#doomed by the narrative that man

[sword-dad-fukuzawa]

I just think that the metatextual horror of Roberto’s existence as a character is one of the cool spicy things that can only exist bc tristamp is a reboot. lemme explain

he spends the whole anime not wanting to die and yet following his stupid kohai into mess after mess. he’s an investigative reporter who’s lived pretty long, he’s got good danger sense, but Meryl asks--begs, really--and so he goes. and so he dies. sure he's been toting the old mentor standard death flag from the beginning, and sure meryl dragging him into danger zone after danger zone is what killed him, but i can't shake the nagging feeling that there's another force at work here that is almost palpable from ep 1 if you’ve already watched trigun.

Roberto is textbook “doomed by the narrative” because this story has played out before!! and he was never in it!! the universe corrects itself to account for an unknown!! there’s no room in trigun for Roberto and so he’s always been meant to die. there’s no ending where Roberto survives if the story is to stay the course and that makes me feel like eating drywall.

it doesn’t matter how much fault lies with Meryl because Roberto was never going to make it to the finish line!! she is Derringer Meryl, she starts trigun as derringer meryl and so someone had to make her into that. women named derringer meryl do not spring fully formed out of space westerns okay, something had to give. and from ep1 of stampede that role fell to roberto. his role in the narrative is to be the vehicle for meryl's metamorphosis.

this is absolutely incoherent but Roberto being an anomaly in the universe of trigun is so. hnrgh. he’s a glitch. he’s lucky he’s lived as long as he has. And I think part of the reason he’s so “we should run” for the whole anime is because he knows that, on some level, he's living on borrowed time.

meeting vash near jeonora rock started the clock. or even further back--when he was assigned meryl stryfe as his apprentice. that was the point of no return, because meryl has a place in this story, meryl has always had a place, and roberto never did, not for long.

[walmart-miku]

I'm sorry just. The absolute anguish in Fukuzawa's eyes. And the joy that Aya expresses. THE JUXTAPOSITION. Fukuzawa might not have killed Fukuchi himself, but he definitely was the reason that he died. Look at the guilt in his eyes.

[loveydive]

The Tragedy of Hayakawa Aki - chainsaw man, tatsuki fujimoto

grief lessons: four plays by euripides, anne carson // chainsaw man, tatsuki fujimoto // deathless, catherynne m. valente // “untitled,” 2016, ink on paper, kara walker // james, clementine von radics // slide tackle, japanese breakfast // how to cure a ghost, fariha róisín // red glove, holly black // the letter, richard paul evans // interview with james hall, richard siken // ptolemaea, ethel cain // iq84, haruki murakami // the godfather, mario puzo // god's silence, franz wright // crush, richard siken // tumblr user ojibwe // when i was done dying, dan deacon

[situationalirony13]

spoiler warning for monkey man?

i'm probably never going to be able to stop talking about monkey man but let's just start with the ending.

Characters who can't outlive their narrative destroy me. But here's the thing – I think traditionally we do a poor job conveying the point of the trope. It'll read more like this character, who's only ever wanted to accomplish one thing, dies immediately after they accomplish it – and what's left is a story with a character-sized hole in it. It feels mostly like despair and hopelessness because it feels like the character never got to experience peace. The character, so wrapped up in anger, fear, sadness, etc – never experiences just being on the other side of this chasm they built for themselves.

There's a critical difference between characters who can't outlive their narrative and characters who won't. Characters who won't outlive their narrative can still have dreams, plans – the heartbreak is real because they saw a life for themselves on the other side and they'll never get to experience it. But most of the time we treat characters who can't outlive their narrative in the same way, and filmmakers trust that we as the audience suspend our disbelief and hope for the characters to have an epilogue.

Bobby/Kid/Dev Patel never had plans for what's next. We saw barely-there flashes of who he must be outside of his avenging mission, enough to cobble together this idea that yes, he deserves so much more. But it was evident from the first second of this film that there was nothing waiting for him on the other side. Bobby/Kid/Dev Patel could have never survived the narrative. There was no reality of an after for him after he avenged his mother – no practical way for him to build a new life. But in those last seconds, when he turned to the mural depicting the carnage of Hanuman and he had the far-away thought that it was over, we saw Dev Patel channel this relief in this doomed character.

