I'm only saying this because apparently it's the 45th anniversary and Nickelodeon has been hiding some sneaky crap that they still haven't addressed, even after the documentary has come out. Dirty Dan gave a fake apology that sounded scripted, but that's not what we want. We want Nickelodeon, a well known CHILDREN'S network, to apologize for the most perverted, fetishy shows in existence, and also putting child actors at risk for over 20 years! Dirty Dan Schneider was working for that network since the 90s and he came out with a fake apology right after the documentary came out. We just want Dan Schneider to be IN PRISON, with John Kricfalusi, Chris Savino, James Charles, and Colleen Ballinger.
Nickelodeon needs to apologize by having a restriction against hiring children for live action shows, and also make a public announcement and apologize to all the kids who were involved in the shows, and also the fans. Apologize for putting the most fetishy, disgusting content in shows for a children's network, and also get rid of everything that isn't suitable. Not just the Dirty Dan shows, but also some of the cartoons (Like Ren & Stimpy and Loud House) should be banned as well. It's sickening that Nickelodeon even allowed that stuff in the first place. I think the Dan Schneider stuff is the worst, though. Also, inform people that you will no longer hire minors for live action shows, if you make any at all. I think Nickelodeon should have a restriction against being allowed to make live action shows after all they've done. Last of all, there are other changes that need to be made! Now that the perverted stuff is gone, it's time to bring back the shows that were more suitable for kids.
Early SpongeBob episodes were amazing, but there's others I hope Nickelodoen should bring back too;
CatDog (even though it had some subtle dirty jokes, and some episodes got a bit too heavy, it had some good messages. It was also ahead of its time)
Doug (It was made by Jim Jinkins, same guy who worked on Pinky Dinky Do so of course it's family friendly)
Rugrats (Some things didn't age well, but at least it was better than Dirty Dan's stuff)
Robot & Monster (It was weird at times but mostly family friendly)
Harvey Beaks (This show was literally so cute and the episode I watched had a decent mesage)
The Wild Thornberries (Extremely ahead of its time, I heard form someone on YouTube that they did a better job teaching about other cultures than Disney did).
Hey Arnold (I think some episodes get a bit too heavy, and the show can sometimes be straight up sad, but it's relatable and teaches serious issues)
Invader Zim (I know this one was dark and not the best for kids, but at least it's entertaining and not fetishy)
SpongeBob Squarepants, seasons 1 and 2 (it was way more family friendly back then)
So yeah, Nickelodeon! That's only 8 shows listed! You should be able to play them if you remove the Loud house, Ren & Stimpy, and EVERYTHING that has Dan Schneider's name credited. And like I said, NO MORE LIVE ACTION SHOWS PLEASE!
I apologize for the interruption of normal posting and I debated for a few days whether to but...*sighs* Slimey wants my attention, AGAIN, therefore his ass shall be put on blast here -READ FULL POST FOR EVIDENCE!
[screen cap from my ask box cuz I blocked anon and therefore can't directly answer]
Hey, Chris Piss. Chrissy Pissy Pants. 'Abandoned by Daddy' headass.
Mad my homie got their channel back and that exposed video is up again, I see? In that case, lemme link the video again for those who are still unaware that Slimebeast aka Chris Piss aka "author of the world famous creepypasta Abandoned by Disney" is dollar store Colleen Ballinger a child predator:
youtube
OH, I'll add some further evidence, but I have plenty more I can post here :'3
[Video: Moth is on camera, the woman yelling is Moth's wife, Andrea, and Slimey is the pedo on audio only - Chris has such low audio because moth needed to keep it low since there was a high risk of Chris restoring to screaming slurs]
Oh and here, to prove it was not photoshopped:
Chris. Chris Piss. CHRISTOPHER!!!!!
Leave, you bitch ass 44 year old man. I'll grab you and gerbil man by the ears and smash ya together like stone colds beer. (Metaphorically, of course.)
Welcome to the Tournament of the hottest boy band members of the 80s/90s
It was inspired by all the tournaments pitting famous beautiful people versus famous beautiful people of specific eras and specific jobs. The polls should start on the 8th of April, leaving around two weeks for submissions. I’ve compiled a list already but you can submit other boys that aren’t on the list through a google form. Feel free to submit non english speaking boy bands.
Propaganda
The only pictures accepted will be pictures from the 80s/90s and very early 2000s. To submit propaganda either use the same google form as for submissions (even if the guy in question is already on the list) or through the submission box or tag me on posts.
Likely Referenced Bill: Passenger Railway Services (Public Ownership) Bill
Description: A Bill to make provision for passenger railway services to be provided by public sector companies instead of by means of franchises.
