#dissertation how to write

[akajustmerry]

She cried for other reasons too — that the “Succession” chapter of her life has ended. “I’ll never have an opportunity to speak those lines, or get given new lines, new jokes, new worlds for Shiv and Roman to exist in together,” Snook says. “Just sadness for never getting a moment to play with these brilliant actors again.” (When I tell her that Culkin had said to me that perhaps Shiv and Roman might make up at some point, Snook brightens. “I feel like Shiv and Roman would reconcile in a way where he would be the shitty but great weird uncle for her kid, and there might be some sort of strange little family unit that gets splintered off.”) - Sarah Snook, Variety.

Kieran Culkin as Roman Roy and Sarah Snook as Shiv Roy | Succession (2018-2023)

[croquettish]

Claustrophobia as a Metaphor for Hans' Feelings for Henry

All right. I'm ready to go full tinfoil hat here but I have a theory, y'all. And there is a lot of evidence to back it up even if you decide I'm off my rocker for most of it:

I think Hans' claustrophobia exists in parallel to his feelings and, more importantly, how Hans feels about his feelings for Henry.

We first get the hint that Hans is claustrophobic when he and Henry get tossed into the dungeon at Trosky:

This is immediately post-divorce era. The boys haven't quite yet made up and Hans has gotten his first taste of what life is like without Henry. He did not care for it, and that realization comes alongside an incredibly unexpected vulnerability that Hans is not used to and has not had to deal with before.

The threat of losing Henry before was of course something he could conceive of before, most recently following Henry's ~terrible fall, but that would have been losing him in the abstract. If he lost Henry because of their fight, that would be (at least in his eyes), 100% his fault, at least in part because-- as you'll recall-- Henry was ready to make up literally the next morning. Earlier, even, if you watch the way he tries to look at Hans while Hans is stubbornly staring away as if to keep from being persuaded by Henry's puppy dog eyes.

The divorce era presented a different sort of loss, namely losing Henry not because of God's will, but because of his own stubborn pride. He got Henry back after, but the risk was there and it's only after getting him back that the full weight of what he almost lost hits him. At the beginning, when he's still panicking in the cell, he's still in what he perceives to be the proverbial doghouse, and he promptly follows this up by eating crow and apologizing to Henry for being an asshole.

Panic abated.

Until Henry is taken away from him, of course, and the walls truly start closing in. I have to really commend the creative direction of this scene in particular because that zoom out + transition to a Dutch angle is so fucking haunting in this scene while we watch Hans clearly trying not to have a full breakdown. It really induces the feeling of claustrophobia even if a person doesn't suffer from it themselves.

Henry was taken away from him, and as far as he knows, he might never see him again. No wonder the walls start closing in on him.

After that, things return to normal. No bad claustrophobia concerns for some time, incidentally. Henry is there, and his feelings regarding Henry are completely logical and rational. What a good friend Henry is!

The next time we see Hans' claustrophobia flare up is after Nebakov is hit by the Finger of God/bombard. Hans is trapped under a beam and is (understandably) freaking the fuck out. We also know from his dialogue later on that this scene magnified his claustrophobia even more than it was before.

What's notable, however, is that Henry at this point is barely conscious and isn't responding to Hans. As far as he knows, Henry isn't alive. That bombard could have easily killed any/all of them and tbh it's kind of a miracle that it didn't. Never mind that after his brief foray into consciousness, Henry is promptly hit by a full-length ceiling beam and (presumably, logically) knocked the fuck out. Meanwhile Hans is being crushed by his own fear of his feelings.

We obviously don't know what happens between the time of the tower's destruction and the scene in the cart after, but we do know that Henry was woken up at dawn to the commotion and by the time they get done being tortured, it's very late at night. So presumably Henry was out cold for a while there. Not only are the walls closing in on Hans here, they're literally crushing him. The fear of losing Henry is more present than ever.

And to make matters worse, he has no idea when or even if he's ever going to see Henry again. Henry has no value as a hostage. He could easily be simply disposed of without a second thought.

Henry could die, and it would, in Hans' eyes, be all his fault. At this point his feelings on the matter are guilt and a tremendous amount of self-pity (as we later learn from Brabant). As if to coincide with Hans being confronted with his feelings regarding Henry and the loss of him at this point and time, he ends up stuck in his gilded cage at Maleshov.

