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jubileegeode · 7 months ago
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Half worldbuilding project, half mockups for a potential videogame in the future, Life in Sediment is whatever the heck I feel like drawing about it!
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Salty seas lap at vast dunes of Katanafish-laden Sift which lead to mountains rich w both Kobalt and Kobolds! All lie in the shadow of the Fairy Tree, home of Harpies which swoop down at anything which dares climb towards the heavens and steal their precious fruits.
The Kobolds' caves lead deep through Spiraline infections and deep Tar, leading to impenetrable layers of Slade which hide an underworld of Demon kind, where vast cities hide in the Haze.
Meanwhile climbing up the Fairy Tree might offer gleams of truth of the source of the carcinogenic Orichalcum beaches, whose threads magnetically align themselves with the island of Mercury floating above.
What from below is a glassy threaded mess is above a veritable snowy wonderland, an island which fell low enough into the Plume to begin melting into Orichalcum.
This is not a world you can travel without a specialized suit fit for the zone you visit and a fair few rivets to patch it up!
You might also benefit from a lil Theseus drone to keep you company!
Now with the basics done,
Let's get into the juice >:)
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In this world Density, PH and other fun properties are lumped together into just the one "Eminence" (or EM)
High EM elements disintegrate in low EM elements and vice versa, which doesnt happen often in nature since high EM sinks in low EM.
EM also does not correlate to what state an element tends towards in room temp, meaning a liquid may float in gas and so might a solid.
A list of Elements sorted by EM (low is up) is also provided <3
Mockups of different areas:
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Rivets replace HP as they are required to patch up your pressure suit ^^
Naturally, you die in 2 hits from anything if unprotected, plus the general bad things that happen when your feeble skin is exposed to the elements.
Unfinished Calendar Project:
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Inner Skeletons for a Theseus:
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Lil customizable Robots which offer different functions and durabilities based on what materials their components are made of.
those components are:
Skeleton
Shell
Limbs
Core
Habitat Vessels for travel in sand, sea and sky:
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A Mercurian in their cute lil pressure suit ^^
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Some Underworld misc:
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I'm sure I missed some things, feel free to ask me any questions you might have in my Ask box! it's what its for!
P.S I am not Sarah.
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skelevenn · 2 years ago
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Repostober 10 - daily drawing May 2021 (two days each)
These little square chunk cross sections of environments were going around for a little while, so I tried em out. I think the forest one is much less good but I dislike it less now than I did at the time.
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edwardos · 7 months ago
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An actual chunk error in Beta 1.7.3 multiplayer.
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renegadehoist · 2 years ago
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A little project I started..
From my 12 year_ single-player survival world.
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furfurfrou · 7 months ago
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I've managed to beat up the train blorbos in the pasio subway extreme battles. Here's the ending cutscene that plays out for those who couldn't make it this far:
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Ingo and Emmet I love you very much but I'm going to have to beat you with hammers for the nonsense you just put me through
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rikusahoge · 8 months ago
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"But be safe. No reckless stunts."
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On Sora and Riku's respective recklessness as showcased in the series, and what it means for their relationship
Under readmore because i am going to talk a lot
As an aside: Im going to be pulling from the Japanese text, though I am not a native speaker or really any kind of speaker, so take what I say with a decent amount of scrutiny. I'm more than willing to be corrected on these conclusions!
One line that has stood out to me in kingdom hearts is the repetition of "no reckless stunts!" and similar phrases. If you examine the original text, three slightly different words have been used to mean "reckless", which I'll include below (pulled definitions from Jisho, mostly)
無謀 (mubou): reckless, foolhardy, rash, ill-advised, mad (scheme)
無茶 (mucha): reckless, absurd, unreasonable, ridiculous
無理 (muri): impossible, unreasonable, unjustifiable
Importantly for what i want to talk about is how "muri" is used in situations where a character wants to express that something is impossible (think of a character giving up all hope due to an insermountable obstacle in front of them, they may mutter something like "muri da...") keep a pin in this, it will matter toward the end.
Also note that each of these words starts with "無" (mu), which usually means nothingness or absence of something. The definition of this kanji isnt super important, it's more important that its presence ties these three phrases together in a really unique way as i hope to demonstrate.
what i propose is that both Sora and Riku are depicted as reckless characters, albeit in different ways. The established pattern I've noticed is that Sora: "mucha" & Riku: "muri". I will tentatively refer to "mucha" as "rash" and "muri" as "impossible" (despite that it does also mean other things in some cases! bare with me it'll make sense)
Dialing back a bit, we have seen countless moments of Sora acting rashly. It is one of his key character traits and it tends to get him in trouble. He has a big heart, and is quick to anger.
Sora's response to loved ones and helpless innocents that have been put in harm's way is to repetitively bash things with his keyblade (and ask questions later).
It's Sora's rashness that allows Org 13 to use him to complete kingdom hearts. The extreme end of his rashness is showcased when he stabs himself to release Kairi from his heart.
Tldr. I think it's pretty well established and easy to argue that Sora is one to leap before he looks.
Now, Riku might be a little harder to sell as reckless, because of how well he tends to hide it. He carries himself as a role model for Sora, and tries to be the responsible friend. But if we look at his patterns of behavior, despite how he carries himself, he is quite reckless!
