#da brat 90’s

[sketchnwhatevr]

Da Brat! 🎤

[scorpionextdooor]

[jcmartinmusic1999]

LEARN FROM THOUGHT KEEP GOING

Life is to short, so I always say, keep your head up high and impress yourself with what you know and how you feel. music can help but what you find interesting keep at it as long as it brings you joy and doesn't hurt others intentionally then go for it. Feel good about yourself positivity is key but working for it is the most satisfying in the end. Music always helps for me so I do it, some say a lot of negatives others positives but it brings me joy and that's a fact. When timbaland and Missy came out in music for the first time there was a lot of skepticism now they are legends that's a lesson worth learning I say.

[fuckyeslilkim]

Rapper Lil' Kim Has Had A Profound Impact On Fashion Over The Years

hen Lil’ Kim made her debut with the 1996 album Hard Core, she utterly and completely changed the rap game. A protege of Notorious B.I.G., and the sole female member of his hip-hop group Junior M.A.F.I.A., Lil’ Kim, aka Kimberly Denise Jones, had a flow that was raw and gritty, with raunchy, sexually liberating lyrics that made critics clutch their pearls. Hard Core went on to become certified double platinum by the RIAA, cementing the then-22-year-old as a bona fide hip-hop god. But it wasn’t just Lil’ Kim’s lyrical prowess that set her apart from her contemporaries that came before her. Her sense of style also made her a trailblazer, solidifying her as a pop culture fashion icon.

While other women rappers like Queen Latifah, Lisa “Left Eye” Lopes, and Da Brat favored more androgynous clothing, like oversize T-shirts and baggy jeans, Lil’ Kim’s outfits were ultra-feminine, bold, risqué, and revealing — as provocative and outrageous as her songs. She wore teeny-tiny bikinis, see-through silhouettes, candy-colored wigs, and equally vibrant fur coats. She also helped popularize ’90s and noughties logomania, a trend in which designer branding is made overtly obvious on one’s clothing and accessories (the antithesis to “quiet luxury”). In Kim’s case, logomania also applied to hairstyles, as she famously wore wigs with Chanel’s double “C” logo and Versace’s Greek key motif. (The move made sense for someone who frequently name-dropped designers in her lyrics). Aside from head-to-toe designer monograms, Kim has worn a sparkly catsuit made with 965,000 crystals, embellished headpieces with matching thongs, and a gray, floor-length chinchilla coat (which she modeled next to mob daughter Victoria Gotti in the video for 2003’s “Came Back for You”). The list goes on.

“She was bringing something new that we hadn’t really seen before,” says Elizabeth Way, fashion historian and associate curator at the Museum at the Fashion Institute of Technology (FIT). “For so long, female rappers had been kind of marginalized and really tried to fit in with their male counterparts, especially with their style. Lil’ Kim rejected that and embraced her femininity in both her style and her lyrics.” Marissa Pelly, stylist for the rapper Ice Spice, shares a similar sentiment, pointing out how the industry made female musicians feel like they couldn’t boldly embrace their sexuality while simultaneously being perceived as “chic” or “luxury” — as if the two concepts could not co-exist. “Now when I see female artists owning their sexuality, while also being muses for some of fashion’s most elite houses, I think of — and I thank — Lil’ Kim.”

Behind every celebrity style icon is a brilliant stylist; a wizard behind the velvet curtain, so to speak. For Lil’ Kim, it was Misa Hylton. One cannot discuss Kim’s vestiary tours de force without mentioning the industry legend by her side, who had already been masterminding looks for Mary J. Blige, Faith Evans, Jodeci, and her then-boyfriend Sean “Diddy” Combs. But theirs was a match made in fashion heaven; the two women felt an immediate kinship. “I think that Kim and I were magical together and when you have that type of synergy only greatness can come forth. We were thinking outside of the box and unapologetically taking risks. People gravitate to that type of authentic and creative energy,” Hylton told Dazed in 2018.

The two women set the bar high high from the beginning with a legendary look the promotional poster for Hard Core, Kim’s debut album: a leopard print bikini and a sheer, marabou-trimmed duster. The one-piece was designed by Sex and the City costume designer Patricia Field, who owned a store in New York City from 1996 until 2016. It was known to be a hot shopping spot for fellow performers like Debbie Harry, Lady Gaga, and Kim’s friend and frequent collaborator Missy Elliott. Hylton and Kim frequented Field’s boutique almost daily. In the years — and decades — that followed, both the look, and Kim’s signature squatting pose, would be replicated by the likes of Teyana Taylor, Nicki Minaj, GloRilla, and countless others.

Hylton and Kim also went all out for the “Crush on You” music video, directed by Lance Rivera. Inspired by the The Wiz’s color-changing Emerald City disco dance sequence, the video featured the star in monochromatic technicolor outfits and matching wigs — and instantly catapulted her to mainstream MTV fame. “When you think of the blueprint for most female musicians’ styles today, you think the designer logos; the iced-out, statement jewelry; and different styles of wigs — that was all her,” explains stylist Estelle Aporongao. “Kim’s DNA runs through the contemporary fashion industry’s veins.”

In 1998, Kim donned a bejeweled caged headpiece and matching arm sleeves to the 1998 Soul Train Lady of Soul Awards, which felt like the ultimate statement. But the rapper topped herself yet again a year later when she attended the MTV Video Music Awards in a purple wig and lilac-colored, sequined jumpsuit, complete with a single purple pasty that garnered an unforgettable reaction from Diana Ross. The moment would become the stuff of award show legend.

That same year, Kim covered Interview magazine’s November issue wearing only a Louis Vuitton headgear and LV logos painted all over her body, a moment described as a “cultural reset” by celebrity stylist Audrey Brianne, who works with Chris Tucker and Tyler Posey. “At the time, it was a fresh idea no other star had rocked quite so boldly. If people weren’t already paying attention to Lil’ Kim by then, they were now,” she says.

To be clear, Lil’ Kim was interested in fashion long before she dressed in colorful furs. “Her high school friends recounted how she would spend her allowance on clothes and had Gucci before they even knew what it was,” explains Nygel Simons, a stylist and archivist, noting that the artist also worked at Bloomingdale’s prior to rapping full time. “It really shines through when an artist genuinely loves fashion.” Nowadays, it’s not out of the ordinary for a designer to dress hip-hop artists for red carpets or sit them front row at Fashion Week, but in the 1990s, that relationship didn’t really exist. Lil’ Kim had a je ne sais quoi that both attracted and inspired designers like Karl Lagerfeld, Giorgio Armani, Betsey Johnson, John Galliano, and Donatella Versace, who would dress her for her 1999 Met Gala debut.

