#decided to pick this one because in terms of char development it just does so much!!

[lady-arryn]

Alicent Hightower Appreciation Week Day 1 - favourite episode

[i-believe-in-soriku]

Essay Part 2: The Deepest Relationship

Now that I have explained how Riku is a strong character with is OWN development and his OWN personanity, I can talk about his relationship with Sora. Sora is also a developed character, even if his evolution is less spectacular than Riku's. I'm not here to talk about Sora so I'll probably give you links to wonderful analysis I've read.

If I mention that, it's because I want to point at something which is very important in terms of writing. To write a relationship between two characters (or more, but here it's two), the two characters involved must be developed. That's important to understand the dynamics between them, why they like each other, why their relationship exists and why it works. And this rule applies to all kinds of relationships.

Indeed, those conditions are filled with Sora and Riku's relationship.

Actually, the producer himself admits that their relationship is the very heart of the series:

"The fact is that the main focus of the series is Sora and Riku; how their friendship develops, but also how they grow up."

Now, let's see how their relationship works. Because it works. Whether you see it as friendly or romantic doesn't matter, it works the same.

The two of them were childhood friends. It is told in BBS and KH: they used to spend all their time together, inventing stories and dreaming about adventures. They kind of promised to protect each other at the really early age of 4 and 5.

Aqua: Sora, do you like Riku?

Sora: Of course I like him, he's my best friend!

Aqua: Good. So then, if something happens, and Riku is about to get lost--or say, he starts wandering down a dark path alone--you make sure to stay with him and keep him safe. That's your job, Sora, and I'm counting on you to do it, okay?

*Sora nods*

As they grew up, a distance has settled between them. I have already talked about what caused that distance. KH is not the best moment of their friendship but, believe it or not, it is essential to its development. Both guilt and love pushed Riku to seek to make amends with Sora, to protect him:

Sora, on his side, wasn't resentful against Riku at all -all he wanted was to find his friend back and make things the way they were before.

But it soon became clear to them that such a thing was impossible. Too many things had changed due to Riku's actions and the hardships they had to face. They had to stick the pieces back, and tried their best to do so. Sora tried to find back Riku during CoM and KH2.

Sora (beginning of KH2): Well, I'm gonna go look for Riku. Then he and I can go back to the islands together.

Riku tried to help Sora recover his memories and he watched his friend during his sleep.

And it didn't mattered to them that one year has passed, their goal never changed. When Sora woke up, Riku kept on protecting him, Sora kept on searching for him. Both of them wanted to recover something that mattered to them - that is to say, their best friend. Is it forced? No. It follow the events of KH. It is the consequence of what happened before.

When they finally find each other during the events of KH2, the feelings expressed by Sora (happiness, relief) and by Riku (shame, doubt) underline how much they care about each other.

Sora: Why didn't you let me know you were okay?

That's not like Sora's and Kairi's reunions, where all we can see is a promise - something that Sora and Riku also share - and mere relief, joy. I don't say Sora is not happy to be reunited with Kairi and vice-versa. It's just that when they do, the poor development Kairi is given prevents these scenes from being as powerful as Sora's and Riku's reunion(s).

Indeed, when they found each other in KH2, after a rough fight with Xemnas, what is the first thing that happens between them?

A heart-to-heart conversation.

That is sweet, and illustrates that, yes, they share a special bond. But what I like the most with this scene in the Dark Margin, is that it's the undeniable proof of what I've said before.

Those boys are trying to line the scattered pieces of their frienship up - and the way they do it is simple, touching. They are just being honest with each other while talking about their past feelings for each other - and also the one they experience in the present moment:

Riku: What I said back there...about thinking I was better at stuff than you... To tell you the truth, Sora... I was jealous of you.

Sora: What for?

Riku: I wished I could live life the way you do. Just following my heart.

Sora: Yeah, well, I've got my share of problems, too.

Riku: Like what?

Sora: Like...wanting to be like you.

Riku: Well, there is one advantage to being me... Something you could never imitate.

Sora: Really? What's that?

Riku: Having you for a friend.

Sora: Then I guess...I'm okay the way I am. I've got something you could never imitate too.

That is so sincere that I don't get why people keep on saying that their relation is forced.

Their story, however, is not over yet. Dream Drop Distance is the the highlight for the writing of their common story. I have already written a post about their bonds in KH3D, so I'll resume what I said, and add new elements. DDD is pretty smart because it depicts the link between Sora and Riku even though they're separated during almost the whole game.

At the beginning of the game, Riku and Sora are at Master Yen Sid's Tower, and he says that they have to pass the Mark of Mastery Exam. It is really important to Riku, but for Sora, it is quite useless. Still, Sora decides to pass the exam with Riku in order to motivate and support him.

Sora: But that's a formality, right? I already proved myself. Me and the king, and Riku--we can take on anything. Right, Riku?

Riku: I don't know. I think that in my heart, darkness still has a hold. Walking that path changed me. I'm not sure if I'm ready to wield a Keyblade. Maybe I do need to be tested.

Sora: Riku... Then count me in. Put me through the test! Just watch--me and Riku will pass with flying colors!

This element shows that the two of them trust each other. Which is the proof that their conversation on that dark beach has definitely recovered their bonds - their trust in each other, the fact that they can rely on each other no matter what.

