#cse record

[vaunteir]

💜 Announcement 💜

Very happy to declare that I am one of the artists who drew for the upcoming Octavinelle Valentine's CSE, Twisted Love in Contract (organized by Twisted Party PH)! 💜 I was in charge of drawing Jade's Valentine Photocard (image above is merely a sneak peek.)

it's my first time participating in anything like this so this is a VERY big deal to me ,, i'll also be attending the event itself ^^ will be cosplaying azul and my boyfriend might cosduo jamiazu with me dhsjfhjshdjs

02.16 | Save the date!

[bigleapblog]

Your Guide to B.Tech in Computer Science & Engineering Colleges

In today's technology-driven world, pursuing a B.Tech in Computer Science and Engineering (CSE) has become a popular choice among students aspiring for a bright future. The demand for skilled professionals in areas like Artificial Intelligence, Machine Learning, Data Science, and Cloud Computing has made computer science engineering colleges crucial in shaping tomorrow's innovators. Saraswati College of Engineering (SCOE), a leader in engineering education, provides students with a perfect platform to build a successful career in this evolving field.

Whether you're passionate about coding, software development, or the latest advancements in AI, pursuing a B.Tech in Computer Science and Engineering at SCOE can open doors to endless opportunities.

Why Choose B.Tech in Computer Science and Engineering?

Choosing a B.Tech in Computer Science and Engineering isn't just about learning to code; it's about mastering problem-solving, logical thinking, and the ability to work with cutting-edge technologies. The course offers a robust foundation that combines theoretical knowledge with practical skills, enabling students to excel in the tech industry.

At SCOE, the computer science engineering courses are designed to meet industry standards and keep up with the rapidly evolving tech landscape. With its AICTE Approved, NAAC Accredited With Grade-"A+" credentials, the college provides quality education in a nurturing environment. SCOE's curriculum goes beyond textbooks, focusing on hands-on learning through projects, labs, workshops, and internships. This approach ensures that students graduate not only with a degree but with the skills needed to thrive in their careers.

The Role of Computer Science Engineering Colleges in Career Development

The role of computer science engineering colleges like SCOE is not limited to classroom teaching. These institutions play a crucial role in shaping students' futures by providing the necessary infrastructure, faculty expertise, and placement opportunities. SCOE, established in 2004, is recognized as one of the top engineering colleges in Navi Mumbai. It boasts a strong placement record, with companies like Goldman Sachs, Cisco, and Microsoft offering lucrative job opportunities to its graduates.

The computer science engineering courses at SCOE are structured to provide a blend of technical and soft skills. From the basics of computer programming to advanced topics like Artificial Intelligence and Data Science, students at SCOE are trained to be industry-ready. The faculty at SCOE comprises experienced professionals who not only impart theoretical knowledge but also mentor students for real-world challenges.

Highlights of the B.Tech in Computer Science and Engineering Program at SCOE

Comprehensive Curriculum: The B.Tech in Computer Science and Engineering program at SCOE covers all major areas, including programming languages, algorithms, data structures, computer networks, operating systems, AI, and Machine Learning. This ensures that students receive a well-rounded education, preparing them for various roles in the tech industry.

Industry-Relevant Learning: SCOE’s focus is on creating professionals who can immediately contribute to the tech industry. The college regularly collaborates with industry leaders to update its curriculum, ensuring students learn the latest technologies and trends in computer science engineering.

State-of-the-Art Infrastructure: SCOE is equipped with modern laboratories, computer centers, and research facilities, providing students with the tools they need to gain practical experience. The institution’s infrastructure fosters innovation, helping students work on cutting-edge projects and ideas during their B.Tech in Computer Science and Engineering.

Practical Exposure: One of the key benefits of studying at SCOE is the emphasis on practical learning. Students participate in hands-on projects, internships, and industry visits, giving them real-world exposure to how technology is applied in various sectors.

Placement Support: SCOE has a dedicated placement cell that works tirelessly to ensure students secure internships and job offers from top companies. The B.Tech in Computer Science and Engineering program boasts a strong placement record, with top tech companies visiting the campus every year. The highest on-campus placement offer for the academic year 2022-23 was an impressive 22 LPA from Goldman Sachs, reflecting the college’s commitment to student success.

Personal Growth: Beyond academics, SCOE encourages students to participate in extracurricular activities, coding competitions, and tech fests. These activities enhance their learning experience, promote teamwork, and help students build a well-rounded personality that is essential in today’s competitive job market.

What Makes SCOE Stand Out?

With so many computer science engineering colleges to choose from, why should you consider SCOE for your B.Tech in Computer Science and Engineering? Here are a few factors that make SCOE a top choice for students:

Experienced Faculty: SCOE prides itself on having a team of highly qualified and experienced faculty members. The faculty’s approach to teaching is both theoretical and practical, ensuring students are equipped to tackle real-world challenges.

Strong Industry Connections: The college maintains strong relationships with leading tech companies, ensuring that students have access to internship opportunities and campus recruitment drives. This gives SCOE graduates a competitive edge in the job market.

Holistic Development: SCOE believes in the holistic development of students. In addition to academic learning, the college offers opportunities for personal growth through various student clubs, sports activities, and cultural events.

Supportive Learning Environment: SCOE provides a nurturing environment where students can focus on their academic and personal growth. The campus is equipped with modern facilities, including spacious classrooms, labs, a library, and a recreation center.

Career Opportunities After B.Tech in Computer Science and Engineering from SCOE

Graduates with a B.Tech in Computer Science and Engineering from SCOE are well-prepared to take on various roles in the tech industry. Some of the most common career paths for CSE graduates include:

Software Engineer: Developing software applications, web development, and mobile app development are some of the key responsibilities of software engineers. This role requires strong programming skills and a deep understanding of software design.

Data Scientist: With the rise of big data, data scientists are in high demand. CSE graduates with knowledge of data science can work on data analysis, machine learning models, and predictive analytics.

AI Engineer: Artificial Intelligence is revolutionizing various industries, and AI engineers are at the forefront of this change. SCOE’s curriculum includes AI and Machine Learning, preparing students for roles in this cutting-edge field.

System Administrator: Maintaining and managing computer systems and networks is a crucial role in any organization. CSE graduates can work as system administrators, ensuring the smooth functioning of IT infrastructure.

Cybersecurity Specialist: With the growing threat of cyberattacks, cybersecurity specialists are essential in protecting an organization’s digital assets. CSE graduates can pursue careers in cybersecurity, safeguarding sensitive information from hackers.

Conclusion: Why B.Tech in Computer Science and Engineering at SCOE is the Right Choice

Choosing the right college is crucial for a successful career in B.Tech in Computer Science and Engineering. Saraswati College of Engineering (SCOE) stands out as one of the best computer science engineering colleges in Navi Mumbai. With its industry-aligned curriculum, state-of-the-art infrastructure, and excellent placement record, SCOE offers students the perfect environment to build a successful career in computer science.

Whether you're interested in AI, data science, software development, or any other field in computer science, SCOE provides the knowledge, skills, and opportunities you need to succeed. With a strong focus on hands-on learning and personal growth, SCOE ensures that students graduate not only as engineers but as professionals ready to take on the challenges of the tech world.

If you're ready to embark on an exciting journey in the world of technology, consider pursuing your B.Tech in Computer Science and Engineering at SCOE—a college where your future takes shape.

[hatedbyiife]

With all the traveling and moving around and tasks I did last month.... one could say.... I had an odyssey..........

[mylovesstuffs]

❪ ENTER ❫ — MASTERLIST: 𝟣𝟥 + 𝟣 Verse

Introducing…

Elara Carson ⋮

Malay-American singer

Overview Music groups Songs Listen

Age

24 years April 08, 2001

Overview

Elara Carson, known mononymously as Elara or Eunseo, is an American singer, songwriter, dancer, actor and producer based in South Korea and America. Co-managed by Pledis Entertainment and Prism Records, she is a member of the South Korean co-ed band Seventeen and its performance team, and is recognized as its 14th member. In addition to her group activities, she also promotes as a solo artist under Prism Records. Wikipedia >

About

Born: April 08, 2001 (age 24 years), Minneapolis, Minnesota, United States Music group: Seventeen (Since 2020) Height: 1.66 m Nationality: American Nicknames: Mini Moon, Code Fairy, Bunny Angel, Silent Trickster

Education: Massachusetts Institute of Technology; Harbin Institute of Technology

☰ 𝐖𝐈𝐊𝐈𝐏𝐄𝐃𝐈𝐀 ⌕

Elara (singer)

Article Talk

Elara Carson (Korean: 엘라라; born April 08, 2001), known mononymously as Elara or Eunseo (은서), is an American singer, songwriter, dancer, actor and producer based in South Korea and America. Co-managed by Pledis Entertainment and Prism Records, she is a member of the South Korean band Seventeen and its performance team, and is recognized as its 14th member. In addition to her group activities, she also promotes as a solo artist under Prism Records.

Elara

Elara in September 2020

Born: Elara Carson. April 8, 2001 (age 24). Minneapolis, Minnesota, U.S. Occupations: Singer • actor • dancer • songwriter • producer • programmer

Musical career

Genres: K-pop, R&B, EDM, alt-pop Instrument: Vocals, keyboard Years active: 2020–present Labels: Pledis (partial contract), Prism Records [fictional] Member of: Seventeen

Korean name

Hangul: 이은서 Revised Romanization: Lee Eunseo Revised Romanization: Yi Ŭnsŏ

Elara gained attention for her unique bond with Seventeen members and background, as well as for having studied at Massachusetts Institute of Technology and later Seoul National University while being active in the Korean entertainment industry. Her presence is credited with influencing Seventeen’s international brand expansion during the early 2021s.

  ^ Early Life and Education

Elara Carson was born in Minneapolis, Minnesota, on April 08, 2001. She has an older brother. She is fluent in English and Malay, and has conversational proficiency in Korean, Mandarin, Arabic and Portuguese. At the age of 18, she moved to China to attend Harbin Institute of Technology (HIT) through a transfer program affiliated with the Massachusetts Institute of Technology (MIT), where she was previously enrolled as a Computer Science and Engineering major. In early 2020, following the outbreak of the COVID-19 pandemic, she temporarily relocated to South Korea due to her acquaintance with members of the South Korean boy group Seventeen.

She later resumed her education, graduating with a CSE degree from MIT and enrolling in Seoul National University for graduate studies in computer engineering.

-

^ Career

Pre-Debut and SEVENTEEN

Elara became acquainted with Seventeen in mid to late 2019 while still a non-celebrity. Her musical talents and creative vision were accidentally recognized by the group and their team, leading to off camera performances. After a period of informal involvement and initially appearing in behind the scenes of web content like Going Seventeen, performances and special digital collaborations, in 2020, Elara officially debuted as a member of the South Korean boy group Seventeen with the extended play Semicolon on October 19, under the stage name Lee Eunseo, a Korean name given to her by the group, after excessive support/demand from fans for her to join the group. 

As Seventeen’s 14th member, she contributed to songwriting, vocal arrangements, and storytelling aspects of the group's releases. Her presence brought a unique dimension to the group’s dynamics, noted for her warm but sharp stage presence, vocal tone, lyricism, and contributions to the group's conceptual direction.

2023–present: Solo Projects and Public Recognition

In 2023, Elara released her first solo single "Too Nice." Elara participated in the overall production process of the song, including lyrics and performance. 

In 2023, Elara and her bandmates Joshua and Hoshi were cast in TVING's reality show Bro and Marble in Dubai alongside Yoo Yeon-seok, Lee Dong-hwi, Kyuhyun, Jee Seok-jin, Jo Se-ho and Lee Seung-gi. The show began airing in July that year, with Elara, Joshua and Hoshi's performances being well received.

In November 2024, she featured on BTS Jin's song "Heart on the Window" from his EP Happy.

-

^ Other ventures

Endorsement

In May 2022, Elara was announced as one of the models for Laneige’s "Neo Cushion" line, along with bandmates Joshua and Seungkwan.

Fashion 

In 2022, Elara made her first solo appearance at Chanel’s Seoul Pop-Up Showcase, where she was praised for her understated styling and elegance. In early 2023, she was featured in Harper's Bazaar Korea, wearing reinterpreted hanbok silhouettes by indie designer label MOA.STUDIO.

