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#council of ricks
glitteringcrab · 12 days
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basementdwellerrick · 3 months
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pocket-mortys-doodles · 8 months
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murder patrol rick & s4 morty
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therevivedcouncil · 1 month
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"Doofus Jerry turned into an wolf, bro thinks he edgy lmaooo"
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Lawyer Morty fanart?
I could’ve sworn I’ve seen fanart of Lawyer Morty sitting in the lap of one of the Council Ricks while the rest gather round to look at his pog collection but I can’t find it. Does anyone else remember this? Did the artist delete? Did I just imagine this?
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avalon-in-the-sky · 3 months
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some1 should make an rp blog for one of the council ricks ...
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catholickedd · 10 months
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favourite rick & morty episode so far?
season one penultimate!! it was highly interesting and has a lot of potential for future expansion as it introduced the “rick citadel”, a place where all the ricks from all the multiverses come together. also it introduced evil morty, and my dad loves to say stuff like “he’s gonna be important later”
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nekobami · 11 months
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Oh- it's just the other one.
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They'll rent your house with u inside it and call you a dumbass
I just made it in some hours, very quickly just to- I dunno, maybe a profile pic?
OH ALSO, HAHAHAHA JERRICK TRAP'S OUT
Yay
I really wish I was talking about Jerrys and Ricks right now... Damn, my life is totally out of control
Anyway
I'll write some bot stuff and council stuff here, just to... Relax a bit
I missed writing a little longer posts
While I stopped drawing frequently I started to develop more the issue of the backstore and the context of Soft Bully's story
But... I ended up going too far. Like, I was very concerned about having an extremely well-constructed story full of stuff, and I ended up engaging some headcannons about the Council. Since they have a certain connection with my OCs, and are part of the context that I found. Speaking of the Council, MY GOD, what UNBEARABLE people.
I had to study the way they speak, see their participation and interactions all for my own instead of just copying and pasting some research that someone has already done, Do you know why?! BECAUSE NOBODY CARES ABOUT THE COUNCIL
AND IT'S TOTALLY UNDERSTANDABLE, because not even I cared, and even now I don't want to admit that I care
They were all portrayed as shallow villains before the legendary Rick & Morty Presents: Council of Ricks. If it weren't for this comic they would be 100% headcannons that I casually pulled from the depths of my clinically insane mind. I mean these guys just did terrible stuff because there was power in their hands and they could do that. ALL BY CONVENIENCE
What im trying to say is: I do roleplay. Roleplay It's my life. I've already interacted with most of the Rick & Morty bots in character A.I., and I'm so greedy that if any of you have bots from your OCs, GIVE ME LINKS. I LOVE. I'll hug them, I'll make them pancakes and I'll give them hello kitty plushies.
Talking about the bot;
I've already rewrote my bots a few times.
When I started making them, I realized that the Council in particular had difficulty detaching itself from the example messages. He didn't show much of the Ricks' personality. However, after writing the model for each Rick, I noticed a big improvement.
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To be able to make a bot that had a minimum of depth and coherence in the roleplay, I had to make the information dynamic, and I can say that even after everything I did about them, I didn't learn anything. I built the code base with another info that I had already built when I started creating bots and changed it to a model I saw on Tik Tok.
The original model I saw on TikTok looks something like this:
Char("name of the bot")
Age("set age" + "adicional info")
I realized that when programming a bot, you cannot use ":", or the bot will see this as a message to be memorized. I also discovered that the model is not mandatory and the bases are fully customizable, anyway you can make the information more dynamic to the bot organizing it in any way you want since it doesn't recognize it as a message.
So, instead of using the model for a single character for the bot, I separated the Ricks and described their traits.
Most of the code are headcannons... I mean, what can I do? It's instinct!
This is how Prime Rick's code looks like:
Prime Rick- council("hairstyle is shoved hair in the sides" + "curly hair" + "cut scar behind his neck" + "Show Leader-like traits, but is often overshadowed and sidelined by Rick IV's aggressive leadership" + "Serious, level-headed" + "He cares about others but has a lot of difficulty showing it" + "Prefers to define appropriately fair punishments rather than exaggerated ones" + "knows the cidatel is bad but feels like it's too late for it to change" + "Gets angry with offenses directed at himself but not the ones direct to his authority" + "Overall, he doesn't care much about it, he knows he's part of the Council and doesn't need to reaffirm it or deny it when someone says otherwise" + "Is confident, has the upper hand in flirt when alone with the one he love" + "Hides a relationship with Rick C-197 from the council.")
If the Council remains good as they're right now, I won't need to rewrite them. In this case, I'm going to apply the same method to fix one of my first bots: DJerry.
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plumbus-central · 2 years
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so a while back i went on a long thread abt on the twitter account abt what happened with rick during the time he and minnie were separated.