That is an evolution, not just a "return to the way it was before". Because the dynamic between them has changed. Sora is the one Riku rely on. Sora is the one "in advance". Sora is the one confident and cool. (at least in Riku's eyes). But Riku is not jealous anymore. That's different.

The game has also a lot of interesting scenes. In Traverse Town, for instance, we """learn""" (in case it wasn't clear until that moment...) that Sora is Riku's most important person.

Beat: I just...wanna protect the one person who matters.

Riku: I know the feeling.

On Sora's side, by his own words, they are always together, even when they are separated:

Sora: Don't worry. He's with me--even when it might seem like he's not.

In La Cité des Cloches, the Quasimodo/Riku parallel shows that Riku his still holding back stuff inside of him.

Quasimodo: Master Frollo--he made me live inside the bell tower, but the real walls were the ones I built around my heart. You helped me see that, Riku.

Riku: I was...speaking from...personal experience.

Given the context, it is clear that it is a reference to Riku's feelings for Sora, especially if we take a look at Quasimodo's feelings for Esmeralda, and Esmeralda's and Phœbus words.

In Monstro, Riku says that Sora is his conscience, and even talks about "his stupid grin", what's.. extremely tender?!

Jiminy: You must have somebody--a friend you can talk to?

Riku: Yeah...actually, I do. That stupid grin he's always wearing--he's the best teacher I could ever have.

The Symphony Of Sorcery is also full of elements, like the fact that Sora considers that Riku is always there for him...

Sora: Don't worry. I've got a friend out there who will help. He's always picking up the slack for me.

...which was actually proved in game:

So yeah, the game does not only say that Riku is here for Sora, it actually shows that. And the fact that they share a "heart song" is purposely here to illustrate how strong their relationship is.

Mickey: It's like each of you is holding on to a little part of the other. Your hearts are always in tune, so they're free to sing.

Mickey even says that, when they're together, their heart are "free to sing". And it is true: they can be their true selves together, they know they can trust each other, they are comfortable with each other.

Riku being Sora's Dream Eater is a major point in his character but ALSO another proof that he cares really much about Sora and that it is instinctive, natural - he doesn't even realize it until someone points out this """detail""".

Another scene that, for me, is important to proove that their relationship is NOT forced is the moment when Riku is named Master. Sora is not upset, he's sincerely happy for Riku:

Sora: I knew you were gonna pass with flying colors. This is just so awesome!

Watching his reactions, it's easy to see that he knew how important it was to Riku:

And finally, KH3 is the consequence of this development. Riku and Sora have achieved a balance together, between trust in each other and independence. In this game, Sora wants to protect Riku, Riku wants to protect Sora - and he actually found the strenght to do it. Riku cheers Sora up, believes in him, the same way Sora did for him before:

In the end, Riku is, once again, the one who's saving Sora. In fact, I would say they constantly save each other - sometimes save and being saved is the same thing.

So, yeah, I don't know if it was clear... but what I meant is that every single KH game where those boys are present - that is to say the large majority of them - shows how they both evolve individualy but also how their relationship evolves to become something better, something greater. The way it is written follows a perfect logic, a dynamic that corresponds to the state of the two characters and the context in which the action takes place.

Once again, regarding the care that is taken to tell their story, it is unfair to say that their relationship is forced. ESPECIALLY if it is compared to Sora's relation to Kairi. It is simply incomparable.

Intro • Part 1

[dcarevu]

Batman TAS: Moon of the Wolf

“If it’s a fight you’re looking for, try starting one with me!”

Episode: 43 Robin: No Writer: Len Wein Director: Dick Sebast Animator: Akom Airdate: November 11, 1992 Grade: B

This is perhaps one of the more infamous episodes of Batman TAS, being grouped with episodes like I’ve Got Batman in My Basement on several “worst” lists I’ve seen. But I don’t know, I didn’t think it was that bad the first time I saw it, and I don’t think it’s that bad now. Not a classic episode by any means, but it held my and Char’s attention, giving us some excitement and a pretty cool-looking villain. I can’t speak for everyone, but I think the werewolf-factor may directly affect people’s opinions, even though we’ve seen very similar through Tybrus and Man-Bat. If we can accept a giant cat-like creature created in a laboratory and a human-sized bat that flies around and turns back into a human, why is a werewolf suddenly just too much to believe? Probably because of how the story presents all this, which we will get into in just a second, but I did want to drop the bomb that I like this one, and all the complaints I have are pretty light.

So when the title card drops, we get some weird electric guitar that sounds like no other music the series has played. Think along the lines of The Last Laugh with how foreign that hip hop felt at the time. But now we’re more than 40 episodes in, and we’re so used to the orchestral stuff. On top of the werewolf, a lot of people seem to have a problem with the instrument choice, and I think that the episode could have gotten around it if the electric guitar was slowly inducted, reaching its most intense during the climax. That would have given us a little time to get used to it. Even though I like it, it was jarring to hear right away, right after the theme song we get to see every time.

