#design but HONESTLY i like it. i think it's a cool like. subversion. type thing. i would not look at swablu and be like Yeah that evolves

[front-facing-pokemon]

[loudestcloud]

Time for Luffy's fashion exam! Now, I'll be honest, I did skip an outfit because I decided I will be ending this whole thing with the Strawhat fashion show in Episode of Luffy. Also, sorry for the posting gap, I remembered I have other unfinished post sets. That being said, this is a very long one so let's do this!

Kid Luffy, Post-Enies Lobby & Fish-Man Island: I think it's super cute when Luffy has white t shirts with red based logos because it reminds me of the first picture. Makes him look baby plus, they can always be found in cute domestic EPs or fun, cute flashbacks. The shorts change over time and that's also kinda cute, a range of cuffs is a nice change up. It's nice to see the red contrast the blue shorts and the white is a nice color on him cos it contrast his hair!

Romance Dawn, Enies Lobby, Thriller Bark, Sabaody Archipelago, Amazon Lily, Marineford & last Dressrosa outfit: This look is the pre Luffy look. It's the pre Timeskip look everyone thinks of is cuffed shorts, Kimono sandels and sleeveless vest (and Strawhat, obviously) but have you ever seen them all in a line? It's mad. Each outfit is the same basic look bit more are more spicy each time! I like the Thriller Bark and Sabaody Archipelago looks a little bit more cos it's nice to see that jacket open and it feels like he was trying something new. I also feel that the buttons on the jacket look like the ones on Shanks' pegged ankle sailor pants when we first see him so that's cool. (it took me hours to find the name for his trousers, oh my fucking god) The last Dressrosa outfit feels like a nice callback to the rest of the line up here without being too much cos it's just a red vest top instead and I do find it funny it's like the Enies Lobby and it's used in Dressrosa because of the jokes people make about Robin and Law being so similar.

Timeskip: This is it lads, it's the one true icon itself, the post look! ☺️ When I sit back and look at it I see all the people this look is influenced by and want to cry at how masterful it really is. (Now, I do wanna say that I didn't come up with this nor am I the first to say it and I am definitely probably looking too much into this but) The yellow belt is taken from Shanks' red belt the first time we see him and the Shanks look Luffy is more familiar with. Now onto the jacket. I know it won't stand out as to why for most but it's Ace inspired! When Ace leave to become a pirate, the start of his adventure, he has his jacket open and Luffy having his jacket open also shows his scar from the ending of Ace's adventure. I also really appreciate how no one hides scars in this anime. Also, someone said that the style of the jacket and it's fancy frills could be in reference to Sabo's little jabot collar and honestly I do see it. it's quite subtle unlike Shanks' but not as hard to catch as Ace's so I enjoy thinking that it's there too. Lastly, he still has his cuffed shorts and kimono sandels because it's still Luffy's outfit at the end of the day and he is still who is is, just with a stronger appreciation of what people have done for him now. It's also his colour pallette for the pure fact he is the main character n needs his pallet. also sometimes he just has normal wooden sandels but the same outfit sometimes, it's a small detil a lot of people overlook but I prefer the sound of his Kimono sandels 😊

Dressrosa: I love this outfit cos it's stilly but also has very nice vibes. Looks ready for the beach but is really throwing hands and that's the best kind of outfit, it's a nice expectation subversion tbh. I also like how he tried to hide the Straw hat but not... All of it? And I love how the crew didn't actually question it either. It would have been super easy for one of them to just tell him to leave it behind or something but I do really love how respectful they always are of the hat. I myself have a hat that's super important to me and when I loose it I go mad.

Whole Cake Island: I love this arc for outfits! I swear if the actual content of it doesn't kill me, the act looks will 😭 it's all so magical and it knows it is! Like I said before, white is a good color on him as he has black hair but for the same reason, so is black! In this arcs outfit range, the Staw hat seems almost invisible and his outfit gets less and less 'Luffy' as the arc gose on showing this is not about him. He's not the focus of this arc and you can see that in a lot of the outfits thb. I also like the lack of blue and yellow, 2/3 of his colors as Sanji is often associated with those too as we've talked about before. Also, I like the little red strips on the white jacket with the gold buttons, idk why and I think it's nice that the last 2 outfits are so simple in general, it's a nice look for him. oh, what's that? A Pink jabot? Your killing me Lu, straight up killing me here lil' bro! Side note, is this the first time in canon Luffy has worn a suit jacket or is it the only time I've noticed? Cos DAMM!! Shits sick as fuck and I actually love that when wearing a suit jacket as such he always keep short on 😆

Spa Island, Z's Ambition & Strong World: WHOS READY FOR A RELAXING SUNNY DAAAYY!? (pun not intended but very much enjoyed) I actually adore the fact Luffy still tries to go swimming cos it was his favourite thing to do as a kid so like fuck Luffy is gonna give up on that. He's got his safety measures ready, what more do you want from him? I mean I personally want him not to swim with his hat on cos it's litrally Staw and that's not good for water but anyway Z's Ambition, am I right!? The top is so fucking cute and I just noticed those shorts are also ✨designer✨ fancy man!! Now, the pic of Zoro is the one I missed out before and it's also from Z's Ambition. I love that Luffy has the shark top but Zoro has the ocean shorts. I really love Zoro in this purple cos and thick white stripes really work with the ocean waves. It's really well put together and hes got dark brown sandels on to off set all the white but keep the purple from being a stand out color, it's cool! Than the last Luffy looks like he's at a fashion show. It looks like the shorts come from a kids set the shark top belongs to. Imagine those together, it'd be so cute. However, it isn't an ocean patten, those are clouds cos Nami has a bikini top with the same pattern in Skypiea and it's actually one of my favourites for her.

Boss Luffy Historical Special! This filler AU is so much fun, I think any it a lot. He has his hair up in that super cute and useless way that doesn't actually do much but I do have my hair like that a lot n it's just... nice? Idk, it's strange buy I like he did that. I really enjoy his Kimono more that the actual Wano one cos it's a lot more simple look. The Sai being tucked in in that way is also cool but kinda makes it look like it's stabbing him a bit 👁️👄👁️. I like the pin strips being like a faded purpleish cos if you just glance at it, it makes it look it fuzzy. The belt also looks very nice with the middle ligter bit. It really feels like the Wano one was inspired by this is a way cos of the color matches. Like, it's probably not but still.

3D2Y, Adventure of Nebulandia 😍 & Heart of Gold: Hat-less Luffy is both a sin and a blessing. Regardless, I LOVE OP BOYS IN HOODIES!! I had to show you this specific the 3D2Y because we don't see the hood and it's soooo cute cos it a paw 😍 but also 😬 cos it's like... Kuma's paw the thing that cause 3D2Y in the first place. But that's also why it's so cool at the same time and AHHHHHH 😄 Now! On to Nebulandia! I really like this movie but also in canon, how does he have that jumper? Who made it for him and can I have one? It's Usopp flag design so I guess it could be him but he doesn't seem the type. Point is I want one. Last of this set is some really cosy outfits!! "How much fur?" "Yes" am I right? Like the first one is sooooo cosy with all the fur! Plus, a funky new bamboo hat, always a good thing to have a new hat. I appreciate that you can see the zips on these too. Then the orange turtle neck one with little fluffy bits is just here cos it's so out of his usual looks, I had to at least mention it.

Strong world & Film Z: The shorts on the first one are really cute cos it's a light rosey pink with red fur and just a plain solid dark blue colour jacket works really well. Not to mention the fact he has a super cute orange and yellow flight helmet hat with goggles on under the Staw hat. The 2 bag straps also make an X which is a nice detail. The 2nd outfits in this movie are super fuckin cool ngl. It's so strange to see them all dress in black and have guns but I like the red shirt for him with the yellow highlighted parts. Makes the Straw hat actually work with the outfit instead of ignoring it. Film Z brings us the same flight helmet hat just brighter and without the goggles but also opens with this T-Shirt and Luffy being silly with it. I think that's the only reason to mention it, it's funny. Then the obligation pirate outfit, always stunning plus the meat belt.

