#do you think he made up games in there?

[milkchocimono]

well, anyways, you know what I’M passionate about? kabukimono halfway losing in mind in the shakkei pavilion. one little detail everyone skips over is that he woke up before katsuragi found him and we don’t know how long he was in there before he got out. do you know what a few days of isolation does to the mind? a month? imagine YEARS of isolation. maybe even a century of just. Nothing. Nothing to do, nothing to look at but a few maple leaves on a tree. that bitch was crazy before he was CRAZY.

[kizzer55555]

DP x DC: The Most Dangerous Card Game

Ok so Danny has essentially claimed earth as his. And he is fully aware that there are constant threats to the planet. Now he can’t stop a threat that originates on earth (that’s something he’ll leave to the Justice league) but he can do something about outside threats. Doing some research on ancient spells, rituals, and artifacts, he cast a world wide barrier on the planet to protect it from hostile threats so they cannot enter. This will prevent another Pariah Dark incident. However, barriers like this come at a price. You see, there are two ways to make a barrier. Either make one powered up by your own energy and power (which would be constantly draining) or set up a barrier with rules. The way magic works is that nothing can be absolutely indestructible. It must have a weakness. The most powerful barriers weren’t the ones reinforced with layer after layer of protective charms and buffed up with power. Those could eventually be destroyed either by being overpowered, wearing them down, or by cutting off the original power source. No, the most powerful barriers were the ones with a deliberate weakness. A barrier indestructible except for one spot. A cage that can only be opened from the outside. Or that can only be passed with a key or by solving a riddle. So Danny chooses this type of barrier and does the necessary ritual and pours in enough power to make it. And he adds his condition for anyone to enter. 

Now the Justice league? Find out about the barrier when Trigon attempts to attack, they were preparing after he threatened what he would do once he got to earth. How he would destroy them. The Justice league tried to take the fight to him first but were utterly destroyed, so they retreated home to tend to their injuries, and fortify earth for one. Last. Stand. Only when Trigon makes his big entrance…he’s stopped.

The Justice league watch in awe as this thin see-through barrier with beautiful green swirls and speckled white lights like stars apears blocking Trigon and his army’s advance. The barrier looks so thin and fragile yet no matter how hard the warlord hits, none of his attacks can get through and neither can he damage said barrier. That’s when Constantine and Zatanna recognizes what this barrier is. Something only a powerful entity could create. For a moment, the league is filled with hope that Trigon can’t get through yet Constantine also explains that it’s not impenetrable. And clearly Trigon knows this too for he calls out a challenge. 

And that’s when, in a flash of light, a tiny glowing teenager appears. He looked absolutly minuscule compared to Trigon and yet practically glowed with power (this isn’t a King Danny AU though).

And that is when the conditions for passing the barrier are revealed. And the Justice realize that the only thing stopping Trigon and his army from decimating earth. The only way he can get through….is by beating this glowing teenager in a card game. 

Not just any card game though. The most convoluted game Sam, Danny, and Tucker invented themselves. It’s like the infinite realms version of magic the gathering, combined with Pokémon, and chess. And Danny is the master. So sit down Trigon and let’s play.

(The most intense card game of the Justice league’s life).

After Danny wins, this happens a few more times with outer word beings and possibly even demons attempting to invade earth, yet none have been able to beat the mysterious teenager in a card game. Constantine might even take a crack at it and try to figure out how to play. He’s really bad though. Every time this happens, the Justice league worry that this might be the time the teenager looses. Yet every time, he wins (even if only barely). 

Meanwhile, Danny, Sam, and Tucker have gotten addicted to the game and play it almost daily. Some teachers might seem them playing the game are are like ‘awww how cute’ not realizing this game is literally saving the world. Jazz is just happy they aren’t spending as much time on their screens playing Doomed.