We as an audience exhale with the character, we feel the release from his duty the same way he does.

He falls, the camera follows his center of gravity, and the screen cuts to black. The narrative begins and ends with him. He begins and ends with this narrative.

[twentyfivemiceinatrenchcoat]

there was no place in nature we could meet ; suguru geto

synopsis; it’s never fun to run into an ex. especially when the ex in question is your unfairly handsome high school sweetheart — who also just so happens to be a wanted mass murderer.

word count; 3.3k

contents; suguru geto/reader, gn!reader, geto-typical angst, exes to [redacted], lots of longing, geto is kind of a cunt but also disgustingly charming, reader is understandably upset, biblical imagery (i just think he’s so serpent coded), curse user geto is his own warning tbh

a/n; i wanted this to be a drabble so bad but it ended up just a little too long for me to get away w it so … :’3 yeah. i hate suguru geto (said w affection)

the moon is out.

in the shadows of the street corner you find yourself in, seated comfortably on the sidewalk, it’s a welcome distraction. something to look at, in the midst of your loneliness; the evanescent glow of the moon, illuminating your solitude.

a solitude soon to be broken. shattered into pieces, battered and bruised beyond recognition, jagged shards littering the asphalt. digging into the soles of your shoes.

”hey.”

for a second, you think you must be dreaming.

the figure obscuring the light of the lamp post in front of you is familiar. too familiar, a little too dear for your liking. as you grasp your shitty cup ramen, seeking the warmth seeping through the polystyrene, all you can do is stare. blinking dumbly, drowsily.

geto looks something like a bad omen.

sharp facial features, even sharper eyes. so dark they almost shift from an amber-tainted cedar into an obsidian black — two abysses, staring into your soul, beckoning you closer. they were always enchanting, but now you think they look almost hypnotizing. not at all in a good way. dark hair frames his face, cascading down his back, longer than you remember it being. and he’s wearing robes.

still has those fucked up bangs, though. of all the things to keep.

the gears of your mind turn, endlessly, untangling the mess of thoughts inside your brain. ensuring you that no, you are not hallucinating, and no, you didn’t fall into a deep slumber somewhere between the moment you exited the convenience store and sat down by one of tokyo’s empty street corners. this is real. a reality you can’t comprehend, can’t even begin to process.

what stands in front of you is a ghost. but ghosts don’t exist, can’t be seen, can’t touch the living.

(so how is he able to haunt you like this?)

what eventually jolts you out of your silent stupor is not the questioning tilt of his head, nor the suffocating sensation of your heart crawling up your throat, but the feeling of soft fur against your leg. the stray cat you met further down the street meows at you, sweetly, trying to get your attention. you think she must be asking for more grilled fish.

so, completely ignoring the apparition in front of you, you turn to reach for the little plastic bag you bought as a midnight snack — digging out a bit of fish for the kitty to enjoy. she seems happy, settling down by your feet. purring softly.

geto watches, eerily silent. 

(maybe he’s upset that you’re ruining his dramatic entrance. you hope so.)

finally, you have no choice but to look at him. a lump forms in the back of your throat, clogging up a little more for every second spent falling into the trap he’s laid out for you, trailing over his moonlit features with your tired gaze.

mouth full of noodles, staring holes into his attire, you narrow your eyes. suddenly disgruntled.

his lips quirk up. ”something the matter?” he asks, and you can’t even begin to describe how much you hate his voice. how devastatingly deep it is, during the late hours of the night, even deeper than it was back in high school. 

slurping up the soggy noodles, you lean back a little, licking some broth off your lips. finally meeting those abyssal eyes. 

”… i was gonna say those robes look like shit on you,” comes an exhale, weary, ”but you actually kinda pull them off. that’s…” 

a beat. you struggle to find the right word. 

”annoying.”

geto’s lips curl up, smoothly, and you find a hint of familiar amusement in the vague crinkle of his eyes. barely visible crows’ feet. then he’s moving — plopping down right beside you, robes fluttering with the breeze.