Film: Gold & Stampede (also used in Cidre Guild): these are my top 3 Luffy outfits no matter what else I see. I love the straw cowboy hat sooooo much cos it's very Luffy. I like the balls they has as a team to choose white for all of them, considering they are all quite messy people, living for that dad shirt and I like the Golden chain around his neck but am always confused as to why it was never used against him. Like dude could and should have tried to choke him at least once, right? Anyway, the dress! Now, the dress isn't actually that good but it's my favourite because it shows how Luffy has no fucks about gendered things. On to of that, a big pink flower is wonderful and look at his confidences in it, he's so proud of it the boom, Nami told him he can't wear it! Lastly, the Stampede outfit!!! Just like the Nebulandia jumper, I have no idea who made it but it's irrelevant cos it's beautiful and I want it so badly. I like that it's white and red stripes, gives thenprefect vibes for Stampedes opening. The shirt is actually too big for him, you can see on his arms but it's actually super cute. I love the simple look of these shorts then the fact his yellow belt is replaced with white bandages and the black on the kimono sandels are now red? It's such a simple pallet and it's truly the best!

I also just wanna add, I think it's really cute when Luffy has the Straw hat on his back just cos his hair is really cute. Idk why, it's looks kinda cursed but cute at the same time

This post took 2 weeks or so to make and we made listening to the complete BNHA soundtrack, film gold OST and Sonic generations vol.1

Sanji

Zoro

Nami

[pair-annoyed]

Anime I Watched in Quarantine

With some of the restrictions being lifted, I wanted to make a sort of master post to see just how much I’ve watched in my time off. Plus, I wanted to share something more lighthearted with everyone.

All of these anime will be rated on a 1-10 scale, 10 meaning masterpiece, 1 meaning complete garbage. I’ll also share what I liked/didn’t like about each show. This list will go in chronological order, and will encompass all anime from 3/13 - 6/13. Multiple Seasons will be grouped together. 

1. Beastars - 8/10 

I dig how human and down-to-earth Beastars is. The pacing was a nice and the animation was unexpectedly great! It’s driving force is its characters and their interactions. Felt a little slow at times, and Juno annoys me, but that’s okay. I’ll be watching season 2.

2. Jibaku Shounen Hanako-kun - 8/10 

Oh my god! This visuals for this were absolutely wonderful! It did feel a little cliche at times, I won’t lie. But, I still loved all of these characters and the nice balance between creepy and comedy. 

3. Ao No Exorcist - 6/10 

I posted about this one after I finished it. The ending really pissed me off. I feel like if I had watched this when I was 13, I would’ve given it a higher score. Compared to some of the other shounen I’ve watched, this felt a bit basic. That doesn’t mean I still didn’t like it. Still have to get around to watching season 2...

4.  Kaichou wa Maid-sama! 6.5/10

Shoujo usually isn’t my cup of tea. Maid-sama was a nice way to ease into the cliches of shoujo. Misaki is a great protagonist and the ending Maid-sama was so satisfying. I’m only giving it a low score because of its slow pacing and lack of certain character development. 

5.  Violet Evergarden Gaiden: Eien to Jidou Shuki Ningyou  - 7/10

I’m a big Violet Evergarden fan to begin with, so of course I liked this movie. It did not resonate with me as much as the series itself, but I still enjoyed it. Kyoto animation is never disappointing in their visuals and sound design 

6.  Chuunibyou demo Koi ga Shitai! - 8/10 

Chuunibyou demo Koi ga Shitai! Ren - 6.5/10 

Chuunibyou was a breath of fresh air for me. It was so different from all other romance anime I had seen at the time. It for sure has a slice of life vibe to it, but it was still so good! It reminded me of being in middle school and my “chuunibyou” phase. The second season was not as enjoyable as the first. I guess I just had higher expectations for Rikka and Yuuta. 

7. Dr. Stone - 7/10

Dr. Stone is honestly such a perfect shounen for me. I’m a science nerd, and with taking AP Chem this year it was kind of nice to sorta apply my knowledge. This show also has some of the best reaction images ever. The tone, however, is a little inconsistent which made it hard to keep watching. I do love the relationship between Senku and his Dad, that whole sub-plot was so endearing.

8. Oshiete! Galko-chan - 6/10

This one only gets a low score because its so short and the op takes up like half an episode. This show had been in the back of my mind for a while. I decided to watch it after seeing a video essay discussing it. Its masterful subversion of tropes and stereotypes was refreshing. The message of this show is so positive, and everyone can benefit from watching something like this.  

9. Mairimashita Iruma-kun  - 5/10 

The second half of Mairimashita Iruma-kun was so much better. I’m not completely sure why I didn’t like this as much as I should have. Overall, its a really average show. The comedy (and musical numbers???) give this show and charismatic and chaotic vibe. I’m someone who focuses primarily on character-character interactions, and this show definitely had it. It isn’t monogatari levels of dialogue but it’s still nice. For the studio’s low budget, they were able to make a really bright and colorful show. I’ll be watching season 2.  

10. Byousoku 5 Centimeter - 8/10

Very. VERY. Pretty!! This one was another one that didn’t completely resonate with me emotionally. I still loved the story and the way it was told. Its not like Your Name or Tenki no Ko, it’s realistic and grounded.

11. Mob Psycho 100 - 8/10

Mob Psycho 100 II - 9/10 

Style alone made Mob Psycho 100 so impressive. By the second half of each season I was emotional invested in Mob and his whole journey. Season 2 is receiving a higher score because it was able to make me cry. That’s something I NEVER expected. I’m mad I didn’t watch this sooner. It is a great balance of action, comedy, and heart. 

12. Noragami Aragoto - 8/10 

Not sure why I put off Norogami’s second season for so long. I absolutely loved it. The focus on Bishimon was a nice change of pace and it was great to see Yukine develop more as a character and begin to loose his arrogance. Kazuma was my favorite character in all of this. His ability to affect the people around him was presented nicely. I was emotionally invested the whole way through, and I’ll probably pick up the manga. 

13. Ookami Shoujo to Kuro Ouji - 3/10

Ah yes. My least favorite thing on planet earth. This is a wonderful example of Shoujo at its worst. Their relationship was incredibly toxic, and the characters themselves were poorly developed and generic. The whole time all I could think was that I was watching normalized Stockholm Syndrome. Our MC deserves so much better. 

14. Youjo Senki - 6/10

I’ll be honest, I wasn’t expecting to like Youjo Senki as much as I did. I’m not usually one for iesekai. The action was great, but the use of CGI bogged down scenes. I do NOT really like the protagonist that much because she came across as apathetic. Towards the end, I started to like her more. This was also my first military/warfare-focused anime. If either a movie or second season is made, I will probably not watch it. 

15. Mahou Shoujo Madoka Magica - 6.5/10

I wanted to like Madoka Magica more than I did. I really did. The style was compelling and the story was interesting. Especially in the beginning, a lot of the death and sad stuff didn’t feel all that sad. The last 4 episodes are a solid 8/10, I love time shenanigans. The emotions and character development really shined through in the end. Madoka is such an inherently kind-hearted person, I love her so much! 

16. Yakusoku no Neverland - 8.5/10 

I was expecting Yakusoku no Neverland to be more graphic, but I’m kind of glad it didn’t go that route. Like Madoka, the last four episodes had me really invested. However, the character development was not as rushed. It’s a smart show and welcomed change of pace. Emma is my favorite character and you bet I’ll be watching season 2. The more I think about this show, the more I appreciate it. 

17. Mo Dao Zu Shi - 9/10

Mo Dao Zu Shi 2nd Season - 8/10 

I know that is is technically a donghua, but I’m counting it as an anime because its on MAL. Amazing visuals and an incredibly layered story.  Censorship makes it difficult to fully appreciate this work and its original novel. Even though I was confused for the first 2 episodes, Mo Dao Zu Shi did a great job of developing the time period and character relationships. The second season wasn’t as satisfying as the first but still great! I don’t think I’ll be watching the live action anytime soon, but I believe that a 3rd season is confirmed for 2020.

18. Banana Fish - 8.5/10

I knew nothing about Banana Fish going into it. Although I didn’t cry at the ending, it definitely made me feel some type of way. Kind of... numb. Banana Fish is painfully realistic. So much so that I had to take a break after episode 15 because I felt sick to my stomach. I also praise Banana Fish for it’s healthy, non-fetishized relationship representation. Eiji and Ash have such a complex but healthy relationship. I hope Banana Fish is able to pave the way for better representation in media. 

19. Promare - 5/10 

Why do people praise Promare so much? I hated how predictable it was. The whole movie felt like a 2 hour animation flex for Trigger. The only character in this movie that didn’t manage to piss me off it some way was Lio. The only other thing I’ve seen by studio Trigger is Kill la Kill, so compared to that, this felt like such a step down. :( I was disappointed. 

