me one good reason to get into them somehow, I want to like modern Geronimo, please/s

Look if there’s one character I don’t mind them putting in complete absence it’s probably the unaccompanied minors/s…Or Petunia which makes much more sense since she’s a family friend!

Look I actually like Ben and Bugsy as a duo, I think their whole concept is really wholesome, but the books don’t really push their parts that much, like there’s no meaningful interaction they have with the adults which is a lot of missed potential that or it’s just limited to Geronimo. Like listen I get that the whole point of the books was that it was from Geronimo’s perspective, but it’s not like everyone else was just “present”. They had more active roles and Gerry would just write all his observations down. You want a good example? The Mona Mousa Code.

Still…Benjamin had more charm and a bigger role in the classic books…that boy can hyper fixate and master niche skills in anything and was the emotional rock for Geronimo. But now he just goes along with his uncle being a punching bag routine :/ and I KNOW they could do a lot more for Bugsy here, especially since the paws are practically family friends.

—-

But you know…I’ll do give it credit here this era has one of my favorite art styles in the series and notably the one I grew up with the most (classic books illustrations still hold more charm imo) but the way action and expression is illustrated is just *chefs kiss* there’s a certain bounce to it that makes it so memorable.

And I’ll do admit all those geography facts (even if it’s just basic facts I mean it’s a kids book) and long detailed lists or charts about a characters detail is really cool and somehow makes it more immersive.

And it’s really nice to see the universe get expanded.

But overall, the writing is not the same anymore, the original dynamic is screwed up, and lots of missed opportunity to round up the cast together. It’s either empty or I’m just getting too old…Maybe I’m just nostalgia-biased in different areas who knows. But that’s pretty all my thoughts I can pull out.

[chibishortdeath]

Haven’t drawn him in his CV1 era design in a while. I think his neck is a little long lol, but otherwise I’m pretty happy with this doodle :3.

[clownprince]

really wish more people would capitalize on the implication that joker views jason as somewhat of a son figure in the sense that jason wouldn't be the man he is today if he wasn't killed by joker. it's such a fucked up wretched kinda hilarious dynamic you're all missing out

[hollowed-boy]

I think what most people miss when it comes to Lockwood's characterization is that he is demisexual

[unexpectedbrickattack]

heehee

heeheehee

Adding some more hcs here bc its under a readmore and therefore confined to the Secret Thoughts box. Obviously suggestive but mostly relationship stuff bc i cannot help myself 😔

So i feel like i am an outlier that really enjoys noise/noisette like i think they are sooo cute…they are just silly guys ! So no this is not ANYONE cheating i must make this soooo clear i am so touchy about this subject; this is my heehee haha safe space LMAO i want to keep that kind of drama faaaar away from me.

A quick tldr for noise (that i will start calling theo bc i think its a cute name LOL i dunno where it came from but i love it im taking it) is that: hes a nepo baby that was able to start a business and brand w that money, and then stayed in a bubble for the rest of his life bc his image and branding is too important to lose. He hung out w the same rich people to network properly and maintain status. He didnt have the time and courage to go into the circles he WANTED to go into.

I had a whole essay written but this is supposed to be a little tldr lmao basically. Hes bi and curious and gus is always extremely overwhelmingly happy and eager to mess around w anyone (also bi) if it means peppino will be there and peppino is like FINE but ur going to get attached to the rat and thats not going to be my fault. This would be after theo starts behaving, as in, starts respecting peppinos boundaries. And he gets to hang out w him peacefully enough times to work up the courage to poke the bear (lol) and ask questions. Bc hes nosy and curious 🥺 they look like they have so much fun at the bar and w whoever they pickup like. Way more fun than he has w his stuffy rich friends. He wants to be there, he wants to have fun 🥺

Anyway he gets to be peppino and gustavos third and it leaves him like this ->💥💥💥💥💥 and gus thinks its so cute lol like this poor possum is worn the hell out 😭 needs to conk out and sleep forever. ‘ONE. That was fun. That was FUN. I want hazel to do that to me’ peppino, wide eyed but like clearly flabbergasted and smiling incredulously: ‘YEAH? REALLY ? I MEAN. DIDNT UH. DIDNT KNOW SHE HAD THAT IN HER. OR WHATEVER.’

‘TWO. Would u do this again? Like that was fun. That was FUN. I wanna do that again. I think im too busy this week and next week but like. Is that an option? I can push stuff around so it can fit in ur schedule??’ And peppino LAUGHS like full body laughing hard enough that gus comes back w a water looking so confused. Hes like oh my god. You dont have to cancel shit for a dick appointment !!! You dont!! Oh my god!!! Hes like crying laughing at the thought of theo having to cancel an appointment so he can squeeze in his threesome 😭😭😭 and theo cant help but look A LITTLE red bc okay it sounds silly BUT no one said no and he will run w that lol

Also convinces hazel to get a strap at some point. Which i think is so funny bc i have a scene in my head of noise being so smarmy w peppino and gus like ooohhh so u needed dick to be normal again and not be rude? Was that all it took? And now theo is thinking back to what he said as hes laying down in bed after getting thoroughly pegged by his gf and hes like oughhgh……i get it……

[zukkaoru]

the disparity in kudos between a skk fic and a fic for literally any other bsd characters/ship :/

[theokusgallery]

What do you think about middle aged sunflower ????