Without thinking of the consequences, he rushes the open door when destiny islands falls to darkness, eventually succumbing to it himself. He lashes out several times at Sora, particularly dangerously when he fires off a dark firaga in Hollow Bastion. He closes the door to darkness with Sora without knowing what would happen to him if he was trapped in the realm of darkness. When Sora is asleep, he sacrifices his form to defeat Roxas, without any assurance that he would ever be able to get his old form back.
We see Riku's recklessness too in the fight against Xemnas. He recklessly throws himself in front of Xemnas twice, hurling Sora away from danger and taking a very nasty blow to the hip. I'd count his dive to save Sora in DDD among these, mostly due to his risk taking behavior when it comes to saving Sora. Finally of course we see it in KH3, with his ultimate sacrifice. (but i think importantly, this scene isn't just recklessness, but I'll explain in a bit)
So tldr. Despite Riku's mask of level headedness and resolve, he has been shown over and over to take massive risks without caring for the consequences. Which is pretty reckless, in my opinion!
Sora and Riku's recklessness, mind you, is also called into question by Yen Sid, who tells Riku the reason he kept Aqua's fate a secret was to keep Riku and Sora from staging a "half-baked attempt at rescue"
He says similar in Japanese, but i want to just note the word he uses when he describes the rescue attempt as reckless (highlighted for ur convenience):
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(the highlighted word here is "mubou", it will come back later in an Important way, so keep it in mind)
he's *basically* saying that if Riku, or worse, Sora, knew about Aqua, they would have recklessly marched into the realm of darkness to rescue her. Because he knows they are both ... Like that.
I would be remiss to not mention that Sora's impulsivity and recklessness is something Riku admires! After Yen Sid tells riku not to be rash, and Riku excitedly tells Mickey he's ready to help save Aqua, Kairi observes that Riku has changed, and he's more like Sora. Riku asks if that's a compliment, but I think it's clear that he feels it is. He says it's more Fun to just follow his heart, which is sora-esque. (;_;) This is also something he brings up to Sora when they're on the dark margin together, that he's jealous of how Sora can just follow his heart. It's clear Riku has started to embrace his more impulsive side, to follow his heart like sora does. This is important later!
So now that I have my premise Mostly set up, I'd like to highlight a handful of scenes that I thought were really telling about how Sora and Riku relate to the terms "mucha" and "muri", respectively.
Let's start with Sora and "mucha".
The first instance i have found "mucha" used is in Olympus Colliseum.
lets recall How Herc initially loses his power in KH2, and compare it to the movie.
In KH2, Herc is tricked into leaving the colliseum unguarded by capturing Meg and hiding her in the underworld so that Herc and Sora must go to her rescue. Hades sends a hydra in to destroy the colliseum while Sora and Herc are busy fighting heartless and Pete and rescuing Meg.
Upon seeing the destruction in the colliseum, Herc falls to his knees, and you can visibly see his colors fade to a more ashen complexion, similar to his appearance without his powers in the movie. He calls himself a piece of shit basically and Meg helps him up to limp to safety, leaving Sora to defeat the Hydra (ahem sora helping riku walk in twtnw after xemnas fight anyone)
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(Herc even has a second journal entry for his Desaturared form.)
You leave the world after defeating the hydra and jumping up on its back a few times, and after sora d & g are named true heros. Yay. But Herc doesn't have his power back yet, which will later be addressed in the second episode.
Herc's loss of power is much different from the movie. In the movie, he agrees to let Hades take his strength for a day in order to keep Meg from harm, and release her from the contract she had entered with Hades (iirc). This was all so Herc wouldn't get the chance to save Olympus from the titans that Hades revives in order to take Zeus' throne for himself.
Herc still tries to wonderboy his way into rescuing the town, and fights a giant cyclops. While he lacks physical strength and gets pretty much Pummeled, he ends up beating the cyclops with his wit - but in doing so, a pillar is knocked over. It is about to crush Herc, but Meg pushes him out of the way, and is crushed to death.
She gives her life to save him, which in turn returns strength to Herc, because the contract was only good if Meg remained unharmed.
What I'm mostly trying to say here on this tangent is Herc's loss of power in KH2 specifically is very reminiscent of Sora losing his keyblade in Hollow Bastion, which is later echoed in the keyblade graveyard when he feels he loses his strength to fight after losing his friends. I bring up the movie to show how bizarrely different it is from the Kh2 plot, perhaps precisely to make the parallel between Sora and Herc stronger (and the parallel between Herc and Riku, by the way - Herc falling to his knees, losing his power, and giving up, only for Meg to walk him to safety, is a parallel to Riku losing his will to fight and press on after the battle with Xemnas - Sora refuses to let him and in the same Exact way he helps Riku walk on)
So Hercules, when faced with the impossible wavers, and loses his strength and will to fight. This is important so keep it in mind. Impossible/Muri isn't stated here as far as i know, but it's important that he is feeling utterly defeated and unable to win.