Originating house: Commons
Current house: Commons
Bill Stage: Committee of the whole House
Individual Votes:
Ayes
Labour (341 votes)
Abena Oppong-Asare
Abtisam Mohamed
Adam Jogee
Adam Thompson
Afzal Khan
Al Carns
Alan Campbell
Alan Gemmell
Alan Strickland
Alex Baker
Alex Ballinger
Alex Barros-Curtis
Alex Davies-Jones
Alex Mayer
Alex McIntyre
Alex Norris
Alex Sobel
Alice Macdonald
Alison Hume
Alison McGovern
Alison Taylor
Alistair Strathern
Allison Gardner
Amanda Hack
Amanda Martin
Andrew Cooper
Andrew Gwynne
Andrew Lewin
Andrew Pakes
Andrew Ranger
Andrew Western
Andy MacNae
Andy McDonald
Angela Eagle
Anna Dixon
Anna Gelderd
Anneliese Dodds
Anneliese Midgley
Baggy Shanker
Bambos Charalambous
Barry Gardiner
Bayo Alaba
Beccy Cooper
Becky Gittins
Bell Ribeiro-Addy
Ben Coleman
Ben Goldsborough
Bill Esterson
Blair McDougall
Brian Leishman
Bridget Phillipson
Callum Anderson
Calvin Bailey
Carolyn Harris
Cat Eccles
Cat Smith
Catherine Atkinson
Catherine McKinnell
Catherine West
Charlotte Nichols
Chris Bloore
Chris Curtis
Chris Elmore
Chris Hinchliff
Chris Kane
Chris McDonald
Chris Murray
Chris Vince
Chris Webb
Christian Wakeford
Claire Hazelgrove
Claire Hughes
Clive Betts
Clive Lewis
Connor Naismith
Damien Egan
Dan Aldridge
Dan Jarvis
Dan Tomlinson
Daniel Francis
Danny Beales
Darren Jones
Darren Paffey
Dave Robertson
David Baines
David Burton-Sampson
David Pinto-Duschinsky
David Taylor
David Williams
Dawn Butler
Debbie Abrahams
Deirdre Costigan
Derek Twigg
Diana Johnson
Douglas Alexander
Douglas McAllister
Ed Miliband
Elaine Stewart
Emily Darlington
Emma Foody
Emma Hardy
Emma Lewell-Buck
Emma Reynolds
Euan Stainbank
Feryal Clark
Florence Eshalomi
Frank McNally
Fred Thomas
Gen Kitchen
Georgia Gould
Gerald Jones
Gill German
Gordon McKee
Graeme Downie
Graham Stringer
Grahame Morris
Gregor Poynton
Gurinder Josan
Hamish Falconer
Harpreet Uppal
Heidi Alexander
Helen Hayes
Helena Dollimore
Henry Tufnell
Hilary Benn
Ian Lavery
Ian Murray
Imogen Walker
Irene Campbell
Jack Abbott
Jacob Collier
Jade Botterill
Jake Richards
James Asser
James Murray
James Naish
Janet Daby
Jas Athwal
Jayne Kirkham
Jeevun Sandher
Jeff Smith
Jenny Riddell-Carpenter
Jess Asato
Jessica Morden
Jessica Toale
Jim Dickson
Jim McMahon
Jo Platt
Jo Stevens
Jo White
Joani Reid
Jodie Gosling
Joe Morris
Joe Powell
Johanna Baxter
John Grady
John Healey
John Slinger
John Whitby
Jon Pearce
Jon Trickett
Jonathan Brash
Jonathan Davies
Jonathan Hinder
Josh Dean
Josh Fenton-Glynn
Josh MacAlister
Josh Newbury
Josh Simons
Julia Buckley
Juliet Campbell
Justin Madders
Kanishka Narayan
Kate Dearden
Kate Osamor
Kate Osborne
Katie White
Keir Mather
Kenneth Stevenson
Kerry McCarthy
Kevin Bonavia
Kevin McKenna
Kim Johnson
Kim Leadbeater
Kirith Entwistle
Kirsteen Sullivan
Kirsty McNeill
Laura Kyrke-Smith
Lauren Edwards
Lauren Sullivan
Laurence Turner
Lee Barron
Lee Pitcher
Leigh Ingham
Lewis Atkinson
Liam Byrne
Liam Conlon
Lilian Greenwood
Lillian Jones
Linsey Farnsworth
Lisa Nandy
Liz Kendall
Liz Twist
Lizzi Collinge
Lloyd Hatton
Lorraine Beavers
Louise Haigh
Louise Jones
Lucy Powell
Lucy Rigby
Luke Akehurst
Luke Charters
Luke Murphy
Luke Myer
Luke Pollard
Margaret Mullane
Maria Eagle
Mark Ferguson
Mark Hendrick
Mark Sewards
Mark Tami
Markus Campbell-Savours
Marsha De Cordova
Martin Rhodes
Mary Creagh
Mary Glindon
Matt Bishop
Matt Rodda
Matt Turmaine
Matt Western
Matthew Patrick
Matthew Pennycook