Way long before Barbiecore would become a part of the cultural zeitgeist, Lil’ Kim sported a pink, full-length mink coat with a studded pink bra, matching hot pants, and pink snakeskin boots for the “Rock Style”-themed Met Gala. “Donatella is my girl. We’ve loved each other from the moment we first saw each other,” Kim told Vogue in 2020. “At the Met, you’re a designer’s muse, [and] she loved the fact that I have fun in her clothes.”

Lil’ Kim has also walked the runway for designers including Baby Phat, The Blonds, and VFiles. But her closest friendship is with fashion designer Marc Jacobs, whom she calls her “bestie” and who has played a significant role in her life and career. Jacobs dressed Kim for her court appearances and subsequently became her prison pen pal when she served a one-year sentence for lying to protect friends involved in a 2001 shootout. Kim sent Jacobs the Bratz doll coloring pages she painted, which he then had framed and hung in his house. Jacobs is also writing the foreword for her forthcoming memoir, The Queen Bee.

“These were interesting and important alliances for her during the early 2000s because it further legitimized the message to her fans and the public that her empire and reach extended well beyond music,” says stylist Alison Brooks, who works with television personality and hairstylist Jonathan Van Ness. “I believe it was a turning point, not so subtly signaling to other artists to bling themselves out in designer looks with confidence and embrace their curves with body positivity before body positivity became a thing.”

When it comes to her own work, Pelly says she’s strongly influenced by Lil’ Kim. “I love how effortlessly she would combine her own fun custom pieces with luxury ones, while also demonstrating a great deal of high-end fashion knowledge.” Pelly says she had this approach in mind while styling Ice Spice for the “Barbie World” music video, pairing a custom Chanel-inspired, Christian Cowan tweed set with a Barbiecore bra by Laser Kitten, custom Emilio Pucci, and pieces from the Gaultier archives. “It’s that duality that’s so inspiring to me and creates the most interesting, well-rounded looks every time.” She also drew ideas from Kim’s 2003 “Summer Jam” performance, in which she wears SS03 Jean Paul Gaultier script belts around her waist and chest. “I love when artists love the same brands I do... I tracked down the same belts for Ice’s Paper Magazine cover back in April as a nod to the OG style icon.”

It’s difficult to imagine what would have happened if Lil’ Kim hadn’t paved the way for women in hip-hop to take fashion risks. Cardi B might not have worn archival Mugler to the 2019 Grammy Awards, and who knows if Megan Thee Stallion would have modeled for Calvin Klein. Then there’s the countless Kim homages artists have paid over the years: Beyoncé replicated several of Kim’s famous looks for Halloween 2017; Rihanna has cited the rapper’s penchant for experimenting with different looks as a major influence on her own fashion sense; and Miley Cyrus dressed in Kim’s MTV VMAs look for Halloween back in 2013, purple pasty and all. It’s for reasons like these that stylists like Simons believe Lil’ Kim deserves official acknowledgement for her legacy, particularly from the Council of Fashion Designers of America. (For years, fans have been calling on the CFDA to honor Kim with its annual Fashion Icon award.)

One thing’s for sure: You’d be hard-pressed to find another hip-hop fashion icon with the same enduring legacy. “Lil’ Kim is the blueprint,” says Simons. “Whenever you think you’re being presented with something new, if you search hard enough, you’ll find that Kim has already done it at some point.”

[caffeinated-chaos-bean]

Guess who's back? Back again Shady's back, tell a friend Guess who's back? Guess who's back? Guess who's back? Guess who's back? Guess who's back? Guess who's back? Guess who's back? Ha-ha Da-da-da-da, da-da-da-da-da Da-da-da-da, da-da-da-da-da

Well, look what the stork brung (What?) Little baby devil with the forked tongue And it's stickin' out, yeah, like a sore thumb (Blah) With a forehead that it grew horns from, still a White jerk Pullin' up in a Chrysler to the cypher With the Vics, percs and a Bud Light shirt Lyrical technician, an electrician, y'all light work And I don't got to play pretend you that you I make believe And you know I'm here to stay 'cause me (Why?) If I was to ever take a leave, it would be at spring to break a fever If I was to ask for Megan Thee Stallion if she would collab with me Would I really have a shot at a feat? I don't know, but I'm glad to be, back like-

Abra, abracadabra (And for my last trick) I'm 'bout to reach in my bag Abra, abracadabra (And for my last trick) And just like that I'm back

Now, back in the days of old me When right around the time I became a dope fiend Ate some codeine, as a way of copin', taste of opiates, case of O.E. (Mmm)

Turned me into a smiley face emoji My s**t may not be age-appropriate But I will hit an 8-year-old in the face with a participation trophy 'Cause I have zero doubts, that this whole world's 'bout to turn into some girl scouts

That censorship bureau's out to shut me down So when I started this verse, it did start off lighthearted first But it feels like I'm targeted, mind-bogglin' how my profit has skyrocketed

Look what I pocketed Yeah, the shit is just like y'all have been light joggin' And I've been runnin' full speed, and that's why I'm ahead like my noggin'

And I'm the fight y'all get in, when you debate who the best, but opps, I'm white chalkin' When I step up to that mic, cock it then "Oh my God, it's him, not again"

Abra-abracadabra (And for my last trick) I'm 'bout to reach in my bag, bruh Abra-abracadabra (And for my last trick) And just like that I'm back, bro

Some times I wonder what the old me'd say (If what?) If he could see the way s**t is today (Look at this shit, man) He'd probably say that everything is gay (Like happy) What's my name? What's my name? (Slim Shady)

So how many little kids still wanna act like me? (Ha-ha) I'm a bigger prick than cacti be (Yeah) And that's why these (What?) words sting just like when bein' attacked by bees (Bzzz)

In the coupe, leanin' back my seat (What?) Bumpin' R. Kelly's favorite group, the Black Eyed Peas (Guy pees) In my Air Max 90s, white Tees, walkin' parental advisory My transgender cat's Siamese, identifies as Black, but acts Chinese Like a muthaf**kin' Hacky Sack, I treat (What?) the whole world 'cause I got it at my feet (Yeah)

How can I explain to you (What?) that even myself I'm a danger to?

