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#edit: it is 8 months later and i now think it is brian.
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In Stranger, I think Brian’s voice getting harder to hear with the other voices is meaningful.
I interpret those voices to be other people finding out and disparaging him. I think where Brian (Tsuru) is from robots are lower class and the idea that a robot would marry a human is absurd, but marrying one while lying about your identity is dastardly. But now he is on a different planet and here they do not have sentient robots. Keeping it a secret is to protect his husband so he can be as innocent as possible should they be found out and prosecuted (he’s still thinking in terms of where he used to live). A monster is semi-literal because the husband has not seen an android before and he is astonished. But people fear what they don’t know, and he becomes angry at Brian (Tsuru) for lying.
As more voices are added more people are finding out about what he did, yet failing to actually listen to him. His husband doesn’t even listen.
I don’t think the husband went and told everyone, but that he was mad and either someone found out by spying or he told one person and that person spread it and those people spread it, etc.
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Down in the (link)dumps
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On September 27, I'll be at Chevalier's Books in Los Angeles with Brian Merchant for a joint launch for my new book The Internet Con and his new book, Blood in the Machine. On October 2, I'll be in Boise to host an event with VE Schwab.
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Back when I was writing on Boing Boing, I'd slam out 10-15 blog posts every day, short hits that served as signpost and public notebook, but I rarely got into longer analysis of the sort I do daily now on Pluralistic. Both modes are very useful for organizing one's thoughts, and indeed, they complement each other:
https://pluralistic.net/2021/05/09/the-memex-method/
The problem is that when you write long, synthetic essays, they crowd out the quick hits. Back in May 2022, I started including three short links with each edition of Pluralistic, in a section called "Hey look at this" (thanks to Mitch Wagner for suggesting it!):
https://pluralistic.net/2022/03/01/reit-modernization-act/#linkdump
But even with that daily linkdump, I still manage to accumulate link-debt, as interesting things pile up, not rising to the level of a long blog-post, but not so disposable as to be easy to flush. When the pile gets big enough, I put out a Saturday Linkdump:
https://pluralistic.net/tag/linkdump/
All of which is to say, it's Saturday, and I've got a linkdump!
First up, a musical interlude. I've been listening to DJ Earworm's amazing mashups since 2005 and while I've got dozens of tracks that shuffle in and out of my daily playlist, the one that makes me wanna get up and dance every time is "No One Takes Your Freedom," a wildly improbable banger composed of equal parts Aretha Franklin, The Beatles, George Michael and Scissor Sisters:
https://www.youtube.com/watch?v=JaboIeW1A_4
I defy you to play that one without bopping a little. I think it's the French horn from "For No One" that really kills it, the world's least expected intro to a heavy dance beat.
Moving swiftly on: let's talk about fonts. I remember when Wired magazine first showed up at the bookstores I was working at in Toronto, and my bosses – younger men than I am now! – complained that the tiny, decorative fonts, rendered in silver foil on a purple background, was illegible. I laughed at them, batting my young eyes and devouring the promise of a better future with ease, even in dim light.
Now it's thirty years later and I'm half-blind. Both my my decaying, aging eyes are filmed with cataracts that I'm too busy to get removed (though my doc promises permanent 20:20, perfect night-vision, and implanted bifocals when I can spare a month from touring with new books to get 'em fixed).
Which is to say: I spend a lot more time thinking about legibility now than I did in the early 1990s, and I've got a lot more sympathy for those booksellers' complaints about Wired's aggressively low-contrast design today. I'm forever on the hunt for fonts designed for high legibility.
This week, Kottke linked to B612, a free/open font family "designed for aircraft cockpit screens," commissioned by Airbus. It's got all the bells and whistles (e.g. hinting) and comes in variable and monospace faces:
https://b612-font.com/
B612 arrived at a fortuitous moment, coinciding with a major UI overhaul in Thunderbird, the app I spend the second-most time in (I spend more time in Gedit, the bare-bones text-editor that comes with Ubuntu, the flavor of GNU/Linux I use). A previous Thunderbird UI experiment had made all the UI text effectively unreadable for me, causing me to dive deep into the infinitely configurable settings to sub in my own fonts:
http://kb.mozillazine.org/UserChrome.css
The new UI is much better, but it broke all my old tweaks, so I went back into those settings and switched everything to B612, and it's amazeballs. I tried doing the same in Gedit, but B612 mono was too light for my shitty eyes, so I went back to Jetbrains Mono, another free/open font that has 8 weights to choose from:
https://www.jetbrains.com/lp/mono/
Love me a new, legible font! Meanwhile, a note for all you designers: the received wisdom that black on white type is "hard on the eyes" is a harmful myth. Stop with the grey-on-white type, for the love of all that is holy. This isn't 1992, you aren't laying out type for Wired Issue 1.0. Contrast is good, actually.
Continuing on the subject of software updates: Mastodon, the free, open, federated social media platform that anyone can host and that lets you hop between one server and another with just a couple clicks, has released a major update, focusing on usability, especially for people unfamiliar with its conventions:
https://blog.joinmastodon.org/2023/09/mastodon-4.2/
Included in this fix: a major overhaul to how you interact with posts on servers other than your home server. This was both confusing and clunky, and the fix makes it much better. They've also changed how sign-up flow works, making things simpler for newbies, and they've cleaned up the UI, tweaking threads, web previews and other parts of the daily experience.
There's also a lot of changes to search, but search still remains less than ideal, with multi-server search limited to hashtags. This is bad, actually. Thankfully, we don't have to wait for Mastodon devs to decide to fix it, because Mastodon is free and open, which means anyone with the skills to code a change, or the money to pay techies to do it, or the moral force to convince them to do it, can effect that change themselves:
https://pluralistic.net/2022/12/23/semipermeable-membranes/
Case in point: Mastoreader, a great new thread reader for Mastodon:
https://mastoreader.io/
Every time that guy who owns Twitter breaks it even worse, a new cohort of users sign up. Not all of them stay, but the growth is steady and the trendline is solid:
https://pluralistic.net/2023/02/11/of-course-mastodon-lost-users/
It's the right call: while there are other services that promise that they will be federated someday, promises are easy, and there's world of difference between "federateable" and "federated." As GW Bush told us, "Fool me twice, we don't get fooled again":
https://pluralistic.net/2023/08/06/fool-me-twice-we-dont-get-fooled-again/
One big difference between the kind of blogging I used to do in my Boing Boing days and the long-form work I do today is the graphics. When you're posting 10-15 times/day, you can't make each graphic a standout (or at least, I can't). But I can (and do) devote substantial time to making a single collage out of public domain and Creative Commons graphics every day:
https://pluralistic.net/2022/12/25/a-year-in-illustration/
I am not a visual person – literally, I can barely see! – but my daily art practice has slowly made me a less-terrible illustrator. I got in some good licks this week, like this graphic for the UAW's new "Eight-and-Skate" work-to-rule program:
https://pluralistic.net/2023/09/21/eight-and-skate/#strike-to-rule
That graphic was fun because all the elements were from the public domain, or fair use. I love it when that happens. I've spent years amassing a bulging folder of public domain clip art ganked from the web and this week, it got a major infusion, thanks to the Bergen Public Library's Flickr album of high-rez scans of antique book endpapers. 86 public domain textures? Yes please! (Also, the fact that Flickr has one-click download of all the hi-rez versions of every image in a photoset is another way that it stands out as a remnant of the old, good web, not so much a superannuated relic as an elegant weapon of a more civilized age):
https://www.flickr.com/photos/bergen_public_library/albums/72157633827993925
Speaking of strikes: there are strikes! Everygoddamnedwhere! After 40 years in a Reagan-induced coma, labor is back, baby. The Cornells School of Industrial and Labor Relations' Labor Action Tracker is your go-to, real-time observation post as hot labor summer turns into the permanent revolution. As of this writing, it's listing 968 labor actions in 1491 locations:
https://striketracker.ilr.cornell.edu
There's no war but class war and it was ever thus. Brian Merchant's forthcoming book Blood In the Machine is a history of the Luddites, revisiting that much-maligned labor uprising, which has been rewritten as a fight between technophobes and the inevitable forces of progress:
https://www.littlebrown.com/titles/brian-merchant/blood-in-the-machine/9780316487740/
The book unearths the true history of the Ludds: they were skilled technologists who were outraged by capital's commitment to immiseration, child slavery, and foisting inferior goods on a helpless public. You can get a long preview of the book in Fast Company:
https://www.fastcompany.com/90949827/what-the-luddites-can-teach-us-about-standing-up-to-big-tech
Merchant also talked with Roman Mars about the book on the 99 Percent Invisible podcast:
https://99percentinvisible.org/episode/blood-in-the-machine/transcript/
If that's piqued your interest and if you can make it to Los Angeles, come by Chevalier's Books this Wednesday, where Brian and I are having a joint book-launch (I've just published The Internet Con, my Luddite-adjacent "Big Tech Disassembly Manual"):
https://www.eventbrite.com/o/chevaliers-books-8495362156
Where is all this labor unrest coming from? Well as Stein's Law has it, "anything that can't go on forever will eventually stop." 40 years of corporate-friendly political economy has lit the world on fire and immiserated billions, and we've hit bottom and started the long, slow climb to a world that prioritizes human thriving over billionaire power.
One of the most tangible expressions of that vibe shift is the rise and rise of antitrust. The big news right now is the (first) trial of the century, Google's antitrust trial. What's that? You say you haven't heard anything about it? Well, perhaps that has to do with the judge banning recording and livestreaming and not making transcripts available. Don't worry, he's also locking observers out of his courtroom for hours at a time during closed testimony. Oh, and also? The DoJ just agreed that it won't post its exhibits from the trial online anymore. You can follow what dribbles of information as are emerging from our famously open court system at US v Google:
https://usvgoogle.org/trial-update-9-22
If the impoverished trickle of Google antitrust news has you down, don't despair, there's more coming, because the FTC is apparently set to drop its long-awaited suit against Amazon:
https://finance.yahoo.com/news/ftc-poised-sue-amazon-antitrust-163432081.html
Amazon spent years blowing hundreds of millions of dollars of its investors' cash, selling goods below cost and buying up rivals until it became the most important channel for every kind of manufacturer to reach their customers. Now, Amazon is turning the screws. A new report from the Institute for Local Self-Reliance details the 45% Amazon Tax that every merchant pays to reach you:
https://ilsr.org/AmazonMonopolyTollbooth-2023/
That 45% tax is passed on to you – whether or not you shop at Amazon. Amazon's secretive most favored nation terms mean that if a seller raises their price on Amazon, they have to raise it everywhere else, which means you're paying more at WalMart and Target because of Amazon's policies.
Those taxes are bad for us, but they're good for Amazon's investors. This year, the company stands to make $185 billion from junk-fees charged to platform sellers. As David Dayen points out, Amazon charges so much to ship third-party sellers' goods that it fully subsidizes Amazon's own shipping:
https://prospect.org/power/2023-09-21-amazons-185-billion-pay-to-play-system/
That's right: as Stacy Mitchell writes in the report, "Amazon doesn’t have to build warehousing and shipping costs into the price of its own products, because it’s found a way to get smaller online sellers to pay those costs."
Now, one of the amazing things about antitrust coming back from the grave is that just the threat of antitrust enforcement can moderate even the most vicious bully's conduct. Faced with the looming FTC case, Amazon just canceled its plan to charge even more junk fees:
https://www.reuters.com/legal/amazon-drops-planned-merchant-fee-ftc-lawsuit-looms-bloomberg-news-2023-09-20/
But despite this win, Amazon is still speedrunning the enshittification cycle. The latest? Unskippable ads in Prime Video:
https://www.bloomberg.com/news/articles/2023-09-22/amazon-prime-video-content-to-include-ads-staring-early-2024
Remember when Amazon promised you ad-free video if you'd lock yourself into shopping with them by pre-paying for a year's shipping with Prime? The company has fully embraced the Darth Vader MBA: "I am altering the deal. Pray I don't alter it further."
That FTC case can't come a moment too soon.
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If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:
https://pluralistic.net/2023/09/23/salmagundi/#dewey-102
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popculturebuffet · 3 years
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Scotrospective: Scott Pilgrim Vs the World (The Comic)
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Hello, Hello, Hello scottaholics! And what a beautiful day it is: After decades lost in the lost woods, at least it had that catchy tune to keep it company, Scott Pilgrim Vs the World: The Game is FINALLY back and performing for you on all platforms!
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Even Stadia, the platform most likely to disappear like this game did for a while! Cheap shots at the stadia aside as a huge fan of the franchise as a whole and of this game who played it back on the 360, and had since sold said 360 so I had no way to get it back or ever play the dlc packs. Seriously who didn’t want to play wallace but never got to? Everyone, everyone is the answer. But with those the entirety of what I consider to be the main cast is playable, it has online so you can beat up hipsters, guys in costumes and robots with your friends, it’s a good damn feeling.  And since i’m in a celebratory mood, naturally i’m also feeling like a review. And since it just so happens the next volume up in my look at the comics is Vs the World, seriously I planned this review for this month without thinking to have it come out on the same day as the game until a week or two in, I felt there was no better way to celebrate the biggest day for Scott Pilgrim fans in some time.. and for Brian Lee O Malley as he’ll stop getting twitter asks about it. So with all the exposition taken care of LAST TIME, and the link right there if your curious, we can jump right in. On with the show!
After our opening titles, and yes this comic has opening titles, with Ramona sitting solmely in the rain. 
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And Scott caught in the title. The rain shot is real pretty by the way. But yeah once we get past those we’re taken back 7 years ago. Finn found out his father was an asshole, and voiced by Stephen Root so hey you take the good with the bad, Steven just learned the horrifying truth about Gem Monsters, Guardians of the Galaxy saved the MCU and I was trying to find work after college.. wait... sorry sorry that was 7 years ago from THIS year. The comic came out in 2005, though the comic takes place on a sliding timescale where only like 2 years pass so I dunno when this is. Let’s just say 98.  Okay so 1998: Bill Cllinton’s sex scandal breaks, and puts way too much of hte blame on the young intern whose life came to be defined by one stupid mistake she made with a man who was way older and should’ve known better, the tide of the Monday Night War turned in favor of the WWF as Stone Cold Steve Austin became a household name, and it was an utterly standup year for video game relaases with Ocarina of Time, Banjo-Kazooie, Crash Bandicoot: Warped, StarCraft, Castlevania: Symphony of the Night, WWF: War Zone, Pokemon Stadium, Spyro The Dragon, Pokemon Yellow, WarioLand 2, Oddworld: Abe’s Exodus, Star Wars: Rogue Squadron, Pokemon: Trading Card Game and Sonic Adventure. It’s like someone took a good chunk of my childhood and squeezed it into one year holy shit, I did not expect this when looking up what came out in 98. 
And while the movie pool wasn't’ quite this amazing, we still had The Wedding Singer, The Big Lebowski, the dude abides, Batman and Mr Freeze: SubZero, The Truman Show, Mulan, the good one not the one made near concetration camps that makes her into a demigod, Saving Private Ryan, Blade, Simon Birch, Scooby Doo on Zombie Island, Rushmore, Bride of Chucky, HalloweenTown, Plesantville, and the Prince of Egypt. And in music Weird Al changed from his first signature look to his second, getting Lasik and growing out his hair. Seirously had no idea that was this year. Good to know. Also Elton John got his knighthood. Super shooters. I could go on with 1998 triva for days but I cannot go on for 8 weeks so let’s get to the point here.. during alllla this  Scott Pilgrim, age 16, was starting St. John’s Catholic School and a couple of guys who were up to no good started making trouble. . by threatning to beat him up for no real reason. A fight insues and we cut to the principal’s office as Scott’s still a minor and not allowed to get into death fights just yet under the people’s freedom of choices and voices act. 
It’s here he meets Lisa Miler, a peppy and sarcastic blonde, who’s intrigued by the fact Scott somehow got beat up after being here just 15 minutes and wants to be friends. Naturally for scott next we see him he’s busy playing video games, and annoyed someone else is around and wondering who this person whose now in his basement is. God no wonder teenage me related to him. So for the next few pages we see their friendship in time lapse: Lisa joins him at lunch, then geninely wonders since Scott’s Untentionally a dick if he hates her.. it’s part of why I think Scott has some form of autisim. And not just because I tend to belivie a character is on the spectrum all the damn time, it’s because of the way he acts: while he is nice and charming at times.. he also clearly has trouble relating to people or realizing how his actions effect them and as seen here in a younger form can often be compeltely distanced from normal social queues, not getting how his actions might be seen until Lisa outright talks to him about it. I mean.. it’s not a huge stretch, and it dosen’t mean he’s nto responsible for his own actions, but it does EXPLAIN a lot of them better: why he just sorta forgets about Knives post-ramona but at the same time still cares enough he dosen’t want to hurt her despite you know, that ship sailing just by having moved on. 
But now the two are friends and his parents, who we meet for the first time and sister inquire about her being his girlfirned.. and by next jumpcut his parents apparently don’t want him hanging out with girls? What exactly the fuck? Also they mention Laurence, Scott’s brother whose missing for most of the books and has no real payoff for not being around. Next cut we get KIM!
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Thank you Prissy. And she’s.. not all that different, assuming, correctly that their partner project, how she meets scott will just result in her doing all the work.. which not only is how these things usually went when I was in high school a decade later, but reminds me of the time me and my friends curtis and justin were put on a project and when asked who the alied powers were, guessed “Germany?”.... you can understand my fear. And also Curtis punching him for getting nothing done.. and not hard or brutally mind you just once quick in the gut and with full warning. Ah... the adaquate old days. 
So back to Lisa as, since Scott’s Mom has a guitar.. a fact I.. never honestly thought about. Seriously I never realized her children, since the Bass Scott has for most of the books is Laurence’s, getting into music was probably due to her. Also Lisa makes her case for WHY be a band: the school has a regular event called Lunchapalooza, where everyone goes to and since by teen logic, just being in a band is automiacally cool, she figures they can jump from not QUITE being in any cliques to being super cool. Which honestly yeah... while I didn’t know any bands in high school, the fact one of my friends, ironically named Scott, was a DJ automatically made him pretty damn cool once he got past his awkard phase. I never got past mine but somehow was loved by all except that one douchey kid in our group who mocked me for naming my Luxray kim, assuming it was based on Kim possible and not Kim Pine... though frankly how that’s an insult when Kim Possible was a fucking awesome show and character is beyond me but he was just 17 and also a douchebag, it didn’t have to make since it just had to piss off the easily pissed off kid with aspergers. So Scott poses how they can be a band with just their guitars and Lisa concedes drums WOULD help.. I mean it’s what MADE Shallow Gravy. 
So while Kim wonders if Scott is dating Lisa, because teenagers don’t really get girls and boys can be friends without wanting to be together, though not often as teenage boy brains can be rather stupid and horny... can confrim from personal experince. So it becomes clear Scott has a thing for Kim, and when Scott tries broaching it with Lisa she dosen’t take it well and he backpedals to asking her to be her drummer and plans to monday, proving Scott has somehow not gotten better at reading women, or anyone after 7 years. Can relate. 
So yeah he decides to ask Monday, same day as their presentation.. and thankfully missed the bus as he arrives to find the Benvy Tech boys came in, took everyone out and abducted Kim. Because yeah, just in case you were wondering Scott’s life was always like this.. or was it? Questions for later. So one Canadian Version of River City Ransom later, Scott’s made his way to simon... who, since most of you have probably seen the movie or art of the movie.. looks an AWFUL lot like Gideon. Hrmmm. Simon is naturally the final boss here and wonders if this is the best St. Joels can muster. Scott quips back as only Scott can. 
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So cue an unsuprisingly awesome actoin sequence. IT’s part of why I love these color editions: While they already LOOKED thoroughly fantastic the added colors really help the series shonen manga meets old school video game vibe REALLY fucking pop. So Simon pleads mercy which like Scott delivering a good quip.. should’ve really been a red flag to younger me and is foreshadowing for later in case I was too subtle. He then does what any noble hero would do.. kicks simon into the sunset, tells Kim how he feels and asks her to play drums. They then make out. Awwww. 
Lisa suprisingly takes it well as the next montage shows.. granted we’ll learn in Feburary she wasn’t QUITE as over scott as it seemed, but the three, along with a friend of Lisa’s whose name I forgot and who DOSEN’T come back so I’m not going to bother learning, form their own friend group, Scott and Kim get an A, and Scott, Kim and Lisa’s band is dubbed sonic and knuckles, which is an objectively awesome band name. Something the series really does great: Video Game Based Band Names. Crash and the Boys, Sex Bomb-Omb, Clash at the Demonhead... we need more bands like this in the real world dammit. So then they play their big game, the two loose their vrigniity.. and then Kim asks scott “your moving to tornoto?” And.. for now.. that’s that. 
While the framing of that will be VERY important in the last volume, as notice how KIM’S the one who brings it up and it’s not explicitly stated scott actually told her, this flasback is great. While it does contribute to the volume’s drifty pacing, more  on that as we go, it brilliantly sets up a LOT of stuff for later, paticuarlly Lisa who I assumed wouldn’t be back and younger me’s jaw fucking DROPPED when she popped up in Volume 4. Granted i’m spoiling that suprise for you now but odds are most of you reading this have either alreaddy read these or were probably wondering if the girl from the animated short ever had any actual relevance in the books. So yes, yes she does. She’s also the pink haired girl you see pop up in the game in the background, as a nod to O’Malley’s comic strip style which had her and Kim as the leads.  Also yeah for fans of the game or movie or even the comics who were unaware.. this prologue got an animated adaption on adult swim to promote the movie. Naturally Micheal Cera and Allison Pill reprised their roles as Scott and Kim, with Mae Whitman voicing lisa.. and honestly being perfect for the roll, and Jason Schrwartzman voicing Simon naturally. While the animation is slightly limited, it still looks decent and expertly translates O’Malley’s art, while sliming things down slightly where needed to fit a short, and the anmation takes a huge bump for the fight scene which like the comic is short but awesome. While it has no real bearing on the film as Kim’s former relationship with Scott never really comes up or has any impact, as the Film while good was based primarily on volumes 1-3 with small pieces of 4 (paticuarlly the iconic “Lesbians gag”), with Wright working off outlines and drafts of 5 and 6, so the last half hour or so is mostly Wright’s invention. 
Not a bad thing as it’s still awesome and not o’malley’s fault but it means kim dosen’t get to do much, and is a big reason why I want an adaptation on netflix or hbo max. While i’d still want changes both because there’s no sense doing an adaptation if your not going to make some tweaks of your own and because it’d be intresting to update the series to modern day, both in societal conventions and so everyone stops saying the r word. Seirously the most telling sign of the series age is that word showing up quite a bit during the first half of the series. Point is there is merit in doing another remix of the story and doing a longer form one so we can get more of the characters, as well as flesh out ones like Steven, Neil (Who was done WAY better in the movie adaptation thanks to the wonderful Johnny Simmons), and Stacey who got the shaft in the books. Again, not slagging off the movie, it’s really great. Just saying there’s always room for more Scott Pilgrim content and we all know it. 
We’ll get back to the comic proper, and the present day of 2005, after the cut. 
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So the story proper opens with Scott dreaming of playing video games... because of course he is with Ramona walking in. and finding it charmingly pathetic but wanting her boyfriend to you know, get out of bed. It’s 11:30.  So with Scott’s ass out of bed, we find Scott, Age 23 idiot with a heart of gold and Wallace, 25 king of all gays, on the bus as they talk it getting warmer and Lucas Lee, movie star and jason lee stand in coming to town to film a movie.. and Scott being Scott gets him confused for Luke WIlson. He’s also seen Bottle Rocket which.. good on him. Seriously while not wes anderson’s best film, those were made long afte this comic was published, it’s still a damn good one.. where was his career at this point... looking it up life aquatic was his most recent films and is still one of my favorites. So yeah he was in a good place career wise. 
Scott proudly talks about having Ramona over in a couple days so she can see his place and meet Wallace. But as explained by Wallace for those of us just tuning in, he already met her last volume. You know during that time Stacey thought she could magically make her date not be attracted to someone else.. and yes even almost a month later not letting that one go. Stacey should know better. Not saying i’ts right Wallace keeps poaching her boyfriends, but she still shoudlnt’ try and force a relationship with a guy or even finish a date with one who makes out with someone else, regardless of gender, mid date. She deserves better. In general not just in this one scenario but we’ll get to that. 
Point is while Scott, as usual, is a bit pissy about this Wallace.. has no time for that and issues an ultimatium
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And he’s not bluffing, as he fully intends to tell Ramona the minute she walks in the door if he dosen’t break up with Knives. It really shows Wallace off at his best and why he’s Scott’s closest friend: Kim and Stephen do care about him but Kim both has a LOT of unresolved issues and sexual tension with him and keeps eveyrbody including Scott at arm’s length. And Stephen.. while he will OCASIONALLY call Scott out mostly just enables him, either ignoring his college buddy’s shittier behavior or playing along with it and backing him up when Kim rightfully calls him on being a dickhead. While both love their friend they just aren’t the best at dealing with his shit or getting why he does the things he does good and bad.  Wallace on the other hand geninely likes Scott. He’ll lock him out of the house and tell him to sleep elsewhere so he can bang one out, he’ll not wear pants if he dosen’t have to and he’ll certainly hit on Scott just to get a rise out of him, phrasing.. but he also genuinely cares for the guy’s well being. He lets him sleep in their house basically rent free since scott has no money, buys most of their stuff, and is, as we’ll see in this one, the ONLY one of his friends to take an active part in the fight against the exes, training Scott and researching his opponents when he can get info. He won’t baby Scott as seen here, but he will help him, and he will be the harsh voice of reason his friend needs.  And he did TRY doing a softer approach last time, simply telling scott to break up with his fake high school girlfriend. Scott had every chance to dump Knives during the last third of the first book.. it’s just a combination of both Knives and Ramona being in the same place and Scott getting panicky meant he balked. He NEEDS to be pushed into leaving Knives or he’s not gonna. And he also gets it’s not just Scott being a shifty coward: Scott DOES like Knives.. he just found someone who actually challenges him, intrests him and connects with him on his level, versus someone who worships and adores him like a puppy who just happens to be skilled with knives. The relationship with Knives. was an ego boost, an unequal paring that gave Scott the illusion of moving on from Envy. Ramona is him ACTUALLY moving on and given how badly Envy fucked him up, which comes into play in this book and the next, Wallace recognizes that Scott does need her... but this relationship can’t go anywhere if Scott is seeing someone else, and they both know it. Wallace is just the one who’s willing to do something about it to force scott to do something about it. He’s doing this for Knives too: it’s very clear he cares about the girl, was against this from the start, and knew this was going to end in pain and the faster Scott rips off the Band-Aid the faster she can move on to someone closer to her age and far more equal to her. Scott.. takes this about how you’d expect, even calling Double Standard, as Wallace does sleep around.. and while Wallace will be a homewrecker to Stacey.. otherwise it’s not remotley the same. Wallace does his sleeping around either casually or when he does get a partner, with their consent from what we can tell. He never cheats or anything, he just likes to bone. So yeah Scott doesn’t have a leg to stand on and acts accordingly. 