Maureen Burke
Maya Ellis
Meg Hillier
Melanie Onn
Melanie Ward
Miatta Fahnbulleh
Michael Payne
Michael Shanks
Michael Wheeler
Michelle Scrogham
Michelle Welsh
Mike Amesbury
Mike Kane
Mike Reader
Mike Tapp
Mohammad Yasin
Nadia Whittome
Natalie Fleet
Natasha Irons
Naushabah Khan
Neil Coyle
Neil Duncan-Jordan
Nia Griffith
Nicholas Dakin
Noah Law
Oliver Ryan
Olivia Bailey
Olivia Blake
Pam Cox
Pamela Nash
Pat McFadden
Patricia Ferguson
Paul Davies
Paul Foster
Paul Waugh
Paula Barker
Paulette Hamilton
Perran Moon
Peter Kyle
Peter Lamb
Peter Prinsley
Peter Swallow
Phil Brickell
Polly Billington
Preet Kaur Gill
Rachael Maskell
Rachel Blake
Rachel Hopkins
Richard Baker
Richard Quigley
Rosena Allin-Khan
Rosie Wrighting
Rupa Huq
Ruth Cadbury
Ruth Jones
Sadik Al-Hassan
Sally Jameson
Sam Carling
Sam Rushworth
Samantha Dixon
Samantha Niblett
Sarah Coombes
Sarah Edwards
Sarah Hall
Sarah Jones
Sarah Owen
Sarah Russell
Sarah Sackman
Scott Arthur
Sean Woodcock
Seema Malhotra
Shabana Mahmood
Sharon Hodgson
Shaun Davies
Simon Lightwood
Simon Opher
Siobhain McDonagh
Sojan Joseph
Sonia Kumar
Stella Creasy
Stephen Doughty
Stephen Timms
Steve Race
Steve Reed
Steve Witherden
Steve Yemm
Sureena Brackenridge
Tahir Ali
Taiwo Owatemi
Tanmanjeet Singh Dhesi
Tim Roca
Toby Perkins
Tom Collins
Tom Hayes
Tom Rutland
Tonia Antoniazzi
Tony Vaughan
Torcuil Crichton
Torsten Bell
Tracy Gilbert
Tristan Osborne
Tulip Siddiq
Uma Kumaran
Valerie Vaz
Warinder Juss
Will Stone
Yasmin Qureshi
Yuan Yang
Zubir Ahmed
Independent (8 votes)
Adnan Hussain
Apsana Begum
Ian Byrne
Imran Hussain
John McDonnell
Rebecca Long Bailey
Richard Burgon
Zarah Sultana
Green Party (3 votes)
Adrian Ramsay
Ellie Chowns
Siân Berry
Social Democratic & Labour Party (1 vote)
Colum Eastwood
Noes
Conservative (84 votes)
Alan Mak
Alberto Costa
Alec Shelbrooke
Alicia Kearns
Alison Griffiths
Andrew Bowie
Andrew Griffith
Andrew Rosindell
Andrew Snowden
Aphra Brandreth
Ashley Fox
Ben Obese-Jecty
Blake Stephenson
Bob Blackman
Bradley Thomas
Caroline Dinenage
Caroline Johnson
Charlie Dewhirst
Claire Coutinho
Danny Kruger
David Davis
David Mundell
David Reed
David Simmonds
Desmond Swayne
Edward Argar
Gagan Mohindra
Gareth Bacon
Gareth Davies
Geoffrey Clifton-Brown
George Freeman
Graham Stuart
Greg Smith
Gregory Stafford
Harriet Cross
Harriett Baldwin
Helen Grant
Helen Whately
Jack Rankin
James Cleverly
Joe Robertson
John Cooper
John Glen
John Hayes
John Lamont
John Whittingdale
Julia Lopez
Julian Lewis
Katie Lam
Kemi Badenoch
Kieran Mullan
Kit Malthouse
Lewis Cocking
Lincoln Jopp
Louie French
Mark Francois
Mark Garnier
Martin Vickers
Matt Vickers
Mel Stride
Mims Davies
Neil Hudson
Neil Shastri-Hurst
Nick Timothy
Patrick Spencer
Paul Holmes
Peter Bedford
Peter Fortune
Rebecca Harris
Rebecca Paul
Rebecca Smith
Richard Holden
Robbie Moore
Robert Jenrick
Roger Gale
Saqib Bhatti
Sarah Bool
Shivani Raja
Steve Barclay
Stuart Anderson
Stuart Andrew
Tom Tugendhat
Victoria Atkins
Wendy Morton
Vanity Fair is spreading blatant misinformation and is defending someone who has exploited children for YEARS. From years of unpaid labor to using children's bodies for entertainment there are not just screenshots, not a few pieces of evidence that can be doctored easily, no. There are YEARS worth of videos, changed thumbnails, twitter posts, screenshots, group chats, a Netflix series and more to put this horrible woman in the dirt.