”well, thank you.” he hums; crossing his legs.

the silence that festers around you is odd. not quite suffocating, nor especially fragile. definitely not comforting. it’s familiar, yet different, and it hurts a bit more than it should. but you choose to look at him, out of the corner of your eye, and he looks right back at you. still smiling that eerie smile.

when your eyes settle on the particular cloth wrapped around his torso, you just barely manage to bite back a taunting chuckle.

”a gojo-kesa, huh?” you grin, and geto doesn’t flinch. he doesn’t miss the meaningful glint in your eyes, either. ”you miss him that much?”

”just a coincidence,” is all he answers. smiling, but you think it looks a little stiff.

your grin widens, for a second, before settling back down. a sad transition. you let it go. 

”whatever you say, geto.”

at that, he visibly reacts. barely noticeable, but it’s there — a twitch of his lithe fingers, an unknown something that flickers through the scope of his iris. when he looks at you, a neutral smile is playing at his lips. 

”ah. i take it we’re not on first name basis anymore, then?” he asks, casually, hiding a tinge of something mildly displeased.

a shrug. you pick at what’s left of your ramen with your chopsticks, a little too nauseous to enjoy it. ”call me what you want. i just don’t see suguru when i look at you, y’know?” leaning forward, you begin to pet the kitty by your feet. ”he was sweeter.”

geto smiles. almost a grin, but not quite there. a chuckle spills out from his lips, and something about it irritates you. ”was he?”

”yeah,” you nod. without hesitation. a summer-stained memory blooms behind your eyelids, but you try not to look at it. all you catch is a glimpse of cherry blossoms. ”you just seem bitter.” 

the grin that finds its way onto your lips is self-deprecating. a shadow falls over your face.

”guess we’re in the same boat, huh?”

a hum buzzes in his throat. he casts a meaningful glance towards your hand, scratching behind the cat’s ear. ”oh, i don’t know about that.” his smile grows with the drawl. ”.. you seem just as sweet as always.”

to your grave annoyance, you can’t control the way your face changes at his words. a twitch of your lips gives away your discontentment, and something sour settles on the tip of your tongue.

(your blood begins to boil, beneath your skin.)

geto sighs, suddenly, filling the tense silence between you — a little theatrical. ”ah, but that’s a shame.” he turns to you, soft pout playing at his lips. ”i was hoping i could hear you call me suguru again…”

”— i was hoping you’d come back.”

a beat.

somewhere outside your vision, a crow takes flight into the night sky. swallowed by darkness, melting into that sea of black. no longer perceivable, by you or the world.

”but you never did,” the polystyrene of the plastic cup crinkles beneath your fingers. your eyes look dull. ”so what the fuck do you want, exactly?”

…

”i heard.” geto rests his jaw on the heel of his palm, gazing at you with those piercing eyes. like he’s trying to see inside your brain. ”… about your decision.”

”ah,” a grin splits across the curve of your lips, showing off the white of your teeth. ”of course. that’s what this is about, huh?”

with groggy movements, you throw away your nearly-empty cup of noodles, haphazardly aiming towards a trash can across the street. it bounces off the steel cover, landing on the ground with a soft thud. leftover broth spilling out across the pavement. geto doesn’t bother to hide his amusement, lips twitching upwards before he sends a curse to eat it from the asphalt.

you furrow your brows in embarrassed annoyance.

a moment passes, and something in you knows that he’s waiting. it’s like you can practically sense it, like it’s etched into your bones. the same way you always knew exactly when he would begin to get impatient during your nightly convenience store runs back in high school — after you had spent about ten solid minutes struggling to decide what kind of chips you wanted. 

”what can i say?” you lean back, palms against rough concrete, breathing in the midnight air. ”you inspired me.”

geto tilts his head. smiling. always, always smiling. he smiled at you the day before he massacred that village, too. ”oh?”

with a deep breath, cool air courses through your body. burning your lungs. ”i realized being a sorcerer is completely fucking meaningless,” you exhale through your nose. ”and that trying to change that fact is even more meaningless.” 

a wicked, rueful grin rests on your lips. ”so i left.”

geto doesn’t say anything. you continue, voice dripping with venom.

”i’m a civilian now,” you purr, mocking, a sardonic coo on your tongue. ”does that bother you? feel like killing me?”

