#do you like teeth

[bisexualpercyjacksons]

pjo tv show episode 5 alignment:

[animalinvestigator]

happy 9 years

here's to 990 more

[strategicjazzhands]

This is how the scene went, right?

[koszmarnybudyn]

I found a really good refrence... So Kayne.

Oh also the og refrence under the cut cause i did use it for the background:

[plesiosaurys]

getting emotional over footage of an amateur scuba diver interacting with a coelacanth. they are hunted by large deepwater predators, and here comes a large creature bearing the brightest lights it's ever seen, making strange noises, but it does not shy away. it hovers, calmly, as the diver reaches out and trails a hand down its back. im strongly against the anthropomorphizing of real life animals but the stupid emotional part of me loudly insists this is because it recognizes us, the alternating movements of its four paired limbs matching the diver's four paired limbs, & it is thinking, "hello, cousins, we missed you these 66 million years, it's so good to see you again. welcome back, welcome home."

[bacchuschucklefuck]

while teen while goblin while aroace while injured while doing your best

[mumblesplash]

🌴⌛️🐚🌊

[qephyr]

For the epic bird who managed to revive a fandom @randomalistic (<- SUCH A PASSIONATE AND KIND PERSON BTW YOU SHOULD TOTALLY GO WATCH THEIR VIDEO IF YOU HAVEN'T ALREADY! GO GO GO THIS IS AN ORDER!!!)

bonus doodles teehee, got attached to the idea of a little bird and its oxpecker-like relationship with the world's largest parasite :]c

[collophora]

More minibatch adventure I need a full show maybe too XD

[anistarrose]

ough it's just. "the Red Robe" forcing Captain Bane to drink the poison. Barry forcing Davenport to drink the ichor. the murder scene that introduces the Red Robe as a villain, and the last benevolent action he takes towards a member of his family before they remember he's not a villain. they're bookends to each other. the man once called Barry takes control of Bane's body to kill him, hence the Red Robe enters the narrative, as a threat. then the man once called "the Red Robe" takes control of Davenport's body to help him, just like he already helped inoculate Merle and Taako — hence the real Barry enters the narrative, finally remembered as a hero. and in hindsight, it even becomes clear — he only killed Bane to protect his family, too. the initial obfuscation, and final clarification, of his intentions — to the viewer and protagonist perspectives — both come from his power to control other people, through which he makes them drink. it's recontextualization by repetition, elegantly circular storytelling — and it all comes down to some guy named Barry Bluejeans.

[fernsnailz]

ok wait what's everyone's character assassination pet peeve. like a trait writers or fans will give a character that is fairly insignificant but so blatantly ooc that it ignites the most primal of rage. mine is whenever i see sonic the hedgehog smoking

[fighting-naturalist]

team cohesion designed to give jack a tension migraine ft. sam and daniel "urgo" 3.16

[crunchchute]

my attempt at a bunch of my fav artists styles :] idea by sootnuki!!

i would love to do more but this was already a huge challenge

if any artist here dislikes this/is uncomfortable with it/any reason i can take it down or turn off reblogs etc. otherwise i hope its ok 🫡 im not gonna tag anyone just gonna let it do its thing in the wild lol

[intotheelliwoods]

A DTIYS entry for my friend @teainthesnow/@frosteaart !! :)

[doghart]

i’m catching up on tsv, i think something that eskew prod does extremely well is using horror absurdism to capture the absurd horror of capitalism. it’s clear in eskew too, but i think it’s especially fantastic in the silt verses. the casualness with which sacrifice is discussed. how red lobster has a god that has and continues to take human sacrifice, and so do cereal companies, cops, and the grueling start up that has a “fun room”. it captures EXTREMELY well how it feels to live under capitalism, that you’re constantly bombarded with horrible things, discussed cheerily in a nice tone. the way it’s simultaneously numbing, hysterical, and horrifying. i think i was especially fond of how in ep 39, protest against sacrifice was taken as radical, a propostorus, idealistic thing that’s just so SILLY it’s not even worth considering, something that feels very real to revolutionary organizing/protest irl. i also liked how despite the face, when everything gets down to it, when everything is about profit, all people come down to are bodies. all capitalism is a gaping maw, and it eats the poor and marginalized first, but doesn’t STOP eating just there. the very literalized version of this, where the profit wheel (and all that includes— war mongering, the prison industrial complex, wage labor, etc) is given a very real literal set of teeth, but the body count is the same. so the electric company has a god, and so it takes humans sacrifice. do real electric companies not have a very real human cost? overworked and underpaid labors looking to make rent, or well off comfortable employees no less likely to get the axe under profit margins, or the blood shed when colonizing in the first place, in clearing the space for the electric company to move in. is that not also a very real human sacrifice? the commercial aimed at elderly people talking about “back in my day, we would just talk about all this human sacrifice and find a compromise :)” is so bleakly hysterical, but is that not very accurate? that you can put a good face on it, but in the end what it comes down to is that you’re being sold the chance to be human fodder? that there is no glory or honor on a battlefield or in working yourself to death, just mud and shit and bodies to throw at problems. idk! i’m rambling but it’s a deeply engaging podcast.

[bacchuschucklefuck]

doing chibi is a good design exercise bc it forces u to think on shapes n essential details, essentially thumbnailing ur designs. its also a terrible design exercise bc it ends up looking cute no matter what