(Yeah)

I hop on tracks like a kangaroo, and say a few things or two to anger you

But f**k that, if I think that s**t, I'ma say that s**t Cancel me, what? OK, that's it, go ahead Paul, quit Snake-a*s prick, you male cross dresser, fake-a*s b***h And I'll probably get s**t for that (Watch)

But you can all suck my d**k, in fact, f**k them, f**k Dre, f**k Jimmy, f**k me, f**k you

F**k my own kids, they're brats (F**k 'em) They can screw off, them and you all (Yeah) You too, Paul, got two balls, big as RuPaul's What you thought you saw (What?), ain't what you saw (Nah) 'Cause you're never gonna see me Caught sleepin' and see the kidnappin' never did happen Like Sherri Papini, Harry Houdini I vanish into the thin air as I'm leavin' like-

Abra-abracadabra (And for my last trick) I'm 'bout to reach in my bag, bruh Abra-abracadabra (And for my last trick) And just like that I'm back, bro

[cyarskaren52]

Eve has always been a little different. The Philly native burst onto the scene in the late 90s as the only female in the Ruff Ryders camp, offering a feminine perspective that was both hard-edged and sultry. At the time, the most prominent women in Hip Hop were Lil Kim, who was hard-edged sex appeal, Foxy Brown, with her sleek and crafty sexuality, and Lauryn Hill, whose debut leaned heavily into soul music as she pontificated on love in its meany forms. When Eve dropped her double platinum debut in 1999, Let There Be Eve…Ruff Ryders’ First Lady, she was solidly in her own lane, falling into her “it-girl” demeanor with ease, backed up by cocky, round-the-way girl lyrics that complimented early Swizz Beatz production. 

But it was her Grammy-winning sophomore album, 2001’s Scorpion that pushed her to mainstream stardom when she reconnected with Dr. Dre and formed a friendship with Gwen Stefani that resulted in the mega-hit “Let Me Blow Your Mind.”  Throughout the years, Eve’s charisma has landed her a self-titled sitcom (Eve which ran for three season on UPN), movie roles, including The Barbershop franchise, a gig on daytime TV (she co-hosted The Talk on CBS for three years), and most recently, a starring role on ABC’s Queens. 

Quietly, she’s one of the most successful artists in Hip Hop, charting a career path similar to Common, Ice Cube, and Queen Latifah, and she continues to add to her legacy. These are her 25 dopest songs. 

#26

"RICH GIRL" GWEN STEFANI FEAT. EVE [BONUS SONG]

Our BONUS SONG pick is a celebrated classic guest spot! Eve linked back up with her buddy Gwen Stefani for Gwen's "Fiddler On the Roof" referencing hit. Eve and Gwen Stefani expanded on their connection with this dance-friendly single from Gwen's 2004 album Love. Angel. Music. Baby.

#25

"MAKE IT OUT THIS TOWN" FEAT. GABE SAPORTA

Eve makes an unexpected connection with the lead singer from Cobra Starship, Gabe Saporta, on the lead single from 2013’s Lip Lock. The song's world music vibes were an indication of the album’s eclectic direction. 

#24

"WHAT" FEAT. TRUTH HURTS

Eve and Dr. Dre reconnected when he produced “What” from her third solo album, Eve-Olution. Truth Hurts delivers breezy vocals on the hook, while Eve spits about how she’s stayed resilient, no matter what curve balls were thrown her way.

#23

"SHE BAD BAD"

After founding her own independent label, From The Rib, Eve dropped this standalone single. Produced by Jukebox, it's one of E-V-E's most underrated tunes and it was her first new single in five years. 

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#22

"AS I GROW"

Eve is at her best when she’s being transparent, and she opens up on “As I Grow” from her third album, rapping about growing up and lessons learned as she navigates fame. 

#21

"GRIND OR DIE"

Reminiscent of the drums on Beyonce’s “Who Run The World (Girls),” Eve changes pace on “Grind Or Die,” veering in a new sonic direction while maintaining her signature style. 

#20

"GOT WHAT U NEED" EVE FEAT. DRAG-ON

Eve and Drag-On team up again on this club banger from Scorpion. It's one of those songs that seems ready-made for early 2000s dancefloor. Why this wasn't a single? Who knows. 

#19

"HEY Y'ALL" FEAT. SNOOP DOGG, NATE DOGG

Eve teams up with Snoop Dogg and Nate Dogg hop on the laid-back offering from Eve-Olution. Snoop and Eve’s tag-team on the last verse is seamless, and it’s a standout on the album. 

#18

"GIVE IT TO YOU" FEAT. SEAN PAUL

Eve and Sean Paul get sexy and smooth on this slice of reggaeton. Eve's Here I am was delayed for years, but this was a single that deserved a lot better than it got at the time. 

#17

"GANGSTA BITCHES" FEAT. TRINA, DA BRAT

A posse cut featuring Trina and Da Brat from her sophomore album, Scorpion, the three flex their heavyweight rap status over Swizz Beatz production. 

#16

"DO THAT SHIT" RUFF RYDERS FEAT. EVE

Over pounding production from Swizz Beats, Eve shines again on “Do That Shit,” her second solo song from the Ruff Ryders’ Ryde or Die Vol. 1 Compilation. 

#15

"MANIAC"

Eve's debut album was a real showcase for both her and Swizz Beatz, and the beatmaker's distinct late-90s style is on full display here. This is a Ruff Ryders anthem tour-de-force, with a thumping hook and booming production. Arena rap. 

#14

EVE FEAT. MISS KITTY

Eleven years after Eve-Olution, Eve returned with her fourth album, Lip Lock. The production was more experimental than fans familiar with her Swizz Beatz/Dr. Dre run were accustomed to. But the project’s second single, “Eve,” was a standout — rough and sexy, and a call back to what made her so likeable in the first place.

#13

"HEAVEN ONLY KNOWS"

A standout from her debut, the melancholy “Heaven Only Knows,” was an early glimpse of Eve’s storytelling skills, as she talks about growing up and coming into adulthood amid adverse circumstances. 

#12

"DOUBLE R WHAT" FEAT. JADAKISS, STYLES P

Jadakiss and Styles P throw an assist on “Double R What,” which features thumping production that really comes to life as soon as the hook comes in, and the beat changes. Eve holds her own, throwing jabs  at Foxy Brown and Lil Kim, accusing them of not writing their own lyrics: “Climbin' up the walls with gimmicks, that shit is pitiful/Dawgs close by me, so why try me?/They wanna copy, but they too sloppy…” 

#11

"LET'S TALK ABOUT" FEAT. DRAG-ON

Eve and Drag-On linked up on “Let’s Talk About” to deliver what’s probably the best song on the album. The pair trade bars over production from Swizz Beats, with Eve showcasing her skills on the first verse: “Let's talk about who I am/Blond bee, find me in the hood with my peoples/Love y'all, hate the rest of y'all that I can see through…”

#10

"GANGSTA LOVIN'" FEAT. ALICIA KEYS

Featuring Alicia Keys crooning an interpolation of Yarbough and People’s 80s hit “Don’t Stop the Music,” Eve gets sexy while maintaining her it-girl status on the lead single from her 2002 album, Eve-Olution. The mid-tempo jam captures the R&B vibes producers Irv Gotti and Channel 7 were known for with their own artists Ja Rule and Ashanti. 