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One of my faviorite gags in the series and one that’s etched in my head for keeps. So with a justified Ultimatium over his head Scott calls knives to hang out. Knives.. shows off that as adorable and trusting as she is.. she’s also kind of creepy and shows up just outside the phone booth he’s calling her from.  So the two go to a record store and Knives tries to get Scott into Clash at the Demonhead, her faviorite band. But since i’ts you know, headlined by Scott’s ex as we’ll find out, he’s not into it. But before that can get awkward.. it gets awkward in another way as Knives invites Scott to dinner at her parents place. Which is an objectively bad idea even before you get into the fact Scott wants a way out and as Volume 4 will show us her dad is both not happy with the idea of her dating a white guy and willing to use a katana to prevent it so he dodged a bullet there. Scott TRIES weasling out of it, but his “I’m too old for you” thing falsls on deaf ears.. and actually explains why she thinks this is normal: her parents are 9 years apart. of course obviously two consenting adults with a decade between them is a mite bit diffrent than 5 years between a teenager whose taking this way too seriously and a grown man whose taking this not seroiusly at all and dosen’t get how effed up this is. But Knives is too naive to get that, and papers over any possible concerns about her parents not wanting her to date a white guy with i’m in love.  Seeing that he has no EASY way out of this, as he shouldn’t, Scott just rips off the band aid and bluntly breaks up with her, saying it’s not going to work out. Knives.. is clealry devistatd. To her this was a serious relationship.. and Scott realized that too late.. and thankfully while he didn’t break up with her in the best way, at all, simply syaing i’ts not going to work out and confirming to her he means it, it’s clear from his face this hurts to do and he knows he’s REALLY hurting her and REALLY shoudlnt’ of dated her to begin with. IT’s why Scott dating a teenager dosen’t make him a morally rephrenisvie monster: because he was genuinely intrested, didn’t use her sexually, and there are tangible consequences for his actions. Knives just dosen’t disappear neatly into the sunset so he can be with ramona. The rest of the series covers her emotoinal recovery from being with Scott, and how she very horribly handles it and that’s why this plotline works at all: she’s not some act one contrivance to be thrown away, sh’es a human being, and more than that a young woman who got hurt REALLY bad and got way too in over her head with someone who just..wasn’t the one fo rher no matter how much she can’t admit that. 
We also get one of my faviorite sets of pages as Scott relfects on things and the sheer devistation on Knives face, which credit to a series that even at this early point loves it’s big bold facial expressions.. her’s being more subded just makes it sting MORE. 
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This bit to me is vital to keeping Scott sympathetic and to his character. We see he really does regret what happened, dosen’t know how to process it and genuinely feels awful. As I said instead of some exgerated face that would still hurt him.. her face is quiet, clearly unable to process this and clealry lost and hurt.. and that hurts more than any fuck your or sobs he was probably expecting. Just her clearly not getting WHY he’s doing this or why he hurt her, and he KNOWS why he just knows telling her the truth would hurt her even more. But.. as he thinks.. his thoughts move to something else.. and the WHY of why he did this. 
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He did it for Ramona. Wallace was as harsh as he was right: he needed a clean slate to actually give this relationship a shot and the smile comes off less as him being a calous dick whose just happy to move on, I mean he is a little, but more jus tsomeone READY to finally move on. He found the right person, he let the wrong one go if clumsily.. he has a future to look forward to and he can smile about that. 
Granted he’s still his usual unteitonally callous self and his way of telling his friends he and knives broke up is to casually say so and say “dont’ worry you’ll meet my new girlfriend soon.” Their reaction.. is my own. 
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Look just because Scott is a nuanced douchebag dosne’t stop him from being a Douchebag. It just means he isn’t intolerable to watch and you actually care about him growing as a human being is all. 
So with that out of the way, it’s date night and Ramona is coming over.. also Scott is considering calling her Ramy which no. I'm genuinely in favor of a pet name that’s just a variant on someone’s name but a bit cute, as it’s just the right level of obnoxious, but no, just no Scott. No.  Ramona enters, meets Wallace again and sits down while Scott tries to shoo him out.. because turnabout is fair play bitch. They also see Ramona’s new hair as she dyes it something new for the first time, in this case a very lovely two tone, the purple from last volume but with a darker purple bellow it. I honestly wish she went for multiple colors in her hair again, but likely didn’t since the book was originally in black and white... which still dosent’ make sense as it would’ve been EASIER that way. Regardless Wallace makes himself scarce proving that he’s more than willing to be equal in terms of one of them spending the ngiht elsewhere. What a guy. 
Ramona finds out a few things about Scott: That his apartment is VERY small, just one room with a bed, a cabinet, a small kitchen and a bathroom, which despite what scott says I REALLY dont’ count as another room. Just common sense. She also learns that he can COOK. Yeah while you’d expect Scott to just get a wad of “I did the ultimatum thing okay now gimme” money and buy dinner but no.. he made the whole thing himself from his own recipe.  And once we cut to them eating on the floor.. turns out yeah he not only can cook but is REALLY good at it. She wishes there was a table which, small as the place is.. fair point. I mean at least get some tv trays. You have chairs. Or at least the easy chair. You can get nice padded folding chairs so you have a second chair guys. I know your poor but come on. Also Scott leanrs bread makes you fat. Good stuff. Also Scott freaks out when , while making out with Ramona in bed later, she mentions his hair’s getting kinda long and could use a cut... which turns out to be a thing for him. He isn’t an ass about it he just panics a bit because he’s partially convinced his last relationship’s nightmarish breakup was because of a bad haircut he got. As we’ll see next week, that’s a no but as someone whose a touch neroutic myself I get blaming a larger issue on something trivial. 
So we then get to the next chapter where it’s KIM’S turn to have a dream.. and the only time we see someone else's dreams. Honestly.. I really would’ve liked if it was a recurring device, even have Ramona pop into other people’s Not used ALL the time but I could easily see it being used with Knives to convey her obsession with Scott and her pain or kim again to help move her plots along or Wallace because I want to know what’s going on in his head. It must be a maze of male gentalia and fine liquor the likes of which has never been seen. It’s scotts funeral as Simon killed him and Scott’s corpse wonders if she dreams about this a lot. 
So we see her get ready and wake up her roomate Sarah whose a bitch. And as we’ll see in one of the backups, so’s the rest of her roommates. So drifting into work. Hollie is a character I really liked... the past tense will be explained later. And the first scene is probably why as her and Kim banter effortlessly, with Kim suggesting maybe she was a happy kid... only to admit quickly no she wasn’t, she was pretty withdrawn and then pretty angsty over someasshole who will be named Scott. “Your a holy terror kim, and i’m glad your on your side”> It’s a short scene but the kind this series excells at: just realistic, fun little exchanges bursting with character. I also GENUINELY wish we got more of this kind of thing, as only Knives really gets these kind of scenes to herself for the most part. There ARE scenes without Scott, but not enough like this that just give us as look into what his friends lives are like during the moments they aren’t putting up with his dumbassery or watching him engage in mortal combat. It’s why i’ve been hoping a spinoff will happen even though it likely won’t SOON. I’m sure O’Malley will return to this world some day, but between Snotgirl and Wicked World, which will come out when it’s ready but should be good.. he’s just really busy. But i’d love to see more of Kim.. or Wallace or Knives. The latter two are a no brainer: Knives is the tritagonist of the books, and it’d be intresting to see what she’d be like 5 years at the book, at the same age and stage in life as Scott. And with Wallace it’s because we really DON’T see his friend circle, life or what goes on with him. We hear him talk about a new boyfriend, who we don’t meet until near the end of the series, though you can see him in stage 3 of hte game if your curious, we see him with some random friends in volume 4, but we really don’t KNOW what hyjinks and lojinks wallace gets up to. He’s pretty isoalted from the rest of the main cast, something I hope an adaptation could fix as while realistic i’td be curious to see what his relationship with Kim or Steven would be like. Just food for thought. 
Point is this was a good scene. But as is typical for Kim’s life just when she has some serenity her ex crashes back in. In this case Scott needs to rent some movies, kim works at a rental store and god teenage me really wanted a clerks style spinoff.. but enough spinoff talk. Scott asks kim to bororw them, of course and explains he’s training for his fight with Lucas.. which Kim reacts to finding out her second best friend is in a series of death matches. 
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She has understandable questions such as how the hell doe she know that and is he stalking Lucas and just hoping he’s an ex.. which let’s face it would be a very scott move. But nope Wallace told him, likely learning in an interview he dated Ramona or is coming for scott because he knows everything. We also get one of my faviorite exchanges when Kim wonders why Wallace and Scott are roomates.. a valid question he deflects by saying i’ts a long story. 
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Also yeah, as much as casting Micheal Cera backfired for the movie.. that panel there proves there wasn’t another choice at the time. When you want a loveable, somewhat douchey, but also somewhat innocent and oblivious slacker.. who you gonna call. Also before we move on.. Kim.. how are you this suprised. You were there for the fight with Matthew. And Ramona giving out the exposition on why he’s there.. and you even did that whole weird space channel 5 thing no one ever did agian and to this day I will never understand what O’Malley was going for and only know the refrence by hearing that’s what it was. Point is you shouldn’t be this suprised.  Anyways we next cut to Ramona and Stacey, as Ramona enters her workplace, second cup, and they talk and Scott’s spider sense goes off... 
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I mean it’s just a bad feeling but still.. weird. WE’ll get back to that later. Scott is in the middle of his training.. and I love the mentor side of Wallace and feel it didn’t get used enough as the series went on. As said before he cares about Scott, so he serves as his Shounen Mentor and a great one: he’s stern and makes Scott work, but he also gets his student and what Scott needs to work. I just wish he’d taught Scott some actual combat, but as we see Wallace’s combat skills boil down to yelling useless info from the sidelines.. I mean he can be useful, we’ll see that next week, it’s just he’s not an action guy. But spirtually he’s the guy scott needs to kick his ass into shape. That being said his “training” consists of watching Lucas’ movies, playing tony hawk and when Scott wants to play more Tony Hawk, having Scott do pushups while Wallace plays Tony Hawk.  Before we turn... there is an elephant in the room I just gotta shoo out: Lucas.. is easily the worst setup of the 6 exes. Patel SEEMINGLY comes out of nowhere but his letter and email hint SOMETHING is coming up, and his flashy dynamic entry intro is damn cool and is what turns the series on it’s head, from an indie comic about a guy getting it together.. to that but with huge shonen dustups with epic visuals. Todd is introduced masterfully here, and is a presence from the start of volume 3 as a result, Roxie gets a slight tease in the free comic book day issue, and her not attacking for two months not only sets up tension but allowed for a red herring.. im’ not only hiding that the fourth ex is a she because anyone whose seen the movie or played the game knows the fourth ex is a woman. The cat’s out of the bag, no sense hiding it. The Kentangis show up pretty early on and Gideon is hinted at and built up, as this towering, mysterious figure, his relationship with Ramona, who he is, why he set up the league, and just how fucking strong he is is all obscured, with his only four apperances simply teasing the big final showdown and giving him that much more mysitque. 
Lucas.. is just sorta intorduced like “Hey I gotta fight this guy”. There’s just.. nothing. Scott’s just gotta fight him because he’s next up and Wallace knows that because plot convience. It’s VERY lackluster given what comes before.. and frankly while I like Lucas, he’s the weakest plot and character wise. HE’s not even really EVIL, just a sellout and is more doing this because he has to I guess, and likely because of stuff we find out in Book 6 but sssssshhhhh. We’ll get more into that when the fight happens but it’s one of the books weakest points. The evil ex.. just feels like an afterthrought again despite there being no reason to. Thankfully this would never happen again as I said, but it dosen’t make this any less frustrating. 
So we cut to Sex Bomb-Omb practice, and after that we get more tease for Clash at Demonhead. And Stephen.. is cool with them and entirely happy one of them made it, while Scott is understandably pisssed off about it and not happy one of his best friends is you know, promoting the band of his ex who broke his heart and as we’ll get more into next time, said rising career is what tore them apart. So yeah Stephen’s a dickhead, and I was wrong last time that he got better. He really.. dosen’t. He gets less CREEPY.. but out of the main 6 characters he’s the weakest: he dosen’t have much of an arc, does some very questionable shit in the second half, and his being around means we have to suffer through Julie. I’ll tear into him more on a case by case basis but for once Scott’s not overreacting. While Kim does nothing she also has no idea just HOW bad things were and Scott won’t tell her. Stephen was there the whole fucking time. He just saw Scott’s rebound with a teenager. He knows he was kind of messed up after this. Dosen’t justfiy knives but still he looses the moral high ground he tries to have at times. 
So while Scott shops a song for Ramona to her, Knives calls Scott’s place clearly setting up another suprise apperance. Wallace.. figures out what sh’es doing quick and simply gives her a stern “You have to go” And to me it’s not him being a dick.. he’s both trying to save her from seeing Scott with Ramona and fucking her up worse... and is looking out for her. She needs to move on and moving up to stalking Scott’s not going to help that. Scott dosen’t WANT her anymore, and while he handled it bad, Wallace gets she needs to see that. Granted he could’ve you know explained it to her and tried talking, but as i’ve said he’s not a perfect person and he was also on a time table to get her out of there in case Scott you know, showed up with his new girlfriend and made things a billion times worse. And the two are indeed headed to his place to watch one of Lucas’ movies, and part of that weak setup is that Ramona.. just has no connection with him. It was high school. Scott also pretends he dosent’ remember his. You are a lying liar sir stop that.  So they watch the film together hanging out, and it’s.. really bad. The good one was rented out. I miss rental stores.. a magical time. I mean i’ts better now, streaming means 80% of movies are avaliable if you have a bunch of services and even if you just have netflix or hulu or hbo max, you still get a pretty decent selection each month. Plus digital rentals are super easy. Do miss redbox though. I mean it’s still there I’m just warry of something that relies so heavily on touching things in a state with a lot of trump morons. You CAN get Covid twice and I don’t wanna. Also we get some dated Dialouge as Scott commenting on Lucas being hot, he is good taste Scott, is given a “good job convincing me your not gay”. He and ramona end up having sex though so .. yay? I dunno. The series has a really weird thing about not getting bisexuals exist and as someone whose bi, and really against bi errasure it bothers me, it bothers me a lot. Though given O’Malley apparently has not only far more queer rep in snotgirl but a bisexual lead, he’s clearly learned so i’m not going to drag him too hard on this. It was the early 2000′s. People were pretty damn stupid about this. Creators have gottten MUCH more important issues much worse. 
So the next morning, Scott gets a call from his well meaning but ditzy mom, and reacts like you’d expect. His parents are in Europe to keep them out of the action and what not. Though apparently according to the last book his mom did read volume 3 at least. Or Wallace told her about the relevant bit. You make the call. 
So i’ts Ramona’s turn to meet Sex Bomb-Omb. The group hang out and discuss Gordon Downie. 
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Look I don’t know indie bands. I have no idea who the tragically hip are I just know the name is really hipstery. We also get the recipe for Vegan Shepards Pie. None of them are vegan they just wanted to try it and I.. really want to make this some time. Just to see if it’s any good. But yeah it’s in general a fun casual scene, as Kim reveals she and Scott dated, just to break the tension, and Scott tries out Rammy but quickly backpedals. Just fun slice of life stuff. Oh and Knives is watching them from the window and takes Scott dating someone else as well as you’d expect. 
So she gets some hair bleach to do some highlights and calls her friend Tamara over. We met her last volume as she dragged her along to the show, but it’s here we really get to know what she’s like.. i.e. the sane one in the duo, rightfully pointing out Scott’s not that great. Also Knive’s points out ramona’s “fat”, which is thankfully portrayed as petty sniping as while Ramona does have some curves it’s you know.. not remotely a bad thing and the kind of thing a teenage girl would harp on. Still she’s just in STEPS from this happening. 
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But yeah.. it’s clear here Knives has some underlying issues to address and really needs therapy  not to go after her ex’s current girlfriend with knives. I mean it’s in the name but still. Then again volume 4 has her dad going around with a katana or something like it wanting to murder her daughter’s older ex boyfriend he dosen’t realize is ex so it’s clear her whole FAMILY needs some therapy. But this does round her out and show there’s more to her.. a pretty violent and obessive side sure, but it shows she wasn’t just some one dimensional ego boost for scott but a person. One whose just as flawed as the rest of the cast.. but more sympatheic because they’ve all got about 6 or 7 years on her and at this age that’s a lifetime. And while Scott DID set this off by dating her which was objecitvely a bad idea... the rest of this isn’t remotely on him. He handled things BAD.... but all he wanted was for both of them to move on. Knives.. simply can’t admit Scott is not a nice person, was probably two timing her as Tamara points out, which as we know he 100% was, and is not some perfect guy she can’t replace: like Knives.. he’s just a person with faults and she’s too blind to see that. 
So before we can get to the crazy stalker ninja fight, let’s instead get to Scott and Ramona hanging out where we meet Gideon, Ramona’s Cat who i’ll call Cat Gideon, both because I love steven unvierse and because it’s less confusing. This is a pretty slight scene as Ramona admits not a lot happened with Lucas and Scott’s apartment is a hole.. which yeah, yeah it is. Also she DEFINTLY dind’t cheat on him with any cocky pretty boys. Which would come off worse if it wasn’t for the pact Ramona was clearly doing it out of regret and Scott just liked like 50 pages ago about rembering his exes when one of them is his second best friend.. which neither would admit but you know it’s true. Stephen is third where he belongs. 
So next morning it’s fight time, and Scott is glad wallace is going with him. It’s awkard going to fights alone. Which leaves me to wonder if before this comic Scott just.. fought random guys letterkenny style. Like they’d call up, schedule it and then he and one or more of his friends would go beat up a guy. It’s just.. hilarious knowing that this kind of thing is common in canda minus the ki attacks , flash effects, wizards, vegan psycics, ninjas, and roboticists. But damn I now want a scott pilgrimized letterkenny now more than ever. You know you do too don’t deny it. I”d love to see the hard right jay fight but iwth a loud “KO!” when he gets his ass knocked out. Also Casa Loma is a very real, very cool Toronto location, as I never realized as a kid, to the point that the lucas fight was filmed there for the movie. 
So Scott approaches Lucas a bit star struck and upon finding out scott is.. punches him out as seen in the header image and throws him into a tower. When Scott regains conciousness, Kim and Neil have arrived and Lucas calls a time out. And it’s here we get to, while being the weakest of the 7, why I like Lucas.. he’s actually a pretty nice guy. At WORST he sold out. But the two have a pretty nice conversation over ritz and baby carrots, with it turning out, unsuprisingly Ramona did cheat on him with a cocky pretty boy, and while like Ramona he’s clearly moved on, it still hurts a bit and understandably so. He also warns scott while she might seem nice i’ts an act. 
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I mean it isn’t ALL an act, but she does have a tedency to put up walls and act pretty badly as we’re slowly finding out.. though given Scott does the exact same it only means.. she’s human. She’s not MUCH higher above him in terms of morality and this is where we get our first peaks into the fact the series isn’t just about Scott’s development but hers. But it’s understandably absent from volumes 1 and 2 since we need to know her first, and this volume is about getting to know her a bit and get a feel for who she is, something I ddin’t really get a grip on as a teen, but do now. We see more of who she is good and bad as the walls go down. She’s more SURFACE LEVEL functional than scott, but beneath it has a lot of the same exact issues.  Lucas and Scott continue to GENUINELY bond, as Scott genuinely thinks the guy is talented and Lucas want’s an Oscar this year.. maybe not for the current film which is a romantic comedy with a teen star but hey, stars have done far worse in their Oscar years. I mean at least he’s not making a comedy about himself in a fat suit domestically abusing himself in a wig while he also plays an asian sterotype. He explains he almost didn’t get into the league but felt too important to ramona’s past.. plus he looks cool. Plus they let Patel in despite barely being in a relationship with her and being kind of a tool so they kinda had to let the handsome affiable movie star in. Scott wonders “wait league” and Lucas is understandably frustrated to find out Patel just sent a letter Scott didn’t read.. and at Matthew let’s be clear. I mean.. Gideon has to have known Scott wouldn’t read that since he’s been in his head. We’ll get to that in part 6. Point is they formed a league, hence why their organized enough to come after him like this and Scott understandably glares at Wallace for you know, having him play tony hawk and watch movies yet missing the fucking obvious clue they were all working together and they were only coming at him one at a time by choice. 
Lucas offers to just.. take a bribe and SAY Scott beat him, Scott calls him a sellout jokingly and Lucas proves that while not AS bad as the rest of the League, he’s still a dick by telling him to kiss ramona’s sweet ass goodbye pilgrim. Okay either he’s seen her since high school or he’s fondly remembering a high schooler’s ass. Neither one is nice to think about. But Scott gets out of his ass beating by pointing out a ramp, real thing too used for the movie, and asking him to skate down it. Lucas says i’ts impossible, and Scott just whistles. So Lucas tries skating the impossible and dies via velocity. Yes really. Scott collects his change and gets a gift, a mytryil skateboard he.. can’t use because he dosen’t have a proficency for it and bemoans not picking it up in 5th grade. Also he didn’t get his autograph. He does get some coins though so neat.   Yeah I mentioend Lucas was the least of the exes and I stand by it: He’s an intresting character, not a GREAT person but clearly a charming and nice enough guy who likely offered the bribe not because he’sd a sell out but because he genuinely liked scott, and is easily the best adjusted of the exes. But obviously a near non existant setup and a really hilarious and unsastifying finish just.. don’t really feel sastsifying. I mean i’t slampshaded, but after all the build up of her having 7 evil exes, the next one is just..filler. Not BAD, but not really anything special and giving Scott a an early pokemon victory, but unlike ash having done nothing to really DESERVE it.  Thankfully both adaptations so far VASTLY improved on this. While Lucas is still affiable in the movie he’s also smarmy, if on better terms with Ramona, saying “he seems nice” after the tower throw and throwing in some stunt doubles. His fight goes from one of the least satisfying and weakst of the series, to easily one of the best of the movie. We’ll talk about that more there but obvious Chris Evans version is far superior, keeping the good traits while giving us an intresting fight.. and still keeping the skateboard death because it’s fucking hilarious and the movie improves on THAT too by having scott give flat wows as he slowly dies. The game likewise keeps teh skateboard death, if shortening it, and the skateboard, and while not changing his apperance does make him a hell of a tough boss. Took three tries and some online grinding to take him out. Still a hell of a fight. Point is while I genuinely like Lucas story wise.. this just dosen’t work for me and is pretty damn weak, even if it gives us some godo character insight we could’ve got that, and a fight and still had the finish we did. 
That being said.. we DO get a fight instead, likely why the Lucas fight was so truncated. Next chapter and that evening or the next day or whatever, we pan over the real life tornto refrence library. It is a VERY nice touch thatt the comic and it’s adpations use either real places in toronto or reasonable subsittues. While not canadian myself I love the place and hope to visit Tornoto some day when the world isn’t a living nightmare and it’s really nice that like New York for Marvel, Brian Lee O malley really makes the city feel integral to the comic, like it’s own character. But Knives is ominously perched above.  At second cup Scott is horrified to find Julie. Seconded. Julie takes the moment to give out to scott about him dating Ramona despite telling him no. Okay... 
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Yeah as you can probably guess I don’t like Julie. She’s not a good character. The movie did her better, with the bleeping gag and aubrey plaza’s performance, but in the comic.. she’s just the worst. She sucks bad. If she were an ice cream flavor she’d be pralines and dick. While she’s fine on OCCASION, and actually works in the next volume, outside of that she just gets more unplesant, more unlikeable, more bitchy, more unfathomabbly assholish every. damn. volume. I”ll give out about that a bit then too but I have to put up with her for the entire damn comic. Now her being bitchy to Scott is fair to a point: Scott is a mess, and she’s loyal to Envy in the breakup, and Scott’s own friends drag him on a daily basis.  The problems are that she’s like that to EVERYONE, even Knives who isn’t about to stab her much as i’d like that. She’s unberable to Stephen whose tolerance for her is unfathomable, though the ending bits of volume 6 show maybe he just has terrble taste. She’s just a throughly unplesant, social climbing bitch who thinks she’s better than everyone. And it sticks out badly against the main cast; Scott is very bad with women and relating to people, but is also nice, charming and most of the damage he does is not intetional. Ramona puts up walls to keep others out but is also a responsible adult and often cuts through Scott, and at times others, internal bullshit. Wallace is an alcholic, but still a very responsible, very loveable guy who clearly cares about scott and supports him finacially and emotionally. Kim is VERY emotionally distant, very misntrhopic.. but also a good person who as we see as the series goes, has an inner light to her and often drags on Scott because she’s been putting up with his shit the longest and WANTS him to be better. Knives is an obessive and violent stalker.. who was also deeply hurt by an older man, dosen’t GET that her realtionship with scott was wrong and uneven, and is clearly not emtoinallyr eady for the deep feelings she’s having. And Stephen.. well he’s a talented guitarist but also enables scott and julie. Especially him enabling Julie. 
Point is their all pretty well rounded, llikeable characters with flaws. Julie.. is just an ass. And this scene demonstrates that with flying colors. While Scott does ignore her because he’s too worried about his sister and girlfriend becoming friends, understandably given Stacey knows all his dark secrets, Julie spends two pages giving out and treating scott like some bad guy for persuing Ramona against her orders. And i’m going to break down why.. this dosen’t work.. on any level for her.  1) Ramona is not Julie’s property. She’s a big girl with her own free will. They aren’t even remotely close: Julie met her only barely before Scott, and given the dream thing probably not even that. And you could say Julie is just looking out for her... she dosen’t know Ramona well enough to KNOW if Ramona is still smarting over Gideon. She probably was.. but she readily, once the awkwardness passed, went out with scott and dove right into the relationship. While there’s still some scars as we’ll see.. she CHOOSE to move on and that’s her choice. If she wasn’t ready, she woudl’ve turned him down or broke it off by now realizing it was a mistake.  2) Scott has no reason to listen to her. She hates his ass, somewhat justifably but still, she hates him and has been against him since fucking colllege. She took his exes side in the breakup despite Envy still being partly in the wrong but paints him as some abusive dickhead and not just an insesntive dickhead. To him he’s just some villian she needs to reign in for her cool friend who wants nothing to do with her and grows to justifably hate her over time. Scott and Julie TOLERATE each other. They are not friend,s they do not like each other and never will. They are around each other because of Stephen. That is it. If Kim , Wallace or Stephen had asked, or at least made him wait for kinves. he probablyw ould’ve or at least considered it since while they take the piss out of him, they genuinely care about him and actually have shown they care about something other than themselves! Speaking of which the cou de gras 3) She’s a selifsh bitch: She is NEVER not  in any volume seen as out for anyone but herself, and thus scott has no reason to trust her judgement. She berates Stephen, him and anyone who will listen, is only so loyal to envy because she’s famous, and as I said treats EVERYONE like dogshit.  And given Scott is still a very flawed guy.. it takes a LOT for him to be so right and he runs out screaming when Julie mentions her.
So back at the library, Ramona brought Stacey along because the place is a maze. Scott calls Stephen and calls julie evil.. which given the last two paragrahs. Yeah. She is. She really is. But that goes nowhere as he dosen’t have Stacey’s number. He also thinks Julie was responsible for this which while she’s very much not.. would it REALLY be that suprising that if Julie were there she would’ve introdcued the two and set up their little hangout just to piss scott off? God I’m  so sick of talking about her. 
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So the two after dropping off Ramona’s package decide to hang out a bit.. not long as Ramona’s got shit to do, but hey I agree with her logic i’m curious about this palce too. But before they can go up an elevator Ramona spots incoming.. and thus we get the fight of the volume. Though given the next one has two climatctic fights and one or two before that, they easily could’ve had both.. this is still the highlight of the volume.  So Ramona snaps off a railing and before Stacey can give out about that she finds out WHY as Knives attacks with a pair of sais. And O’Malley did his homework as while you’d THINK it was just another dumb white person mistake.. O’Malley is asian, thoughw ether he’s candaian korean or canadian chineses, as his last name is korean but he has a large chinese cast in this very comic that might come from experince, I do not know and if you do know tell me. I’d like to refer to him properly as I don’t LIKE lumping all asian cultures into one basket. But not only that he did his home work, as Sai’s, while popularized in Okinawa Japan, were also used in other countries. I bring this up since I assumed it was just a simple mistake even knowing Brian was mixed-race, and was plesantly suprised to fine that know, I was the moron. And i’m fine with admitting that. 