After the title card, we start out at the Gotham zoo. Umm.. Okay. We’re starting at the zoo again? For the second episode in a row? The zoo really isn’t that interesting of a Batman location in my opinion. If I were writing this show, that would be a last resort setting. Y’know, not only is this the second episode in a row to start at the zoo, but it’s also the second episode in a row that deals with a human-sized creature of the night like this. Was this because of the time of year? Were these originally both planned for an October release? They must have had animals on the brain. Anyway, at the zoo a security guard’s dog starts going a little crazy, and a werewolf pops out from the shrubbery. This werewolf is incredibly awesome-looking, with gross slobber, these glowing eyes, and a very high intimidation factor. The werewolf gives the guard a hard time, but then Batman arrives on the scene, kicking the thing away. Batman does not typically pop up this early without some setup, so jumping into this type of action was a nice change of pace, even if other aspects we have seen recently. Batman fights off the werewolf, but it eventually gets away of course, because we’re still early in the episode. Going back to the Batcave, Batman tells Alfred that he fought a mugger wearing a werewolf mask. Looking at the creature, it’s pretty evident that this is no costume (or at least, no costume that your average mugger would likely be able to afford to run around and get into fights in), but more importantly, I don’t know why Batman doesn’t just assume that the creature is what it is. Bringing up Tyger, Tiger again, he just fought a humanoid-animal. It’s already been established that this kind of thing can happen in this world. Let’s move on from this! Batman notices some wolf fur on his gloves, and he actually ends up testing it, revealing it to be legitimate wolf-fur. But Batman thinks that it could just be an incredibly expensive costume. Look, guys, superheroes get brain-farts too. “What if that guy wasn’t wearing a mask?” Oh, I don’t know, I guess it would be exactly like what you’ve already experienced!

We get to see the identity of the werewolf as it arrives at this little shanty, and it turns out to be some guy named Anthony Romulus. The person in charge of him, forcing him to do his bidding, is Dr Milo, someone we saw in Cat Scratch Fever. He was honestly the last villain I ever expected to see again, and had no memory of him showing up here. Um. Welcome back, Milo? Dr Milo is a smug son-of-a-gun, and is using Anthony to…well, I think he’s just using him for money, as far as I can tell, and for doing his errands and chores (like killing the security guard). I don’t know why he wanted the security guard dead, because the security guard had no idea who he was anyway, but maybe he’s just tying up loose ends. Anthony explains (after turning back into a human) that Batman got in the way of the mission, and Dr Milo arranges a plan to get rid of the caped crusader before trying to deal with anything else. The plan is for Anthony (who is a star-athlete with plenty of money) to announce that he’s doubling up on a donation to a charity if Batman receives the check. We get a little more chatter on this in another scene where Bruce Wayne is shown to be working out with Anthony at the gym. I found this part to be fairly unnecessary, but it was harmless enough. Funny, though, how some of these characters that we’ve never seen before are all of a sudden shown to know Bruce when it’s their episode to become the villain. I like how they handled Two-Face much more, establishing him before the tragic episode. Now knowing about the check, Batman shows up to Anthony’s and is knocked out with gas. Dr Milo takes his utility belt and chains him down in this open area, which is to act like an arena where he will be torn apart by Anthony’s wolf-form (I’d love to know why these criminals always take his belt before taking his mask, by the way). While Batman is still unconscious, we get some exposition on why Anthony is the creature that he is through flashback, and this flashback is a bit confusing. There is a moment where is fakes you out because the flashback Dr. Milo starts narrating, and then it goes back to the present Dr. Milo. This makes it a little harder to follow in one watch, but I think Char and I handled it okay. Anthony’s werewolf origin is okay, but I did find myself questioning a few things. Not necessarily the writers, but the characters. Like, Anthony, why were you so quick to drink that substance which would ultimately transform you? Dr Milo said it hadn’t been tested. It could have immediately killed you. And for what, some gold medals? This puts a bad taste in our mouths over this character because of his willingness to cheat to succeed. He has his face in cereal commercials, being exposed to tons of people around the country and acting as a role-model to many of them, but he’s a filthy, rotten cheater. I also have to question Dr Milo. His plan is insane. Tricking someone to drink a solution that turns them into a werewolf so you can then control them by dangling the antidote in front of their face, getting free work and cash from it? I mean, whatever works for you, but there’s gotta be something a bit more inconspicuous. Throughout this, it’s hard to tell who to cheer for, but I think that at this point, Anthony has learned his lesson. It’s obvious that he finds Dr Milo’s work reprehensible. Dr Milo has absolutely zero redeeming qualities.

Shout out to the director (the show does little Easter eggs like this all the time, keep your eye out!)

Anthony changes into the wolf once the moon comes out (Milo’s scientific explanations never explain how the hell this works) and attacks Milo, throwing him through the wall of the shanty. Damn! Batman, before being attacked, comes to and finds a pin on the ground, using it to pick the locks that are keeping him restrained. I hope Milo provided that on purpose, and for the sake of me liking this episode, that’s what I’m gonna imagine. Otherwise, that is just way too convenient (and allows the writer to dance around Batman actually finding a clever solution). Now free, Batman and Anthony have a fight which moves to a rooftop where they are visible to the Gotham police force, being led by Bullock. It’s a really intense battle, and I couldn’t help but get into it. Oh, I’m aware that this episode is all style and very little substance, but hey, if it works it works. Not every episode needs to make me question morality and life itself. Just give me some dumb action every now and then with an awesome soundtrack and spooky vibes. Unfortunately, the fight comes to a close when Anthony is struck by lightning, and falls into the water below. Pretty stupid way to close out.

