if you liked disco elysium, you'll also like...
these books:
the southern reach series by jeff vandermeer (2014 for these three books, with a new book coming this fall)
perdido street station by china miéville, the memoirs of stockholm sven by nathaniel ian miller
these games:
the thaumaturge (2024) (yeah, that's rasputin)
NORCO (2022) (underrated point and click narrative game in a near-future new orleans)
kentucky route zero (2013) (it's so fucking good)
pentiment (2022)
these shows:
true detective season 1 (2014) and also season 4 (2024)
the leftovers (2014-2017)
dark (2017-2020) (german show - netflix will try to default to the dubbed version but don't let it!)
981 notes
·
View notes
something else i thought was really interesting about i saw the tv glow was the way that there's never really talk about like...the pink opaque as fiction/the pink opaque as a creative work - which makes perfect sense since within the movie as a fable, the pink opaque is a metaphor and is moreover more real than "reality," but on the fandom-engagement level it stood out to me!
i'm again speaking from experiences about a generation removed from the 90s/early aughts era and i think there's very much something to be said of modern fandom and the way it's moved into this weird space of desiring validation/"canonicity" from showrunners, much to do with the ease of accessibility to those people. two kids in the jersey suburbs in the 1990s wouldn't be able to just reach out to the pink opaque writers the way that a contemporary audience can dm/reply to/etc. showrunners on social media etc now. but even so, it's a glaring sort of absence - when we see the pink opaque opening theme, the character names show up where you'd expect actor names (and where actor names do show up in the buffy theme, which was a major inspiration). we don't know how long it's been on the air or who created it or where "the county" even is (because it doesn't matter, because the suburbs are the same everywhere forever)
we know it's at least a pseudo-popular series - it runs for five seasons, and merch exists (the episode guide maddy has in the beginning) - but because the film is essentially a two-hander we don't see a wider world engaging with it. because isn't that how it always is? the story is what you make it.
and the streaming version in the third act pushes this even further - it's a different show entirely, again because isttvg is a fable, it's not a literal movie, and it pushes you against a literalist reading. it's different because owen/isabel is miserable and can't even take solace in this thing she loved anymore. it's different because if you watch something alone it's a world away from watching it with your friend. it's different because somebody ripped out its heart.
111 notes
·
View notes
Hello and please look at the Stratford Festival’s poster for Richard II. Because I am obsessed:
The play’s been adapted by the queer playwrite Brad Fraser, it’s set in late ’70s/early ’80s New York (aka disco era), and they’ve got a nonbinary actor playing Richard.
I swear I’m not hired by the Stratford Festival, I’m just really excited about this production. Here’s a link to their website, for those curious:
Edit: the Stratford Festival is in Stratford, Ontario. Sorry if I got anyone in England’s hopes up.
1K notes
·
View notes