In 2022, Elara appeared at an event for French jeweler Cartier in Seoul, alongside bandmate Mingyu, and was later featured wearing the brand in the December issue of Dazed Korea. In February 2023, she attended Italian fashion house Marni’s Fall/Winter 2023 runway show in Tokyo. The following year, in February 2024, she accompanied Mingyu to French fashion house Dior’s show at Paris Fashion Week, where she was profiled by Vogue. In June 2024, she was present at the opening of Calvin Klein’s new global flagship store in Paris. On 16 August 2024, Elara became a model for Calvin Klein’s Fall 2024 campaign, joining Mingyu in a photoshoot by fashion photographer Park Jong Ha.

In January 2023, Elara attended Yves Saint Laurent’s Men's F/W 2023–24 Fashion Show at Paris Fashion Week with Jeonghan. Her appearance coincided with magazine pictorials for GQ Korea and Dispatch Korea, as well as a cover and fashion editorial for Elle Korea alongside bandmate Jun. Later that year, she also attended YSL’s 2024 Spring/Summer show in Berlin. In March 2024, she returned to Paris to attend YSL’s Men's F/W 2024 show with Jeonghan, where her appearance was featured in a fashion profile by VMan.

In October 2023, she attended Maison Margiela's SS24 show in Paris. The same year, she walked the red carpet at Seoul Fashion Week wearing exclusive pieces from Ader Error. In February 2024, she appeared in Vogue Korea’s “Women of Influence” issue, with a concept shoot that highlighted her dual identity and her journey across cultures.

In 2025, she joined Celine as a featured guest at their Tokyo showcase and attended Bottega Veneta's Fall 2025 preview in Milan, earning praise from both local and international fashion critics for her versatility and charm.

Ambassadorships

On 21 October 2021, Elara was chosen as the new ambassador for South Korean cosmetics brand Banila Co, alongside bandmate Jeonghan, in an effort by the brand to expand into Japanese and international markets by leveraging both idols’ popularity. The partnership has extended into 2024, with Banila Co continuing to promote their products using Elaraand Jeonghan’s appearances in various media, including Jeonghan’s appearance on Nana Tour.

In March 2024, UNICEF Korea named Elara a youth goodwill ambassador, recognizing her work with cross-cultural education and refugee literacy initiatives. She later partnered with Spotify Asia for the “Voices of Her” campaign, promoting female artists from underrepresented communities.

In January 2025, Elara became an ambassador for Dior Beauty Korea, focusing on fragrance storytelling and self-expression through scent. That same year, she was named a UNIQLO LifeWear Cultural Voice, curating capsule pieces inspired by her multicultural upbringing.

-

^ Public image

Elara Carson has been praised for her versatility, intellect, and relatability as both a performer and public figure. Known for balancing her career in the entertainment industry with her academic background, she is often cited as a role model for young women navigating STEM and creative fields simultaneously. Media outlets in South Korea and internationally have referred to her as a "new-generation icon" for her ability to shift seamlessly between idol schedules and solo projects, including academic presentations and panels.

Her interest in global issues, such as mental health, sustainability, and education, have furthered her appeal among older and younger fans alike. She is frequently noted for her humility, introspection and wits during interviews, as well as her fluency in multiple languages, which enables her to connect with a wide global audience.

She is admired for her position as both a former fan and now an idol herself. Having been an avid K-pop fan before debuting, she frequently references fan culture in interviews and variety shows, often joking that she can predict fan behavior because she ‘knows both sides now.’ Her playful remarks have led fans to joke that “nothing escapes” her, prompting memes and edits warning fellow fans to stay alert around her. This relatable yet elusive duality has become a defining part of her public image.

Despite her relatively low social media presence compared to other idols, Elara is known for engaging in interactions during live broadcasts and fan meets. Her close bond with the members of Seventeen has also gained public attention, with fans appreciating the mutual respect and care displayed among them.

She is often affectionately compared to Seventeen’s so-called “evil twins,” Jeonghan and Joshua, known for their mischievousness and unexpected teamworks, making them the, “evil trio.” While publicly soft-spoken and sweet, she has shown flashes of humor and sarcasm, especially in behind-the-scenes content and variety appearances, leading fans to dub her the “silent trickster” of the group. Much like Seventeen’s Jeonghan, whom she’s often grouped with as an unofficial “menace duo.” This dynamic has become a fan-favorite trope, further cementing her as an entertaining and unpredictable presence in Seventeen. Elara is also fondly called “Mini Moon” and “Bunny Angel.” 

Elara is widely recognized for her unwavering admiration for BTS, whom she has cited as her "emotional compass" and artistic inspiration since her early teens. Her genuine, long-standing support for the group has endeared her to ARMYs and Carats alike. This has led to the hybrid fan nickname “ARMY’s Princess”, for her loyalty and dedication to BTS.

-

^ Personal Life

Though private by nature, Elara has shared her struggles with sleep anxiety, academic pressure, and cultural identity. She speaks openly about mental health, and the balance between fame and self-worth. Known for her strong bond with Seventeen members, she often credits them for giving her the Korean name "Lee Eunseo" and helping her find a sense of family and belonging.

[moshpitgamma]

I eat sleep and breathe veener can we get a NSFW headcanon for him pleaseeee

Y’all🥹I’m bck

But ofcccc u can get him😝

Word count: IDFK🤣

Warning: mentions of Smut

AGED UP VENEER!!!!

Veneer x GN! Reader||NSFW Headcannons

——————————

🤑ok so let’s start if off and say he is a switch and it really depends on his mood and how he’s feeling

🤑veneer gives me twink vibes BUT he will make u beg to cum if he’s in the mood to be more dominant

🤑pre-show quickie or after show quickies are his go to’s

🤑he’s a kinky man and likes to experiment with anything but will need a little reassurance from you if u want any physical harm done to you

🤑loves to wrap his lanky and large hand around your neck and pepper you with kisses while he feels your pulse on his palm

🤑(for the ladies/vagina havers)if you suggest using a strap on him, he will oblige but you’ll have to stretch him out first🤭

🤑most of the time while y’all are having “fun” things will end up being goofy and sensual (can be serious if needed to but will end up making a joke and adding laughter to the scene)

🤑If you guys go to a party and you got a lil booty, if u shake it he’s throwing cash on that ass and tearing it up once y’all make it home🤷🏾‍♀️

🤑velvet has walked in on you guys a “couple” of times

🤑He’s not quiet AT. ALL. Will scream the alphabet if you hit him hard enough 😭(I’m sorry)

🤑he loves when u dress up in a cute baby blue lingerie set and will take u right then and there

🤑since his diet Is probably sweets and like healthy sweet shit, his cum is probably sweet🤭🤭

🤑will cum anywhere on you and will rub it in a little cse he loves how tired and starstruck you look in his seed

🤑prefers the bedroom, and the bathroom for sex but doesn’t mind to be risky🤭

🤑has a secret fantasy of recording yall while having fun time, but is a little to scared to admit it

🤑aftercare from him is like being treated like a royal. You’ll get ANYTHING YOU WANTTT FROM HIMMM

I’m so sorry I have been away for so long😭but I promise y’all I’m back and I’m ready to answer all of y’all’s suggestions and requests

[dreamings-free]

‘A dirty nightclub in an arena’ – behind Louis Tomlinson’s Faith In The Future World Tour

Louis Tomlinson and his tight-knit touring crew traverse the world in close to 80 shows, fulfilling a ‘dirty nightclub in an arena’ brief with a dynamic live campaign.

Production Profiles 5 January 2024

Following the success of his record-breaking Live From London livestream, which reportedly raised over £1m for touring and live events personnel and charitable organisations, Louis Tomlinson and his tight-knit crew have toured the world twice over. This time, visiting sold-out arenas in Europe and the UK with a cleverly networked live production with abstract video and lighting and a ‘no frills’ approach to sound, which guaranteed that every ticket holder experienced the same show, regardless of where they stood, sat, or screamed (more on that later). With close to 80 shows under their belt, TPi visited London’s O2 arena ahead of the production’s penultimate date of 2023.

Words: Jacob Waite Photos: Justin De Souza and Oli Crump

------

Following the success of his record-breaking Live From London livestream, which reportedly raised over £1m for touring and live events personnel and charitable organisations, Louis Tomlinson and his tight-knit crew have toured the world twice over. This time, visiting sold-out arenas in Europe and the UK with a cleverly networked live production with abstract video and lighting and a ‘no frills’ approach to sound, which guaranteed that every ticket holder experienced the same show, regardless of where they stood, sat, or screamed (more on that later). With close to 80 shows under their belt, TPi visited London’s O2 arena ahead of the production’s penultimate date of 2023.

“A team effort is required to get this show off the ground,” explained Technical Manager, Sam ‘Kenny’ Kenyon, who has been a fixture of Louis Tomlinson’s live output since joining as Lighting Crew Chief in 2019. “This has been a complete redesign, and the production has expanded and gotten more complex, which requires different solutions to make it happen.”

Kenny and the team oversaw the deployment of an A and B rig. “We’ve been fortunate for the European stint that the venues we’ve toured have, mostly, been arenas. The main difference between the A and B rig is the addition of IMAG and further lighting header trusses. Aside from that, the A rig fits everywhere. If anything, we’ve run into weight issues, which we can overcome swiftly by removing overhead trusses.”

For the first few shows, Riggers, Ian Bracewell, and Alex Walker incorporated load cells on trusses to get an accurate rate and account of the weight of the load of each truss. In the UK, The Brighton Centre had a particularly low-rate roof with weight limitations. Production Manager, Craig Sherwood and Tour Manager, Tom Allen’s vendors of choice included: Altour (travel), Beat the Street, BPM SFX, CSE Crosscom, Colour Sound Experiment (lighting, rigging, and video), Hangman UK, Boxcat Studio and Two Suns Creative (video content), LED Creative, Ox Event House (custom light housings), Sarah’s Kitchen, Seven 7 Management (artist management), Solotech (audio), Stardes Trucking, and TANCK (production design and video content).

There was no video director, as the show’s visuals were programmed and interspersed with live footage and triggered by a lighting console at FOH, thanks in part to an intricate network setup. “There’s a lot going on in racks that people never see, but it has been stable thanks to the quality of kit supplied by our vendors, who have invested heavily, and the team taking the time to programme the show,” Kenny noted.

Key to the success of the operation was the incorporation of Central Control software, which takes a signal from a lighting console, be it ACN or Art-Net, and translates it to talk to various products – in this case, video. “There is a giant brain that nobody knows exists other than those that have programmed it,” he added.

Additional crew members joined the tour in Europe to aid the video deployment and lead to far more efficient load-in an -outs. “We are close to 80 shows in and on days where we have access to multiple trucks, it comes out very quickly, which for a show of this scale is impressive and credit goes to the team,” enthused Kenny. “The biggest hurdle is when you’ve only got a two-truck dock.”

Prior to the tour, the team had five days of production rehearsals spent in Connecticut’s Mohegan Sun. “When we came to Europe a week later, we had a week of re-prepping with a day of rehearsals at Hamburg’s Barclays Arena, the day before a show,” he described. “It’s been a fun and long run,” added Stage Manager, Torin Arnold. “We’ve visited a good range of venues and countries – especially the Eastern European legs, visiting places you wouldn’t ordinarily tour and experiencing how they operate. This show is designed so it can be accomplished in any part of the world.” Carpenter, Harry Reeves was also on hand to support the build.

The routing, however, was sometimes challenging with some late arrivals and difficult border crossings. “There were a few times in Eastern Europe where we were doing a ferry back-to-back to arrive at 11am, sitting at a difficult border crossing. We usually start with a 7am mark out, so knocking hours off your load-in is tough but everyone pulled together to overcome it,” Arnold explained, noting that touring without staging, and instead, using venue stages (particularly rolling stages), was a blessing during those late arrivals. “As with any tour, as dates progress you build a rhythm while maintaining the safety of the build,” he noted.

Arnold also highlighted the benefit of Lead Truck Driver, Neil Thornton and Truck Drivers, Matt Marlow, Ben Woods, Sarah Goldsmith, Bob Miles, Alam Minshall, Franco DeRosa, and Ollie Thornton who “speed up the process” and maintained a level of consistency.

The transitions between support acts before Louis hit the stage was equally seamless, with ample downstage space for the singer-songwriter to traverse during his performance. “Having a clean frontline means we have space to get the bands on and off,” he added. “Our vendors have also provided everything from an audio package standpoint for support acts, which also speeds up the load-in and -out.”

Highlighting a ‘bucket list’ show at Hollywood Bowl, working closely with US union officials as a “fun” and “interesting” experience, Arnold reflected on the entire tour with crewmembers he now considers close friends. “This is a close team and I’ve made some great memories and stories. It’s been a fun year!”