20. Given - 6/10

Given made me both sad and made me want to start a band. Overall the animation is nothing special, I do like the reactions that some of the characters had. Especially that “It’s Mutual” gif set. I couldn’t get over how much Ritsuka looks like Kageyama. My only complaint was how rushed Mafuyu and Ritsuka’s relationship felt. More time should have been dedicated to Mafuyu dealing with and moving past the loss in his life. All that said, I’m still watching the movie.

21. Enen no Shouboutai - 5/10 

Generic Shounen, bad ending, great animation. Need I say more? I did not watch Soul Eater (made by same creator), but this was enjoyable. Really cool fights, not so cool character development. A lot of the explanations towards the end felt like complete bull shit. Same energy as using fancy sounding science words to explain things. 

22. Hataraku Maou-Sama - 5.5/10

This is another show I felt I would’ve liked more if I watched it when I was younger. The iesekai trope is so beaten down that classics like this don’t really carry as much weight as they originally did. A 24 episode season with more Slice of Life episodes would’ve benefited this series greatly.

23. BNA - 7/10

BNA, in my opinion, was so much better than Promare. Like Hataraku Maou-sama, BNA would’ve benefited from a longer season with more Slice of Life Episodes. Trigger’s newer animation is beautiful and I really hope BNA gets renewed for a second season. The ending was cliche as hell, but still really enjoyed this show!

24. Devilman: Crybaby - 7/10 

A.K.A. The one show I’ve got to watch when I know I’m alone. The use of multiple languages besides Japanese in the sub was a unique take. The animation was also a little jarring at first, but I came to love it. The themes in this are not the most positive. The end left me feeling numb, but also appreciative. Ryo pissed me off as soon as he tried to kill that cat, so it was hard to sympathize with him in the very end. It is a really good show, but also sickening, Watch at your own discretion.  

[tsuki-sennin]

Mina-san, bonne lecture~! (Tsuki recaps his feelings about Kamen Rider Saber, a personal essay.)

So, Saber... what a wild ride it's been, huh? Just a quick heads up, this is very long and rambling, and also contains spoilers for everything in Saber. It's fine if you don't wanna read all this, but I just wanted to get my thoughts out there.

TL:DR, Kamen Rider Saber's an undercooked hot mess I absolutely adore, warts and all.

Speaking as objectively as possible, it's a 6/10. Probably closer to a 5 than a 7... it's not great: All the different plot elements are cluttered and weirdly paced; character focus is disjointed and clearly biased toward certain characters, leaving great ones like Kento and Ogami, interesting ones like Kamijo and Hayato, and underdeveloped ones like Sophia and especially the Shindais in the dust; not to mention its balance of comedy and drama is off, and while both are very effective, there's a lot of mood whiplash that can take you out of the story. I also feel like a lot of the easily avoidable character conflict could've been easily resolved, even in universe, by simple conversations. Be careful Fukuda, I think Inoue might sue you if he finds out you've been biting his style and doing it worse.

Rider shows have a very frustrating tendency to drop cool form ideas and not do anything with them, and I don't think it's ever been more the case than with Saber. There's a similar argument to be made with the majority of Heisei Phase 2 after Gaim, but wow. The suits are expensive to make without just straight up recycling everything, I get that, but man, I really wanted to see more Wonder Rider forms. How come Touma got all the fun, eh? Of note are the Blades King of Arthur forms (which look amazing by the way), Espada's Jaaku Dragon forms (one of which I even drew last night), even the non-elemental random Wonder Ride Books all have awesome design elements that go tragically unused. Even if the other Swordsmen just kinda have the ones they do get to use slapped onto them, that's at least something. Touma also just straight up only uses Diago Speedy twice and never again. You have cool props guys, don't waste them like that!

Speaking of waste, Espada, goddamn. Since most of the Wonder Ride Books are Story Type and he needs one very specific Story Book to transform, he doesn't get much of... anything, really! No Wonder Rider forms like Blades, Lamp Do Cerberus being exclusive to Ganbarizing, only getting to use the Ride Gatriker like once, he even spends the second and third arcs as a completely different Rider, then once he comes back he doesn't get a King of Arthur-granted upgrade or even a Necrom Espada form. ...at least, not yet anyway. I'm holding out hope for Espada x Necrom and the eventual Saber V-Cinemas. Extra Rider stans, we will be well respected someday.

The Unreal Engine CGI used for fights in early Chapters was pretty good but wow it feels disconnected and they really drop it quick. I feel like if the animators had more freedom to use as many forms as they want, we'd have gotten a lot more mileage out of the books beyond... decoration basically. I actually really liked the CGI sequences, they felt creative and were fun to follow along with.

The soundtrack is pretty great on its own and conveys what it needs to, but they seriously overplay the orchestral themes. It honestly feels kind of... stock at times. I think my favorite parts of the score are when it winds down, since it feels a lot more natural and lets the cinematographers and actors speak for themselves.

As awesome as I think Falchion's design and the Mumeiken Kyomu are, The Phoenix Swordsman and the Book of Ruin comes up short as its own standalone thing. You'd think 30 or so minutes of non-stop action would be awesome, and it almost is? It's as good as a typical episode of the series with a higher action budget, but it kinda drags on a bit too long; and although I think Emotional Dragon looks cool, it feels a bit tacked on. Coming off of the incredible Zero-One REAL×TIME, it doesn't give you much room to breathe, which Rider films are typically great at handling. I also thought the resolution for the kid's subplot was kinda forced. He does an okay job at acting considering his age and doesn't overstay his welcome, but I really don't see how 20 minutes of violence and action is enough to convince him to be brave enough to go play with the other kids. 5/10, it's closer to a 4 than a 6 and I think that maybe Zero-One should've stood on its own if they really had to push back Kiramager Bee-Bop Dream because of the pandemic.

Alright, with all that said... As imperfect and undercooked Saber was, like Ghost I can consider it a personal favorite, 10/10. Call it a guilty pleasure if you want, but holy hell it's just the show I needed. Takuro Fukuda has a talent for creating fun, wonderful characters and utterly fascinating worldbuilding and concepts. It's a shame he doesn't utilize them fully, but hey!

The action and fight choreography are pretty top notch as usual. Lots of beautiful shot composition and set pieces, and plenty of great angles to help keep up with the extra busy action. I love watching the suit actors perform and they deserve all the respect in the world for their hard work in those hot, sweaty, and heavy costumes. Their visual design is also top notch, with lots of unique and fascinating forms and cool weapons I desperately want to play with despite being broke, all with spectacular finishers and hype jingles with the voice of Akio motherfucking Ohtsuka calling them out. A real feast for the eyes. Not a single bad suit among them, yeah I said it, fight me.

The crossover specials are soooo good too.

-I went over my feelings on the Zenkaiger crossover episodes in a separate post (good luck finding that btw), but to sum it up, they were great character moments for Zox and the Shindai siblings with lots of great screwball comedy and some good old fashioned meta humor.

-The Ghost crossovers are great little side stories all about how Daitenku Temple somehow had the Ghost Ijunroku Wonder Ride Book? I genuinely have no idea why it was there, or how Makoto had the Specter Gekikou Senki, and as far as I remember neither of their origins are explained. Did Luna or Tassel hand them off to them and told them to wait for a sword guy? And why do these generic French Revolution Gamma villains working for Danton get their asses handed to them so easily by Kanon, who literally just became a Rider? I thought that Makoto deciding to adopt all the Kanon clones into his family was both hilarious and adorable though; considering all the crap they went through, I think it was a good ending to this plot. Gimme Espada x Necrom already Toei/Bandai/Fukuda/whoever I need to yell at, give Kento things to do, I beg you.

-I haven't actually seen Super Hero Senki since it's not available for subbing yet, but apparently there's a Journey to the West plot starring the Taros and Ohma Zi-O and I want to see that so badly.

Tokyo Ska Paradise Orchestra? Yoohei Kawakami? A match made in heaven, that's what they are. All of their themes are absolute bangers. All of them. Almighty, Kamen Rider Saber, Sparks, Taju Rokou, all excellent and empowering pieces. Rewrite the Story, Will Save Us, and The Story Never Ends are all amazing inserts done by the cast, and it makes me wish we had even more of them to help break up the monotony of the score.