The second visit to the world is when we first see the term "mucha"/reckless used as far as I was able to find. Hades casts Meg into the Soul Hole and Herc dives in to save her without hesitating (mechanically to write Herc out of the boss fight, but)
We later see Herc emerge with Meg, his godly aura restored (he is Radiant!) something that *should* have killed him. and should have been impossible. But his desire to save her was so great, he recklessly dives in, without knowing that he will succeed. Luckily, all he had to do to prove he was worthy of godhood and power in both the game and the movie was to use the strength of his Heart rather than his fists, as a true hero does:
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Sora scolds him and tells him not to do anymore crazy stunts after this reckless dive to save Meg (screenshot makes it look like herc is saying it sorry lol) and that is where we can see the term "mucha" being used in Japanese:
instead of crazy stunts, Sora moreso says "but don't be reckless (mucha)":
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to which herc responds:
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"people always do stupid things when they're in love" (note he doesn't repeat reckless, he says "baka" lol)
so here we have a direct link between herc's sacrifice when he dove in to save Meg, the restoration of his power/Godhood, and acting recklessly (mucha), without Fear or Doubt, to save someone he is In Love With. put a pin in this because it's all connected.
Now moving onto KH2.9 and KH3. From the start of the game we are told Sora has lost the Power of Waking, and his Entire goal in the game is to regain it, wake Ventus, and prepare for the battle in the KBG with Xehanort.
The Power of Waking is already a very vague, disney-esque power, essentially the power to free sleeping hearts from slumber (and first introduced to us in DDD, particularly in terms of Riku waking Sora up in a sleeping beauty retelling but I'm getting ahead of myself)
Yen Sid suggests that Sora go to Olympus for clues to regain his power, as Just Like Sora, Hercules also lost his power, but was able to regain it.
It's pretty straightforward, but in the interest of not making this post a fucking novel ill try to keep it short. Herc tells Sora he's not sure just *how* he got his powers back, just that he wanted to save Meg with all his heart when he (recklessly) dove in to save her. The game is trying to tell Sora that it's the Power of Love that brought back Herc's strength, and that Love will be key in bringing Sora's PoW back, too.
Specifically, I think that Herc's story and the other worlds Sora visits are saying that it's True Love that will bring Sora's powers back. Acts of true love in KH3 are framed as courageous, selfless, and performed unconditionally.
Despite the visit to see Hercules, Sora still doesn't gain the PoW. He has an idea of what he needs to regain it, but he has to visit multiple Disney worlds to learn more about the power of true love and sacrifice (well also separation but thats not as important to this post) before he's ready to test it out for himself.
After Arendelle (i think) we get to another important cutscene where Riku, Sora, donald, goofy, & mickey meet up with Yen Sid to discuss the progress they've made on their respective journeys. Sora wants to go to the Realm of Darkness with Riku & Mickey because he's worried, but they Won't let him because he doesn't have the PoW. Riku does the fondest laugh known to man, eliciting a bit of anger from Sora, but explains it's because of what Yen Sid had told him earlier - that had Sora or Riku known about Aqua being trapped in the RoD, they would have recklessly gone in to save her.
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he's pretty much directly quoting yen sid here, just like he does in English (saying half-baked instead of reckless too). So basically saying here Sora would have marched into (the dark world) recklessly (had he known where Aqua was) - again using "mubou" like master yen sid.
Interestingly, when we get to Sora telling Riku to not be reckless in the dark world to Riku, he's not repeating the same word for Reckless that Riku is using (Now this might be just a flow of the conversation thing, which i certainly cant confirm as a non-native speaker but i think it's still notable)
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Sora says something similar to what is said in English; with a few distinctions. A rough translation would be "but don't overdo it, call me if anything happens" (need I gripe one more time that english localization cuts out sora telling Riku to call him; which is why he spends the rest of the time apart from Riku wanting a call, and why its so unhinged that Riku triangles for sora and basically summons him. I DIGRESS)
This line is translated as "but be safe, no reckless stunts" in English, which serves as a callback to what Sora tells to Hercules in KH2, (further solidifying a herc/riku parallel) but IMPORTANTLY, Sora is NOT even saying the same thing he said to Hercules in the Japanese script. He's saying something else - 無理しないで (muri shinai de), which is usually translated as don't overdo it - but literally means "don't do the impossible". This will be important later when I talk more about Riku so keep this in mind.
We immediately get Donald saying "Sora's the reckless (muri) one" (abbreviating for simplicity) but Jiminy disagrees. In English he says "He's not reckless, he just doesn't think!" but in Japanese he says this:
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Which i know im going to butcher any translation I do, but Jiminy is basically saying "[Sora's] not muri he's mucha". That distinction is important enough for Jiminy to make a joke about it. That Riku might actually be the one who is overdoing it/trying to do the impossible (muri), while Sora is the one who runs headfirst into danger recklessly (mucha). Which, i think, is quite fitting, given the actions theyve done through the series.
Importantly we get one more instance of "mucha" which I think really ties Sora's trait "recklessness" together nicely, and puts into perspective what the repetition of these phrases is doing from a story telling perspective.
After Sora finishes up the remaining Disney world visits, S, D, & G find out that Chip & Dale have lost contact with Riku & Mickey. Sora is very upset at this, and is Determined to save them (Riku) (with all his heart). Sora has NOT GAINED THE POW at this point, and they don't know how to even get into the RoD, so Sora opts to "let his heart be his guiding key" to find his way to Riku and the RoD. (Recklessly I might add, he hasn't called or talked to Yen Sid or consulted anyone about it lol)
He arrives at Destiny Islands and mysteriously finds Master's Defender which happens to be the key to getting him into the RoD. Right? Well. We know from the glossary that the established method of reaching the RoD is with a keyblade of darkness, through dark corridors, or with the Power of Waking.
