#desperately wanna be like these people

[azure-clockwork]

I love three houses discourse because I'm pretty sure everyone just picks their route based on which house leader they're the most gay for and then tries to defend their pick by pointing out the other sides's war crimes via twitter memes. Reader, all four of them do substantial quantities of war crimes. So many. We're just here because the woman with Issues and a big fuck-off axe said so, and then we gotta justify everything she did in the name of dismantling the class system. I mean, I'm here for that, but you could also try justifying Charm Man uses poison and perfidy to try to stop racism, A Sad Little Meow Meow gives no quarter instead of doing therapy, or the Thicc Pope tries to bring back her mom via human experimentation, depending on your tastes

[paradoxbeta]

I'm curious, how would your Suns design look during more serious situations, such as one of the Spearmaster broadcasts?

something like this

and now for a (slightly long) addendum: i know i depict SRS as jokey and kooky, but when it comes to not shitposting and actual characterization, i have Thoughts and Feelings about them. the entire story, they just want to do what they hope will help the people around them, even though it all ends up horribly, HORRIBLY wrong. that's tragic, and it has my interest. considering the heaviness (and intrigue) of SRS’s storyline, for me to only ever depict them as a goofball be way too shallow of me, and unfaithful to their canon characterization.

so to answer your question: they hold themselves together, of course, but the shame, regret, and embarrassment is still evident.

[shakingparadigm]

what is the theory that ivan manipulated the event where till and mizi met the wagyein?

It's not a theory, actually! It's confirmed that Ivan orchestrated the whole event. The true reason as to why however is still unknown. The information provides more context to this scene, though:

During the earlier times of ALNST the most rational explanation for this scene was that Till ran after a flower crown (presumably Mizi's) and Ivan followed him in out of curiosity. Now we know that Ivan was conveniently just standing there because he was waiting.

Side note, I find it heartbreaking (and maybe a little funny, sorry) that Till most likely didn't notice Ivan in this scene. That's just like him, isn't it. Always too busy running after Mizi while Ivan trails behind, an ever-present shadow.

I'm not sure how Ivan manipulated the circumstances for both of them to end up there, but it is confirmed that everything was intentional. What strikes me most is how they describe this particular scene:

I can't copy down what they said word-for-word (Patreon info), but they described Ivan watching "creepily" as Till and Mizi are faced with danger. We know that Ivan was familiar with the Cerberus wagyein beforehand, enough to touch its teeth and even to rest himself inside its maw. To Ivan, the wagyein is not dangerous, but to Till and Mizi, it could be. Ivan prepared the wagyein, led them there, and watched "creepily" from afar as Till fell on his knees, seemingly injured.

The closest I can get to making sense of Ivan's "scheme" is that he wanted to see how other children would react in a dangerous situation. Ivan's always been an observer, after all, and he's learned to survive by copying the more "normal" behaviors of his peers. This situation occured when Ivan was still young and had not yet developed his more charming mask, so perhaps he staged this encounter to study a situational response, to learn and mimic the emotion of fear. And what better subjects for the experiment than two of the most expressive and reactive humans of their batch? It helps that he was already fixated on Till beforehand, too. I think Ivan became irreversibly obssessed after this incident, especially since it's framed as a turning point in Ivan's life, comparing Till to the stars.

This is just my attempt at an interpretation, though. It could very well be for another reason. He most likely chose Till and Mizi specifically for personal reasons, not just for reaction. I'm still not sure on the purpose behind the whole thing.

The team wanted to capture Ivan's "dark emotions" through the shot of his stalking, which could relate to his more sinister intentions. His gaze can be read in a few different ways, though. Curiosity, interest, fear, etc. Maybe that's why they decided to redraw the shot in ROUND 6.

I think this better sells the feeling they were trying to convey.

[tin-can-iron-man]

I'm just gonna say it again real quick:

Yes!! Iron Man is a tragedy! It has and always has been since the very first appearance in 1963 which describes itself, Tony's life, and legacy, as such.