[egophiliac]

LEON

LEON YOUR EYEBALLS

[foxstens]

never not thinking about how kevin day is david wymack's son

imagine you're kevin, practically born with a racquet in your hand, you grow up with your mother for a while and maybe you ask about your father and she tells you not to worry about it, or maybe you just never ask because she doesn't mention it and you don't know how important it is, yet. then she dies, you're moved to evermore, it's so different from what you've seen previously but you have no choice so you just bow your head and do your best to survive, clinging onto your mother's sport, clinging onto the idea that you'll become a star.

you're there for so long you eventually forget you've ever been outside of it, but you see how desperate riko is for his father's attention so you start wondering, however briefly, about the concept of a father.

then you're in high school, you find the letter and suddenly it's not just a vague concept you have to wonder about, suddenly it's something real and tangible. you've heard of david wymack, it would've been impossible not to since he was a friend of your mother's and considering the kind of team he's taken up to creating, maybe you've even met him extremely briefly at some point. you know enough about the industry to think his team isn't just a publicity stunt, and somehow you know that if he finds out he'll do everything in his power to get you out.

you're not stupid enough to tell riko this, but you do tell jean and he laughs at you. of course he does. but you've been there for too long, you've seen too much, and you're old enough to understand what the master would do if he deemed david wymack to be a threat. you can't leave riko's side therefore you can't tell him any time soon, possibly ever, so you resolve to reading the letter over and over instead. (riko reads it almost as often as you)

then you're 19 and the erc thinks riko is holding you back. you're 19 and you're watching riko stomp on everything you've built up through the years. you're 19 and the letter is the only reason you have the strength to leave.

you tell wymack and the team as much as you dare because they deserve to know the risks of having you here, and wymack takes it in stride, he puts himself and his team at risk and even takes out loans to keep you here, like you knew he would. he signs you and he deserves to know about the letter, the more time passes the worse it'll be when you do tell him, but you can't yet because it's too soon and you don't trust yourself to tell riko no when the time comes.

then neil is asking for your help

now imagine you're wymack. your childhood was shit and you didn't have the support you needed at the time, but you believe you can be better than the hands that shaped you. kayleigh taught you everything you know about exy, and you loved her so it stung when she died and you couldn't be there for her only son. but, no matter what you might think of tetsuji moriyama, you don't think kayleigh would send her son to an unsafe place. you just go on with your days, maybe tune in on the news to see that kevin's doing well. you have no reason to think otherwise.

when you have the opportunity to start an exy team from scratch, you dedicate it to the kids that need another chance, the kids the world has given up on. you'll never give up on them.

then, what feels like a lifetime later, kevin day is standing in front of your hotel room and asking you for help. he's saying his 'beloved brother' broke his hand, he's saying the moriyamas are part of the yakuza, he's saying they'll kill him if they find him. throughout the year you get to know him better, you see that he's grown up to be a caged and abused wreck, you see he was raised to care about nothing but exy, you see him having a panic attack at the mere mention of having to face his former team, you see him drinking himself to oblivion to cope. you can't undo the past so you do your best to support him now, but damn if you don't wish you could've been there for him.

then he's telling you he's your son

[swampthingking]

andrew’s definitely gotten in trouble with his pr manager for tweeting things along the lines of:

“no mania inducing medication will compare to the euphoria i will feel the day donald trump drops dead”

[poorly-drawn-mdzs]

Detectives at the Disco (Elysium)

[emmfairy]

this disaster of a man never ceases to baffle me. Strahd is really out here demanding to have his favorite monopoly game token every time

[harbingersecho]

I don't feel pain I never escape I'm under the bed I'm licking the floor

[stop-breaking-my-heart-dragonage]

I'm not ready to shut up about Aveline and Carver--so, when you go see Aveline in Act 1, you can catch up with her a little bit and that's where this conversation can happen:

Aveline: "It's just one more change, though. The real end for me was Ostagar. What about you, Carver? You were there. Do you feel something similar?" Carver: No. Aveline: All right, then. Bit of a tit, your brother.

I wanted to see what she would say if Carver isn't in the party. Instead, she says this:

Aveline: Carver was there. I imagine he feels something similar. If he allows it.

......well, at least she didn't call him a tit?

[goldtealeaves]

textless version under cut

[uncleardyn]

man i love that character. you know, the deeply paranoid author who made a pact with a dark entity that ultimately ended with him stranded in another dimension separated from his loved ones for years at a time? takes place in the pacific northwest? has twin imagery associated with him and a reoccurring specific piece of symbology related to the unfortunate situation they're in? doesn't ever explain the reasoning behind his actions and instead just kinda goes "bro trust me"? yeah he also wears an outer layer of clothing with elbow pads on it, that one.

[ageofzero]

Yuna is the antagonist of a potential Final Fantasy X-3, thank you for coming to my TED Talk

edit: okay I'll put it under a read more since it'll be a long post (but not as long as my entire conversation was), but what's promised is due.

