[I’m flipping furiously through my manga volume of Our Dining Table, making sure that I’m correct: I believe Our Dining Table, episode 3, is not canon to the manga (which is FINE, I’m not a canon fascist!) -- but if this zoo/bento episode appeared in any web/Twitter specials, I very much stand corrected!]
Another lovely one from Our Dining Table/Bokura No Shokutaku. Such a quiet, well-paced, lovely show.
Inukai as Yutaka does almost-cringe really well, as the comments of this post discussed last week, and this week, Yutaka really almost took it to the edge. His approach to his colleague to ask for help to learn how to make bento.... oof. I was this close squirming to the edge of my seat. So well done.
I think this framing of Yutaka 1) needing to learn how to make a bento, 2) needing to learn how to ask for help, 3) getting that help, and 4) receiving the warmest gambatte ever from his colleague -- I think, for the dorama’s sake, it was a necessary vignette to help build up Yutaka.
Because next week, when Yutaka runs into his brother in the grocery store -- it takes him out in the manga, and I have no doubt that Inukai is going to nail it in real time in the dorama.
So: in this episode, we see Yutaka going through a process of gaining confidence. He’s already feeling validated as a human through his developing relationship with Minoru and Tane-kun.
But I like that, in the dorama, this spreads to Yutaka’s social life/workplace, and that his colleagues are also seeing this change in him.
I didn’t quite put it this way when I was reading the manga for the first time, but we see blips of what happened in Yutaka’s childhood -- he was pushed away while groups of people, his family, ate. I didn’t call it this back then, but it was dehumanizing.
So what we’re seeing in Yutaka NOW, through Minoru and his family, is Yutaka’s REHUMANIZING. And a lot of that process, I realize, will totally be awkward! And Inukai is toooootally nailing how awkward it is for Yutaka to be going through this growth/regrowth process.
Ugh -- and it’s SO BEAUTIFUL TO SEE. HOW QUIET HIS CONVERSATIONS WITH MINORU ARE. How quiet that confession was to Minoru about not knowing how to make bentos, how nervous Yutaka was -- and, clearly, how moved Minoru was to be one of the recipients of those bentos.
Man, it gives me the shivers that this show is taking the time to fill in the emotional craters that Yutaka has from his upbringing. And I continue to love the portrayal of Minoru’s parenting towards Tane-kun -- and slowly, slowly, how Yutaka brings energy and skills to that shared parenting as well, because that’s what we’re seeing develop.
I knew I loved this manga because of how directly sweet it was. But what I didn’t realize, watching it in dorama form, is that it is SERIOUSLY breaking a HUGE Japanese paradigm of queer couples not being able to be married on paper and have official families. (In TsukuTabe/She Loves to Cook and She Loves to Eat, a Japanese lesbian is shown on social media as living overseas with her partner and a child.)
As a mama, I’m seriously getting chills watching Yutaka and Minoru grow in their very unofficial (as of now) partnership in sharing care for Tane-kun, and it is BLASSSSTTINNNGG my mom heart to wonderful little bits. ALKJSDKLJFSDF I LOVE THIS SHOW! This show is SUCH A MUST-WATCH, PEOPLE!
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my heart aches so hard for lottie because every time she finds something for her, something that helps her cope or lets her be, it gets taken from her. first laura lee, the girl who really sees her and lets her be. she helps her find what she needs and supports her and loves her so hard. and she dies. and then the wilderness, the woods. they take her in and let her be everything she ever needed to be and she is so free. and then it gets taken from her. and she can’t cope with that and her parents despise her for it ..my god she had (has?) to feel so lost for so long.
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