Tony causes most of his issues himself, he is his biggest villain, a majority of his rogues gallery are caricatures of the worst versions of himself brought to life (when they're not just being racist cuz...60s...). The worst thing about being Tony Stark is that he can't stop being Tony Stark (he tried!!) That is the point.

The majority of pain Tony goes through, is pain he inflicts on himself, whether intentionally or inadvertently. That is the point.

He is not A villain (at least. Not usually. There are...some rough moments and arcs that are. Not great. As there is with any character as old as he is). But he is his own main antagonist.

[an-eldritch-peredhel]

The thing that draws me most to this fandom, and the things that makes it unique, is that by the mere nature of the works we love, everyone's Arda is different. And not just in the usual headcanon-y ways that are typical of every story, but even down to important plot and characterization points.

Who is Gil-Galad? What is the Oath and what does it have power to do? What really is the Dagor Dagorath? How do the Laws Of The Universe work?

And beyond that- what parts of HoME do you pick and choose? LaCE? Does anyone try and work with Tolkien's horrendous math? Have you taken parts of your Arda from older or other worlds, with the Cottage of Lost Play and the exile of the Gnomes?

Have you given names to the wives and daughters? What do they mean- who are they? Mother-names or father-names for those who only had one?

I just really love how even when two interpretations of the same world seem utterly incompatible, they aren't. I'd love to see other additions/headcanons!

[rosielav]

Rosie's Favorite (currently finished/caught up) Podcasts:

The Amelia Project - silly, quirky, morbid but almost always more jaunty and eccentric than completely dark. Great for anyone who loves 'narrator' or interview type podcasts. If I'm not mistaken, I've posted some of my thoughts on here using the pod's hashtag.

The Mistholme Museum of Mystery, Morbitity, and Mortality - another narrator type podcast, and probably my favorite of all time. The main voice you hear is perfect imo and keeps you engaged in all the right ways, bringing tension where it's needed, and levity where it's funny or odd. Absolutely consumed this podcast with a voraciousness I haven't felt for a bit. Keeps you guessing and always wanting more from every exhibit.

Victoriocity - excellent voice acting, interesting and unique premise and setting, and great plot. One of the podcasts I'm most looking forward to returning :) think steam punk but also it's the 1800s still in weird ways. If you love an old timey British accent, you'll love this haha.

The White Vault - probably my favorite specifically horror podcast, that makes you wait for answers in a craving sort of way, a longing to know what's going on, and not slogging through a bunch of filler to then get answers. It's great, gorey, geographically diverse fun. Interesting mashups of various cultures re: mythology, history, religion(?). Another on my list to watch out for the return of.

Midnight Burger: the quick pitch is - a time traveling diner that always services people in need, no matter what time, space, or dimension they may reside in. Excellent cast of characters, great development, wonderful implementation of a new character(s), and in general a very comfortable vibe to return to (speaking of, once I run out of recommendations I may relisten to this one). Highly recommend if you like sitcoms with time travel splashed with a bit of horror.

Edit: just finished up another one, so time to add it to the list!!

Monstrous Agonies: A radio show advice segment, about, by, and for the Creature Community. If you like WTNV, but find it a bit intense sometimes, or a bit too plot heavy/etc, you'll absolutely love this. Instead of the whole show, you just get the advice segment, but oh ho ho, is it so much more than that. If you're queer, BIMPOC, from a blended/mixed/broken/anything but 'typical' home... I think you'll like it. Very much what I would call 'easy listening', meaning you can just ease into an episode without having to remember a huge cast of characters, a plots b plots C plots meta plots... And it just feels *real*, in that strange and beautiful way WTNV does, but instead of a fictional town, the setting is the real world, with real problems, and real solutions. Sometimes you really do just need to howl or cry or chew on some slippers and that's OK. Highly recommend for ADHD havers or anyone with a short attention span who loves a soothing voice.

