Mori Ougai’s belief as the boss is [...] “The boss stands on top of the organization, and at the same time, be the slave of all.” For the sake of the organization, the boss must always take the “logical optimal solution.” That is the duty of the boss. [...] “Therefore, no matter how much your heart aches, you have to ignore your personal feelings.”
Kafka Asagiri, for the BSD exhibition
On Mori and regret.
This man acts based on his perceived "optimal solution". It means relying on cold logic, detached from (his own and others') emotions. In that way, he fits right in as one of the smart characters of BSD, contrasting for example Dazai's way of working with/around people's feelings, and Fyodor's way of manipulating and twisting those feelings into monsters.
Mori remains cold, logical, distant, efficient. It meant disregarding Yosano's and the soldiers' deteriorating mental health during the war because the concept of an army that cannot be wiped out was too good. It meant following Natsume's plan and taking the old boss' place himself to fix Yokohama's underground and protect the city and its people. It also meant disposing of Mimic by sacrificing Oda in order to get the special ability business permit, despite (and perhaps because of) Dazai's attachment to the man.
The thing is, humans are not logical creatures, and will inevitably encounter conflicting emotions.
(does this look like the face of a man without regrets to you?)
Mori in Dark Era tried to pass on to Dazai his practice of putting aside his own feelings for the sake of choosing the most efficient solution that will benefit the group. It backfired spectacularly, so much so even, that Mori regrets it to this day.
For the BSD exhibition, Asagiri wrote some individual character commentaries, all very interesting insights into their characters and the writing intentions. For Mori, here's what he wrote:
“He who fell out of the optimal solution”
Mori Ougai’s belief as the boss is described in the novel “Dark Era” and “Dazai, Chuuya, Fifteen”. That is “The boss stands on top of the organization, and at the same time, be the slave of all.” For the sake of the organization, the boss must always take the “logical optimal solution.” That is the duty of the boss.
There is an unspoken additional point to it. “Therefore, no matter how much your heart aches, you have to ignore your personal feelings.” We can catch a glimpse of that in this scene. [the ADA-PM alliance meeting]
Mori’s expressions after “Burnt it.” and “Like what you did to your predecessor”, gave us a glimpse of his true feelings that were made sacrifices for the sake of the “logical optimal solution”.
(By the way, it goes without saying that Dazai is inducing Mori’s thoughts by words that will make him regret the past. It is to make him decide to form an “alliance”.)
source and translation: Popopretty
(notice the inclusion of Hirotsu in this scene. Remember that later, Hirotsu suggests that Dazai knows why Mori did what he did to overthrow the old boss, which, in my opinion, is both a proof of Dazai's support in Mori's goal, and a reminder to uphold it.)
One of my favourite parts of the Dark Era light novel is a small scene during the epilogue that was not adapted into the anime. This is two weeks after Dazai defected:
To quote Asagiri again, "Therefore, no matter how much your heart aches, you have to ignore your personal feelings." Mori is conflicted about the outcome of the Mimic incident. He holds in his hands the Silver Oracle he himself gave to Oda, and reflects on its purpose: to "help the man mentioned above without hesitation in the face of any and all trials". Didn't he fail to do just that with Oda? Didn't he set him up and sent him to his doom? Didn't he abandon him to his trial?
But he rationalizes the events by saying he got the permit they so badly needed. No matter if he sacrificed one of his men. No matter if he drove Dazai away. He accomplished his priceless goal. It was a total success.
And yet, he poorly folds a paper airplane with the very Silver Oracle he gave Oda, throws it, watches it crash immediately, and mourns the loss of his right-hand man, without ever moving on.
But we have a direct example of Mori expressing regret.
The perception that Mori in BEAST is a completely different character than Mori is in canon, when that perception doesn't extend to any other character from that universe, rubs me the wrong way. The characters in BEAST are very similar to their canon selves, with some core traits getting a new twist. They are all one or two major life changes away from becoming these versions of themselves. As far as we know, Mori's only life-altering event was being forcefully removed from the Port Mafia by Dazai, and secretly put in charge of Atsushi's old orphanage.
Mori unambiguously made that orphanage a better place, as stated by Atsushi himself. BEAST!Mori is a lot softer, vulnerable and honest. That Mori offers to be a father to Atsushi while he heals. He also expresses regret in not being able to help Dazai when he was in his care.
I think it's very interesting, especially when knowing that Asagiri wrote both BEAST and Fifteen at the same time for the Dead Apple movie, because in Fifteen we have this:
The beginning of the first chapter of Fifteen is a gold mine. It is narrated from Mori's point of view, the man of logic and calculations, and yet it is full of doubt. He is alone and struggling to fix everything with so many people against him. But, throughout this scene about grasping at the Port Mafia's power, there is also this secondary thought being woven in, of Mori having started to actually care for Dazai.