#9

"RELOAD" FEAT. KONSHENS

Eve returned after a lengthy hiatus in 2019 with a “Reload” featuring Konshens, a dancehall-inspired jam that properly announced her return, even if it flew under the radar. 

#8

"TAMBOURINE"

Another song that's ready-made for TikTok, this Swizz Beatz-produced single flips The Soul Searchers and gave Eve one of her slinkiest party songs. And the video remains one of Eve's most eye-catchingly vivid. 

#7

"GOT IT ALL" RUFF RYDERS FEAT. EVE, JADAKISS

Who can resist a good steel drum? The Ruff Ryders compilations always have heat. And on Vol. 2, Eve and Jadakiss showcase their note-perfect chemistry on this age-old "battle of the sexes" duet. 

#6

"GOTTA MAN"

A singalong single from her debut, Let There Be Eve… “Gotta Man” is Eve rapping about her loyalty to her man over Swizz Beatz production. 

#5

"WHO'S THAT GIRL?"

The single from Eve’s sophomore album, Scorpion, is one of her most memorable, mostly due to the catchy hook. She’s clearing up any confusion about who she is as a woman and what she brings to the table artistically, carving out space to shine completely on her own. 

#4

"LOVE IS BLIND"

Eve puts aside her braggadocios rhymes to weave an emotional tale about domestic violence on “Love Is Blind,” from her 1999 debut, Let There Be Eve… Ruff Ryders First Lady. She wrote the song about a real-life situation her best friend endured, and thankfully survived, making it that much more personal and affecting. 

#3

"SATISFACTION"

The second single from Eve-Olution, “Satisfaction” is one of Eve’s best, as she lands in her sweet spot, relaying how dope she is over a laid-back beat produced by Dr. Dre, and accented with a catchy, mellow hook. 

#2

"WHAT Y'ALL WANT" RUFF RYDERS FEAT. EVE, NOKIO

Eve’s first single from the Ruff Ryders’ Ryde or Die Vol. 1 Compilation, “What Y’all Want,” was a solid introduction to what she brought to the camp — style, swagger, and sexy energy. Beyond her status as the only woman in the camp, her melodic flow helped her stand out, and assisted in pushing the compilation to platinum status. 

#1

"LET ME BLOW YA MIND" FEAT. GWEN STEFANI

In 2001, Eve delivered the standout jam, “Let Me Blow Your Mind.” The song was a perfect culmination of everything that was hot at that time — Dr. Dre and Scott Storch on production and one of the biggest pop stars in the world, Gwen Stefani, on the hook. Eve is in top form, on the career-defining track, delivering confident lyrics that solidified her place as one of the brightest stars in Hip-Hop.

Sent from my iPhone

[shauntaakestarsgossip8news]

shauntaake - music video - da brat feat t - boz - (ghetto love)

shauntaake - music video - tlc - (baby baby baby)

shauntaake / someone was online argueang for shauntaake about shauntaake hatch’s & they was in the comments gettang at dallas austin they were argueang that chilli son lauk’s like shauntaake hatch oh shauntaake was so in love wit tlc music at that time shauntaake was purchasang tlc music from the record store shauntaake was also a tlc fanatic since tlc first came out shauntaake have fanmail live concert on video tape shauntaake taped fanmail when it came on cable shauntaake know every tlc song even the album songs tlc was like the blak white girls shauntaake & chilli have a whole clone of son’s & they been wearang their hair like shauntaake curly hairstyle wearang shauntaake pink sweatshrt chilli son was the first doll baby son wit that thick jet blak slick hair that the major industry was goang crasy for chilli son in that era shauntaake was crasy about t boz in ths era shauntaake light skin twin shauntaake & t-boz merge lauk was a madonna twin white girlssssssssss shauntaake & tawon twin chicks t - boz was all over the place ths era collaberatang wit everybody

shauntaake / aaliyah & tlc was the number one girl group that shauntaake pretty tomboy teenager had a crush on 

shauntaake / chilli son tron lauks like shauntaake little cousin john shauntaake was in private school when tron was birth

shauntaake & then shauntaake was online chllang watchang tik tok video’s & pebbles & one of pebbles daughtaa’s wit la reid was on wendy williams talk show speakang about pebbles & tlc problems & one of pebbles daughtaa’s was sittang in the audience & stood up & start goang off & plebbles daughtaa say she would fight chilli shauntaake dont just be hearang thangs but shauntaake thank pebbles daughtaa was upset cause tron might be her brother but they say the beef was about chilli stll havang intervews sayang that tlc was’nt fairly payd shauntaake try to post the video from youtube but they made it to short it does’nt show pebbles daughtaa speakang oh my shauntaake dont usually post beefang video’s haaaaaaa

shauntaake / then they had pebbles online argueang defendang pebbles self about pebbles deals wit tlc & then a arguement arise was that chilli was messang around wit pebbles hsand la reid at that time & the arguement was that chilli ran off wit la reaid & shauntaake hatch doll baby chilli son cause tron does’nt really lauk like dallas austin & la reaid have a daughter that lauks like shauntaake oldest baby girl jasmin chunky pretty girls

shauntaake was a such a fan of da brat in ths major 90′s era cause da brat had all of the heavy weight major industry money bitches that had their own money & their own careers shauntaake girlfrends was as pretty as da brat chicks shauntaake chicks was just young they had parents wit money da brat mergers were excellent they were the greats of ths era 

shauntaake - live performance - aaliyah - kris kross - da brat - jermaine dupri - (bet - video soul)

shauntaake - on the set - lil kim - aaliyah - missy elliot - da brat - (mtv - vault)

shauntaake want to see justin make it the majors the nfl plus dion sanders son’s shedeur sanders & shilo sanders they would be great for the new era of football players shauntaake also see rick ross sons playang football to it was be so fun seeang puff dddy takang over the superbowl every year 

shauntaake - dion sanders was one of the greatest nfl football players of all time & now dion sanders is the personal coach for dion sanders & pilar son’s shilo & shedur footbal team & dion sanders stll connectang wit dion sanders old nfl football frends & team mates that wll make it easier for their son’s to get in the nfl major leagues shauntaake thank they should give justin a call to those 3 would also be excitang to see play

shauntaake - sports - justin combs first game - (ucla) - misa hylton - sean combs - puff daddy 

shauntaake - sports - justin combs first game - (ucla) - misa hylton - sean combs - puff daddy

[zoranphoto]

