#classic film edit

[horygory]

A Nightmare on Elm Street 3: Dream Warriors (1987)

[film-head]

Halloween (1978)

[antizionistrussophile64]

Alice in Wonderland (1951) directors:  Clyde Geronimi, Hamilton Luske, Wilfred Jackson, Ben Sharpsteen

[clarulitas]

Fred Astaire and Rita Hayworth in You'll Never Get Rich (1941) dir. Sidney Lanfield

[spirk-trek]

Miscellaneous control boards Star Trek: The Original Series (1966-69) · ˚ ⊹ ⋆ . ✧ ˚ ⊹ ⋆ . ˚ . ✧

[sahind]

“If my calculations are correct, when this baby hits 88 miles per hour… you're gonna see some serious shit.“ Back to the Future (1985) Directed by Robert Zemeckis

[dethkrypt]

PARIS HILTON as AMBER SWEET. as seen in Repo! The Genetic Opera.

[k-i-l-l-e-r-b-e-e-6-9]

Hellraiser (1987) Directed by Clive Barker

[simonettastefanelli]

"Mickey, you had me worried when I didn't get in touch with you."

[silveryhill]

Alain Prost: Still, even as it turned out, it was a fantastic story, don’t you think? And I think, in a way, we’re missing a little of that today. (Motorsport, 1998.10)

There's a metaphor abt Senna's helmet in the vid. Inspired by an interview from Nuno Cobra(his coach)

it's possible to say that Senna had that kind of split personality. On the one side you had Ayrton, who is sensitive, loving, sweet, poetic, romantic, wise and careful. On the other side, there was Senna, who is explosive. Senna was very nervous, very agitated, stressed, bad tempered. He was often compromised and challenged. I think Ayrton suffered a lot in the hands of Senna.

So Ayrton was the human side of Senna. When he put the helmet on, he turned into a “stranger”, the ruthless Senna.

And before the imola accident, Senna took off his helmet in front of Alain.

On Saturday, after Roland Ratzemberger's fatal accident, that was not the Ayrton I used to know, he was really worried...

On Sunday, at lunch time, he went to see me and simply didn't say anything important. Everybody was watching that in slience. It looks like he just wanted to get close to me. And I really feel that he's so weak. That was the first time I saw him like that...

On that Sunday I thought, that's not Ayrton. He's fragile. He wasted five or ten minutes to come to me and say nothing. And then he went back to the garage.

So I finished my lunch and went to his garage...

Ayrton's ritual was to be completely focused on his thing in the car. He never took off the helmet, it was the first time he took off the helmet(before the races). He was doing some stretching in the garage...

I didn't want to bother him too much but he wanted me to stay, it seems that he just want to share a time with me.

he was happy that I came there to talk to him, and that was the last time.

In their last six months, Alain met the REAL Ayrton.

"There were three Ayrtons for me: the one before F1 when he was looking at my races, at everything I was doing, the way I was doing it; obviously the one when we were together, inside or outside the same team; and then the one when I retired." It was this last version that Prost says he grew to like adding he wouldn't have believed it existed "if I had not known this person myself."

But Ayrton was Senna, Senna was Ayrton. They're the same person after all. So still, he put the helmet on and went to his fate. As Ron Dennis said, "it's his obligation." Like an addiction, and he "can't drop it."

Jackie Stewart once said:

Ayrton Senna was the most dedicated racing driver I have ever met. He was totally immensed in his life of being a driver. It was what he lived for. I would say that in a high 90% range of Ayrton Senna's focus on Motor Racing. Stirling Moss, when he drove, was a man who had other likes in life. Niki Lauda had passions in life, Jackie Stewart had, Juan Manuel Fangio had. Ayrton Senna, I believe, was more focused than any of the names that I've just mentioned.

So I think for Ayrton Senna, life, or love, is seldom enough, and that's why we admire him so much as his pure spirit of racing. It's a beautiful paradox. He's different.

*thank you for reading my way too long thoughts <3

*please don't repost it to any other platforms(like ytb), on tbr is absolutely welcome!

[horygory]

An American Werewolf in London (1981)

[stinkyfartgirl]

George Harrison (1977)

my little muppet man

[dontbestingybaby]

from Motion Picture Magazine, April 1923

original caption:

MARIE PREVOST

Someone said the flappers—the younger set—of the screen lacked erudition. So Marie Prevost posed for the above photograph before she began work on "Brass," a screen version of the Norris novel. It would seem to belie the implication. Incidentally, Miss Prevost verifies the rumor of her engagement to Kenneth Harlan. They will be wed in the green Springtime

Photographer: Alfred Cheney Johnston

[clarulitas]

DICK VAN DYKE — Chitty Chitty Bang Bang (1968) dir. Ken Hughes

[spirk-trek]

S1E30: Operation Annihilate ⋆.˚ ✧ ·

[ilovemesomevincentprice]

Vincent Price and Gene Tierney -

Dragonwyck (1946)