Now that I have to make the post for real I had to do some wiki reading on what the actual Things going on in the novella were, and… well, a lot of my theorycrafting was based on incomplete and kinda inaccurate information. BUT I can’t read Japanese, the book was never released here, and I am going to go with rule of cool for a little bit of this even as I keep the stuff that sounds kinda dumb on the surface. I’ll be the first to say that Tidus exploding from a bomb he thinks is a blitzball is dumb (true), and Chuami thinking she’s Auron’s daughter is a dumb plot beat (petty), but I’m weaving this bridge and I’m not going to rewrite those. I am going to change some contexts and make them exist in a narrative that I hope is compelling. That’s my disclaimer, now I’m gonna get into it.

SO.

The scenario from the novella and audio drama is thus: Tidus died again in an accident, and Yuna brings him back. But he’s not back in the same way that the Fayth gave this dream a real living body at the end of X-2. The official term for it is “beckoned”, but I probably won’t use that to describe him based on my previous understanding. No matter if he’s beckoned or not, or whatever terminology you want to use, the thing is that Yuna summoned him back. She’s holding him to life, and he can never know. It’s been a year since the moment Tidus died, and Yuna has seemingly regressed into patterns that put her into what was once Yevon’s circle. Tidus is looking injured/weakened (“Chuami: It wasn’t just [Tidus’s] words that felt hollow. When I shook his hand, his grip felt weak and lifeless... I think he’s injured. Or maybe he’s sick or something.”), and people are looking to Yuna for help or information regarding the strange not-quite Unsent (the beckoned) that are appearing in places in Spira. Help she is not capable of giving. Wakka and Lulu are protecting her as she prays in Besaid Temple. The world is seemingly acting out, with a second shoopuf appearing in the Moonflow and its energies overflowing and drawing more illusions into reality. (“Yuna: The Moonflow energy is responding to the will of the living. It’s as if… we’re in the Farplane.”) And it’s more vivid than what the Farplane is capable of, even breaking the rules of “beckoning”. This is something new, something worse. Something worse enough to bring back Sin (which I thought was just me extrapolating a potential, but they actually mention it in the audio drama that it happens). Yuna promises the people that she will defeat Sin, but Wakka tries to keep her from being made to promise such a thing at first, which is an interesting choice (“Wakka: Yuna, let’s go back to Besaid. They’ll push this all on you… Sin is for summoners, in their minds.”).

Where does the world go in this present circumstances? Why IS Yuna seemingly content to do what chafed her in the Eternal Calm short movie and stay praying in Besaid and helping the elders who are lost now that Yevon as they knew it is in shambles? Why are Lulu and Wakka enabling and protecting her in that? Why is Tidus looking injured and weak and why is Yuna keeping him at arm’s length? Why does she tell him that she’s fallen in love with someone else?

I know the typical story beat interpretation is “Yuna told him that and pushed him away so he wouldn’t be in danger for what she needs to do, bc defeating Sin caused his death last time”. But hear me out. Yuna knows Tidus isn’t alive. She knows that revealing that information to him will cause him to disappear again. She’s actively summoning him back to life and he has no idea (but he must suspect something is wrong, even before Yuna formally pulls away from him, he’s weakening and he probably doesn’t feel right in his own skin). I posit that her maintaining Tidus’s life is what she’s really doing praying in the Besaid Temple. She doesn’t want to get involved with the Moonflow situation, the shoopuf or the overflowing energy of the Moonflow itself. She doesn’t even really act when seeing all the ghosts in the crowd, and actively stops Kurgum from acting (plausible deniability: she and everyone else decide that sending them in that moment would be the wrong call and riots would break out, but that density of ghosts means that’s a significant amount of pyreflies that could become fiends at any moment).

I posit that Yuna’s powers are working, that people close to her think her powers aren’t working (Lulu and Wakka), and she’s hiding it from everyone else. That her powers aren’t working because she’s currently using them to maintain Tidus’s existence. And this maintaining is breaking the Farplane in half, because she’s powerful but has no idea what she’s doing. (Why would she really know what she’s doing or the consequences? Who has any information of what she’s doing and what will happen if she does it?) I posit that Yuna’s love for Tidus is so strong that it corrupts her sense of right and wrong. X-2 is Yuna largely going on a personal quest, and incidentally helping people but separating herself from the title of High Summoner and doing something she wants to do. Rikku encourages her to do something for herself for a change right before she agrees and runs off to become a sphere hunter. She still saves the world, this time from an ancient danger Old Yevon buried and an Unsent is threatening to use (for love, notably), but she did it in the course of looking for Tidus. Who the Fayth return to life, who she hugs and is so so relieved to have in her arms again.