So we get a damn good fight.. and Knives figures out Scott WAS cheating on her. Granted she assumes so due to seeing Ramona at the refrence Library, before he actually cheated and clearly blames Ramona for it, but still, it fucking hurts. Plus while her attacking Ramona, who initally assumes she’s gideon’s doing, which.. yeah sending a teenage assasian just to mess with her head does sound like him. So while Stacey does complain “ramona you can’t just tear out art objects” to which I say... yeah high, Stacey? NOT THE POINT RIGHT NOW SCOTT’S EX IS TRYING TO KILL HER. SHE’S DEFENDING HERSELF.  So we get one hell of a fight. It not only shows off that Ramona is one hell of a fighter herself, as is knives, but just how immature knives is, resorting to constnat fat jokes and taunts showing just how immature she is.. and unlike volume one where it was endearing and we just saw how sweet she was here it just comes off as mean, bitter, and uncomfortable. But again part of the series biggest charm is the main cast are all well fleshed out and throughly human. She’s doint this because she dosen’t know better and was raised in a house where, again as volume 4 will bear out, finding out her dad is going after scott with a samurai sword just warrants a “dad’s are so weird aren’t they” my point is her frame of refrence is a mite skewed. Plus this is a world where everyone but Stacey just calmly accepts big shonen fights break out, so it’s not that unsuaul to want to settle things with a fight and while i’ve joked about her killing Ramona we genuinely don’t know that was the goal> Could’ve been, easily given murder is peachy in this setting and just leads to a respawn according to O’Malley and would’ve just sent ramona back to her apartment. But I genuinely don’t think she has it in her to do it and while she could’ve planend to, she never would’ve. Plus Ramona easily leads the fight as while Knives uses hit and run tactics and tries make her follow.. Ramona is more annoyed than anything as she has shit to do. Knives only gets one hit in and while i’ts a pretty nasty scratch on the cheek, if thankfully not scarring.. Ramona shrugs it off when she brags about it and easily takes knives down with a potted tree. Knives runs and while she tells herself it’s to fight another day.. its really because her opponent was WAY stronger and way more ready for something like this than she probably planned on. She did defintely want a fight, she just wasn’t prepared to be outmatched so handily. It’s also a nice  parallel to last book’s fight: Like with Scott and Matthew,  while the fight SEEMS pretty even, in reality our hero/heroine was alwasy teh one in control and easily took care of the less experinced and less ready upstart, who likely wasn’t expecting a fair fight much less to loose. 
So Ramona and Stacey wisely get out while Stacey explains Knives is indeed Scott’s ex, though is unaware of the cheating thing. Speaking of Scott he’s playing sonic and knuckles, and in fact kept wallace on the line before just to get advice because of course he did hence why stacey didn’t get through to him, but gets a call... from Envy. 
This is easily the second best sequence in the boook, which was lovingly and wonderfully adapted to film and as a result I cannot read it without hearing Brie Larson’s voice for Envy , a nice mixture of seduction and condescension. It’s CLEARLY painful fo rhim, and we do get some things established as Envy toys with him, that it’s been about a year and that she left him for a cocky pretty boy, familiar.. and while Scott claims to not know what he looks like.. given Todd is clearly on her band cover... it’s not exactly hard to put two and two together. So after some awkard catchup and Scott telling her about ramona against his will, we get to the reason she’s here with Scott understanndbly being supscious and calling her a user.. which while Envy denys.. she ends up admitting to. She’s coming to town as estalbished and her opening act backed out, and since Scott has a band, and one that 2/3 of which she knows, she wants them to open for her.  Scott naturally isn’t too intrested and thinks it’s just pity. The sequence. is masterful, using a watchmen style 9 by 9 panel layout and intercutting scott’s pained reactions and clear lack of comfort with flashes of envy on her side.. never showing her proper, but showing his memories or what he’s seen in magazines. It’s really striking and really sells the sheer discomfort Scott’s going through.  So soon after Wallace gets home.. and finds Scott, drained and miserable on the floor, not even responsive. And this really is the scene that shows me that Wallace cares for the guy and cements that asshole he may be, he loves his buddy. He goes through possible scenarios that fit scott: Food poisoning, finding out Wallace saved over his final fantasy save (though he rules it out as last time that happened he was crying), that ramona dumped him.. before Scott let’s out a pathetic and miserable “Ennnnnvvv”. Wallace , who was at ground zero for that relationship as we’ll find out, realizes this and lets out a little shit, unsure how to help and pissed off at that bitch for once again hurting him like this. As I said it shows how Wallace knows scott in and out and loves him dearly.. and how he knwos about this paticuarly heartbreak better than anyone but Scott and Envy themselves. IT’s just a really tearjerking scene, as we get a sense of WHY scott spiraled into an ego boost of a relationship: His last one REALLY tore him in half, and he’s still not completely healed from the emtional bisection. 
So Scott gets more bad news next chapter as Stacey tells him about the fight and he’s worried he’s going to loose ramona on top of this. I mean he desrves it.. .but it’s clear she’s the best thing to happen to him after a really rough year of denial and poor decisionss and loosing her will likely only make him WORSE. He also breaks the bad news, to him at least to the band about the gig. Stephen, being kind of a dick who while understandbly excited about a big gig fails to see his friend REALLY isn’t happy about this nor remembers you know, that the person offering this tore his heart out indiana jones style and while they should take the gig despite the risks, it’s too big an opportunity not to, he should be fucking senstive about this. Kim however... has a suprising and heartbreaking reactoin to this. Which is spread over a few panels but i’m gonna string into one image for convince sake. 
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Just.. DAMN. I honeslty missed this both as a teenager and as an adult when I read through the books last time but holy shit is this a heartbreaking little moment, even more with the development she gets in later books. Keep in mind, over two books so far, Kim.. really hasn’t shown a lot of emtion. The most upset she’s gotten was getting a bit pissed about another a girl drummer. The only other time we’ve seen her sad was at 17 when Scott left. Her only emotions that we could see were angry and surly. But here? She’s genuinely upset and we see her walls break down for the very first time.. and it’s with the clear indication she NEVER really got over Scott. She never got proper closure and while she hasn’t let it so.. it’s been VERY clear she's been grossly uncomfortable with how he just likes to brush off their history, something that very clearly still bothers her and understandably so: 6 years , while a lot of time, still really isn’t long enough to just .. FORGET your first boyfriend , how he made you feel or the fact he took your virginity and you took his. Stuff like that sticks with you.. I’m ony assuming on the virginity thing but my point remains: To Scott it’s SEEMINGLY nothing, when really he’s probably just trying to brush it off because he dosen’t like dealing with things and given how Kim is wrongly assumed she can’t feel pain. I mean to anyone else i’d be a fair assumption and even i’m not convinced if she touched a hot stove she’d burn, but that’s phsysical this is emotional. DIffrent playing fields. Point is Scott’s kind of a dick and not having ANY closure for anything, Kim is still smarting from him leaving as much as Scott is smarting from Envy dumping him.  And it somehow gets MORE painful.... which should’ve been the tagline for Bojack Horseman now I think about it but yeah: her line is what cuts me up the most “I saw her on the cover of Now. She’s pretty”. It’s a little line, it’s easy to see why I missed it .. but the subtext really stings. It’s that despite being VERY pretty, I had a crush on her as a kid and I still do now.. Kim just can’t help but compare herself to someone whose now a glamrous rock star.  Their equally attractive but all Kim can see is ANOTHER person who Scott cared about more than her. Which seems petty but again he just.. abnadoned her. His moving wasn’t his choice but his not telling her as was framed earlier sure as hell was. And then just.. look at the next people he dates: A glamorous rock star (She wasn’t at the time but that’s for next week), a much younger girl who can’t possible challenge him, and an ultra cool american. To her.. it must feel like he just looks right through her to every other person intersted in him and never even consdered her as a person anymore. I mean.. jesus christ that hurts.. and makes me hate Stephen more since you know he dosen’t notice any of this.. though at least unlike with Scott it’s a bit more understandable because Kim’s so unflappable and he’s already ignoring very obvious and transparent emotional pain why shouldn’t this be any diffrent.  So yeah no one’s happy about this, and that ends up including Stephen as he’s so insecure about his band’s talent he’s pretty sure they suck when their probably at least adaquate. 
So while Scott dosen’t say anything, it’s clear he’s at least consdiering the offer as when we next see him he and ramona are heading to Envy’s show. And honestly it’s just a really sweet scene as Ramona asks about envy and the two banter and hold hands. A really nice palletee clensar since hte last few pages were like I was the one lucas socked in the gut. Also she assures him she dosen’t hate him, and asks about how the breakup happened, turning down any offers to hear the good times.  It was new years eve one year ago, and he mentions it was over her leaving to meet some guy named Todd.. and Ramona finds the story familiar but brushes off Scott wondering if her todd and Envy’s todd wer ethe same guy as a douchey joke. When prying about what happened otherwise, Scott admits it was all a blur.. Ramona isn’t ahppy with the answer.. but it’s nto like it’s that unresonable: he was in deep with Envy, and the breakup was damn bad to the point it took a year for him to recover and end up in the relationship he is now and the one before this was clearly a cry for help. It also helps reinfroce just how much Wallace was there for him and probably WHY Wallace hates Envy so much. They probably live together simply because Scott needed a place after college, was in zero condition to get a job or do anything given his zombie like state.. and Wallace just had him move into his bed, platonically and into his place. It’s probably why while Wallace will complain ocasoinally he isn’t that on scott to find a job. He dosen’t need a paying roomate, they do fine just on his sallary and he has a steady, secure job in some sort of calling office, probably working in medical stuff like my mom. He needs his friend to be safe and happy, then he can get on his ass about being functional, as he is in present day. If nothing else this volume made me realize just how good a person Wallace is.  The one thing he CAN remember, to Ramona’s disbelif is a restraunt opening up, the job story he hinted at last volume: basically it was a fancy tex mex place called, and this is one of the best restraunt naems in the history of fiction brace yourself: The Gilded Palace of Flying Burritos. Naturally, as would I as I love tex mex and that name, Scott loved the place, ate there most of the week and like me with some places I liked waited impatietly to get a job. He did and they were even super generous as the food was FREE.  Which is a euphoric feeling I relate to, though I also liked any discounts I got. seriously when I worked at Bagel and Bagel a good chunk of my paycheck was eating there for dirt cheap every shift. I miss that place so much. Like even after I left there I still like a good bagel sandwitch. And it wasn’t covid or anything it was just low staffed and slowly coming apart due to a lack of a solid manager after Crystal, the manager who hired me, transfered to a store closer to her home, which I do not blame her for. 
Point is I get it even if Ramona thinks this is all made up. Anyways at Lee’s Place, based on the real life Leo’s place, everyone’s gussied up: Steven got an awful haircut and Kim... 
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But no time to dwell on how great kim’s..everything is.. who DID  Neil bring to the concert? 
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While Kim is VERY much enjoying this, everyone else is a bit freaked with Ramona getting assurance her and Scott dated breifly, with Kim quipping her and neil will probably date even breiflyer, and Stephen.. freaking out, wondering if she seduced him, and asking if they should take him out back and kick his ass.. 
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Just..... that’s a lot of douche to unpack and this review has been VERY long and suprisingly hard already.. but fuck it, we don’t have much left to go let’s do this. Okay one did she seduce him.. I mean I GUESS, but really let’s be clear here: Neil is a horny, lonely, monosolobic 19 year old who lives with his sister’s college friend and whose life revovles around said guys band. Knives is adorable. She likely barely had to flirt with him to get him to say yes .As someone who was a lonely 19 year old doofus, I guarantee no matter the red flags I probably woudl’ve said yes provided she was 18 instead of 17, despite the abudant red flags such as neil vaugely looking like scott, neil being the one single man within scott’s circle to get her way back in, as Knives hasn’t realized she’s bi yet or given how much she looked up to Kim, she probably WOULD’VE gone for it. As would any sane person, which neither knives nor I entirley are. So she didnt’ so much seduce him as offer him a girlfriend he didn’t have and him being too intrested in having a sweet, caring girl on his arm to see the giant army of adrestian soldiers needed to carry all the red flags this presents. 
And as for “do we need to kick his ass. “ Stephen.. did you kick SCOTT’S ass? No, you fucking abetted him and only stepped in for the good girl thing. You did NOTHING to stop his relationship with knives or tell him he was screwing up or look out for that girl’s well being. This will bite him in the ass even harder in volume 5, but even now it just makes him look REALLY fucking bad that, even if he probably dosen’t mean it, that’s at all on the table. Also.. Neil, unlike scott is doing slightly less wrong. While he is 20 to her 17, three years.. it’s HALF of what Scott and her’s age diffrence is, and far more equal in power structure. It’s still not.. GREAT, but my point is you did NOTHING when Scott did this, for far flimiser and less forgiavble reasons.. but when NEIL, whose been nothing but weirdly loyal to you dates her, you want to kick someone’s ass. I mean yes he’s being stupid: in a clear role reversal of the Scott and Knives situation, it’s obvious just from her expression that KNVIES is the one in control here, and the one using someone to ease her own pain. Granted it’s wrong, if not as wrong as Scott should techincally know better and Knives very clearly dosen’t, as well as get into a show of her faviorite band. Is what she’s doing wrong.. yeah... while she can’t see it again it’s what Scott did just not QUITE as fucked up due to not being AS embalanced. Should neil probably be dating her after scott did ? No. But should you be threatning him and not scott for you know, setting all this in motion? No. Jesus christ you suck Steven. 
Thankfully while Scott presumibly calms Stephen down, Kim spots Hollie and her roomate Joseph, who will be suprisingly important. He’s very gay, very quite, very bearded and is only hear because the bass player is hot and when prodded on it....
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Well said. Also I read that with John Heder’s voice fo rsome reason.. don’t know why, his career ended as quickly as it began because he REALLY did not pick his films well. He saw that he was going to be in a film with David Spade and Rob Schinder and didn’t fire his agent for suggesting it. Meanwhile Scott and Ramona run into Sandra and Monique, Scott’s old classmates who just sorta.. show up every so oftne, often backing up Julie because every Alpha Bitch needs a posse. As Boscha has proven once you loose your posse you loose your bitchy powers. They also ask if Scott and Ramona are an item which leads to a fantagious visual gag. 
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Also Stephen awkardly talks to the new couple, about how much Knives loves the band, and because why start reading the room now just sorta.. CASUALLY slips in the fact he knows her is because she and scott dated. 
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Granted Knives action this book really EARNED her that curveball.. but still, it’s transparently clear she’s both not over Scott and Neil’s a placebo, and that she loves the band... how the fuck did you get through college, much less get two loyalish friends Steve. 
Kim tries to hide when she runs into Sarah whose with.. someon O Malley does not know, literally captioning it “I don’t know htis girl”. Fucking love that gag even if SOMEHOW kim is the roomate they all hate. Despite hte fact as the side story will bare out, her roommates are all pretty obnoxious, so i’ts probably because she’s the only sane person in that group and their VERY lucky kim just dind’t set the place on fire on her way out and let god do what he should’ve a long time ago. Also we meet Lynette, the band’s drummer who smokes “She must be evil” “Still hot though”... both accurate. Also Luke wilson is there.. no really. Just holy shit that’s awesome.  Okay so with all of that out of the way, it’s time for the show. So after a full volume’s build up , and a really cool build up in the page before we finally properly meet clash at the demonhead, and miss envy adams. 
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Heck of  a reveal and not the only one as ramona realized what the audience probably already guessed....
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Dun dun dun! And since I don’t like leaving a cliffhanger dangling lest I have to... we’ll be getting to this next week.. what you thought i’d say right now or tommorow? This was a lot. But no i’m not leaving you too long. Next week, Evil Ex Crossover! Ramona and Wallace become BFF’s! We learn what the deal with Scott and Envy is! Scott faces the Ken to his Ryu! And Wallace gets a boyfriend. All this and more next week. for now...
Final Thoughts: This one.. was a VERY rough one to review and it ties back to this volume’s biggest problem: it is not paced very well. Like the series as a whole it has a pretty easy going, slice of life pace. The only ones without this kind of easy pacing are 3 and 6, and even 3 has some slice of life bits, their just both more focused due to the events going on. This one... well....
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Pretty much. While this one has very important stuff going on, Scott and ramona getting closer, ramona getting more fleshed out, Wallace showing how deep his character is, Kim also getting fleshed out quite a bit, Knives showing off her crazy side, setting up the next volume, the second ex fight.. it’s all just kinda.. jumbled together. It’s not really until the knives fight onward the book takes on some really solid pacing and really gets going.It’s not a BAD book: ther’es some REALLY good character stuff as I dug into.. but the pacing is just really loose and without the Evil Ex fight as an anchor and with ramona and scott just sorta.. getting to know one another, in both biblical and non biblical senses, it dosen’t have either of the series main narrative thrusts. Even the knvies subplot really amoutns to nothing for now, as Ramona dosen’t find out Scott’s a cheater, and only distrusts knives now. That’s about it. It does improve on book one in characterization, with eveyrone being MUCH cleearer in terms of who they are and settling into their iconic selves nicely. Wallace’s more selfless and protective side pops up, Ramona starts to show mroe of her personality good and bad, Scott’s better traits are mixed a bit mor eeven with the douche ones,  Knive’s far more unstable and violet stalker side emerges, and Stephen.. well fuck him, point is things are coming together.. but O’Malley still isn’t quite at peak power yet. Not bad and still worth a read like last time, just a bit uneeven is all. That being said... if you want O’Malley at his peak.. well then come back next week. Until then i’ll be doing my usual buisness of reviewing birds, refrencing simpsons and letterkenny, and putting my eyes back in after kim’s look up there. For now the sun’s setting and i’m out of here. 
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euphoria-svt · 5 years
Text
All My Love is Yours
if you see any spelling errors pls ignore it. I edited this on the flight and was sleepy af.
Songs I listened to while writing this (if you wanted a more emotional effect):
say you won’t let go - james arthur
marry me - train
be your everything - boys like girls
fallin all in you - shawn mendes
enchanted - taylor swift
lay me down - sam smith ft. john legend
a thousand years -christina perri
swear it again - westlife
can’t help falling in love - jess and gabriel (cover)
just the way you are - bruno mars
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Word count: 2.5k -ish
8 years, 5 months and 19 days. That was how long Connor has known you.
And how long have you two been together, you may ask? 
6 years, 4 months and 23 days. Connor was definitely counting. He would tell that to anyone who asked and he wouldn’t be embarrassed by it. Connor is THAT in love with you and he wanted the whole world to know it. 
Because to him, every minute he has spent with you counts. Every laughter, every smile, every tears, every arguments, every ups and downs; it counts. That’s what made the relationship last. That’s what made Connor and y/n what they are now; two teenagers who fell in love accidentally on purpose and still going strong years later. 
Connor was certain you were the one he wanted to spend his life with even before you two celebrated your first anniversary. He remembers himself rambling to his mother over the phone about how amazing you were and how your laugh is so contageous that he would be laughing along every time you were giggling. 
His mother thought it was cute; that her son finally found someone to love, someone to be head over heels over, but she didn’t think too much about it. It was when Connor introduced you to his family that his mother immediately knew what Connor was talking. After that, she was also convinced that you were the one for her boy and she prayed for it to be true; because she could see how perfect you two were for each other and Connor’s family absolutely adored you.
Being with someone for over 6 years was crazy to think. Connor thinks you deserve a trophy for sticking by his random and crazy antics for such a long time. But he also thinks that it’s finally time to pop the question.
xxx
You headed up to your study after dinner with Connor and your two best friends. Connor insisted they would do the dishes instead because he needed to talk to them without you around.
“Hmm” Brian hummed as he watched over Connor at the sink sceptically “You never offer to do the dishes for y/n, Brashier. So. what gives?
Connor shrugged in reply while rinsing off the soap from the plates “I just want to help my girlfriend out around the house. Is that so unbelievable?”
Shawn grins, shaking his head “Brian is right, Con and we all know it. So spit it out”
Damn these guys for knowing Connor too well.
He hangs the last plate at the drying rack and turned off the tap. He dries his hand with the kitchen towel before joining the other two at the island.
“I’m going to do it” Connor announced.
Shawn asks confusingly, “Do what?”
Connor breaks into a smile, saying “I’m going to ask her to marry me”
“Shut up!” Brian exclaimed loudly, voice full of excitement while he stares at his best friend “For real?!?”
He laughs in respond, nodding in confirmation “For real”
“Dude!” Shawn grinned, moving over to Connor’s side so he could give him a hug “I’m so happy for you!”
“Fuck yeah!” Brian cried, joining in the group hug “Our Baby Brash isn’t a baby anymore!”
“Stop calling me that!” Connor rolled his eyes annoyedly, pushing his two best friends off him.
“Do you think… She’ll say yes?” He then asks hesitantly.
“Are you really asking us that?” Shawn deadpanned “Of course she’s going to say yes! You two are Connor and y/n. You’re bound to spend the rest of your lives together!”
Brian nodded in agreement “There’s no one else more perfect for each other than you two”
Oh, he hopes for that to be true.
“Would you go with me to find the perfect ring for her?” Connor asks.
“Con, it would be our honour” Shawn smiles at his friend before looking over at Brian “Bri, are you crying….?”
“Shut up! I’m emotional okay!”
xxx
The three guys were set to go for ring shopping that weekend. You were having a lunch reunion with your high school friends so Connor didn’t have to worry about explaining to you what they were doing for the rest of the day.
2 shops in, Connor still hasn’t found the right one. He was starting to think that maybe it was a sign from the universe but Brian smacked the back of his head, saying “You’re going to find that ring and you’re going to find it today! So take that negativity somewhere else, dumbass”
And Brian was right. 
Shawn got the name of this jewellery shop from his friend. He swears they do the prettiest engagement rings and Shawn just knew he had to take Connor here.
“Take a deep breath” Shawn instructed Connor as they stood in front of the store “You’re going to get it from here. Trust me on this”
“Yeah” Connor agreed “I’m going to find it”
And so, he did.
It was the first ring he laid his eyes on when he walks up to the counter displaying all the rings. He was scanning through the various shapes and sizes of rings, then he caught a glance of this one.
To him, it was basically screaming how perfect it would be our your ring finger. The details on the ring, the size of the diamond; it was all perfect. And Connor knew that this is the one.
It’s a little on the pricier side but he didn’t mind. He gets it engraved (because Connor loved being extra whenever it comes to you) on the inner side of the ring.
all my love is yours always.
It’s cheesy but he didn’t care. He would be the cheesiest man in the world when it comes to you.
He gets home before you do and he immediately keeps it hidden in his side of the closet. That day, Connor couldn't stop smiling and no matter how many times you asked him why was he so chirpy, his response is “I’ve got the best girl in the world with me right now. I think that’s a valid reason to be grinning like a mad man” 
xxx
a month later
“Hey babe?” Connor looked up from his paperwork. You sat across from him with your own pile of work on a Saturday (early) morning, something you both did very often together.
You hummed in response, looking at him “Yeah, bubs?”
“Mom asked if you were down to spend the afternoon with her” Connor waved his phone as an indication “She’s in desperate need of a girl’s day”
That was the plan. He needed you out of the house for a few hours while he gets everything into place and his mom was more than happy to be a distraction for you.
“Today?” You ask immediately “I guess I could use one too. It’s been a rough couple of days at the office”
“Exactly!” Connor agreed “Take a break then? Spend the day with ma”
“Yeah, I’ll give her a call in a bit” You nodded, smiling “Are we stil on for date night?”
“Always” He reassured “Is pizza okay with you?”
“You know that’s my favourite kind of date night, Con”
So, a few hours later you left Connor alone at home to spend the day with his mother. That was when he got to work.
He has been compiling all the stuff he needs for tonight and shoved them all in his equipment room, knowing you wouldn’t step into the room unless Connor was calling for you from the room.
Connor starts with hanging up the fairy light around the living room. He knew how much you loved them; always telling him how magical they looked like. After that was set up, he took the bag filled with rose petals and spread them on the floor of your living room in the shape of a filled giant heart then set-up a table for two in the middle of the room.
He even cooked your favourite meal (the only one he was a master at) instead of having takeaway pizza for dinner because he wanted everything to be perfect for this moment; to show you how much he loves you and would do anything if it meant to see that smile on your face.
Connor has been working on the compilation of your relationship’s montage for about 3 weeks now. He sneaks off to his equipment room on most nights and you don’t bother him; assuming he was just busy with the workload he was getting. There were so many photos and videos of you two together and he wanted to put as much into the montage as possible.
His mother texts him, giving him the signal that they were done and you were probably 30 minutes away from home. He grabbed the projector and his laptop then made his way to the living room to do the final set-up.
When Connor heard the front door jiggle, his legs started to shake and there were butterflies in his stomach. 
This is really happening. He thought to himself. There’s no turning back.
You walked through the front door, confused as to why there were lack of lights in the house. “Con?” You called out to him, slipping off your shoes and putting them neatly at the shoe rack by the door.
“Living room, babe!”
When you got to the destination, your jaws dropped at the set-up before you. There were fairy lights everywhere, flower petals on the floor, a table set-up for two. You were stunned.
“Con?” You gawked “What’s all this?”
“Surprise!” Connor cheers, making his way towards you. He pressed a soft kiss to your forehead, “Do you like it?”
“Bubs, this is amazing” You gushed, looking around at all the decoration “But what’s the occasion? Did I miss something?” You asked confusingly.
He chuckles and took a hold of your wrist and led you towards the table, dropping off your bag at the couch in the process.
“No you didn’t, baby” He insisted, pulling the chair out for you “I just wanted to do something nice for date night. We’ve had a pretty rough week at work and I thought it’s what we deserve”
“You’re amazing, Connor David Brashier” You sighed happily as you waited for him to sit across from you. You eyed the spaghetti and meatballs set in front of you “You cooked dinner? What happened to pizza?”
“It was a part of the surprise, silly!” He smiles “Now stop talking and let’s eat. What did you and ma do today?”
xxx
“Why do you have the projector out?” You asked confusingly after you two were done with dinner, notcing the equipment out along with his laptop. 
“Oh, right. I was working on a project for the past few weeks” He answered and you don’t miss how nervous he suddenly sounded, but didn’t think too much about it “I wanted to show it to you and get your opinion on it”
“Of course” You nodded “You know I love watching whatever you work on, bubs”
Connor stood up from his seat and walked over to turn on the projector. You took a sip of your wine as you watched him press a few buttons on his laptop before he joined you again at the table.
“Give me your honest opinion okay?” He said nervously “Good or bad, just let me know”
“Baby, you know I always do” You reassured.
He pressed the play button on the remote and a countdown starts from 3… 2… 1…
The video starts with a photo where you two first met. At the bottom, Connor labeled it as where it all began.
And then you just knew he was lying about showing you his work project. Then next photo comes up with a photo of the restaurant where Connor took you for your first date, accompanied by a selfie that you took after dinner was over. Where we had our first date. And truthfully, it was the best first date of my life.
The next one was one at a Brashiers’ family event. You got along well with Connor’s little cousin and she thinks of you like her older sister. While you were playing with her; giggling with one another, Connor snapped a beautiful picture of you both. He labelled it as the woman who my family loves so much.
You smiled as more photos and videos popped up one by one. Getting overwhelmed by all the nostalgic feeling, you could already feel the tears forming in your eyes. Connor put in so much of clips that you forgotten that you still had.
You were so into the video that you didn’t see Connor’s shift in movements. And when it got to the last part of the video, your breath hitched in your throat.
y/n, the love of my life, will you officially become Mrs. Connor Brashier?
That’s when you turned to Connor and already see him kneeling down on one knee with a velvet box in his hand.