A DIRTY NIGHTCLUB IN AN ARENA Production Designer, Programmer and Director, Tom Taylor, and Francis Clegg of TANCK have worked with Louis Tomlinson ever since he made the leap to solo artist. “The production design has evolved into an angular, grungy, asymmetrical setup, borne out of the ‘dirty nightclub in an arena setting’ creative brief I was given,” Taylor said, citing the creative influence of Matt Vines and Seven 7 Management. “Louis is a phenomenal performer, and the crowd is captivated the entire time. We started knocking ideas around, speaking to Louis about his inspirations and influences, which we then developed into a creative deck, which I sketched in Blender, and imported into WYSIWYG for visuals, to create stills and pre-visualise.”

Taylor spent 10 days programming the visuals at Colour Sound Experiment, a firm he shares a “longstanding” relationship with. “They are always a call away regardless of the day or time. Their team is easy to get along with and I like their whole ‘production sphere’ – sometimes it’s nice to split lighting and video, but for a show like this, aligning those departments with one line of communication is ideal,” he said, underlining the support of Colour Sound Experiment Account Handler, Haydn Cruickshank.

With production rehearsals under their belt and recordings from Louis Tomlinson World Tour (2020–22), where TANCK piloted Central Control software, the creatives understood how the singer and his band moved on stage, developing a rhythm and consistency of when to implement visual cues and which camera angle fit best. This allowed the team to pre-programme the visual content to timecode.

Video content was made by a combination of TANCK, Two Suns Creative, and Boxcat Studio, with the latter creating 3D models and rendered content, all of which was broadcast across a unique set of video surfaces. “Having the abstract video columns on stage makes it much more interesting than your standard slab of LED at the back of the stage,” Taylor noted.

On stage boxes created by Ox Event House housed GLP JDC Line 1000 strobes with reflective panelling and fabric that were printed to look like heavy concrete slabs, ladened with custom LED Creative solutions. These boxes then moved up and down using Wahlberg Motion Design winches to provide a “low-level, clubby feel” to the set.

“The winches can only carry 50kg and the lights alone are 35kg, so we had to be careful not to overload them, but the result was cool. We also have one single lightbulb on a winch which comes up and down above Louis to create a classic lighting moment,” Taylor said, further highlighting Ayrton Huracán’s prismatic colour wheel as a ‘fan favourite’.

The lighting design saw a wall of GLP impression X4 Bar 20s at the rear of the stage in 12 columns. Further lighting trusses over the stage carried the Wahlberg winches for several automated looks. The DMX winches were utilised for three or four songs, either statically or moving up and down, while JDC Line 1000s provided colour and strobe effects, to achieve varied looks, with a relatively minimal overhead lighting package.

Taylor elaborated: “There are some shutters for one specific track which go directly in-front of some of the GLP X4 Bars to get the aura of the lights, instead of the lenses, which I really like the look of. Lighting and video complement each other during this show – there’s also a section with flickering fluorescent tubes on the video content with the X4 Bar 20s behind the LED screens flickering in a similar way.

Taylor was delighted with the performance of the crew. “Overall, it has been a great run, executed flawlessly,” he commented, citing the support of Lighting Crew Chief, James Box; Dimmer Technician, Rick Carr, and Lighting Technicians, Amy Barnett, and Kieran Hancox.

The wider lighting rig comprised Ayrton Eurus, CHAUVET Professional Strike Array 4, Claypaky Mini-B eLumen8 Endura 1Q120, and Robe BMFL fixtures with robo cameras, all fixed on various HOF MLT3, Litec QH40 and Thomas James Thomas Engineering Superstruss. The lighting riser featured Ayrton Huracan LT and GLP JDC1 fixtures.

Robe Spiider fixtures were situated on the up and downstage video trusses, with the floor package boasting the deployment of further Ayrton Eurus, LEDJ Spectra Flood Q15 and Chroma-Q Color Force 72 units, the latter chosen for key light. Atmospherics came in the shape of Smoke Factory Tour Hazer 2, Martin Professional JEM ZR45 and MDG Atmosphere ATMe hazers with TMB ProFans. “We had some challenging shows, implementing an arena-scale design into sheds in the US, but it’s been good to return to Europe and witness the fans enjoying the show,” added Lighting Crew Chief, James Box, who pinpointed the use of the multicoloured glass gobo in Hurricanes as among his favourite looks.

“There is a lot of effort put in by TANCK to ensure we get the utmost from every fixture on the rig, which is great to see, when the team has gone to the effort of assembling the show each morning. Seeing the looks they achieve from the rig and the extra details, with each advanced cue within the show, is a pleasure.

Almost every pixel on the JDC Line 1000 and X4 impression Bars are being used.”

Video Crew Chief, Dave Mallandain, formerly of Colour Sound Experiment, supervised the video build and the team of Video Technicians, Ed Driver, Frank Wlliams and Tim Curwen.

“Working with Colour Sound Experiment again, in a freelance capacity, certainly has its benefits,” he stated. “You get to know the workflows and personalities of the company. There is an element of trust there and our relationship is stronger because of that.” The 2.5m by 2.5m video screen, made up of Leyard CLM6 LED panels with Colorlight Z6 processing on the back end, was built in an abstract configuration – hung from varying size steel structures fixed on to lighting truss, spanning the entire stage, as opposed to a traditional backwall. “This setup requires us to build it quicker, so the backline can start building their world, but it’s very lightweight and easy to use, so once the local crew are up to speed, it flies up in no time,” he reported.

During the show, there was a lot of camera angles fed into a Blackmagic ATEM switcher, with content then fed into Resolume media servers which was processed and treated with video effects and filters to manipulate the content, monitored by the video team, and pre-programmed by Taylor via an MA Lighting grandMA3 console, operating in MA2 mode.

“The fan camera, which was one of Tom’s ideas, has evolved to the point where Frank and I are on stage during Out Of My System, pointing these cameras fabricated in an old VHS-style shell at Louis’ face in reference to the fisheye-lens inspired music video.”

A mixture of Marshall Electronics and Panasonic PTZ cameras ensured the wider on-stage action was captured. “While the visual content is the same, the shots differ based on the energy of the crowd from night to night,” he explained. “We have an overhead shot for the drums, and another behind Louis, which shoots over his shoulder to the crowd. We also have a PTZ camera on the ground in front of Louis which can rotate to capture crowd scans along with a little ‘bullet camera’ for each musician. It’s been a fantastic tour; everyone on this team has been phenomenal.”

The special effects and pyrotechnics package supplied by BPM SFX included Galaxis PFC 10-way receivers running Galaxis, with a main and a backup controller, which ran through an MA Lighting grandMA2 console, to trigger MagicFX Stadium Shot IIs and a single shot of red streamers. The latter, a “signature of Louis Tomlinson live shows”, according to BPM SFX Technician, Jack Webber – who toured with a new custom control rack, with much of the hardware integrated in one rack.

BPM SFX Account Handler, Matt Heap and SFX Technicians, Blake Harward and Phillip Mathew also provided Webber with support. “The one major change on this tour was putting the Stadium Shot IIs at the downstage edge, and adding lasers for the O2 arena show,” said Webber, who has been involved in past touring campaigns with the camp. “This is the first touring camp to take me to the US, so I feel incredibly privileged.”

Safety was paramount for the BPM SFX team, who implemented the safeguard of warning notices on-stage to ensure the band knew exactly when an effect was triggered. In closing, Webber referenced the ‘rainbow-inspired’ track, She Is Beauty We Are World Class, which demonstrated the strength of the special effects package. “There are about 22 rapid fire chase Comets all going off at the same time with a big lift, which differs in comparison to the other looks with eight units.”

MIXING IN A SEA OF SCREAMS FOH Engineer, John Delf mixed on an Avid S6L 32D console with onboard plug-ins. “I use the onboard plug-ins as much as possible because I want to keep it as simple as possible and know I’ve got a show out of the box without any added extras, which is particularly useful during fly-in gigs, where I have to use a house console or have limited time to set up,” he noted. Delf also toured with some choice pieces of outboard gear including a Rupert Neve Designs 5045 primary source enhancer for vocals, an Empirical Labs Fatso two-channel compressor for drums, and further Distressors for the bass guitar group and vocals.

“The bulk of my mixing is riding the DCA control groups and the vocals, balancing between them, and when there is a lead guitar solo, I’ll jump to that. Most of the mix should stay where it is, and I shouldn’t have to think about it, but every day you make major tweaks and refinements based on how the musicians are performing. Most of the gig is turning the band up and down without affecting the vocals because I have DCAs for drums, bass, guitars, keyboards, main vocal, backing vocals, and an ‘all’ DCA that includes everything but vocals,” he said, explaining his mixing wizardry modestly. “I also run snapshots in which I am changing the sub send amount for different songs, as well as reverb and delay times. If the band changes the set last minute, I have the desk synced to the timecode and that will trigger the snapshots.”

At the beginning of the set, the noise of the crowd can be between 112 to 116dB. “We have a little bit of headroom. When they are loud, I can push the mix, and when they are quieter, I can pull it back for the more introspective moments of the show,” he explained.

“My favourite section to mix is the transition from a cover of Arctic Monkeys’ 505 into Back to You. When that kicks in, I push the “All” DCA up to +10. We’ve built the set up to that point, where I’m able to throw it to the top before the end of the set. The three songs in the encore are also fun songs to mix,” he enthused, accenting the support of Solotech Account Handler, David Shepherd.

“I’ve worked with Dave for years, while he was at BCS Audio (now part of Solotech). He’s been my go-to account handler for a very long time, and Solotech has inherited this gig from them, so there was a natural transition.”

System Engineer and Head of Audio, Oli Crump walked TPi through the PA system: “We’ve been using L-Acoustics, which is our preference, since the start of last year’s tour. The main hang has been K1 with K2 downfill for both tours, however, we are touring with a much larger system this year with K2 on the sides instead of KARA-II. We’re flying subwoofers and carrying delays with us, which is also our preference in big arenas, like the O2 – it provides an even level of coverage across the audience,” the TPi Breakthrough Talent Award alumni said, explaining the thought process behind a larger sound system.

“The PA system is naturally bigger this year because we’re touring larger venues. The crowd is very loud, and we need to be able to compete with that at points of the show. The window of dynamic range we have without it being too loud is compressed because the background level from the crowd is so high, so we need to be able to get our level as consistent as possible from front to back. This setup really helps overcome that.”

Out of ear shot from Crump, Delf extolled the virtues of his partner at FOH: “Oli and I work well together. Every day, regardless of the venue, I know the system is going to sound consistent. We deal with different venue acoustics each day but as soon as I run up my virtual soundcheck, I’ve got the mix back to where I want it because the PA is at the same level every day. I used to walk the room a lot during sound check, but it always sounded consistent, so I’ve stopped doing that because I trust him explicitly.”

The PA generally sat in a standard location for an arena PA, 10.5m off centre and no wider than that, using the same basic system design as Louis Tomlinson’s past touring campaign, which Crump worked on with Kenny to ensure it didn’t impede the production design. “The number of boxes we deploy varies from show to show, based on the venue. The worst-case scenario [visually] is that the PA needs to be a little lower than usual and gets in the way of the IMAG screens slightly,” Crump detailed.

He designed the system using Soundvision, then imported his file into Network Manager, with a DirectOut Technologies PRODIGY.MP chosen for system processing. “I have visited many of the European arenas before so I’ve got fairly accurate plots, however, sometimes you will stumble across an error someone has made in building the models,” he continued. “Madrid’s WiZink Center had different CAD drawings for each layer of the venue and one of the layers was accidentally scaled wrong, so the bottom floors were fine but as you went up everything was out. You get curveballs like that occasionally but that’s why it’s important to verify drawings.”

An audience also changes the acoustics of a room, generally for the better, but sometimes not, so Crump was on hand at FOH to make tweaks when required. “As rooms get larger, they generally get more difficult, reverb time will go up purely as a factor of the room size, regardless of how you treat it. The O2 is quite tall seating-wise, so you end up having to angle the PA up into the roof a lot,” Crump noted.

Over by the stage, Monitor Engineer, Barrie Pitt mixed the five-piece band and frontman using a DiGiCo Quantum 338 console. “Louis and the band are good at verbalising what they want. They’ve been playing a long time, so it’s my job to translate those desires into the mix,” he explained. “DiGiCo has been my ‘go-to’ brand of console for the past 15 years. The 338 is an incredibly powerful console, which can do as much as any other on the market and more in a much less convoluted way. I know it like the back of my hand and how to get the best out of it and do the most complicated things at the push of a button. The Capture features are ridiculously powerful.”