I'm sick and tired of OG YouTubers turning out to be horrible people, predators, scammers, etc. AND it is NEVER a surprise! It's a literal open secret that James Charles offered to fly a 14 year old to "hang out" with him. How did everyone react? They ran him, a 14 YEAR OLD, off the internet!
I'm tired of this open secret in YouTube. I've been on YouTube since 2012 as on OG iPad kid and I've seen a pattern. This shit has been happening for YEARS. YouTube has a problem. From miscarriage mukbangs to Onision getting a visit from THE Chris Hansen, I think YouTube needs to do a thorough investigation. A lot of these YouTubers have access to MILLIONS of kids.
I've seen people in comment sections say that watching Colleen/Miranda made them think adults talking about virginity and sex positions, etc, were ok and were then unable to see the red flags when they were violated irl. I'd fight that woman in the ring if I had the chance. I'll say it with my chest.
COLLEEN BALLINGER MASS GROOMED MILLIONS OF KIDS FOR OVER A DECADE IN PERSON AND ONLINE
Justus, Peter und Bob sollen klären, wer hinter den Diebstählen und Sabotageakten steckt, die einer Filmgesellschaft auf Skeleton Island zu schaffen machen. Auch sonst gibt es einige merkwürdige Dinge auf dieser Insel ...
Veröffentlichungshistorie
Buch (Random House): 006, 1966, Robert Arthur, The Secret of Skeleton Island
Buch (Kosmos): 011, 1973, Leonore Puschert (aus dem Amerikanischen übertragen)
Hörspiel (Europa): 018, 1980
⁉️ Allgemein
Handlungsort
Skeleton Island, Fishing Port
Kategorie
Schatzsuche, Spuk
Figuren
Justus Jonas
Peter Shaw
Bob Andrews
Alfred Hitchcock
Sam Robinson, ein Mann der für Geld alles macht
Chris Markos, arbeitet manchmal in Bill's Taverne
Mr. Shaw, Peters Vater
Kommissar Nostigan
Roger Denton, Regisseur
Tom Farraday, Wächter (😈)
Jeff Morton, Regieassistent
Bill Ballinger, Dieb (😈)
Jim Ballinger, Dieb (😈)
🏖 Rocky Beach Universum
Orte
Geisterinsel, kleine Atlantikinsel
Melville, Ort an der Atlantikküste
Fishing Port, kleines Städchen
Die Hand, Nebeninsel der Geisterinsel
Einrichtungen
Bill's Taverne
Sonstiges
Harry Norris, Assistent von Roger Denton
Sally Farrington, ist vor 25 Jahren auf einem Karussell gefahren, als ein Unwetter aufzog und wurde dann vom Blitz erschlagen
Captain One Ear, Pirat der vor 300 Jahren hingerichtet wurde
Dr. Wilbur, Arzt, Besitzer der Geisterinsel
🛼 Sonstiges
Lustige Dialoge
Sam: "In einer stürmischen Nacht, als der Vergnügungspark geschlossen und leer war, sahen die Leute vom Festland aus die Lichter des Karussells aufblinken und der Wind trug die Karussellmusik zu ihnen herüber!"
Peter: "Das hört sich interessant an!"
Peter: "Dieser Wunsch deckt sich in keiner Weise mit den Vorstellungen deiner Detektiv-Kollegen, Just."
Justus: "Mich hast du geblufft! Aber Bob und Peter hast du erschreckt."
Bob: "Mich hast du nicht erschreckt! Nur meine Beine ..."
Peter: "So war es auch bei mir! Wenn ein Totenschädel zu reden anfängt, wollen meine Beine den Standort wechseln."
Tom Farraday: "Hey du, Chris! Was treibst du hier?!
Chris: "Ich muss weg, bis später!"
Tom Farraday: "Ich hab dir doch gesagt, wenn ich dich hier noch einmal hier erwische, setzt es ein Tracht Prügel! ... Was wollte der Bursche?"
Phrasenschwein
-
🏳️🌈 Queer/diversity read
Shippy moments
-
Diversity, Political Correctness and Feminism
Chris Markos hat einen fragwürdigen Akzent
Der Typ, der mit seinem Boot, das Boot der drei Fragezeichen rammt, hat sein Gesicht mit einem Sombrero verdeckt
"Viele Fischer mögen mich nicht, weil ich Ausländer bin!"
Chris Markos und sein Vater kommen aus Griechenland
When these songs were played on the radio, we shook with dread. Here’s the songs that we wished we could unlisten
p.s: toxic gossip train by colleen ballinger aka Miranda sings isn’t included because it’s basically another tone deaf YouTube influencer/celebrity apology video except it’s a lot worse than the typical influencer apology videos and thats saying something . Unfortunately there’s also no dishonorable mentions on this list but songs like lil mabu “mathematical disrespect “, Morgan wallen “last night “ , the steve aoki remix of The Beach Boys classic “fun , fun , fun “, and any song from Tom Macdonald and Adam Calhoun collab album “the brave 2” among others have received mixed to negative reviews (although some of the songs that have been featured on hated songs lists have also garnered positive reviews as well in this case with Morgan wallen)
btw, if you enjoy any of these songs more power to you, everyone’s got their own opinion and taste of music and that’s fine.
what song did you love this year?