…

his smile looks a little off, now. tilted in a direction you don’t want to recognize. you don’t care to examine it further, don’t care to figure out if it might look just a little bit sad, because that’d only hurt more.

so you look away.

a click of his tongue. then he speaks, with that honeyed voice, raspy and husky. almost a groan. ”well, i can’t say i approve.”

he’s looking at you. sharp eyes digging into your skin, dissecting you, a million words he expects you to grasp from that look alone.

”you’re better than them,” he states, matter-of-factly, and you try not to squirm when his eyes trail over your features. ”worlds better.” his voice sounds almost motherly, a twisted concern that makes you cower a little. like he’s scolding you. a crease between his brows.

”i don’t like the thought of you surrounded by these animals.”

a huff pushes past your lips, but it sounds shakier than you’d like it to. you hope he just chalks it up to the chill of the air. then again, when has he ever made anything easy for you?

”what, you got a problem with cats now?” you reach for the little furball licking grilled fish off the concrete, picking it up. cradling it close. ”gonna go on a cat-killing spree?”

an amused exhale. geto narrows his eyes. ”funny,” he hums, but his eyes say you know what i mean.

it takes you a moment to regain control over your breathing. there’s still something tense in your shoulders, and your heart still feels a little like it might jump out of your throat and crawl into his lap. the stray cat slips from your grasp, moving towards geto, curiously sniffing at his robes. he looks at it with no ill intent, and it puts you at ease.

”well, i appreciate the concern, buddy,” you pat his back, trying not to flinch at the contact. trying to appear relaxed. ”but frankly, i don’t give a shit. i actually like my job, unlike literally every single sorcerer on planet earth.”

geto stills.

”.. buddy?” he echoes, ignoring every other bitter word you just graced him with. for some reason, he actually seems visibly bothered. ”i’m buddy now?”

you click your tongue. muttering, tiredly. a little exasperated. ”.. what else would you be?”

and then he smiles, again. only this time, it looks oddly genuine. the same as you remember, framed by cherry blossoms and the fizzle of youth.

his movements are smooth. like he’s completely unguarded, like this situation doesn’t bother him in the slightest. elegant, in the way he leans back, palms on the concrete to support his weight. keeping eye contact with you, all the while.

when he speaks, his voice has a sweet tinge to it. nostalgic, maybe. wistful. if you hear a touch of longing, you choose to ignore it.

”i seem to recall you calling me baby quite a lot,” he hums, and you stiffen. gritting your teeth. eyes darkening, but he continues. ”what else was there? angel, i think… it was sweet.”

then he’s leaning forward. scratching the cat under its chin, gently. ”ironic, though.”

an inhale. then, an exhale. they’re a little shaky, a little meek, but at least they make the lump in your throat feel less like it’s blocking your windpipe. air fills your lungs, but it tastes like nothing at all. 

something like sorrow simmers in your eyes. or maybe more like fatigue. god, you really want to cry.

(you wonder if he gets some sickening satisfaction out of seeing you like this, out of breaking you. maybe it just makes him feel rotten. you don’t know what you’d prefer.)

”suguru,” you murmur, at last. voice dripping with exhaustion. defeated, the sigh that flows from your lips. ”why did you come here?”

…

”join me.”

the words spill out into the open air, slicing the silence in half. heavy. a request, not a question. against your better judgement, you turn your head to meet his gaze.

”we could use you,” he says, and there’s hope in those keen eyes. he maintains his distance, but for some reason you still feel like prey being sized up by a predator. like he’s weighing your value.

a chuckle slips from your lips, but there’s no humour to it. ”use me…” you echo, a tired murmur under your breath. ”you're just straight up admitting it, huh? kinda refreshing.”

”that’s not what i meant.”

he inches closer. slowly, as if trying not to scare you. reaching out, to brush through your bangs, his fingertips ghosting over your skin. tangling them between your locks, inserting himself into your space. testing the waters. 

you don’t look at him, completely still. barely breathing. like a wounded animal.

”i want you there,” he says, and it comes out almost as a whisper. ”with us.”

unable to resist the temptation, you indulge in a single brief glance his way. his eyes look warm, and his lips look soft as they part.