Pitt oversaw 85 channels, 64 directly from stage, with additional channels for shouts, sends, returns, communications, and routing, among others. His outboard rack included a classic Lexicon PCM 91 digital reverberator for vocals. “The way I set up the communications and shout systems are the same across the board. For the layout, a lot of people have instruments on one side and vocal and effects on the other, however, I tend to adjust my banks of faders visually, how you would see it on stage, left to right, as a nod to my analogue mixing days. My second layer is usually tracks and any track content with reverbs next to the vocals, so they’re changed in unison. Sometimes, I’ll do a custom layer of [drum or spill group, two lead guitar channels and vocal] the things I use most, particularly if it’s a busy show input-wise.”

Pitt referred to the basis of his mix as ‘static’ with minor changes. “Louis changes a fair bit between songs I’m running upwards of 60 scenes with a lot of songs having multiple scenes for verse and chorus or specific sections,” he explained. The Monitor Engineer is a big believer in unifying the in-ear monitors, so what he hears is the same as those on stage. “We use Shure PSM1000s, JH Audio Roxanne in-ear monitors for Louis and JH16s for everyone else, except for the drummer, who is using Ultimate Ears IEMs. Louis and the band are solid, and they keep their ears in from start to finish. Louis wants the rock star mix; he likes to feel the weight of the mix. It’s not an overpowering mix but it’s a full mix with his vocal on top with Neve 5045 primary source enhancers on all vocals. Everyone else has a standard band mix at moderate level with their instrument and vocals high. The drummer has the most straightforward mix with his drums and shouts layered on top.”

A further pair of subwoofers stage left, and right were situated under the stage risers, providing the weight of side fills without the top end. “It’s a big rock show with drums and guitars, so the less noise I can have flying about the stage, the better,” he said.

The microphone package included a Shure Axient Digital AD4D two-channel digital wireless receiver, a AD2 vocal microphone with a KSM9 capsule for vocals. Sennheiser MKH 60 and AKG C414 XLS microphones captured the ambient noise of the room. “We track everything, including the two sets of ambient microphones for recording and virtual soundcheck, in case the band decides to do anything with the live content,” he noted.

Having collaborated with Solotech and previously BCS Audio multiple times, Pitt was pleased to see the company on the tour sheet. “They are a solid choice and I know Dave Shepherd well. They fix any problems swiftly, and all their gear is well packaged and maintained,” he said. “The band and crew are lovely. It’s rare to come across a camp so friendly on a show of this size.” Pitt thanked Solotech Monitor and Stage Technician, Matt Coton. “He is fantastic. He takes all the second guessing out of my day and is so meticulous and thorough that I know everything will be as it should be from the get-go. When there are issues, he knows exactly what to do to remedy it. He’s been a joy to work and hang out with.”

Audio Technicians, Matt Coton, Tim Miller, Kim Watson, Elliott Clarke, James Coghlan, Matt Benton; Bassist and Keyboard Technician, Chris Freeman; Guitar Technician, Dan Ely and Playback Technician, Scotty Anderson made up the sound team.

CURATING A HOME AWAY FROM HOME Sarah Nicholas of Sarah’s Kitchen and Caterers, Rebecca Henderson, Helena Robertson, Chris Carter, Matty Pople and Tamsin Manvell provided band and crew catering, ensuring morale stayed high and stomachs were full on the road. Making a name for themselves as One Direction’s caterers, the outfit now cater for each of the band members’ individual tours and private functions, amassing a dedicated online following. “I started catering for Louis and the rest of One Direction during their first theatre gig in Watford and I feel very privileged to have that connection. At dinner time, we perform a plate service, which I think is important – our reputation is not only built on really good food but the entire hospitality package, creating a nourishing environment away from home,” Nicholas said.

Sarah’s Kitchen provided a range of vegan, gluten-free and vegetarian options. “We also provide disposable products and water coolers, and our runner regularly collects fresh, local produce from markets based on where we are in the world,” she explained.

The wider European crew featured Security, Kristian ‘Ches’, Ross Foster, Ben Major, and Gav Kerr; Merchandisers, Jon Ellis and Maddy Stephens; Bus Drivers, Aivaras Arminas, Frederico Antunes, Scott Pickering, Chris Grover; Entourage Bus Driver, Paul Roberts; Merchandise Truck Driver, Warren Dowey; BTS UK Account Handler, Garry Lewis; Stardes Account Handlers, Tyrone Reynolds, and Alam Minshall; CSE Crosscom Account Handler, Hannah Evans and Altour Travel Account Handler, Alexandra Gati.

Having wrapped up the best-selling livestream of 2020 – a lofty achievement given the proliferation of remote productions amid the grounding of live events with in-person crowds – Tomlinson shows no signs of slowing down post-pandemic, making the leap from sold-out theatres to arenas across the globe with his trusty crew in tow. “Live From London was great because the crew and I really needed it,” Delf said. “It gave us some much-needed work amid the lockdown, and all the proceeds went directly to the crew, which was an incredibly honourable thing to do. To come back out on the other side of lockdown was great. It was a dark time back then for everyone, but to be back out on tour surrounded by friends, who feel more like family, it’s special.”

-> read here on Issuu

[louisupdates]

‘A dirty nightclub in an arena’ – behind Louis Tomlinson’s Faith In The Future World Tour

Louis Tomlinson and his tight-knit touring crew traverse the world in close to 80 shows, fulfilling a ‘dirty nightclub in an arena’ brief with a dynamic live campaign.

5 January 2024

Following the success of his record-breaking Live From London livestream, which reportedly raised over £1m for touring and live events personnel and charitable organisations, Louis Tomlinson and his tight-knit crew have toured the world twice over. This time, visiting sold-out arenas in Europe and the UK with a cleverly networked live production with abstract video and lighting and a ‘no frills’ approach to sound, which guaranteed that every ticket holder experienced the same show, regardless of where they stood, sat, or screamed (more on that later). With close to 80 shows under their belt, TPi visited London’s O2 arena ahead of the production’s penultimate date of 2023.

Production Manager, Craig Sherwood and Tour Manager, Tom Allen’s vendors of choice included: Altour (travel), Beat the Street, BPM SFX, CSE Crosscom, Colour Sound Experiment (lighting, rigging, and video), Hangman UK, Boxcat Studio and Two Suns Creative (video content), LED Creative, Ox Event House (custom light housings), Sarah’s Kitchen, Seven 7 Management (artist management), Solotech (audio), Stardes Trucking, and TANCK (production design and video content).

Louis Tomlinson’s Faith In The Future World Tour featured in TPI Magazine, 5.1.2023

Words: Jacob Waite

Photos: Justin De Souza and Oli Crump

www.louis-tomlinson.com

www.altour.com

www.beatthestreet.net

www.boxcat.studio

www.bpm-sfx.com

www.csecrosscom.co.uk

www.coloursound.com

www.hangman.co.uk

www.twosuns.agency

www.led-creative.co.uk

www.oxevents.co.uk

www.seven7.management

www.solotech.com

www.stardes.co.uk

www.tanck.co

TEXT

Instagram

Beat The Street video

[meritopcollegeindelhi]

Best Engineering College in Haryana & Delhi-NCR– MERI College of Engineering and Technology

Build Your Future with Excellence in Engineering Education

Choosing the right engineering college is a crucial step toward building a successful career in the ever-evolving field of technology. If you are searching for the best engineering college in Delhi, then MERI College of Engineering and Technology (MERI CET) is the perfect destination for aspiring engineers. With its world-class infrastructure, experienced faculty, industry-oriented curriculum, and excellent placement opportunities, MERI College ensures that students are equipped with the right knowledge and skills to excel in their careers.

Why Choose MERI College of Engineering and Technology?

1. Top-Notch Academic Excellence

MERI College offers a comprehensive B.Tech program in multiple specializations including:

Computer Science & Engineering (CSE)

Artificial Intelligence & Machine Learning (AI & ML)

Mechanical Engineering (ME)

Electronics & Communication Engineering (ECE)

Civil Engineering (CE)

Our curriculum is designed to provide in-depth theoretical knowledge along with practical exposure to real-world industry applications.

2. State-of-the-Art Infrastructure

At MERI College, students have access to well-equipped laboratories, smart classrooms, modern libraries, and research centers. The AI & ML Lab, Robotics Lab, and IoT Lab provide hands-on experience in emerging technologies.

3. Industry-Oriented Training & Internships

We have strong industry collaborations and provide students with internship and training opportunities at top companies. The college frequently organizes industrial visits, workshops, and guest lectures by leading professionals from reputed organizations.

4. Excellent Placement Opportunities

The dedicated Training & Placement Cell at MERI College ensures that students get ample opportunities for employment. Our top recruiters include:

Infosys

TCS

Wipro

HCL

Accenture

Amazon

With a high placement record, we help students secure lucrative jobs in top MNCs and startups.

5. Scholarship & Financial Aid

To encourage meritorious students, MERI College offers scholarships and financial aid programs. Students with excellent academic records and those from economically weaker sections can avail of these benefits.

6. Holistic Development & Extracurricular Activities

Apart from academics, we focus on the overall development of students. Various clubs, technical societies, sports events, and cultural fests ensure that students get ample opportunities to showcase their talents and enhance their leadership skills.

Admission Process for B.Tech 2025

Eligibility Criteria

Candidates must have passed 10+2 with Physics, Chemistry, and Mathematics (PCM) as compulsory subjects.

How to Apply?

Visit our official website: meri.edu.in/engineering 

Fill out the online application form.

Upload required documents.

Appear for counseling and interview.

Join the Best Engineering College in Delhi!

If you aspire to be an engineer and want to be a part of a leading engineering institution in Delhi, then MERI College of Engineering and Technology is the right choice. Our cutting-edge academic programs, industry exposure, and placement assistance will help you shape a successful career in engineering.

📞 Contact Us: +91-9555369369 🌐 Website: meri.edu.in/engineering 

🚀 Apply Now and Secure Your Future with MERI College!

[forensicated]

Information about The Bill for use in fan fictions or anything similar. (aka: how I found out there's a character limit on Tumblr) This will be edited, please feel free to comment anything you want adding or editing.

Part 2

Nicknames for the police/officers:

The Old Bill, Bizzies (busybodies or 'too busy to help'), Feds, Bluebottles, Coppers, Bobbies, Rozzers, Peelers, The Filth, The Fuzz, Dibble (Officer Dibble from Top Cat), Pigs, Plod, Plonk (Person Of Limited Or No Knowledge), The Thin Blue Line, Bacon ("Can you smell bacon?") "The Babylon" (Jamican slang), Boys In Blue, Hawaii 5-O, Woody/Woodentops, The Scum, PoPo, The Law, Gammon.

In the earlier series, CID would refer to Uniform as Woodentops and Woodentops would refer to CID as Superstars and The Brains Dept

Community Support Officers: CHIMPS (Completely Hopeless In Most Policing Situations), Hobby Bobby, Plastic Policeman,

Police Lingo, acronyms and abbreviations

ABE: Achieving Best Evidence - recording a victim of serious sexual assault on video for their first statement so it can be played in court to show how they were/the state they were in and try and limit the victim having to be there in person/cross examined etc.

ABH: Actual Bodily Harm

AMIP: Area Major Incident Pool (now Specialist Crime And Operations)

ANPR: Automatic Numberplate Recognition

AP: Agrieved Person - Victim

ARV: Armed Response Vehicle

ASBO: Antisocial Behaviour Order.

ASNT: Area Searched No Trace.

ASP: Baton

Big Red Key: The enforcer

BIU: Borough Intelligence Unit - this is where they could check facial recognition, check through CCTV and use the computers to check for suspects and find out peoples backgrounds.

BLO: Borough Liaison Officer

Blues and twos: Lights/Sirens on police cars

CAD: Computer Aided Dispatch

CIB: Complaints Investigation Bureau, later DPS (Directorate Of Professional Standards)

CID: Criminal Investigation Department

CIM: Critical Incident Manager - Inspector usually who oversees all the big jobs and makes decisions to keep things rolling smoothly rather than lots of chiefs making conflicting decisions.

Civvies (normal civilian clothes - ie a PC changing for an obbo)

CO19 (Used to be SO19 - armed officers. Smithy and Max used to be CO19 officers.) Apparently now MO19!

Code 11: Off Duty

CPS: Crown Prosecution Service

CPT: Child Protection Team

Crimint: Criminal Intelligence

CRIS: Crime Report Information System

CS Spray: Sprayed at criminal resisting arrest. Temporarily makes them unable to see properly and irritates their respiratory system. to enable them to be arrested. Sometimes now called PAVA spray.