She’s not going to let him go, she couldn’t let him die again so much that she called him back to life.

(side note: I never truly knew how this happened so I had to consult the wiki page on the novella, and I suspect what original information I was working with was misrepresented and misinterpreted. I openly admit that the wiki page doesn’t really help me fully understand what happened, aside from explaining how Tidus ended up in proximity to a bomb. My understanding from someone’s explanation was that an Unsent summoner on the island Yuna and Tidus got washed up on after a storm told her she could call back the dead if she wanted, as a summoner. They’re all made of pyreflies, Aeons and Fiends and People and Unsent alike, and summoners are in the business of manipulating pyreflies. Either calling them from the Fayth to form an Aeon, or Sending them to the Farplane so they do not become Fiends. A summoner with enough power could summon someone back from the dead, could they not? And this Unsent summoner knew how it worked, and told Yuna how to do it. But I don’t know how real that scene could be, or how accurate it is to what’s written in the book. It’s my rule of cool moment, though, and I worked with that as my understanding when I made this theory. We have to make our peace with that, if you’ll allow me this extrapolation of Spira’s rules and a summoner’s powers.)

(The meme is Tidus kicking a blitzball and it turned out it was a bomb and his head gets blown off, but wiki says they ended up on a vision of a Besaid from 1000 years ago, and the bomb was something neither Tidus or Yuna had seen before and to them it looked like a blitzball. So, Tidus approached what he thought was a blitzball, wondering who’s ball it was, and it exploded as he reached it. I still think that’s really dumb but I’m not editing it out bc Tidus’s death creates very interesting consequences.)

So, if Yuna is summoning Tidus back to life, and she desperately doesn’t want him to find this out so she avoids him and pushes him away through any means necessary, but he’s still weakening and fading enough to be noticeable by people… perhaps also himself… Yuna returning to Yevon in some capacity could just as likely be her looking for a means to keep feeding power to this summoning she’s doing so she doesn’t lose him. And what kind of consequences does it have to do this? He’s being summoned, but he’s not actually an Aeon. He’s not an Unsent, he’s not just being beckoned. He wasn’t even real, he was a dream in a summon held together by the raw power of Yu Yevon turning into Sin. The Moonflow overflowing and seeing a long-dead shoopuf is the least of the consequences. The Farplane is delicate, it requires careful maintenance, and here Yuna is shoving her foot in the door and holding it open for a solid year! And no one knows she’s doing this! Spira’s past is full of history, some of that long-buried secrets that no one was supposed to find again. Sin wasn’t supposed to be able to come back, but the ghosts aren’t staying ghosts anymore (“Lulu: I mean Sin came back, right? What’s to stop anything else from coming back?”).

Even people who only know her by reputation seem to think she’s acting strangely (“Kurgum: I thought Lady Yuna was… a righteous person.”), because something is wrong and no one can put their finger on what. Who would have the pieces to put any of this together, and who would even suspect Yuna in the first place? She’s actively not getting involved in politics, she’s locked herself in Besaid, she seems reluctant to answer someone she worked with and should be amicable with now (Baralai).

I think the story should follow down this path, I think it should find Yuna at the end of it, once savior and now destroyer. She’s willing to let the world rip apart in order to keep Tidus, and I think that’s a compelling premise for X-3. The past surging forward like ghosts, vengeful and lost and wanted and terrifying. Who sides with Yuna (Wakka, Lulu) and covers up the problem? Who bands together to face down the High Summoner (Tidus, Rikku)? Who doesn’t know where to place their allegiance, or who changes sides when they realize the extent of what Yuna’s hiding? What does she do when she’s faced with her friends, and the person she loves so much, telling her to stop?

There’s a line in Eternal Calm where Yaibal (named in X-2 but not in the movie itself), after asking about whether or not she’d be joining one of the factions, if she’d be making a faction of her own. And I think in this potential X-3, she’s making her own faction through the actions of becoming antagonist. She’s made Wakka cover for her, she acts in a way that make Lulu and Wakka both protect her regardless of whether or not they know what she’s doing. I think it would be so fascinating to make this a conscious decision on her part. Things have broken so utterly, and she’s desperate to hold them together, and becomes the antagonist in the process.