Edit: Another absolute banger to add to the list

Wooden Overcoats - how do I even properly describe the experience of this podcast. Let's start with the basics: It's the story of twins who run a funeral parlor on a small island, in a small village. Their family has been running said parlor for hundreds of years, as the only funeral directors on the island. Until one day... They aren't. A man arrives and sets up his own funeral parlor directly across the square, and boy, do things change for those twins. If you've listened to (and loved) Victoriocity, or The Amelia Project, I guarantee you'll enjoy this one. Strange, silly, and interesting things are always happening, except this one doesn't have quite as much drama (well...... Perhaps a different kind of drama. I'd call this an interpersonal dramedy, with emphasis on the comedy). An incredible listen, through and through. I thoroughly enjoyed every single episode, and the ending was quite safisfying :)

Another EXCELLENT addition to this ever increasing list of content!!! I'm not even finished with this one, I just love it so much that I can't help but add it to the list:

Mission Rejected - you know in those spy movies, where the spy gets a secret message from HQ and they say 'your mission, if you choose to accept it...' ok great. Now imagine if 007 said 'no'. This is the story about the backups, the team that takes the missions rejected by the Top Spy Guy. It's got diverse voice acting (in many senses of the word - you can tell the voices apart, it's not exclusively straight cis white dudes, etc etc), wonderful worldbuilding, great pacing, an excellent plot, I really could go on and on. I highly recommend this specific podcast to anyone who wants something light to get deeply invested in, that has a lot of comedy but also develops the characters outside of just their bits. 100/10 no notes

Edit: not sure which podcast/podcast enthusiast rb'ed this yesterday but I'm so glad more folks get to see this list!!! It makes me so happy that lots of folks enjoy this list, a d share their fave ones, and!!!! Aaaggghhhhhhhhh!!! I love podcasts and podcast enthusiasts!!!!!

Also I have another one for yall :3 if you're looking for another improv comedy to add to your list!!!

Hey Riddle Riddle - exactly what you think it is, but also so much more. Three friends/coworkers who also happen to be sensational improv comedians solve riddles and puzzles together, while also introducing bits and skits and reoccurring segments, so it never feels like 'just a Riddle podcast' (whatever that means). I have laughed every single episode, which is a big deal for me (some comedy podcasts only make me laugh every few episodes, and I require at LEAST one laugh per episode). I can genuinely say this is one of the funniest podcasts I've ever listened to, and the absolute best improv I've ever heard. I'm all for committing to the bit, and this one absolutely delivers on both the commitment part and the bit part haha. Seriously can't recommend this one enough if you maybe listen to a lot of drama/horror and need something easy to listen to (easy meaning there's not a plot you have to be intensely listening for, you can just enjoy it casually). 1000/10, please listen and also tell me YOUR favorite riddles :)

[chimerahyperfix]

You’re looking for something— no, someone, too, aren’t you?

(I can’t comprehend how you understand what’s going on, with your lifeless shell. Craft as you are.)

[beanghostprincess]

Okay you're making me obsessed with Sabosan- I'm in need to posts about them

Just an AU where they meet during childhood, like, Sabo and his parents go to Germa bc of some politic shit and he don't want to be there so he just walks around.

And be accident he finds Sanji outside the castle, crying, and he knows he is one of the princes since they were already presented to each other. But the boy is hurt and crying so much that Sabo can't not help him.

In the beggining Sanji is scared, but soon he notices the other blonde don't want to beat him like his brothers. They talk all the day and for the first time in Sanji's life, he feels like he made a friend.

When Sabo's family has to go back to Goa, both kids are sad but hope to meet again soon. After this, everything in Sanji's past happens (Sora's death, he being locked and running away).

Month's later, the nobles from Goa go again to Germa and Sabor receive the terrible news that Sanji is dead. This broke's his heart 'cause the boy was sweet and kind and even just being with each other during one day he was sure the prince was amazing.

