#close & comfy

[stuckinapril]

friend wanted to see my tumblr, and when i told him i can’t show it to him bc it’s basically my personal diary he went “oh so I can’t see it but a bunch of strangers on tumblr can??” he literally does not get me. no one will get me like the people in my phone get me

[r-aindr0p]

I keep thinking abt his jacket lately, it looks super comfy...

Will rearrange the doodles on procreate whenever I get internet again hhhhh

[heuheu-art]

au where they never make it home, somehow they're happier

[barbaracleboy]

Forgive me if I’ve posted this here already but I made a meme!

[zurdurer]

Save me smoking gun,, smoking gun save me,,

I love these two sm - i hc Tim is shorter than Ashes (tho Ive realised i think proportions are slightly off)

Why is drawing people interacting so difficult man - i have so much respect for those who can draw it in proportion

Anyways yeah just some of my guys in comfy clothes bein comfy w eachother :]

ID in Alt text

[fluffyfangirl]

Personal space is not an option.

[intotheelliwoods]

I got.. so huggy and cuddly with this one oops.

Takes place very shortly after the last update!

Masterpost

[marvey-sideblog]

[starry-bi-sky]

im having more fem Danyal thoughts. But specifically I've been thinking about Dani in this au. Now, Fem Danyal is just the alt. version of Danny to my other DAG au, which means she follows that lore. that being said. Danyal and Dani already had a pretty rocky introduction in the first place, ANd if we follow canon's setup, Dani in fem!Danyal's world would be a boy rather than a girl. I'm gonna call him Ali for easier difference (my train of thought was Daniel -> Eli -> Ali). While Danny may resemble Talia more than Bruce, Danny and Damian still look very similar to each other. Their blood relation is unquestionable.

You can imagine how fem Danyal might feel, walking into her room one day after school, and finding a little boy on her bed who looks, at first glance, like the little brother she loves to death. If meeting Ellie triggered Kill Bill Sirens in Danny's head, meeting Ali bass boosted them. For a terrifying, fleeting moment, Danny thinks Damian is right there. That somehow, her clever, intelligent little brother found out she was alive and tracked her down.

She slams the door shut, completely at a loss for words. Her heart has nearly stopped a second time. Then she realizes: this boy's eyes are blue. Not green. He looks too old to be her brother. His jawline too narrow, his hair too messy. As he talks, his voice is not the same as the sparse few videos on the internet showing Damian speaking. This is not the child she helped take his first steps with, nor the child she watched utter his first words. This is not the boy whom she taught to pick up a sword; this is not her brother.

Safe to say, Ali gets a knife pulled on him much, much faster than his female counterpart did. He lives, fortunately, but their relationship is unsteady and rocky even after Ali betrays Vlad and joins Danny.

Danny is unsettled by him, not for being her clone -- although that plays a minor part -- but because every time he drifts into her peripherals, she keeps thinking it's Damian. And it spooks her half out of her mind. She gets her hopes up at the same time her heart drops, then she turns her head, and it's not Damian; it's Dani.

It's also why she won't call him 'Dani', it's one letter too close to 'Dami' and she's afraid she'll call him that if she's not careful. So when he brings it up jokingly, she immediately shoots it down; "I'll call you Eli." instead. (Ali thinks she's boring -- he thought 'danny with a y' and 'dani with an i' was funny. Frankly, so did Danny, but she's too uncomfortable with the idea of calling him Dani.)

When he asks her why, she lies and says it's to prevent confusion. When their relationship is better, "Eli" eventually becomes "Ali".

("Why Ali?" he'll ask her, with an ear pressed against her ribs while Danny coils one of his curls around her finger. She's steadily become more and more affectionate; Danny has the impeccable ability of making it seem so forced and stiff and natural at the same time.)

("Do you not like it?" She'll ask him, voice stilted and unsure. She's got her heart in her throat, but she's starting to stop seeing Damian whenever she looks down. "We can keep it Eli if you'd like.")

("No, no. I like it. Just... why Ali? Does it mean anything?")

(Danny will smooth her palm over Ali's forehead, scratching his hairline with her nails, and feel embarrassed. She'll be silent until he looks up at her, and then she clears her throat. "It means eminent; exalted; noble.")

(Ali stares at her in dead silence, long enough that she starts to grow worried. Then tears bubble up in his eyes, and for a moment Danny thinks she said something wrong. "I lied;" he croaks, "I love it.")

(She will hesitate, and then wipe the tears off with her thumbs. "Ali al Ghul," she'll mutter, "but that name is for you and I only. To the world, you're Ali Fenton." Perhaps she shouldn't be giving him her mother's last name, but he is of her blood now too.)