Others have argued this (see SRT) but it's heavily implied that Sora regained the PoW on his way to rescue Riku. That he used it explicitly to get into the RoD is where people tend to be a little caught up in the details, because it *does* seem like Master's Defender plays a role, which begs the questions - is it a keyblade of darkness? What the fuck was it doing there? etc. (literally saw on a kh wiki that sora got into the RoD because Masters defender was a keyblade of darkness, which is unconfirmed currently lol) It's also not traditionally what the PoW looks like. There's a huge door that appears, Sora isn't using the kingdom key, he doesn't burst out of Riku's chest. Etc.
HOWEVER. I think with the context of the narrative arc Sora is going through, the foreshadowing present in the game, and The Reckless Rescue angle can at least prove that he DID regain his power here, regardless of whether or not he explicitly used it to get into the RoD. I'll try to briefly summarize the points I've seen made before I add my own.
After the visit to Olympus, Sora explains to Yen sid that he didn't regain his power but he still learned a lot. Yen sid stresses again that sora needs the PoW, Sora gets pouty, and Goofy cheers him up by saying "maybe something will trigger it real soon". Shortly after a bit of banter, there is a knock at the door, and Riku and Mickey walk in. The camera kmakes a point to show Mickey off to the side, then pan up to Riku as he walks in to close the door, who is centered in the view (almost as if we are watching from Sora's POV, who is anticipating Riku's appearance in the door).
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Putting this side by side is a little unfair, since it's not an immediate jump from Goofy saying this to Riku's entrance, but it's pretty in your face about just what (or who) might be key to reawakening sora's PoW.
We also get some heavy handed foreshadowing in the next visit to Yen Sid's tower, right before Sora tells Riku to not overdo it:
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Yeah. and he does, importantly, get the power of waking, not BEFORE he comes to the rescue, but BECAUSE he comes to the rescue.
Now for my contribution since I stole the last two/three points from other posts. Just before Sora enters the RoD, he tells D & G to stay behind and that he has to go alone. (Sigh, yes, this scene is a parallel to Riku using the PoW to save Sora in DDD - it *has* to be him, and him alone) D& G protest, but eventually relent. But Donald doesn't let Sora go without saying this:
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(In English, Donald says "you promise to be good?" inexplicably) but in Japanese he tells sora (basically) "Don't be reckless" - aka. No Reckless Stunts, complete with the use of "mucha" (recall Donald in the previous scene was the one to call Sora "muri" before being corrected by Jiminy). This is similar to what Sora tells to herc, so we are pretty much full circle on this scene being a callback to Herc rescuing Meg in KH2.
Like Herc, Sora does the reckless thing. Like Herc, he heroically dives into the abyss to rescue his loved one with all his heart.
Like Herc, Sora regains his power the moment he resolves to rescue Riku, even if it is not made explicitly clear to Sora OR the audience (perhaps the fact that he regained the PoW is why he is able to save aqua, too)
I could probably go on about this and what it means for Sora for a long time, but I think it's high time I actually wrote about "muri" and Riku's recklessness, so let's rewind a little.
I've already brought up how Riku relates to Herc in terms of his recklessness and heroics, but theres a few more things to add. of course. I'll recap with pictures of one of the parallels i've already discussed:
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So here i think at least metaphorically, we can argue that Riku has lost a bit of his "power"- or rather, his drive. After everything is over, he just collapses, ready to die or be left behind. Sora WONT let that happen. So Riku asks Sora to lead. He confesses to some of the jealousy and superiority he'd been feeling over Sora for the past few years, and seems to be trying to find a new direction in his life, having now repented Quite a bit for the sins he committed in KH1.
Riku's entire purpose for fighting after KH CoM and KH2 was to wake Sora up, keep him safe while he does his keyblade weilder duties, reunite him with Kairi, and send him on his merry way. Sora refuses to let him leave, and demands that he comes home with him. So he does. but without his jealousy over his feelings toward Sora, or without his feelings of guilt and feeling he needs to make it up to Sora, what is left to drive him to keep fighting?
DDD gives him a pretty strong answer - it's where he both rediscovers his sense of purpose and gains the Power of Waking in the process. And his dream eater powers too. btw
Riku's journey in DDD is, simply put, not really about passing the mark of mastery exam and becoming a keyblade master. it's about remembering What he lives for. remembering his promise to Terra, and how those feelings have evolved - from wanting strength to protect the Stuff that matters as a child, to, in DDD, discovering that the "stuff that matters, like his friends" was Sora the Whole time, and that Sora is actually a "precious best friend" that he wants to protect. It's About recovering his strength, like Herc needs to do in KH2.
So how does Riku regain his "strength"? By Sora-style taking a reckless dive into the deep abyss of Sora's heart to wake him using the PoW.