Since Sanji were 8 and Sabo 9 during this, ge just meet Luffy one year later and all he can think sometimes is how much the two would love each other. But don't matter now, his friend is dead.

Everything happens, and years later he remember everything and all he can think is how he forget them? How he let other person he loves die? The boy is broke bc he lose another person.

And he is going to meet Luffy's crew, hearing his young brother talk about them when he says about a guy named Sanji and- Sabor freezes, he ask about him and this boy is identical to his dead friend- but can't be him, right...? He can't have hope.

When they arrive in the ship, he's knowing everyone and then he go to the kitchen with Luffy to meet said boy and- it's Sanji, alive. Breathing, older and so much beautiful.

And Sanji is looking at him too and- both are in shock. Luffy is there, confused and looking at the two. "Luffy, can I talk for a moment with your friend?" Sabo asks intenting to not show how he is emotional.

"Uh? You know each other?" Luffy ask but go outside the kitchen anyway, they still are silent during some minutes. Sanji is read to say something when Sabo hugs him.

"I thought you were dead" is all he says and the blackleg hugs him back, feeling bad for making Sabo think this.

Both don't say much, but they are happy they're together again.

Agh, you all know I am extremely weak for childhood AUs!!!!! This is beautiful :(

I can't stop thinking about Sanji obviously getting forced to meet Sabo, but he doesn't really want to because he always hates it when important people come over. Yes, his father is more distracted with them, but that leaves them a free day from training, and sometimes those are even worse than regular days. Because even if his brothers already make fun of him and beat him up when they train, whenever they're not doing anything it's even worse because they take their time and it's a complete nightmare. Besides, introducing himself with the name Vinsmoke has always made him want to throw up, even from a very early age, and there's this uneasy feeling inside of him whenever Judge speaks about him normally instead of saying how much of a disappointment he is. He prefers that rather than him lying to strangers because he knows what he says isn't true. He doesn't consider him his son, and he doesn't see him as his father either. It's nauseating.

When Sabo and Sanji get introduced along with the other Vinsmoke siblings, Sanji doesn't want to look up. He has to, of course, but he doesn't feel like being there at all. But he's even more scared of what might happen if he doesn't do what Judge says. When he looks up, he can tell that the kid in front of him doesn't want to be here either. He's good at pretending, though. He smiles politely and shakes their hands and it's obvious that he's been trained to act that way, but he doesn't look at all like a noble. He has a missing tooth and scratches in his hands and face and it's quite obvious that he tries to cover it (not him, his parents) but it isn't working for Sanji. Besides, there's this rage in his eyes that Sanji can't quite place but he knows something is going on with him. That just scares him even more, because, even if it's not the same rage his brothers have in their eyes, it's still rage. If he was a simple kid like all the others that have come to their kingdom with their families, Sanji would not be that worried, but he isn't. And Sanji fears the worst because he can't figure him out.

On the other hand, Sabo wants to jump off a bridge. He would rather drown than be here. Get the kid out of there!!!!!!!! He didn't want to come at all but his parents wouldn't stop pressuring him and tbh it was easier to end this quickly so he could go home even quicker (home being Gray Terminal and next to Ace, thank you very much). So he's on his best behavior so he can just quickly go back home. He hates them. The kids, he means. Rich, spoiled brats that are modified to be that way. To be selfish. To kill. It's disgusting and he despises how the father talks with so much pride about it. But- But he never, not even once, mentions the blond. He talks praise about all of his kids except him, but he also doesn't even mention him. Sabo can tell his name is Sanji because his brothers won't stop teasing him about stuff Sabo can't understand, but he knows enough to get that something's off. Whatever. Not his fight. Not his siblings. Not his responsibility.