“Connor” Your lips start to tremble as more tears were falling from your cheeks.
This was real, this was really happening.
Connor was no different that you. He had tears in his eyes, trying to find the right words to say. He prepared himself for this moment for weeks and he thought he had it in him to do it without breaking down, but he was wrong.
“y/n…” He choked out, smiling at you “You are the love of my life, my best friend, my rock, my everything. When I first laid my eyes on you, I just knew that I had to get to know you. And after we started dating, I knew you were the one for me. I knew you were the one I wanted to spend the rest of my life with”
“I want to be there through everything” He continued as his voice started to crack a little “Through every laughter and tears, through ever fights, through every pregnancy. I want to do stupid things together with you in the late morning, have kids with you, grow old with you and I want us to be those kind of couple who gets buried side by side”
“I don’t want to be in love if it’s not with you” He confirmed, opening the box in his hand; displaying to you the most beautiful ring you’ve ever set your eyes on “So y/n y/ln, please make me the happiest man in the world and marry me?”
“Yes!” You exclaimed, letting out a mixture of a choked sob and laughter “Yes I’ll marry you, Connor David Brashier!”
Connor sighs in relief as he took the ring out of the box. His fingers were shaking as he slid the ring on your finger perfectly. Just like he expected, the ring suited your finger beautifully.
You leaned forward and buried your face in the crook of his neck; a mixture of your sobs were echoing in the room.
“I love you so much” You said in between sobs “I don’t want to do this with anyone else, Connor. It’s only you”
“I love you more, baby” He answered “And all my love is for you always, future Mrs. Brashier”
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x rina
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queenmylovely · 5 years
Text
Just My Luck; Part 3
Summary: John deacon x fem!reader. John and Reader make plans to see each other
Warnings: cussing, slow burn
Word Count: 3.7k
A/N: There’s more of Queen in this one, especially of the Chaos Duo. It’s kind of a filler chapter, but there are a lot of cute little moments. Most likely, I’ll be posting on weekends from now own. As always let me know what you think!
Part 1, Part 2, Part 4, Part 5, Part 6, Part 7, Part 8, Part 9, Part 10, Part 11, Part 12, Part 13, Part 14 (Epilogue), Masterlist
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🍀🍀🍀
Exactly three weeks after John sent the letter to you, he received one and sent another.
Receiving your letter was a godsend to him. To all of the boys. Not only did it save Deaky from his own worrisome mind, but it also saved Brian from constantly having to patrol Freddie and Roger, and saved Freddie and Roger from coming under the wrath of over protective Brian or manic Deaky. Not that the cycle wouldn’t repeat itself as soon as a week passed with no reply.
In the aftermath of your letter, Roger and Freddie figured they had an about two day grace period where they could talk about you and tease John as much as they wanted.
“Well it’s official, you two are now properly each other’s,” teased Freddie, referencing the way each of you signed off your letters. This got an eye roll and beginnings of a quick response from Deaky but he continued anyway, “Why don’t we call you Johnny? Where the hell did Deaky come from?” He questioned. “Johnny is much more traditional.”
“Are you joking? Fred, you’re the one who started calling me Deaky, because Johnny was too traditional,” replied a flabbergasted John.
“Oh that’s right, because fuck how things are traditionally done. Although I thinks it’s absolutely precious that your girl has a special nickname for you,” Freddie remembered, giving Deaky a cheeky smile. Deaky just ignored the comment about you being his girl and tried to focus on tuning his bass.
Since the band was in the studio before noon, John had gotten the letter early and decided to mail his response on the way back home. For now, he, Freddie, and Roger were in the control room while Brian was working some guitar part in the sound booth.
“In any case, I think the best course of action for you, Deaks, is to meet on your turf. If she comes to London, you can show her around, take her to all the fanciest places, have her stay with you, in your bed,” Roger said into the silence. His last remark was solely for Deaky’s embarrassment, and he knew his mission was accomplished when he saw the red on the other man’s cheeks. He didn’t allow Deaky time to object as he continued, “Plus, we only went to Brussels in Belgium, not this Tourn-ey place, wherever the fuck that is. You wouldn’t be any help there.”  
“Tournai,” John mumbled with the correct pronunciation. “It’s part of the French region in Belgium called Wallonia.”
“Well I’m glad to see that college education and those research skills haven’t gone to waste,” Roger joked, drawing laughs from the other two.
“French, you say, Deaky?” Freddie asked and John nodded. “You do know that French is the language of love, don’t you, dear? I bet Y/N is quite fluent and would jump at the chance to teach you.”
Again, Deaky just flushed at the implications of Freddie’s somewhat convoluted metaphor and focused on his bass.
After a while, they went back to working and got consumed by it. At around 4:00 p.m., when they finally had their lunch, Deaky remembered to write the letter, relying only on himself this time. He dropped it in a post box on their way home, this time around 9:00 p.m.
_____
Ten days later, after driving back from an early shift at the café, you were checking the mail in the lobby of your building and saw the now tell-tale sign of a letter addressed to you but without a name on the returning address. You sprinted up your stairs, seeing the long line outside of the elevator and knowing it would be faster to run. Reaching your apartment, you slowed down and grabbed your keys but picked right back up again once inside and ran into Jeanne’s open room. Even though it was half past noon she was still in bed, as she didn’t have class at all and didn’t work until much later. As you ran up, you grabbed her shoulder, giving it a small shake. She jumped awake then saw it was you and groaned, “Ugh, why did you wake me up? Why are you breathing so heavily? Wait, what’s in your hands? Is that another letter from John?” her questions becoming less annoyed and more excited as she went.
“Yes. But I can’t read it, I need you to.”
“Too nervous?” she asked, grabbing the letter from you as you nodded. “You know he’s going to say yes. Of course he wants to meet you in person.”
You just waited for her to start.
“Okay, here goes: ‘Dear Y/N, Your time at uni and your career plans sound brilliant. I’m sure you’ll be an amazing professor. If only I would have been so lucky to have someone like you for a communications professor, I might be better at it.’ Oh that’s cute,” Jeanne remarked and you smiled but looked down to hide the way his compliment made you feel.
She continued “‘I have been to Belgium, Brussels to be exact, but I haven’t ever been to Tournai. Since you’re teaching English there, do you speak French? Didn’t your best friend from high school speak French too?’ Yes, that’s right, John! Her lovely best friend, Jeanne, is the entire reason any of this reconnection is possible,” Jeanne laughed, delighted at this new revelation, causing you to groan and put your head in your hands. Jeanne remained content in her moment, pausing to do a little dance.
“What next, Jeanne? I’m sure the letter doesn’t stop at the mention of you,” you prompted when she took too long.
“Oh, right, just got a little distracted. Hmm, he says, ‘Although I did enjoy my time at Chelsea College, and did earn my degree, I’m not an engineer. I’m not sure that you would remember, but when we were in high school I was in a couple bands, which is what prompted my current career path. I’m working in music right now, which is what has allowed me to travel so much, to answer your other question.’ Wow, you didn’t tell me he was a musician!” Jeanne scolded with admiration for John in her eyes.
“I did, actually, it was just like, 7 years ago.”
“Ha, I keep forgetting that this is the same John as all those years ago. Okay, let’s see, next he says, ‘I absolutely would love to meet you in person! There’s no way that I would let you get within 300 km of me without seeing you.’ Hoo! That was too much. That just about took me out, how are you?” Jeanne said, fanning her face at his comments and looking at you to gauge your reaction. Your lips were pursed, eyes were wide and staring at the floor, and you felt your ears and cheeks heat up. Shaking your head, you motioned her to continue.
“‘If you wanted to come see London, I could show you around, being a local and all. I’m going to be in London all summer, so if you had any specific dates, I’m sure I’d be open.You could stay with me if you would like so you don’t have to pay for a hotel. Through my work I have access to discounted aeroplane tickets, if you would rather fly than take a 5 hour train ride. I honestly can’t wait to see you now. Ever Yours, Johnny.’ That’s so nice, you should take him up on his offer!” Jeanne said, referring to the plane tickets and extra room.
You were stuck on him wanting to see you so badly so it took you a second to respond, “What? Oh yeah, I’ll look into it.”
“Can’t focus because you’re smitten, huh?”
“Hmmm? What about a cat?”
“Smitten, not kitten. Geez, you’re gone,” Jeanne said as she laughed at the far-off look in your eyes. You remained in this state as you wrote back to him. Writing the letter, you probably poured in too much emotion, but Jeanne wouldn’t let you edit it any further. You had to trust Jeanne to drop the letter off on her way to work since you were busy with the final bit of paperwork you had before leaving for Tournai, which was just over one week away.
_____
You spent the rest of that week packing, carefully choosing what clothes you would bring with you. It was tricky because you were going there to teach but also to travel. This meant you had to have a lot of business casual clothes but also a wide array of layers in case you traveled somewhere colder. The most difficult choices were for the clothes you thought you would take with you to London. You wrestled with yourself because you didn’t want to stress out so much over clothes and definitely didn’t want to choose clothes specifically for one boy. Still, you kept thinking What will impress John? What will John like? despite yourself.
However, there was only so long you could agonize for and only so much you could fit. Eventually, all of your clothes and necessities were packed and you were spending your last night in the States much as you had the first night you had heard all of A Night at the Opera, with Jeanne and your mom.
The three of you talked during dinner then watched a movie, and closed out the night with another listening of the album, but paired with ice cream this time. It was an early night because you had to get up extremely early for the airport the next morning. Also because of this, your mom stayed over and slept in your bed with you.
After getting ready and getting into your bed, you were laying on your back staring at the ceiling. Your mom was facing the other way on her side, about to turn the lamp off when you spoke, causing her to turn to look at you “I’m nervous, Mom.”
“I know, honey. But you’re going to do great. Everyone in your class will learn English quick as whips, and I bet transitioning to life in Belgium will be easier than you think,” she said reassuringly. But that wasn’t all that was on your mind.
“Is it stupid that I’m actually more nervous about meeting John than I am about leaving the country for three months?” you questioned, grimacing at your own words.
“Nothing you feel is stupid. And I know you’re feeling vulnerable and scared, but there’s no way that you and John won’t get along. You wrote letters to each other for five years and never ran out of things to talk about. As soon as you get over the initial awkwardness, you’ll be thick as thieves.”
“Thanks, Mom. Love you, goodnight.”
“Love you too, goodnight, sweetie,” she said, turning off the light and rolling back on her side.
The alarm rang out all too soon, before the sun was up, and before you actually fell into a deep sleep. The three of you got up and got dressed in silence, eating toast and fruit with eyes half-closed. Jeanne drove your car to the airport with your mom and you leaning on each other in the backseat. The only sound was the soft music playing from the radio, a song you vaguely recognized as early Queen, called “Some Day One Day.”
Walking into the airport, to the luggage drop off, and to the gate, you were all chatting and making sure you had everything that you needed in your carry-on. The three of you sat at the gate to wait and soon enough, the first group was called to board. You were in the second group, so you started saying your goodbyes right away, hugging Jeanne first.
“I’m going to miss you so much! What am I going to do alone for three months? How am I going to handle having our entire apartment to myself? Without you reminding me constantly about dishes and vacuuming and dusting and eating all of my food?” Jeanne’s tone was turning from sad to gleeful as she realized all of the good things about you being gone.
From your place next to her head, you tried to turn and look at her, “You sound suspiciously happy that I’m leaving.”
“Happy? No, not me! Just a little liberated, heh,” she admitted and you both laughed.
“As I’m sure you just realized, you’ll be fine without me. Plus, the university gave us those vouchers to give to the phone company so international calls won’t charge extra, so you can call me anytime. Anytime that I’m awake that is.”
Then it was time to say goodbye to your mom. You both got misty-eyed and gave each other a long hug. It was times like these that you were glad you never got taller than your mom, happy for the extra comfort and protection her height gave you. After a minute, you both pulled away, and she held onto your arms, “I’m so proud of you, Y/N. This is a big step, and I know you’re going to do great. Remember to call me as soon as you get there and every Monday after that.”
“Thank you, Mom. Don’t worry, I will,” you replied. Then the intercom came on, calling for your group to board, “Love you, Jeanne,” you said, pulling her in for another quick hug before doing the same with your mom and kissing her on the cheek, “Love you, Mom. Keep each other company while I’m gone!”
They nodded and waved, as you walked right up to the desk, the last goodbye making you the last in your group. They stood together and watched the plane until it took off before heading back to the apartment to go on about their days.
_____
Deaky was asleep on the couch of the control room when the studio received your letter the day after you left Seattle.
Roger and Freddie, however, were wide awake, waiting for Brian to return with coffee when an intern came in with the letter and they maneuvered it from the unknowing college kid. They were quick to convince each other to open and read it without waking up Deaky.
Deciding to take turns reading it out loud, Freddie started, “‘Dear Johnny, Oui, je parle français.’ Oh she does speak French, astounding! ‘And yes, my still best friend, Jeanne, is the main reason that I can speak it at all. We’re roommates now and we still spend every Saturday just speaking French so we don’t lose it since her parents moved back to Montreal.’”
“This Jeanne girl sounds interesting. She can talk in English and French,” Roger said in a thoughtful voice, biting his lip. “They live together, too. Two girls speaking to each other in French…”
“Yes, that’s what it means to be bilingual,” Freddie replied dry-pan, ignoring Roger’s snort at the word “bilingual.” With a sigh, he continued, “‘Jeanne made it clear that she thought it was important to note that she’s the entire reason I’m even travelling to Tournai. But I can’t be too annoyed because that’s the reason I’m getting to meet you.’ My heart! I’m not sure I can keep reading this, you better take over.”
“Sure, you know I like a confident woman,” Roger smirked, earning an eye roll from Freddie. He found where Freddie left off on the page, “‘Of course I remember your bands! I always wanted to hear you play. When I’m in London, you’ll have to play me some of your old songs so I can experience it live!’ Ha, little does she know she’ll be staying with bassist of Queen. This is going to blow her mind!”
“Rog, love, do try to stay a little humble. She’s American, we’re not as well known over there. She might not even know who we are,” Freddie reminded him before joining the other man’s laughs. Although Freddie could be shy and wasn’t one to make other uncomfortable with his newfound wealth and fame, he was never less than proud of Queen, and wasn’t afraid to show it.
“Okay, okay, ‘If you’d be willing to have me, I would be delighted to stay with you and see London! You’re so sweet to extend your home to me. You’re way too kind to offer those vouchers, I’m fine taking the train. I have a week off from June 1-9, so I could come for a couple days if any of those work for you. I’m actually leaving for Tournai this Wednesday, so you can send the next letter to the address on the index card. Looking forward to seeing you more and more everyday! Very Truly Yours, Y/N. p.s. You seem very capable at communication to me, but the real test is in person.’ Oh-hoh-hoh, getting a little flirty aren’t we there,” Roger remarked, smirking.
“Ooo, very suggestive. Sounds like Deaky here is going to get himself a girlfriend by the first of June!” Freddie replied, both of them laughing.
“Deaky and Y/N sitting in a tree. K-I-S-S…,” one of them started and the other sang along. It was this that woke Deaky up. He rose to sitting on the couch and watched them dancing around with their backs to him.
He rubbed his eyes sleepily while asking, “What are you two on about?”
This stopped them in their tracks. They quickly put the letter back in the envelope, and whipped around, Roger holding the letter behind their backs. Unfortunately for them, Deaky had seen the flash of white.
“Nothing…” they replied in unison, trying to sound innocent.
“If you’re not up to anything, what are you hiding behind your backs?” Deaky questioned in a serious tone.
“Oh this?” Roger asked as he held up the letter and Deaky gasped. “It’s nothing important, just a letter from Y/N,” he said, tossing it to him.
“You opened it without me?”
“Not without you, darling, you were right there on the couch,” Freddie defended.
“I was asleep,” Deaky said half paying attention as he reopened the letter. As he started reading, his full focus stayed on what you wrote, not noticing the other two men staring intently at him. They exchanged glances when he visibly reacted to your words, grinning at you wanting to hear him play, frowning when you declined the vouchers, and giggling at your post-script.
Brian walked in as Deaky finished reading and looked at the scene in front of him before clearing his throat and holding up four cups of coffee. The other three heads snapped up, eyes zeroing in on the coffee. As they drank, Deaky filled Brian in on the details.
“You should definitely send the vouchers anyway. You should also tell her to stay the entire week. You can’t see all of London in two or three days,” Brian persuaded him, with encouragement from Roger and Freddie.
Deaky wrote another letter, including the vouchers and inviting you to stay the whole time.
_____
After arriving in Tournai, you got set up at an apartment with another graduate student from your program. As soon as you could, you called your mom and then Jeanne to check in.
Because of the day it took to travel, and the night stay at a hotel for orientation, you got John’s letter your second day at the apartment. You were surprised, but quickly remembered that mail would be much quicker within Europe.
You were so happy to see that he wanted you to stay the whole time and in your own letter gladly accepted. Although you thought the vouchers were too generous, some time on the phone with Jeanne convinced you to accept them anyway. Her talk didn’t stop you from thanking him over and over in your next letter, though.
_____
Over the course of the next week, you got settled in at your job teaching, too. Your new roommate, Eileen, was from France and was in Tournai to teach public speaking in the student’s native language. You thought you were lucky to be able to speak to her easily. She was nice, but reserved, and you soon developed a routine of eating breakfast together at the apartment and lunch together at the school, but had separate dinners.
On weekends you didn’t see much of her, so you explored much of Tournai on your own, quickly finding a cafe you loved and becoming a regular at the Museum of Fine Arts. Each week on Saturdays, you would spend the entire afternoon taking in a different branch for hours. You had completed three before your first four weeks were over and it was time to travel to London.
You packed your carry-on for London on the Friday night before, Jeanne on the phone to give you advice the whole time. You decided on two pairs of pants, two skirts, two dresses, five shirts, two jackets, and two pairs of shoes, including what you would wear on the plane. One of the dresses was pretty fancy, a choice made by Jeanne “just in case.”
You had told Eileen you would be gone during your week off a week earlier, and Saturday morning she asked you more about where you were going. Always polite and never prying, she accepted your description of your pen pal with understanding and offered to walk you to the train that would take you to airport. Walking with her, you confessed your nerves, and she turned to face you.
“We don't know each other that well, and I like you. He knows you very well,” she offered. You knew what she was implying, even if she wouldn’t go that far herself. That strengthened your resolve and thanked her, coming up on the train station. You kissed each other’s cheeks, as the French were wont to do, and stepped on the train, waving goodbye.
At the airport, you walked quickly and got to the gate forty-five minutes early. You sat, reading the book you had brought with you, Murder on the Orient Express. You had been inspired to read Agatha Christie’s books after her death reminded you of how much you liked the movie of the same name that came out a couple of years prior.  
When your group number was called to board, you took a deep breath and stood. With no one to say goodbye to you walked straight to the forming line without hesitation.
🍀🍀🍀
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queenlifesupport · 6 years
Text
Wanna Do This Thing? (Ben!Rog x Y/N)
This was requested by @rogerbuttersmyeggroll (also fantastic fucking name), I would put what they requested but it would kind of give away what happens.
WORD COUNT : 2,039
Holy shit, I fucking loved writing this. SORRY FOR ANY TYPOS, I BARELY EDITED IT :’) MAKE SURE TO LIKE AND FOLLOW ME FOR MORE CONTENT! 
Warnings : A lil angst, language of course, the tiniest lil sexual phrase, and verbally fighting
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I wasn't sure what to expect, but I was sure hoping the outcome was negative, Roger and I couldn't afford this right now. Especially with him going back to tour in 6 months, then returning after another 5 months, he wouldn't be here for the start of the aftermath. I couldn't help but pace rapidly in the small bathroom, I knew I'd eventually have to look at the small test indicator, but I first had to talk myself into even picking up the plastic stick. I stopped dead in my tracks after attempting to push myself to look at it, I tapped my chin with two fingers while my other hand rested on my hip.
"Fuck, Y/N, you're so fucking stupid." I murmured to myself before grabbing the test and finally looking at the result no matter what my head told me. My eyes widened, right in my hands read a positive pregnancy test. This was not the plan, our plan was once we got married and he retires from the music career, thats when we'd have our first kid. Not now when we're still young and he's in the middle of his career. I'm still looking for a job, for gods sake. It was now hitting me that I'd have to tell Roger, how the hell was I supposed to tell him? I have absolutely no idea how he'd react, we've definitely talked about having kids, but like I said we never talked about having one this early. His feelings could be so mixed about this, what if he leaves me after I tell him? Maybe I should take a few more? That one could've easily been wrong, not all of these can be 100% accurate, lets just try again.
I somehow managed to take a few more tests, now reciting back to pacing while all of them sat scattered on the bathroom counter, it was an absolute nervous mess in here. After a few long and dreaded minutes passed, I built up more courage to check all 4 of them. Each one read positive, just like the first one. "Fuck." Was all I could mutter to myself. I still held onto one test while using the back of my hand to rest it against my hot fleshed forehead, then bringing it down to gaze at the test one last time. I slid open the bottom drawer that held all of my travel bags, finding the smallest one to hide the original test in, I didn't want to just throw them all away, this was a big deal for both Roger and I. Placing the rest of them in empty tampon wrappings, I knew Roger wouldn't be looking through the garbage, but just in case, I threw a few tissues in there too in attempt to cover the packages. I looked in the mirror, taking a deep breath trying my best to calm myself down before exiting the bathroom. I unlocked the door slowly, then opened the door with all my might to be quiet, which turned out successful to my surprise, now only paying attention to the floor as I tiptoed my way to the bedroom. Entering the sunlit expanse, I mutedly shut the door behind me yet again accomplishing silence, I turned around in mid tiptoe before I realized Roger was awake and watching me while comfortably on his side, using his hand to prop his head off the bed. I tried to cover my hard swallow as his eyes burned through mine.
"Where'd you go, love?" His eyebrows were furrowed, patting the empty spot next to his shirtless figure. I normally walked over to the side of the soft mattress, laying down in the spot next to him and feeling his familiar warmth. Without him in bed, it was always cold, no matter how many blankets I used. I feared I'd never get that feeling again once he found out. Suddenly blanketed panic came upon me, how was I supposed to support myself and a child without a job? I'd have to pay rent, baby essentials, house appliances and food. Roger was the one that allowed the two of us to live comfortably. I brushed off the thought, trying to put up the facade for him.
"Just the bathroom." I smiled at him while running my hand through his soft blonde hair, even after sleeping, it wasn't tangled. He grabbed my hand with his free one, giving it a small kiss then rubbing my knuckles softly. His arm that held his head moved to under my neck, allowing me to cuddle up closer to his vessel as his other arm snaked around my waist. I felt the soft touch of his lips to my forehead before whispering a sleepy I love you. I wanted it to last forever.
I had forgotten our plans tonight, Brian and John were supposed to come for dinner while Freddie was off to god knows where, I attempted to invite him but he sadly declined. I was okay with just the two of them joining us, I just wish it could've been the whole crew. All day the whole pregnancy thing has been on my mind, I couldn't stop thinking about it but I wasn't ready to tell Rog, I just wanted things to be good for a little longer. Especially knowing that this whole thing could backfire on me. I offered to cook tonight so I didn't have to do much interaction, due to the boys having a drink in the living room while I worked away in the kitchen. This also gave me an opportunity to have some alone time so I can fully think things through.
"Rog, Bri, Deaky! Dinners ready!" I yelled as I removed my oven mitts and started dishing up food for the boys.
"Smells wonderful, darling." I heard Rogers sweet voice in my ear, sending shivers down my spine. He left a kiss on my upper cheekbone, instantly feeling a blush appearing on both cheeks. I took a seat with the rest of the boys as we all dug in, I heard hums from the 3 of them, showing me I did good.
Around 9 pm, both Brian and John left after sharing hugs and thank you's for the dinner which made me feel good. I enjoyed having everyone over at our house, it made me strangely feel like a real couple.
"I have an idea." Roger said before biting his lip and taking both of my hands in his. "Go wait patiently on the bed for daddy, I have to pee real quick." He said winking at me before jogging off to the hallway.
"Way to ruin the mood with your bladder!" I yelled with a smile. I appreciated how good my life was, and I hoped with all my heart that it would stay this way, or even get better. I walked to the bedroom, taking off my sweater and neatly folding it on the desk chair. As I went to take my bra off, Roger came stomping in holding a blue object in his hand. Fuck, it was the pregnancy test.
"I had to find out you were pregnant by the shitty garbage can falling over when I accidentally kicked it. When the fuck were you going to tell me?" He yelled from about 7 feet away, his voice slightly cracking at the end. That's what happened when he was about to cry, I just knew it.
'"Roger don't you dare yell at me." I said as calmly as I could, shutting my eyes harshly for a good 3 seconds. This was not how I wanted him to find out.
"Are you serious, Y/N? How long did you know? You're seriously going to get pregnant, 6 months before my tour, 6 months?!" He took a few steps closer.
"You're going to blame me for being pregnant? You're the stupid ass, you don't know how to fucking use a condom correctly, and it's clear because of the fucking two lines." I took a step closer too, now it was my turn to raise my voice and reach his.
"You should be on the pill, Y/N!" He took another step, now we barely had any room between us.
"You are the stupidest and rudest guy I've ever fucking met, Roger Taylor. Were you even paying attention at my doctors visit or when I complained multiple time about the pill giving me horrible headaches? Why should I have to deal with constant migraines so you can enjoy humming in me like a 'big boy'." We were practically spitting in each others faces. "Go fuck off and sleep on the couch tonight." I didn't yell this time, but the look on my face showed my emotion. He scoffed then walked to the bed to reach for a throw blanket. "No, go out there and freeze." I said storming over to him and snatching the blanket from his hand. All he did was look at me with a disgusted expression, then finally left, slamming the bedroom door behind him. I dropped down onto the edge of the cushion, throwing the blanket onto the bed before resting my face in my hands while my elbows dug into my knees. Suddenly the small house was vibrating at each loud thump coming from Rogers music room, I knew he was banging on the drums to let out anger plus attempting to piss me off even more, he had the knowledge that past 8 pm he wasn't supposed to play them, that was our rule. I decided I'd just try to sleep off the anger, but it would be hard to fall asleep with the consistent banging.
I woke up groggily to the smell of breakfast being made, Roger always made breakfast throughout Saturday-Monday, I had a feeling he made it just for himself this morning. I rolled over with my back facing the door until I heard a light knock on the door. I looked over my shoulder only to see Roger enter with a tray.
"I made you something." He said with a hint of a sad emotion visible. I sat up in the cold bed, watching him as he carefully walked over to the bed, setting down the tray of breakfast with a small vase of my favorite flowers then sitting on the floor, chest level with the frame. "I'm really sorry Y/N." He said after a few moments of silence.
"I'm sorry too Rog, I really should've told you." I whispered, looking down at my hands.
"Its scary knowing you're pregnant, but the more I think about it, the better it seems." He paused. "I have no doubt that I'm spending the rest of my life with you. Having a kid with you sounds like a dream, and yes, maybe a dream we planned later down the line, but this is whats happening now. Theres no such thing as 'right moments', it's always a right moment if you take it that way. I took it as a bad moment and bad timing last night, but I had time to think and fully process what this meant for us." He seemed like he was getting emotional so I leaned over to place a soft kiss upon his lips.
"I think we can make this work, our little Miss Rogerina." I giggled.
"Yeah - definitely not. If we have a girl, we will be naming her anything but that. Plus, of course were having a little baby boy." He winked at me.
"How about we discuss these things later? I just need some food right now, and some cuddles from my beautiful boyfriend."
"You mean Fiancé?" He asked with a smirk.
"What do you mean?" I questioned. He reached to his back pocket, removing a black velvet box and setting it down on the bed, then placing his chin on the mattress, observing me as I gasped. "No you didn't." I said in disbelief. He shrugged with a sly grin on his face. I bit my lip as I took the box and opened it to reveal a silver band with a single diamond on it. It was so simple, yet beyond gorgeous.