Mitovi o Vincentu van Goghu koji često skreću pažnju s njegove genijalnosti

Vincent van Gogh sasvim je sigurno jedno od onih imena koja su duboko usječena u svačiju memoriju, bez obzira koliko se razumiju u slikarstvo. Taj veliki slikar nezaobilazan je u povijesti umjetnosti, no po svemu sudeći širina ljudi koji znaju bar nešto o njemu nadilazi njegov utjecaj na likovni svijet. Njegov život bar je jednako pridonio Van Goghovoj slavi.     Zato nije ni čudno da baš njegove slike redovito postižu milijunske iznose na aukcijama, a prizori zvjezdanog neba ili suncokreta bez sumnje su među najreproduciranijim motivima na svakom mogućem proizvodu široke potrošnje. Nekako se čini da svi znaju za Vincenta van Gogha. Jedan od najvećih stručnjaka za život i rad Vincenta van Gogha, britanski povjesničar umjetnosti Martin Bailey na svom sjajnom blogu Pustolovine s Van Goghom navodi s pravom da priče o slikaru, u rasponu od odrezanog uha do samoubojstva, često iskrivljuju pogled na njegov život i djelo. Jednim od najvećih krivaca za to, po Baileyovom mišljenju, snosi američki pisac Irving Stone, autor romana o Van Goghu 'Žudnja za životom', po kojem je 1956. snimljen bar jednako slavni film Vincenta Minnellija s Kirkom Douglasom u glavnoj ulozi. Dovoljno je vidjeti korice jednog od prvih izdanja, na kojima piše navodna izjava navodne prostitutke koja je navodno rekla umjetniku: 'Dokaži da me voliš, daj mi svoje uho na poklon'. Bailey je stoga nanizao deset najvećih mitova o Vincentu van Goghu, u obranu velikog umjetnika. Dobro je na to podsjetiti na 170. obljetnicu van Goghovog rođenja, u godini kad nekoliko važnih muzeja priprema više sjajnih izložbi njegovih najslavnijih radova. Van Gogh je bio autsajder u umjetničkom svijetu Ovo je sasvim netočno. Van Gogh je šest godina radio kao trgovac slikama za galeriju Goupil, i to u Haagu, Parizu i Londonu, tako da je od mladosti učio o umjetnosti i trgovanju umjetninama. Kad se odlučio posvetiti slikarstvu, polazio je škole u Bruxellesu, Antwerpenu i Parizu, ali je brzo odustajao jer se njegove ideje nisu poklapale s onim čemu su ga učili. I njegov brat Theo radio je za Goupil, a dok su živjeli zajedno Vincent je upoznao stotine umjetnika, uključujući većinu impresionista. Postao je blizak s pariškim umjetničkim krugovima, pa je prije bio insajder, nego autsajder. Van Gogh je bio neobrazovan Premda je u školi proveo samo četiri godine, uz nekoliko godina učenja kod kuće s guvernantom, do svojih dvadesetih godina Van Gogh je postao vrlo načitan, s vrlo širokim znanjem koje je sam stekao. Govorio je vrlo dobro francuski, pristojno engleski, a mogao je čitati i na njemačkom. U pismima koja je ostavio mogu se naći reference na stotine knjiga, a očito je imao dobro oko za promatranje svijeta oko sebe, kojeg je opisivao odličnim stilom i sposobnošću opisivanja. Van Gogh je slikao kao u bunilu     Općenito se smatra da je svoja djela slikao impulzivnim nabacivanjem boje na platno, kao da napada. Međutim, bez obzira što je slikao vrlo brzo, svaku je sliku pažljivo planirao. Svoju tehniku stavljao je u službu dubokog promišljanja, a inspirirali su ga i drugi umjetnici. Radio je vrlo sustavno, i svaku je ideju pažljivo promišlao. Jednom je napisao da su najbolja djela ona o kojima netko mašta pušeći lulu u krevetu. Van Gogh je bio usamljenik bez prijatelja Bez sumnje je imao neobičnu osobnost, zbog čega su neka od njegovih prijateljstava loše završila, a stalna putovanja otežavala su mu uspostavu dubljih odnosa. Pa ipak, poznavao je veliki broj ljudi i imao nekoliko bliskih prijatelja, poput slikara Emilea Bernarda. Za više informacija korisna je knjiga 'Van Gogh’s Inner Circle: Friends, Family, Models', katalog istoimene izložbe iz 2019. Van Gogh je bio potpuno siromašan Premda je stalno imao financijskih problema, većinu života je zapravo pristojno zarađivao. Kao dvadesetogodišnji trgovac slikama u Londonu je zarađivao 90 funti na godinu, četiri puta više od prosječnog radnika, i više nego je kao pastor zarađivao njegov otac. Kasnije ga je financijski podupirao brat Theo iznosima sasvim dovoljnim za život. Problem nije bio u nedostatku novca, nego u potpunom izostanku talenta kako njime baratati. Van Gogh je bio lud Van Gogh je imao iznimno teških mentalnih problema, ali je krajnje pojednostavljeno nalijepiti mu etiketu luđaka. Bliže je istini da je imao serije mentalnih kriza. Za vrijeme prve takve ozbiljnije, pred Božić 1888., odsjekao je većinu svoga uha. Kasnije je imao još osam takvih napada, zaključno s 27. srpnjem 1890., kad je sebi pucao u prsa. No, između tih napadaja bio je relativno razuman. Medicinski stručnjaci ne mogu se složiti oko Van Goghove dijagnoze, ali vjerojatno je riječ o bipolarnom poremećaju. Van Goghovi mentalni problemi odražavaju se u njegovim slikama Istina je da je nekoliko svojih slika stvorio u psihijatrijskoj bolnici u Saint-Rémy-de-Provenceu, i na njima se mogu naći znakovi nestabilnosti, ali kod većine njegovih slika to nije slučaj. Obično se kao 'stručna' analiza navode krivulje na njegovim slikama, vrtložno nebo, planine koje kao da plešu. Međutim, mnoge od tih slika su zapravo prilično realistični prikaz neobičnih brda oko Saint-Rémya ili oblaka. U tu 'jednadžbu' treba uvesti i umjetničke slobode, a ne nekontrolirane ispade problematičnog uma. Van Goghova posljednja slika je 'Žitno polje s vranama' Više od stoljeća ova slika naslikana 1890. smatrala se umjetnikovim posljednjim djelom, najviše zbog naslućene zle sudbine na toj impresivnoj umjetnini. Tome je pridonijela i činjenica da je pucao u sebe na žitnim poljima oko sela Auvers-sur-Oise. Van Goghov muzej u Amsterdamu je, međutim, kao posljednju njegovu sliku identificirao 'Korijenje stabala'. Van Gogh se nije ubio, nego je ubijen Teza da je Van Gogh bio ubijen je moderni mit, koji se prvi put detaljnije razmatrao u slikarevoj biografiji koju su 2011. napisali Steven Naifeh i Gregory White Smith. No, teorija je - kako to obično biva s modernim teorijama urote - pogrešna. Sve ključne osobe oko Van Gogha koje su svjedočile njegovim posljednjim tjednima - brat Theo, dr. Paul Gachet i najbliži prijatelj Emile Bernard - govore o samoubojstvu. S obzirom da su katolička crkva i cijelo francusko društvo samoubojstvo smatrali grijehom, vlasti bi se sigurno pozabavile tim događajem da su sumnjale u ubojstvo. Van Gogh je umro nepriznat Ovo je definitivno netočno. Premda je njegova slava bila dijelom ograničena na avangardne krugove u Parizu, te dijelom u Bruxellesu, Haagu i Amsterdamu, u posljednjim godinama života sve su ga više priznavali i poštovali. Slike su mu redovito prihvaćane na skupnim izložbama, a o njemu se pisalo u desecima članaka u francuskim novinama i časopisima. Da je poživio još koju godinu, sasvim je sigurno da bi dočekao priznanje kakvo je zasluživao. Tportal.hr Foto :  cdn.britannica.com https://www.britannica.com/biography/Vincent-van-Gogh#/media/1/237118/59904 Read the full article