But his sense of responsibility and morals are already strong enough to make him overly sensitive to this stuff, so he watches the behavior of the kids carefully. Their parents tell them to go do whatever because they're talking about "grown-up stuff" and they need to form "royal bonds for future needs" or whatever bullshit they keep making up. And, uh, Sabo fucking hates it. The kids are scary as fuck. Like, creepy. Type of thing he wishes Ace were with him for because this is way worse than the things they've seen happening at Gray Terminal. The way they speak about the staff and human lives is just disgusting. With no emotion in their voices other than plain selfishness and cruelty. They show Sabo around the castle and- And Sanji isn't around anywhere? Apparently? When he asks where he might be, that's when his brothers start trash-talking him. Calling him a coward. A weakling. Worse things Sabo does not want to repeat but- But it's just extremely fucked up. But again, not his fight. He can keep an eye on them but not intervene because he really, really wants to go home soon. And he's pretty sure this is just the way siblings talk about each other. Rich, noble siblings, at least. Even if Sanji seemed different, he's still one of them.

Sabo eventually gets bored of them, and also they're disgusting to be around. So he just disappears and hopes they don't give a fuck about him to look for him. That's when he finds Sanji crying outside of the castle. He really knows he shouldn't intervene. He never does when he goes to these meetings. But Sanji seems different. He's crying. These kids, in theory, should not be able to feel like this, right? There's just something so human about him, from the first second they saw each other, that Sabo can't help but want to protect him. He's not much older than him, but still. Sanji looks way weaker and shorter in comparison, and,, And in need of someone. Like he's always asking for help.

And so they talk. Sabo approaches him and the first thing Sanji does is flinching. He thinks Sabo is going to hit him, apparently? What the fuck. Sabo instantly kneels beside him to tell him that he is definitely not here for this, and why the hell would he even think that?? Sanji doesn't reply, of course, he just hugs his knees closer to his chest and looks away, hoping for Sabo to not ask more questions. But Sabo notices this glint of hope in his eyes that he doesn't want to show. Like begging for him to get him out of there. Sabo just sits beside him in a very nonchalant and very not noble way and starts talking. He tells Sanji how he doesn't want to be here either, and trash-talks his family and nobility and starts saying all of these things he only tells Ace about. He usually doesn't trust people so easily, and Ace would kill him for this, but Sanji needs this. And apparently, it doesn't bother him at all to give him this. Sanji starts opening up little by little, hope in his eyes and excitement starting to come out of his voice when they change subjects. Sanji, apparently, isn't like his siblings. In any way. And he likes cooking and sea creatures too! Sabo has a lot of stories to tell about those! And they keep talking and talking and hours pass and suddenly Sabo doesn't want to go home. It's not only fun to be here, but scary to leave if it means never seeing Sanji again and leaving him here. Especially when he tells him about everything his family does to him (because they end up talking about that) and he has to hold Sabo back from yelling because he has never been angrier in his entire fucking life. What the hell does this family think they are? Sanji doesn't deserve this. He's nice. Cute, too. Smart. Extremely sweet and empathetic. Selfless. Kindness itself.

But time moves quickly and they have to return to their ship. He hates leaving Sanji. He really does. But they promise to see each other again! He even gives Sanji his white handkerchief. The one he likes. The one that's all ripped and worn out. Because it's the one he uses the most. The one he uses when he's with Ace! And it has his initials engraved there, but the S is the only thing that can be seen, so it's okay! Sanji keeps it like a reminder of freedom and the fact that they'll for sure see each other again!

But they don't.

Because the news of Sanji dying reach Sabo and he's devastated. It's so unfair. And it's true. He knows he's dead and he can't do anything about it. But he also knows his family had something to do with it because he's not stupid. He has to move on past the rage, though, even if it's extremely infuriating and frustrating. He has to move on. Sanji, on the other hand, doesn't let go of the handkerchief and Sabo's words, even if he has lost all hope. Yadda, yadda, yadda, you know how the story goes. So Reiju helps Sanji escape and he knows he'll probably never see him again, but he still hopes. Sabo thinks, meanwhile, when he meets Luffy, that he'd love Sanji. With how much he keeps talking about food and dreams! And Sanji would love being here too. Well, not really, because Gray Terminal doesn't seem at all like something Sanji would enjoy, but it for sure would be better than Germa. And Sabo would be able to protect him too. It doesn't matter now, though.