Oh, a highlight that I forgot to mention is when Bullock is interrogating the zoo security guard about the missing timberwolves. He pushes the dude right up against the cage, and we can see their jaws snapping, clearly getting agitated by the ruckus. “I want the truth before I decide to feed ya to your furry friends here.” Apparently the term “furry friends” can sound intimidating as hell if it comes with a slick accent like Bullock’s. Not only does Bullock get this moment, but when Batman and Anthony are on top of the roof, Bullock yells at the officers to not fire, and to let Batman handle the situation. This may have been to avoid conflict considering that, well, it’s a scary god damn werewolf which could easily eat all of them if it wanted, but I also like to think that after 40-ish episodes, Bullock develops the tiniest hint of faith in Batman. He’ll probably always be the cocky, sleazy oaf that we’ve known from the start, but it’s nice to see a little bit of development from such an unlikely episode. And that’s not worth nothing.

Oddly, looking back, Batman was never clued in on the entire steroid-situation like we were. I don’t even know if Batman figured out the identity of the werewolf. What an odd feeling. I don’t want to call it an oversight on the writing side of things, but this must be the first time that Batman just didn’t solve the mystery. Huh. Maybe Dr Milo is right, then, and he’ll get away scot-free. Then again, Batman is pretty smart. There are sure to be all kinds of clues lurking within that shanty.

I know I complained a lot, but that’s mostly because the logic was certainly not all there. I don’t grade these episodes based on anything but my enjoyment-level, though, so…

Char’s grade: B

Next time: Day of the Samurai Full episode list here!

[ayearofpike]

Thirst No. 5: The Sacred Veil

Simon Pulse, 2013 441 pages, 17 chapters + prologue and epilogue ISBN 978-1-4424-6731-6 LOC: PZ7.P626 Thb 2013 OCLC: 795175747 Released March 5, 2013 (per B&N)

With all the bad guys destroyed, Sita and her friends should be safe, right? Not so fast — there’s still a nationwide manhunt going on, enhanced by the computer program that’s already told authorities about Team Vampire. On top of this, the now-headless devil’s advocate had a photo in her suitcase implying that the evils are after a sacred artifact that Sita came into contact with during World War II. To beat them to it, she’ll have to trace a past that she can’t remember in order to cancel a deal she didn’t make.

With this book, it feels like Pike is finding his stride with the modern YA genre. It’s more pages than we strictly need to tell the story, the group is given reasons for existence beyond “Sita likes us,” and the vampires finally fuck. That said, it does use some of Pike’s favorite tropes: flashbacks, Hinduism, the consistent timeline, jumping from high places, muthafuckin lizard aliens. You’re not going to mistake this for someone else’s work, especially if you’ve already read The Wicked Heart.

Yep! Pike is reusing his old assets again! This time, it’s the evil descendant of Heinrich Himmler ... well, sort of. We’ll get there. I guess it was only a matter of time before Sita had an Adventure With Nazis, considering how the Holocaust is a monster of a humanitarian travesty, relatively prominent in American minds, and it’s natural that Pike would want to explore how she might have tried to fight it. Plus it’s kind of a get-deep-quick card in terms of how your story is going to be received, and it does sell books. (I was recently at my kid’s book fair — at an ELEMENTARY SCHOOL — and was alarmed by the number of books about WWII and the Holocaust.) 

Whatever it is, I am really not into white dudes fictionalizing Nazi Germany. But I read this anyway, because I’m dedicated or something. 

I might as well jump in with the summary, and I’m going to try to be quick about it, even though I pretty much need to re-read the book. But as I said, there’s a lot less action in this story, and we already know Sita and her backstory from the last eight, so I don’t have to be quite as worried about leaving stuff out. Still, this book kind of comes from nowhere, so I’ll do my best to be fast yet thorough.

We pick up where The Shadow of Death left off, with Sita deciding whether or not to return to Earth. Of course she does, because she’s got friends to take care of and a headless demon channeler to bury. But in going through the kid’s effects, she finds a picture of a couple, the woman looking familiar for some reason. When she looks closer at the picture, she sees why: there’s another photo on their table of another couple, and these ones were friends and confidants to Sita in Paris in the 1940s. There are two reasons why the devil might have a picture of these people, and Sita isn’t buying the first, that it’s a link to her. It must be the other: the woman is the most likely owner of the Veil of Veronica, a sacred cloth used to wash Jesus’s face as he carried the cross and now containing some of his essence.

Sita and Immortal Boyfriend want to follow the trail, but CEO is less inclined. She feels that hiding out is going to be better for them, because sooner or later the national law enforcement search for them is going to at least shift to the back burner and it will be safer to move around the country. But when Sita calls the last number dialed on Demon Girl’s phone and gets Satan himself on the line, the decision is made: they have to get the veil before the evil does. So they drive to Vegas (again, fuckin’ Vegas), where CEO has a stash of cash and some fake IDs for everybody, which ... weird. But she buys a jet and they take off for North Carolina, where they’ve traced this couple in the picture.