(Not once was I able to find any mention of "recklessness" here, or any particular language that ties this moment together cleanly with what happens in Olympus Colliseum in KH2, but the repetition of diving down into an abyss to rescue someone (with all your heart. etc) is Enough of a parallel to make the connection between this scene and Herc's dive to save Meg)
It is within the deepest depth of Sora's heart where Riku is interrogated by three pieces of Sora's heart about what he's afraid of, what he cares about more than anything else, and what he wishes - All canon answers involve the mention of "precious" - "taisetsu" (sorry im not explaining this one im going to just assume you know what im talking about if you are a soriku that reads meta you should know.) - to lose something precious, my precious best friend (fuck da english localization for this one), to recover something precious that I lost. It is here that we see Riku's simple "protecting important stuff" become "protecting something precious/my precious best friend" (note that this hasn't quite become "taisetsu na hito"/precious person but hes getting there)
Ansem the wise is there i guess and he tells Riku that his 3 answers are what were the key to waking sora up, and I think, importantly, are what give Riku his "strength" back. He has rediscovered his purpose, which is, to him, protecting Sora (with all his heart)
Continuing into KH2.9 we have another couple scenes that will both complete Riku's development from protecting stuff that matters to protecting a precious person and also continue to make a strong connection between him and Hercules.
It's been pretty well established that these two scenes are deceptively mistranslated, but i'll go over it again
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Herc here is saying "taisetsu na hito" which is translated to "person I love most"
The EXACT phrase Mickey uses to tell Riku why he's feeling more powerful and fearless in the RoD, in the literal next scene in 2.9. They were supposed to be VERY CLEAR hit you over the head parallels but, well. SENA said fuck gay people i guess.
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Riku repeats what Mickey says into his hand ("strength to protect my precious person") and recalls his promise to Terra, to protect the things that matter. (again it's implied it's always been about protecting sora, he just didn't have the language or understanding of himself yet to know how to say it)
There is absolutely no room for nuance here. This is explicitly framing Riku's feelings for Sora on par with Herc's feelings for Meg eg. explicitly romantic. And that it's his ROMANTIC LOVE for Sora that is what gives him his strength - not just to protect Sora, but also to do THE IMPOSSIBLE
phase ??? of my argument will now commence hang on to your butts. (i wrote this all in one night im tired)
Now that ive Exhaustively set that up. lets actually get back into discussing what I initially set up - riku doing the impossible "muri" thing.
As a reminder, Sora tells Riku to not "attempt the impossible/overdo it" in the RoD. And to call him if he needs him.
So Riku, instead of attempting the impossible in the RoD by facing the demon tide, does call Sora, which ends up being what saves the day! Yay!
I have bad news though! Riku is terrible at listening to advice when Sora is in trouble.
Now recall what I mentioned earlier about the fall of the guardians in the KBG and Sora's subsequent breakdown being a parallel to Herc losing his power in KH2. Sora *fails* everyone here, and he explicitly states he is worthless, without strength, when he loses them. It's very in line with Herc losing his powers in KH2.
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(just putting these in here to hurt you and myself)
So, we get the Herc parallel, but it stops here for Sora. He doesn't do some grand self sacrifice for Riku to prove his heroism and regain his "power", but i think theres a reason for that beyond it just being Riku's time for the spotlight but I am getting there.
In the english localization, Sora says "we've lost, it's over". It's a subtle change from the Japanese, where instead of "it's over", Sora simply utters "muri da--" ("its impossible") (in the wettest saddest voice you can imagine)
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It's at this moment where I do truly think we're meant to make the connection between Sora saying "its impossible" and Sora telling Riku to not attempt the impossible. It fits in nicely with Sora telling Herc to not do reckless stunts, with the slight change in language from "reckless" to "impossible", and with the impending self sacrifice. Riku knows that beating back the demon tide is impossible. But he does it anyway (compare to how, when faced with a much smaller demon tide, and he was losing, he listened to Sora's advice and called Sora for help instead of attempting the impossible)
So we have Riku's ultimate true love sacrifice for Sora, which both takes his life and grants him a spot upon an alter in Olympus, perhaps symbolically giving him some sort of ascension for his heroic deed. And again tying his sacrifice intimately to Herc's.
Because Sora and Riku are both "herc" and "meg" here I am going to make a little bit of a reach. Recall that I went through the effort of recapping the climax of the hercules movie. for no reason. There is a connection though even if it's loose, and i would kick myself for not including it.
In the movie, Meg, like Riku, protects a powerless Hercules from impending danger in her own act of true loves sacrifice. Her death gives Hercules his strength back (partly due to contract BS but it's still a romantic moment). And her death is what drives Hercules to dive into the Soul Hole to rescue her soul at a potentially great cost, which is what ultimately restores his godhood (showing his strength of heart). Riku sacrificing himself for Sora can be seen to be more like the events of the Hercules movie, Riku standing in for Meg - Sora does have to restore Riku's heart after it's been taken by the Lich, after all, much like Hercules brings Meg's soul out from the Hole. And Riku's sacrifice is what gives Sora the resolve to keep fighting. (not arguing with anyone who thinks it was only kairi because it wasnt lol)
So Riku attempts the impossible here, and ultimately he is rewarded. An interesting nuance is that the phrase "attempting the impossible" isn't meant to be taken as a challenge. From what ive read from native speakers, the phrase Sora uses really is better translated as "don't overdo it" as it is less about proving yourself to be able to overcome crazy obstacles and more about keeping your expectations in check. But Riku is reckless, and following his heart, which he learned from Sora.
I hope I've properly illustrated how Sora and Riku are both painted as reckless in different ways, and how the language used in KH3 is making direct references to Herc's reckless heroics in KH2 and in the actual Disney movie. And how these reckless acts are showcasing how much these two love each other, because I still have one more point to make. Namely, how this ties into Cinderella, and ultimately KH4.