The teenager is scary to him, smart enough to be a threat should he decide to be done with all this and turn against him, and yet, he immediately (and with a hint of sadness) finds that Dazai reminds him of himself. This lonely, lonely man found a kindred spirit, bright enough to grasp any situation in seconds and prone to using an uncomfortable obsession to divert and keep you guessing his true intentions. Mori entered Mentor Mode™ then. He taught Dazai his ways, he shared his struggles and thought process, he fought tooth and nail to keep him alive.
So when he asked Dazai why he wanted to die, it was with the concern of someone who has started to care. It was with the mind of someone who is trying to prevent the worst by fixing the problem at its source.
(translation: Reneray)
But it's also that self-projection/ability to relate that made him drive Dazai away, when he pushed too hard and forced Dazai to adhere to his optimal solution philosophy. Because Dazai cannot separate himself from his attachments, could not ignore his emotions like Mori does, and chose Oda over Mori's logic. From Dazai's point of view, that was betrayal. Mori and him were accomplices!
Dazai planted the idea that Mori was afraid of him taking over as boss, and Mori seems to agree with that thought (would it be because he feared for his life, or for Dazai's ability to replace him?) Yet, for a man afraid of his closest subordinate backstabbing him, he seems to be hanging on quite hard to the possibility of Dazai coming back, leaving his seat open to this day, inviting him back twice in the same arc, and...
(yeah I used this picture at the start too. "I hAvE nO rEgReTs" he says)
Mori may try to convince himself he feels no regrets and no guilt over his own actions by weighting gains and losses objectively, but he still hurts and has a very hard time moving on. He's human despite his best efforts, prone to mistakes and doubts. He's lonely and wishes to impart his knowledge onto others. His cold logic has both helped him in fixing the city, and alienated him from some of the people he most cared about.
In a similar vein, should the ADA employee transfer be of topic again, and should Mori clash with Yosano again, I wish we get to see some similar conflicting emotions in Mori between the usefulness of Yosano's ability, and Yosano herself as a person. The war was 14 years ago, that's a long time, and I want to believe that counts for something.
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fashion!au, sixties or fifties, thought up with @karabin4ik :з
Jeeves the famous fashion designer, one day was having coffee on the veranda at a cafe and reading a newspaper. In an instant this newspaper was snatched from his hands by a certain tall stranger. He hid his face in it, sat down opposite Jeeves at the table, and stood still. Reginald was about to be indignant, but a girl jumped out of the corner of the room, looking round with frantic eyes for this particular stranger. Without noticing him, she went on along the street, and the strange fellow awkwardly and apologetically returned the paper and fled. Jeeves remembered his hideous suit and tall, slender figure: he had long needed models of that build for his new men's collection. But everything happened so quickly that Jeeves didn't even have time to give him his business card.
The next day fate was favourable to Jeeves: walking along the seafront, he saw the couple again. They were talking in high tones, and the fellow with the long-suffering expression on his face was trying to get out of the conversation. Using all his charm and politeness, Jeeves stepped in and helped the stranger out of trouble. In return for the favour, Jeeves offered him a ride to his costume studio to try something on. So this is the moment:
(by the way, Jeeves' costumes won't be to Bertie's taste, so he leaves, but Aunt Dahlia finding a crumpled business card in his flat will make him come back)
DBH!au, thought up with @karabin4ik :]
In this au the Wooster family is in the business of manufacturing and selling high-end universal android servants all over England and the world. At some point their company invents a new model RJ0 - the ultimate android servant that can literally do everything and satisfy your every whim. It is perfect in everything, but because of the crude software it sometimes shows its character and acts not quite according to the master's expectations.
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I feel like people tend to forget that the reason children are on websites they really shouldn't be on, like Twitter for example, is because there are no spaces on the internet anymore specifically designed for children, unless it's for babies or toddlers.
The death of Flash also meant the death of thousands of games and websites specifically designed for the 9-13 demographic. Now granted, several games died long before Flash did (like the Holy Disney MMO trio - Pixie Hollow, ToonTown and Club Penguin) but there were other websites designed around what kids would enjoy. Sites like Kongregate, Sploder, GirlsGoGames and others were designed with kids in mind.
These sites were special in the sense that it gave fun games for children to play without even really needing to interact with other people directly. They could play the games and have fun. If they wanted to make friends they could, and oftentimes these sites had moderation to prevent kids from having full control over what they could say so as to prevent bullying and potential cyberstalking.
But now Flash is dead, and there's barely any hangout spots for that demographic anymore. I think the last remaining game you can play that doesn't require Flash that was a major part of the 2010s game nostalgia was Wizard101, but that game comes with the flaw of membership programs, similar to all the other MMOs that existed at the time.
Needless to say, the next time we ask in annoyance why there's so many 12 year olds on Twitter and Tik Tok, remember that it's because there's literally no online spaces anymore solely for them and only them, that majority of adults wouldn't step foot into anymore.
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