Time-skip moment. Sabo remembers his childhood and his brothers and Sanji. And Ace just died. So great. It seems that the world is always against him. He doesn't have much time to think about Sanji because right now the only thing he has in mind is Ace, his fruit, and finding Luffy. But Sanji's image, for some reason, keeps appearing in his mind. He isn't sure why, but it's still engraved there. He tries to forget him, but now that he truly wants to forget, he doesn't. Fuck it. Well. Dressrosa happens. Yay! He got a brother back and Ace's fruit. Yadda yadda. We know how it goes.

He doesn't actually get to meet Sanji in Dressrosa because I'm trying to be loyal to the timeline, so let's say that this is post-wano and pre-egghead (and Sabo is fine and he isn't in the huge mess he's in right now). Sabo goes "oh, I want to pay an actual visit to my brother's crew. I didn't get to meet everyone properly" and that's when the cool stuff happens.

You know, he tells Robin first about it and she informs the crew and stuff. When Sabo gets there, the only one on deck is Luffy, so of course he gets all excited and jumps to hug him and keeps talking about his crew and how much he's gonna love everyone! Like Nami because she's super smart like him!!! And Usopp because he has the coolest inventions!! And Sanji because he is the best cook-

Wait, Sanji?

And it can't be, because his Sanji is dead. His Sanji can't be Luffy's Sanji, right? Impossible. He guesses it might be just a coincidence and tries to move on from Luffy's words. But then he starts meeting everyone and Sanji gets out of the kitchen to greet him and- Oh. Okay. Yeah. That's definitely him. He has not forgotten those eyebrows and blue eyes and bangs. He could tell it's him from a mile away. Sabo thinks it's his memory playing with him, but then he remembers Sanji's sudden death without any explanation and blames his young self for not realizing sooner what truly happened. What's funny is that Sanji had the same reaction, because when Luffy talks about Sabo for the first time, he freezes at the name. But he guesses it can't really be him, and Luffy doesn't talk enough about him for Sanji to make the correlation.

But no, yeah, it's definitely him.

As you said, they both freeze. And it's actually kind of weird because everybody is looking at them, but they're only focusing on each other so it's also extremely romantic. Sabo tries to act calm and collected when he asks Luffy if he can speak to Sanji in private, and Luffy instantly says:

Luffy: It's to ask for extra food, right?! I am not going to steal yours like when we were kids! I don't do that anymore! Usopp: He still does that. Luffy: But Sabo can have whatever he wants! Sanji will make it! But not more than me. I'm sure you're gonna do it just to piss me of- Sabo: Luffy, you can have all of my food if you want to. Just let me talk to him for a second. Luffy: ?? But why?! It's been so long. I want to be with you! Sabo: Because- Sanji: If you let us talk in private I'll give you two desserts. And more meat. We'll have whatever you want tonight. Luffy: OH! AWESOME! Nami: What is this about again? Franky: Yeah... It looks like you two know each other. Sanji: Who says we don't? Luffy: YOU TWO KNOW EACH OTHER? Sabo: No. Not- Luffy. Give us a moment. *They go into the kitchen together* Zoro: First he's a prince and now he's fucking Luffy's brother. Are we sure Curly doesn't have anything else to tell us? Luffy: He's not- Nami: Shut up!! I can't listen to their conversation through the door if you keep talking!

(She doesn't hear them at all, actually, because the others keep talking and Sabo and Sanji are pretty quiet and she gets bored of trying to spy on them).

