Picture this; Bones holding Joanna, rocking her to sleep and the part in Beautiful Boy where it’s like “The monster's gone, He's on the run, And your daddy's here” is playing. :,)
Fatherhood gives you certain... skills. Coincidentally, this is also how Jim finds out that Bones sings.
catwin meet-cute except its a 'ghost boys but not detectives!' AU where charles and edwin ended up inexplicably working in (read: using the materials of) a craft store to try and bring some more artistic joy to their lives-after-death (sparked by a recently met Crystal telling them they need to be more rounded and no, edwin, spending your entire afterlife in a library wont solve the problem of you being completely ignorant towards every art and creative subject there is beyond literature).
edwin and his thick knitting needles and soft, cozy balls of yarn, bundled up near the window in a scarf and a thick wollen jumper, attracts the attention of a sleepy cat king, drowsy after a day of negotiating territories with a neighbouring cat ruler. surely the pretty boy with a soft bed of yarn on his lap wouldnt object to a feline friend taking a nap with him in the calm atmosphere hes created?
Inspired by this comic by mmelete, which is very cute and lighthearted!
This short fic is not. CW implied body horror.
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It was there, at the end of the hall—a splash of color on otherwise gray stones. Monster remains lay scattered beneath as though paid in homage.
“No way,” Hyrule exclaimed. “Is that painting supposed to be Legend?”
Warriors took care to step over a segment of twitching jejunum. “It certainly looks like it. I wonder who or what did this?”
“Other monsters, maybe? But… Hm.” Hyrule glanced around as though the answer to their little mystery might suddenly present itself, ears twitching back and forth. The hall remained empty.
“Paint’s dry,” Warriors remarked, brushing his fingers across the little blue hat, “so it can’t be that new.”
“But not old enough for the colors to have faded.”
“Right. So…”
“So?”
Warriors spread his hands wide, dousing the curiosity in Hyrule’s stare. “I don’t know. It’s weird as hell, but not the creepiest thing I’ve ever seen.”
“Creepy?” Hyrule teased, leaning like he might playfully bump Warrior's shoulder. For both their sakes, he kept a sliver of distance between them. “I think it’s kind of fun.”
“Ahh, well.” Hyrule laughed awkwardly. “Should we move on?”
“No, let’s stay put. There are no immediate threats, and between Twilight and Sky the others should be able to track us down easily enough. There’s no reason to risk getting turned around or running into whatever killed these monsters.”
“Right. That sounds logical.”
“Don’t look so glum,” Warriors said with a smirk. “You can explore to your heart’s content when we’re all reunited.”
Hyrule huffed. “As if.”
“Enjoy the break, kiddo. If this dungeon’s anything like the last, we’ll find chaos by the end of it.”
Hyrule’s returning smile was crooked and dimpled. “Yeah, fair. What should we do in the meantime?”
“Meditate? Count rocks? Contemplate all of our past regrets? I don’t know, don’t ask me.”
“Lame,” Hyrule concluded, channeling Wind as he faked a yawn. He glanced back at the little painting of Legend again. “I think his bracelet might be off.”
“What?”
“Legend’s bracelet, in the painting. The stone is supposed to be purple, isn’t it? But the artist made it all black and red.”
Warriors blinked, reevaluating the painting. “It’s not exactly a masterpiece, Hyrule. So what if some of the details are wrong?”
“I don’t know, I’m just saying.” He tilted his head, trying to imagine all the ways his friend and mentor were different from this childlike rendition of him. Then, curious to see if he could, Hyrule reached out and scraped his fingernail across the tip of one of Legend’s ears. Flecks of skin-toned paint came away under his nail.
“Well,” Warriors drawled wryly, “I guess it’s not cursed. Thanks for that.”
“Oh hush,” Hyrule answered without looking back. “I would’ve sensed a curse. Probably.” He grinned suddenly. “Hey, can I have your makeup?”
“No. Why?”
Hyrule began searching through his own bag. “The ears are too long, and the eyes aren’t the right shape. Legend’s eyes are more, um… almond? And I want to fix his fingers.”
“You’re not wasting my makeup on this.”
“It’s not a waste, it’s creative inspiration—ah ha!” He pulled a clump of charcoal from his bag, along with several blackberries. "It's not like we have anything better to do."
Warriors made a futile effort not to look amused. “What are the berries for?”
“Color. The juice won’t be exactly red, but it’ll do.” He leaned away from the painting as if to get a better overall study of it, then started scratching away at Legend’s eye.
“You’ll chip your nails doing that.”
“Don’t care.” Hyrule stuck out his tongue as he worked, using the charcoal to sharpen the slant of Legend’s eye. Once he was satisfied with the shape, he smeared a tiny amount of blackberry juice where the iris should be. “See? Much better.”
Warriors outright laughed, which earned him a half-hearted glare. “Keep your day job, hero.”
“Oh?” Hyrule attempted to sound haughty, but thought he sounded constipated instead. “I’d like to see you do better.”
“... Yeah, alright, shove over.”
They worked on the painting for nearly half an hour, using stones, berries, and some of Warrior’s foundation (“sacrificed for a greater good”) to edit things as they pleased. On a whim, Warriors added bunny ears to the top of Legend’s head, and Hyrule erased, redrew, re-erased, then re-re-drew Legend’s left hand.