Once again, the walls are closing in.

We learn about how he felt about this only later when we chat with him at the Devil's Den:

The big problem with the room, Hans explains, was simply that he couldn't leave.

If we bear in mind the claustrophobia : confrontation of feelings metaphor here, this makes sense. Henry could be dead. He could have been tortured. He could still be in captivity. Hell, depending on how you play Henry being tortured, he even tells the torturer to just go ahead and fucking kill him because he's not talking. Henry was ready to die.

Hans knows Henry. Extremely well. He knows that Henry has some truly insane principles that he will stick to no matter what. There's no doubt in my mind that Hans probably knows there is a good chance that Henry doesn't make it through this. And he's confronted with all of these feelings over an extended period of time where he gets to sit and spin.

In light of that, I think it's interesting that he calls it a hole, because I would never use a word like that to describe what is effectively a fancy hotel room. But figuratively speaking, of course it's a hole for him. He's despairing. He needs Henry in his life and there's nothing he can do to get to him or to save him. He can't leave.

And then, of course, Henry shows up after all. No wonder Hans looks so unbelievably elated to see him. Of course, this is when Henry brings up the secret passageway. Hans is told that he can leave this enclosed space for another, even tighter enclosed space!

Now, if you pick the correct dialogue option here and tell him that you'll make it through, together, Hans of course discloses that the shit about how it's not ~chivalrous was bullshit and that it's because he might endanger him:

He just spent the last x amount of time (depending on how long you had Henry dilly-dallying around Kuttenberg and its environs) trapped here and steeped in his feelings regarding Henry. The fear of losing him is at the top of this list. To Hans, going into that passageway could also make him lose Henry. And it would be his fault. Again.

There's also something to be said here about close quarters. If we're to return here to the metaphors, then those close quarters force Hans to confront his feelings for Henry. Henry even says it himself back when they're in the Trosky dungeon together:

From there, it's on to Raborsch. Which is where things get very interesting.

Hans is told that he's going to be getting married. Much like in the Trosky dungeon, we get that zoom (albeit in the other direction this time) and then his POV. The way time seems to slow, the wobble of the camera... being something of a panic attack haver myself, this is exactly what it feels like. It is honestly impressive how well they mimic the feeling of it. And the way it's executed almost makes it look as though the room is shrinking.

This is my own personal headcanon that will probably not be shared by most people, but I think this is the moment that Hans realizes that he's in love with Henry. It would make sense for him to feel faint and like the walls are closing in on him in that moment.

It's also the worst possible moment for him to realize.

And then he proceeds to try and shove those feelings aside and repress them as best as possible. Nevermind that yet again Henry isn't there to help support him.

There was a wonderful post going around the other day about why Hans' responses to the romantic dialogue options Henry chooses sound so platonic. Because... yeah. He's holding that shit in TIGHT. He is on LOCKDOWN.

And we see that reflected in where he chooses to place himself physically after that point!!!!

After the announcement, Godwin can find him outside on the balcony getting absolutely hammered and talking to Rabbi Jehuda.

Even at the Devil's Den, where he's objectively free, he feels... crowded. Like the walls are closing in on him:

No fucking wonder. If he just realized that he's in love with Henry, then at this point in the story he's still trying real hard to repress that shit. Hans is erecting these walls himself as if he's trying to choke these feelings out of him. It also makes sense why he's constantly going out to get away from this confrontation of feelings as much as possible, riding out whenever he can:

Even in the group meeting with the Devil's gang, he says this:

Now it's the whole tavern! Anywhere that has walls and a roof is choking the life out of him! And of course here Henry is suddenly fucking everywhere.

When talking to him about the rides he goes on in the surrounding areas, this line of inquiry leads him to ask if he's fucking poaching again, and Hans comes back by saying this:

Allow me to just say.

And I cannot stress this enough.

He did not need to tell Henry that.

Henry tells him as much, but it feels fairly obvious that this was said with intent. It's like he's trying to reinforce his own heterosexuality to both him and Henry.

I would also like to highlight here that to Hans, it's always outside that this heterosexuality occurs. Even at the baths those hookups are merely in tents. The girl from Bohunowitz he found in (or near) a hunter's camp in the forest.