"What do you say, you wanna do this thing?" He asked while eying the ring I held.
"Fuck yes." I managed to get out.
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Inspired By The trans!Brian Ask (Maylor)
Thanks for the submission @deep-dark-purple!
*****
I reached my ask limit I was vaguely aware that was a thing but had never had it occur. I was inspired like I've never written this much in one sitting ever. Full stop. I just had to get it out. I couldn't stop thinking about that AU. If you want me to finish submitting via asks as well I can do it later tonight Though I can't remember how many parts I was able to send so I would send the last half. 
(Yeah you read that right it’s 20 parts but I don't think its narrative structure is how I would like it for posting so editing is required and there's no way I'm doing that.) This was inspired by the trans!Brian post. Surprisingly Brian has been presenting as male since he was about 4 which is very young even now a days. This was due to Brian's behavior, it was getting more and more troubling and it started not long after his 3rd birthday. At first, they wrote it off as a phase. 1/20
They hoped he would just get passed it soon but after 6 months it became clear that wasn't going to happen. He would have tantrums whenever Ruth tried to dress him in, he refused to play with most of his toys because "there too girly." They thought that if they took away the only ones he would play with he would then start playing with the other toys (those toys happened to be gender neutral and space themed in hindsight Brain realizes that’s why he studied astrophysics. 2/20
Those toys were his refuge the only things that didn’t make him feel “wrong”.)  To say that plan is failure is an understatement. He would break them or try to throw them away. Within the week they gave his toys back by then he didn't even have any other toys to play with. Plus, they couldn't stand seeing Brian so distraught for any longer. Brian stopped responding to his name and would only acknowledge that someone was talking to him was if they were using a gender-neutral pet name. 3/20
This was the most troubling to his dad since he had been calling him princess since before he was born. So hearing Brian yell that he isn't his princess was like a punch in the gut but he thought it wasn't like they can just "pretend" that he was a boy. Right? That was a revolution to Brian's mom though. She has had to deal this much more then Brian's dad so she was willing to try anything but Brian's dad is like "we absolutely will not do that" and she didn't consider going against him. 4/20
Soon after that conversation Brian's tantrums started to involve hurting himself and that was her breaking point. The thought that she could lose Brain when it was so hard to have him in the first place. She didn't care that it wasn't what her husband wanted because given the choice between the two of them she would pick her baby every time. They basically bent to everything he wanted so he could feel like a boy and the effect was immediate and it was such a relief.  5/20
They ask him what he wants to be called since he doesn't like what they've been calling him. He asks why they were calling the other name and they explained how naming works and since they thought he was a girl they picked it out for him. He responds to that by asking that since he is actually a boy what will be his name. Since “only mommies and daddies can pick names.” Plus, that is kind of a difficult question for someone so young. So, from then on, he was called Brian. 6/20
They didn't think that it would last but a few years later right before he was supposed to start school and Brian is "still" a boy. They ask him if he wants to be a girl when he goes to school and that conversation didn't go well to say the least. They decided that the best thing to do is to move somewhere that no one remembers that they had a daughter and now they have a son. They go all out, changing anything that says Brian is made to say that he's a boy. (easier in 1950s?) 7/20
The only issue that they could see arising is baby and toddler photos that are framed around the house. Ruth can't barre the thought of getting rid of them or hide them away. Plus, it would weird to only have pictures of him often the age 4 1/2. The explanation they came up with was that Ruth was pregnant with a girl and miscarried but soon after was pregnant with Brian. So they had all these girl clothes. Since money was a little tight and babies don't care about those things. 8/20
It also helped because no one is going to ask any follow up questions after hearing that it's having to do with a miscarriage. (I've also heard that sometimes parents of trans kids do feel grief after their kids transitions so it doesn't feel like as much of a lie since they feel like they lost a daughter but again I'm in no way an expert so take that with a grain of salt.) From there on out Brian has no issues in school and is a great student. The main issue is puberty. 9/20
 Thankfully his mom has become kind of unstoppable and even in the 60s they were able start Brian on hormones. A sympathetic doctor purposely misdiagnosed so even in the future he wouldn't have issues getting more without drawing attention to himself. Fast forward again to Roger's Smile audition which played out much the same as it did IRL but with one major exception. Brian is so jealous that Roger is so comfortable with himself. 10/20
 Roger has no issues with wearing women's clothes and having long hair and being so beautiful that he is mistaken for a woman more often than not. Wait, scratch that last one. I shouldn't think about him like that, he's a band mate and a guy. No matter how charming and funny he is and they sound great playing together. Queue gay crises (though I'm thinking him as demi in this AU and would make a lot of sense since this is his first crush he's even had, 11/20
So, considering that he doesn't have this realization until he's known Roger for more than a year and he's just noticed that his feelings started to change for Roger in the last month or so when Tim left the band. (I'm not going to bother with researching to see if that timeline works right. I've already spent way too much time on this as it is.)) Once he starts thinking about his feelings he can't stop. It's both the best and worst thing he's ever felt. 12/20
The pinning lasts nearly 6 months, during that time Brian gets upset whenever Roger brings someone home. Roger does notice it but thinks its jealousy because that was his aim. He thought that if he made Brian jealous so Brian would start having the same feelings he has. (mutual pinning!) After months of this he accepts that Brian won't ever think of him like that. So, Roger starts taking home guys instead of girls. He had always been discreet when it came to his male hookups. 13/20
Queue Freddie coming to the rescue. He is so over all this. When Roger starts bring home guys that look more and more like Brian, he feels like it's his duty to end this ridiculous situation. (this is where I'm blank I don't know how Freddie helps them get together but he does and never lets them forget it.) Brian does have Roger agree to taking it slow using all sorts of reasons with the exception of him being trans and a virgin (love me some experienced/inexperienced tropes) 14/20
Roger wants to be patient and he tries but he feels this is getting ridiculous and he doesn't want to push because he knows what that feels like and it sucks (I'm not bothering to figure out that this is already to long.) The biggest problem is he feels like Brian is keeping something from him but he thought it was just embarrassed about being inexperienced but then he brings it up during their nearly daily blue ball inducing make out session. 15/20
He tells Brian if that's what he's worried about he doesn't have to be. Basically, they finally have a conversation and Roger is really sweet and tells him about some of his not so great encounters so if anything, he's kind of grateful since that means he's never had to deal with that. (I'm thinking it was a bunch of different things and people that in retrospect he wasn't ready for.) Then he says whatever they do it would be a first for him since it would be with someone he loves. 16/20
That's the first time either of them had said that. It made Brian feel so guilty that he's been keeping something so big and it shows on his face so Roger backtracks because he realizes how that may sound like pressuring Brian considering what they were just talking about. Brian can't take Roger apologizing when this is all "his fault." Once Brian is able to get Roger to shut up Brian says that he loves him too which is why I need to tell you something. (super ominous) 17/20
I don't feel comfortable writing that confession since I'm not qualified to. Basically, Brian tries his best to explain everything (it's the first time he's ever done this) Brian says he understands if Roger wants to break up. Roger says he doesn't but he has a lot of questions. So, Brian says he'll answer anything he wants to ask since he's never felt more relieved. They talk for hours some questions are meant to make Brian laugh some are serious or insensitive. 18/20
They end up falling asleep on the couch cuddling. (They’ve been in the living room I never mentioned that. It's as per Brian's request, he thought it would be easier to keep themselves from going too far then if they were on a bed.) There is all lot of instances of dysphoria but Brian always does his best to explain what caused it so they can avoid it in the future. It still takes a while (like a few months) for them to work up to sex. After he asks Roger if it's always that good. 19/20
Roger says no it's not and that it's just him that made it good. (I know that's really cheesy but I don't care.) The whole thing is adorable. Other things in this AU: It's Roger that made Brian comfortable enough to grow out his hair which is why he keeps it the same for the rest of his life. Roger is bisexual here. Brian's dad is still disapproving he's worried about draw attention and what would happen if he was outed. This took me 4 hours but I needed to get it out somewhere. 20/20
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New from Every Movie Has a Lesson by Don Shanahan: EDITORIAL: Movies and the 9/11 effect
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(Image: pathtoparadise.com)
EIGHTH EDITION: UPDATED SEPTEMBER 11, 2019– In an update to my annual editorial (after the original post on the 10th anniversary in 2011), I’ve got new movie inclusions in several sections, including the most recent section of faded and relaxed sensitivity in films.  I plan to make this an annual post and study for at least until the 20th anniversary in 2021.  (All poster images are courtesy of IMPAwards.com)
Never forget.  There’s no doubt that every American over the age of 25 won’t soon forget where they were 18 years ago at 8:46AM on September 11, 2001.  The world and our American lifestyle changed forever that day in more ways that we can measure.  I know movies and cinema are trivial pieces of entertainment compared to the more important things in life, but movies have always been two-hour vacations and therapy sessions from life, even in the face of immense tragedy.  Sometimes, we need movies to inspire us and help us remember the good in things, while still being entertained.  In seventeen years, they too have changed.
I’m here for an editorial research piece on the anniversary of 9/11 to showcase a few movies, both serious and not-so-serious, that speak to that day whether as a tribute, remembrance, or example of how life has changed since that fateful day.  Enjoy!
MOVIES THAT WERE OPENING THAT FRIDAY EIGHTEEN YEARS AGO
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Call this a time capsule, but these were the notable movies that opened Friday, September 7, 2001 and Friday, September 14, 2001, the two Fridays surrounding 9/11.  Such a different time, huh?  Needless to say, few people were in the mood for a movie in those first weeks and the fall 2001 box office took quite a hit until the Harry Potter and the Sorcerer’s Stone showed up in November 2001, followed by Ocean’s Eleven and The Lord of the Rings: The Fellowship of the Ring that December.
The Musketeer  (September 7th)
Soul Survivors  (September 7th)
Rock Star  (September 7th)
Hardball  (September 14th)
The Glass House  (September 14th)
All were box office bombs at the time.  The Musketeer garnered a good bit of overseas earnings and Hardball got some of the best reviews of Keanu Reeves’s post-Matrix career and grew to be a DVD hit.  Still, talk about bad timing.
EXAMPLES OF 2001-2002 MOVIES CHANGED BECAUSE OF 9/11
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Spider-Man— Many of you may remember seeing this teaser for the big comic book blockbuster before it was pulled post-9/11. (New remastered video in 2019)
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Donnie Darko— Suggested by Feelin’ Film Facebook Discussion Group contributor Josh Powers. Released months before 9/11, few remember how much this film was somewhat buried and forced to become an underground cult favorite due to a pivotal moment involving a horrific plane crash.
Lilo and Stitch— See a side-by-side video clip of differences in Imgur.  The trivia notes behind it are explained on IMDb.  
Collateral Damage— The Arnold Schwarzenegger terrorism movie had its release date bumped and terrorist overtones mellowed down.  (trailer)
City by the Sea— The production on this Robert DeNiro/James Franco thriller was moved from New York to Los Angeles in July 2001, dodging the terrorism attacks that would have threatened their home Tribeca studios.  (trailer)
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Sidewalks of New York–– Edward Burns intermingled love story movie was bumped to November and had to have its posters changed.  See right here on the left for an example.  (trailer)
Men in Black II— The original scripted ending of the movie was scripted to have the World Trade Center towers open up to release a barrage of UFOs.  (trailer)
Serendipity and Zoolander— Both movies had shots of the WTC digitally removed from the skylines of their finished films before they hit theaters that fall.
The Time Machine— Had its December 2001 release bumped to March because of a potentially sensitive scene of meteor shower over New York (which it cut).  (trailer)
Big Trouble— It too had its nuclear bomb-centered plot cause a release delay well into 2002.  The delay didn’t help this already awful movie.  (trailer)
MOVIES ABOUT 9/11 ITSELF
September 11  (2002)– International directors from around the world, including Ken Loach, Mira Nair, and future Oscar winner Alejandro Gonzalez Inarritu, made a two-hour anthology of short films showing creative expressions of other cultures and their reactions to the tragedy. 
United 93  (2006)– Bourne Supremacy and Bourne Ultimatum director Paul Greengrass took an unknown cast and directed a harrowing real-time account of the flight that fought back.  Hard to watch, but undeniably powerful without exploiting the tragedy.  (trailer)
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World Trade Center  (2006)– Conspiracy specialist Oliver Stone turns off the urge to dig into his usual musings and delivers an incredibly humble, respectful, and understated (words that hardly ever describe an Oliver Stone movie) true story of the last two men (Nicolas Cage and Michael Pena) rescued alive at Ground Zero.  Worth every moment to see and a great tribute to the first responders and their families.  (trailer)
9/11  (2017)– I think we all knew a day would come where some hack film was going to come around and exploit the tragedy that is the 2001 terrorist attacks.  That award goes to Charlie Sheen, Whoopi Goldberg, and director Martin Guigui’s straight-to-VOD trash heap.  Sheen, a noted conspiracy theorist on 9/11, took it upon himself to make a glamour project stepping on history.  Do not waste your time with this film.
MOVIES WITH PROMINENT 9/11 CONNECTIONS
The Guys  (2002)– One of the first reactionary films to 9/11 came from Focus Features in 2002 and starred Anthony LaPaglia and Sigourney Weaver.  Based on Anne Nelson’s heartfelt play, LaPaglia plays a fire captain who lost eight men on 9/11 and Weaver plays the editor who helps him write eulogies for the fallen.  The film is only available on disc from Amazon.  (trailer)
WTC View  (2005)– Gallows humor bubbles to the surface in this off-kilter indie romance from Brian Sloan about a SoHo man who placed an ad to find a new roommate and September 10th and now lives through a more difficult and trying landscape.  (trailer)
Reign Over Me  (2007)– In a rare dramatic turn, Adam Sandler plays a fictional wayward man who lost his wife and daughters on 9/11 and tailspins through life fiver years later when an old college friend (Don Cheadle) tries to help keep him from being committed to a psychiatric care.  (trailer)
Remember Me  (2010)– Billed as a coming-of-age film starring Twilight star Robert Pattinson, it features a fictitious family affected by the tragedy, including the fall of the WTC.  Most critics found the 9/11 connections exploitative and offensive.  (trailer)
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Extremely Loud and Incredibly Close  (2011)– Speaking of exploitative, the Tom Hanks/Sandra Bullock Oscar nominee from this past year definitely rubbed more than a few audiences the wrong way in using 9/11 as a backdrop to a fictional family tragedy.  Critics (including this one) clamored that if you’re going to bring 9/11 to the big screen, use a real story.  (trailer)  (my full review)
September Morning  (2017)– Independent writer/director Ryan Frost crafted a small drama about five college freshman staying up all night after 9/11 weighing the impact it will have on their present and future.  The film won a youth jury award at the Rhode Island International Film Festival.  (trailer)
MOVIES ABOUT THE WAR ON TERROR
In the decade since September 11, 2011, our largest response as a nation to the terrorism of that day has been a pair of wars overseas in the countries of Iraq and Afghanistan.  The “war on terror” has quickly grown into a ripe orchard for possible movie storylines.
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Home of the Brave  (2006)–Rocky producer Irwin Winkler earns the credit for the first mainstream Hollywood movie depicting the Iraqi War and the initial soldiers returning home to re-acclimate to society.  Starring Samuel L. Jackson, Curtis “50 Cent” Jackson, and Jessica Biel.  (trailer)
The Hurt Locker  (2008)– Of course, the best-of-the-best is the 2009 Best Picture winner from Kathryn Bigelow starring Jeremy Renner as a driven, yet dark Iraqi bomb specialist.  Its quality needs no introduction.  (trailer)
Grace is Gone  (2007)– In the Audience Award winner of the 2007 Sundance Film Festival, typical gender roles are reversed when John Cusack plays a homefront father (in my opinion, the best he’s ever acted) who has to find the best way to tell his two daughters that their soldier mother was killed in Iraq.  This movie is “guy-cry” level brilliant.  (trailer)
Rendition  (2007)– Jake Gyllenhaal, Reese Witherspoon, and Meryl Streep get together for a movie calling out the wrongs of detainment, interrogation, and torture.  (trailer)
The Kingdom  (2007)– Jamie Foxx, Jennifer Garner, Chris Cooper, and Jason Bateman investigate a bombing and throw down in the streets of Riyadh.  (trailer)
Lions for Lambs  (2007)– Robert Redford delivers a three point-of-view discourse on U.S. war affairs before home and abroad with the help of Tom Cruise and Meryl Streep.  (trailer)
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In the Valley of Elah  (2007)– Crash director Paul Haggis leads Tommy Lee Jones (in an amazing Oscar-nominated performance) and Susan Sarandon as parents investigating with a local detective (Charlize Theron) the disappearance of their AWOL son returning home from Iraq.  (trailer)
Body of Lies  (2008)– Ridley Scott’s fictional take on the CIA’s involvement in preventing Jordanian terrorism starring Leonardo DiCaprio and Russell Crowe.  (trailer)
Stop-Loss  (2008)– Ryan Phillippe, Channing Tatum, and Joseph Gordon-Levitt play three young Texas schoolmates who are finally home from overseas but are forced back via the stop-loss clause.  (trailer)
The Messenger  (2009)– Woody Harrelson was nominated for an Oscar for his role as a U.S. Army Casualty Notification Team officer mentoring recent veteran (Ben Foster) on the uniquely difficult job of informing families the bad news.  (trailer)
Taking Chance  (2009)– Along the same bringing-bad-news-home lines is this gem of a HBO film starring Kevin Bacon (like Cusack earlier, in arguably his best performance as an actor) as a desk officer who never saw combat but takes on the duty of escorting a young fallen soldier’s body back to his old hometown.  Even though this wasn’t in theaters, it is outstanding and worth your time on DVD.  (trailer)
Brothers  (2009)– Jake Gyllenhaal takes care of his older brother’s wife (Natalie Portman) while he (Tobey Maguire) is declared MIA in Afghanistan, from director Jim Sheridan.  (trailer)
Dear John and The Lucky One  (2010 and 2012)– These two adaptations of Nicholas Sparks romance novels briefly touches on the War on Terror through Channing Tatum and Zac Efron’s lead characters’ return home to romance.  (trailer and trailer)
Green Zone  (2010)–Director Paul Greengrass followed United 93 with his Bourne series star Matt Damon in this taut and marginally-dramatized account of the early unsuccessful searches and the possible cover-up of Baghdad’s supposed stores of weapons of mass destruction.  (trailer)
Restrepo  (2010)– The highly acclaimed National Geographic documentary film follows a one-year look at the real men of the platoon embattled in the deadliest fortified valley of Afghanistan.  (trailer)
Act of Valor  (2012)– Disney pumped up the military with this fictional anti-terrorism film using active duty Navy SEALs.  Coming out after the death of Osama bin Laden, this was a welcome and well-promoted hero picture and recruitment reel.  (trailer)
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Zero Dark Thirty  (2012)– The Hurt Locker director Kathryn Bigelow made a film about the SEAL Team 6 men and their story of taking down Osama bin Laden.  The film was my #1 movie on my “10 Best” list for 2012.  (trailer)  (my full review)
Lone Survivor (2013)– Peter Berg (Friday Night Lights) directed an outstanding and patriotic film based on the Afghanistan saga of Marcus Luttrell starring Mark Wahlberg, Taylor Kitsch, Ben Foster, and Emile Hirsch that echoes another true-life story from the ongoing War on Terror.  Very good movie!  (trailer)  (my full review)
A Most Wanted Man (2014)– Spy novelist John LeCarre’s multi-layered 2008 novel about the world of inter-agency espionage happening in Hamburg, Germany, the same city where the 9/11 conspirators hatched their plans, is an excellent and different post-9/11 film with an international flair and flavor.  It will also be remembered as one of the last performances of Philip Seymour Hoffman, who was phenomenal in the film.  (trailer)  (my full review)
Jack Ryan: Shadow Recruit  (2014)– This modern reboot or update of the famed Tom Clancy character, now played by Chris Pine, roots his pre-spy origins in the aftermath of 9/11 and the War on Terror that followed.  (trailer)
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American Sniper  (2014)– Clint Eastwood’s Best Picture nominee war drama about the real-life story of the late Navy SEAL Chris Kyle (played by Oscar nominee Bradley Cooper) went on to become the highest grossing film of 2014 (north of $350 million).  Kyle’s journey from the heartland to the front lines was spurred by a sense of duty and patriotism that started from the attacks of 9/11.  This is, by far, the most high profile movie to date to feature the War on Terror directly correlating 9/11.  (trailer)  (my full review)
Good Kill  (2015)– On the smaller side, but just as solid with warfare and Post Traumatic Stress Disorder (PTSD) is this under-seen film which had a limited theatrical release during the summer of 2015.  Andrew Niccol (Lord of War, Gattaca, The Truman Show) shifted his focus to the War on Terror by showcasing a Las Vegas base of drone pilots dealing with the ramification of their actions and the war being waged on their screens and with their joystick controls.  (trailer)  (my full review)
13 Hours: The Secret Soldiers of Benghazi  (2016)– Director Michael Bay’s slanted look at the September 11, 2012 embassy attacks that have become a political firebrand since certainly qualifies to make this list.  (trailer)  (my full review)
Whiskey Tango Foxtrot  (2016)– Tina Fey shed her comedic image for a heavyish war drama loosely based the true story of Afghanistan/Pakistan television journalist Kim Barker.  (trailer)  
Snowden  (2016)– Renowned politicized filmmaker Oliver Stone brought his brush of dramatic license to the story of whistleblowing former spy Edward Snowden, played by Joseph Gordon-Levitt.  The paranoia of the post-9/11 digital age was the mission field for Snowden and many other young men and women who sought the security and counterterrorism industries. (trailer) (full review)
Billy Lynn’s Long Halftime Walk  (2016)– A company of soldiers who lost their commanding officer in Iraq are making a victory tour of press dates and public appearances when the reflections of the title character (newcomer Joe Alwyn) fill the day.  Ang Lee’s film felt ten years too late and was not well received.  (trailer) (my full review)
Thank You For Your Service  (2015) and Thank You For Your Service  (2017)– This popular conversation sentence was the title of two different works.  In 2015, Tom Donahue’s documentary opened eyes to the shoddy mental health governance for modern veterans and made waves that changed actual policies.  The 2017 feature film borrows inspiration from David Finkel’s 2013 nonfiction bestseller dealing with the PTSD topic of returning Iraqi tour soldiers adjusting to civilian life.  Miles Teller is the headliner and is joined by Haley Bennett, Beulah Koale, Joe Cole, and Amy Schumer.  (trailer) (trailer)
Megan Leavey  (2017)– 2017 was a busy year for War on Terror-connected films with five new entries.  Taglined “based on the true story about a Marine’s best friend,” Megan Leavey stars Kate Mara as the soldier leader of a bomb-searching pooch on deployment in Iraq.  Touching film!  (trailer)
The Wall  (2017)– Nocturnal Animals Golden Globe nominee Aaron Taylor-Johnson and emerging WWE movie star John Cena play two soldiers pinned down by an Iraqi sniper in a single-setting thriller from action specialist Doug Liman (Edge of Tomorrow).  (trailer)
War Machine  (2017)– Enough time has passed now in 2017 where the War on Terror has reached a point of being a target of satire.  Animal Kingdom and The Rover director David Michod puts a witty spin on things creating a fictionalized account of U.S. General Stanley McChrystal with Brad Pitt in the lead.  Netflix is the exclusive carrier of this one.   (trailer)
Last Flag Flying  (2017)– The last and best of the 2017 bunch is Richard Linklater’s dramedy about three old Vietnam veterans (Steve Carell, Bryan Cranston, and Laurence Fishburne) who come together when one of their sons is killed in Iraq and coming home for burial.  The excellent acting trio and Linklater’s writing (adapted from Darryl Ponicsan’s novel, a spiritual sequel to his The Last Detail) deliver touching brevity and sharp commentary on the echoes of war across generations.  (trailer) (my full review)
A Private War (2018)— Documentary filmmaker Matthew Heineman made his feature film debut with a biopic on British photojournalist Marie Colvin, who made her stops through the hellfire of Iraq and Afghanistan in her storied career. Rosamund Pike was snubbed for an Oscar nomination that year. (trailer) (my full review)
Vice (2018)— Speaking of biopics, writer/director Adam McKay brought his machete for satire to the life of former Vice President Dick Cheney. The film dove deep into the manipulated machinations from Cheney that engineered the War on Terror during the Bush administration. While not as good as The Big Short, Vice did earn eight Oscar nominations (winning one for makeup), including Best Picture and Best Actor for Christian Bale in the leading role. (trailer) (my full review)
Official Secrets (2019)— When invading Iraq was on the table to push the war to the ground, the United Kingdom and Prime Minister Tony Blair were lockstep next to the U.S. on seeking United Nations approval. The true story of whistleblower Katharine Gun unearthed secrets that led to questioning the war’s legality before it even began. This is a nice step-up for Keira Knightley. (trailer) (my full review)
The Report (2019)— Not yet widely released in 2019 after huge buzz at the Sundance Film Festival, frequent Steven Soderbergh screenwriting collaborator Scott Z. Burns made his directorial debut with this searing docudrama of the use of torture by American agencies during the War on Terror. Check out the film’s trailer:
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MOVIES ABOUT THE CHANGES IN AMERICAN LIFE (BOTH SERIOUS AND NOT-SO-SERIOUS)
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25th Hour  (2002)– New Yorker Spike Lee was quick to not shy away from the post-9/11 pulse of New York City following Edward Norton’s character’s last night of debauchery and unfinished business before going to prison.  Filled with scathing social commentary and visual reminders of 9/11 and Ground Zero, its amazing opening credits sequence alone set the tone as only Spike can.  (trailer)
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Fahrenheit 9/11  (2004)– Documentary maverick Michael Moore’s slam at the handling of 9/11 and the war on terror became one of the most successful box office documentaries of all-time.  (trailer)
Sorry, Haters  (2005)– Robin Wright played a professional woman who receives conversation and unexpected interaction with an Arab New York cab driver in this IFC production.  (foreign trailer)
An Inconvenient Truth  (2006)– By contrast, in a small snippet and computer graphic on melting glaciers in this Oscar-winning documentary, Al Gore lets us know that half of Greenland or Antarctica’s melted ice would put New York, including Ground Zero, underwater within the next 50 years.  (trailer)
The Terminal  (2004)– Airports are now covered in bureaucratic red tape.  Heaven forbids, you’re not from America.  (trailer)
Anger Management  (2003)– Showed us that you can get kicked off a plane now for just about anything.  (trailer)
Soul Plane  (2004)– Then again, come on, guys.  Air travel can still be cool, even with the new security rules. (trailer)
Snakes on a Plane  (2006)– OK, maybe not so much… (trailer)
Harold and Kumar Escape from Guantanamo Bay  (2008)– You’ve got to hate racial profiling as much as you equally love a good parody.  (trailer)
Iron Man  (2008)– Marvel’s steely hero had his Vietnam origin story conveniently and modernly flopped for an Afghanistan-connected one.  (trailer)
Bridesmaids  (2011)– Now, that’s how an Air Marshall gets down! (trailer)
Source Code  (2011)– Our fear of catastrophes on planes can easily be translated to trains as well.  (trailer) (my full review)
The Reluctant Fundamentalist  (2013)– For a serious look at the warped view of Muslim citizens post-9/11, take a look at Mira Nair’s dramatic thriller about a young Pakistani man (newcomer Riz Ahmed) who is successful on Wall Street but viewed differently through profiling after 9/11.  (trailer)
The Fifth Estate (2013)– The film story of the WikiLeaks of Julian Assange carry a loose connection to the changed post-9/11 landscape of security and more.  (trailer)
Boyhood (2014)– Richard Linklater’s huge biographical opus was filmed over the course of 12 years with the same cast growing up and aging to tell their family story.  The film starts in 2002, where the incidents of 2001 are fresh on the minds of the characters and discussed openly during the first year sequence of the journey.  Later on, political mentions of Bush, Obama, and the War on Terror make it into a reflective conversation as well.  (trailer)  (my full review)
Won’t You Be My Neighbor  (2018)– A key moment in the extraordinary Fred Rogers documentary chronicled when a retired Rogers was brought back for a special televised message to young viewers about reacting to the 9/11 tragedy that played on-screen for so many viewers.  It’s a touching historical moment.  (trailer) (my full review)
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MEMORABLE PAST IMAGES OF THE WORLD TRADE CENTER IN MOVIES
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Sometimes, all it takes is the camera making a fleeting, yet memorable, glance at those beautiful and now-gone skyscrapers to immediately remind us of a different time.  The WTC towers have been shown in innumerable establishing shots.  We’ll highlight some great ones.  Beginning with the closing credits to New Yorker Martin Scorsese’s 2002 film Gangs of New York, here’s a great montage of cinematic views of the WTC from various pre-2001 movies.