“Fingers are hard,” Hyrule complained, frowning as he compared the drawing to his own hand. “Like, what?”
“I can’t get his nose down,” Warriors muttered. “Why do nostrils look so stupid?”
“Uh, guys? What are you doing?”
They both jumped in surprise, whirling around to see the other heroes entering the hall. “Nothing!” Hyrule blurted, then immediately changed his mind. “Look what we found. It’s Legend!”
Warriors stepped away from the painting as if he’d had nothing to do with it. “Everybody okay?”
“Yes,” Time answered, frowning as the seconds passed. “Legend drew himself?”
“No,” Hyrule answered. “We don’t know who—” He blinked, glancing between them all. “He’s not with you?”
“We thought he’d be here, with you,” Sky said, gesturing to the Master Sword. “Fi said so.”
As one, they all looked at the painting on the wall—redesigned with different proportions, half its nose missing, its fingers lengthened and crooked, bunny ears sprouting from its head, lips stretched in a rictus, its single eye smeared with blackberry juice.
The paint beneath Hyrule’s fingernails itched. He absently picked it out, startled by the wetness he could feel. He must’ve cut his quicks on the stone. There was no other explanation for the blood.
someone: how angsty do you want your identity reveal scenario to be?
me: so what if right after Anya's powers are revealed Twilight asks her why she tricked him into adopting her, if she was put into it by someone else in order to expose him, and Anya tries to tell him she wanted to help and he asks why would you want to help me and she's like "because you want a peaceful world where children don't cry" and he nearly has a flashback triggered by that and she runs and hugs his legs saying she wants to help and be good and Twilight just. Pushes her away. Gently and without physically hurting her but emotionally it's a massacre. And he sees her devastated face because of his rejection and realizes he has now caused her the pain he never wanted to see on another child's face, and he thanks whatever lucky stars he doesn't deserve that Yor is there because he cannot process anything else and just leaves out the door, leaving Anya to bawl in Yor's arms :)
silly comic of a conversation in-game i thought was too funny not to make something proper for instead of a doodle ww
(timelapse + wip images (thus silly process commentary in read more if you like artist commentary :3)
i think the sketch looks silly and goofy and funny so i find it important to share with you the mere presence of the faces i drew on it. i drew it on top of the boxes without staying inside its borders because i find my proportions can get wonky if i draw them cropped in a restricted space. and I feel trapped otherwise and i will draw BAD!!! give me spaceeeee to go wild!!!!
the head circles are there for emotional support
very low res speedpaint because truth is the canvas was much bigger than the space where my comic was placed. i didnt account when exporting my timelapse in 720px that that tiny space would look so pixelated ... but it's able to be percieved, so its okay.
(i will now comment on my process and it is not brief sorry)
usually i would try to clean up my sketches and figure out what goes on top before jumping into linework, but since there are multiple panels and drawings i chose to jump into inking right away for the sake of brevity. i just went in with a brush that uses pen pressure and drew what was needed. i added extra line thickness and contrast in areas around the face because it helps direct your eyes there more easily that way.
according to her equipment rei has a chain belt but i only remembered it existed once I was going to color, and i did not like that discovery... I chose to ignore it to maintain my peace. i already have the color palettes for these characters figured out, and i didnt really want to think about a new element at the moment www I tend to overthink those things a lot so i skipped it
the rest is rather straightforward! not that anything else wasn't, but in here i could turn my brain off and sing. linework and sketching require mumbling so i cannot turn my brain off. just block in the characters with a solid color so i can have a mask (something along those lines,) where the color can stay inside. then just color in !!!
Base colors just had slight cell shading on the skin, and for the hair i airbrush a bit of the skincolor in low opacity near the forehead... I'm not sure what it means, but i can look at the faces easier with it somehow. i like the gentle subtlety it adds even if you cant really tell. it makes things look nice.
background was just me blocking in the color of the wall and floor, shade the wall a bit, then slap a noise and free use wood texture on top. work smarter not harder ! yet it took a bit to make it look stylistically fitting with the characters, and even now i think bottom middle panel looks odd. whatever!!!
for the middle panel i thought itd be funny if the background was a solid silly and colorful one to contrast the next panel's sketchy black one. a contrast to how the word widow is seen. on that note my handwritting is not pointy. i gaslighted my hand into thinking that it was indeed pointy in that moment so i could write "not-yet dead person" in letters that didn't seem cute. my hand did not fall for it but it complied anyway
that's basically it! I'm not sure what else i could say that doesn't feel barebones because it really is that straightforward. if you're curious I used clip studio paint for this. only special brush used was for linework (a brush named Lemon Brush), the rest used were just the default. my computer gets the least credit. it was trying to convince me a 20mb file was going to nuke it all the time and hardly let me save multiple times so i do not appreciate it
Ned brings Jon home, Cat hates the boy, everything stays the same... until Robert Baratheon is charging through the halls of Winterfell looking for the babe, ready to butcher the poor thing where he lay helpless in his cradle.
in a matter of moments Catelyn learns three things:
The babe was never a bastard, Ned had only lied to her to protect Jon, and that she would die before she let Robert lay a finger on the babe she'd previously wished death upon.
cue Catelyn Stark snatching Jon from his cradle, holding him, protecting him, loving him as she would her own son, risking it all to keep him safe, all care for herself thrown to the wind.
like they say, what a mother's love holds no bounds, and what it makes her capable of had no limits.