The characters are what easily make this show such a great watch though. For the most part, they have great personalities and chemistry, consistently fun and interesting scenes, well acted and... sometimes well-written development, and deeply investing personal stakes.

Narrating it all is the delightfully eccentric Tassel/Viktor, portrayed by Romanesque Ishitobi "TOBI" of the Paris-based Les Romanesques. I was utterly confused by his presence at first, wondering why there needed to be a narrator when the story would've been perfectly fine without it. He even got a special spot in the opening despite having no stake in the plot despite seeming to live in Wonderworld, who the hell is this guy? But then I thought "OH MY GOD, HE'S THE MAIN VILLAIN USING TOUMA AS THE HERO IN HIS OWN TWISTED STORY, THE BASTARD". I thought it'd be some subversion of expectations, true form, "That Was His Mistake!" shit. Trust me, it made a lot more sense in my head. I'm very happy that they didn't do that, as I grew to love having male Yuuka Kazami as my narrator, and when he was shown to be actually important by being friends with Yuri my mind was blown. And doubly so when I realized just how deeply necessary to the plot he really is.

Rintaro/Blades is up there as one of my all time favorite secondary Riders, since his curiosity is always consistently funny and adorable, his forms are all gorgeous and impressively designed, his relationships with Mei and Touma are absolutely sweet and compelling to see unfold, and his arcs about becoming willing to call out those he views as family and coming to terms with his feelings of inadequacy and both moving past and using them to strengthen himself are always great lessons to pass on to kids. ...even if they took like 10 goddamn episodes to be conveyed in what could've been 5, but hey, Takaya Yamaguchi does a stand-up job all throughout. Rider veteran Eitoku's refined, almost logical movements with the Suiseiken Nagare absolutely beautiful to see in action, and his final form having the same white and blue color scheme as Zooous's base form is an amazing touch I don't see appreciated enough.

Mei Sudo's also absolutely wonderful, serving as the perfect emotional core of the story, responsible for most of the funniest lines, sweetest character moments, and some of the most deceptively compelling drama. Asuka Kawazu brings the perfect energy for such a dynamic and well rounded character, and absolutely nails her scenes of quiet turmoil. As much as I would've loved her to become a Rider, I don't think she really needed to. She's already done so much to help, and as cool as it would've been to see her pick up a sword and fight alongside them as Espada, Calibur, or Falchion she's already endeared herself to me as one of my favorite supporting characters in the whole franchise.

I can't get enough of my homeboy Kento Fukamiya/Espada. Like Rintaro and everyone else for that matter, he also suffers from Saber's pacing issues; and like his predecessor Valkyrie from Zero-One, he doesn't get a proper upgrade aside from his Wonder Combo, instead becoming an anti-villain using a completely different powerset and shifting the Raimeiken Ikazuchi out of focus for the Ankokuken Kurayami, and I feel there's a serious missed opportunity to see him use Jaaku Dragon with Alangina. However, Ryo Aoki's performance is probably among the most easily praiseworthy in the whole cast, managing to convey both Kento's kind and knightly stoicism as Espada and his emotionally unstable despair as Calibur perfectly, in conjunction with Yuji Nakata's experienced and expressive stuntwork.

Ren Akamichi/Kenzan's a dark horse favorite for sure. I remember back when Saber was first picking up, people hated this breezy mad lad for being such a simple character at first. Overly concerned with strength? Black and white world view? Annoyingly energetic? Agh, real-feeling character flaws, I hate them, get him away from me! But then y'all came crawling back. Eiji Togashi's apparently a bit of a rookie actor, and it really shows with some stilted delivery and the way he sometimes bobs his head when giving his lines, but man he improves dramatically as the series goes on. His inexperience ironically ends up really selling his character development, and his unexpectedly beautiful relationship with Desast is special evidence of that. The Fuusouken Hayate's three modes and Satoshi Fujita putting them to excellent use through his stellar acrobatic movements are also really cool.

Why did Luna have to be a child for so long? Does Wonderworld not age whoever inherits its power? Well since Luna randomly becomes an adult in Super Hero Senki and some of the final episodes, I guess so? Miku Okamoto does a fine job for a kid actor, but she's basically done all the heavy lifting for the whole series and doesn't give Mayuu Yokota enough time to get a feel for her character as an adult. How did she choose Touma to inherit the power anyway? Does she just subconsciously decide to trust him with it upon seeing how kind and passionate about storytelling he is? Well if that's the case, why didn't Kento get at least some of that power too? He's just as important to the merchan- I mean Luna-chan, isn't he? Why did Tassel pick her over someone who isn't a literal child who'd be understandably terrified about basically becoming an embodiment of storytelling?

Sophia also kinda suffers from the same problems. Rina Chinen's voice is very pleasant to listen to, but she doesn't really do much beyond serving as a source of exposition and support. I think her dynamic with Mei's adorable, and given her kindness I can certainly understand the respect Northern Base has for her, but she doesn't really contribute a whole lot. If she could use the Kurayami and become Calibur all this time, then why didn't she take it from Kento and Yuri and do so earlier when Kento decided to go back to being Espada? I know she's not much of a fighter and as the closet thing the Sword of Logos has to a leader after Isaac's death I'd understand not wanting to put her at risk, but considering Storious is destroying the world, and she's very evidently kicking a lot of ass in the first part of the final battle even in the basic Jaaku Dragon form, I think it would've helped a lot, just sayin'. Tassel at least has the excuse of being unable to interact with the real world, but Sophia obviously didn't just be put in charge of Northern Base just because she's a pawn in Isaac's plans right?

Ryou Ogami/Buster is also a victim of the disjointed character focus. I have no problem believing he's an excellent father and fighter thanks to Yuki Ikushima and Jiro Okamoto, respectively, but he feels a bit flat and simple in comparison. His rivalry with Desast is randomly dropped, his wife doesn't even show up until the final episodes, he's kinda sidelined in terms of action a whole lot. I imagine that must've sucked for the Rider Dads out there. He does get to star in his own manga, and that was pretty good, so I guess I can't be too mad.

Tetsuo Daishinji/Slash fares better though. Hiroaki Oka, being a Kamen Rider fanboy himself, manages to make him among the most relatable characters in the series. Not only are his hyperfixation on swordsmithing and anxiety played surprisingly believably, Hirotsugu Mori letting him cut loose is extremely cathartic and hilarious, and you really feel for him when the Onjuuken Suzune becomes the first victim of Calibur!Kento's sword sealing.

Yuri/Saikou's another dark horse favorite, for me at least. "Oh great, Avalon guy's got even more merchandise to sell, I wonder what his Sword of Light is- it's himself. Well... that's different." I admit, I didn't like him at first. He felt like he was there to fill out character dynamics in the absence of both Rintaro and Kento, I thought his gimmick was too silly even if his design and jingles were bangers, I didn't particularly care for his power set. But then XSwordman came around I totally got it. He's an endearing, hard-working man trying his best to catch up on all the cool shit he missed, unafraid of experimentation, ready to throw down at a moment's notice, serving as a wonderful bit of consistent support for our heroes, a truly knightly individual, an absolute Chad. and goddamn does he make me worry. Tomohiro Ichikawa, I salute you good sir.

Even if they fall short compared to the rest of the cast, the Shindai siblings are at least cool enough to not wanna write out entirely. They kinda devolve into comic relief after they become allies, something that villainous Riders from Chase onwards are very prone to doing, and it's especially awkward in their case because I think that they kinda get off scot-free for obeying the obviously sinister and crazy Isaac for so long, as well as driving a wedge between a lot of people and threatening children in Reika's case. I think their sibling dynamic is nice though, even if Fukuda recycled it from Makoto and Kanon and has some... questionable possessive undertones as a result. It's cool how they're basically foils to Touma and Rintaro though. The dispassionate and methodical Reika/Sabela is beautifully played by Angela Mei and her moments of emotional depth are fascinating to watch. Her Rider form is a thing of beauty, and its use of literal the Eneiken Noroshi's smokescreens and Yuki Miyazawa's precise and deadly stinging strikes are a joy to watch. And while Ken Shonozaki's not given the best direction as the undercooked plate of 7-Eleven fried fish that is Ryoga/Durendal, he manages to sell him as an experienced and hardened warrior with an awkward side that's especially evident in the Zenkaiger specials. His goddamn RWBY weapon that is the Jikokuken Kaiji is absolutely sick, I'm a sucker for transforming weapons and its combination of time and water powers is really cool, especially with Yasuhiko Amai's deliberate and forceful acting in the suit.