Of course, it wouldn’t be a Sita book if they could just travel unencumbered. They’re targeted by a couple of military jets, which Sita dispatches by jumping out of the plane and forcing one pilot to eject before using his missiles to blow up the other. Everybody parachutes to safety (well, not the military pilots) and hitchhikes with a trucker to Chapel Hill, en route to which Sita has to hypnotize a couple more cops at a roadblock (though the trucker is cool). Then they set the humans up at a hotel while she and Immortal Boyfriend go scope out the address. Right away it’s clear they’re too late: there are two dudes with critical injuries on the floor. One is the husband, and Sita manages to hypnotize him into describing the attackers and what they’ve done with his wife, only she doesn’t understand how they took her into the sky. He doesn’t know where the veil is, but they find a book written in code across four different languages. Sita also finds footprints leading away from the house ... to a charred circle in the grass, glowing with radioactivity.

The other dude on the floor showed up and tried to help, the husband says before he dies, so they decide to take him back to the hotel and see if he has more intel. Back at the hotel, Sita heals his head injury, enough that he wakes up and tells her he knows a little bit about what they’re doing but he can’t explain why or how he got the information. He does maintain that he can disable the tracking program that’s made them wanted criminals, using a mishmash of technology in a bag that they found in what was obviously his watch nest, but Sita insists that he needs to sleep first. She’s not gonna sleep, though: she’s gonna flash back to her experience in Nazi-occupied Paris, breaking a resistance leader out of a torture cell and bringing him to her friends, who are both doctors, for a little underground treatment. This is a prominent memory of the veil and how it can help soothe and calm fears, and maybe even ward off evil, which Sita needed after a long night of infiltrating a Gestapo headquarters and soaking up the terrors within.

She tells this story to Seymour and Immortal Boyfriend the next day, as they fly their new plane to New York. It's the home base of the phone number Sita dialed on their deceased spy's phone, after all, and they've traced it to a monster of a law firm that CEO can tell is shady through her own experience. How did they get the clearance to fly? Well, it seems that our mysterious new spy wasn't lying about his ability to throw a snarl at the Internet program and slow it down long enough to free up Team Vampire to slip through security. Our immortals kidnap the lawyer and get him to admit that his firm was working with the Indian girl on background checks, and also that they funnel dark money to the Pentagon for what is rumored to be military spacecraft. He doesn't get a chance to say more, though — armed mercenaries blow up the entire side of the hotel, taking him out, though Sita and Immortal Boyfriend escape over the roof and down the back stairs.

They did manage to make off with the lawyer's laptop, though, and while New Spy hacks it Sita traces him through his fingerprints, because of course there's a missing persons report out on him. In talking to the dude's wife and son, though, she's confused to learn that he's just, like, some guy. No particular skills, talents, or intelligence, just a decent dude who withdrew ten grand from his bank account and disappeared. Oh, but he did have a passion for astronomy, and in the last month before he took off he could be found staring at one star through a telescope for hours on end.

When she returns, New Spy has news: the military is definitely developing spacecraft, out at Nellis Air Force Base in, yep, fuckin' Vegas again. Seymour makes a connection from this development to the number of early NASA scientists who were reformed Nazis, but Sita warns him to shut the fuck up before he reveals too much. She tells him a little more of the story on the flight out: how she learned about changes in the Germans' military movement plans and swam across the English Channel to inform Allied forces (including a one-on-one meeting with George S. Patton, who insisted he knew her from a past life) but returned to Paris to find her SS informant murdered, her friends taken into custody, and a cold-blooded major waiting with a weird piece of tech that incapacitated her and allowed him to round her up as well. Related to the Telar torture device? Maybe. Seymour is seeing connections all over the place — not just that, but also from Sita's experiences as a prisoner of war to her interactions with the demon duke of Italy, way back when this series was still called The Last Vampire. Both times there was an artifact that supposedly had Christ's blood on it, both times she was tortured and taken prisoner, and both times she couldn't quite remember the end of the story. He might have a plan to help her remember, but we're going to have to wait to find out what it is.

There's a more pressing problem: New Spy is becoming incapacitated by swelling in his cranium. Sita takes him to a hospital as soon as they land, and he makes her swear that as soon as he's done with the procedure she'll take him wherever they go next. Yeah, Vegas isn't it, apparently, though if New Spy knows where is he ain't saying. While he's undergoing brain surgery she reads what he's managed to translate of the coded diary they found. It's a story narrated by Veronica herself, about meeting a Master (you know, one of Pike's favorite enlightened humans) and learning how to step outside both of our own thoughts and of society's restrictions and expectations. Then she goes back to the hotel to see what Seymour has planned and figure out their next steps.

Only first she has to fuck Immortal Boyfriend. Yeah, they talk about lost love and painful loneliness first, and how angry they’ve been at each other, and then they realize they might only have each other for eternity, and so it's time to hop on the meat train to Bone Town. I don't know — maybe it makes more sense than I'm painting here. I was, after all, always the dude who didn't see the intense horniness in Pike books when I read them as a teen. Still, it's felt for a while like neither of them is ready to move past Teri. Besides, Sita herself has become progressively more connected and enlightened through her various absorption of higher-level immortals and maybe gods, so what does she need a boyfriend for? The whole thing doesn't actually feel like love, necessarily ... more like a deep and abiding connection that they've decided must inevitably lead to Naked Time. And maybe I'm OK with a physical and emotional relationship that isn't the be-all and end-all of the storyline, but it still feels a little forced here.