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MUSIC
NEWS
Dec 22, 2023 8:25am PT
The Worst Songs of 2023
By
Chris Willman, Steven J. Horowitz
Awfulness in music came in so many forms in 2023. Nothing makes for a good annus horribilis like songs that promote xenophobia, racism or just overall divisiveness in the interest of trolling — so here’s a round of Fudge Rounds for strange bedfellows like Jason Aldean and Kanye West. But it’s understandable if you might think that the real scourge of the last year was the plague of songs built on lazy interpolations, which manage to ruin perfectly fine oldies as well as introduce fresh rottenness into the world. We’re looking at you, David Guetta, Jason Derulo, et al.
Is there anything much worse than a remake no one wanted — see 2023’s prime offenders, Fall Out Boy? How about the phenomenon of bad self-remakes… hello, Roger Waters? Duets Mixing sex, drugs and race into a questionable cocktail landed the combination of Travis Scott and the Weeknd on our list. Meanwhile, all due credit is due when someone seems to be inventing a brand new subgenre of cringe as effectively as Meghan Trainor does on the unfortunately unforgettable “Mother.”
Here’s a 20-song sampling of the misbegotten tracks from this past year that most made our ears bleed, or our spirits, or both.
1
'Try That in a Small Town,' Jason Aldean
Aka “Try That in a Sundown Town.” This was a year when other country stars were making huge crossover strides, inviting curious new fans and even international markets to check out the genre. And what was Aldean’s contribution to that welcoming wave? Releasing a hostile anthem of proud xenophobia that basically amounted to putting up a “Stay the hell away… or else” sign. His defense of the song was that no one could be against the violent crime described in some of the lyrics, but these words — which sound like they were assembled in random order in a five-minute writers’ room session — weren’t nearly coherent enough for anyone to definitively state what the song is against, besides the big city. Legitimate protests were conflated with carjacking, both meriting a vigilante beatdown. (Also the epitome of big-city life: “cussing out a cop”… something that has never, ever happened outside a small-town bar, we’re certain.) As far as setting the music video in a historically well-known lynching setting, let’s be generous and give Aldean credit for not knowing about that sinister history before he shot the ominous visuals there. We could even give him credit for proabably not being consciously aware of how much the lyrics echoed the anti-civil-rights threats made in small towns in the ’60s. Now, imagine if we could just give him credit for something greater, like being a country music uniter instead of divider. Or just picking less hacky songs. —Willman
2
'Vultures,' Kanye West and Ty Dolla Sign featuring Bump J
“How am I antisemitic? I just fucked a Jewish bitch.” Enough said. —Horowitz
3
'We Didn’t Start the Fire,' Fall Out Boy
Imagine the brainstorming session behind Fall Out Boy’s rewrite of the 1989 “classic.” “Let’s remake a Billy Joel song! Our fans are clamoring for it.” “Great! What’s one of his most beloved songs?” “Too easy. Let’s go for the one universally considered most annoying — not only in his catalog, but maybe of the 20th century.” “Awesome idea. But should we update the lyrics?” “Of course, but only if we put everything in completely random, non-chronological order, unlike the original. Our only criteria should be to make the juxtapositions as jarring as possible.” “Cool — I was thinking ‘Afghanistan’ next to ‘Cubs.’ Hey, what rhymes with ‘John Bobbitt’? Did ‘The Hobbit’ get published after ‘89?” “Just make it ‘Bobbitt, John.’” “But we do need to maintain a rhyme scheme through the whole thing, right?” [Dirty looks are exchanged as the clock shows 12 minutes of studio time remaining.] —Willman
4
'Baby Don’t Hurt Me,' David Guetta, Anne-Marie and Coi Leray
We’ve apparently come to the age in time where sampling tracks from the 1990s — or even the early aughts — has become de facto, encouraged even. And it was a perennial stitch in 2023’s side. Sampling in and of itself is an art form, and when done effectively, it can transform the master track into something new and inspired (see: Beyoncé’s “Renaissance”). Which isn’t the case for David Guetta’s “Baby Don’t Hurt Me,” an empty rehash of Haddaway’s 1993 club smash “What is Love.” “Baby Don’t Hurt Me” feels stiff and sapped of vitality, a recreation of a classic without intent. Guetta has had a decades-long career translating the sound of the club into something more palatable for top 40 listeners, and this signals a misstep. —Horowitz
5
'Money,' Roger Waters
I’m not even one of the people that thought it was inherently a bad idea for Waters to remake the entirety of Pink Floyd’s “The Dark Side of the Moon” album as a solo effort, with subdued instrumentation and mostly whispered vocals. It’s… interesting. And “interesting” counts for at least a little when it comes to what mostly set-in-their-ways classic rockers are up to in 2023. But, that said, there’s something deeply perverse about doing a remake of one of the most-loved songs in the 1970s rock canon, cutting out the instrumental solos, and replacing David Gilmour’s contribution in the middle of the tune with a four-minute poem about… boxing. Well, not really about boxing, I’m sure, but I haven’t summoned the will to parse the actual metaphorical meaning of muttered lines like “Through toad lids he squints his vision of the world.” If you’re looking for positive assessments of this bizarre re-do, it’s no surprise that they’re giving none away. —Willman