”with me.” 

there’s a devotion to his voice when he continues, one he’s always had. one you thought you’d always be able to trust. ”i’ll create a world where you can be happy,” he vows. ”i swear it.”

a moment passes.

(you swallow thickly. it takes everything you have not to burst into tears. when you remember how he brushed you off, back then, it gets a little easier. when you remember all the skipped meals.)

”.. like you give a damn.”

geto smiles. you loathe how soft it looks, how similar it is to the one suguru always had. when you used to eat your ramen too quickly and started choking on it, and he brought a palm to your upper back, patting it gently. he’d chuckle, and tell you to slow down, and the softness of his smile would almost be enough to distract you from the amusement in his eyes. 

”my love.”

you flinch. breath drawing back at the base of your throat, heart screeching to a halt, and some part of you emerges; the shy, sweet kid you used to be. hanging on to his every world. like he was your sun, your guiding light. back when that purr of my love had you blushing furiously, not choking back a string of curses.

it’s sudden, and you can’t react the way you want to. you want to kill him for calling you that. for thinking he has any right to call you his, anymore.

but that sweet, naive, innocent little kid still exists. even if you want to pretend otherwise. it’s there, somewhere, that part of you — peeking out from behind the curtain. and it stops you from saying anything that might hurt him.

(it’s so hard to hate him when he calls you that.)

if geto notices your inner turmoil — he must — then he doesn’t mention it. you don’t say anything, but you hope the amused, harsh exhale you partake in is signal enough for him to cut it off. now.

yet he continues. there’s love in his voice when he speaks, barely contained. if he’s trying not to hurt you he’s doing an awful job.

”… i never stopped thinking of you,” he whispers, so low you almost miss it. ”not once. i left for you, not just for myself.”

and, despite every part of your being resisting it, a sweetness settles on your tongue. so sweet it’s sickening; the thought that maybe he’s telling the truth, maybe he really has been thinking of you. maybe you’re more to him than just a means to meet an end, or a memory yet to be buried.

geto looks at the moon. bathed in moonlight, he looks a little like a god. like something reverent. his voice is honeyed. low, like a secret.

”this world doesn't deserve you.”

silence.

a subtle anger trickles through your veins, a kind of fury, subdued, carefully tucked away. sparking to life inside the depths of your eyes when you look at him. bitter, given everything. but your voice still comes out sounding something like a plea.

”and you think you do?”

another smile. this time, it looks a little sad. remorseful, maybe. ”… let me prove myself.”

his touch burns. the pads of his fingers against your cold skin, cupping your cheek. slithering down to grasp your hand. and you’re pliant, unable to react. just sitting with that aching hollow feeling in your chest.

”i wasn’t worthy, back then,” he hums, bringing your hand to his lips. ”but now…”

a kiss to your knuckle. featherlight. reverent. you try not to shiver, but when he says your name, dragging each syllable out, like they belong on his tongue —

a chill runs down your spine.

when he speaks, you feel his warm breath on your skin. it’s dizzying. ”i’m not the same suguru you once knew,” he admits, a forlorn look in his eyes. and devotion, frighteningly sincere. ”unlike him — i’ll never let you go.”

what a twisted desire. he wants to take you with him, drag you down to hell. the suguru you knew wouldn’t put you through that. but maybe you’re even more twisted, for wishing he had; for wishing he had taken you with him, ten years ago, instead of leaving without a single goodbye.

geto’s voice is soft. coaxing, like he's handling a frightened mouse. join me, he whispers, and you think of eve. when you look at his mouth you think you see serpents’ teeth behind his lips.

(you're almost sure he notices it. and you're almost sure his smile widens, lips curling up, as if preparing to open his maw and swallow you whole.)

a sickening sense of resignation roots itself somewhere in your gut. 

you pull your hand away, and he lets you. the loss of warmth hits you like a freight train, but you aren’t sure you could think clearly with his skin on yours. when you part your lips to speak, only air comes out, just barely forming a sentence. like there are no more words to say. like the world stopped spinning around you both a lifetime ago.

”i don't love you.”

…

for just a second, his smile falters. 