They don't really know what to do except to stare at each other. Sanji is about to make some joke or something to make things lighter, but Sabo goes and instantly hugs him tight. Sanji feels he's about to start crying. Especially when Sabo says "I thought you were dead" / "Well, I am not" / "I can see that" / "I- I'm sorry. I truly hoped we could meet but- Things have been a little- Fuck. Just. I'm sorry. Judge- My-" / "Yes. I know. I mean. I don't know, but it's obvious you don't want to talk about it now and I know it's your shitty father's fault. Don't worry about it" / "... Alright" / "Is it weird if I don't want to let go of you?" / "Shut up. You're the one making it weird" / "You grew up. Quite a lot. Remembered you so tiny and cute" / "Oh, fuck you, I am not-" / "Still cute, though" / "You were nicer to me back then" / "You were less sarcastic" / "Touche" / "Hey! So you finally got to be a cook! And for the future king of the pirates! How does that feel?" / "Tiring. Exhausting. Frustrating... A dream come true" / "....... You look happier" / "I am.... Hey? Can you keep like- Holding me for a while? Because-" / "It's okay. Yes. If I let go of you I might start sobbing. This is fine. As long as we don't move, we're fine" / "Great". (Also have in mind that this is post-wano so Sanji is extremely sensitive and wants to kind of sort of die. This is probably the best thing that has happened to him lately. Or ever)

And this is getting reaaaally long already so to end this just say that they definitely end up kissing at some point and dating and then uh, things™ happen. But just think about them having a happy ending. I- I want to write a fanfic now. You can't do that to me. Ughhh. What if I did- What if I did write this fic- Thinking thoughts.

[nonokoko13]

Watch me make a shrine for a character we have only seen in bubble speeches and flashbacks

Jeeves I don't know you but you seem the only stable person in this wicked household. Thank you for being in Damian's life, unlike certain man

[change-the-rules]

oh Wait A Second

Hang The Fuck On

Ive Got Another Thing Actually my beloved eloise Also came up with the dumbass plan to claim to be whistledown when she was backed into a corner by the queen it was a stupid plan then same as it was for cressida

the difference being eloise was confiding unwittingly To whistledown who immediately did everything in her power to shut that shit down for obvious reasons

ELOISE WAS IN DAMN NEAR THE SAME POSITION AS CRESSIDA WAS

at least in terms of personal desperation and impending doom closing in like for the love of fuck no one else could have possibly been in a better position to if not help then at the very Least EMPATHIZE

if everything went exactly as it had but *before* the dropping of the 'friendship soured' Out of Nowhere eloise had tried to comfort or reason with cressida Especially from this VERY RIDICULOUSLY SPECIFIC AND NICHE common thread but nuture and fear won out and cressida still went ahead with her ill-advised gambit?

and their friendship imploded accordingly

I would Not be nearly as annoyed as I am now because hey I like angst WHEN ITS GOOD STORYTELLING like damn

IT WAS RIGHT THERE Y'ALL ELOISE LITERALLY EXPERIENCED IT SHE HAD THE SAME THOUGHT WHY DID NO ONE USE THAT

[lollytea]

The Blight family are so interesting IN THEORY. In execution they are....😬

[carnivalcarriondiscarded]

i love cakes filled with sprinkles. i think all cakes should bleed when you stab them

[crimeronan]

one of my fave phenomenons that i see semi-frequently in people newly diagnosed with ADHD is worries about Faking It, which happens with basically every physical and mental disorder, except with ADHD i'll see people specifically be like. "i took my first dose of adderall eight hours ago and i didn't really feel anything and i didn't do much at all and i'm not sure it works, maybe i actually DON'T have ADHD or executive dysfunction and made it all up to excuse my laziness??"

and i'm like. babe. dude. my guy babygirl broski pal please . please listen to me. if you did take adderall while not having ADHD. You Would Know About It Very Very Very Quickly .

[spearxwind]

Oof I'm kinda scared to ask... Why do you not want to be an artist professionally?

Its just like, incredibly miserable in my experience.