6
'Mind Your Business,' Will.i.am and Britney Spears
Listeners were quick to call Will.i.am’s bluff on “Mind Your Business” as a collaboration with Britney Spears that was scooped off the cutting room floor. And wouldn’t you know, it was. The Britney Army has long been skeptical of the Black Eyed Peas frontman, namely for his contributions to the underwhelming “Britney Jean,” and while prior collaborations including “Scream & Shout” and “Big Fat Bass” generally escaped the pitchfork’s pointy end, “Mind Your Business” took the brunt full-on. There’s nothing original happening here, and the canned synthesizers suggest that Will.i.am’s musical sensibilities are stuck in 2009. (Or, 2000 and late, if it were.) Where Spears’ duet with Elton John on “Hold Me Closer” felt tasteful (even if it plays like marketing as music), the release and sound of “Mind Your Business” couldn’t have been more poorly timed. Clearly, with Spears fresh out of a conservatorship, the last thing she needed was to revisit blunders of the past. —Horowitz
7
'Vulgar,' Sam Smith and Madonna
One of the reasons that Sam Smith’s 2023 album ‘Gloria’ so effectively resonated is because it positioned the singer as a star reborn anew, confidently embracing their sexuality in a pop arena that’s rarely accepting of such liberating queerness. “Vulgar,” their one-off collaboration with Madonna timed specifically to Pride month, flung that notion off the deep end. An overt bid to cater to ball culture, the track sees Sam and Madonna (get it? S&M?) settling beneath their artistic integrity, with production that sounds like a ‘Drag Race’ runoff and a severe lack of performative dynamism. Those seeking a melody will come up empty-handed by the song’s end, left with mere hollow, iconoclastic boasts with little to justify it. —Horowitz
8
'Rich Men North of Richmond,' Oliver Anthony Music
He came so close — so close! — to being able to claim an anthem for a working-class generation that just about everyone could claim some sympathy for. The non-specificity of most of the lyrics could have led it to be embraced by both right and left, even if they didn’t agree on which Washington fat cats or which money-wasting government policies he was protesting. But then he had to go and punch down… and despite his disavowals, there’s no other way to read the “5’3″ and 300 pounds,” except as some kind of right-wing editorial-cartoon caricature of welfare recipients. Victim-blaming? Oh, fudge. —Willman
9
'Search & Rescue,' Drake
Credit goes to Drake for his ability to maintain his chokehold on music this far into his career. His eighth album “For All the Dogs” arrived in October as an overblown compendium of songs that feature Drake being Drake, with largely strong returns (at least, according to his devoted fan base). But he warmed up audiences with one of his snooziest attempts to date in April with “Search & Rescue,” a song that’s by no means offensive but feels like a half-attempt. Drake is at his best when he actualizes a thought in its entirety, and “Search & Rescue” scans as shapeless, something akin to a stream-of-thought freestyle that escaped the studio. Woe-is-me Drake is often when he glimmers brightest, and yet his yearning for a partner to meet him eye-to-eye lands uninspired. —Horowitz
10
'I Won’t Back Down,' Lara Trump
One of the more tertiary of the Trumps offers a “Come and get me, coppers!” cover of one of Tom Petty’s greatest songs, practically daring the Petty estate to try to take it down, after the heirs’ previous public disapproval of her dad-in-law using it at rallies. Instead, it met the fate met by most amateur crooners using a cover to try to break into the biz: invisibility. Maybe we could recommend some other selections from the ex-president’s rally playlists for Lara to try her hand at, like “YMCA,” as long as she’s not backing down from a music career. —Willman
11
'Mother,' Meghan Trainor
Meghan Trainor has had nine lives in the pop industry, and rightfully so. Since she hit it big with “All About That Bass” in 2014, she’s consistently defied the odds by doing what she does best: crafting unshakeable pop songs that break through whatever noise surrounds her. Last year, she did it yet again with “Made You Look” on the back of a TikTok trend that found crossover ubiquity. But lightning rarely strikes twice in a row these days in pop music and “Mother” couldn’t touch down. In a year of songs bursting with samples, “Mother” rebuilds The Chordettes’ “Mr. Sandman” as a double entendre, referencing her literal motherhood and the more colloquial definition of being “mother.” What results is a schticky putdown of overzealous men that weirdly crams “mansplaining” into the chorus. “Mother” slots musically into her discography, but it’s simply unforgivable to use the “bum bum bum” sample to refer to someone as a bum.