So we see a pretty direct correlation here. The inside of pretty much any building (or passageway) that also contains Henry or the Absence of Henry (in the abstract) is profoundly unsafe. This is the space where feelings always seem to happen and where Realizations™️ occur.

So! The outside is safe! Nothing can get him there, not even his feelings for Henry!

It's interesting, then, that Hans decides to invite Henry into that very space not long after:

Even in the space Hans uses as an escape (including as an escape from Henry), he still wants Henry there. Much as I discussed in this post, Hans views hunting with Henry in this scene as an escape into the past. Pre-betrothal, pre-feelings. A simpler time and a return to normalcy.

Naturally, he has to counteract Henry's presence in the Comphet space by bringing up as much heterosexuality as possible:

He brings this up regardless of how you respond.

Depending on your dialogue choices, you then learn that the girl from Bohunowitz is named Karolina. (Tbh if I didn't know better, I'd assume she was fucking made up seeing as she shares a name with the same girl he was running after in The Amorous Adventures of Bold Sir Hans Capon and there is no such girl to be found in Bohunowitz.)

Regardless of whether you chose to tease him or grumble about his womanizing, Henry makes it pretty clear that he doesn't want to hear about it. He says something similar as well earlier, when Hans says that the girl from Bohunowitz (who may or may not be made up) gave him a ~ride:

Hans quickly changes the subject, but Henry keeps them on topic and brings it up again, effectively asking him if these wenches are more important to him than he is:

(Tbh it's pretty fucking obvious from these interactions that Henry is already feeling quite a lot here and is looking for validation from Hans... which Hans then, perhaps unwittingly, provides. Maybe he just can't help himself. The truth slips through the cracks.)

Hans immediately reassures him, of course:

At which point it's Henry's turn to brush him off and put some distance between them again.

Distance which Hans immediately closes up again...

... only to freak out and instantly backpedal.

The assault on Maleshov really hammers this connection home, where even outside, he can't run from his fear.

In this case, because the Finger of God fires and hits the fortress walls.

Hans falls back and just... stares.

And just stays there for a while. For long enough, in fact, that Henry and Godwin have to come help him up.

Henry, in this instance, is both the problem and the solution: all Hans has to do is accept the fact that he's in love with him—with a little help from Henry.

And then we get to the Italian Job. Hooo boy.

It does not escape my attention that these two dialogue options come up in the same conversation, one of which of course leads to a romance choice:

Henry tries to insist on how much he enjoys Hans' company only for Hans to brush him off. Quite substantially. Like if I was Henry I'd be fucking gutted or at the very least baffled that my friend could be that obtuse when I'm over here dropping all these hints.

And then, of course, Hans promptly panics again when Henry brings up the underground passage and asks if he's joining him in going through it (almost as if those two bits of panic are related).

He even brings up societal judgment! But I think it's that last one that carries by far the most weight. He's still looking for any possible way out that he can find and asking for validation from Henry while he's doing it. Which is asking quite a lot of Henry imo.

Of course, then he suddenly doesn't have a choice anymore. Which is also where Hans actually comes to terms with his feelings. He has to go through the passageway. There's no choice. The walls are closing in and he has to accept it or he'll go insane if he keeps repressing any of this any longer. The narrative is practically telling him: you can't run from this anymore. His feelings for Henry are real and they're right in front of him and they're not this terrifying thing that he's been running from all this time.

Katherine tells Henry that Hans was trailing behind Godwin and her "like a dazed sheep" and that she hopes he didn't get lost.

The good news is that he didn't. Instead, quite the opposite happened: he finally found his way to accepting how he feels.

And when he does, he finds that he's no longer afraid of them. Suddenly, as if out of nowhere, confronting his fears meant that they're not nearly as terrifying anymore.

Again, Henry asks if he's really all right, and Hans insists that he's never been better. No fucking wonder. This was a come-to-Jesus moment if ever I saw one.

And then he checks on Henry. All this time, he's been looking at his own fear, stuck in this, quite frankly, closet, and not thinking about how Henry has been feeling.

Even so, Henry is worried. At which point Hans gets to reassure him that, no, he's all right. In fact, the one holding him back and hurting him most in all of this has been none other than himself. If anything, Henry has been encouraging all this time. He does his job well. And that includes loving Hans.

Henry suggests that he overcame his fear, and Hans insists that no, that's not quite it.