In Terra's route of Birth By Sleep, he happens upon a distraught Cinderella, who has had her dress torn up by her step sisters. She was planning to go to the ball, but cannot, because it is "impossible" (muri)
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Terra tries to console her. It's all very reminiscent of the scenes of Herc's, Sora's, and Riku's defeats.
After Terra fights off the unversed summoned by Cinderella's negativity (toxic much..), Out of the blue, the fairy godmother appears and makes everything better. She fixes up Cinderella with a dress and a ride to the ball, and sends her on her merry way.
She explains to Terra that she appeared to Cinderella to show her that her dreams *can* come true and that she typically appears only to people that have a strong belief in their dreams. Terra says he believes in dreams but you have to work for them, to which FGM responds that simply believing in dreams is already a difficult thing on its own. (Ventus also compares Terra to Cinderella. btw. because of his strong dreams)
Now. Sigh. Im not the only person that has pointed this out. The FGM quite literally appears to Riku, but only after a year has passed and they have no leads on Sora, and after it's implied that Riku is starting to lose hope.
In the limit cut, you can see Riku's sad wet puppy dog face as he talks about how hard everyone is working, and how they haven't found anything at all. He says "if Sora is really out there, don't you think we would have found something by now?" - Again, he's losing faith in his dreams of Sora's return. This is important.
I do not have the strength to go through and find all the times Riku told everyone to believe in Sora in KH3. It's a lot. And the last thing we hear him say Near Sora, is to let him go on his suicide mission to save Kairi - to BELIEVE in Sora (#wish).
So one, we know the dream Riku believes in is Sora, and two, we know he is starting to lose his belief in his dreams, like Cinderella before the ball, when he dress is destroyed.
Right after it's clear their is no lead through the data from Org 13, FGM appears, just like she did for Cinderella. And she tells Riku that His Dreams Are Literally A Key To Find Sora (that hes quite literally been #dream drop distancing into sora's dreams while hes in unreality is already so much without the FGM being there to explain this to him but KH is crazy!)
One last thing to really drive this home. The FGM brings Riku and Kairi to the nameless star to bring the three keys together.
And what does she tell Riku, before he leaves?
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"Be careful. Do not attempt to do the impossible."
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if you read this whole thing... well... im proud of you. I know i definitely missed stuff, because it would be so hard to go through all the games and really dig for the use of this term especially when I dont speak japanese at all. and because i wrote this all in one night. But dont hesitate to comment or reblog if you have anything to add. I freaking love kingdom hearts
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untitled-tmnt-blog · 9 months ago
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I absolutely HAD to draw something for @phoebepheebsphibs's DTIYS (based on this pose)! I decided to mix things up a bit by experimenting with a more limited color palette, which was a pretty fun challenge.
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wings-0f-sorrow · 14 days ago
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hiiiiii good morning everybody errrr. sooooooo, a certain someone maaaaay or may not have gotten extremely insecure at how she went about caelinas lore and. coughs. edited it. a lot. sweats.
if u care abt that then here, lookie lookie ^^;;
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f3llow-colbaltblu3-d3mon · 2 years ago
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So i made some pony town skins (obviously, you can tell what i based them on - bxbxbxjx)
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Lil doodle i did too xhhxjx-
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jubileegeode · 1 year ago
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my latest layer cake!
the idea is a world where i push the whole oil floats on top of water to a whole extreme, but also that density stat also acts as a PH level, so things that float melt in things that sink
(also fantasy materials that are solid and gas and whatever at weirdo densities!!!)
theres a lot of digital ink spilled trying to convey the specifics of such >v>;;
but this is my latest attempt to convey it with digital paint!!
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screams-in-writing · 1 year ago
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Still editing ch 3 and going on to outline ch 4 based off how that ch ends. Tentatively going for an early Thursday/late friday post for ch 3, and if Mr. Puzzles behaves, a possible late sun/early Monday post for ch 4.
For now, have a little preview of a later chapter’s scene where the reader finds out that not only are those tv antenna on Mr. Puzzles’ head actually sensitive, but he’s also very much touch-starved.
Note: This is planned to take place ch 7 or ch 9, if all goes according to the outline. It may change, however, and may even change/be split between pov depending on where it falls when editing.
~ Curiously, you reached out to touch the crooked left antenna. 
Mr. puzzles stuttered, but continued to sing, a furrow appearing on the screen of his face as he turned his head toward the camera, as if trying to see what was on the other side. Likely he was unable to, with how many tvs were in the immediate area of the unused area of the strip mall (and powered on, despite the lack of people).
You touch the right antenna next, pinching the metal between thumb and forefinger. 
This time, Mr. Puzzles actually stopped singing altogether as he promptly spoke in a strained voice.
“Dear viewers, please stand by for a quick maintenance break!”
The screen switched over to a ‘please stand by’ screen with Mr puzzles’ tv head logo on it. But within moments, there was a sudden switch to static before Mr. Puzzles’ technicolor smile and digital eyes appeared on the screen before you, wearing a harried expression. 
“What exactly do you think you’re doing?”  Mr. Puzzles asked. Then, with a flash of a sly smile. “Or were you trying to let me know that you’re enjoying the show?”
“Let my coworkers come back. They didn’t mean anything by their teasing.” You jabbed a finger at the screen. “You can’t just kidnap people to use like puppets in your little shows.”