12
'Boycott Target,' Forgiato Blow and Jimmy Levi
It’s a hip-hop song that comes Marjorie Taylor Greene-endorsed, so you know it’s gotta be good. Forgiato Blow, a self-described “MAGA rapper,” went into an actual Target store to shoot the video for this proudly homophobic and transphobic protest song, which rails against the chain “targeting your kids.” And as evidence that Target is going after children, the video shows the rapper brandishing Bud Light and champagne with a rainbow label, two products obviously aimed at tykes. “We need а clean-up on every aisle / Inside this storе Satan resides / Wash it with the blоod of Christ… / God is coming for revenge,” they rap. At least they resisted the temptation to portray blood flowing through the beer section, but there’s probably only so much you can accomplish in a five-minute rogue video shoot. —Willman
13
'Hands on Me,' Jason Derulo featuring Meghan Trainor
The interpolation craze may have hit rock-bottom with this soul-destroying adaptation of Ben E. King’s “Stand by Me”… which, take it from me, could ruin your appreciation of that classic oldie forever. (Do not click on the video, above. You’ve been warned. We place it there only in the hope that, like “The Grudge,” the curse can be passed on.) Surely whoever owns the publishing for this 1961 Lee/Leiber/Stoller composition violated some federal law by allowing this desecration. If not, now is the time for Congress to act to avoid similar tragic violence in the future. As much as the musical arrangement packs a kind of bubblegum it’s hard to imagine anyone over the age of 9 cottoning to, the lyrics are right out of an old-school porn scenario: Derulo tells his foxy neighbor she can come over to borrow some sugar any time, so she comes over dressed in a robe, which, according to his reportage, she drops as soon as she’s in the front door. “I won’t be afraid,” Derulo sings, in the only line left over from “Stand by Me,” but anyone exposed to this veritable horror movie should be afraid… very afraid. —Willman
14
'My Body,' Coi Leray
This isn’t a knock on Coi Leray as an artist whatsoever. In fact, over the past few years, the Grammy-nominated artist emerged as one of the most promising young emcees with her punctual rhymes and fluid ability to toggle between a rap-sung cadence. But the buck stops at “My Body,” a single included on her 2023 album “Coi” that crassly samples Leslie Gore’s classic “It’s My Party.” On it, she transforms the naïveté of the source material into an exercise in self-aggrandizement: “It’s my body, I could fuck who I want to / It’s nothin’ new, you just mad it ain’t you.” Where rappers of yesteryear have mutated big band songs into fresh takes—Missy Elliott’s “Big Spender” comes to mind—“My Body” feels like a stumble, one that leans on nostalgia without offering anything of value. —Horowitz
15
'K-POP,' Travis Scott featuring Bad Bunny and the Weeknd
This counts as a bit of a troll — tricking some music fans and search engines into thinking the song is a salute to Korean pop when it’s really about the seductive effects of the ketamine lollipops pictured in the single art and video and loosely described in the lyrics. When Scott and his guests put this out back in July, it was many months before ketamine became most famous for apparently killing off one of television’s most beloved stars, so maybe the pro-drug stance of “K-POP” shouldn’t be judged by December 2023 standards. Still, if you were thinking it’s possible to make a good song about the drug, this wasn’t it, marking a low point on a Scott album that was otherwise pretty well-received. Naturally, the Weeknd’s guest verse had all the quotably decadent lines you’d expect (“We gon’ fuck till we seasick,” etc.). And he was the one who brought race into it: “Even though she Korean / Get her wet like tsunami.” There’s no double-entendre like the kind where all the entendres are equally risible. —Willman
16
'Cinderella Snapped,' Jax
Where to begin. Jax may not be a household name, but listeners may recognize her as a third-place finisher on “American Idol” or, later, a TikTok star. While she’s been releasing music for years, she hit her mainstream stride last year after “Victoria’s Secret,” a body-positivity anthem that took the lingerie company to task, became her first single to chart on the Billboard Hot 100. The from-the-hip lyrics resonated with fans seeking a takedown of the impossible cultural standards imposed on women. But on her follow-up, “Cinderella Snapped,” Jax invokes Disney princesses and reimagines their storylines to cringy effect. “Rapunzel shaved their head so there was nothin’ to climb on / Jasmine made out with Mulan / Sleeping Beauty sued the dude who kissed her while she was asleep / And Ariel was confident without any feet,” she sings. It trudges on from there. Fantasy is nothing new to pop music, but attempting a rewrite of the entire Disney oeuvre to shoehorn unintended narratives feels antithetical to the magic of what made those stories so endearing in the first place. Sure, the intention here feels genuine, but the execution is farcical at best. —Horowitz
17