Everyone wants their dream job of being paid to draw whatever the hell they want but 99% of the time you are hired and tasked to draw things that you don't have a lot of interest in, professionally speaking, and constantly getting your artistic efforts undermined by the rest of the team (this is esp. true in the videogame industry) artists always try to push for better designs and get their takes watered down for the sake of general public pleasing. Also you don't have a security blanket unless you're under long term contract. Most freelancers live gig to gig with the fear of not being able to support themselves if they don't take a job to take a break. Videogame and movie jobs arent stable because companies never keep the art teams, they are laid off and rehired whenever there is a new project

During my major, I drew nonstop for 4 years for class. Not always things I enjoyed, but also not always things I didnt like. In fact I enjoyed my major immensely! It was so fun. But the burnout is very, very real, and the workload was similar (even inferior to) regular art jobs. What happens if you like to draw in your off time? You spend your days making and pumping out art nonstop for hours, and then on your free time breaks you draw some more? I personally couldn't do it. I just wanted to do other things

And like.... I spent the first three years being told by teachers (people with stable, contract based jobs) how cool of a job it is to do art, and then the last year getting grilled on how insanely hard it is to make it out there. If you don't have connections, money, an audience, a studio, it's actually impossible. You need to be your own lawyer, abide by the very strict self employment rules that take a severe chunk out of your earnings. Do all of your finance/schedule/marketing etc while on top of that constantly producing work (I know there's people who can do it but, personally, I cannot) I really admire the people who were able to build themselves up as artists from the ground like this (because its definitely possible, just insanely hard)

Also, making something you love into your job ends up being miserable too. I experienced this with patreon, which I posted to as like a chill thing and it just got increasingly hard to make content for it or just post in general, even drawing my own ocs and sharing stuff about them started to feel like a chore.

Maybe it's just me though, this has just been my personal experience but yeah in general I realized I am immensely happier just keeping art as a hobby or its gonna suck my soul out (Since I already experienced it)

I don't mean to discourage anyone, I think the world in general needs more artists. But for that we would need to actually be taken seriously and valued, which sadly we are not, at all. And if there's anyone reading that is considering art as a job: it is absolutely grueling. It's not an easy job. Even if you desperately love art it can suck the life out of you and the joy for what you do

(As an extra sidenote. Artists are usually exploited using this mentality as well. That they are supposed to love their job. So they expect you to work your wrists off "For the passion". Dont fall victim to it)

[mcnjushcge]

ukrainian hetalia fans try not to be sinophobic challenge FAILED

[lyss-butterscotch]

How did the bond between Moon and Pebbles change before and after the big incident?

Before the incident, they never truly got to be siblings. Moon would be estatic to have Pebbles as a sibling and at this point feared messing up their relationship. 'I have someone to be my sibling now, someone i could talk to, i'm no longer alone in this life anymore'. So she's way too lenient and fussy over him, she overly worries about his feelings, doesn't correct him when he's acting out, and offered to do work if he thinks its too hard. Pebbles being on his stubborn phase would think Moon is too constraining with her attempts to bond and... underestimating him for not giving him adequate work. Which leads to him being distant, and their relationship remains professional despite Moon's attempts to bond.

After the collapse, Pebbles got ALOT of time to think about Moon's intentions. Sig confronting him helped him realize 'look how much she cares, shes not perfect, but you never gave her a chance' to add to the 'i caused her collapse' guilt. So the first thing in his mind when she wakes up again is 'make it up to her make it up to her make it up to her'. Moon on the other hand is freed from her can, she feels less constricted. Both in a 'im no longer stuck there' and 'i no longer feel alone since i can go meet new friends out here' way. Now its Pebbles' turn to be the fussy one out of obligation to repay his sin and fear of losing one of the only people who cares for him, even if it means getting subjected to her fussing. And along the way even if it took a while, they'd come to an understanding, set boundaries, and maybe Moon's liveliness rubbed off on Pebbles too and they can start building a more genuine sibling relationship.