”no?” he hums, and you wish it didn’t hurt so bad to see him hurt. his eyes carry a kind of patience, something gentle. ”it’s fine… these things take time.”

a bitter chuckle. ”like you’d know anything about waiting,” you spit, and it comes out sounding venomous. a phantom ache sprouts in the spot where his lips touched your skin.

geto closes his eyes.

”you don't need to love me,” he says, finally. kind. you hate that he still sounds so kind. so understanding, like nothing you do could be wrong in his eyes. ”as long as you're beside me, that's enough.” 

he turns to look at you, and his smile looks very real, for a moment. impossibly fond. ”i have two daughters. i’ve told them about you,” he smiles. ”my family… you’d like them. i know they’d like you.”

dark clouds cover the moon, suddenly, and a shadow falls across you both. illuminated only by the streetlight. in the distance, you hear a car whooshing by.

”don’t stay at the bottom,” he beckons, and your name slips from his lips again. soft, his tongue bending around the vowels. coaxing. stirring your heartstrings like a puppeteer.

then he’s standing up, dusting off his robes, large hands smoothing down the fabric. turning around, towering over you; obscuring everything else. all you see is him, under the glow of the lamp post. a halo of artificial light.

”come. let me show you the world we can create.”

he gives you a sweet smile, two abysses gazing at you. the promise of something twisted, new, forbidden. you think of red skin and yellow flesh; the bite of sin.

and for a second, you see it. the world. a world where laughter comes from the bottom of your gut, and the trees are always ripe for picking, red apples hanging from the branches like glowing rubies. a world where sweetened fruit never give way to rot.

paradise.

geto stretches a hand out towards you. fingers unfurling, one by one, like a blooming camellia. close, right there in front of you, so close that you’re tempted to take his hand in yours, let him carry you away. burn everything else to the ground. 

(you think of the serpent. you think of god.

only one of them banished eve.)

”so,” he smiles. ”what do you say?”

[adakechi]

you're gonna look at me and tell me that im wrong? am i wrong?

[grillbyz]

Thinks ab Gaster and how he haunts the narrative a normal amount. Thinks ab the unused text hidden in deltarune chapter 1 and 2 a normal amount.

[homo-house]

personally I think this segment is a prelude of the entire book and it hurts a lot more upon reread

[wwxsflutesolo]

"Chuuya. Come to your senses. Our fate will not end in a place like this. Because you and I are destined to—"

@/kedreeva// ernest hemingway - the old man and the sea// death cab for cutie - summer years// unknown// unknown// lidia yuknavitch - the chronology of water: a memoir// richard siken - saying your names// taylor swift - gorgeous// unknown// victor hugo - les miserables// jeanette winterson - lighthousekeeping// sylvia Plath - lady lazarus// margaret atwood - power politics// tory adkisson - Anecdote of the Pig//richard siken - planet of love, wishbone// ethel cain - hard times// margaret atwood - variations on the word love

[anachronistic-falsehood]

ok pause. i just thought about wolfwood's death scenes in both trimax and 98 and i'm crying. what the fuck do you mean he just found a will to keep on living after so long of being willing to die for any bullshit reason and he died anyway. what do you mean trimax ww died next to the man who taught him how to live and love again and vash buried him alone. what do you mean 98 ww died wanting to spend his days with vash ans the girls and vash carried ww's gun around after that and used it in the final fight. what the fuck do you mean. that's the saddest shit i ever heard get said in my life

[fisticuffsatapplebees]

Jonathan Sims is Theseus' Ship

Jonathan Sims is Theseus' Ship. He's a question on how many pieces of someone can be carved out before there fundamentally different. A question of how many of those pieces can be replaced by something other, something he never asked for until he's not him anymore. At what point, in the slow, seasons-long degradation of himself does Jon give way to The Archivist? And by season 5, there is a very real threat that, by saving everything, Jon might tear all those new pieces out. That, in breaking wood and banished Eyes, the ship would be so full of holes that, no more question, it will sink.