Daichi Kamijo/the Second Calibur, for as brief as his story was, was a pretty cool starter villain. Hiroyuki Hirayama brings this poor bastard to life in a genuinely touching way. I love how as Calibur he goes full force on his creative use of Wonder Ride Books for attacks, and his debut as Jaou Dragon got my blood pumping. His end is also deeply tragic, and I really felt for him when he realized just how badly he fucked up. Hayato Fukamiya also does wonders for the backstory, and while he also doesn't get much to work with, Mitsuru Karahashi makes his regrets and love for Kento feel genuine.

Legeiel and Zooous are both very intimidating and entertaining villains. On top of being just the right balance of goofy and threatening, Kairu Takano and Koji Saikawa's stage presences are both very strong, and their mixture of camaraderie and in-fighting is extremely believable. Zooous's rivalry with Rintaro feels incredible to see through to the end, and although Legeiel doesn't get quite the same treatment, Elemental Dragon had such a cool debut that it more than makes up for it. Their final fights are also absolute spectacles. I don't think their sympathetic angle works even close to as well as it does with MetsubouJinrai or even the Gamma, but I get it, power corrupts, and you probably feel a lot of sadness and regret for things you've done when you die unless you're a right bastard.

Isaac/Master Logos/Solomon is kinda generic. As wonderful as Keisuke Soma is, he doesn't get much dimension to work with. The result of that is while he nails being as smug and punchable as possible, he feels almost... comically generic. Genta Umemori from Shinkenger was full of personality! He was also basically some guy, but he was fun, he felt connected to the rest of the cast! Meanwhile the only real time we get to see Isaac's depth is when we see him crying over his failures. I almost appreciate him being unapologetically evil though, since I've seen way too many shows where redeemed villains get off scot free for way worse things, and some where they outright demand you to sympathize with them despite them doing nothing to warrant it.

Bahato/Falchion surprises me by not just being a movie villain whose actions affect the main plot, but also being a movie villain who actually gets to appear in series as a recurring threat! ...and it's not a particularly great showing on his part, sadly. Masashi Taniguchi does a wonderful job with what he's given, but his character feels like a retread of Eternal without any of what made Katsumi Daido a compelling and frightening villain. I'd like to believe Yuri when he says that he used to be a good person and a hero to the people, but I can only hear so many anime villain monologues about the pointlessness of life and the beauty of destruction before I can never take them seriously again. ...I think that's his biggest problem, actually. I thought he was an overall uninteresting and generic villain in the movie, and the cartoon nihilist he's shown to be in series is only a small step up. He still feels like filler. If only there were a far better written and much cooler villain who takes on the Mumeiken Kyomu after his de--

Desast is probably one of the finest anti-villains I've ever seen in recent years. On top of an absolutely badass character design and the excellent combination of Kazuya Okada/Danki Sakae's suit work and Koki Uchiyama's stellar voice acting, his story being so thoroughly intertwined with Ren's makes their shared journey and bromance a borderline Shakespearean tragedy. His struggle for identity despite Storious treating him as nothing more than a failed experiment and the Sword of Logos treating him as a mere monster really gripped me, and the way he uses what little time he has left to encourage Ren into blossoming on his own is absolutely beautiful. I think his enmity with Ogami is criminally underexplored in series, considering he killed several of the previous Riders and how Ogami's in desperate need of screentime.

Then there's our main villain, Kamen Rider Storious. Robin Furuya brings an incredible amount of charisma to this character, expertly portrayed as both a sinister, manipulative bastard , and as a lonely, tragic figure that arguably makes him feel even more villainous. Speaking as a struggling writer myself, it's easy to feel stuck in the idea of "fuck it, who cares, maybe everything is predestined", but I can't imagine what it's like to know that as the truth and carry it with you for all that time. All of your grand ideas have roots from your experiences, and you're not the only one who even could have those experiences. It's easy to just fall into despair and give up trying, but would that make you happy? Sure, Storious is sadistic, he may be fulfilling his goals, he may be ungodly powerful... but it's not enough for him, is it? All of his friends are gone, one of them even at his own hand, he probably doesn't have any idea what to do after he destroys all the world's stories, Touma even reached his full power before he did, and his downfall is so predictable that even a blind person could see it. He even seems to welcome it, what's up with that? But then I realized... OH MY GOD, HE'S THE MAIN VILLAIN USING TOUMA AS THE HERO IN HIS OWN TWISTED STORY, THE BASTARD. He's so far gone, he's so desperate to stick it to the Almighty Book, he's willing to twist the archetype of the Hero's Journey so hard, it snaps in two. What I think is interesting is that he's ironically trying to chase the trend of "edgy superhero story" that became super popular in the 21st century. The Boys, Brightburn, Kamen Rider Amazons, The Sentry, No More Heroes, Magical Girl Site, even mainstream comics from DC and Marvel... Surely Storious must've seen the cruelty and tragedy these stories are filled with, but he chooses to go through with trying to force the world into this direction anyway. Did they, along with seeing the ever-popular tragedies of legendary playwrights and bleak satire of the twentieth century fuel his despair?

And yet... there's one who stands in determination against his ideals.

Our hero, Touma Kamiyama, the titular Kamen Rider portrayed by Syuichiro Naito and Kousuke Asai, he speaks to me on a personal level. There're plenty of jokes to be made about his procrastination in early chapters, his godless fashion sense, and him doing the funny run up the slope, that's all fine and dandy, but I rarely feel so connected to a character the way I did Touma. The struggle to create, find companionship, live your life, reach out to others... these're things a lot of people struggle with, and of course you see them depicted a lot in media about creators, but Saber gets to the root of what the greatest thing about storytelling really is. Giving people hope, while using the pain of the past as fuel for the future. Sure, Storious may be right about how every story has been done as far back as human civilization gets, he may even be right about how any spin or creativity humanity has is outright predestined. It should be pointless to even try, right? That's where Touma Kamiyama disagrees. He didn't spend all that time fighting and creating just to give up at the idea of predestination. His novel writing-fueled creativity in his early training, his devotion to his friends that let him surpass Kamijo as Dragonic Knight, his compassion for the Primitive Dragon that let him combine their powers to destroy Legeiel as Elemental Dragon, his resolve that let Xross Saber dethrone Solomon, and his passion for the craft of storytelling that let our heroes channel their wishes into Wonder Almighty... all stemming from the belief imparted onto him by his predecessor that "Hope lies beyond your resolution." And that you decide how your story ends. He may not be the greatest Rider to some, he may be as lame as others think he is, he may not even be my favorite, but I have no issue calling Touma Kamiyama... Kamen Rider Saber, one of the all time greatest carriers of the Kamen Rider name.

The final chapter's definitely not as great as some other Rider finales, but goddamn. Primitive Dragon consciously choosing to save Touma is so sweet and such a great emotional payoff, I loved jamming out to the opening theme while our boys lay the smackdown on Storious. Wonder Almighty's a fitting final bit to close the main series out with, if not exactly a great one. I think the cover is great, and the book's body is a lovely shade of candy apple red, but I really don't like how its pages are just the covers of the other books copy-pasted onto onto the pages, that feels lazy. Maybe if it were a panorama of all the books' characters, I'd like it a lot more as a symbol of how unified the Swordsmen are, but eh, what can you do? On a related note, does this mean all the "last episode extra final forms" of the Reiwa Era are gonna be named after their series's opening? That's a neat idea.

I felt a lot of feelings seeing all those video messages of Rider fans all across Japan talking about their favorite stories, and how their passion and fond memories help reshape the world. Mei's monologue at the ceremony about is also really touching and- IS THAT A HUMAGEAR!? :O

Y-yeah dude, it is! Wow, where have you guys been for the past 48 episodes?! Are you guys doing okay? How come you're like... the only one here? Is the technology of Hiden Intelligence only really that prevalent in that very specific metropolitan part of Japan and they're just not coming around much over here? Is it like Dragon Ball where anthropomorphic animals are just vibin' with humans while the heroes are off kicking ass? Apparently he's played by Hasegawa Keiichi, who wrote this episode and had the award ceremony named after him. ...is Hasegawa Keiichi a HumaGear in this universe then? Did he set up this award ceremony in Touma's honor? If so, why is it named after him? Did reading one of Touma's books lead to his Singularity? I know this is just a cameo, but... god, I have so many questions that probably will never be satisfactorily answered.