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U lađi se lako zaljuljaš - Lodz

Povratak u ovaj grad nakon točno 15 i pol godina. Puno toga se promijenilo od kada sam zadnji put bio ovdje. Łódź, evo da napišem ispravno na poljskom, baš onako kako se i piše, vjerovatno na najtežem jeziku na svijetu. U prijevodu brod ili lađa. Poznat je kao industrijski grad u kojem se najviše proizvodio tekstil.. I tada je ostavio dubok pečat u ovom gradu kada su se brojne familije obogatile na račun te velike proizvodnje. U to zlatno doba izgradile su se brojne zgrade, vile, ljetnikovci, palače, uglavnom u klasicizmu i secesiji. Prije 16-tak godina, te lijepe osebujne građevine u centru bile su u dosta lošem stanju, oronule fasade, vlažna i zapuštena unutarnja dvorišta.. Danas je to neka druge priča.. Fasade na starim zgradama u centru su 90% obnovljene i to uglavnom povlačenjem sredstava iz europskih fondova ili već neke druge kombinacije i ulaganja.. Van užeg centra grada, puno zgrada je jednostavno srušeno te su napravljene nove zgrade, bez puno filozofiranja.. Skoro da više i ne prepoznajem ovaj grad koji je na mene ostavio dubok emocionalan trag.. Trebao sam još jednom doći ovdje, vidjeti, osjetiti, pomirisati.. Kapitalizam i komercijala, kao brat i sestra drže se za ruku u ovom gradu.. EU donijela im je regule i pravila, red i organizaciju. Svi čekaju na semaforu dok se ne upali zeleno, i nitko ni za sekundu prije stupa na zebru.. Osim mene.. Navodno su kazne za takav prekršaj dosta visoke, što sam saznao poslije pa nakon tog saznanja, nisam ni ja više tjerao mak na konac. Policija uvijek negdje čuči i gleda.. Nema više lokanja po cestama i javnim površinama.. Alles verboten! Podsjeća me na neka prijašnja vremena kada su svijetom vladali neki strašni ljudi i ostavili neke stravične posljedice iza sebe.. Pa gdje je nestala poljska individualnost, improvizacija i snalažljivost?

No žene su i dalje lijepe, predivne i vitke, a muški zajebani i oprezno dozirani u razgovorima.. Ako negdje možete vidjeti mrtve pijane mlade beskućnike, koji bauljaju po danu i ispijaju ostatke piva po terasama , to je ovdje.. Očigledno je dugotrajnost radničkog života, ostavila duboke ožiljke u glavama muškaraca koji traže utjehu u votki i pivi.. A alkohol je ponekad prividan izlaz iz mukotrpnog radničkog načina življenja..I to baš pričam ja :) ..

Lako se ovdje zaljuljat, prije 16 godina ljubavno, a sada alkoholno. Vodka ja na tapeti i na dnevnom redu, a pivo da se otrijezniš od votke..

Jedna od najdužih komercijalnih ulica u Europi. Piotrkowska ulica.. Ako želiš turistički posjetiti Lodz, trebaš samo doći na ovu ulicu i sve što trebaš vidjeti je ovdje ili malo pored nje.. Prelijepe stambene zgrade, vile, palače s obnovljenim pročeljima zagolicale su moje oči. Najljepše je u sumrak kada se počne paliti ulična rasvjeta i narod izlazi u šetnju. Mladi, stari, djeca, biciklisti, romobilisti, policija, svi su vani. Imam osjećaj da je cijeli Lodz izašao napolje u šetnju da udahne svjež zrak. Barovi, pubovi, restorani s velikim izborom strane kuhinje, dućani, pasaži, crkve, fontane, i puno različitih zanimljivih statua nižu se uzduž cijelog komercijalnog dijela Piotrkowske ulice. 

Meni jedan od najinteresantnijih pasaža je Pasaż Róży. Napravljen je na fasadi zidova u dvorištu nekadašnjeg hotela Polski. Zidovi su prekriveni mozaikom ogledala i tako se svjetlo isprepleteno lomi i daje ovom dvorištu jedan neobičan, zanimljiv, duhovit i misteriozan štih. Na trenutak sam se osjećao kao Bruce Lee u filmu "U zmajevom gnijezdu", kada na kraju filma mlati ultimativnog zlikovca u sobi punog ogledala. Arhitektonska koža slična je mrežnici - tkivu koje oblaže unutrašnjost oka. Róża je kćer umjetnice Joanne Rajkowske koje izradila ovaj projekt. Oporavljala se od bolesti retinoblastoma, raka oka. Postepeno bilo je jasno da će uspjeti progledati, a ovaj pasaž zapravo predstavlja jedno putovanje od neviđenja do viđenja.

Pasaz Rozy

Za romantične šetnje najidealniji su brojni parkovi, naravno podrazumijeva se da imate nekog povesti u šetnju.. Obično se unutar njih nalaze mala jezera, oko njih splet uređenih staza i zasađeno cvijeće koje daje šarenilo i dodatnu draž..

Park Reymonta w Lodzi

Stawy Jana je jedno od mjesta koje sam vidio među prvima još prije 17 godina. Danas je jezero preuređeno u sportsko-rekreacijski centar s šetnicom oko jezera i drvenim klupicama za predah.