Anyway, they go find Seymour and learn that his plan is to try to go into a mutual hypnotic trance with Sita to help her remember just what happened in that concentration camp. And it works like whoa: she starts flashbacking hardcore, to being kept in a basement cell for forty days without food or water. At the end of it the major shows up with a familiar-looking woman, and they know about her past. Like, a lot of her past, including her role in the battle described in the Mahabharata, where Arjuna called down a divine fire that obliterated a seemingly overwhelming enemy. They want her to tell them what she knows and what she saw during the battle, and torture her when it's not what they want to hear. She's chained to a pole in the courtyard, either to humiliate her or warn the other prisoners, but of course her friends from Paris find her and try to break her out. There's a mass gassing, a visit from Himmler himself, a failed attempt to unlock her shackles, and a promise to hide the improved key in her cell before the next torture session, but this time they're going psychological on her ass: they've captured her resistance leader friend and actually start flaying off his skin before she finally cracks.

As with the Nazi capture, as with the Duke of Death, it's like this part of her memory has been walled off somehow, and it took this pain to unlock it. How inconvenient that Pike took pains way back in 1994 to make it clear that Sita remembered everything that ever happened to her. But anyway, she tells the military dudes about finding Krishna during the battle and hearing him talk about alien observers watching the battle, maybe even having their own that echoes what's happening on Earth. He warns the soldiers to leave it alone, but a couple of them know what Sita is and coerce her into entering a large dome that is not safe for any human, because of an energy source that gives off a glowing heat. That's all the dudes can get out of her with this hypnosis session: she comes to all the way back to present day out of this flashback-within-a-flashback. It's easy to see, though, that the Nazis figured they could win the war with this technology, but how were they going to recreate it? Unless they somehow already had it. Unless they'd found an actual ship in India, on an artifact hunt like the ones ol’ Indiana Jones likes to thwart, and were trying to activate it using the knowledge from their literal link to the past.

Immortal Boyfriend knows where to go now: Joshua Tree National Park. You remember, where Miracle Baby was conceived, where Sita fought off the muthafuckin lizard aliens to get him back. Apparently it's in the video game that they were warned about, which IB has kept playing and recently beaten but won't describe because he doesn't want to influence Sita's genuine reaction to what he expects to happen. They bust New Spy out of the hospital and steal an ambulance to drive there, and along the way he starts dropping hints that it's not exactly the veil that these folks are after. He makes a phone call, supposedly to his superiors, but somehow Sita knows it's to whoever is trying to find them and is now pissed at this sudden but inevitable betrayal. But there's nothing for it: they have to know this meeting is happening tonight in order to get the veil-keeper back.

Seymour suggests another trance session now that they're in a spiritually powerful place, and they get some more of Sita's past. Using the female doctor friend (the one who had the veil at the time) the Nazis torture Sita into remembering the inside of the ship: the dead men who tried to enter and perished before they could exit, the exposed radioactive power source that she manages to snap back into place. She remembers blacking out and being partially rescued by Original Vampire, only to be taken hostage thanks to the same torture box and reawakening as the craft flies over the battlefield. They broke free and Sita destroyed most of what she now realizes were nuclear weapons (though one fell and incinerated Arjuna's enemies, giving a white person credit for an ancient Indian doctrinal miracle) while Original Vampire killed their captors and somehow shot the ship up above the sky. But when this is all she remembers, the Nazis go to burn her friend alive. It's enough motivation for Sita to strain for the hidden key right in front of everyone and free herself, brutally murdering the major but failing to stop the female torturer from drenching her in gasoline. Her friend smothers the flames with — you got it — the Veil of Veronica. The artifact heals Sita and gives her the strength to break them out, but when she tries to find her resistance leader lover, she's frightened away by the way the female torturer is standing outside the door, soaking up the pain of so many prisoners in bliss. 

I know! It's President Coroner! Enough with the same-same, Pike! This one is even happening NOW!

So that was Sita's mistake: leaving the pain-sucker alive and running away from her fear. And here she comes, walking up the hill toward Team Vampire with her captive and a young man that looks like Himmler fucked this devil woman. Or he might be reanimated or reincarnated; Pike never deigns to explain this dude. He does explain that the evil torturing lady is the same wife of the Demon Duke from way back, even though now she’s fair instead of dark (and, y’know, had her heart ripped out). She explains that they (the Nazis) already know what happened: Sita and Original Vampire flew off into space somehow, were rescued by beings of a higher plane, and found being returned to Earth so mundane and unsatisfying that they asked to have all memories of the spaceships erased. And the ship is still here, disguised as one of the giant trees. However, the damn thing is locked and will only open for someone who's been in it before. And Sita’s the only one alive who’s done so. You see the Nazis' problem. But it doesn't matter what Sita does or tries — she can't get the sumbitch to open. And this is a problem, the woman points out, because they made a deal. And now Sita sees through her dark, evil eyes, and realizes that the devil can probably possess and direct more than one measly human.