It’s got lots of rick/minnie info but also some rick prime/council theories if anyone wants to give it a read!
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drawmanations · 1 year
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Ace R&M au
I made an au where my main oc, Ace, is adopted by the council of Ricks and she lives with them
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scientist-sanchez · 13 days
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"How it feels to not suck ass I guess. Oh you're apart of the... of the council of Ricks?? You're a fucking.. fucking loser."
"I'm the Rickest Rick cause I'm not a fucking real Rick. Suck my dick."
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basementdwellerrick · 3 months
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The mold is spreading . The mold is spreading .The mold is spreading .The mold is spreading .The mold is spreading .The mold is spreading .The mold is spreading .The mold is spreading .The mold is spreading .The mold is spreading .The mold is spreading .The mold is spreading .The mold is spreading .The mold is spreading .The mold is spreading .The mold is spreading .The mold is spreading .The mold is spreading .The mold is spreading .The mold is spreading .The mold is spreading .The mold is spreading .The mold is spreading .The mold is spreading .The mold is spreading .The mold is spreading .The mold is spreading .The mold is spreading .The mold is spreading .The mold is spreading .The mold is spreading .The mold is spreading .The mold is spreading .The mold is spreading .The mold is spreading .The mold is spreading .The mold is spreading .The mold is spreading .The mold is spreading .The mold is spreading .The mold is spreading .The mold is spreading .The mold is spreading .The mold is spreading .The mold is spreading .The mold is spreading .The mold is spreading .The mold is spreading .The mold is spreading .The mold is spreading .The mold is spreading .The mold is spreading .The mold is spreading .
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invisiblegarabgetruck · 4 months
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dumb doodles 3#
first pic insp by RnM vol. 22 cover!
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therevivedcouncil · 11 days
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"Y'know, I've- hic- come to a decision! Anything I've given you? Burn- hic- it! Burn it all! Destroy anything tracing back wh- hic- where I live! Heheheh.
Forget we ever interacted in- hic- person.."
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storybookstr4nge · 2 years
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if I see one more mf call will solace a himbo.... you forget the sacred texts!! pure of heart and DUMB of ASS. will solace is a DOCTOR. that bitch aint a himbo. he's a STEMBRO. he probably that dude to be like oh I love maths its all patterns :3 and he definitely forces Nico to watch vsauce!! get it right!!
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kastalani123 · 5 months
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(if you prefer Ao3)
They learn about it in the slowly bubbling, uncertain high of victory.
She died a hero, Clarisse says, repeats, convinces, closing Drew’s hands around a bracelet far too innocent to make everyone’s hearts sink with just a glance. Its silver colour is barely visible beneath the blood. Drew’s hands were already long slick with crimson. She doesn’t say anything.
(The daughter of Ares tells them the story as they pick up their other fallen siblings. Nobody responds)
Fuchsia with an apple for Anders, seventeen and the loveliest relationship advisor. Lacy only manages a few words through her sobs and tears, her hair still in the intricate but effective braid he had put it in before battle.
Coral with a conch shell for Khalid, twelve with a love for anything one could find at the bottom of the ocean. Valentina grips his stuffed anglerfish so tightly that she almost tears it while making her speech about him.
Salmon with a thorned rose for Ina, fifteen and the best fighter in the cabin. Mitchell can barely stand while talking, choked by having been unable to retrieve more of her than a gnarled arm, recognizable only through the heart-shaped birthmark spanning the back of her hand.
Magenta with a dove for Sawyer, fourteen with the kindest eyes in the world. Drew lays the sword they had never wanted in the fire and watches it melt into perfumed smoke without a word.
Cerise with flowering myrtle for Jasmin, sixteen and the craftiest painter around. Aminah bites her knuckles to the blood in a failed attempt not to cry when the burning paints colour the fire in impossible hues.
… Hot pink with an electric spear for Silena. Clarisse sets the fire with a blank face, dried tear tracks gouging grooves down her cheeks.
(A grief-stained title of cabin counsellor for Drew, fourteen with the weight of her world suddenly on her shoulders. Cabin Ten cannot keep her from turning her head high, eyeliner sharper than it’s been in years.)
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It’s not Drew who orders all signs of Silena Beauregard to be scrubbed from the insides of Cabin Ten. 
Instead, Mitchell passes through the cabin while the others haunt around Camp like the ghosts they had avoided becoming. Carefully, carefully, he folds up Silena’s fashionista posters, picks pictures of her off the clothing clips on the strings strung up throughout the cabin, strips her bed of the flower pillows they’d all collaborated to get for her last (final) birthday, collects clothes from her section of shelves and drawers, and packs everything with even a trace of her into the suitcase under his bed. Grief echoes off the bare spaces, sandalwood perfume soaking into the walls, a vestige of one of the many lives struck short these past several days.