Overall, if I had to compare Saber to anything, it'd probably be Sam Reimi's Spider-Man trilogy. It's awkward, stupid, overwrought, undercooked, illogically written, scattershot, cheesy as fuck, and has a tendency to squander its otherwise fine execution; but the sheer passion for storytelling, sense of spectacle, deeply fascinating characters, and belief in the ideals set forth by the cast, crew, and fans are absolutely admirable. Improvements would certainly make it an overall better experience, to be sure, but there's something deeply captivating about how wonky this series is. Seeing everybody get their happy ending after all they've been through felt extremely gratifying though, and I may have to wait another for the epilogue to and then wait for Revice, but... man. I'm hella proud of our awkwardly-emoting, fashion disaster novelist and all of his heavily flawed friends for carrying the Kamen Rider name on to the future. Here's hoping Revice will keep it going.

Alright, that's everything I wanted to talk about. Sorry this was so long and ramble-y, I had a lot to say. I'll probably be liveblogging Revice as episodes of that come out, so... look forward to that, I guess. See ya.

[1863-project]

I’m at the end of my first-ever Omega Ruby run, and I’ve honestly had a great time getting to know Hoenn. I just have to evolve some Pokemon and catch the Regis and Deoxys before I move along (I’m waiting to trade with folks to finish the Dex properly, but I can do that at any point), but I think it’s worth doing a retrospective on the characters and Pokemon I met along the way.

As a region, Hoenn is unique in that it has a LOT of water routes. You spend a large portion of the second half of the game traveling via Surf. The Azumarill in my party, Pikablue, ended the game knowing Waterfall, Surf, and Dive (it also carries Play Rough), and it was one of the most crucial members of my party for transport purposes.

When I won the Hoenn League, the team May (named ‘Hatshepsut’ in my playthrough because we love cool historical figures in this house) had with her was her evolved starter, a Blaziken named Cluck You, along with Pikablue the Azumarill, Pangaea the Groudon, Charles II the Shiftry, Friendo the Latios, and the team anchor, Bastet the overleveled Skitty. I beat Steven because Bastet dodged a Zen Headbutt from Metagross and gave me the time I needed to revive both Blaziken and Groudon in the back, and their fire moves handled the rest. Bastet went on to become the first party member to reach level 100, way ahead of everyone else. She was absolutely incredible and I love her. Her final moveset: Heal Bell (surprisingly useful, especially in Doubles), Thunder, Ice Beam, and Play Rough. She’s a Dragon Slayer.

As soon as I got my hands on the Eon Flute I started running around to check every Mirage location that came up in the hopes that it would be a Mirage Cave. I knew that was where Tynamo was, and I needed Eelektross to complete the Submas team I was building (the other nine members are in SwSh at the moment; Eelektross will hopefully someday join them). On November 30th, my persistence paid off, and I went and caught three Tynamos so I could have the entire evolutionary line in my National Dex in Pokemon HOME. As it turns out, Eelektross still hasn’t been added to HOME because Third Rail has become a vital member of my party in postgame and I love him and he loves me. (I’m just Emmet, really.) The Eon Flute is also really nice in that using it allows you to literally fly in real time over the entire region, and I prefer doing that to using Fly because it’s just so aesthetically nice. Friendo just swoops down and picks me up, and we have a nice time exploring together. It’s especially pretty at night when everything is all lit up. It’s a lovely little feature exclusive to Omega Ruby and Alpha Sapphire, and it’s so great.

Character-wise, Hoenn has produced some notables. Magma and Aqua are two of the most beloved villain teams in the entire franchise, and the reboots gave them so much more personality and gave the leaders and admins some excellent updated designs. (Years ago, when the remakes were first released, my dash was filled to the brim with Hardenshipping.) I had OR, so I had Magma to contend with, and one of the single most entertaining things in the entire game is Maxie’s losing animation. It’s perfect, it suits his character so well, and it’s just really funny. Also, shout-out to the Team Magma grunt that I met in the Extremely Obvious Hideout who told me how proud he was of kicking his soda habit whilst standing next to the vending machines. I love that guy. In terms of reformation, Magma and Aqua come around very easily when they realize that they’ve had a very bad idea - they ultimately were well-intentioned but made a really horrible mistake and set out to set things right (with the player’s help, of course). It ultimately makes both teams very likeable.

In terms of other characters, not every Gym Leader from Hoenn is a complete standout, but a few are very, very popular. Flannery is a perfect time capsule of 2003 fashion and I love that so much, and I don’t think I need to say much about Wallace. He’s just Wallace. He’s so freaking entertaining. Steven is also a very popular Champion, and he plays a pretty big role in the plot, so you see a lot of him throughout the game. (He and Wallace are also a very popular ship, with Originshipping - named for the Cave of Origin which Wallace has to grant you access to - actually being referenced in Pokemon Masters on, of all days, Valentine’s Day. Make of this what you will, but I’m here for it.) The Gym Leaders all received redesigns as well, with a lot of them benefiting greatly from it - I like Roxanne’s new school uniform so much better than her old one, for example, and once again, Wallace outshines everyone with an ensemble that would go wonderfully at the Coney Island Mermaid Parade. I wish we got to know the Gym Leaders a bit more as people, because they don’t get to stand out as characters as much. Galar actually did this very well by allowing us a lot of interactions with the Leaders outside the Gyms and as teammates and rivals in the Galarian Star Tournament. A big part of the reason Wallace is so popular as a Gym Leader here is that you see him outside the Gym multiple times and can even compete with him in Contests. You get to know him as a person more and not just as the eighth Gym Leader, and it makes him a much more interesting character.

In short, here’s how the League stacks up for me:

Roxanne: Benefited massively from her character redesign, which gives her a lot more personality. Would like to see her and Steven interact since they’re apparently friends, which I imagine revolves around going out and licking rocks together or whatever geologists do with their geologist friends.

Brawly: He still isn’t very distinct. He’s a surfer who trains Fighting-types, which is a bit of a subversion since you’d expect Water-types from someone like that, but nothing about him really pops for me.

Wattson: Gives off Grandpa Vibes. Wattson actually gets a lot of expository development via his work on New Mauville and Sea Mauville, where you find out he halted the projects to protect the Pokemon ecosystems in both locations. A lot of employees were angry about this and he was even investigated briefly for stopping the projects, even being called a traitor to the company (which appeared to overwork its employees and prevent them from unionizing), but it was apparently evidently clear that he did things out of environmental concerns, and the employees were able to find work on other projects elsewhere. This actually slots nicely into the themes of the game involving environmentalism and how to ensure the livelihoods of people and nature both.

Flannery: Time capsule from 2003! I was, of course, around in 2003 (I turned 14), and Flannery was at the peak of fashion back then. Flares were in, and I miss that trend so much. For that alone, she’s one of my favorite Gym Leaders in this generation, but I also appreciate that she’s shown trying to find her footing and figure out who she is instead of pretending to be someone else. There’s a certain performative aspect to being a Gym Leader, but it needs to come naturally from them and be an extension of their own personality, not be artificial. I would, however, love to know who her grandfather is. It’s still never been confirmed. (As a side note, a lot of people headcanon her to be Kabu’s niece, since he’s from Hoenn, which is cute.)

Norman: A Dad. More specifically, the player character’s dad. There’s really nothing that stands out about him except for that damn Slaking, which gives a lot of people trouble. I did, however, appreciate the conversation he had with Wally’s father as Wally and the player character departed together, because I’m actually pretty close to my own father (who I’m very similar to in many aspects). I’m 31 years old and I still get emotional every time my parents tell me they’re proud of me. Notably, Norman is the only player character father we have ever seen in Pokemon, though, which is odd.

Winona: In-game, she doesn’t feel like she has much of a personality, although she goes off on aesthetics pretty well. It just weirds me out that that’s her hair coming out from under the helmet and not wings attached to it. She could have been really cool but she gets the short end of the development stick.

Tate and Liza: The two of them intentionally playing up the ‘weird twins’ angle by completing each other’s sentences actually comes across really cutely because they’re kids. You can also run into them in the Lilycove Department Store being children and buying toys, a good reminder that they’re still very young and evidently very skilled for their ages. Battle-wise, my Azumarill knew Surf by this point so I ended things quickly because I’m into Doubles as it is and like using spread moves when I can.