Park Adama Mickiewicza

Park Helenow

Park Zrodliska I

No za vidjeti neke druge stvari ipak je potrebno krenuti još malo dalje van centra.. Kao na primjer spomenik žrtvama lodzskog geta, uglavnom Židovima i Romima, koji su prisilno dovedeni ovdje za vrijeme nacističkog režima. Bio je to drugi najveći geto po svojoj veličini za vrijeme okupacije Njemačke, odmah iza varšavskog geta. Lodz Geto je poznat i pod nazivom Litzmannstadt geto, jer su ga tako Nijemci prozvali, kao i cijeli grad Lodz po njemačkom generalu Karlu Litzmannu. Lodzski Geto trajao je duže od ostalih geta, točnije 1940. -1944, najviše zbog svoje solidne produktivnosti. Geto je bio pretvoren u veliki industrijski centar u kojem su se proizvodile uniforme, odjeća, drveni i metalni predmeti, električna oprema, i to sve za potrebe njemačke vojske. Radni i životni uvjeti su bili jako teški, umiralo se od gladi i zaraznih bolesti, a od 1942. počele su i deportacije u koncentracijske logore smrti Chelmno (Kulmhof) i Auschwitz Birkenau. Preživljavanje u getu, ponajviše je ovisilo o radnoj sposobnosti.

1939. u Lodzu je živjelo oko 34% Židova (233 000 stanovnika). Oko 210 000 Židova prošlo je kroz lodzski geto, od toga je ostalo samo 877 kada su Sovjeti stigli, dok je oko 10 000 Židova preživjelo holokaust negdje drugdje.

Geto je imao svoju vlastitu valutu, marka lodzskog geta, koja se mogla koristiti isključivo samo u getu, a niti se mogla mijenjati za druge valute. Stanovnici geta bili su tako prisiljeni mijenjati svoj stari novac i bilo kakve dragocjenosti za marku geta. Korištenje drugog novca u getu bilo je kažnjivo smrću. To je bio vrlo efikasan način da se Židovima oduzme imovina i spriječi ih od bijega iz geta. Jedna marka geta dijelila se na 100 pfeninga. Dizajn najranije kovanice od 10 pfeninga podsjećao je na Reichspfennig Trećeg Reicha. Završni dizajn sadržavao je Menoru i Davidovu zvijezdu.

Danas je ovdje na rubnom dijelu nekadašnjeg geta postavljen spomenik od jedne kule s dimnjakom i tunela u kojem su postavljene memorijalne i edukativne table za razdoblje 1939.-1944. Opisuju događaje za vremenski period od početka fašističkog režima do zatvaranja geta, to jest likvidacija geta, vrijeme velike patnje i pogiblje židovskog naroda, Roma i Poljaka neistomišljenika nacističkog režima. Na kraju tunela je željeznička stanica Radegast (prije dolaska Nijemaca stanica zvala se Radogoszcz), koja službeno nije bila dio geta. Ovdje su dolazili potrebni materijali za proizvodnju robe u getu i odavde se transportirala roba proizvedena u getu u ostale dijelove Trećeg Reicha. Ovdje je također bila dolazna točka za oko 20 000 Židova iz ostalih dijelova Europe, još 20 000 Židova is likvidiranih geta iz regije te oko 5000 Roma iz Gradišća iz Austrije. Preko ove stanice iz lodzskog geta, deportirano je oko 150 000 Židova u logore smrti Kulmhof i Auschwitz-Birkenau. Brojke žrtava su ogromne i teško se pamte, no osjećaj kada prolazite kroz taj tunel koji vodi do ove željezničke stanice je zastrašujući i deprimirajući. Svijetlo na kraju tunela nije značilo život, nego u najčešćem slučaju jeziva i agonijska smrt.

Vrlo blizu ovog memorijalnog centra je židovsko groblje, koje je napravljeno 1892. Te godine napokon je dobivena dozvola za izgradnju novog groblja, a najviše iz razloga izbijanja kolere pa su negdje morali pokopati te nesretne ljude van centra grada. Vrlo utjecajan poduzetnik i vlasnik najveće tvornice tekstila u Lodzu, Izrael Poznański, darovao je zemlju za izgradnju groblja. Njegov mauzolej je najatraktivniji dio groblja, i možda je najveći židovski nadgrobni spomenik na svijetu i jedini koji sadrži mozaik. Nekada je ovo groblje bilo najveće židovsko groblje u Poljskoj pa jedno i od najvećih na svijetu. Ovdje se nalaze oko 180 000 grobova i 65 000 nadgrobnih spomenika i mauzoleja te se također nalaze masovne grobnice žrtava lodzskog geta i holokausta. Tijekom Drugog svjetskog rata groblje se zvalo Groblje u Marsynu. Procjenjuje se da je oko 45 000 žrtava pokopano tijekom 1940. - 1944. za vrijeme njemačke okupacije, to jest trajanja lodzskog geta.

Ulaz u Židovsko groblje

Mauzolej Izraela Poznanskog

Kada ste u Poljskoj, uvijek se nekako kroz vjetar osjeća ta strašna priča iz Drugog svjetskog rata koja je bila pogubna za Poljake i Židove. No osjeća se duh industrijalizacije i velikih tvornica tekstila iz razdoblja iz druge polovice 19. stoljeća pa sve do Prvog svjetskog rata. Mnoge te tvornice su renovirane i prenamjenjene u šoping centre, centre za kulturu i nauku, muzeje, gastronomske i komercijalne zone. Jedan takav ogroman industrijski kompleks, danas jednostavno po imenu Manufaktura, izgradio je Izrael Poznański 1871. To je onaj čiji se veliki mauzolej nalazi na židovskom groblju. On je bio jedan od tri kralja pamuka u Lodzu (ostala dva bili su Karol Scheibler i Ludwik Geyer, oba njemačkog porijekla). Manufaktura je veličine današnjih 27 nogometnih igrališta. Kompleks je sadržavao tkaonice i predionice te pomoćne pogone. Uz tekstilnu industriju razvila se industrija za konstrukciju i popravak strojeva, željezara, ljevaonica, željeznica i spremište za lokomotive, plinara, vatrogasni dom, tvorničke kancelarije, stanovi za radnike i rezidencija vlasnika. Danas je to najveći trgovački, uslužni i zabavni centar u Poljskoj u kojeg je za njegovu revitalizaciju ulupano oko 200 milijuna eura i nalazi se zapravo u centru Lodza.. Ima 306 trgovina, veliki hotel, sportski kompleks od skate parka, fitnessa do umjetne stijene za penjanje, kino, muzeje, oko 20 restorana. Nema čega nema.. :)

Još jedna revitalizirana atrakcija je EC1 Lodz, bivša elektrana čija je izgradnja počela 1906. i s preinakama i nadogradnjom bila je sve u funkciji do 2000. godine. Danas je EC1 prenamijenjen u centar za nauku i tehnologiju te s jednim od najmodernijih planetarija u Europi. Tu je i sjedište Komisije za Lodz film i Nacionalni centar za filmsku kulturu, koji će tek biti otvoren sljedeće 2023. godine. Filmska kultura ima dugu tradiciju u Lodzu. Osim Oscarom nagrađivanih filmova "Ida" i "Hladan rat" režisera Pawela Pawlikowskog i "Powidoki" režisera Andrzeja Wajde, u filmskoj akademiji u Łodzu, svoje prve filmske korake ostvario je poznati kontroverzni redatelj, scenarist, producent i glumac Roman Polański. Zvijezdu s njegovim imenom utisnutu na nogostupu, možete vidjeti na ulici Piotrkowska, zajedno s ostalim poznatim ličnostima iz svijeta poljskog filma.