[yardsards]

i needed to express a sentiment in the creative stylings of @dunmeshiminimumwage

[kuromi-hoemie]

being like 5’2” - 5’4” is so attractive to me like omg ur head fits right under my chin and right in my tits ♡⁠ let me hold you. i love being a tall girl

[tyttetardis]

Macbeth Q&A 18th Jan 2024 Part 1

Was lucky enough to get a ticket for the Member's Event at the Donmar Warehouse that took place on the 18th...with the price of the patronages I sure never thought I'd have gotten the chance, but luckily, they also let in some non-members 🥹❤️

The brilliant performance of Macbeth was followed by a very quick cleaning of the stage - thought for sure it would've taken them longer to remove the blood than like 5 minutes - followed by a lovely, little Q&A session.

The Q&A was led by Craig Gilbert (Literary manager) who talked to Annie Grace and Alasdair Macrae (Musicians and part of the acting ensemble) as well as Cush Jumbo and David Tennant.

Anyway, just gonna write down some of the stuff they talked about :) sorry if it's a bit messy! Might be spoilery if you haven't seen it yet but are going to!

To begin with Craig remarked that he didn't think he'd ever seen that many people staying behind for a Q&A before (While I was just wondering why some people even left!? Stressful!).

David introduced himself with "My real name is David "Thane of Paisely" Tennant - while Cush introduced herself with "I´m Cush Jumbo - there's only one of me".

First question was Craig asking them what it was that brought them to the Donmar to do Macbeth - to which David pretty much just replied that 1. It's the Donmar! 2. It's Macbeth! One of the greatest plays of all time in an amazingly intimate space - and that the theatre is famous for its quality of work. So he found it quite hard to think of a reason not to do it!

Cush said she'd worked there before and loves the theatre, how it's so intimate but also a great workspace. Followed by her saying she said yes because David asked her. She talked about how important it was for this play to do it together with the right actor playing opposite you.

David says Max Webster asked him about a year ago if he wanted to do the play - he gave him the dates - and since there weren't any obstacles in the way, David didn't have any excuse not to do it.

He then said that he had slightly avoided Macbeth - there sorta being the assumption that if you're Scottish and has done some Shakespeare plays before you have to do Macbeth. Which he joked was a bit odd since it's not like every Italian has to play Romeo. Then he mentioned that Macbeth is probably a bit more of a jock than he is - that it seemed more like a part for big, burly actors.

Max had laid out his initial ideas to David, a lot of which are in the final production, and David thought he seemed lovely, bright and clever and inventive plus it being the Donmar Warehouse! To which joked that he had last worked there 20 years ago - when he was 8 years old! "It's just one of those spaces" - friendly and epic at the same time where it's such a pleasure to be on the stage.

When Craig asked his next question concerning the sound of the play someone asked him to speak louder as she couldn't hear them - to which David joked that they've gotten so used to whispering. But also said sorry, and that they would!

Alasdair explained a bit about the process of the binaural sound - bit I find it a bit difficult to decipher it all correctly, sorry. He did say that a interesting part of it is that it allows them a controlled environment where they can put all the musicians (and even the bagpipes!) behind the soundproof box so "Poor David and Cush" doesn't have to shout over all the racket.

Craig asked David and Cush what their reaction was when they heard about the concept of the binaural soundscape - to which David replied that it didn't quite exist when they first came onboard - Cush joking they were tricked into it. Then she talked about her and David going on a workshop with Max to get a feeling of how it would all work - and get a sense of how it would sound to the audience, as this was one of the few times, they got to hear that side of it. Their experience of the play being completely different to the experience the audience has.

Cush said they can hear some of the sound - like she can hear some of the animal sounds and David can hear some of the stuff from the glass box - but most of their cues and information comes from timing with each other. She said they won't be able to ever hear what the audience hears - to which David joked "We're busy".

It felt like mixing medias - as it all went quite against their natural stagecraft instinct - but Cush found that in the long run it made things very interesting - like they don't have to worry about getting something whispered to each other - as the audience will hear it anyway.

David said the odd thing is that they don't really know what the experience truly is like. He mentioned that to the sides of the stage there's a speaker for them where they will get any cues that they need to hear. Like they can hear the witches - but they can't hear where they are "positioned" - so they have to learn how to place themselves to fit with what the audience hears. They don't hear everything, though. And the audio they hear is quite quiet, so it doesn't disturb what comes through the headphones.

He thinks it's been exciting - that it's a bit like a mix between film and theatre. It's happening live - but it's also like post-production is happening between them and the audience as it's going on. They just have to trust that the audience is hearing what they are supposed to for it all to make sense.