Wallace: I’ve discussed him a lot above, so I don’t need to say much else, but he really is the most notable Gym Leader in the region, and not just because he’s the last one you face. He has a lot of personality and development, you meet him outside the Gym several times, his niece Lisia is also out and about in the game and the family resemblance is notable, and you find an old magazine in Sea Mauville featuring a woman on the cover who looks like Lisia - likely Wallace’s older sister, Lisia’s mother. The entire family gets more development than a lot of the other Gym Leaders in this region.

Sidney: The first member of the Elite Four you face...I’d actually like to know more about him. He seems like an interesting person, and I personally enjoy Dark-types myself so I always appreciate seeing Dark-type users not being portrayed as evil. His upbeat nature is nice, and it’s a pleasant surprise to run into him at the Battle Resort, even if he was only there to track down Steven.

Phoebe: I love how much her appearance contrasts with her Pokemon typing. She’s a Ghost-type trainer and you’d never guess that from her outfit! Her grandmother is the old woman on Mt. Pyre, which is why Phoebe has an affinity for Ghost-Types, and I’d love to see more interactions involving them together. You can run into Phoebe on Mt. Pyre after you beat the League and talk to her briefly - she was likely visiting her grandmother - but sadly she doesn’t get much development outside of that.

Glacia: An Ice-type trainer who we learn next to nothing about. Glacia is mentioned outside of the context of the Elite Four by an NPC in the Mauville Food Court who says she was slurping down ramen so intensely that she broke a sweat, but that’s all we know about her aside from that she’s originally from a different region, and she tells us that herself. Not very memorable.

Drake: Yet another Dragon trainer late in the game, and not one of the more notable ones. Lance and Clair are remembered for being cousins and for being the first Dragon trainers you really come across in the series, and later Dragon-type trainers like Iris (who becomes Champion of Unova in B2W2) and Raihan are carried by their personalities and distinct looks. Drake is just an old sea captain with Dragon-types, and he doesn’t really jump out at me much either.

Steven: A major player in the plot - one of the most active Champions we’ve had in the franchise - and a perpetually popular character. I never minded running into Steven out and about in Hoenn, even if it meant I’d have to listen to an infodump about rocks, and his Champion battle was actually fairly difficult for the team I brought in despite having two team members with Fire-type attacks to handle the Steel. As I mentioned above, it was my Skitty that made the decisive dodge to allow me to bring in the team member I needed to deliver the final blow, meaning this is now the second time in my life I’ve beaten the Champion with an unevolved house cat. (Rick Pratt the Purrloin is a vital member of my beloved Young Ones Galar Championship Team.) Overall, Steven’s a very likeable Champion, and I did enjoy the little detail of the rocks on display in his home - he has them labeled so you can see where he found them, and they’re from every region featured in the games up to that point.

Omega Ruby and Alpha Sapphire also have the Delta Episode, which features Rayquaza (which you’re forced to catch) and a character named Zinnia, who isn’t in RSE at all and is new to ORAS. Besides being named after my favorite flower, Zinnia’s personality is actually very interesting because although she comes across as cheery it’s clear she feels the weight of a massive responsibility and that the cheeriness is covering a lot of pain. Her Whismur named Aster is evidently named after someone important to her who is no longer around, and it’s never revealed in-game who the original Aster was. Whoever Aster was, though, Zinnia misses her deeply. In a 2015 interview, Ohmori Shigeru stated that the original Aster was the person who held the position of Lorekeeper before Zinnia, but we don’t know anything more than that - a shame, really, because that makes for some interesting backstory.

Overall, I had a lovely time in Hoenn, and I’ll be moving on to Kalos in the next few weeks once I finish up this Dex business first. I just wish I got to get to know so many of the characters I’ve met a little better, but I adore the team I put together and I’m super proud of them and all they’ve accomplished.

[babyybitchhh]

So I know you like Hisoka. What about Illumi, Chrollo, Feitan or Kite? Palm?

Illumi is ... okay. I like him just fine as a character but sexually I’m as dry as a desert. I know he’s very popular in the self insert portion of the fandom and I definitely understand WHY, but he honestly doesn’t do anything for me. Kind of boring/not all that interesting if I’m being frank but that’s, like, a personal opinion my man. Also I thought he looked ten times more attractive with short hair. 🤷🏻‍♀️

It’s really hard for me to take Chrollo seriously. Like, he’s a good looking dude. He’s got the personality that, in theory, should make my pussy do a handstand and that voice? Ugh. Ngl that shit really almost won me over. But when I look at him all I see is a Personal Jesus, Loaded God Complex emo reject and I just can’t do it. I can’t. He’s the type of dude who’d take you to a Victorian era cemetery for a picnic on the first date like this some Jack and Sally shit, smh. Mad respect if that’s your thing but I am physically incapable of hopping aboard the melodrama express.

Feitan is just Hiei 2.0 but somehow twice as edgy and I for one support Togashi’s decision to recycle this character design because (if we ever get to the point where we learn more about Feitan) I’m sure we’d see what Hiei would’ve been like as a straight antagonist. As his own individual personality, I like Feitan quite a bit and I’ve read at least one fic that really made me feel some type of way (if you guys haven’t read agentcupcakes HxH stuff, check her out. 10/10 work tbh) but I dunno ... honestly I think I’m just SO preoccupied with Hisoka that I only have room left in my heart for bad dad Ging can’t really vibe with anyone else. 🤷🏻‍♀️

Kite was a cool dude and I liked him quite a bit. Again, I’m not personally interested in him but I don’t fault anyone who is. I’d like to see what else Togashi might have planned for him but we’re never gonna get off this got damn boat. 😭 Actually though the fans of Berserk (the other big hiatus shonen, for any of the uninitiated out there) were stuck saying the exact same thing for a few years I do believe and low and behold, they finally got off the boat earlier this year, if memory serves. So, I mean, I might be biased because Togashi has always kept me well fed but I have no doubt we’ll get a HxH update in 2020. But yeah. Rip to twink Kite, loli Kite is different.

Palm is one of my very few hard no’s. There just wasn’t anything I liked about her tbh and I was high key disappointed that she didn’t bite the bullet. Not even because of anything she did or whatever (I know certain parts of the fandom want to crucify her for going on a date with Gon but 1: she didn’t DO anything to him. The only people making it weird and sexual are the ones labeling her a pedophile while completely ignoring the fact she also got all blushy over Knov too. The bitch is lonely and insecure, she’ll fall in love with anyone who shows her kindness regardless of circumstance and 2: Gon was not only all for it and comfortable with the suggestion ((Killua had the real problem lmao)) but he’s also gone on dates with older women before and we don’t know what any of THOSE cougars taught him. All I’m saying is that no harm no foul is a universal code of conduct for good reason and people need to let it go where Palm is concerned because there are other facets of her personality that are extremely unappealing not to mention ... you know. Actually canon.) but everything about her narrative was building up towards her getting killed one way or another and while I usually appreciate Togashi’s trope subversion I just think she threw TOO MANY death flags when all was said and done. So her walking away from that arc with a power up just feels empty and hollow to me. It’s as if ... the only reason she DID survive was just so Togashi could flip the script on the weird, antisocial, depressed/anxiety riddled archetype that so often sacrifices themselves for the greater good in anime and I think Palm’s storyline is one of my ONLY complaints about HxH. Really left me unimpressed and disappointed tbh. 😷

Sorry for the essay, I’m a long winded slut and I can’t help it no matter how much I try to keep stuff like this short and concise. It’s in my blood. Give me other characters to talk about, let’s see who I can ramble about for the longest. 🤣

[scifrey]

Get To Know The Writer

 Get to Know the Writer Tag

Rules (always post the rules): answer the questions given to you, write ten questions of your own, tag ten people.

@rosecorcoranwritessaid anyone who wants to do it can, and it looked interesting.

1.) Where did the title(s) of your latest project(s) come from?

 The titles for The Accidental Turn Series were sort of decided by a committee of my agent, my editor, my publisher and me. I’m rubbish at naming books, so through a series of emails a list of about a hundred throw-them-out-there titles were whittled down (mostly by Googling them and seeing if any other book had that title already) to a few themes. From there we narrowed down and named the first book (The Untold Tale, where I had been calling it That Feminist Meta Thingy), and then the other two books dominoed into place after that (The Forgotten Tale, and The Silenced Tale.)