CSE: Crime Scene Examiner (was SOCO- Scenes Of Crime Officer)

CSU: Community Support/Safety Unit Now joined with DVU and called SODAIT - Sexual Offences And Domestic Abuse Investigation Team

CLO: Community Liaison Officer

D&D: Drunk And Disorderly.

DVU: Domestic Violence unit. See CSU.

ETA: Expected Time Of Arrival "ETA, 5 minutes."

FATAC: Fatal Accident

Fence: Someone who buys and sells stolen goods

FED REP: Federation Representatives. Officers trained to support officers who are accused of crimes or otherwise want to take the service/bosses on.

FIU: Financial Investigation Unit

FLO: Family Liaison Officer (supports the family members/person who is going through a horrendous time. IE: Jim when Eva's daughter when missing and Smithy to Leanne Samuels when her daughter Carly was murdered)

FME: Force/Forensic Medical Examiner (Police doctor who reviews and treats criminals (and occasionally injured staff) who have gotten hurt, have complex medical issues or who need medication)

FPN: Fixed Penalty Notice - an on the spot fine.

GBH: Grievous Bodily Harm

Grass: informing on someone who has done a crime. Handling: someone who has accepted/bought stolen items either knowingly or unknowingly dependant on circumstances.

IBO: Used in later years instead of the CAD room, the Integrated Borough Operations handled non emergency telephone calls, CCTV viewing, contacting officers and similar. The CAD room was not needed as emergency calls were answered at Scotland Yard or Hendon and then sent to the relevant IBO Operator for the borough (which would be at Bow Central Communications Command) who would then send it to Sun Hill's IBO so all information can be relayed to the officers attending. Much like CAD, the IBO has a Sgt and PC's who would monitor the CCTV and IBO computers and assign officers to calls.

IC1-6 This is how the officers described skintones when searching for suspects/victims/witnesses.IC1 is White skinned european. IC2 is Dark Skinned European. IC3 is Afro Caribbean appearance, IC4 is Asian appearance (Indian Pakistani or Bangladeshi), IC5 is Chinese or Japanese appearance and IC6 is Arabian/Egyptian appearance.

Index: Vehicle registration - spelt out phonetically

India 99: Police helicopter.

IRB: Incident Report Book (Notebook) apparently now it's a force/work phone!

IRV: Incident Response Vehicle

LIO: Local Intelligence Officer

LEO: Local Enforcement Officer

LOS: Lost or Stolen

Misper: Missing Person

MIT: Major Incident Team (Used to be Murder Investigation Team)

MP: Met Police Information Room (Scotland Yard)

NCPA: No Cause For Police Action

NCS: National Crime Squad

NFA: No Further Action

NOIP: Notice Of Intended Prosecution. You're not arrested but the police are coming to take you to court soon.

Nonce: Sexual Offender - most used for Paedophiles.

OBBO: Observation - Keeping watch on suspects

OP: Observation Point

PACE: Police And Criminal Evidence Act - The police are bound to act by all rules, objectives and codes of conduct of this act of parliament in every part of their work.

PANDA: Normal police car that's not used for pursuing other cars. That's generally left to the Area Car or an IRV.

Pimp - someone who takes money from a woman on the sex trade. Also known as living off immoral earnings.

PIT: Precision Immobilisation Technique Manoeuvre (usually they try using a stinger to burst the tiers of a car thats speeding away from the police but it's not always possible. Where the road is wide enough and no one will become endangered by it,advanced drivers who are TPAC trained can do a manoeuvre to the car they're chasing and put it into spin to stop it. It CANNOT be done to busses/trucks/motorcycles etc and it's advised to not do it to a car you fear may be carrying armed occupants but to be honest it's not a massively used thing in the UK.)

PNC: Police National Computer = Real time checks on criminal records, outstanding warrants, missing and wanted people, registration checks etc.

PolAc: Police Accident (Ie car crash or hitting a pedestrian etc when it's a police officer involved)

PR: Officers police radio.

Refs: Refreshments/break time

Ringer - A vehicle that has been made up of parts of other cars or identity changed. Sometimes called a Cut n Shut.

RJ: Restorative Justice - a criminal doing something instead of being cautioned/imprisoned - like painting over their graffiti with a new coat of paint.

RTA/C: Road Traffic Accident/Collision

Rule 43 (Now 45): Vulnerable Prisoners in a prison. Smithy endured bullying to avoid being put in this as it means segregation and would bring him more attention and also a lot of isolation. This is for prisoners who are sex offenders, mentally ill, have a target on their back for grassing or being a convicted police/prison officer etc.

RUI: Released Under Investigation - bailed but the case is still being investigated and can be rearrested at any moment. The police hate this but the government have got touchy over bailing people.

Section 59 - Anti Social Behaviour Vehicle Seizure - you've kept driving like a prat so they're taking your car.

Section 165 - Seizing a car for no insurance. Most likely to be crushed.

Shout: A call out/incident communicated over the radio.

Sierra Oscar: Sun Hill Station Call Sign

Snout: Registered informant who gets paid for giving info. NNo sometimes CHIS - Covert Human Intelligence Source or Informant.

SO10: Now Covert Operations - Undercover Policing - can be long term and go really deep undercover. Stevie used to be in this dept. Now includes Counter Terrorism.

SOCA: Serious And Organised Crime Agency

SOPO: Sex Offenders Prevention Order (useless essentially!)

SOR - Sex Offenders Register

Stretch: Prison sentence.

TIU: Telecoms Investigation/Intelligence Unit

TOA: Time Of Arrival "Show me TOA 13.23"

Tom: Prostitute

TPAC Tactical Pursuit And Containment - trained officers who bring vehicles to a stop - like boxing cars in etc.

Trojan Unit: Armed Police

TSG: Territorial Support Group

TWOC: Taking a car without owners consent

VIN: Vehicle Identification Number

VRN: Vehicle Registration Number

Phonetic Alphabet Alpha, Bravo, Charlie, Delta, Echo, Foxtrot, Golf, Hotel, India, Juliet, Kilo, Lima, Mike, November, Oscar, Papa, Quebeck, Romeo, Sierra, Tango, Uniform, Victor, Whiskey, Xray, Yankee, Zulu.

Areas Of Sun Hill/Canley Wharfs/Docks Jubilee Wharf, India Wharf, Limeharbour Dock, Sussex Wharf, Limeharbour Dock, Sussex Wharf, Old Jubilee Dock & Boatyard, Masters Wharf, Dockland Pier, Skippers Wharf

Council Estates Aldbourne, Bronte, Abelarde, Antrim Green, Canley, Farley, Parkmead, Jasmine Allen, Coal Lane, Cockcroft, Whitegate, Hardie, Larkmead, Tankeray, Copthorne, Netherlake, Woodvale

[The earlier series had Riverdale Estate and one of the blocks was called Elizabeth Garret Anderson]

Other Stations Barton Street (Sierra Bravo) , Spicer Street, Putney Green, Stafford Row (Sierra Charlie), Tottenham (Echo Oscar) Diplomatic Protection (Delta Papa), East Greenwich [suggested by Gina for prisoner overspill in 127]

[Tower Wharf mentioned in series 2]

Industrial Estates

Cheetham Road Industrial Estate

Streets Trafford Way, Loftus Road, Leermont Road, Gatley Street, Purchase Road (Red light district), Brands Square, Jamaica Lane, Larkway Street, Godwick Street, Sun Hill Road, Shadwell Street, Harlow Street, Dunsford Street, Brown Square, Victoria Road, Dorral Road, Alforn Street, Mallan Street, Ashon Street, Brim Road, Rudcus Street, Cheetam Road, Cheetham Side, Jessop Street, Halpern Street, Tallow Street, Hoxton Road, Backhouse Street/Lane, Mournemouth Street/Avenue, Rudkin Road, Bagford Street, Brunell Avenue, Askill Road, Limefield Walk, Railton Street, Canley High Street, Ida Lane, Tubbs Lane, Claydon Street, Woodley Heath Road, Ballina Road, Starkwater Road, Calico Street, Tedder Street, Greenroad Way, Greaton Road, Mooreland Road, Ibbot Street, Rudleigh Road, Westway, Abbey Road, Broom Lane, Foundry Way, Humber Street, Muston Street, Valance Street

Prisons Longmarsh. The earlier series used Wormwood Scrubs

Hospitals St Hughs, St Clements

Schools

Cheetam Primary/Junior School, Shad Thames Infants School, Elcott Primary,

Canley Comprehensive, Harvey Wallace Comp, Deansgate Comprehensive, Cheetam Bank, Medway Comprehensive

Pubs

The Canley Arms, The Askill Arms, The Rose And Crown, The Green Archer, The Bears Head, The Elcott Arms, The Seven Bells, The White Swan, The Scales, The Grape And Bottle, The Dog And Gun, The Pikes Head, The Thames Tavern, The Tully Arms, The Boat Inn, The Tug, The Emma Hamilton, The Cock And Crown, The Sultan. Lord Banbury, The Two Angels,

Misc

North Canley Sports Center, Canley Fields, City Farm, St Ann's Church, Cheetham Community Support Center,

Earlier series

Miskin Manor High School (mentioned series 5)

Bob Cryer's youngest son attends Medway Comprehensive.

St Clements is a hospital mentioned in series 5.

FME is first called 'FME' in Bad Company (series 5) before then it is divisional surgeon.

[plutusiasdelhi]

GS Foundation Course for UPSC

Prepare for UPSC CSE 2025-26 with the GS Foundation Course at Plutus IAS! The new batch starts on 25th October 2024 at 08:00 AM, with both in-person classes available at Plutus IAS Karol Bagh, Delhi, and an online batch for students in Chandigarh.

This course is designed to build a strong foundation, covering all General Studies subjects along with current affairs, regular mock tests, and personalized guidance. Plutus IAS, known for its expert faculty and proven track record, offers a well-structured program that helps students master key concepts and answer writing skills essential for cracking UPSC CSE.

Don’t miss out on this opportunity to start your UPSC journey with one of the best institutes! Enroll now to secure your seat.

[rrrrinmaru]

liveblog of 02 - the first mission

in the entire linkon city, is there only one hunters headquarters? this twenty-storey building - it's convenient, but it also seems like incredibly poor security if it's just in the city exposed to the surroundings... one well-placed wanderer's ambush and all teams go down together... all that technological infrastructure...

the OTTO-CSE can even track my sleeping patterns... i know there are similar apps available these days that can do the same, but is this data being recorded and sent to mc's employer wwww

there are PILLS to combat tiredness????? say no to caffeine say yes to popping pills to fight off the tired effects... wonder what zayne will say about prolonged use of draumril

not the risk pay i'm dead...... yay for special insurance for higher risk of death! (sparkle)

alpha team is located right next to movere bridge so that mc can arrive anywhere in linkon city within a few seconds - teleportation??? < ah, normal transport, just super fast. is getting a driver's license included in a hunter training course? how comprehensive...

not mc thinking ah yes these old monitors must be used to block off eye contact and prevent small talk...

this braimago - brain image(o) i'm assuming? there's clearly some neuro linkage between the pen's "three green streaks of light" that enable it to connect with mc's mind and accurately replicate onto paper what mc can envision in her mind's eye. and evidently, braimagos are under tight security if one requires TSC security authentication code to be used. is it for images only or can the pen also write words? life would be easier if there was a pen that could just pull the words out my head and onto paper without me writing...

but i must say it's interesting - and this is very common among other futuristic settings, be it otome games or games / movies etc - that despite how advanced the technology looks in terms of translucent floating screens, holographs, watches that beam up images, touch screens, pens that can apparently link up to one's brain... there appears to still be a heavy reliance on hardcopy paper. mc described the room she entered as having a lot of "untouched paperwork". the braimago is used to draw on "paper" (although, i'm intrigued by how the braimago can be used to draw on paper if it operates via lights / energy (?) to penetrate the human body to have a neuro link with the brain. you're telling me there's also an ink cartridge or lead in the pen along with all this tech?). you would think that a society so advanced would have moved beyond needing physical paperwork - something that would make more sense in-universe would be multiple tablets stacked together, maybe. unless there's some concern that electronic devices can be misused and paperwork is still the best when it comes to certain official documents?

nero is 100% that guy from pacrim 2 who mindmelds with a kaiju and essentially is mindfucked by it for the entirety of pacrim 2. 100%.

ah he's from data analytics. yeah going back to my first point in 01, do these people ever have to go into the field? it doesn't exactly seem like nero will willingly go into the field wwww... maybe if he's dragged kicking and screaming with some tech held at gun point, he'll fulfil any required combat missions but otherwise...

advanced tech labs considers the missions and assigns them according to the specific HUNTER'S evol / capabilities / efficacy? not the team? so ATL assigns a mission DIRECTLY to mc and not, say, to alpha team who then reassigns it to whoever in the team based on their own analysis? this does not sound efficient at all... unless everything is just done by numbers and they rely on AI to do it for them, in which case, well i guess...

oh it's nice that you're still allowed to pick and choose missions, but i assume there is a minimum number of missions one has to complete per month / whatever timeframe they use when measuring work performance - else it would be too easy to just enter a team and only do urgent missions and completely reject all other missions, wouldn't it? or are urgent missions so common that undertaking the assigned urgent missions would be sufficient to hit whatever mission quota is assigned?

if brand new hunters are assigned solo b rank missions right out of graduation, who the hell are doing missions below b rank? maybe data analytics..... shit i crack myself up

MC DRIVES A MOTORBIKE? damn i didn't know the hunter academy made you get a motorbike license... pretty sick.