[akicklineisinevitable]

something about Hatchetfield is so Hadestown coded. something about how it's a sad tale, but we sing it anyway. as if it will turn out this time. (i'll find you in the next timeline). something about how not everyone can make it out, and those that do don't make it out unchanged. something about love that was doomed from the start (wait for me? i will.) (emma, im sorry, you lost) (i'd have to let you go). something about how the scenery changes, but the stories are the same. something about it was a world of gods and men (there are monsters and there are men).

[scarapanna]

Made a redraw of this image from early 2023 since I don't like the old version shdhshcn

Dunno why it blew up the way it did, but I thought it was pretty funny

[reiverreturns]

rdr2 is such a special game to replay because. god. the whole thing is a ghost story. the gang is dead before they even reach colter. everything that tears them apart - the mistrust, the friction, the loss, the lack of place and time - it's there from the beginning. before the beginning. papered over by a veneer of love and care and family but when the last of it leaves they're all just. gone. scraps of newspaper headlines faded in the sun and wooden grave markers that will rot and fall back into the earth. if you've played rdr you know what happens to these characters. you play your first playthrough of rdr2 knowing you're hurtling towards an inescapable end. you play every one thereafter knowing the end has already come.

[carnivalcarriondiscarded]

SO. TO KICK OFF THE WEEK OF SPECULATION BEFORE THE UPDATE DROPS.

last night i had a bit of a Revelation. literally. i borderline woke up in a cold sweat with this realization. the way i lunged for my laptop to scream at friends... ough. lets get into it

so. i do believe I've made a couple of theory posts about Barnaby not being quite as receptive to his and Wally's "forced" best friendship as Wally - since the show wrote them to be friends instead of it happening naturally. i thought it might be a point of tension for Barn. i thought a lot.

YES SO I'M TOSSING (almost) ALL OF THAT OUT THE WINDOW!

the bios state Barnaby as Wally's best friend multiple times over. it had to be regularly reinforced. their colors were chosen to mark them as friends.

but Barnaby - presumably - can't see the bios, he wouldn't know the scripts. the friendship would be natural from his perspective. how would he know otherwise? even if the relationship started out synthetic, i don't doubt that it became genuine. in the context of their world and perceptions, realistically speaking Barnaby probably wouldn't sense anything wrong.

the reminders to be best friends weren't for Barnaby.

they were for Wally.

i'm starting to suspect that Wally is Barnaby's best friend, but Barnaby isn't Wally's. i think that Wally's "best friend" is Home - or at least Wally has a closer connection to them / Home is more important to Wally than anyone else is.

i remember reading this livestream trivia (from theneighborhoodwatch's doc, if you haven't their resources yet what are you even doing?):

and i assumed it was for Barnaby's side of the relationship. but it's not, is it? it's Wally's? and it makes too much fucking Sense! it fits! i can see it perfectly! i can feel things slotting together in my mind due to this shift in perspective, and i'm scared

Barnaby probably thinks the relationship is natural, just like how he thinks he's a real person in a real world. Wally probably knows that the relationship is a role, just like how he knows he's a puppet in a false reality.

that leaves me wondering how much of it is genuine on Wally's side. i don't doubt that they really are friends, but how deep does that connection go? in the interview, Wally sounded excited/proud about having a best friend, but how much came from a place of feeling, and how much came from a place of Fulfilling The Role? how much of it is performative? how much of it is a mask?

i've been seeing everything differently. Barnaby poses for Wally the most because he has good balance and is good at staying still, not because of favoritism or because he's Wally's best friend. in the 14 (15 including the hidden halloween) audios, Barnaby consistently seeks out Wally and checks in on him. Wally seems more casual about their relationship than Barnaby is.

i'm worried that Wally values Home & You/Us over Barnaby. that Barnaby is second or third place in Wally's heart. that Wally means more to Barnaby than he means to Wally. after all, only one of them needed their relationship to be reinforced on a seemingly regular basis.

i'm confident that Wally cares about / loves Barnaby, but the question is how much? to what extent?

[twentyfivemiceinatrenchcoat]

thinking abt these two again. i need to be sedated

knight!sugu who sacrifices you to save the world thinking he has no other choice. who instantly becomes enveloped by a guilt so heavy it crushes him.

prince!gojo who sacrifices the world to save you with a smile on his face. who tells you to find him in your next life as he watches the stars go out one by one.