Which makes sense. You don't just overcome your fears by facing them. Certainly not something like claustrophobia. It's also unlikely that an actual miracle occurred here. If you listen for his idle talk before or after this conversation, even Hans is absolutely baffled that he just... overcame his fear. Just like that.

To me, that suggests that this is about something else entirely, and not tight, enclosed spaces at all. He's always been afraid to face this part of himself.

In fact, if we recall what happened during their successful siege on Maleshov, Hans fell and couldn't recover without aid. Here, he fell and got himself up again because... it didn't kill him. It's okay to have—wait for it—fallen in love with Henry.

Is this a stretch? Maybe. But the fact that it happens twice makes me think that it was done with intent.

(If I wanted to bring in a real stretch here, I'd suggest that there's meaning behind the fact that Hans helps Henry up to his feet several times, first after his terrible fall at the beginning, while they're walking to Bozhena's, and again after he's on the floor getting kicked at the Semine wedding. If this was meant to be a hint as to where Henry realized that he was in love with Hans, having lost him first almost to death and then again to the divorce arc, it wouldn't surprise me tbh. He fell, and Hans was there to be his solution—the only difference is that Henry wouldn't have had a problem accepting it the way that Hans did. But, like I said, this one is a stretch.)

All of which brings us to the second confession.

Henry tried telling him this same exact thing before, after nearly losing him to the noose and their temporary split. Now he's saying this exact same thing again. Which feels... pointed and frankly intentional.

And this time, Hans responds in kind. He also cares about Henry. He's just really bad at showing it sometimes.

Because of course he's bad at it. He's spent the whole game thus far stuck in a closet of claustrophobia battling against his own internally homophobic demons.

But his success in a) escaping that closet and b) battling those demons brings us to the promised land.

Where they fuck in a (relatively, considering Hans' fear from before) small room and with Hans underneath Henry, the safest ceiling to come (down) on him of them all ♥

[thychesters]

the sea is lovely, dark and deep. zolu ; 78k ; post-time skip; time loop (temporary) main character death; graphic depictions of violence; mentions of blood and gore; body horror

“What’s wrong with you, Zoro?” Luffy asks, stopping him in his tracks and pinning him in place with a simple look. There’s nothing else to it—not anger, no annoyance, just a tilt to his head and that tiny line forming between his brows as the corners of his mouth dip.

He’s already seen their deaths too many times, thought about them all more than he ever thought he would.

It was never supposed to go like this.

I’m sorry I failed and watched you die and I can do nothing to stop it, he cannot say. I know the weight of you in my arms, know what it’s like to cling to all of you and lose you, and I have lost you and will continue to. I can’t stop it, I will stop it. I can’t lose you again—“I’m fine.”

read on ao3.

[blue-likethebird]

Link can’t understand Fi anymore, but he can understand Hylia. Zelda can’t hear the voices of the goddesses, but she can hear the voice of the sword. These ancient divine figures -so inextricably linked to the heroes of old that it’s almost impossible to tell where one ends and the other begins- may not be able to commune with the spirits that bind them to the mortal world anymore, but they continue to guide and comfort the people who mattered most all those lifetimes ago

[mulders-too-large-shirt]

i think it is fascinating that the first time we see mulder have sex (in 3) and the first time we see scully have sex (in never again), both of them approach it fundamentally as an act of self-harm.

mulder, wracked with the grief of losing his partner, trying to save this woman he just met as an act of penance, while scully's necklace dangles around his neck.

scully, processing that she does not have much longer to live, feeling terrified and frustrated, once again trying to force herself into doing what society expects of her, as if that will bring the happiness she has been denied.

i just think it's neat.

[satoruxx]

who do you think would be more devoted, satoru, suguru or shoko?

oh em gee hi nonnie :333 it's been a milennia since i got a sashisu ask so i'm VERY sorry for the novel !!

well.... i think they all have their moments but most devoted would probably be suguru. AND I WILL EXPLAIN WHY !!!!