Cush said she thinks in 10 - 20 years, as these technologies has developed, doing theatre like this will feel a lot more normal - not that they will do it ALL the time, but that they will be doing it - whereas now it's still like an experiment. What Cush really like about the concept is that if was done in a much bigger theatre - then people in the cheapest seats would be able to have an experience much more similar to those in the most expensive seats - they'd be a lot more immersed into the action.

David then talks about how it feels extremely counterintuitive to not go on stage and speak loud enough that the people in the back row can also hear you. And usually, if they can't hear you, you aren't doing your job right! But then it felt very liberating. He loves it.

Cush then talked about how it felt odd waiting in the wings for a cue you can't hear - where you traditionally wait backstage and you can hear your cues, you can hear the rythm and know when it's your turn - so it was quite disconcerting to hear silence. So it's basically down to them now knowing the show and each other's timings - like if David is standing at a certain point, she knows how long she has before she needs to say/do something. So you have to watch each other more closely and really focus on what the others are doing.

David asked the musicians if they can hear everything inside the box, to which Annie replied that they get everything except some extra bits in the soundscape. But they can hear the actors on stage. Annie said it's actually a bit of a mystery to all of them what the audience actually experiences - how the big pictures actually look like - they just have to trust that it's there "Is it there?!".

Someone asked if they had had any adverse reactions from audiences to having to wear the headphones. Quite a bit of laughter all around :P then David said "There's the odd person" and something about if someone hadn't gotten the memo before turning up...but not sure how he ended the line. Then once again says that yes, there's the odd person who doesn't like it and that's fair enough.

The same audience member then said he could see the advantage of it in a big theatre where the distance is big, but not in a small place like the Donmar - to which David very quickly, rather passionately replied that it's not about projection, it's about being able to do things you wouldn't normally be able to do live - where they can speak so quietly that they can't even hear each other when standing next to each other. So even in such a small place, people wouldn't be able to hear that. It's about creating a different play - which isn't to everyone's taste and that's fair enough. But for a play that's been done a hundred and seven million times he thinks it's very valid to try and find a new way into the play - even if it's not for everyone.

Part 2

[bunabi]

Sabine update: she is very small and her eyes are clear 🥰

[cozymochi]

ALTERNATIVELY TO MY PREV QUESTION <3

Is there any saved something you have which needs context, and that you definitely could write a whole post essay about, and maybe even wanted to, if someone had only asked or only the opportunity had arisen?

And if so, would you like to use this ask as a perfect excuse to do so~? ;)

One time I conceptualized a 1st year sleepover at Ramshackle event type thingy. They’ve had them before but what can i say— im a sucker. It’s was more so catered specifically towards things involving my MC and their specific issues, but, for brevities sake— it involved trying to cheer up the Prefect, then in trying to come up with something cool to do, one guy has a brilliant plan and it suddenly becomes an unwanted escape room/home-invasion horror movie thanks to a magic skeleton key that fucked with Ramshackle. I never ironed out the details. But here are 5 out of 6 hypothetical “cards” I drew for it.

These are all hella old, and the only thing that bugs (aside from never finishing Ace’s rip, sorry😭 ) is that I drew them on a canvas that was too small and I didn’t notice until it was too late!! Then i had the grand idea to make them bigger, but that made them more jank. So the quality has been compromised across the board. There’s a lot I’d change design wise nowadays. BUT I’M STILL a fan of Deuce and Ortho’s appearances specifically (even if there are minor things i’d adjust, like maybe Ortho’s pose since i wasnt comfy drawing him and his machinery aesthetic yet.)

Hypothetical “SSR” belongs to Sebek because at the time he didn’t have an event specific one. This era was a throw a bone W. Nowadays I just want the guy to always have Ws.

It’s a little janky presentation wise across the board imo, so if I ever come back to this one day with more refinement, everyone is getting redone. And maybe Ace can be an “SSR” too to make up for never finishing his image (not showing the old wip). No promises though, even dropping this much in the states they’re in is enough to shoot my nerves tbh. I like the base idea fine, but it could do with a lot more refinement everywhere. AND NEXT TIME I’D REMEMBER THE RESOLUTION SIZE. BUT YEAH THATS IT REALLY the end. This wasn’t an essay this was venting lmfao rip

[legendoflozer]

cottagecore wars strikes again

Pansy: love in idleness, remembrance, immunity, loving thoughts.

Sydney Rockrose: acceptance, you are loved, you are not alone.

Cornflower: knowledge, protection of home, new home blessings, new friends, new love, delicacy.