These titles are because in book #1, the fantasy is being told from a side character who in fantasy-novel tropes is often overlooked. In book #2, other fantasy stories start vanishing, forgotten by the readers, and in book #3,someone is trying to silence the writer of these fantasy books forever.

 City By Night, one of my novellas, is also being reissued next month. Its original title was The Dark Side f the Glass, which was both an allusion to Alice Through The Looking Glass, as it’s about a woman who falls into a TV instead of through a mirror, and a tip of the head to the song of the same title from the soundtrack of one of the television shows the novella satirizes, Forever Knight. However, my agent thought the reference was too obscure, and after another big round of back-and-forth, it was decided to name the novella after the fake-TV show I made up for the story.

 The titles of the to books in The Skylark’s Saga (#1 The Skylark’s Song, and #2, The Skylark’s Sacrifice) are because I do love alliteration when I can get away with it! These are the only titles of the recent projects that I decided on my own and the rest of my team liked! Score!

2.) Do you have any rhyme or reason behind your character names?

Sometimes yes, sometimes no. For the Accidental Turn Series fantasy books, I stole a lot of street names or snipped letters out of traditionally “European” names, like Kintyre, Forsyth, and Bevel to make them look suitably fantasy-esque on the page. But when the characters come to the “real world” I made a point of surrounding them with characters who had distinctly non-white, no-European names like Ahbni, Ichiro, and Juan just to really emphasize how much more diverse the “real world” is over traditional fantasy. 

In Triptych, every friend who helped me with edits got a character named after them. And in The Skylark’s Saga I got a bit silly - the Sealies all have surnames inspired by pagan gods, the Saskwayins are colors, and the Klonn are plants.

3.) What is your writing routine, if any?

When possible, I like to write at night, in silence, and with only my desk lamp on.  I try to keep my desk area very tidy, too, with only notes about the project I’m immediately working on written on my whiteboard wall. I need the only mess to be what’s in my head.

I’m more of a pantser who has, by virtue of writing series, been forced to learn how to plan. But even then, my planning is pretty rudimentary. I often do this in a notebook on transit (I tend to come up with ideas when I’m in liminal spaces), and run that by my editor. If she approves the vague outline, then I often write whatever scene is foremost in my mind - whichever has really grabbed my imagination, and allows me to figure out who my characters are, what the voice is, who the narrators are.

From there I often write chapter one, and then usually skip straight to the climax of the book and write that. This way I know where I’m aiming before I properly knock the arrow. Even if the target eventually shifts, I still have a sense of its shape and location.

From there I tend to skip all over the narrative and write whatever arrests me or I have in the front of my mind. Once that’s done, I go back to the start and begin the process of filling in the gaps. If I get another idea, I’m always happy to jump ahead and do that.

Using Scrivener has made this process a thousand times easier than when I had to scroll-scroll-scroll through Word.

When I don’t have to go to my dayjob, I try to write about 4000 words per day. When I do, I am for 500-1669, which keeps me limber for NaNoWriMo.

4.) Where is the weirdest place you’ve ever written?

I actually wracked my brains on this one, and I was going t say something like “a 400 year old house on the top of a mountain in Japan” or “in the shadow of the Great Pyramids in Giza”, but honestly, the real answer is on my BlackBerry while high off my face on morphine in the emergency room. Apparently I wrote a GREAT short story, which I emailed to all my friends, and emailed them. Without telling anyone that I was in hospital with Organ Death ™. And without remembering at all that I’d done it.

5.) Do you prefer to write by hand or type?

Typing, hands down. I type way faster than I handwrite, and I get frustrated that my pen can’t keep up with my brain. If I get an idea when I’m away from the computer, I usually only jot down enough to remember the scene/idea/mood/exchange without writing it out. I despise having to do the work twice, and that’s what transcribing from paper to computer feels like.

6.) Ideally, where would you like to see your writing take you in five years?

I’d like to break this barrier there seems between me and the Big 5. My agent and I have been working at it, but there seems to be some strange gap. Lots of editors at the Big 5 like my work, but no one seems to want to sign it. I get compliments on my voice, on my word crafting, but no contracts. It’s so frustrating to be so close to the possibility of working with a team with more resources than I have so far. 

7.) Which character is most fun to write and why?

Now that Triptych is complete and being serialized on Wattpad, any opportunity to revisit Kalp is a delight. I love looking at the world through his eyes. Olly, from The Maddening Science was a lot of fun too, again because of the way I have to shove aside my own assumptions about how and why the world works and see it through the lens of his own intelligence and lived experience. And Bevel will never not be a hoot, because there’s something just so great about getting to be that crass, and to come up with dirty jokes that fit in a fantasy world.

8.) What advice would you give writers just starting out?

Read widely outside of the genre you want to write in. If you want to write fiction, read non-fic, pop sci, and academic papers. Read the news. Read blogs. Read things that are in your wheelhouse, but then randomly grab something from the library that looks cool. You never know where the next idea will come from. Let your imagination wander.

9.) Do you have any “writing heros”? (This could be published writers or non.)

Anyone giving it a go! It’ hard, and it’s disheartening when people don’t love something you’ve put so much work and heart into. It’’s easy to give up on. Don’t.

Otherwise, I love Dianne Wynne Jones’ blatant subversion of stereotypes and tropes, which has really informed my writing, an Jane Austen’s ability to create such diverse, thoughtful, and complex characters.

I also super appreciate fanfic writers, cause they do it out of sheer love, and work for years to hone their craft. Among my faves are @bendingsignpost @sheafrotherdon, and @madlori.

10.) Tell me about your work-in-progress.

 Oh lord, is this a can of worms you really want to open?

 The Silenced Tale & The Accidental Collection  - books #3 and #4 of The Accidental Turn Series  are done. They just need to be line-edited and then the editor can lock the manuscript and it’s out of my hands and into the typesetter/designer’s. (And then of course I need to ramp up to marketing machine.)

 Book #3 is the conclusion of a trilogy of books about a secondary character in  fantasy epic who becomes self-aware and slips the pages of his book.

 The Skylark’s Saga - The two books are written, but one of the relationships is changing dramatically and I need to go in and shift that. I have no idea how much writing/rewriting this is going to entail. However, I do know that I want to get it done by the end of the year. As soon as the manuscript for The Silenced Tale is locked, I’ll be moving onto this.

 This duology is a steampunk-adventure-romance book about a girl vigilante and her ornery rocketpack who gets trapped behind enemy lines after being shot down in a dogfight.

 The Austen Hollywood AU  - I’ve written the first book of the series, and my agent is shopping it now. It’s possible that it may only get signed as a one-book deal, but ideally I’ve developed it as a six-book series (one for each of Austen’s). At some point I’d like to write the first three chapters of the remaining five books, to demonstrate what the voice and tone of each is gong to be like. (Possibly for NaNoWriMo this year??)

 These books are modern adaptations of Austen’s work, but they will all intertwine as characters from different aspects of the entertainment industry cross paths, work together,  and as they do in the originals, find love and contentment.

 The Maddening Science  - at some point I’d like to develop my short story of the same name into a full-length novel, but it would take a lot of research on my part, and a lot of buy-in on a publisher’s. I’m not quite ready to tackle this one yet, though I have pitches and synopsizes and the like written.

Henrietta - This idea is relatively new idea, born from watching a documentary and then reading the non-fic biography that inspired it (see, reading outside your genre helps!), but I think I’d really like to take a swing a writing a historical romance based on the life of a certain historical mistress, something like The Other Boleyn Girl. It would take a massive amount of research as well, but I think would be really interesting and engaging. The woman’s life was fascinating.

The Neridis - I wrote this book about four years ago and it’s been trunked. I’d like to pull it back out and give it a spit-polish and a steam-up, then self publish it sometime next year under my erotica pseudonym. It’s a time-travel lesbian romance story that can easily be punched up into erotica.

And of course, there are three other books that are sort of hovering in the back of my mind, but I’m not ready to write them, or even really a pitch for them yet. The vampire one might be a screenplay instead, I’m not sure.

 Oh, and I am looking to place a script, too - I wrote it under spec for a company that later decided not to shift from distribution into development any more, so I’m not sure what do with 228 pages of cute lesbian comic-book creators falling love over lattes and superheroes. I keep thinking that it would make a great webcomic/graphic novel, but I have no idea how to find an artist willing to commit to like a 500-page graphic novel, and more importantly, find the money to pay them.

I tag whomever wants to jump in. No pressure.