i just think suguru tends to be very selfish when it comes to love. not like.. in a bad way... but to him love means that he has already given himself to you completely. he expects it to be understood that his love runs so deep he physically cannot fathom letting you go. suguru has always been extremely loyal to what's his—whether that be his morals or his friends. i think he puts a lot of value into making connections. so for him, when it comes to love, i think he would be very steadfast in it—often finding it difficult to disentangle himself from those emotions. and i feel like that depth is what makes him the most likely to become obsessive over devotion. (like... cult leader suguru would become so fixated on the idea of devoting himself to you that it can start becoming almost parasitic) basically, suguru could absolutely devote himself completely to you, and in a normal relationship that translates into extreme and fierce loyalty. but any kind of toxic or twisted dynamic and that's turning obsessive and probably too emotionally dependent.

satoru is definitely devoted but in a very generous way. he can love you so deeply but be alright with letting you go. to him, that's the biggest act of love he can commit. he sees a lot of drawbacks in letting you be with him, so he would much rather devote himself from afar and let you live a life he probably cannot give you. in other words, his emotional investment in you may not always come across as fully attentive because his perception of dedication can be too focused on what he deems is best. satoru's devotion plays on a fine line between his loyalty to you and his loyalty to his own ideas. he has such a strong connection to his own ideals that once he perceives something, he will always do what he feels is best in that situation. the problem is that might not be the most pleasant thing for you—but if he thinks you're better off with someone else he will let you go. (see i don't think suguru would be able to do that. suguru will never be able to give you up.)

shoko's devotion is the most subtle, but i think it would be the most stable. it might take her a while to get to that stage (i don't think it's as easy for her to fall into obsession compared to the other two) but she will be dedicated to you. shoko may not be the most expressive, but she is the most emotionally grounded. she has always shown consistent loyalty to things she values, so i think her devotion to you would be dependable and pretty nurturing. i also think she has a very mature perspective on her relationship with you, and she'd be more concerned with creating and maintaining that bond. so basically... i think she'd be the most consistently devoted if that makes sense.

so yeah, suguru is the most intensely devoted, but his devotion is easy to become entangled with other emotions. satoru is devoted, but it's more external. he tends to do things for you that he feels is right. and shoko is the devoted in the most stable way.

[lovingherwasgay]

listen...

[thisantithesis]

klance fic that focuses on the time keith spent on the space whale and the horrors that he went through and then learning how to reintegrate with the team again after being gone for two years when for them it was only a couple months pls save meeeeeee

[catastrophiccerealkiller]

hello just came here to say i hate rhysand and cassian please die thank you for listening to my ted talk.

[regulusrules]

To AJ Barner who wrote an entire PhD dissertation about fanfiction:

if you are here on tumblr, please i just want to talk (AND YOUR AO3 ACCOUNT)

From: "I Opened a Book and in I Strode": Fanfiction and Imaginative Reading

Edit: check the reblogs to see the series of me trying to find the fic

[respectthepetty]

Pride Petty Watch (SOTUS) 1/5

The crowd picked two blacklisted shows for me to watch during Pride, which were Love in the Air and The Untamed, and so even though I finished the first, I've stalled on the second, and it's all because of the beast named SOTUS. I watched this show when it aired in 2016, but I don't remember any of it. All I remember is that I'm very mad at it, yet this was the wild card show that was unlocked during the voting, so instead of fearing this show so much that I cannot bring myself to finish The Untamed, I'm going straight to the big boss, and fighting this demon NOW!

It's me and the gear in a battle until the very end, and even though I cannot remember a single thing about this show, as soon as I pressed play, all the hate in my body rose to the surface, so I already know this is going to be a ~journey~

First and foremost, I'm going to give this show and Krist a compliment because I HATE Arthit, which is exactly what I should be doing in the first episode. He is 🎶The Worst🎶 and he leans all the way into it. He snarls. He yells. He forces a girl to give him her number through mere power dynamics and sexism, and this isn't just 2024-me thinking this. 2016-me knows that this character is written well because the worst thing Arthit can think of doing to another man is making him say he is gay.

Then to casually whisper in that man's ear that he could find him a skirt to wear . . .

Arthit really is the epitome of the homophobe-to-homo character and I can't believe that it worked in 2016 since I feel that was late for a character like this to still be a love interest, yet it's still working so well in 2024 because here I am, pissed, pressed, and ready to fuck him up for being the douchiest bro in this damn cafeteria. It's refreshing how much I'm allowed to hate him.

Because even the way he screams Kongpob's name with his student ID every fucking two seconds is setting me off.

And I'm very disappointed in BL Land for only ONE video existing of him screaming Kongpob's name, and it's only the times from the first half of the first episode. Thanks, OP, but we are slacking!