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Superman  (1978)– Even a passing fly-by over “Metropolis” feels different.
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Home Alone 2: Lost in New York  (1992)– Tell me this clip didn’t just go from cute to eerie to sad.  Wonderful then, but different now.
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Godspell (1973)— Submitted by friend-of-the-page and larger-fan-of-musicals-than-me Josh Powers, enjoy this dance number from the summery musical filmed and completed before the skyscraper’s ribbon-cutting.
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King Kong  (1976)– While it may not match the iconic 1933 image of the original ape towering on top of the Empire State Building, the World Trade Center plays a big role in the 1976 remake starring Jeff Bridges and Jessica Lange.  (trailer) 
Independence Day  (1996), Deep Impact  (1998), Armageddon  (1998), and The Day After Tomorrow  (2004)– These all constitute the prominent disaster movies that leave New York (and, in three cases, the WTC) in destructive shambles.  
HONORABLE MENTIONS:  Godzilla  (1998), Cloverfield  (2004), War of the Worlds  (2005), and Watchmen  (2009).  Kind of not so entertaining for few seconds anymore, huh?  See for yourself.  Here’s a montage of NYC movie destruction:
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MOVIES THAT FEEL DIFFERENT IN THE POST-9/11 WORLD
I don’t know about you but a lot of movies just don’t resonate or feel the same as they did before September 11th.  We’ve changed and the perception has changed.  For some movies, their message and impact is only made stronger (in good ways and bad) since 9/11.  In other cases, what was entertaining then doesn’t feel so right anymore.
Airplane!  (1980)– Farce or not (and still funny to this day), we could never get away with anything that happens on an airplane from that movie now.  (trailer)
Passenger 57  (1992)–Let alone this movie… (trailer)
Executive Decision  (1996)– …and this movie… (trailer)
Turbulence  (1997)– …and this movie… (trailer)
Pushing Tin  (1999)– …and probably this movie too… (trailer)
True Lies  (1994)– Slammed even then for its depiction of Arab terrorists, it likely has picked up a little more egg on its face. Adding to its burial, the movie hasn’t been released on any physical media format since 1999, which includes zero Blu-ray editions in its history (factoid from Josh Powers). Do you think 20th Century Fox wants that movie to go away or what?  (trailer)
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The Siege  (1998)– This frightening martial law thriller with Denzel Washington, Annette Bening, and Bruce Willis makes True Lies look like G.I. Joe starring Ken from the Barbie dolls toy line.  Scary and eerily prophetic in its over-the-top terrorism and bombing scenarios.  (trailer)
The Dark Knight Rises  (2012)– Though fictional with Pittsburgh standing in as Gotham City, the New York imagery and parallels occurring during its terrorist takeover led by Tom Hardy’s Bane have eerie 9/11-inspired ramifications.  (trailer)  (my full review)
Syriana  (2005)– George Clooney won an Oscar, but the touchy subjects of torture, terrorism, and the oil industry evoke a little dose of fear.  (trailer)
Munich  (2005)– The Black September assassination of Israeli athletes at the 1972 Munich Olympics and the Mossad’s reaction was probably the last time before 9/11 that terrorism made worldwide live media headlines.  (trailer)
Arlington Road  (1999)– While this resonates more as a comparison to Oklahoma City-style domestic terrorism, the Jeff Bridges/Tim Robbins underappreciated thriller is no less scary now than then.  (trailer)
Fight Club  (1999)– Watching Tyler Durden (Brad Pitt/Edward Norton) destroy New York’s credit district is another example of domestic terrorism and destruction that rings a little louder post-9/11.
The Sum of All Fears  (2002)– Many people found the Super Bowl bomb plot far too soon to see those images just a year removed from 9/11.  (trailer)
V for Vendetta  (2006)– Urban terrorism in London via a Guy Fawkes fan resonates a little different for a public scare on our side of the Atlantic.  (trailer)
Courage Under Fire  (1995)– Our first trip to Iraq foreshadows a lot of the equal futility, bravery, and loss experienced in our second trip… (trailer)
Jarhead  (2005)– …especially when told from the true account of a disillusioned soldier who was there.  (trailer)
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Charlie Wilson’s War  (2007)– The same foreshadowing can be made out of our 1980’s Cold War involvement on the side of Afghanistan versus the Soviet Union as outlined by a gem of a Tom Hanks, Julia Roberts, and Phillip Seymour Hoffman film.  To think that we could have stuck around and cleaned the place up before they became our enemy.  (trailer)
Rambo III  (1988)– Speaking of an American fighting on the anti-communism side of the Afghans!  (trailer)
Air Force One  (1997)– Not that George W. Bush or Barack Obama ever channeled Harrison Ford here, but don’t you now root a little harder for a take charge President… (trailer)
The Patriot  (2000)– … or a flag-carrying American hero from 230+ years ago… (trailer)
Pearl Harbor  (2001)– …or the last great American tragedy that galvanized a nation and sent us to war.  (trailer)
MOVIES SINCE 2001 THAT RENEW THE AMERICAN SPIRIT
These examples (as well as the aforementioned World Trade Center) will get your patriotic heartstrings going and boost your down spirit.
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The Last Castle  (2001)– Opening just over a month after the tragedy, the military and flag-waving patriotism of Robert Redford’s underrated drama undeniably stirs you.  (trailer)
Behind Enemy Lines  (2001)– Leave it to Gene Hackman and Owen Wilson (of all people) to win macho patriotic points for loosely re-enacting the famous pilot Scott O’Grady Bosnian prisoner escape story.  (trailer)
Black Hawk Down  (2001)– Released during the 2001-2002 awards season, Ridley Scott’s powerful depiction of the 1993 Battle of Mogadishu showed the uncompromising courage of U.S. Army Ranger and  Delta Force soldiers at a time when our current soldiers were likely preparing for going overseas to similar urban warfare.  (trailer)
We Were Soldiers  (2002)– Mel Gibson may be embroiled in unpopular headlines now, but his 2002 action-drama from his Braveheart writer about America’s first official military action in Vietnam is as powerful and it is impressive.  Like Black Hawk Down, it added to the heroic mystique of the American soldier, even if it was set in the past.  If you don’t cry watching those wives deliver those first casualty letters, there’s something wrong with you.  (trailer)
Spider-Man  (2002) and Spider-Man 2  (2004)– New York’s #1 resident superhero always fights for a way for the citizen of the city to stand up together.  I suppose you can throw in the pair from the reboot (The Amazing Spider-Man and The Amazing Spider-Man 2) for some of the same reasons.  (trailer)
Gangs of New York  (2002)– Martin Scorsese is a quintessential New Yorker and his mid-1800’s history piece (while definitely violent) was a love letter to the city’s great history.  (trailer)
Elf  (2003)– Will Ferrell put the Big Apple back in the Christmas cheer.  (trailer)
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Ladder 49  (2004)– Though it wasn’t set in New York, you can’t help but think of the 343 NYFD men and women that lost their lives on September 11th and ardent first-responders when you watch Joaquin Phoenix and John Travolta as macho Baltimore firemen.  (trailer)
Million Dollar Baby  (2004)– America loves a good underdog story and Clint Eastwood gave the public a heck of a good one that went on to win the Oscar for Best Picture.  (trailer)
Miracle  (2004)– What better way to boost American spirit than to relive our greatest Olympic triumph. (trailer)
National Treasure  (2004)– How about a history lesson to make you feel good about our great country?  Why not?  (trailer)
Hitch  (2005)– Will Smith brought popular romance back to the City That Never Sleeps. (trailer)  He would capture hearts for a different reason the next year with The Pursuit of Happyness.  (trailer)
We Are Marshall  (2006)– Another real-life airplane tragedy sets the stage for an amazing story of athletic and community rebirth.  One of the most underrated football movies out there.  (trailer)
Live Free or Die Hard  (2007)– Why not give NY’s best bad-ass cop a chance to save the nation’s capital? (trailer)
Captain America: The First Avenger  (2011)– Last but not least, you can’t get more patriotic and underdog than this skinny guy from Brooklyn transformed into a red-white-and-blue super soldier.  He followed it up this past summer saving New York in The Avengers.  (trailer and trailer)  (full review and my full review)
American Sniper  (2014)– The tremendous reception Clint Eastwood’s film had to become the highest grossing movie of the year made Chris Kyle a household name and heavily amplified a previously dormant red-blooded (and “red state-d”) surge of patriotism and soldier appreciation. (trailer) (my full review)
Sully  (2016)– Both the incredible true story of Flight 1549 from 2009 and Clint Eastwood’s respectful retelling featuring Tom Hanks as Capt. Chelsea “Sully” Sullenberger remind audiences of the strength of New York City.  There’s a great line in the movie where someone is trying to thank Sullenberger and says that it’s been a long time since the city has had good news about anything like the “Miracle on the Hudson,” especially about a plane. (trailer)  (my full review)
Patriots Day  (2016) and Stronger  (2018)– The way the city of Boston rallied from another terrorist attack on American soil during its marathon has key inspirational value.  It’s too bad the film was the Mark Wahlberg show rather than a well-rounded ensemble approach.  (trailer) (my full Patriots Day review) (trailer) (my full Stronger review)
Spider-Man: Homecoming  (2017) and Avengers: Infinity War (2018)– Much like the Tobey Maguire and Andrew Garfield web-slinger movies that came before, Tom Holland’s take on Peter Parker is a born-and-raised New York kid that supports and protects his neighborhood and city from dangers foreign and domestic. His protection, joined by fellow New Yorker Doctor Strange, expands with the united effort with The Avengers when Thanos shows up in Avengers: Infinity War.  One part down on that with one to go in the summer of 2019.  (trailer) (my full Spider-Man: Homecoming review) (trailer) (my Avengers: Infinity War review)
Only the Brave (2017)– Just as with Ladder 49 thirteen years before it, you can’t beat the sympathy generated by the hard work, dedication, and sacrifice of firefighters.  Forest fires aren’t terrorists, but the feels are all there.  (trailer) 
The 15:17 to Paris (2018)– Four years after American Sniper, Clint Eastwood dipped his filmmaking brush in the hero worship paint again to tell another true story.  The wrinkle of this one is that Eastwood called upon the actual heroes that thwarted the 2015 Thayls train attack to star in their own movie recreation.  Results were mixed, but the Eastwood prestige is there. (trailer) (my full review)
THE UP-AND-DOWN PULSE OF CONTINUED SENSITIVITY AND/OR CENSORSHIP TO 9/11 SIMILARITIES
For 2014 and going forward, this is a new section I’m adding to this study.  Now that enough time has passed since 2001, I’m beginning to notice that movies are starting to go back to some of the images and themes of violence, destruction, and terrorism that were hands off for so many years after 9/11.  Like all history, even 9/11 will fade.  What we were offended by after the horrific incidents have returned, in some cases, to be more tolerated and even acceptable and celebrated again.  Sure enough, there are plenty who vividly remember 2001’s events and images and are quick to point out when something is in possible poor taste.  That shaky barometer has led to some allusions and reminders to 9/11 and some flat-out censorship changes and corrections.  Some get flak and slaps on the wrist while some don’t.  Here are some examples in recent years.
Olympus Has Fallen and White House Down (2013)– Both competing White House takeover films from 2013, one from Antoine Fuqua (Training Day) and one from Roland Emmerich (Independence Day) had a bit of split audience reaction to their violent and terrorist content.  Some rooted and cheered as if it was the 80’s again and America is always going to win.  Others were not so keen or ready to see the White House become a target and battleground, even if it was just a movie.  Between the two, Olympus Has Fallen, the R-rated and more severe one of the two, was the bigger hit.  In a way, no one batted an eye. (trailer and trailer)  (my full Olympus Has Fallen review)
Man of Steel  (2013)– Despite being one of the most all-American heroes around, Zack Snyder’s Man of Steel gave Superman a very serious tone that, in a way, can’t be included on the category before this one of movies that renew the American spirit.  Also, many people were not very pleased with the immense city-wide destruction scenes of Metropolis during the film’s climax.  Even though Chicago was the filming location of a fictitious comic book city, there were staunch critics who had a problem with huge office buildings and skyscrapers in very 9/11-esque rubble. Its 2016 sequel, Batman v. Superman: Dawn of Justice mildly addressed that a city can’t be destroyed without consequences, even on Superman’s watch in a colorful comic book setting.   (my full review)
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Transformers: Dark of the Moon (2011)– Much like Man of Steel, the third Michael Bay Transformers movie features a great deal of city-wide destruction (again, in Chicago) that rubbed a few people the wrong way.  (trailer)  (my full review)
Star Trek Into Darkness (2013)– Throw in the terrorist label for the villain and his bombings and the big San Francisco starship wreck during this film’s ending action that was clearly a larger scale to a passenger jet taking out buildings.  (trailer)  (my full review)
Godzilla (2014)– Add the King of the Monsters to the list of more city destruction that raised an eyebrow for some.  (trailer)  (my full review)
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Teenage Mutant Ninja Turtles (2014)– Outside of this string of modern and accepted examples of urban attacks and destruction, is the minor amount of hot water the makers of Teenage Mutant Ninja Turtles got it for a promotional poster that had an exploding skyscraper that cut too close to 9/11 similarities.  The study pulled the poster and had to apologize.  Censorship and sensitivity won that argument and mistake.  (trailer)  
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The Walk  (2015)– A very big test to peoples’ memories of the World Trade Center will be coming in the Fall of 2015 with Robert Zemeckis’s film The Walk, the true story of the French high-wire artist Philippe Petit’s quest to tightrope walk between the twin towers of the World Trade Center in 1974 (previously featured in the Academy Award nominated 2008 documentary Man on Wire).  Starring Joseph Gordon-Levitt, the film will prominently display, thanks to Zemeckis’s stunning use of CGI,  a tremendous amount of imagery of the two lost skyscrapers.  Even though it’s a period piece to a non-turbulent time, no film since 2001 has attempted to show this much of those building.  Public reaction was mixed and the film was not a box office hit.  (trailer)  (full review)
Independence Day: Resurgence  (2016)– I guess it’s OK for patriotic mass city destruction again.  London gets it worse than New York, though.  (trailer)  (full review)
Ghostbusters  (2016)– Well, New York was safe for at least a month anyway between Independence Day: Resurgence‘s release and the new reboot (which conveniently made sure its city destruction in Times Square and other places be easy to erase).  Not far behind was the fictional Suicide Squad and its over-the-city halo of supposed death.  (trailer)  (my full review)
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Rampage (2018)– Larger in size than the old World Trade Centers used to be, Chicago’s Willis Tower, the former Sears Tower and tallest building in the world, was the targeted collapsed skyscraper spectacle of choice in the Brad Payton/Dwayne Johnson live-action video game adaptation.   Monsters aren’t terrorists, but the imagery hits close as the Willis Tower was one of many skyscrapers across the country evacuated on 9/11 out of fear of becoming another target.   See the collapse clip above. (my full review)
I hope everyone enjoyed this little (OK, large) retrospective about the impact of 9/11 in movies for the last 18 years and counting.  Take some time this coming weekend to appreciate the freedoms we have the people fighting to keep them for us.  Support your troops and first responders and, again, NEVER FORGET!
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buttjaehyun · 5 years
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me vs. my best friend (kpop edition)
welcome to whatever this is i guess, well my nickname is nana so nice to meet y’all and since this is a post about me AND my best friend her nickname is kun so i’m just gonna refer to her as kun so just saying that now do y’all don’t get confused later
WARNING: this is an extremely long post so if you don’t want to read all of it i can’t blame you but it did take me roughly 8 hours to write this so i’d appreciate it if you read it but it’s okay if you don’t^^ also please respect our opinions and if any of you want to answer these questions in the comments or reblogs then please feel free to do so!!
so this was originally gonna be a youtube video but honestly i’m way too lazy to edit roughly 82 different music videos into 15 minutes. so i’m just gonna do it here until i get motavated enough to actually download 82 music videos and edit them down into clips. at the bottom of this is a spotify playlist of the songs i was gonna download audio/music videos for if you want to take a listen, there is one for me and one for kun ^^
so i guess i’ll start btw kun’s list took me SO LONG cause she’s also indecisive so we sat on the phone for 2 hours while she was answering these questions i swear
me (nana)
kun
both of us
1. Favorite Male Group:
- got7; im not even gonna lie those seven goof balls mean the world to both of us, like we’re seeing them on july 6th for the second year in a row, how can they top the greatest day of our lives?
- i adore all of them so much and they’ve made me the happiest i’ve ever been and i can’t believe i actually fell in love with one of them??? like it sound STUPID AF but like i deadass fell in love with mark tuan and i don’t regret it at all
- MY BOYS! honestly because of them i laugh constantly and can’t help but love them! especially yugyeom! he’s so cute i can’t! his eyes, his voice, his everything i adore him and he owns my heart from now until forever
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2. Favorite Female Group:
- aoa; aoa was my first girl group besides f(x) and they have a special place in my heart but other then them i also adore twice
- red velvet; im not too into girl groups but i’m trying but so far i really enjoy red velvet and their personalities and they’re few of the girl groups i actually know the names of lol
3. Favorite Band:
- day6; we’re jyp stan’s at heart (and sm stan’s im not gonna lie) we’ve loved all of jyp’s groups and soloists thus far, honestly day6 doesn’t have a single bad song if you ask us
(dowoon owns my heart just thought you would like to know that)
(and brian owns mine whoops)
4. Favorite Underrated Boy Group:
- the boyz; they’re so cute and talented so stan them asap plz (also stan astro my bubs) okay so this one was hard for me ngl, i adore the group kun chose from the bottom of my heart but a lot of our answers are similar so i wanted to change it up
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- astro; thanks to nana she dragged me into loving these goof balls and i’m so glad she did, they’re all so adorable and they have great music so stan my babies :(( sanha is the cutest babie and i love him please love my beagle boy
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5. Favorite Underrated Girl Group:
- dreamcatcher; hands down one of the easiest questions for me? like idk i adore these girls and they’re great so please stan :D
- clc; MY GIRLS MY QUEENS okay so other than red velvet they’re my favorite girl group and i’m absolutely not gonna deny that
6. Favorite Rookie Boy Group:
- stray kids
so i’ve stanned stray kids since predebut, specifically when hellevator was released, YALL HAVE NO CLUE HOW HYPED I WAS im serious i didn’t shut up about these boys and i’m so glad they’re so beyond successful and i adore each and every one of them p.s stream side effects
i’ve liked stray kids since predebut but after nana’s persistence i ended up adoring the members more than anything (except yugyeom) i major stanned since january of 2018 and i’m so proud of my boys :((
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7. Favorite Rookie Girl Group:
- itzy; so other than everglow it was hard for us to make a decision on this, neither of us STAN STAN many girl groups so most girl group debuts slip our minds after watching them but dalla dalla had been stuck in both of our heads for months now so that’s why we ended up choose itzy (also jyp girl group duh)
8. Favorite Disbanded Group:
- speed; okay so most people don’t know them and i am: depressed about it but it’s okay, they’re my boys and i love them, one of the members is actually zico’s older brother so oof yes talented family, they’re great and i miss them so much :(((
- history; so roughly towards the end of 2016 i saw their video just might die and queen, nana had already played me queen before and i really enjoyed the song (bop listen to it plz) and i just loved them from then on, after they announced their disbandment last year ngl it hurt cause i love them
(i could only find the audio of just might die without having to download the video so the link to the video is attached to just might die)
9. Favorite Sub Unit:
- NCT Dream; okay i’m not that person to be like Oh I oNlY stAn ThIs UnIt OF nCt no i stan all 21 members and whoever else joins from that HOWEVER all of the dreamies are really really high on my bias list so that’s why i chose them for my favorite unit (stream dnyl thanks :D) im actually listening to dnyl while writing this so love that
so i couldn’t find any gifs of nct dream ot7 so i settled for this cute gif of jisung
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- WayV; i love all of nct but kun (+johnny and mark) are at the top of my nct bias list. i love take off and i love every song they’ve released so far, my boys ARE APART OF NCT (for y’all dululu fans) also stream dnyl for nana so she’ll shut up about how much she adores dream not that she’ll ever shut up about how much she loves them tbh
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10. Favorite Duo:
- Jus2 + JJ Project
- again here comes the utter LOVE for jyp groups along with got7 i adore both of these duos beyond belief and i need mark to have a duo or a unit or SOMETHING cause i love him with every ounce of my being
- yugyeom. that’s it. yugyeom is the loml and there’s nothing he does where i won’t love him, focus on me hit somewhere different and i LOVE IT and HIM and of course jaebum cause he’s great too uwu i also love both of jjp and i was so exited for tomorrow, today so that helped too^^
11. Favorite Senior Group:
- infinite; so infinite. yeah i’m a HUGE inspirit and i miss hoya, sunggyu, and sungyeol like hell but it’s okay, i adore infinite im not gonna lie (to be fair i adore a lot of groups) and they mean a lot to me, out of my ults i think myungsoo has consistently stayed at the same place since 2016 as my second ultimate bias oof wow, it was also hard to choose between infinite, suju, and shinee like damn
- super junior; so i love suju? i love them more after once again thanks to nana’s persistence after black suit came out even though i was gonna listen to it away, i already loved heechul and leeteuk but dang i really love them and so does nana. but she likes too many groups to just choose one without overthinking it ALOT
12. Favorite Debut Song:
- come back again by infinite; okay so this was also a really hard one cause i love nct’s debut as well as ateez and astro but i ended up choosing come back again cause i find my self searching far and wide just to listen to this song (cause it’s not on apple music or spotify)
- pirate king by ateez; so yes i know that their debut was TECHNICALLY treasure but i love pirate king too much to not say it was my favorite debut, this song is still on constant repeat and always will be like uGH
13. Favorite Male Soloist:
- jeong sewoon; so im a big ol mush pile for all of the produce 101 s2 boys so of course sewoon would be up there with jinyoung, donghan, and SO MANY OTHER GREAT MEN, i adore his voice and the way he sings, he’s just so? great??
- dean; dean was the first kpop artist i ever listened to even without knowing he was a k-r&b artist, i love his voice, it’s so soothing and i can never stop listening to it
14. Favorite Female Soloist:
- chungha; coincidently snapping came out the day before i started writing this so yes?? queen?? but seriously i love her so much and i can’t ever contain my love for her music
- IU; she so ADORABLE? i love all of her music and i can’t believe she’s an actual human being, i seriously love her so much that it’s just uncontainable, she has one of the best voices in the kpop industry
15. Favorite Male Vocalist:
- baekhyun of exo; exo was my first group i ever got into, and they never cease to amaze me when it comes to their music. they never and i mean NEVER disappoint with their albums and bsides, as to why i chose baekhyun is simple, HIS VOICE SENDS CHILLS DOWN MY SPINE i mean so does jongdae but still
- kyungsoo of exo; i love kyungsoo and his voice and i’m going to miss him beyond belief after he leaves on july 1st :(( but seriously his voice knows no bounds and i can’t help but melt when i hear it
16. Favorite Female Vocalist:
- seola of wjsn; so i’m just saying now i don’t know much about wjsn but this girl. her vocals. yes? after her song with kihyun came out i fell in love with her vocals from then
- sunmi; i love my supportive queen, she’s great and beautiful and i love all of her music, i will never fail to bop to heroine at any time of day just because i love her that much like yes queen
17. Favorite Male Dancer:
- ten of nct; i don’t think much needs to be said as to why ten is my favorite male dancer. he is beyond anything i’ve ever seen before and has my complete respect for his passion for dancing and it makes me want to be a better dancer just so i can be proud of myself
- yugyeom of got7; oH i WonDer WhY yUgyEoM iS heRE, seriously i love his dancing more than anything and all of his freestyle clips on instragram make me have the utmost love for him beyond what i already have for him
18. Favorite Female Dancer:
- seulgi of red velvet; i’ve watched her dancing over the years and i’m never not mesmerized by her stage presence and the way she is so detailed with how she moves
- lisa of blackpink; she’s a great dancer and i will never deny that, she’s also a great rapper and her stage presence is great especially when she’s dancing (specifically taki taki)
19. Favorite Male Rapper:
- changbin of stray kids; okay so i knew from the moment i heard hellevator that this group would be big and man did they not disappoint, changbin has one of the best rapping styles and voices i’ve ever heard in my life, his speed and his lyrics are so amazing and 3racha songs are AMAZING too like wow this man and his power over me
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- jooheon of monsta x; not only has joohoney wreaked my bias list but he has absolutely one of the most unique voices i’ve ever heard, his raps are so hard hitting and i can’t ever get over them, his solo work has potential to be soty because of how talented he is
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20. Favorite Female Rapper:
- jessi; okay so i actually had a few female rappers in mind by it kept going back to jessi each time, i genuinely love her voice and i LIVE for her roasts like yes, also i love all of her music? like she has great music i 10/10 recommend
- yeeun of clc; i don’t know many female rappers but yeeun has been one of my favorites for awhile now and i love her voice, it’s just so great to see how much she’s improved and i’m so proud
21. Favorite Male Choreography:
- superhuman by nct 127; so honestly this was absolutely the hardest question for me, i love dancing and i love most male choreographies so idk why i came to this decision, actually i do, superhuman is honestly a wonderful dance and i love watching it each and every single time i seen it on my recommended on youtube
- highlight by seventeen; the performance unit has so much power and stage presence that it was so hard no to choose this song, they all have such great and precise movements when they dance and it’s beautiful
22. Favorite Female Choreography:
- chase me by dreamcatcher; i love this choreography so much? seriously these girls always kill it and i really want them to grow because they really deserve it
- hobgoblin by clc; this was the first female choreography i really really wanted to learn based on the dance other than russian roulette and dumb dumb by red velvet!!
23. Favorite Male Solo Song:
- fire by sik-k; i absolutely LOVE sik-k so naturally i wanted to choose one of his songs so i went though a bunch if my favorite songs of his and settled on fire, it was a very hard choice though cause addict exists and so does iffy but still
- crooked by g-dragon; crooked has always been one of my favorites by GD it just sounds so different and his voice just makes it one of my favorites, middle fingers-up is a close second for GD
24. Favorite Female Solo Song:
- why by taeyeon; idk why i love this song so much but i just do, i also love taeyeon so much like uwu yes, but seriously i really love all of taeyeons solo music as well as snsd
- honey tea by oohyo; honey tea is one of those songs you could listen to in a cafe or on a relaxing walk with your earbuds in just taking in the crisp air. it makes me feel super calm and just in a space where i feel like everything is chill and cool
25. Favorite Non-Kpop Artist:
- luhan; by baby lulu uwu, i’m absolutely a mushy gushy soft mess for that baby, he’s so cute and kinda and his music is just?? great????? what??? i seriously did not even have a second thought about this but some honorable mentions are definitely big time rush, 5sos, kris wu, joji, etc.