“Little?” Mr. Puzzles sounded offended and incredulous. “I’ll have you know I always strive for a 5 star rating in everything I do. Little.” A scoff, as mr puzzles voice and expression switched again to become smug. Amused with what he was about to say, even if his voice was anything but. It was cooler and deeper. More indifferent yet also Curious. “What would you do if I don’t let them leave?”
“This.” You deadpanned, repressing a shiver over the tone shift as you reached over to sharply pinch both of Mr. Puzzles’ antenna. 
“Ah!”
Before Mr. Puzzles could say more, you squeezed the metal tight before giving it a sharp yank. You expected a yelp of pain or even a digital stutter, but it was quite the opposite. 
Was that…had that been a moan? 
“What in the-? Are you…are these actually sensitive?!” You let go of the antenna like they’d burned you as you took a step back. “I’m so sorry. I didn’t realize-I thought it was more like the equivalent of being poked or something for you.” You jumped a little when one of Mr. Puzzles’ hand, the arm attached to it, came out from beneath the TV to seize your hand. You thought he was going to bring you into his ‘show’, but that wasn’t what happened. 
Mr. Puzzles merely placed your hand back onto one of his antenna. 
“Absolutely not.” You attempted to pull your hand away, despite Mr. Puzzles’ continued hold of your wrist. “I’m not touching your antenna if they’re that sensitive.”
“Please.” Mr. Puzzles sounded like he was winded, even as he took on a pleading tone. “I liked it.”
“…I think we need to have a conversation about what exactly it is you want with my home town and why you keep popping up everywhere I show up after my roommates threatened you with a garbage disposal for following me around without me knowing it.” You said, eying Mr. Puzzles arm and then his screen of a face. Then, shaking your head, added. “I didn’t even realize that you could experience anything like a human. I thought you were a robot?”
“Mmm…more like a cyborg?” Mr. Puzzles mumbled. “I still have some of a human body. It’s just different than before.” The hand loosened its tight grip on your wrist but didn’t let go. “Please?”
no acknowledgment of how odd it was for someone you knew less than a month was so interested in following you about after work, where he had been ‘filling in’ for the hours you couldn’t work.
oh.
speaking of coworkers.
“Bring my coworkers back.” You countered as you moved your hand out of mr puzzles slackened grip.
Mr. Puzzles studied you for a moment, but must have seen something in your expression that made him sigh theatrically that you were serious. Then, he reluctantly retracted his arm back within the tv (somehow). 
Much faster than you expected, Mr. Puzzles let your coworkers go; you could hear them end up in the empty store next door with yells of surprise followed by confusion, and then at least one of the two burst into loud sobs of terror. 
Swifter than even letting your coworkers go, Mr. Puzzles sprang up off the table, and before you knew it, he’d crowded in on you against the wall. Eagerly, he bent down and shoved his screen into your shoulder, before subtly tilting his head to present his antenna to you. No concept of personal space whatsoever, even if Mr puzzles kept his hands to himself by brace it then on his legs. wait.
Oh no.
You’d inadvertently introduced Mr. Puzzles to another way to get attention from someone. 
Possibly attention from you in particular.
This being assumed, because Mr puzzles soon impatiently straightened up when you did nothing, and, gentler than before, grasped your hand and led you over to a chair. 
You sat down, confused, and ready to point out you ought to go check on your still brokenly sobbing coworker when Mr. Puzzles promptly removed his television head to place on your lap. 
So that was a thing.
Mr. Puzzles flashed an expression up at you in what he likely thought was a hopeful look, but it only came off as desperate and deranged. Aaaand his body had just sat down on another chair as it kind of just went…inert, with the hands resting on the top of the knees. 
Weird.  You distantly wonder why the body horror right before you didn’t draw a big reaction from you. Maybe you were in shock? Maybe you’d seen enough of Mr puzzles antics that day in your home and at the cafe that it didn’t seem any different than those times?
“If you’re going to interrupt my show, then perhaps you could show me why you thought it necessary to tug on my poor antenna?” A huff of breath, then a strained. “But don’t actually tug in them so harshly.” A pause. “Please?”
nope. not when you didn’t know if it was a tactile, platonic thing to mr puzzles to have his antenna touched (unlikely based off what you just saw and heard), or if it somehow brought a sensation of pleasure (more likely, and definitely not something a casual acquaintance asked of another).
yikes.
You don’t think that Mr. Puzzles anticipated that you would do something other than what he wanted. So he was in a shock of his own when you stand up, and totter along while carrying his television head out of the abandoned store with you.
This left mr puzzles to fumble around in the dark as he protested, muffled against where you carried him to your chest, the entire way to another store where you set his television head down, and poked the screen to get his attention.
A gasp of comical offense.
 Mr puzzles’ body could be heard running into something with a ‘thud’.
“You can’t do that to my coworkers.” You point to the screen and then to the general area where crying could be heard. “Especially not when you’re already covering for my work while my arm finishes healing up.” You lean in close to make sure mr puzzles was looking at you. “And you shouldn’t kidnap people in general where no one but you knows where they went. My coworkers friends and family were so worried when they were gone for nearly two days.”
sirens sound in the distance.
one of your coworkers called the cops? Or something unrelated?
Mr puzzles might have said something, to try and steer the conversation elsewhere or make up some flimsy excuse, but you were distracted by both the sirens and realization of the heat emanating from his screen. Since the body wasn’t there to grasp your wrist again, you reached out to rest your fingers on Mr. Puzzles’ screen again, ignoring the stutters and glitching that rose in his voice. 