But, honestly, if I had a boy who looked up at me like this every time I screamed his name, I'd probably be a lot worse than Arthit. You know, instigating fights and hands on me or something like that.

And now I'm questioning this series because if these two would just choke each other out then kiss, I would be fully for it and enjoying all my snacks along the way. I'd be fine with Kongpob telling the entire room he would make Arthit his bitch, but Kongpob instead says he'll make Arthit his wife, and . . . the vibe is not as kinky as I need it to be to support all that is being thrown at me from these two.

Which is why I'm heavily shipping Kongpob with M! Kongpob got in trouble for having two books, one which was M's, and had to say he liked men. Now, they are drunk at this table with homophobe Arthit and the hazers are staring them down while Kongpob is just holding M's face.

But let me actually rewatch this show instead of reflecting on how GMMTV messed this enemies AND lovers premise up twice (looking at you, Dangerous Romance) because right now, this show is trying to make me believe the girls would not wave hello to a babyface Off.

Once again, back to the actual rewatch, and because I don't remember a thing about this, I don't know if Wad is good or bad, but him busting out this move when Prem told him to apologize was equivalent to an older white Southern Christian woman telling someone to have a blessed day, so I felt that shade through the screen!

And I'm not victim-blaming, but I do actually think Kongpob and Arthit are trying to push each buttons to see who will break first and fuck (up) the other one because this is not a sane answer to "why did you stay?" when the possibility of the hazers physically harming someone is extremely high.

I only see my Kongpob and M ship now because when Arthit asked if anyone knew M, Kongpob immediately stood up and knew his entire life story. I have known my best friends for decades, and I still could not recite half of that information. Kongpob, what are the heterosexual reasons for you know any of this information about M?

JAN!

Once again, Arthit is 🎶The Fucking Worst🎶 because instead of just taking his L, he made Kongpob say everyone's damn name, then ripped up May's name tag, only to scold Kongpob for giving her his, and now the kids are passing out from his ridiculous physical activities! As a member of a Greek-letter organization who was hazed because that was the culture of the time period, Arthit is being soooooo messy!

Hear me out - Kongpob and M would be so good together! Arthit is the antagonist. Kongpob is the protagonist who meets a sweet quiet boy on his first day of orientation. He helps the sweet quiet boy come out of his shell and watches over him. He cares for him. THEY FALL IN LOVE!

But instead I'm getting a love interest who nominated Kongpob because he knows he is cute, yet can't admit it because ~internalized homophobia~ Ryan from The OC would have never treated Seth this way, and they were in the early 2000s. What is your excuse, Arthit?! The show wants me to hate you, and for that, I'm thankful.

But I could never hate Minnie! Arthit came up quick like he was protecting the boys from Minnie being a predator, but Minnie would NEVER! I could never fear Minnie with the bisexual scarf? And now MDL is telling me the actor has only acted in one other series and that series is Deep Night. Gold star resume, and I truly mean that.

Look at them. LOOK AT THEM! Tell me they don't look good together. Tell me they wouldn't have wrecked every other ship. This is why I need GMMTV to let these MEN (no longer boys) kiss their homies. Kongpob x M. Singto x New. I ship it.

*punching walls and ripping doors off hinges* Kongpob gets kicked out the group and the FIRST one to stand up for him is the boy he loves (it's canon to me and IDGAF what the story's gotta say about it). Quiet and sweet M finds his voice just so he can ask to have Kongpob back. THEY ARE IN LOVE!

Arthit is wildin' out here trying to gaslight Kongpob with this bullshit of "if you keep helping out your friends, then they'll never stand on their own." Sir, you wanna fuck Kongpob so bad, you look stupid.

AND KONGPOB SAYS IT!

I cannot stress enough how kinky this is and could have been if 2016 BL Land was allowed to lean into this because Kongpob has already established through his actions that he likes showing up for the punishments, and here he says the quiet part very loudly - Arthit likes punishing him.

Taking a break from the kink to point out that GMMTV was always going to get My Love Mix-Up because in 2016, May's friend said that "In Japan, if you write down the name of your crush on an eraser and use it, that person will love you"

Then we have May asking for an eraser and keeping it just so she can write Kongpob's name on it. But who gets upset about it? M! Because he loves Kongpob and I'm not accepting that he likes May just like Atom realized he liked a boy instead of girl eight years later. M loves Kongpob. That is my truth!