- conan gray; where do i bEGin?! his songs are by far some of my favorites. not only is he a great artist, he has this way with his music that is almost melancholic in sound. it sounds so entrancing and crush culture, generation why, and lookalike are some of my favorites^^
26. Favorite Non-Kpop Song:
- imitation by luhan; remember when i said i was gush for this man? i wasn’t joking. at all. i seriously love his voice and i just UGH love him, and this song?? bop.
- honey by lay; this song has taken over my life. i have it on repeat almost every night because lay did so well. it has such a good beat and so easy to just listen to over and over (but not out loud lolol)
Top 10 Groups:
nana:
1. GOT7
2. NCT
3. Stray Kids
4. Ateez
5. Monsta X
6. Day6
7. EXO + Astro
8. Infinite
9. SF9
10. The Boyz
kun:
1. GOT7
2. NCT
3. Day6
4. Stray Kids
5. EXO
6. Astro
7. Monsta X
8. SF9
9. Ateez
10. Seventeen
Top 10 Biases:
nana:
1. Mark Tuan (GOT7)
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2. Myungsoo/L (Infinite)
3. Doyoung, Donghyuck/Haechan, Jaemin, Jaehyun, Jeno, Mark, Yuta, and Taeil (NCT)
4. San (Ateez)
5. Hyunjin, Jisung, Changbin, Felix, and Chan (Stray Kids)
6. Brian/Young K (Day6) + Youngmin (ab6ix)
7. Minhyuk (Monsta X), and Hwiyoung (SF9)
8. Chanyeol, Sehun, and Baekhyun (EXO)
9. Minhyuk/Rocky (Astro)
10. Kevin, Changmin/Q, Eric, Jacob, Sunwoo and Hwall (The Boyz)
kun:
1. Yugyeom (GOT7)
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2. Dowoon (Day6)
3. Seungmin & Felix (Stray Kids)
4. Jooheon (Monsta X)
5. Rowoon (SF9)
6. Kun + Mark + Johnny (NCT)
7. Yunho + Mingi (Ateez)
8. Sanha + MJ + JinJin (Astro)
9. S.Coups (Seventeen)
10. Kyungsoo/D.O + Chanyeol (EXO)
[ nana; tumblr playlist ]
[ kun; tumblr playlist ]
btw for kun i added my favorite songs by some of the artists she had listed cause i didn’t ask her and i was too lazy so i hope y’all enjoy both playlists if you want to listen to them ^^
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albionjake · 6 years
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Goodbye Big Brother: The Show That Changed Television and My Life
You’ve probably read this title and thought ‘Christ, he really likes Big Brother too much’ and you’d be correct. I definitely do. There’s no denying that. But I would add that you probably think Big Brother is just a trashy, meaningless reality show and I’m afraid to tell you that you’re wrong about that. You have probably come to that conclusion as a result of extreme reality saturation. Reality as a genre is now almost exclusively easy to watch trash that washes over you and you forget about a few days later. Big Brother is entirely responsible for all of it existing but I don’t believe it should be judged the same way as its spawn. BB is the original and it should be treated with respect (yes Channel 5, I’m talking to you). At one time in the UK, Big Brother was the biggest show on television. It was on the front pages of national newspapers and magazines. Housemates became household names. It was watched by four times the amount of people that watched the Love Island final this July. It changed the way TV was made. Before Big Brother, we didn’t have shows where the public called up and voted people off. It wasn’t a thing. Big Brother is the original reality show. The greatest of all time. A show with so many iconic scenes and characters, no other reality can even come close. Try arguing a case against a show that gave you Nasty Nick’s confrontation, Helen and Paul’s romance, Jade Goody’s verruca meltdown, Fight Night, Michelle and Chicken Stu under the table, Kinga and her bottle, Nikki Grahame’s diary room rants. If we go over to CBB, it gave you George Galloway being a cat, “Yeah, Jackie”, Tiffany Pollard believing David Gest had died in the house. No other show could produce moments like this.  So why is it being cancelled at the end of this series? Well, nobody is watching it anymore. Has the show changed? Yes, a bit. But not really. The basic premise has always been there for 19 series. What’s changed a lot more is society. We are a very different country to what we were in the year 2000. People have much shorter attention spans and have come to expect shows to be heavily produced and edited. Big Brother is still essentially the same show it always was but it has changed and I’m going to tell you how while also hopefully reminding you why the show is so incredibly important and why it’s an absolute travesty that it’s been thrown on the scrap heap without anyone caring. Series 1 began on the 18th of July 2000. Ten people went into a house, and the first few weeks bubbled away without much fuss, viewers were steadily increasing as people became interested in loud and confrontational characters like Caroline and Nicola and a burgeoning romance between Andy and Mel. We could spy on people living their lives. After years of having to covertly peak through the net curtains or put a glass to the wall to spy on the neighbours, we could do it openly in our homes and then get rid of anyone that was annoying us by calling up and voting them out. The show didn’t take long to become a national talking point. After 35 days, Nick Bateman was ejected from the house for cheating. For weeks leading up, he had been secretly writing names on pieces of paper and showing them to other housemates in an attempt to sway their nominations. The public had also watched him make up stories about things like his wife dying in a car accident and he’d become the most hated man in Britain. On his final day, the other housemates had confronted him, led by Craig who eventually won the show. Nick was on the front pages, he made the show a massive hit, everyone was talking about it.  The second series was eagerly anticipated and was full of much of the same arguments and controversy. The show was streamed 24 hours a day on E4 and a sister show began called Big Brother’s Little Brother which would lead to the ‘sister show’ becoming a genre of its own and being a staple of pretty much every reality and talent show on TV. Brian Dowling won the second series after being adorable and hilarious for 64 days. His win told me, a gay 13 year old boy, that young, gay men could be accepted for who they are by millions and that was invaluable to me. Big Brother literally changed my life, so forgive me if I get defensive about it. It’s more than a TV show to me. Over 19 years, it has taught me so much about human interaction, about accepting people for who they are and about a whole host of controversial issues. Watching a house full of different adults every year from the age of 12... I can’t even imagine how many things the show taught me. It’s almost certainly shaped a huge part of me and my personality. Week one of the third series brought the first ever nominations twist as the public were asked to nominate two housemates and then the housemates would decided which one to evict. Of the two that were up, the housemates chose to evict Lynne who had actually received the second highest number of the votes. Who had the highest number of votes to leave after one week? Jade Goody. Sort of proves that letting the public vote for anything might have been a huge mistake all along. Jade Goody would later become the biggest star the show has ever produced. Jade’s story is one of the most fascinating stories in British pop culture history and I’m astounded it hasn’t been made into a film. She made the series unmissable and I believe she’s one of the all time greats. BB3 also gave us Allison Hammond who now presents on This Morning along with a load of other stuff and Adele Roberts who hosts the Radio 1 early morning breakfast show. This series was the most crazy yet, with more twists and turns than before and a more volatile mix of housemates.  Following the insanity of BB3, the show tried to get back to basics with its cast and the people chosen were a bit less manic. This was the first huge misstep for BB. It’s a risky format, there’s always a chance that your housemates just aren’t going to work. Always a chance they’ll all pretty much just get on and have a nice life in the house. This is another reason why I love Big Brother. There’s always a risk that it could be a shit series. Sure, producers can intervene and try to spice the show up but, what I’ve learned over the years is, that if it’s a shit series then it just can’t be saved. If those housemates aren’t right then nothing you throw at them is going to fix the problem. BB4 was one of those years, it was perfectly pleasant but entirely uneventful. So Big Brother 5 had to win everyone back. A lot of people had given up on BB4 but the show was still young enough to stir up interest when it came around again the following year. They’d learnt from last year and were telling us that Big Brother was “going evil”. The house was pumped full of loud, opinionated and diverse people. Big Brother was harsher and meaner than ever before. The show was exciting again. The huge argument that is now known as ‘Fight Night’ was one of the show’s landmark moments. Security was sent in to diffuse the situation. The police were called by concerned viewers at home. Housemates were screaming and shouting in each other’s faces. Tension that had been bubbling under the surface for weeks had erupted and it was absolutely amazing to watch. I was watching the live feed on E4 that night and despite mostly only getting to see shots of the garden and hearing the familiar sound of birdsong, the little snippets I was able to see were genuinely thrilling. Big Brother 5 was won by Nadia Almada, the first trans housemate ever. Following Brian’s win a few years earlier, this cemented Big Brother’s important place in the LGBT world. No other show has shown quite as many varied types of queer people in this country. And it doesn’t just show them, it lets an audience get to know them. Nadia didn’t win because she was trans. She won because she had been an incredible housemate. Seeing the leaps and bounds trans rights have made in recent years has been amazing but let’s remember how out of the ordinary it was to see a trans person on mainstream TV in 2004. Not a drag queen like Lily Savage or someone wheeled out on Jerry Springer for a cheap laugh. We got to see a real trans person on mainstream national TV and it can’t be understated how healthy that was for our country and culture. BB was now back on track as BB6 came along and was just as great as BB5 had been, probably better. We had legends like Makosi and Kemal, Craig and Antony’s fascinating friendship and fiery characters like Science, Maxwell, Roberto and Derek to keep the drama going for the whole summer. Kinga and her bottle will probably be the most memorable moment from the series but the whole three months were exceptional. Big Brother 7 was more of the same. Another amazing mix of housemates including Pete, Nikki, Richard, Lea, Aisleyne and Glyn. But BB7 is where things started to take a turn. This series had 22 housemates overall. That is too many housemates. One thing that hardly ever saves a series is throwing in more housemates and BB7 added 8 people across three different twists. Not only that but a very late twist allowing the public to put their favourite evicted housemate back in was the first time BB messed with one of it’s fundamental format points, “Who goes, you decide”. The public had paid to evict Nikki and then she was allowed back in. If that wasn’t bad enough, when she did return she was a lot more knowing, she’d seen how hilarious the public found her tantrums so she was playing up to that and it wasn’t the same. Nikki is one of the greatest housemates of all time but I think letting anyone back in when they’ve been evicted by the public just isn’t right. I would say, though a fantastic series, that BB7 was the beginning of the end for Big Brother as a cultural talking point. The minute they messed with those BB fundamentals, the whole format was up for grabs, they could mess around with anything, the public lose sight of what the show is about when you’re changing the rules all the time. So BB8 came along and was perfectly acceptable. I would argue that it had far too many knowing housemates. Chanelle made several blatant attempts at becoming the new Nikki with some excruciatingly exaggerated tantrums. We had out first ever BB superfan housemate in Brian Belo. We had a weird twist where they only put women in for the first week. Completely pointless. Looking back, there were so many examples of BB losing its way in this series. BB7 had created a small puncture and BB8 was failing to contain the water damage. Then BB9 came along and added several more punctures. I hate Big Brother 9. I think it’s trashy and gross. It’s grubby. The house was full of incredibly unlikeable characters along with some entirely forgettable ones. It was all so crude and unpleasant. There was an incident where Dennis spat in Mohammed’s face and was ejected. There was Alexandra threatening people with her gang friends on the outside. There was Mikey who was vile. Rex who was horrible. Darnell who later appeared in porn with Bex from this series and Billi from BB8. Just grubby and, for me, not what Big Brother should be about. Everyone was crass and loud and fame hungry and dreadful. BB is accused of being that all the time but for 80% of the time, it isn’t. Sadly, this series lived up to critics perceptions and it was awful. I’d say the only good thing BB9 did was give us Lisa Appleton who I am still obsessed with. I could look at pictures of her putting the bins out whilst eating a saveloy all day. After BB9, Big Brother had lost the public. BB9 was the one that stuck a knife in Big Brother’s cultural significance. The show never recovered. Big Brother 10 was a vast improvement but nobody knew because ratings went down by a third. It’s amazing that BB10 was actually on Channel 4. Although I guess ITV keep chucking The Voice and The X Factor on air and nobody cares about those. Telly is weird. BB10 was great, it toned down on the vile people and we had a bunch of genuinely interesting people. It wasn’t as fast paced as the previous 5 series which was actually a relief. The balance was right again but by this point Big Brother was far from the only reality show around. Structured reality was creeping in and BB couldn’t compete with faked storylines. The public’s attention span for watching a bunch of fairly nice people make a few friends, have a few bust ups and a couple of romances just wasn’t there. Society had changed and Big Brother had been left behind. Channel 4 then announced it was cancelling the show. Nobody was particularly surprised. BB11 would be the last series of all time which actually got ratings up slightly. I loved Big Brother 11. Shabby and Caoimhe’s unrequited love storyline was the first we’d seen between two girls. BB superfan Mario being picked at random from a huge group of hopefuls on launch night was great and his task at being BB’s secret mole while having to dress as a mole and wear a sign saying “I am a mole’ showed that BB was back to being silly and fun. There was a talking chest of drawers that gave housemates secret tasks and plenty of really great, imaginative and fun tasks throughout. BB had finally shown what sort of show it could be but, sadly, it was too late. The series’ winner Josie Gibson was one of the best winners BB had and her relationship with the fascinating John James was amazing to watch. To see a handsome, toned, blonde, Australian surfer guy fall for a normal, plus-sized girl from a Bristol farm was something that only Big Brother could give you.  Then we had an underwhelming Ultimate Big Brother which was deservedly won by Ultimate Housemate Brian Dowling and BB was gone. I was sad to see it go but I understood why and looked forward to its inevitable return a few years down the line. But then Channel 5 came knocking and the show was reborn. Now, I’m grateful to C5 for giving the show a second chance and brining us a new era of BB. They took Celebrity Big Brother and ran with it, creating a huge number of iconic telly. Kim Woodburn, Perez Hilton, Gemma Collins and so many more completely insane celebrities have made TV gold on C5′s version of CBB and it has been amazing. But, much as I love CBB, my heart is with Civilian and I’m not sure it has ever been quite right on Channel 5. The moment it first began, things were different. The editing, the music, the way the housemates names would constantly come up like I was watching an episode of TOWIE. Big Brother was finally trying to fit in with the modern crowd of reality shows and it looked like an embarrassing dad trying to hang out with the cool kids. Just be yourself, BB. All the show ever needed to be was itself and things would have been fine, this year’s series has proved that. Unfortunately, the show just became less and less itself and completely lost its way. One thing I will say about C5 is that Emma Willis and Rylan Clark-Neal have been absolutely incredible. They both love Big Brother as much as the fans and it’s so appreciated. After a shaky start with poor old Brian Dowling hosting, Emma took his place and did Davina proud. Of course Davina McCall will always be THE host of Big Brother but Emma has done a perfect job and made the role her own. Rylan has been a brilliant Bit On The Side host. Following Dermot O’Leary and Russell Brand as BB sister show hosts is not an easy task but Rylan has been just as wonderful as both of them. Davina, Dermot, Russell, Emma and Rylan all did amazing jobs hosting BB and BB related shows and I’m thrilled to have been there with them the whole time. Of course, there have been moments of greatness on C5. It’s Big Brother for goodness sake. I enjoyed Aaron winning the first C5 series and being the first winner to be booed when he left. I enjoyed Luke A showing everyone that trans men exist too and becoming the second trans winner. I enjoyed a lot and I never stopped watching. The first three series on C5 sort of passed everyone by, including me really. I watched them and enjoyed them but I wasn’t hugely fussed. Then Big Brother 14 happened and BB lost itself completely. Firstly, Zoe Birkett from Pop Idol was in civilian Big Brother. There had literally been dozens of far less famous people than her in the celebrity version. Due to the success of CBB, C5 were clearly mixing the two together and it was awful. The housemates were now being scouted. We had the same people who were also trying to get on X Factor, The Apprentice, Britain’s Got Talent etc etc. People that just want to be on telly. NOT people who want to be on Big Brother.  One of those people was the odious Helen Wood. One of the most poisonous and vile people ever to step foot in that house. Due to an insanely misjudged opening week task, Helen won a pass to the final. This meant that her bullying and nasty behaviour was left unpunished for weeks. Nobody could nominate her. Decent people were stuck in a house with her and it was genuinely unpleasant to watch. Without the pass, she would have been evicted very quickly but with it she was able to gain popularity with people who found her bullying “entertaining” and she ended up winning the show. It was BB’s lowest point. The next year, the house was full of reality TV rejects again. It was a weird series and BB seemed to be changing the rules all over the place. Twists were thrown in at an alarming rate. Someone was evicted on the first night. Then on Day 18, 4 housemates were evicted and replaced by another 4... essentially starting the series again because the entire house dynamic changed. This was unbelievably alienating for viewers and it went down terribly. It was completely dreadful. Then, as if the series wasn’t enough of a mess, they put Helen Wood back in the house as a guest. Helen spent her time being vile again, to the point where Brian Belo (another guest) escaped after she drove him to tears. Afterwards, Helen ended up having some sort of fight backstage and she’s since been banned from all BB shows and events. Quite right too. Mental that they ever put her back in. BB17 was a slight improvement but it was still full of reality show rejects and still had weird twists like letting Jason evict Lateysha without a public vote. Madness. But the series did feel like BB was finding its way again and I enjoyed it more than I had for a while. Then we had BB18. I really really liked BB18. Unfortunately, the house probably had the most reality rejects it’s ever had. With about half the house having been on Ex On The Beach or Ibiza Weekender. All these crappy cheap reality shows clearly being the easiest place to grab a housemate from. Easier for producers than sitting through thousands of audition tapes, I suppose! Anyway, despite this, the series was pretty great. Going back to the classic two bedrooms created two camps and I absolutely love BB when it feels like there are two camps. We had Rose Cottage and Thorn Cottage and I was fully Team Thorn all the way. Brilliant housemates like Raph, Hannah, Deborah, Chanelle and Isabelle really made the show watchable again and I loved it. It still had a lot of flaws but it was a really enjoyable series and I was so pleased to see so many of Thorn Cottage in the final week. Then the wait for BB19 began. It was a longer wait than usual as we all heard rumours than Channel 5 didn’t want BB anymore. Celeb BB ended and then another came around and still there hadn’t been a civilian series. The second CBB had been pretty great and BB fans had high copes that the next civilian would deliver and be what we’ve hoped for for such a long time. Then the news broke on the day of launch night. Channel 5 were cancelling Big Brother and Celebrity Big Brother. Big Brother 19 would be the last series ever. The news was upsetting but not surprising, it was only made worse when BB19 started and it was so instantly incredible. The housemates had been chosen properly and they were great, the launch night had so many nods to the old days, the house looked wonderful and the launch night twist introducing Big Coins to the game was amazing. Then we were blessed with so many brilliant and inventive tasks. The show was back doing what it should have been doing the whole time. But AGAIN, it was too late. For the second time, BB had been axed and then decided to pull its socks up and be brilliant. Why does it always have to be too late? I’ve loved this final series. There have been one or two issues towards the end but ultimately it’s been a really brilliant bunch of housemates who I think have been worthy of possibly being the final people to call the Big Brother house home.  So now it’s gone and I can get on with my life. BB does take up a lot of my time when it’s on and I have watched every single series since the year 2000. That’s a lot of time so part of me is glad, I won’t lie. If it comes back though, I’ll be here and I’ll watch it because I’m a FAN. Being a proper fan of Big Brother means you don’t give up when it’s dull or when the producers seem to be losing their minds or when the rest of the country moves on to Love Island. We love Big Brother, not the genre it spawned or the countless, meaningless reality shows that wouldn’t exist without it. People often label me a ‘reality TV fan’ but I’m not. I just love Big Brother, that’s all. It’s the original and it will always be the best. People may say it’s not what it used to be but those people aren’t watching it anymore so I’ve no idea how they could possibly know. The show has always been the same deep down. It’s about watching and connecting with a bunch of strangers for a few months. Loving them, hating them, learning from them, feeling for them and generally being fascinated by the different ways that human beings interact. There are now hundreds of shows like it but none of those shows do it quite like Big Brother does it.  Big Brother is a very special television programme and I love it unashamedly. It’s gone for now but I have a feeling that one day, Big Brother will get back to us.
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fromtheringapron · 5 years
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ECW CyberSlam 1996
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Date: February 17, 1996
Location: ECW Arena in Philadelphia, Pennsylvania. 
Attendance: 1,300.
Commentary: Joey Styles.
Results:
1. The Bad Crew (Dog and Rose) and Judge Dredd defeated The Dirt Bike Kid, Dino Sendoff, and Don E. Allen.
2. Spiros Greco defeated El Puerto Riqueno. 
3. Taz (with Bill Alfonso) defeated Joel Hartgood.
4. Buh Buh Ray Dudley (with Big Dick Dudley, Dances with Dudley, and Sign Guy Dudley) defeated Mr. Hughes.
5. The Bruise Brothers (Don and Ron) defeated The Headhunters (Headhunter A and Headhunter B).
6. J.T. Smith defeated Axl Rotten. 
7. Dog Collar Match: Francine and The Pitbulls (Pitbull #1 and Pitbull #2) defeated Stevie Richards and The Eliminators (Saturn and Kronus). 
8. ECW World Television Championship Match: 2 Cold Scorpio (champion) fought Sabu to a time limit draw. 
9. Shane Douglas defeated Cactus Jack.
10. ECW World Heavyweight Championship Match: Raven (champion) (with Kimona Wanalaya, Stevie Richards, and The Blue Meanie) defeated The Sandman.  
Analysis
The 1996 edition of CyberSlam is all over the place in terms of quality so, as a result, my feelings on it are all over the place as well. There’s no doubt ECW is hitting its stride at this point. They’ve firmly established themselves as the alternative to the then PG WWF and WCW, and taking as many shots at both whenever the opportunity arises. They’ve also solidified a devoted, passionate fanbase. I don’t think the ECW crowds have aged particularly well, mind you. For every moment when their participation helps the show, there’s a bunch of other moments when they’re kinda obnoxious and give off a certain brand of testosterone-fueled white male rage that later became one of the worst byproducts of the WWF’s Attitude Era.
The first hour of the show is mostly unwatchable garbage. In a way, you can see in the first hour the chaotic, car-crash booking that the Attitude Era would later make mainstream, with its short matches and constant interruptions. I really do appreciate ECW’s complete aversion to the structure that’d grown stale in both the WWF and WCW. The only problem, however, is that it’s not well-done for what it’s trying to achieve. It’s just a mess, and not in a fun way. There is some interest in watching Taz in the early stages of his push, but you could fast-forward through most of the hour and be fine. And I don’t recommend the fast-forward button often.  
So it’s funny that for as dreadful as it can be, the first hour also features the show’s best and most memorable moment: the surprise debut of Brian Pillman. Few wrestlers have seemed as legitimately unhinged and dangerous as Pillman. His promo here is filled with all the usual Bischoff-bashing that everyone in ECW did at some point, but there’s more believability when he does it. When he threatens the audience that he’ll yank out his dick and piss in the ring, I totally believe it. I am wholly convinced that is something Pillman would do in real life (and if some shoot interviews are to be believed, he totally did). The whole bit with him attacking the fan, who is obviously a plant, is at once a bit too over-the-top but, again. It wouldn’t surprise me if the real Pillman got in trouble for the same thing. This is also one of those moments where the ECW crowd helps more than it hinders, because you can tell they’re completely buying into it too.
The show finds its groove in the second hour. The 2 Cold Scorpio/Sabu match is considered an ECW classic. At the risk of sounding incredibly weird, something about the match reminds me of when I’d hold matches with my wrestling figures as a kid, in which I’d have the figures pull out all these ridiculous maneuvers without any consideration of building a story. I’m not saying that’s a bad thing because much like those matches I’d hold as a kid, it’s a lot of fun, even if the time limit draw is kinda deflating. We’re also given a glimpse at Cactus Jack, whose anti-hardcore heel persona remains a high point for ECW. Foley, at his peak, is unrivaled when it comes to character work. He shows up here for his match with Shane Douglas wearing a cheap suit, but it’s amazing how he can wring out pathos from the most gimmicky of ideas. It’s a skill that comes in handy when he jumps skip to the WWF a month later to portray his most famous persona, Mankind.  
So, yes, it’s hard to sum up my overall feelings on a show this erratic, but that’s pretty much ECW in a nutshell. The promotion had to make do with what they had which could result in a product that ran the gamut from piss poor to fun and, at times, brilliant. Fortunately, in their peak years, they hit the latter quite often.
My Random Notes 
A man can be seen in the front row wearing a Confederate flag shirt. Wonder if he regrets that now. Probably not.
The Dirt Bike Kid totally sounds like a gimmick the WWF would’ve done around the same time period.
Tons of WCW and WWF bashing here, which is expected. But I can’t help but notice the irony in how many ECW guys later jumped ship to those promotions anyway, mainly because Paul Heyman most likely paid them like shit.
There is some red substance on the floor at some point and I’m not sure if it’s from JT Smith throwing a pizza or not but, either way, it bothers me.
One little detail I love is the ECW fans bringing their own props to the show for the wrestlers to use. Huge fan of that kind of audience participation.
I dig the spot where JT Smith plays possum by making it look as if he botched a move off the top-rope. Totally playing into the ECW crowd’s typical “You fucked up” chants and turning them on its head.
The opener may feature some of the most obscure wrestlers that I’ve ever covered on this blog. Any Dino Sendoff fans willing to give me more details on his storied career?
I’ve been trying to determine who the planted fan in the Pillman segment looks like and the closest I can think of at the moment is either Disney’s Pepper Ann or Boomer from the Burger King Kid’s Club, neither whom aren’t even that close in resemblance.
Raven and The Sandman botch a move so badly toward the end of their match that I literally laughed out loud. I guess even in its prime, there were moments where ECW could still feel like your garden variety shit indy.
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aarontap · 6 years
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19 Years Later... It’s Betty Goo!
In case you were unaware, I fronted a band in the 1990s called Betty Goo. We came about as my previous band started falling apart and I realized that I’d wanted to write quick and tuneful songs, in stark contrast growing prevalence of the jammy (or worse, nu-metal) side of “alternative rock” that had begaun to take hold in the wake of Kurt Cobain’s death. So I grabbed longtime drummer compatriot Chad MacDonald and friend-since-age-three Doug Fraim and formed Betty Goo. We released a dreadful eponymous debut cassette tape but then started to get our heads on straight and found some like-minded melody-and-rock-focused bands in Boston and we hit our stride. In 1997 we released the quasi-conceptual ‘gooicide’ and had planned to break up in its wake. Unfortunately, the record garnered us a modicum of attention that had hitherto been lacking, and so I vowed to soldier on. Chad preferred the original plan and went back to school to start the journey to his now very successful career. On the verge of destruction, in stepped Doug’s friend Jeff Norcross. And Betty Goo was re-born. We had a good run for a couple more years, playing some pretty fantastic shows, and making some good friends along the way. Hell, you could say that I’d never have met my awesome partner in life, music, and otherwise, Paula Kelley, were it not for Goo having continued on. 
But all Goo things must come to an end and for us, it was pretty anticlimactic. In 1999, after a great show supporting our friends Permafrost in their final show, we spent the rest of the weekend in a recording studio in Boston, tracking a dozen songs for what would have been the follow-up to gooicide. Upon reviewing the rough mixes on Monday, I called Doug and Jeff, saying, “this isn’t very good, should we break up?” They both agreed. And that was the end.
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Or so we’d thought! Fast-forward a couple decades and I start fucking around with Garageband’s iPhone app. I do a bunch of #instamusic creations, the idea being ‘conceive and record a 30-second-ish soundtrack to a random video/image in less than an hour and post it.’ Most of them are ambient and rambling. But then later in 2016 there’s a presidential election. And this chorus hits me. “Don’t cast your eyes on the emperor’s new clothes…” I followed through and made it into a kinda good, kinda shitty 2000s fakepunk song snippet and posted it. People seemed to dig it. And here’s the thing: it was catchy as hell. I kept revisiting it and thinking, maybe I could make it into something. I tried for about ten minutes to see if it could fit on The Architect’s Daughter but quickly realized, nope. And so I forgot about it.