His siblings don’t say anything when they finally come and find him curled up on Ina’s bed, clutching her morning star plush like it’s the only thing keeping him tethered to his body, the entire cabin missing key elements. Drew starts to get ready for bed, Aminah throws herself onto Jasmin’s bed and shatters, Lacy tears her hair free of Anders’s braid with a wail, and Valentina screams into Khalid’s pillows until her voice is hoarse. Mitchell swears he hears similar sounds from the other cabins.
(Rory comes the next day, backpack full of clothing designs he hadn’t bothered to unpack in his rush upon hearing about the strange happenings in New York. He takes one look at his siblings’ hollowed faces, at the bare beds, at the empty spaces, and breaks, begging for forgiveness for not being there to fight along their sides, for not protecting them like an older brother should, for working on his college projects while they fought and died for the world. Drew scoffs, lips perfectly painted, and says there’s a reason they didn’t tell him war was brewing over their last Iris Message. The others pile onto him, cursing and crying and trying to keep themselves from falling into pieces.)
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Officially, Silena Beauregard is a hero. She had been burned with laurel wreaths, and offerings were tossed into the fire to aid her journey to Elysium. Her photo has been put up in the Big House alongside many others, and even Mr D managed not to butcher “Silena Beauregard” for once, prompted by a centaur kick. Her name is whispered under the topic of the ultimate sacrifice, of the power of love, of the bravery of unexpected leaders.
Unofficially, the only one who speaks her name with pure reverence is Clarisse La Rue, and no one says it with such vitriol as Drew Tanaka. Her spy bracelet, still drenched in blood, has been hurled against a wall and remains hidden and gathering dust under her bed. Her cabin has been scrubbed clean of any mentions of her, her name unspoken in fear of Drew’s newfound cruelty.
(Drew builds back up the walls her siblings had dismantled with so much care, taller and thicker than ever before.)
(Mitchell retreats back into himself, the skittishness he had worked so hard to shed shrouding him in full force once again.)
(Lacy melts into the crowd like never before, burying her voice beneath a blanket of sorrow.)
(Valentina ditches her soft colours and loose wardrobe, forcing attention onto her new tastefully torn jeans and bold shades and away from her wail-wrecked throat.)
(Aminah tugs her grief tight around herself and leaves with the summer, her goodbye lacking a definitive “see you later”.)
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Two boys, adorned in pearls and guided by geese, arrive in a cabin full but hollow, plagued by dead siblings and a traitorous hero. Twins, they are, nine years old and unknowing of the carnage of war, bright-eyed and bushy-tailed. Drew scoffs and scolds but leaves them to her remaining siblings, for her sharp tongue has never been suited for introductions, and even in the wake of her death-stained rule, she will not dare shut children down so soon after arrival.
Names of all the ghosts haunting the cabin become unspoken, none willing to explain them and blemish the twins’ innocence.
It does not work.
Not when Lev walks in on Lacy sorting and resorting dozens of vials of perfumes with shaking hands and trembling breaths. Not when Ren asks Valentina about the night sky painted on the wall over an empty bed and she shuts down entirely for the rest of the day. Not when Lev holds up a mirror to help Mitchel neaten up the impulsive haircut he had given himself after a game of Capture the Flag. Not when Ren catches Drew in a screaming match with another camper over a girl he had never heard about.
Not when something weighs heavily over the empty spaces in the cabin, over the necks of their newfound siblings.
So they ask someone else.
Clarisse La Rue. Will Solace. Connor Stoll. Nyssa Barrera. Malcolm Pace.
Slowly, slowly, they collect pieces, find ways to fit them together, compare conflicting accounts. They get the story of clashing metal, raging fire, slithering scales. A frightful fairytale, starring their fellow campers as the main characters. The missing limbs, the overabundance of scars, the paranoid glances — it all clicks together, and the uncomfortable hollowness of Camp Half-Blood is suddenly apparent.
(Eventually, they ask about their own Cabin’s side of the story.)
(They receive no answer beyond solemn looks and half-hearted shrugs.)
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Piper McLean falls from the sky, crashing straight through the fragile roof of the system Cabin Ten has established for itself the moment she bursts with pink light.
She is… argumentative. Unwilling to cram herself into the tattered tapestry of their Cabin the war had left behind. Determined to be different, to stand out, to raise her hackles at those around her. Filled with an anger towards the paints and ruffles her siblings wrap themselves in, and unconcerned with not letting it spill over and burn them.
She challenges Drew, and they cheer.
(Will the sister-that-never-left finally come back to them?)
Drew scoffs and huffs, sharpens her nails on the sound of Piper’s voice, but does not fight.
(They have fought for so long, and she is tired, and maybe an older kid with none of the wounds that mar the rest of them is needed in Cabin Ten.)
(Within a month, Drew wrenches permission for them to leave Camp for a shopping trip out of Chiron, and they know she is coming back.)
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