YOU PICK ZAYNE UP FROM THE ROADSIDE.... THIS IS THAT MEME WHERE THE GUY AT THE BACK IS LIKE "it's not manly being on the back..." SO YOU LET HIM SIT IN FRONT AND TRAP HIM WITH YOUR ARMS ON EITHER SIDE SO YOU CAN STILL REACH THE HANDLEBARS!!! SAY IT IS SO!!

buckle up? there are seatbelts for passengers in motorcycles? hold on let me google this < hm. maybe they've finally invented a way for seatbelts for both driver and passenger on motorcycles because right now there are no seatbelts available.

"keep arms and legs by your side" - legs i can kind of get, but arms? is he not holding your waist? girl what kind of motorcycle is this? where is he holding? is he just sitting upright and praying??

help he is so malewife the way he slams into your back when you brake because he jerked back from the force of you starting the bike TAT zayne is this your first time on a bike TAT you are so funny

it's truly giving childhood frenemies....

(with hindsight) it's quite clear the skeleton in the giant transparent tube belongs to a skeleton. problem is the skeleton looks massive, and i'm not just talking about the length inclusive of the tail. even the human torso itself looks huge, which would also make sense since it should be somewhat proportional to the size of the tail (for the most effective build for swimming and hunting). are lemurians all that big? did rafayel.... shrink when he turned human?? or is this like an ultra ancient lemurian skeleton like how the animals were all way more massive during the prehistoric era?

xander sciences - is zayne engaging in scientific / biomedical experimentation as well? on top of being a cardiovascular specialist? boy this man is busy

bruh what was the point of zayne coming here. just to check up on raymond because he asked, confirm the vital signs are all good, exchange some snarky words and then leave? i hope he was paid well for this home visit

... why are there faint scars on zayne's hands?

interesting, they've finally given a visual description for metaflux. "an almost imperceptible ripple appears in the air", creating a resonance trail that is coming from the collection room - instinctively i think this means the format is as follows: portal prepares to open, portal location has sharp increase in metaflux levels. metaflux levels spread in a radius (energy waves) and these are visible to the naked eye, kind of like how the sun makes the air shimmer in waves when it's too hot sometimes. i'm still not certain if a resonance trail is something mc has because of her resonance evol or if it comes from her hunter's watch - i'm assuming it's the former for now.

i understand gameplay wise that the boys need to fight with you to justify pulling for certain myth cards with new ways of fighting etc, but i do wonder in plot how it fits in. is everyone born with an evol? does one need a license to be able to use it in public / day-to-day? how is zayne so good at using his evol if he hasn't undergone hunter training? this is sounding a lot like the bnha quirk regulation system but they're serious questions. also not gonna lie if zayne can nail a wanderer with no training so easily then why did i bother going to hunter academy. and why do they issue guns to rookie hunters if an icicle (or other manifestation of an evol) will work just as well... ok i suppose at some point your internal mana runs out for evols

RAYMOND IS 35? WHY DOES HE SOUND 70

"had yet to form a protocore" - do they form them when they land on earth or do they form them before coming to earth? i assume a protocore is like the equivalent of the crystal nucleus in zombies in cn apocalypse literature / dantian in fantasy literature. if these are the inspirations, then yes protocores do take time to form in the wanderers, and they will be stronger the more advanced the wanderer is. still doesn't answer the question of when exactly the protocore forms though - i suppose if the wanderer that enters earth is weak (maybe b level), then the protocore hasn't been formed yet, and as the wanderer levels up, the protocore is slowly formed through the process. but if the wanderer comes in at s level immediately, is the protocore fully formed? interesting. maybe i should join data analytics.

bro if rafayel can paint paintings with above healthy levels of metaflux energy that can draw people INTO said paintings if they have the resonance evol (or a manufactured resonance evol, i'm sure society will evolve to innovate such things), he could be paid an obscene amount of money for this... being sucked into a painting is insane... the new and improved siren song (since no ocean to drown prey in) is to drown people in paintings.... serial killer rafayel here we come

zayne froze a WHOLE ass cup just to knock mc with it to rouse mc from their reverie... this is so funny zayne you are so insane

help this is so funny

tara: the painting's artist is rafayel mc: rafayel? tara: he's pretty famous, always on the news. probably why you've heard of him before.

i won't lie my first reaction when mc when said "rafayel?" is that mc did NOT know who tf rafayel is and was repeating the name to be like huh, who is that? and for tara to be like yeah he's pretty famous that's why you've heard of him is so funny to me. it's like saying oh hozier sang this song and i go hozier? (who?) and you go yeah he's pretty famous isn't he and i'm like who's hozier

the day of ebbing......... sounds a lot like all hallows eve but for sea creatures.... coming ashore for one night and disappearing with the morning tide, with every interaction dissipating like the thin spray of foam on the waves....

why can't the sea creatures see the sun though... just peek your head out from the ocean surface? the sun is right there? unless they want to see the sun like, on the horizon with land beneath their feet... i'd imagine it's quite impressive either way if you've never seen it. alternative theory is the deep sea creatures, when transformed into humans (?) can surface to the upper sea / land and tolerate the change in pressure, which allows them to see the sun. if they remain as deep sea creatures, they can only survive in the deep sea and cannot rise up to see the sun since they would suffer from the blobfish effect if they tried to surface and no longer had the pressure of the deep sea to keep them in form. or maybe, final answer, rafayel is being a drama queen.

not rafayel chasing the dream of finding the right shade of red to paint the color of the ocean because that's all he remembers from the time he surfaced. i see the angst potential i am taking down notes. a man entranced by the right shade of red to mimic the firelit ocean he saw one night is the perfect set up for a serial killer i won't lie.

NOT THOMAS SAYING THE GALLERY WAS FILLED WITH "BETTER" PAINTINGS THAN THE ONE RAYMOND BOUGHT - THOMAS CAN YOU REALLY SAY THIS AS THE GALLERY MANAGER!!!

well i hope rafayel has good security. what do you mean he doesn't lock his doors. jesus christ i know you're a superstar mermaid but still!!

it just occurred to me i haven't mentioned anything about my rafayel shrimp color vision headcanon. shrimps have 12 color cone photoreceptors, as opposed to humans' 3 - what i mean is, rafayel is painting on levels we cannot fully comprehend and appreciate as humans because he has the shrimp 12 color cone photoreceptors. in this essay i will-

it is truly such an embarrassing introduction for him to literally fall off his high stool and fall onto mc. like do you need a railing on that chair rafayel? is this a height risk? it looks pretty high up not gonna lie i think you could easily break a bone if you fell from that height and fell wrong. particularly with all your paint cans lying around... and the way mc can just dodge to the side and let him fall on his face is so hilarious. god he looks so pathetic just lying on his side on the floor and calling you heartless for dodging. sir you told me to dodge. he is so funny

NOT HIM BEING LIKE YOU'RE NOT HERE TO CHECK UP ON THE RED FISH RIGHT. WHAT IF I AM

rafayel uses mummy bandages to paint.... ok

gotta agree with rafayel on this one. why does him admitting he used the coral stone to refine paint for raymond's painting mean raymond's erratic behaviour is automatically linked to him? lowkey acab of mc to be jumping to conclusions like this www why is she so insistent that there's something wrong with him because he painted it? like yes he's suspicious but you're showing your cards a bit too early! goes to show she's still a green rookie who doesn't know how to play the field well enough to get an admission yet huh... to be fair this is like her second day on the job.

so he materialised a dagger out of his flames, cut his middle finger, dropped a drop of blood onto the coral stone and that triggered the illusions, which created the metaflux fluctuations and opened up the portal for the wanderer to arrive... i don't think this is the first time he's finding out about the properties of the coral stone and/or that it can create metaflux fluctuations...

when rafayel says thank god the paintings are still intact i feel it's more of a thank god thomas can still sell them and not a thank god the wanderers didn't destroy my art wwwwww maybe it's the latter but it would be so funny if it were the former...

what injury... the cut he self-inflicted?! my god you would be the king of the silver screen rafayel...

i'm surprised that mc can't go apply for clearance to seize the coral stone if it truly is producing metaflux fluctuations? like there is hard data that is being recorded into her hunter's watch about the fluctuations radiating off the coral stone, particularly after the addition of rafayel's blood - surely this is something the hunter's association will be interested in investigating?

rafayel truly has the most clown bgm... it's so funny

HELP PROPERTY VALUES WILL FALL DUE TO INCREASED WANDERER ATTACKS? FERB I KNOW WHAT WE'RE GOING TO DO TODAY!!!!!!!!!!!

i wonder what a stele is

ah how interesting, there is an energy fluctuation monitor within the station... but not within the train? what happens if there's a long stretch of road between one station and the next, and a wanderer appears in the train? interesting to think about...

i wonder if hunters are permitted to customise their hunter uniform after a while / reach a certain level of authority? captain jenna's outfit still looks a lot like tara's, and nero's outfit also bears strong resemblance to those two - so why is xavier rocking out in an all white fit? just because it's sexy? thank you lord

oh my god it's so clear to me now. mc is a shounen protagonist. good for her

[cryptosexologist]

new criticisms of the kara portion of that "cohost bad" post showing up and good golly! golly gosh! i know this language is trivializing but i'm struggling to keep up with this shit without falling to pieces! (not in a laughing way for the record!!! shits bad on my end! not as bad as other people rn probably but still bad!) and just. drama youtubers will never not casually misgender trans people getting called out for shit huh. good luck seeming true and just and righteous when you can't even fucking keep track of a pronoun, fucker.

i also can't believe i have the internal thought of "well, that WAS two links deep, the person who made the video the person who made the ORIGINAL post and then the person who made the 'cohost isn't good actually' post which we're* taking more direct issue with. Like do I REALLY expect the OP of the cohost post (copost....) to check the SOURCES' SOURCES?" because like. yes actually you should check your sources' sources. so either its negligence, didn't-notice-the-he/himmage, or malice. And given the present as-of-typing silence FROM the person who made that fuckin post I don't feel terribly charitable.

*WE, i have turned on it fully, jfc the eevee shit is one thing but if you are going to brandish about pedo-condonement accusations NOW, at a TMA person SPECIFICALLY *NOW*, at the VERY FUCKING LEAST DON'T CITE BULLSHIT. I TAKE THIS STUFF SERIOUSLY AND *PERSONALLY* WHEN ITS A PART OF OUR COMMUNITY to the point that when the accusations are real and people continue to deny it i get fucking ravenous AND I DON'T TAKE KINDLY TO BEING FUCKED AROUND WITH.

That said i do still think the TOS for cohost is maybe a touch too loose with what it considers dangerous enough to moderate cse...f-wise (f stands for fiction. if proponents of the stuff get to hide behind the legalese of "real" child porn - which to be fully clear i am in favor of having its own label theres a world of difference between recordings of the harm of IRL kids and ficticitious shit i just don't think that the fictitious shit is harmless or sterile either. clearly different albeit related monsters in that sense- why don't I just vomit out a neologism. maybe i can get my name in the history books for coining it. kill me.) putting it lightly. But also coming up with foolproof moderation rules for that kind of site in terms of what "creative" content is or is not acceptable to host does sound impossible so what do I know. Cohost the web site is not off "the hook" (which hook????) but i think the case should be thrown out and at *most* re-researched and reconsidered on Kara specifically. fuckers...* *referring to the person/people who made the posts i'm referencing. not You, the audience of this post right now.