Squeenix would never do it, they’d never be so bold as to make Yuna the antagonist and follow through on this trajectory of her lying to people to hide that she’s the one breaking the world in half (up to returning the ghost of Sin itself to terrorize Spira). Sin isn’t the final boss in this one, it’d have to be Yuna, we have to stop her and fix what went wrong. It’s not ever gonna happen, but I still think Yuna should be the antagonist of X-3.

[oflgtfol]

quick like 3 hour thing to sate my desire to see Narinder But As A Bishop. i tried to emulate the game style as much as possible, and i used shamura and heket as the primary references for the robe design

[tennessoui]

more hunger games au anyone?

(first snippet) (1.6k) (dark. hunger games. canon typical violence for both sw and thg) The cannon rings out over the arena. It’s a sound Anakin has heard so many times before that he hardly even registers it now.

The Anakin on the television screen does not recognize the sound either nor does he seem to understand what it means. From an outsider’s perspective, he looks wild, eyes flashing, nostrils flared from his heavy breathing as he stabs the hunting knife again and again into the chest of the tribute from District Two, long past the time he has died. 

So long in fact, that even members of the Capitol audience turn away during this replay, looking vaguely sick. 

Anakin watches though. Anakin knows what’s coming. 

Anakin had not lost his mind at all, but from an outsider’s perspective, he can see how this must have looked as though he had. 

But everything had been calculated. Every stab had been with intent. Anakin had been in control the entire time.

He wonders if that would make the citizens of the Capitol more scared of him, if they knew that. If they knew how in control Anakin was then and is now. 

On the screen, a girl screams for the fallen Tribute. Anakin makes sure to deaden his eyes, to straighten his posture, to flinch at the noise. 

On the screen, the girl reaches out to clasp at Anakin’s shoulder. She probably thought she could out-manipulate him. She probably thought he would never kill her outright. After all, his entire strategy had been to convince everyone he was hopelessly in love with her. He couldn’t just kill her after weeks of loving her. Hell, maybe she even bought his act. Maybe she thought he really loved her. 

She should have just stabbed him in the back.

On the stage, the couch, Anakin watches as the girl’s hand falls onto his shoulder. He watches as the Anakin in the Games turns around and stabs her in the throat. 

The hunting knife goes clean through. She is dead in seconds. 

The audience sobs as one. There are screams, though this is just a rerun. Anakin wonders about their reactions during the live showing. Did they faint? Did they care? Did they care so much they thought they would die? Was he a tragic character? Was he a villain? 

After all, they just watched him kill the love of his life.

Obviously, he had not meant to. Anakin on the screen recoils in horror. He pulls out the knife and watchs his fellow district 4 tribute drop to the ground.

Dead. 

The cannon goes off at the same time he begins to scream, eyes wide and mouth wider, bloody hands scrabbling useless at her open throat. He is still screaming, dry sobs leaving his parted lips as he tries to repair what can never be fixed.

Anakin on the victor’s couch watches his breakdown dispassionately. He should have cried, he decides. And right as he puts his face down to muzzle into her hair, the cameras pick up a hint of a smile.

Amateurish.

“Anakin,” the host says, as the screen fades to black. His tone is commiserating, sympathetic, pitying. He leans across the space between his seat and Anakin’s couch and puts a hand on his knee. Anakin does not have to pretend to flinch away. He is sick of people touching him. There is only one person in the entire world he wants touching him right now, and that man is in the audience watching. 

Anakin wonders suddenly if Obi-Wan had screamed when he watched him kill the girl. If he had cried out. If he had been relieved.

Anakin had been relieved, but he makes sure to hide that relief now. 

“Anakin,” the host says again. “I am so very sorry that I had to show that to you.”

Anakin turns his head away. He clenches and unclenches his jaw. He makes fists with his hands and then uncurls his fingers. “You watch it,” he says. “I have to live with it.”

The audience makes appropriate noises of sympathy. There are a few jeers, some boos. The girl from his district had been some people’s favorites to win. He knows this now. 

He bites back the urge to call them all idiots. Every last one of them who thought she could win. She never could have. Not when Anakin was there. Not when Obi-Wan told him shakily, that last night before the arena, lips pressed to his forehead and face wet: come home to me.