And here comes the kink lite again! Kongpob could leave. He doesn't have to take this verbal abuse from Arthit. He doesn't have to eat that damn spicy ass plate of food. He doesn't have to finish it either because Arthit gets up and leaves, yet HE DOES! Because he likes this treatment. This makes sense if it's sadomasochism, and that will guide me through these next couple of episodes.

Because the decision to make Arthit the one who likes pink milk is a choice, and now I want an entire TED Talk on how Arthit is probably the most well done homophobic bully with internationalized homophobia falling in love with the boy he is bullying.

Because, joke's on him, the guy he falls for is into that kind of shit.

And all of this happens so we can end with Kongpob getting pink milk for himself after he finished an entire spicy meal that he didn't need to since he enjoys being punished should make me so happy, but the show is trying to lighten Arthit's behavior by having him pay for the bill (and get the freshmen food, and having been hazed himself, and blah blah blah) instead of just letting the toxicito be toxic and Kongpob being into it.

I never thought I'd write this, but I don't want Arthit to be tamed. I want him to be so much worse.

[finemeal]

god i could write a dissertation on how leonardo from rise of the tmnt was shown to be a leader from season 1, episode 1 and the whole show was leading up to the series finale of splinter making him the leader and—

[sweetsnap]

[misc-obeyme]

since it's getting warmer and solomon doesn't like the heat... imagine him complaining until mc walks in wearing something revealing (from actually revealing clothes or just shorts or whatever) and he's like "nevermind i love summer yay!!!"

Okay so on the one hand, I wanna complain about how his problem with summer stems from the fact that his clothes are too modest and he's probably sweating buckets in them. Like maybe if he wore something more revealing, he'd cool down and find summer more enjoyable!

But then on the other hand, I can also see him being like, no this is actually why I dislike summer because now everybody is seeing MC in more revealing clothes and that's Not Okay.

Since we all know Solomon is Jealous.

He wouldn't straight out say it, though. He'd be like okay yes I do enjoy what I'm seeing, but knowing everybody else can see it too is making me crazy. However, I'm going to keep my mouth shut and smile instead~

But later... well he probably still won't admit it, but I'm sure MC will be able to tell 🤭

[shitacademicswrite]

[pastelaspirations]

I had a dream last night, or early this morning, that I was reading this scholarly book about how to write a dissertation. I have no idea why. But the book kept having... utmv references? Like, it would tell you how to do something and then use utmv characters to demonstrate

I got to one point where it referenced this supposed "famed" fight of Error and Ink. They went to a wild west au and Error supposedly "braved the chacoa in the canyons."

What is chacoa?? And why did Error have to "brave" it??? I don't know, man, but that is an exact quote that I remember

Anyway. I was reading, trying to discover more about this famed fight because it sounded low key interesting. Then, the book mentioned that Ink ran into… Coshuss. It was the au's variant of Cross. Imagine a very disgruntled bounty hunter cowboy and that was him. Getting angrier and angrier because it was apparently a source of comedy that Ink was having difficulty saying his name right

All I could think was, "Yeah, same, Ink." I had no idea how to pronounce that name

Well, the librarian who was in the room with her daughter with me, the daughter eventually had to run out of the room to get something. The librarian somehow knew what part I was at and said, "You know, you can admit what you thought his name was."

I didn't know what she meant. I guess she thought it was supposed to look like a bad word?? Dream version of me thought that too since I went, "Nah, I think it looks like... Koksue. Kosueh. Koshu."

Cue me badly trying to pronounce this poor man's name. Finally, I settled on one name I pronounced consistently, "Koshussss." Basically, "Koshu" with an awkward, annoying "s" sound dragged out at the end

The librarian woman started busting a gut. I laughed along too, even though I didn't really know what was so funny. Sure, I meant my pronunciation to be kinda funny, but not that funny

I then looked at the book and that was when I saw the correct pronunciation written out in parentheses

It was supposed to be pronounced CrossCross

I literally thought that was so funny, that I snorted so hard from laughing in my dream, I woke myself up.

A part of me is sad. I kinda really do wish there was a "How to Write Your Dissertation 101" book out there with utmv references I should know, but apparently don't