[jcmarchi]

Gamma-ray Burst Strikes Earth from Distant Exploding Star - Technology Org

New Post has been published on https://thedigitalinsider.com/gamma-ray-burst-strikes-earth-from-distant-exploding-star-technology-org/

Gamma-ray Burst Strikes Earth from Distant Exploding Star - Technology Org

An enormous burst of gamma rays, detected by ESA’s Integral space telescope, has struck Earth. The blast caused a significant disturbance in our planet’s ionosphere.

Such disturbances are usually associated with energetic particle events on the Sun but this one resulted from an exploding star almost two billion light-years away. Analysing the effects of the blast could provide information about the mass extinctions in Earth’s history.

Gamma-ray burst strikes Earth from the distant exploding star. Image credit: ESA/ATG Europe; CC BY-SA 3.0 IGO 

At 14:21 BST / 15:21 CEST on 9 October 2022, an extremely bright and long-lasting gamma-ray burst (GRB) was detected by many of the high-energy satellites in orbit close to the Earth, including ESA’s Integral mission. 

The International Gamma-Ray Astrophysics Laboratory (Integral) was launched by ESA in 2002 and has been detecting gamma-ray bursts almost every day since that time. However, GRB 221009A, as the blast was named, was anything but ordinary. “It was probably the brightest gamma-ray burst we have ever detected,” says Mirko Piersanti, University of L’Aquila, Italy, and lead author of the team publishing these results today. 

Gamma-ray bursts were once mysterious events but are now recognised to be the outpouring of energy from exploding stars called supernovae, or from the collision of two super-dense neutron stars. 

“We’ve been measuring gamma-ray bursts since the 1960s, and this is the strongest ever measured,” says co-author Pietro Ubertini, National Institute for Astrophysics, Rome, Italy, and the principal investigator for Intergral’s IBIS instrument. So strong in fact that its nearest rival on record is ten times weaker. Statistically, a GRB as strong as GRB 221009A arrives at Earth only once every 10 000 years. 

During the 800 seconds that the gamma rays were impacting, the burst delivered enough energy to activate lightning detectors in India. Instruments in Germany picked up signs that Earth’s ionosphere was disturbed for several hours by the blast. This extreme amount of energy gave the team the idea to look for the burst’s effects on Earth’s ionosphere. 

The ionosphere is the layer of Earth’s upper atmosphere that contains electrically charged gases called plasma. It stretches from around 50 km to 950 km in altitude. Researchers refer to it as the top-side ionosphere above 350 km, and the bottom-side ionosphere below that. The ionosphere is so tenuous that spacecraft can hold orbits in most of the ionosphere. 

One of those spacecraft is the China Seismo-Electromagnetic Satellite (CSES), also known as Zhangheng, a Chinese-Italian space mission. It was launched in 2018 and monitors the top side of the ionosphere for changes in its electromagnetic behaviour.

Its primary mission is to study possible links between changes in the ionosphere and the occurrence of seismic events such as earthquakes, but it can also study the impact of solar activity on the ionosphere. 

Both Mirko and Pietro are part of the science team for CSES and they realised that if the GRB had created a disturbance, CSES should have seen it. But they could not be sure. “We had looked for this effect from other GRBs in the past but had seen nothing,” says Pietro.

Gamma-ray burst illustration. Image credit: NASA’s Goddard Space Flight Center

In the past, GRBs have been spotted affecting the bottom-side ionosphere during the night, when the solar influence is removed, but never in the top side. This had led to the belief that by the time it reached Earth, the blast from a GRB was no longer powerful enough to produce a variation in the ionospheric conductivity leading to an electric field variation.  

This time, however, when the scientists looked, their luck was different. The effect was obvious and strong. For the first time ever, they saw an intense perturbation in the form of a strong electric field variation in the top-side ionosphere. “It is amazing. We can see things that are happening in deep space but are also affecting Earth,” says Erik Kuulkers, ESA Project Scientist.

This particular GRB took place in a galaxy almost 2 billion light-years away – hence two billion years ago – yet it still had enough energy to affect Earth. While the Sun is typically the primary source of radiation robust enough to affect Earth’s ionosphere, this GRB triggered instruments generally reserved for studying the immense explosions in the Sun’s atmosphere known as solar flares.

“Notably, this disturbance impacted the very lowest layers of Earth’s ionosphere, situated just tens of kilometres above our planet’s surface, leaving an imprint comparable to that of a major solar flare,” says Laura Hayes, research fellow and solar physicist at ESA. 

This imprint came in the form of an increase in ionisation in the bottom-side ionosphere. It was detected in very low frequency radio signals that bounce between the ground and Earths lower ionosphere. “Essentially, we can say that the ionosphere ‘moved’ down to lower altitudes, and we detected this in how the radio waves bounce along the ionosphere,” explains Laura, who published these results in 2022.  

It reinforces the idea that a supernova in our own galaxy might have much more serious consequences. “There has been a great debate about the possible consequences of a gamma-ray burst in our own galaxy,” says Mirko. 

In the worst case, the burst would not only affect the ionosphere, it could also damage the ozone layer, allowing dangerous ultraviolet radiation from the Sun to reach Earth’s surface. Such an effect has been speculated to be a possible cause of some of the mass extinction events known to have taken place on Earth in the past. But to investigate the idea, we will need a lot more data. 

[embedded content]

Now that they know exactly what to search for, the team has already started looking back into the data collected by CSES and correlating it with the other gamma-ray bursts seen by Integral.

And while they can only go back to 2018, when CSES was launched, a follow-up mission has already been planned, ensuring that this fascinating new window into the way Earth interacts with even the very distant Universe will now remain open.  

Source: European Space Agency

You can offer your link to a page which is relevant to the topic of this post.

[ungist]

CSAT Course For UPSC (Ungist)

Introduction

In the realm of civil services examinations in India, the Union Public Service Commission (UPSC) stands as the most prestigious and challenging examination body. Aspirants dedicate years to preparing for these exams, and at the heart of their journey lies the CSAT, or the Civil Services Aptitude Test. In this comprehensive guide, we will delve into what the CSAT entails and how a dedicated CSAT course for UPSC can be a game-changer for UPSC aspirants.

What is CSAT?

Understanding the Basics

The Civil Services Aptitude Test (CSAT) is a paper conducted by UPSC as part of the Civil Services Examination (CSE). It is the second of the two papers in the preliminary stage, with the first paper being the General Studies (GS) paper. CSAT was introduced in 2011, replacing the old Preliminary Examination pattern.

Format of CSAT

CSAT comprises two papers: Paper-I and Paper-II. While Paper-I is primarily aimed at testing a candidate's knowledge in areas such as history, geography, and economics, Paper-II focuses on aptitude and decision-making skills.

Scoring System

Each paper is of 200 marks, making a total of 400 marks for CSAT. To qualify for the Mains examination, candidates need to score a minimum cut-off in CSAT, as determined by UPSC.

Why is CSAT Important?

Filtering Candidates

The CSAT acts as a filtering mechanism, ensuring that only those with a certain level of analytical and reasoning abilities make it to the Mains. It helps UPSC identify candidates with the potential to excel in the rigorous civil services training.

Aptitude Test

CSAT assesses a candidate's aptitude for various administrative tasks, essential for the role of a civil servant. This includes decision-making, problem-solving, and communication skills.

The Need for a Dedicated CSAT Course

Specialized Training

Mastering CSAT requires a specialized approach. A dedicated CSAT course provides aspirants with expert guidance, study materials, and practice tests tailored to the CSAT syllabus.

Time Management

Time is of the essence in the UPSC exams. A CSAT course teaches candidates efficient time management skills, helping them tackle the paper's numerous questions within the stipulated time.

Mock Tests

CSAT courses often include mock tests that simulate the exam environment. These tests enable candidates to gauge their progress and identify areas that need improvement.

How to Choose the Right CSAT Course

Research

Before enrolling in a CSAT course, aspirants should thoroughly research various options. Look for courses with a proven track record of success and positive reviews from past students.

Experienced Instructors

The quality of instructors is paramount. Ensure that the course is led by experienced faculty with a deep understanding of the CSAT syllabus.

Customized Curriculum

Choose a CSAT course that offers a curriculum tailored to your needs. A one-size-fits-all approach may not be suitable for every aspirant.

Affordable Pricing

Consider your budget while selecting a course. Many CSAT courses offer flexible payment options to accommodate different financial situations.

Conclusion

Mastering the CSAT is a crucial step on the path to becoming a civil servant through UPSC. A dedicated CSAT course can make a significant difference in your preparation, providing you with the skills and knowledge needed to excel in this challenging paper.

FAQs

What is the CSAT exam?

The CSAT, or Civil Services Aptitude Test, is a paper conducted by UPSC as part of the Civil Services Examination to assess candidates' aptitude and decision-making skills.

Why is CSAT important for UPSC aspirants?

CSAT acts as a filtering mechanism and assesses aptitude, ensuring that candidates have the required skills for civil services roles.

What does a CSAT course offer?

A CSAT course provides specialized training, time management skills, and mock tests to help aspirants excel in the CSAT paper.

How can I choose the right CSAT course?

Research, consider experienced instructors, look for customized curriculums, and factor in affordability when selecting a CSAT course.

[collegedunias]

Complete Guide to Studying B.Tech in India at Sharda University

If you are a student dreaming of becoming an engineer, pursuing B.Tech in India can open up endless career opportunities. With top colleges, modern infrastructure, and high demand for engineers in every sector, India remains one of the best countries to study engineering. Among the many institutions, Sharda University stands out as a top destination for students seeking a balanced mix of academic excellence, industry exposure, and global learning.

In this blog, we will cover everything you need to know about studying B.Tech in India, with a special focus on Sharda University—its courses, campus, placement, and admission process.

Why Choose B.Tech in India?

Engineering is one of the most preferred career choices for Indian students. Here’s why choosing B.Tech in India is a smart decision:

World-class technical education with affordable fees

A wide range of specializations like CSE, IT, Mechanical, Civil, and more

High job demand in India and abroad

Strong foundation for competitive exams and higher studies

Multiple career paths including jobs, research, and entrepreneurship

Government initiatives like “Make in India” create more engineering jobs

India has more than 4,000 engineering colleges, but choosing the right one is crucial for your success. That’s where Sharda University comes into the picture.

Overview of Sharda University

Located in Greater Noida, Uttar Pradesh, Sharda University is a top-ranked private university in India. It offers a wide range of undergraduate and postgraduate programs, with engineering being one of its most popular courses.

Here’s why students prefer Sharda University for B.Tech in India:

NAAC “A+” accredited university

Modern labs, smart classrooms, and real-time industry projects

200+ foreign collaborations and global exchange programs

80%+ placement rate across all engineering branches

Excellent campus life with sports, fests, and clubs

Whether you are from India or abroad, Sharda University offers everything you need to succeed in engineering.

Popular B.Tech Specializations at Sharda University

While choosing B.Tech in India, picking the right branch is very important. Sharda University offers the following in-demand specializations:

B.Tech in Computer Science and Engineering (CSE)

B.Tech in Artificial Intelligence & Machine Learning (AI & ML)

B.Tech in Data Science

B.Tech in Information Technology (IT)

B.Tech in Mechanical Engineering

B.Tech in Civil Engineering

B.Tech in Electronics and Communication (ECE)

B.Tech in Biotechnology

These programs are designed to match global industry trends and include hands-on experience with the latest tools and technologies.

Admission Process for B.Tech in India at Sharda University

Getting admission to B.Tech in India is easier when you apply to private universities like Sharda University that offer both merit and entrance-based admissions.

Eligibility Criteria:

Must have passed 10+2 with Physics, Chemistry, and Mathematics

Minimum 60% marks in 12th standard

JEE Main score (optional)

Direct admission also available based on Sharda Admission Test (SUAT) or board performance

Steps to Apply:

Visit the official website of Sharda University

Register and fill out the application form

Choose your preferred B.Tech program

Appear for SUAT or submit JEE score

Attend counseling and confirm your admission

Scholarships are also available for meritorious students, including those with high JEE ranks or 12th-grade marks.

Placement Opportunities at Sharda University

When you study B.Tech in India, placement is a key factor. Sharda University has an excellent placement record with top companies visiting the campus every year.

Top Recruiters:

Wipro

TCS

Accenture

Cognizant

Tech Mahindra

Amazon

HCL

Infosys

The highest package offered is ₹45 LPA, and the average package ranges from ₹4 to ₹6 LPA depending on the branch and student performance.

Sharda University also helps students prepare through mock interviews, aptitude tests, coding contests, and resume workshops.