Huh. 
He really did feel like one of those old tube televisions you’d had when you were younger, complete with the warm screen and fuzzy static sensation.
Mr. Puzzles’ voice eventually slipped into soft pleading. Something about not leaving fingerprints on his face, while you curiously traced along the outside of his screen. It didn’t occur to you in the moment that Mr. Puzzles had feeling in his screen of a face, though not as sensitive of a place as the antenna were.  You’d not even noticed the fact that Mr puzzles body had collapsed only feet from where you were, twitching before curling up and hugging itself to then begin to tremble. You only became aware of the body when its long gangly arms wrapped around your waist in a clingy hug that made you jump and accidentally knock mr puzzles head off the flimsy table to the floor.
The arms let go of you as mr puzzles’ body sprawled out on the floor with a groan of discomfort rising from the television set.
“would you care to try that again so I can get a good recording of that?” Mr puzzles sounded huffy, and displeased as he pat around the floor until he found his head. With a grumble, the tv man picked it up to turn on he screen toward you, mr puzzles wearing a slightly feral, unhinged expression.
you swiftly leave the empty store to go check on your coworkers. Mr puzzles did not follow, but you could hear a low laughter ring out from the room behind you along with a raised, falsely cheerful lilt of a farewell that sounded more like a threat.
“I’ll see you tomorrow afternoon.” A little unhinged laughter trickled out. “I look forward to having another…stimulating conversation with you, my dear.”
Later, when you weren’t looking over your shoulder for Mr. Puzzles, you wondered why he let you touch his face, when he seemed so averse to anyone but him touching his television face, especially when you’d punched him in the screen not a month ago. Not only that, you also came out of the odd interaction with the knowledge that Mr. Puzzles could be successfully diverted from his hyper focus of turning your town into the greatest television show ever (or tormenting your coworkers in one of his shows) with just a touch to his inhuman head, and the antenna that stuck out of that ridiculous hat of his. 
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renegadehoist · 1 year ago
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A fuller expansion of what I posted for 9 years (From total start), as it has been 10 YEARS + 1 MONTH since I first expanded into the sides of the chunk wall either side in November 2013!
ALOT had changed. Expansions upwards, making parts rounder instead of flat like the chunk wall, Monorails being added nearby outside, Changing the flat glass bedroom roof in 2021 to a dome and now, expanding the kitchen roof upward! Walls in kitchen are still a bit bare from being taller, but it's not quite finished yet.
From my 13 year+ single-player survival world. (Java)
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yourprobnowdumdum · 2 years ago
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ummm ok, here's a few misc rick and rickbot doodles that are months old. Two are ones I posted already but they have color. One has suggestive comments but whatever
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oldies, kisses, jealous ass bitch rick, bot having concerns, maybe old meme pose, and Summer 'I'm so fucking tired of the adults in this house fucking their clone' Smith
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Morrowind....... is struggling. BUT
Oblivion works ✅
Skyrim works ✅
and so I will. continue my attempts TOMORROW
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thesnailtail · 8 months ago
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;; sekais are like minecraft worlds mixed with mario maker logic to me
;; there's a lot of data in that song so there has to be at least some sort of compression / work around so it doesn't blow the sekai-goer's phone up
;; so the sekai are split into 'chunks' but only some of them are ever permanently loaded. if someone has put an item from the real world there it's always a loaded 'chunk' until that item is removed, any landmarks in the sekai (crase cafe, the performance tent, etc.) is always a loaded 'chunk' wherever the sekai goes last left is always a loaded 'chunk' and wherever they'll renter the sekai is always a loaded 'chunk'. everything else just loads in when someone goes near it, including virtual singers
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bluehexagone · 1 year ago
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Realism is fun till it isn’t and I realize I’ve already committed too far and can’t just scrap it but I know it will take me too long so here are some sacrifices you may see finished later on
#dragon#myart#creature#I still generally have inspiration for the first one so that one will probably get finished first#I really like watching the speedpaints procreate automatically records even though it’s crunchy and has a weird green tint#specifically on realism because it’s wild for anything else and is actually psychotic#Mostly because I just suddenly start experimenting with brushes and start turning layers off and on for a good chunk of it#I use 3 layers usually for realism#One for the actual drawing one for the sketch and one for a base color#It makes it better I think because it’s more similar to actual painting or something#That might not be the reason I dont really know#It’s just better I do it that way#Maybe because I can’t get distracted and lost?#Realism is also a great source of learning for me#Even if i never really finish stuff like this#I might this time though who knows#Sorry for leaving you guys stranded I’m chasing a really big train across the country#My priorities are with locomotives#“You guys” (I say to my very few followers 🤑🤑 (that probably followed me in the first place for dragon adventures stuff))#I do what I want and what I want is not dragon adventures right now#Right now I want locomotive#I’m not hijacking that train it sounds like I’m going to hijack that train#however#i would appreciate owning a big train I feel like I would enjoy that#Side note how do my DA followers feel about the genetic traits in the event eggs making motorouk w/ the error trait worth like 100mil#I feel ill when I can recite all of the full species names from memory#It does make sense though I’ve been playing since the first event in 2019#I’m committed what can I say#Almost forgot a tag oops#art
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