Okay I'm going to pretend I'm normal and didn't just have a conversation about it yesterday within which I had to restrict myself because of Discord's stupid character limit

Anyway. Gonna talk about fanfics briefly, because fics tend to get more complex with characterization.

A while ago, I got really into Marvel, and for two months I did nearly nothing except read spideypool fanfic all day and night. If you know anything about these two (that isn't from the MCU) (I hate the MCU, I hate it so so much, this is not who Spidey fundamentally is, he is supposed to be a friendly neighborhood loner loser and you Cannot just give him an Iron Man suit and a mentorship with Stark and intergalactic missions at 16 or however old he is in those movies when the essence of the character is that he is an average struggling teenager who just happens to get superpowers and fucks up a lot at the beginning of his journey and mostly works alone and quit the fucking Avengers himself) (wow I started rambling sorry. Ignore that), you'll know that they are both around... 25-30ish, currently. Something like that. The only other fandom that I read as many fanfics of was Ace Attorney, where depending on the timeline, they can be from 23 to like, 35 with a kid. So I'd say me being so invested in a ship with 16 year-olds is... kind of an anomaly.

I don't usually like the coming-of-age, teenage love stuff, and I honestly have never found a single sunflower schoolfic I liked (except Spiral of course but even then they're in college) because all of them tend to... infantilize both Sunny and Basil at great length. And also tear down anything that makes them interesting characters. I think a lot of OMORI artists (that includes writers) are very afraid of doing anything substantial with teenagers, despite, you know, the actual plot of the game, and as a result, a lot of the time most fics where the characters aren't aged up tend to be... incredibly boring. Of course there are some that are good — exceptional even — but in the end all I can think of is the huge gap in... quality? that sounds wrong to say about a creative thing... interesting-ness, let's say (a very personal and subjective concept), when I stopped reading Marvel and went back to OMORI. I stopped reading fanfics altogether because I just couldn't find one I liked as much as the average Marvel fic that I hadn't already read.

Maybe it's a result of the writers themselves being young? I know OMORI's fanbase is generally a lot younger than Marvel's, so that could affect it. I mentioned schoolfics because there's a lot of them and because they were mentioned in my rant yesterday, but it's not really about the fact that they're schoolfics, it's about the fact that more often than not, the setting is the plot, and since it's just your average highschooler writing their favorite blorbos into their own environment and projecting (which is very cool btw, 99% of my own writing is projecting), the plot is... basically nonexistant. It's boring. It's boring and the characterization is usually dull. But even outside of schoolfics, I think I stopped trying to read fics that start with Sunny getting out of the hospital after the True Ending for the same reason : it's often plain and plotless and boring. And, fuck, my favorite books and mangas and such are slice of life, I'm all for mundane plots! But there's a difference between a mundane plot/realism and just no plot at all.

(This is not, like, an attack of OMORI writers who make schoolfics or fics that start with the above mentioned premise, btw, I want to make that very clear. It's very much a personal preference. I think it's boring because all of the fics I read in Marvel had a very unique plot/premise is my point. And also because the characters were a lot more mature and complex. Different strokes for different folks)

I think that's what I'm kind of sad about. OMORI characters tend to be complex and morally grey in their own way, and people tend to forget about that because they're teenagers and obviously no one can do no wrong before the ripe age of 18. Children are all innocent and therefore cannot be more morally complex than cinnamon roll soft boys/girls (looking pointedly at Sunny, Aubrey and Basil. But mostly Basil). Also, I think people tend to straight-up forget that 16 year-olds aren't, like, 10? Of course they're not going to be as mature as grown adults, especially Sunny OMORI, Dissociative Amnesia World Champion, but like... When I was 16 reading OMORI fanfics, half the time I was like "a 16 year-old would not fucking say that". But also generally more mature characters are inevitably more interesting to explore to me because I prefer more mature themes — I'm simply extremely upset at the fact that people don't explore the complexity that's already there when they're 16, including the very mature themes that are already there.

TL;DR: I love middle aged sunflower, I love middle aged ships in general ! In fact, I will tend to prefer sunflower when it's aged up.

(... I probably should've led with that.)

[greenieart]

I can’t believe I forgot to post my baby girl’s redesign IM SORRY BAIN I LOVE YOU FOREVER

Anyway I’ve been reworking her character a lot lately and thinking about potential time skip stuff for her so she needed a new outfit to match her new vibes. Changeling Rogue Thief Girly My Beloved