Infrastructure and Campus Life

Another reason to choose Sharda University for B.Tech in India is its world-class infrastructure. The university has:

Smart classrooms with digital boards

Fully equipped engineering labs and innovation centers

24x7 Wi-Fi-enabled campus

Hostels with AC and non-AC options

Cafeterias, gyms, and sports facilities

Medical support and transport services

The campus also hosts tech fests, cultural events, hackathons, and student clubs that allow students to grow beyond academics.

International Exposure

Sharda University is one of the few institutions offering global exposure for students pursuing B.Tech in India. Students get the chance to:

Study a semester abroad through exchange programs

Work on international research projects

Intern at global companies

Interact with faculty and students from 90+ countries

This exposure helps students build a global network and improve their career prospects.

Why Sharda is Ideal for Your B.Tech in India Journey

To summarize, here’s what makes Sharda University a great place for your B.Tech in India:

Modern curriculum aligned with global trends

Excellent placements and internship opportunities

Supportive faculty and learning environment

Affordable fee structure with scholarships

Global exposure and diverse campus community

Whether you're aiming for a career in tech, research, government jobs, or entrepreneurship, Sharda University gives you the foundation to succeed.

Conclusion

Choosing to pursue B.Tech in India is one of the most impactful decisions you can make for your future. And when you do it at Sharda University, you’re setting yourself up for success in every way—academically, professionally, and personally. With the right mix of education, skills, and opportunities, you can become a future-ready engineer ready to take on the world.

So, if you’re ready to take the next step in your career, explore the programs at Sharda University today and start your journey in engineering with confidence.

If you need further information contact:

523, 5th Floor, Wave Silver Tower, Sec-18 Noida, UP-201301

+91 9711016766

infocollegedunias@gmail.com

[dekhocampus11]

National Institute of Technology—[NIT], Imphal

The National Institute of Technology, Imphal (NIT Imphal), is one of the 31 prestigious NITs in India, established to offer quality education and promote excellence in scientific and technical learning. It was established in 2010 as a part of the Indian government’s initiative to expand access to technical education across the country, especially in the northeastern region. Despite being one of the newer NITs, NIT Imphal has shown steady progress in terms of infrastructure, academic quality, research output, and student placements.

Location and Campus

NIT Imphal is located in Langol, Imphal, the capital city of Manipur. The institute is nestled in a scenic region surrounded by lush hills and greenery, providing an inspiring learning environment. The permanent campus spans around 150 acres, and the infrastructure is rapidly developing to match the standards of older NITs.

The serene and pollution-free environment allows students to focus deeply on their studies and research. The region is also rich in culture and heritage, offering a unique experience for students coming from different parts of the country.

Courses Offered

NIT Imphal offers undergraduate, postgraduate, and doctoral programs in various disciplines of engineering, science, and humanities.

Undergraduate (B.Tech) Programs:

Computer Science and Engineering (CSE)

Electrical Engineering (EE)

Electronics and Communication Engineering (ECE)

Mechanical Engineering (ME)

Civil Engineering (CE)

All B.Tech programs are of four years duration, and admission is based on JEE Main followed by JoSAA counselling.

Postgraduate (M.Tech and M.Sc) Programs:

M.Tech in Computer Science and Engineering

M.Tech in Power & Control Systems

M.Tech in VLSI Design and Embedded Systems

M.Sc in Physics, Chemistry, and Mathematics

Admission to M.Tech programs is through GATE, and for M.Sc programs through IIT JAM.

Doctoral Programs (Ph.D):

NIT Imphal offers Ph.D. programs in:

Engineering

Basic Sciences

Humanities and Social Sciences

Admission is based on academic records, written tests, and personal interviews.

Academic Departments

The institute has the following key departments:

Department of Computer Science & Engineering

Department of Mechanical Engineering

Department of Electrical Engineering

Department of Electronics & Communication Engineering

Department of Civil Engineering

Department of Physics

Department of Chemistry

Department of Mathematics

Department of Humanities & Social Sciences

Each department is staffed with qualified faculty and engages in research and development activities.

Facilities and Infrastructure

Though still in a developing phase, NIT Imphal has invested significantly in improving its infrastructure. Key facilities include:

Academic Buildings: Equipped with modern classrooms, smart boards, and projectors.

Central Library: A well-stocked digital and print collection of books, journals, and research papers.

Computer Centers: High-speed internet and computing resources are available for students and faculty.

Laboratories: State-of-the-art labs for each engineering discipline.

Hostels: Separate hostels for boys and girls with necessary amenities.

Sports and Recreation: Playground, gymnasium, and sports facilities for cricket, football, basketball, badminton, and more.

Wi-Fi Enabled Campus: High-speed internet access throughout the campus.

Medical Unit: On-campus health care facility with a resident doctor and tie-ups with local hospitals.

Faculty and Research

NIT Imphal has a team of highly qualified and experienced faculty members, many of whom are Ph.D. holders from premier institutions like IITs, IISc, and reputed foreign universities. The faculty actively participate in national and international research collaborations and publish in reputed journals.

The institute promotes interdisciplinary research and has several research projects funded by:

DST (Department of Science and Technology)

DRDO (Defence Research and Development Organisation)

ISRO (Indian Space Research Organisation)

AICTE (All India Council for Technical Education)

NIT Imphal encourages a research-driven environment where both students and faculty contribute to scientific innovation.

Student Life and Activities

Life at NIT Imphal is vibrant and engaging. The student community is active in organizing:

TechFest – "Innovision", a national-level technical fest with competitions, workshops, and exhibitions.

Cultural Fest – "Ougri", which includes music, dance, drama, fashion shows, and cultural performances.

Clubs & Societies – Robotics Club, Coding Club, Literary Club, Drama Society, and others foster creativity and leadership.

The student body also participates in social initiatives and community development projects in and around Manipur.

Placements

Despite being a relatively new NIT, NIT Imphal has seen a steady improvement in placements. The Training and Placement Cell (TPC) is dedicated to preparing students for the job market by organizing soft skills training, coding boot camps, aptitude sessions, and mock interviews.

Top recruiters include:

Infosys

Wipro

TCS

Cognizant

Capgemini

IBM

L&T Infotech

Tech Mahindra

The highest package offered has reached over ₹20 LPA in recent years, with an average package of around ₹6–8 LPA in core and IT sectors.

Admissions Process

B.Tech Admission: Based on JEE Main ranks and centralized counseling via JoSAA/CSAB.

M.Tech Admission: Through GATE scores and CCMT counseling.

Ph.D Admission: Based on institute entrance tests and interviews.

Reservations follow the Government of India norms for SC/ST/OBC/EWS/PwD categories.

Why Choose NIT Imphal?

Growing Infrastructure with government support

Affordable education with high RoI (Return on Investment)

Experienced faculty and focused research

Diverse student community from all over India

Beautiful, peaceful location conducive to learning

Conclusion

NIT Imphal is a fast-rising technical institute in India, making notable progress in engineering education and research despite its recent inception. It serves as a beacon of higher education in the Northeast, offering students not only academic excellence but also a unique cultural and personal growth experience. With increasing placements, expanding infrastructure, and a student-centric ecosystem, NIT Imphal is a promising destination for future engineers and researchers.

The National Institute of Technology, Imphal (NIT Imphal), is one of the 31 prestigious NITs in India, established to offer quality education and promote excellence in scientific and technical learning. It was established in 2010 as a part of the Indian government’s initiative to expand access to technical education across the country, especially in the northeastern region. Despite being one of the newer NITs, NIT Imphal has shown steady progress in terms of infrastructure, academic quality, research output, and student placements.

Location and Campus

NIT Imphal is located in Langol, Imphal, the capital city of Manipur. The institute is nestled in a scenic region surrounded by lush hills and greenery, providing an inspiring learning environment. The permanent campus spans around 150 acres, and the infrastructure is rapidly developing to match the standards of older NITs.

The serene and pollution-free environment allows students to focus deeply on their studies and research. The region is also rich in culture and heritage, offering a unique experience for students coming from different parts of the country.

Courses Offered

NIT Imphal offers undergraduate, postgraduate, and doctoral programs in various disciplines of engineering, science, and humanities.

Undergraduate (B.Tech) Programs:

Computer Science and Engineering (CSE)

Electrical Engineering (EE)

Electronics and Communication Engineering (ECE)

Mechanical Engineering (ME)

Civil Engineering (CE)

All B.Tech programs are of four years duration, and admission is based on JEE Main followed by JoSAA counselling.

Postgraduate (M.Tech and M.Sc) Programs:

M.Tech in Computer Science and Engineering

M.Tech in Power & Control Systems

M.Tech in VLSI Design and Embedded Systems

M.Sc in Physics, Chemistry, and Mathematics

Admission to M.Tech programs is through GATE, and for M.Sc programs through IIT JAM.

Doctoral Programs (Ph.D):

NIT Imphal offers Ph.D. programs in:

Engineering

Basic Sciences

Humanities and Social Sciences

Admission is based on academic records, written tests, and personal interviews.

Academic Departments

The institute has the following key departments:

Department of Computer Science & Engineering

Department of Mechanical Engineering

Department of Electrical Engineering

Department of Electronics & Communication Engineering

Department of Civil Engineering

Department of Physics

Department of Chemistry

Department of Mathematics

Department of Humanities & Social Sciences

Each department is staffed with qualified faculty and engages in research and development activities.

Facilities and Infrastructure

Though still in a developing phase, NIT Imphal has invested significantly in improving its infrastructure. Key facilities include:

Academic Buildings: Equipped with modern classrooms, smart boards, and projectors.

Central Library: A well-stocked digital and print collection of books, journals, and research papers.

Computer Centers: High-speed internet and computing resources are available for students and faculty.

Laboratories: State-of-the-art labs for each engineering discipline.

Hostels: Separate hostels for boys and girls with necessary amenities.

Sports and Recreation: Playground, gymnasium, and sports facilities for cricket, football, basketball, badminton, and more.

Wi-Fi Enabled Campus: High-speed internet access throughout the campus.

Medical Unit: On-campus health care facility with a resident doctor and tie-ups with local hospitals.

Faculty and Research

NIT Imphal has a team of highly qualified and experienced faculty members, many of whom are Ph.D. holders from premier institutions like IITs, IISc, and reputed foreign universities. The faculty actively participate in national and international research collaborations and publish in reputed journals.

The institute promotes interdisciplinary research and has several research projects funded by:

DST (Department of Science and Technology)

DRDO (Defence Research and Development Organisation)

ISRO (Indian Space Research Organisation)

AICTE (All India Council for Technical Education)

NIT Imphal encourages a research-driven environment where both students and faculty contribute to scientific innovation.

Student Life and Activities

Life at NIT Imphal is vibrant and engaging. The student community is active in organizing:

TechFest – "Innovision", a national-level technical fest with competitions, workshops, and exhibitions.

Cultural Fest – "Ougri", which includes music, dance, drama, fashion shows, and cultural performances.

Clubs & Societies – Robotics Club, Coding Club, Literary Club, Drama Society, and others foster creativity and leadership.

The student body also participates in social initiatives and community development projects in and around Manipur.

Placements

Despite being a relatively new NIT, NIT Imphal has seen a steady improvement in placements. The Training and Placement Cell (TPC) is dedicated to preparing students for the job market by organizing soft skills training, coding boot camps, aptitude sessions, and mock interviews.

Top recruiters include:

Infosys

Wipro

TCS

Cognizant

Capgemini

IBM

L&T Infotech

Tech Mahindra

The highest package offered has reached over ₹20 LPA in recent years, with an average package of around ₹6–8 LPA in core and IT sectors.

Admissions Process

B.Tech Admission: Based on JEE Main ranks and centralized counseling via JoSAA/CSAB.

M.Tech Admission: Through GATE scores and CCMT counseling.

Ph.D Admission: Based on institute entrance tests and interviews.

Reservations follow the Government of India norms for SC/ST/OBC/EWS/PwD categories.

Why Choose NIT Imphal?

Growing Infrastructure with government support

Affordable education with high RoI (Return on Investment)

Experienced faculty and focused research

Diverse student community from all over India

Beautiful, peaceful location conducive to learning

Conclusion

NIT Imphal is a fast-rising technical institute in India, making notable progress in engineering education and research despite its recent inception. It serves as a beacon of higher education in the Northeast, offering students not only academic excellence but also a unique cultural and personal growth experience. With increasing placements, expanding infrastructure, and a student-centric ecosystem, NIT Imphal is a promising destination for future engineers and researchers.