#d&b

[capitan-zorro]

A draw of one of my favorite characters of one of my favorite AUs :]

[blackbirdswillsing]

３６５ ｐａｒｔｙ ｇｉｒｌ

[fukutomichi]

Deer & Boy developed by Lifeline Games

[alextheamazingartist7439]

Chave and Cheesbi

[randomvarious]

4 Hero - "Loveless" (1997, Drum n Bass)

Imagine how much cooler my fellow Americans and I would be if we had a programming block in the late 90s called MTV Dance that came with a Monday Night Drum n Bass section that exposed us to stuff like this video of the one and only Ursula Rucker delivering intricate spoken word over a beat provided by UK legends 4 Hero 🥺.

Really jealous of the diversity of the British music palette ever since they latched onto acid house in the late 80s and let all sorts of electronic music wash over them thereafter. And ironically, all of this originated from neither London nor Manchester nor Birmingham, but Chicago. The Brits loved our own music so much more than we loved it ourselves and it did wonders for them! Fuck us!

[themancorialist]

St Peter's Square, Manchester.

[fromtheouternet]

YALL GO SUPPORT MY BF’S SONG FOR AN FNF MOD HES MAKINH YYEYYEEEE

(I made the cover art btw hehheheheh)

[sreegs]

[omgitssvpernxva]

this is a test for a future song im making

also i AM working on 2 new songs its almost i finished i need to draw the cover art XD

[capitan-zorro]

My cover of science for school :] (I wanted Dave to look a bit maniac and because it looked cool and I got inspired of a draw of an artist which I forgot their name but credits to them)

[dr-fizzovich]

hello [tumblr] and dave and bambi fans of [tumblr] i wonder what would happen if i, an ex-d&b fan, drew one of your silly aliens

[pkm4chinegun]

SLURS TW......(for the third image)

tiny art dump...

[officialpropheticnightmares]

A fan favorite by far!

Lyrics:

Im seeing blood im seeing red

Im gonna rip apart your flesh

Im gonna fuck you half to death

Im gonna beat you in the head

Im gonna pound it till it bleeds

Dont give a shit about your needs

Im all that matters anymore

You're gonna bleed out on the floor

I'll shove myself way down your throat

Would make it better if you choked

You're just my toy and nothing more

Slit wrists and throat, the blood it pours

You're mine forever, mine divine

Down in my basement wrapped in twine

I'll free your organs from their cell

I'll wrench you from your mortal shell

[randomvarious]

Now listening:

Oscillations Remixes by Bill Laswell (1997, Drum n Bass)

It's hard to even know where to begin with Bill Laswell, man. Despite not being much of a household name, the guy's done an immense amount of work in many different genres throughout his career. Largely an underground avantgardist guy who started to really make noise in the downtown New York scene of the 70s and 80s, his biggest claim to fame on a mainstream level is that he co-wrote and co-produced the electro classic, "Rockit," for Herbie Hancock, in 1983.

But in addition to that, Laswell's done world music, jazz, funk, ambient, dub, hip hop, drum n bass, and has produced for, and worked with, an extremely long list of artists from all across the world too, from a complete superstar like Mick Jagger to someone obscure most of you have probably never heard of like Dr. Israel. The guy simply has one of the largest and most eclectic discographies that you will ever come across, and the prolific rate at which he's always done his own thing by creating, producing, and remixing music throughout his life, while also managing to find the time to run his own record labels too, is really nothing short of awe-inspiring. Currently, he has almost 2,500 credits on Discogs under his own name, with 216 releases—146 of which are albums alone! 🤯

But I have to say, although I haven't listened to most of his music, what I have heard is definitely not for me. I am very appreciative of Bill's free spirit and work ethic and wish there were more people out there like him, but his stuff is just usually way too avantgarde and weird for my own liking. I always feel like I maybe need an extra set of ears in order to really 'get' his sonic visions whenever I try him out.

But here, with this album, the consummate remixer is now the one who's getting remixed himself. In '96, Bill put out an LP of his own on Belgian label Sub Rosa called Oscillations, and then he followed it up with Oscillations Remixes, which saw him invite a bunch of contemporary dnb musicians to put their own spin on some of his songs. And for years now, I've only been familiar with one track off of this album, which is its lone, non-dnb exception: a superb piece of cut-up-sampled hip hop by Belgium's DJ Grazzhoppa called "Milky Rmx," which I originally discovered when I listened to the first comp I ever collected for this blog, eMusic.com's digital-only 40-song electronic behemoth, Eclectic Electric, from 2000.

And now I'm going to figure out what the rest of this album contains. And then after I do that, I may have to bite the bullet and try Oscillations out too, just to see what all these musicians were working with and what they were able to pull off, using Bill's songs as their respective bases.

[rubyzbestbluuee]

haha, here we go