“What was going through your mind, Anakin?” The host asks, still in that same sympathetic tone. “You’d just killed your sixteenth tribute. It was just you and Robin remaining as soon as Diamond died. We were all so worried for the pair of you, weren’t we?”

He turns to the audience and the audience screams back. Anakin sits there. Anakin thinks. 

“I know more than a few of us were hoping the Gamemakers would create a rule change, just for the two of you. What I would have given, to see you and your beloved go home together.” The host shakes his head, hand on his chest. His eyes remind Anakin of the sea predators he pulled from the ocean in his district. He has shark eyes.

Anakin has killed and gutted a hundred sharks. Anakin is still in control.

What the host does not know is that he will go home with his beloved. And no one in the Capitol will ever bother them again.

“I wasn’t thinking,” Anakin says emotionlessly. “It was instinct. It—”

He swallows and shifts on the couch. From the pocket of his pants, he pulls out a thin slip of paper. It’s dotted in blood. It had come to him in a silver parachute, folded neatly within a thick blanket: his only gift from his mentor.

ROBIN. is all it says. 

But it’s in Obi-Wan’s handwriting. And Anakin knows what it means. He’d pulled it out countless times during his days in the arena, rubbing his thumb over the ink. To an outsider, it must have looked like he was worrying over the girl’s name, a token of his affections, visible proof of who he was thinking about at night when he stared out into the manufactured desert instead of sleeping.

Only he and Obi-Wan knew who he was really thinking of. Only Obi-Wan knew he would forget the girl’s name without a concrete reminder in his hands.

He runs his thumb over the word in Obi-Wan’s handwriting once more. He must get this right. They are so close to being able to live forever happily undisturbed. He just needs to lie for another few hours. Then he will get his reward.

“It changes you, the arena,” he says quietly. “I felt…entirely like a different person. And I was always on my guard. I had no allies—” he had killed all his allies— “and I was alone. I cared only for one thing. One person.” This isn’t a lie. “And then—it’s so hard to keep count. When—” he glances down at the paper in his hand. “Robin touched me, I thought I had counted wrong. That there was another tribute, not her and not me. It was…instinct. I thought I was eliminating a threat.”

“I am so sorry,” the host says with his cold, dead eyes. “I cannot imagine killing the love of your life.” Neither can Anakin, of course. He’d chew off his own arm before he hurt Obi-Wan Kenobi. Instead of saying this, he looks down. He needs to cry, but the tears won’t come.

“It feels like it was someone else,” he mutters. The microphone attached to him will pick it up. “Someone else’s hands.” “But they were yours,” the host presses against the perceived bruise in what Anakin can only describe as restrained glee. “They were your hands.”

“Yes,” Anakin agrees. He looks out into the audience. He cannot see Obi-Wan, but he knows the man is there. He had been the first to hug him once he exited the arena. He had hardly been more than five steps away from him since then.

He keeps shooting Anakin looks, as if afraid that he will suddenly collapse into tears and shatter apart. After all, he just killed seventeen people in the span of one week. Obi-Wan had made it through his games with only three kills under his belt, and each one haunted him to this day.

But Anakin is fine. Anakin won. Anakin was back. Anakin had Obi-Wan, and so Anakin is fine. 

His hands start to shake when he thinks about losing Obi-Wan, and tears of fury gather in the corners of his eyes. He would burn the world down if they were to try and take Obi-Wan away from him. Seventeen people would be nothing.

“And what do you have to say to the people who think you planned to always kill Robin?” the host asks. “That you never wanted her to win the Games?”

Anakin shakes his head and then rubs at his eyes, brushing the tears away. “I loved her,” he lies. His thumb rubs over Obi-Wan’s handwriting once more, the swoop of the ‘o’, the slant of the ‘b’. “When you love someone the way I loved her, you’d do anything for them. It makes you crazy. To love like that. You’d do anything for them.”

“Are you saying you thought that you would die in the arena so she could live?” the host prompts, hands folded neatly into his lap.

Anakin shakes his head and then nods. And then he shakes his head again. The host takes pity on him. “Now that you’ve won your Games, Anakin, what will you do?”

Anakin’s thumb swipes once more over the writing on the paper. “I just want to go home,” he says. And this time, it’s the truth. 