If she can't open the thing, Devil Lady says, Sita will have to go with them, or else they'll start killing her friends. She agrees, and in saying her goodbyes learns that New Spy has managed to translate the end of Veronica's journal. It was finished by her brother, it turns out, because she was crucified as a heretic and a woman taking credit for a man's job, but in her final moments she successfully stepped outside her mind and was enlightened, and that hers is the face on the veil. So Sita figures we can all become one with the universal consciousness that drives our higher powers — the same one powering Krishna, Jesus, Miracle Teen — and so maybe she'll be OK. And this is what it takes for the spaceship to appear to everyone. She goes to it, and sure enough it opens, meaning she has control and can save her friends. But before she can go in, Devil Lady shoots her in the inferior vena cava and bails with Young Himmler. And they are never seen again. (See what I meant by "sort of" at the beginning of this article? Dude's role is so small he could have been anyone. He literally doesn’t even have a LINE.)

But now Sita is dying, and New Spy takes charge. If she gets on the ship, he explains, she can transcend time and have as much as she needs to heal. How the shit does he know this? Well, it turns out that our regular dude has been possessed by his ten-thousand-years-in-the-future self, with technological knowledge beyond anyone in the present. He’s grown up in a timeline where Germany won the war, and so there is no mysticism left, only hard science. So when he discovered a loophole through this ancient technique of viewing the past, an ability to alter his own world and bring some magic to it, he leapt at the chance. This moment — Devil Lady and Baby Himmler escaping — was his fork in the road, the way he could alter his own future. And while he’s explaining, this magical ship does all the work, healing Sita and chasing the bad guys and blowing them up. Or at least that’s what he says. We don’t see it, because we know how much Pike readers hate action sequences (good.thing the entire first half of the book wasn’t one). And now they can set back down in the timeline, wherever they want to be.

So Sita ... 

goddamn, this is infuriating ...

Sita goes BACK TO ANCIENT INDIA TO KILL THE ORIGINAL VAMPIRE AGAIN. Only this time she’s gonna do it when he’s an adult, when he comes to whisk her away from her family.

Only he somehow knows about it. He knows everything. He knows about her plans, her ideas, her potential future. But he also knows that Sita’s greatest regret is that she was never able to live her normal human life with her truest love and her child, and is willing to accept his own death if she carries it out. And she realizes: Immortal Boyfriend came back too. And he’s inside his father, somehow. And she’s not sure she can kill him.

And that is where this mother fucking vampire saga, spanning eight books and almost twenty years, leaves us hanging.

According to Wikipedia (which, take it with a grain of salt; there’s no citation and I’ve already deleted two entries for books that don’t exist), Pike is working on three more Sita books, and plans to self-publish when they are done. He said that two and a half years ago. Are we ever going to see such a thing? Is the eleventh book in this series, as promised, the actual DEFINITIVE END of the Sita saga? Will we ever find out? Is he just gonna George Martin us until he dies? I say don’t hold your breath for another Thirst book. But I also thought Pike was done with YA when Alosha trailed off, and I thought he was done with YA when The Blind Mirror came out after a three-year absence, AND I thought he was done with Sita when she stabbed her dead best friend in the uterus and killed the unborn demon. So how much does what I say matter?

[getfastcasloan]

The Five Secrets You Will Never Know About Car Recovery.

Print article Report Add New Comment How Do You Ship a Car? Log in or Create Account to post a comment. Security Code: Change Image Related searches: How Do You Ship a Car? Related Articles How Do You Ship a Car? Publisher: Elaia If you are moving out and will be relocating to a far place, you should consider availing a car shipping service instead of driving your car all the way to the destination. In using this technique, one should have to make a lot of research to make sure that a company chosen is a premier one. You should look at a few characteristics that a drop shipping company has. Publisher: Paul Woodward On occasion, for whatever reason, the need to have a vehicle shipped will arise. Maybe it is a high value vehicle that is being sold and a person does not want to risk driving or maybe an overseas trip.

Publisher: Rainco Just about every device today is hungry for power and while many devices have gone to proprietary rechargeable batteries there still many gadgets out there that use standard off-the-shelf AA and AAA cells. Publisher: Kevin Moshayedi As the numbers of gadgets that assist our daily lives keep growing in number with each passing day, the variety of their power sources also increases. Safeguard Your Private Information Through Shredding 5. How Digital Signatures Saves Time For Business People? Five Best Finance Apps for Android Tablets 8. How to Install Major Security Fixes on Mac and iOS Devices 9. Mobile Phones And Mini Projectors 10. Touch Screen Watches - What Are the Benefits? If you have a wish to have your truck towed to the service station in the next district, then you can get it done. Just call up the leading company that does towing in Sherman Oaks and ask them to send their wheel lift trucks or flatbed trucks to help you send your car out of town for the repair. Most companies have also got tie-ups with insurance companies and have trust worthy truck drivers with clean background and expertise in handling towing of cars. So, relax and get your trucks towed to the destination you seek.

You must understand that this auto is pricier than other standard cars.