'Alone,' Kim Petras featuring Nicki Minaj
What was poised to be Kim Petras’ solo breakthrough following the runaway success of “Unholy,” her collaboration with Sam Smith, ended up fizzling upon arrival. Billed as her “debut album” (despite the fact that she has numerous “debut albums” on her resume), ‘Feed the Beast’ felt less like the glossy risk-taking fare that largely drives her discography and more like a thin, conventional bid for mainstream crossover. There are certainly bright spots on the album—“Uh Oh” and “Revelations” rightfully earned spots in the Petras hall of fame—but it was with the lead single “Alone” featuring Nicki Minaj that the momentum slowed to a crawl. Mining from a sample of Alice Deejay’s classic ‘90s club banger “Better Off Alone,” the single strips away the urgency of the original, cutting the pace nearly in half for a trudge of a single that could very well have tickled fans’ desires. Much of its detriment is due to the inversion of pace from verse to chorus: The drums pitter patter across the former, only to cut out as Petras hits her vocal stride on the latter. Remixes of “Alone” tried to course-correct, but the damage had already been done. —Horowitz
18
'Chevrolet,' Dustin Lynch featuring Jelly Roll
Speaking of Chevys — as Oliver Anthony was, earlier in this list — Lynch sings an ode to the brand with “Chevrolet,” which is set to a full-length interpolation of the Dobey Gray classic “Drift Away.” (Or should we say the Uncle Kracker classic “Drift Away”? Snce that 2002 cover is the likelier place for Lynch to have picked it up.) This song seems like it was crafted solely to get adopted by the carmaker itself for an ad campaign, the way that Applebee’s adopted Walker Hayes’ anthem after the fact. But the lyrics don’t exactly represent a realistic scenario. Lynch is trying to seduce a woman in a bar, and she’s telling him she wants to go get down in his Chevy, but since they just met, you’re thinking: Really? Bragging “I have a Malibu parked out back” was one of your pickup lines? Also, since the music is lifted entirely from “Drift Away,” did it really take three Nashville songwriters just to come up with lyrics so terrible you’d think not even one of them would want credit? —Willman
19
'Justice for All,' Donald Trump and the J6 Prison Choir
There’s a perception that you’d have to look to hip-hop to find as many felons or possible soon-to-be-felons gathered on one track, so thanks are due to the former president and the insurrectionists behind bars on his behalf for correcting that. —Willman
20
'I Wanna Be Software,' Grimes
Artificial intelligence became a prominent talking point in popular music over the past year, namely due to producer Ghostwriter gaining traction with an AI-generated track featuring mimetic vocals from Drake and The Weeknd. Grimes was just one musician quick to fall in line with the growing trend, encouraging musicians to use AI to resemble her voice on a track of their creation in exchange for a share of the profits. She took it one step further with “I Wanna Be Software,” and oh, how far we’ve strayed from the light. Where Grimes has built a career retrofitting experimental turns in electronic music into a pop format, she goes quite literal on “Software,” a computer glitch of a song that ambles as much as it wobbles. Over production that could very well be a Garage Band preset, she sing-raps about, you know, wanting to be software. “You can write me, you can design,” she deadpans. If only she’d put as much effort into the track itself. — Horowitz
Begin forwarded message:
> From: [email protected]
> Subject: Conference: Edinburgh.UrbanBiodiversity.Sep21-22
> Date: 19 August 2023 at 06:07:17 BST
> To: [email protected]
>
>
>
> Dear All
>
> A conference on ‘Urban Floras – a Contribution to Biodiversity’ will
> be held at the Royal Society of Edinburgh on the 21 and 22 September 2023.
>
> Speakers include:
>
> Sue Grimmond (Reading University)
> Wolfgang Hofbauer (Fraunhofer Institute)
> Sim Tang (Centre for Ecology and Hydrology)
> Vladimir Krivtsov (Edinburgh University)
> John Grace (Edinburgh University)
> Simon Hiscock (Oxford University)
> Richard Abbott (St Andrews University)
> David Chamberlain (Royal Botanic Garden Edinburgh)
> Chris Preston (Cambridge)
> Hamlyn Jones (Dundee University)
> Brian Ballinger (Botanical Society of the Britain and Ireland)
> Michael Philip (Botanical Society of the Britain and Ireland)
> Beth Stagg (Exeter University)
> Isabella Cornwell (Edinburgh University)
> Kevin Frediani (Dundee Botanic Garden and Dundee University)
>
> Programme and details for registration are available at:
> https://ift.tt/lz9HFTZ
>
> Registration cost is £40 with a reduced rate of £20 for students.
>
> The RSE venue is in the centre of Edinburgh, UK, with a large number
> of hotels, restaurants and bars nearby. Delegates are requested to make
> their own accommodation arrangements.
>
>
> Richard Abbott
> Emeritus Professor
> School of Biology, University of St Andrews
> St Andrews KY16 9TH, UK
>
> Email: [email protected]
>
>
> [email protected]
>
> (to subscribe/unsubscribe the EvolDir send mail to
> [email protected]