[nanaten]

I love the idea that Ninten is like, a super paranoid person. I think both Mother 2 and 3 have a very good sense of finality in that it really feels like the overarching threat has been stopped, and people are safe, whereas in Mother 1, it is made evident that the threat hasn’t been stopped as per se, rather delayed.

Ninten— As a product of this lack of finality, never feels safe. He knows there is a lurking threat to his and the rest of the worlds’ lives and he lives in constant fear of it. He knows he cannot defeat Giegue, and Giegue knows his trump card (the eight melodies) and is likely working on a solution to stop that from working. And, perhaps selfishly, he knows his window out of the destruction, the offer to be saved by Giegue, is no longer available to him.

Even in moments where he should feel safe, there’s this subconscious terror— this feeling lodged in the depths of his soul that created a permanent pit in his stomach, a gut feeling that something is there, that something wants to hurt him. That he is a target.

He’d flinch at movements and know how to walk without making a sound, he’d immediately go on the defense if he feels like something or someone’s walking behind him or he’s in an open space. And the worst of it, to him, is the nightmares. Simple, short nightmares of Ninten hanging out with his friends, only to feel a cold, non-human presence behind him— and very soon after that, a presence around his neck. Hot breath, sharp teeth… And with a quick snap, he wakes up. It never lasts long, but it never fails to make him scream as he wakes. He’s haunted by the idea of Giegue, and the unknowingness of when and what he’s going to do.

[ratatatastic]

"Battle of Alberta, right? It was my first game: Calgary, Edmonton. We would play them in the preseason, and you know—trying to make the team I'd always be asking him to fight in preseason, always. I'd be runnin' my mouth—like, tryna fight the biggest, baddest guys, tryna make an impression.

And he would never fight me. He'd always tell me, like If you make the team, I'll fight ya. You don't have to worry about that, but I'm not fightin' ya preseason. And I totally respect it, I'm not gonna chase him down. It is what it is. He's established—I'm looking for my chance.

So I get called up, we're playing Edmonton in Edmonton: Battle of Alberta. [He's] over there on the other side, and it's like the coolest thing ever... you know, the buildup was crazy 'cuz I knew if the opportunity presented itself—if the game went the way I hoped it would, I would get an opportunity to fight him.

I remembered in warmups tryna skate by the redline initially just kind-of gettin' a feel for it—to see if I have to say something or whatever... He's got no bucket on, his big, bald head is glarin' around, he skates by the redline with the biggest smile on his face, and just gives me the biggest wink...

At that moment I knew Okay, he remembers. It's gonna happen at some point.

We were up 1, I think it was 2-1 going into intermission or whatever—Oh, no, I think it was 1-1 and we had just scored so the position I'm like Yeah, I don't know if I can fight him now because we have the momentum and we're winning the game. I don't want to lose a fight, then we lose a game and now I'm, like, never getting a chance again.

You kind-of gotta play the game within the game like [...] there's an opportunity to fight, and there's an opportunities where you shouldn't fight. Things weren't looking good, then they score and now we need a spark. I'm like Fucking perfect.

I just skate by their bench and I'm like It's time, big boy! He jumps out, we line up, and he goes We squarin' up or we goin' right away?

I'm like I'm not fuckin' squarin' up with you right now! We're goin' right away!

Drop em, we go right away, grab each other. I know he's a lefty so he's gonna let go—let's go of my right arm before he throws one. I threw one. Big boy went down, he jumped back up pretty quick. I don't know, I tell people all the time, I'm like I would've been in the league fuckin' 2 years earlier if there was good footage of this fuckin' fight!

For some reason—For some reason, the cameras cut out. I don't know if [he] had his cousins working the cameras or something that night, or if they're in the video room or what happened.

That was my first NHL game.

It's funny 'cuz Chucky was there—Chucky's there and he knows, he saw, he always laugh when I say that I would've been in the league earlier 'cuz he knows how things like that go. You get a little bit of energy and buzz around ya, and then kind-of momentum takes you a little bit further but unfortunate[ly], I missed that opportunity but I don't regret a thing.

[...]

The opportunity was there, I just—unfortunately, for whatever reason, the Hockey Gods said not yet." (Ryan Lomberg reminiscing over his first NHL game/fight) (x)(x) (please go watch the second link to see lombos giant smile as he tells this story jfc)

and other genuinely bonkers things to say about a hockey player in your first fight... like why did this need to be said like that...what