Also, you have to know that the hybrid car is really perfect for urban and suburban driving so you must be sure that it is suitable with your condition. Besides, the right thing you need to do is to prepare the budget to purchase this kind of car. You must understand that this auto is pricier than other standard cars. In this case, you need to set the budget so you can purchase it soon after finding the suitable one that will be perfect for you.

Know your length of your state and width cargo limits

Strap down the cargo

Offering roadside assistance in times of need

Check if they offer wheel lift as well as low boy trucks

If the towing company has its own carrier trucks

Hire the company that gives you transparent breakup of the towing of your vehicle

Actively steer and brake your vehicle in coordination with the vehicle that is towing

Connect the brakes and lights wiring

When you find that your battery is dead, it can be a big hassle. Even it can also lead to spend money on the tow or the jump and the new battery on top of that. At this time, this article is going to deliver several tips that will help you to save money on charging the battery of your car instead of paying the power for the costly tow and the roadside service. So, just take a look at the following tips. Take the advantage of jeep wrangler; take it to the hidden areas those are yet to be explored. Explore the rivers, secluded places and nature closely. Be the mountain rocker and traverse through latest jeep wrangler accessories and jeep wrangler parts. Publisher: Matthew Rimcrest It's a jeep thing; even if you don't own a jeep, you know of the cult that surrounds the name. From spunky beach-town cruisers to rock crawling monsters, Jeeps are without a doubt the most capable and modifiable vehicles on the planet. In Malaysia this is often served in large rectangular slabs which are steamed and then later fried whole. The versions served by hawkers in Johore and Singapore, where Teochews live, typically is prepared by frying the daikon cake with chopped preserved radish, diced garlic, eggs, and Chinese fish sauce in place of soya sauce. Chopped spring onion is added just before serving. Chili sauce is added for those who prefer a spicier dish. As you go northwards (e.g. in Kuala Lumpur), the same dish is darker due to the use of dark soya sauce, and bean sprouts are added. The "black version" mentioned below is not "chai tow kway", but "char kway" and uses rice cake fried with garlic (usually no preserved daikon), bean sprouts, eggs and thick sweet dark sauce. Some of the best "chai tow kway" and "char kway" can be sampled in Muar and Johor Bahru.

These garage chains are extremely helpful when you are travelling in the country.

The support could be in the form of towing and immediate repairs. It is the garage that can quickly decide what to do. There is nothing more than these three that you need in relation to car service Bromley. And for these three services you don’t need a garage chain that has presence all over the country. These garage chains are extremely helpful when you are travelling in the country. However, for local support, the local car garages in Bromley are good enough. You may try out some trial and error in the beginning but it is important that you settle down on a particular garages as soon as possible. This is when you will start saving money and time. There are car garages in Bromley that offer more than car service Bromley. Look for these additional benefits for long term convenience. You can always count on them. Locksmith services are offered 24/7, and will be able to make haste depending on the emergency. You could also avail of their quick response service where they promise to be there in 15 minutes to help get your lock fixed without any added charge. Publisher: Phoenix Delray If you are on a family vacation, you may want to try a San Diego jet ski rental service for a day of adventure. Who needs a towing service? Anyone who feels it’s high time for his car or trailer or truck to be towed to the service center located quite far away. Recovery (why not try this out) How to know and what to know? Before just looking up at the telephone directory for a number of towing company, it is mandatory that you do some background study of the local companies that offer the service. These days, towing is a specialized area and since it involves in handling your prized car so it is better that you go for only the reputed companies whose services are tested or tried by your friends and acquaintances.

How to find such a towing company LA based?

Although the car had been operating fine before the incident it was not in the best shape. The cylinders in the engine were sticking and the motor was having trouble going long distances. Once I had inspected the damage I quickly realized that it would take a couple of thousand dollars to resurrect the vehicle that was worth only a few hundred dollars at best. Waukegan towing services to businesses and residents in all cities in the Lake County area. Log in or Create Account to post a comment. How to find such a towing company LA based? LA has been a hotbed for all top companies and since it has plenty of cars and vehicles on roads at all times, the chances of an emergency is as high too. Similarly, it becomes too difficult for the individuals like you to pick one from the best. Who doesn’t want the best when he is paying for it? So, it is quite understandable that you would look for services that these companies would offer for your vehicle. Yes, there are companies that also lend a helping hand to you for roadside situations like fuel supply, or if the car has skidded down the road or just developed flat tires when you are totally unprepared for it. If you wish to tow your truck to another city, then very few companies would agree to take it along. Confirm that with the towing company of your choice if they will be able to tow or carry it to that far a place. Publisher: Cala Anson With winter nearing, it really is the time to be sure that your cars are prepared for the coming season. Your safety and your comfort depend a great deal on the shape of your car or truck in each and every season, but there are extra risks to put up with in the cold, ice, and snow of wintertime. Your vehicle's heating unit needs to be operating correctly to keep your windshield defrosted mainly because having great vision is very important to safe driving. Microsoft’s Search Engine Bing Celebrates Its 5th Birthday 2. Four Reasons to Have Loyalty Program to Retain Customers 3. Best Resume Writing Services: What Is Most Ideal for You? If you liked this information and you would certainly like to get even more information concerning car towing dublin kindly visit our own website. description