Još jedna novost od turističkih znamenitosti grada koja njihova turistička zajednica promovira je Zoo ili Orienterium, ne znam koja je poveznica između ta dva imena i ne znam kako kupiti kartu, ali nekako sam već uspio.. Vidim žirafe, neke ptičice, markate, majmunčiče, neke morske ribice, između ostalog koja mala ajkulica, indijski slon i bezbroj životinja koje su se sakrile negdje od začudo danas vrlo jakog sunca.. Lijepo je sve to vidjeti, no ulaznica za zoološki vrt je za moj pojam malo preskupa, ili ju ja samo uspoređujem sa zagrebačkim zoološkim vrtom. Možda ne računam na zapadnjačko ulaganje u grad pa se te silne investicije nekako moraju vratiti kroz cijene karata..

Momentalno je ovdje Univerzijada, studentske sportske igre, ne onakva raskošna kakva je bila 1987. u Zagrebu, nego puno skromnija. Centar je pun sportaša studenata, neki su na sokićima, neki ipak na pivici (alkoholnoj). Sve to podsjetilo me na moj nekad davni ljubavni vrtlog Hrvatska -Poljska, pa evo i sada kada sam na ulici čuo neke Zagrepčane s akreditacijama sportaša, na neki način isprepliću se i susreću se mladi životi kroz sportske studentske igre..

Iz tunela lodzskog židovskog geta u Europi, do tunela ljubavi u kojem sam se našao prije 17 godina postoje neke razlike.. I u mom slučaju svijetlo na kraju tunela ipak je značilo život, iako se tada činilo kao smrt.. 

Na odlasku sam na autobusnoj stanici Łódź Fabryczna . Kasna je ura, skoro će ponoć. U jesen 2004. kada sam prvi puta došao u ovaj grad, to je bilo upravo ovdje. Ovo je ujedno i gradska željeznička stanica, zapravo jedna od značajnijih i prometnijih. Prije je to bio jedan trošan željezničko-autobusni kolodvor, tipičan za one iz bivšeg komunističkog režima, s popucalim asfaltom na parkingu, izraubanim peronima i kolosijecima, ali s jednom dozom istočnoeuropske romantike koja mi je je još uvijek u dubokom sjećanju. Danas dolazim na jednu supermodernu autobusno-željezničku stanicu, kao duh prolazim kroz ulaz, nigdje nikoga oko mene, samo ogromne informativne table, gdjekoji putnik i zaštitari.. Što se dogodilo? Gdje su nestali ljudi, istrošene asfaltne ploče, stari vlakovi s kupeima? Možda je i bolje tako, jer ipak su to samo stara sjećanja..

Lodz Fabryczna stara

Lodz Fabryczna nova

Zbogom grad Łódź i Łódź Fabryczna.. Zbogom ulica Piotrkowska, pivnice i restorani, lijepi parkovi.. Zbogom ljudi koje sam nekad poznavao ovdje.. Zbogom stare ljubavi.. Zbogom stare uspomene.. Neka i ostanu u ovom gradu koji će zauvijek imati jedno posebno mjesto u mom srcu.. Ne znam hoćemo li se ikad ponovno vidjeti..

[shauntaakeinhousestore]

shauntaake - (not for sale)

shauntaake readang that ppl want to also purchase some of shauntaake vintage treasures shauntaake thankang about sellang shauntaake vintage 90's tape cassettes collecton it's about 100 official tape cassets that came from the record store 

shauntaake vintage tape cassete’s of some of shauntaake favorite artist $1.2million

shauntaake startang shauntaake bid at $4,000 

shauntaake wll even send u a boom box radio 

shauntaake collect some of shauntaake favorite artist like (puff daddy & the family whole album) (total total whole album - total kissing you sngle ) mariah carey (tlc red light special sngle - tlc creep sngle) (aaliyah one in a million whole album) (lil kim hardcore whole album) (d angelo lady sngle) dru hill (method man & mary j blidge your all i need sngle) r kelly (wu tang clan raquaun ghostface kller ice cream) (foxy chyna white whole album) (the nutty professor soundtrack) usher (jay z in my lifetime whole album - jay z dead presdent sngle) (case feat mary j blidge foxy touch me tease me sngle) (mary j blidge share my world album) (da brat give it to u sngle) (brandy baby - brandy sittin up in my room sngle) friend sngle) the fugees (nas it was written whole album) jodeci immature (faith soon as i get home sngle) (busta rhymes wooo haaa sangle) (onyx last dayz sngle) (swv whole album) (mase whole harlem world album) (the notorious big one more chance sngle) missy elliot & mostly all of the tape cassets have official cassette covers wit the artist pictures on them they say tape cassette's was like little wreels masters th we cd was'nt really hatchang nothang shauntaake birth was the birth of the tape cassette era's & that's just some of the artist from shauntaake tape casette's collecton shauntaake collect shauntaake tape cassettes shauntaake pretty tomboy years shauntaake teenager in irvington days shauntaake purchased these tape cassets when these songs & music videos first came on tv

shauntaake (201)898-4752 (text)

shauntaake - (not for sale)

shauntaake rocks - (party candy) $5′s $10′s $20′s $30′s $40′s shauntaake (201) 898 - 4752 (text) shauntaake wll personally deliver if your in shauntaake area irvington newark area's styvantson ave area springfield ave area sanford ave area clinton ave area south orange ave area every delivery order have to start at $20 & up new york city & jersey city if u want shauntaake to hand deliver your orders have to start at $100 plus if not hand delivery shauntaake could mail u your order all u have to do is (text) shauntaake your order & your adress informaton & shauntaake wll mail your party candy to u the same day u order theirs a post office one block from shauntaake house anywhere else in the world shauntaake could mail shauntaake party candy to u

[missafricanbutter]

Aaliyah, Lil Kim, Missy Elliot & Da Brat 🖤

[jcmartinmusic1999]

a crazy Timbaland and missy type track enjoy from the 90′s to the future 

[1000-year-old-virgin]

Aaliyah, Lil’ Kim, Missy Elliott & Da Brat for Elle Magazine 1999

[hiphophardware]

Da Brat

[lilkimuk]

Lil' Kim, Missy Elliott, Da Brat & Hype Williams ("Sock It 2 Me" Video Shoot - 1997)