But when TAD was finally completed and out in the world I got an idea. Maybe a crazzzzzy idea. This was never a Frank Shirts song. It sounds way more like a Betty Goo song. And, know what? There are a couple other Goo songs that I wouldn’t mind revisiting. I emailed Doug (who basically hadn’t played since our last show) and Jeff (who now primarily plays guitar, in The Weisstronauts and The I Want You) and asked if they might be interested in reconvening. To my great joy, they each replied with an enthusiastic yes! So now I had to make it happen. After all, they are both still based in Massachusetts and I’m here in L.A. A few months passed and I played around with turning the chorus into an actual song, but honestly, I was otherwise preoccupied. But then a Nathanson gig in NY presents an opportunity. I check in with the boys and book a session at Zippah in Brighton, MA and we are well and truly on our way. Oh, shit. Now I have to actually write the song. Thankfully, I am not alone. Jeff kicks in a couple ideas over the internet. And then we convene in Somerville, not two blocks from where PK and I first started living in sin, and Doug throws his ideas in. By the end of the afternoon we have a song, and some fine reimagining of two very brief old tunes from Goo days gone by.
It was both very familiar and kinda strange to get in a room with these guys after such a long break. We ran through a couple old timey songs - Buzz and Handbag - to grease the wheels but it was startlingly easy and took no time at all to just get to work as if no time had passed at all. Those guys are great.
That night, after a very long three days, I crashed very early at a quaint B&B in Brookline and before I knew it, it was Sunday morning and the session loomed. We loaded in and it was like stepping in to a time machine (see video). Zippah has undergone numerous upgrades to its gear but the building and the live room remain much the same. What an inspiring place! gooicide, PK’s Nothing/Everything, the Monsters of Id, numerous Weisstronauts recordings, a harp session for The Trouble With Success in the midst of a fierce nor’easter, and so much more. But we had work to do. In the able hands of both Brian Charles (who recorded gooicide and MOI) and Pete Weiss (of the Weisstronauts, who recorded both PK solo albums and so much more) we were under way in no time.
Here’s where, to me, it gets interesting. I knew we would have a ball but I didn’t expect to learn (or re-learn) stuff that day. We recorded three songs (most everything aside from vocals) in an easy-going 8-hour session, just like we used to do “back in the day,” though truth be told we would get double or more that done in one day by necessity.
Being “in a band” is distinct from “playing music with other people.” And I’ve been doing the latter for so long now that I had maybe forgotten what a band was like. Even Frank Shirts hasn’t been a band in the traditional sense, as I do most of the song arranging alone in my studio before bashing the songs out with Eric and Paula - and later with Rick. With Betty Goo, the difference became apparent in the studio. We wanted to record the songs live, with no click track, and so, even though we had rehearsed for a whopping three hours, we knew we were going to have to play the songs a bunch. And play we did. We would run a song a few times, work out some kinks, then go listen in the control room, pick out a few moments that need further work and go back and do it again. And everyone fell into their role with ease. It was fantastic, really. No egos, all creativity, and a healthy work ethic without being businesslike.
The next morning I awoke feeling kinda high from the experience. It had been years since I worked like that and back then I a) think I took it for granted and b) was psychologically a bit of a mess and didn’t really feel connected to much in the way of my own agency. One of the great things about taking stock of one’s privilege is that rather than it limiting you or locking you in some kind of prison of guilt, it actually frees you to look realistically at yourself and in so doing you can assess your actual strengths along with weaknesses and areas where the leg-ups you’ve been handed has been more of a hinderance than an asset. Working with Jeff & Doug on those three songs reminded me of part of music-making that I’d maybe lost touch with over the years and also reminded me of how lucky I am to be doing what I’m doing. I’ve resolved to make sure I make the most of it and also to make sure that the music is always the thing, no matter how much business needs to be taken care of.
Anyway, the whole experience was pretty great and I finished up the mixes this week. I think the results speak for themselves. Judge for yourself on July 4th* when the NEW BETTY GOO LIMITED EDITION HAND-CUT 7” SINGLE goes up for sale on Bandcamp!
* Vinyl Singles (w/ fab Deluxe Edition merch) will ship in September. Instant downloads are de rigueur.
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lizzybeth1986 · 6 years
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Music Ask - Queen Edition
@callmetippytumbles tagged me on this, stating that she was sure there would be a Queen song for every question on this ask. Well Ima prove her right! 😂
So since they’re all going to be Queen (unless otherwise specified), I’m going to replace band name with album name instead.
1: A song you like with a color in the title:
🎶 White Man🎶 from A Day At The Races
“What is left of your dream?
Just the words on your stone
A man who learned how to teach
Then forgot how to learn"
Part of me loves this song, but part of me is also is uneasy about it. The song is supposed to be from the PoV of an unspecified Native American tribe, speaking of how colonization has destroyed everything they have stood and lived for - but it’s written by a British white man, Brian May - and we have no idea whether he consulted a Native American for this or not. If he hadn’t, or hadn’t gotten consent, it would be him speaking in the voice of the oppressed while still holding the privilege of being White…and that’s a little disturbing. I love the song, and Brian May is my favourite Queen member, but I can’t ignore that this song has problems.
2: A song you like with a number in the title
🎶'39🎶 from A Night At The Opera
For the earth is old and grey, little darling we’ll away
But my love this cannot be
For so many years have gone though I’m older but a year
Your mother’s eyes from your eyes cry to me.
Besides being an ace guitarist, Brian May is also an Astrophysicist with a Doctorate!! xD And this song really shows us his background in that area: it’s fashioned in the song tradition of a sea shanty, but is about outer space and time relativity. I called this "the plot of Interstellar, 39 years before Interstellar”.
3: A song that reminds you of summertime:
🎶Seaside Rendezvous🎶 from A Night At The Opera
One of Queen’s few vaudeville tracks xD
4: A song that reminds you of someone you would rather forget about:
Thankfully I got into Queen loooong after I broke up with my ex. BUT “More than Words” by Extreme and Aerosmith’s “I Don’t Wanna Miss A Thing” hit very particular sore spots coz he dedicated them to me AFTER dedicating them to a girl he always had a thing for (long story gah).
5: A song that needs to be played LOUD:
🎶March of the Black Queen🎶 from Queen II
6: A song that makes want to dance:
🎶Don’t Stop Me Now🎶 from The Game
This one was the very first Queen song I actually listened to, and every time I hear it I wind up doing Hana’s happy dance in my seat 😂
7: A song to drive to:
HAHA there are two! One by Roger Taylor and the other from Brian’s first solo album:
🎶I’m In Love With My Car🎶 from A Night At The Opera
This is a song by Roger Taylor, and it’s not really his best (he’s capable of far superior tracks: Tenement Funster, Radio Gaga, These Are The Days of Our Lives, Small), but it garnered a lot of money and royalties by virtue of being the B-Side of Bohemian Rhapsody.
🎶Driven by You🎶 from Back to the Light
This song ended up being used as a theme for commercials for Ford cars in the early nineties, as I recall.
8: A song about drugs or alcohol:
Drugs: 🎶Don’t Stop Me Now🎶 from The Game
I mean, just listen to some of the lyrics! “Floating around in ecstasy”? “Tiger leaping through the sky defying the laws of gravity”? “Travelling at the speed of light”? I personally think the songs about a whole lot more, but you can’t deny the narrator sounds very trippy lol.
Alcohol: 🎶Killer Queen🎶 from Sheer Heart Attack
She keeps Moet et Chandon in a pretty cabinet
Let them eat cake, she says, just like Marie Antoinette…
Not about alcohol really, but it does mention it.
9: A song that makes you happy:
🎶You’re My Best Friend🎶 from A Night At The Opera
So John Deacon wrote this lovely sweet song for his wife, and it’s got the most adorable lyrics ever.
Ooh I’ve been wandering round
But I still come back to you
In rain or shine
You’ve stood by me girl
I’m happy at home
You’re my best friend
10: A song that makes you sad:
🎶Mother Love🎶 from Made in Heaven.
This is spoken of as being the last song Freddie ever recorded before he died, and his vocals are OFF-THE-ROOF powerful here. Two verses are sung by Freddie, and the last is sung by Brian May, who co-wrote the song (because Freddie felt too worn and weak and tired to continue recording, and told Brian he would return and do the rest. He never did). To hear Brian complete the song because Freddie has gone…is quite heartbreaking, actually. I’d definitely recommend everyone listen to this gem.
11: A song that you never get tired of:
🎶Teo Torriatte🎶 from A Day at the Races.
What I love about Queen is how appreciative they are of their overseas fans, esp those who loved them at the very start of their career. Way before Bohemian Rhapsody placed Queen on the map, they had a very devoted fanbase in Japan, and I believe this song was written specially for them. It also appeals to me as a super mushy romantic xD
12: A song from your preteen years:
EVERYTHING PRECEEDS MY PRETEEN YEARS. Okay but definitely this one we heard a lot:
🎶We are the Champions🎶 from News of the World
13: One of your favorite 80’s songs:
🎶Who Wants To Live Forever🎶 from A Kind of Magic
Another Brian May gem. I tend to associate this a lot with my Liam MC, Esther - esp for most of Book 2. It’s a beautiful track and was used as part of the Highlander movie OST.
14: A song that you would love played at your wedding:
We never had wedding dances at our weddings, and Queen is usually not wedding material haha but here’s some songs that would go well!
🎶You’re My Best Friend🎶 from A Night At The Opera
🎶Teo Torriatte🎶 from A Day At The Races
🎶Bijou🎶 from Innuendo
Bijou is very interesting because it was structured as an “inside-out” version of the usual song - there would be instrumental (guitar, in this case) where lyrics would be and lyrics where you would typically find a guitar solo. Haunting.
15: A song that is a cover by another artist:
🎶Goin’ Back🎶 by Larry Lurex
This was the first ever recording we have of Freddie Mercury, under the name of Larry Lurex. The original was written by Carole King and Gerry Goffin. A sampling of it is used at the very end of Mother Love, as a way of rewinding to the beginning…a symbolic goodbye to Freddie by going back to the first words that sparked his career.
Damn. I’m emotional now. 😭😭
16: One of your favorite classic songs:
Most people would go for 🎶Bohemian Rhapsody🎶 - and for good reason - but I think 🎶Prophet’s Song🎶 from the same album is equally deserving of this. It’s beautiful, has a lot of echoes that make it surreal and ethereal to me, and very power-packed vocals and lyrics.
17: A song that you’d sing a duet to on karaoke:
🎶Love of My Life🎶 from A Night At The Opera.
The fun thing about any Queen concert is that the audience has always been as much participant as spectator. LoML is one of the few ballads that the band used to interact with the audience, who were always ready to sing along. Freddie started this tradition in his live concerts, and Brian carried it on when he and Roger went back to touring as Queen +. To this day, you will always find a Queen audience being as involved in this song as the people on stage. It’s beautiful to watch. No Queen concert is complete without the audience crooning this ballad.
18: A song from the year that you were born:
🎶A Kind of Magic🎶 from the album of the same name (released 1986)
19: A song that makes you think about life:
🎶A Winter’s Tale🎶 from Made in Heaven
This happens to be one of Freddie’s last written compositions, and it’s unbelievably beautiful and dreamy. He had very few months left to live when he wrote this gem of a song, and there’s so much joy and hope and tranquility in it, and the moment you listen you will inevitably feel a sense of peace washing over you. I can imagine sitting by a lake alone in Switzerland, looking out at the sky and the snow, just listening to the song and basking in all it has to offer.
🎶Miracle🎶 from The Miracle
This is also a very hope-filled song, composed by Freddie shortly after he was diagnosed and told he had very little time left. It’s a very idealistic view of the world, but yeah I really like this one too. Just not as much as I like A Winter’s Tale. 😂
20: A song that has many meanings to you:
🎶White Queen (As It Began)🎶 from Queen II
On one level it’s about a girl who cannot see and the boy who loves her. On another I feel like it can also be about the sadness of unrequited love in general, and of an almost-relationship.
21: A favorite song with a person’s name in the title:
🎶Delilah🎶 from Innuendo
This song was about Freddie’s cat. It’s fun xD
22: A song that moves you forward:
🎶Death On Two Legs🎶 from A Night At the Opera
I can be a spectacularly petty bitch sometimes, and this number can be so vicious it satisfies those vengeful, bitchy parts of me lol. A lot of the lines in this song are particularly cutting, and it should be because it was written for someone who was fleecing the band dry in their early days.
23: A song that you think everybody should listen to:
🎶Track 13/Untitled🎶 from Made in Heaven.
Most people might be put off by this track because it’s 22:33 whopping minutes long, and it’s an endless loop of sounds but OMG is it trippy. Mostly a lot of synthetic, loops, Freddie saying words, and this overall ethereal, otherworldly vibe. Most Queen fans interpret this piece as a depiction of Freddie’s journey to heaven, and call it “Ascension”. Kind of like a requiem, a fitting goodbye to Freddie. I can see why. I mean I can always lie down, close my eyes and immerse myself in the tranquility of this track. All 22.33 minutes of it. It’s a strange recommendation, but in my mind a fitting one.
24: A song by a band/group you wish were still together:
🎶The Show Must Go On🎶 from Innuendo.
Queen aren’t together because their frontman passed away, not entirely out of choice 😟 (okay and John Deacon didn’t want to be involved anymore later on). This was written and composed by Brian May, but Freddie really makes this song his own in the singing. The way he hits some of those notes - at that stage in his life - is spine tingling.
25: A song by an artist no longer living:
🎶Lily of the Valley🎶, written by Freddie Mercury from Sheer Heart Attack.
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dailyaudiobible · 4 years
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11/15/2020 DAB Transcript
Ezekiel 31:1-32:32, Hebrews 12:14-29, Psalms 113:1-114:8, Proverbs 27:18-20
Today is the 15th day of November welcome to the Daily Audio Bible I am Brian it's great to be here with you as we…well…as we move through the threshold of a shiny sparkly new week that is out in front of us, but we are also moving to the dead center of the month of November. So, welcome to the middle ground. This week we’ll be reading from the New Living Translation and continue our…our journey through Ezekiel. Today chapters 31 and 32.
Prayer:
Father, we thank You for this brand-new week right smack in the center of this month and we are grateful. Our hearts are grateful. We thank You once again as we so often do, because it's the context of our gathering as a community. We thank You for Your word. Without the Scriptures we would have never crossed paths we would've never known each other; we would've never been drawn together in community. The Scriptures are the centerpiece of what we do here in. We thank You for the gift of them because…because they touch everything about us, and they invite us forward. They invite us to grow. Sometimes that growth is comfortable and natural and sometimes that growth is prying us loose from things that we’re holding onto that do not belong. And yet we see examples of it over and over and over in the Scriptures. We realize this has been going on a long time and we’re not the only ones. You are Fathering us, leading us on the path to righteousness, leading us on the narrow path that leads to life. And, so, come Holy Spirit into this brand-new shiny sparkly week. With every choice and every decision that we make we will tell the story and we want to tell the story of Your goodness and of Your kindness and of Your mercy and of Your long-suffering and of Your grace and of Your correction and direction. And, so, we open our eyes to see what You are doing as we move forward in the week. Come Holy Spirit we pray. In the name of Jesus, we ask. Amen.
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But also, we have the Global Campfire initiative going on. We did this a couple of years ago when we were launching the Daily Audio Bible app as our own, like from the ground up app that we built specifically to interface with, from the ground up, platform that we’ve built over many, many years. And, that…so that was new. We had an app for a long time but this app was connected so that we could begin to be more and more connected and that's what we've been doing for the last couple of years is stabilizing and building that out and planning into the future because this is the place that ultimately is home for us. And, so, as many ways as we can be connected, what's what we’re working on. So, now this is the second Global Campfire initiative a couple years later. The first one allowed us to launch it and make it free and now we just need to sow in a little bit. It's been a hectic year for all of us. It’s been a hectic year here too and we just need to sow into this and keep moving forward. And, so, what we've done, as you probably heard because I’ve talked about it for what, four or five days now, is press up some vinyl, 500 copies, a beautiful edition of the Heart album that we released on the 7th of July for the long walk, which is a guided prayer and music journey just to center ourselves in our hearts and open ourselves to God and invite him into the emotions that we've been experiencing this year. And, so, that has been fantastic to hear the stories coming back from it. But we pressed up 500 copies of vinyl for this Global Campfire initiative. And anyone who can contribute a hundred dollars or more, we’d love to send you a copy of the heart album. So, all you need to do is…you can go to dailyaudiobible.com and at the website up at the top you'll see Initiatives. Click that button and you'll see the Global Campfire there or if you’re using the Daily Audio Bible app you can press the little Drawer icon in the upper left-hand corner, and you'll see Initiatives in there. Just hit that button and you’ll find the Global Campfire initiative. And I thank you. I thank you for everyone who has participated. It is so good to know. I mean, we do this in community so that we know that we are not alone but there are some days in my life where I need to know I'm not alone. And, so, I thank you everyone who has participated in this. That has made a huge difference. So, check it out in the Initiatives section.
If you have a prayer request or encouragement you can hit the Hotline button in the app, or you can dial 878-942-4253.
And that's it for today. I'm Brian I love you and I'll be waiting for you here tomorrow.
Community Prayer and Praise:
Hi this is Birth Butterfly calling…calling on Tuesday, November 10th. I just finished my audio from November 7th and I just wanted to say I plead the blood of Jesus over all the DABbers throughout all the nations and I just want to say praise be to God, praise be to Jesus. Have a wonderful day. Amen.
Hi family this is Dawn Rising I just wanted to call in to ask for prayer. It’s just been…this is my third year listening to DAB and I feel like I have changed so much and God is working in me so much however I don’t feel like I have become a better person in my marriage and I’m just frustrated as why I can take the word and become a better Christian outside my home but when it comes to my own marriage I’m bitter at times and I’m confrontational and combative. And I’m not sure what that’s about. You know, there’s obviously deep rooted stuff going on there but I just really want the word to flow through me and I want it to change my marriage and I just…I can’t do it on my own. I’ve been trying for three years. I’m a really nice person but I just…I don’t know what it is about…I just…maybe I feel challenged all the time and I feel defensive. So, I’m asking for your prayers. I’m asking for God to give me peace, be submissive as we are called as wives and to have just a better relationship and one where I’m not always feeling challenged…he’s not challenging me…it’s just me. So, please family can you pray for that for me? I just need to find peace. And…yeah…thank you so much. Bye.
Hello DABbers, I just wanted to say how happy I was to be able to listen to the community prayer line this week. I loved all the singing. Candace, I don’t remember what that one song was that you sang. It was towards the end, but it sounded kind of bluesy or something like that – jazzy, bluesy - I don’t remember but I loved it. That was great. And Chad from what was it? __ . Your prayer were so sweet for those that you prayed for. I just was like, wow! You rock. And then, who else? Kim from Kentucky. You were so sweet. I’m like, “O my goodness. I think that this is heaven.” Talk about happy tears. I think that this is how you become family when you just have such love for people and…and you feel that, you know, there is this connection and whatever. But yes, I mean, we are family because we are part of His kingdom and we are His children. And, so, I love that. Just wanted to say thank you all for calling in and for being such a blessing. Love you. This is God is gracious in Arizona
Good day Daily Audio Bible for this is Bob from Muskegon Michigan gonna borrow a line from line from Victoria Soldier and pray for some of our DABbers today. I’d like to pray for Jessica Spring from Michigan, Danny and her family from Oregon, Radiant Racial, Big-Hearted been, Rachel’s husband, and her daughter Gabby, Pelham and Molly, Slave of Jesus, Esther from Orlando, Gods Little Flower, Stephanie from Bangalore and her paperwork, my little Cherry from Canada, Biola from Maryland, Annette Allison Oklahoma City, Venessa from Arizona summer from Ohio, Cheryl from Canada, Diane Olive Brown, Daniel Johnson Junior, Blind Tony, Rosie from Oklahoma, Duane from Wisconsin, Joe the Protector, Rebecca from Michigan, Lady of Victory and Kingdom Seeker Daniel from Chicago, Melanie from Canada and pray for some people that haven’t been on in quite a while that I keep in my prayers. We have Natasha from New York, Asia from Germany and Asia from Chicago. Also pray for my family here in Michigan and bless everybody. Have a great day.
I’m calling today for Billy in Decatur Georgia. Lord I bring Billy and his family to You this morning and ask that she would be so present in their life right now in the death of his mother, that You would show him Your grace and Your love in this time of great loss and pain, that You would lift him up and send people into his life to be a blessing and a strength that him, meet every need and make You look back and see Your hand at work and everything has to be done in the next days and weeks to come and that he would praise You with a loud voice for being his peace and his rest. In Jesus’ name I pray. Amen.
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A few years ago, Brian Christopher had just moved to Los Angeles from San Francisco to build his acting career and planned his first trip to Las Vegas. When he did a quick search of YouTube for information on what casinos he should visit, Christopher found himself sucked into watching videos of people playing slot machines.
“I thought it was kind of weird that anyone would watch that kind of stuff, but I checked it out and I kept watching it so I said, ‘Oh maybe when I get up to Vegas, I’ll film a couple and put them on my YouTube acting channel just for fun’,” Christopher said. “So I did that for fun and it turned out to be more than that.”
Those videos blossomed into Christopher’s full-time career as an influencer. He’s turned his YouTube channel and various social media accounts into a business where he reaches a vast audience of a niche interest: casinos and slot machines.
Christopher makes videos of himself playing slot machines, showing off casino amenities and, more recently, talking about safety measures being taken by the casinos during the novel coronavirus pandemic. More than four years since that fateful trip to Las Vegas, he has racked up nearly 300,000 subscribers for his YouTube channel, Brian Christopher Slots, and has three full-time staffers helping him expand his increasingly popular brand.
Now, Christopher not only finds himself stopped by fans on gaming floors but also frequently invited out by the casinos to make videos.
“More and more they’re reaching out to us as they become more familiar with what we do,” he said. “I think when I first started doing this a casino would shy away from a camera being on their slot floor, but now that we have 180 million views on our channel, they realize, ‘Hey wait a minute, he’s onto something here.’ And we can utilize that.”
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Building the brand 
Before dedicating his YouTube channel to slot play, Christopher might have only visited a casino three or four times a year. Now, he visits casinos weekly, primarily in Southern California and Las Vegas.
Each visit usually spans about three nights. During the day he’s continuously filming content to be edited later and for two of the nights, he’ll stream his live slot play for 90 minutes each.
Christopher uses his own money to gamble with, but does earn free play with his player’s club cards like those any gambler can sign up for at various properties.
At his Palm Springs office, Christopher said, there’s a ton of preparation work. He’s always in meetings with casinos, slot manufacturers and other partners and working with his staff to make sure his videos have catchy titles that will draw the attention of audiences.
Brian Christopher has his own channel on You Tube, Brian Christopher Slots where he pots videos of his slot play. He recorded a recent show at Agua Caliente Resort Casino Spa Rancho Mirage on Thursday, Oct. 8, 2020. (Photo by Terry Pierson, The Press-Enterprise/SCNG)
Brian Christopher has his own channel on You Tube, Brian Christopher Slots, with nearly 300,000 subscribers and more than 180 million views. He is pictured at Agua Caliente Resort Casino Spa Rancho Mirage on Thursday, Oct. 8, 2020, where he did a recent live show. (Photo by Terry Pierson, The Press-Enterprise/SCNG)
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Brian Christopher has his own channel on You Tube, Brian Christopher Slots, with nearly 300,000 subscribers and more than 180 million views. He plays slot machines all over Southern California and is pictured here during a recent live show at Agua Caliente Resort Casino Spa Rancho Mirage on Thursday, Oct. 8, 2020. (Photo by Terry Pierson, The Press-Enterprise/SCNG)
Brian Christopher has his own channel on You Tube, Brian Christopher Slots, with nearly 300,000 subscribers and more than 180 million views. He plays slot machines all over Southern California and in Las Vegas. (Photo by Terry Pierson, The Press-Enterprise/SCNG)
Brian Christopher has his own channel on You Tube, Brian Christopher Slots, with nearly 300,000 subscribers and more than 180 million views. He plays slot machines all over Southern California and is pictured here during a recent live show at Agua Caliente Resort Casino Spa in Rancho Mirage on Thursday, Oct. 8, 2020. (Photo by Terry Pierson, The Press-Enterprise/SCNG)
Brian Christopher spins the reels on a slot machine at Agua Caliente Resort Casino Spa Rancho Mirage on Thursday, Oct. 8, 2020. Christopher is an influencer and YouTube star known for his videos of slot play. (Photo by Terry Pierson, The Press-Enterprise/SCNG)
Brian Christopher has his own channel on You Tube, Brian Christopher Slots, with nearly 300,000 subscribers and more than 180 million views. He plays slot machines all over Southern California. Pictured is Christopher doing one of his live shows at Agua Caliente Resort Casino Spa Rancho Mirage on Thursday, Oct. 8, 2020. (Photo by Terry Pierson, The Press-Enterprise/SCNG)
There is a smile behind the mask of Brian Christopher who has his own channel on You Tube, Brian Christopher Slots. On the channel he has videos of his slot play. Christopher is pictured at Agua Caliente Resort Casino Spa in Rancho Mirage on Thursday, Oct. 8, 2020. (Photo by Terry Pierson, The Press-Enterprise/SCNG)
Brian Christopher plays a slot machine at Agua Caliente Resort Casino Spa Rancho Mirage on Thursday, Oct. 8, 2020. Christopher’s YouTube channel, Brian Christopher Slots, has nearly 300,000 subscribers and has had more than 180 million views. (Photo by Terry Pierson, The Press-Enterprise/SCNG)
Influencer Brian Christopher is all smiles outside Agua Caliente Resort Casino Spa Rancho Mirage on Thursday, Oct. 8, 2020. The popular YouTuber has an office not far away in Palm Springs. (Photo by Terry Pierson, The Press-Enterprise/SCNG)
Influencer Brian Christopher wears a mask for safety as he spins the reels at Agua Caliente Resort Casino Spa Rancho Mirage on Thursday, Oct. 8, 2020. (Photo by Terry Pierson, The Press-Enterprise/SCNG)
Influencer Brian Christopher has his own YouTube channel. What started as some videos that Christopher did of his slot play for fun 4 1/2 years ago has become his career. Christopher did one of his live broadcasts for his YouTube channel, Brian Christopher Slots, at Agua Caliente Resort Casino Spa in Rancho Mirage Thursday, Oct. 8, 2020. (Photo by Terry Pierson, The Press-Enterprise/SCNG)
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There’s also a merchandising side to what Christopher does: YouTube views on their own aren’t lucrative, so to support his business he does a mixture of sponsorships, fan clubs and products.
Christopher said his fan shop sells between 1,000 and 2,000 products a month. Merchandise on his website includes T-shirts, face masks, wrist bands, souvenir poker chips and lanyards.
He has also has a very active fan club of about 2,000 people. There are varying membership tiers ranging in cost from $5-$20 monthly. The most basic tier gives fans access to a special private Facebook page where they can see behind-the-scenes posts and special livestreams.
For the highest tier, Christopher will follow fans back on Facebook, Snapchat or Instagram; do monthly private live chats with his fans; and send his fans signed postcards that either feature his photo, or a photo he took, every three months.
YouTubing during the pandemic 
Many of Christopher’s recent videos have been dedicated to casino safety measures during the novel coronavirus pandemic.
“Because of what I do people look up to me for advice on things related to the casinos and so I really wanted to make it a point to visit these casinos,” he said.
He estimated he’s visited 25 casinos in different parts of the country so far since casinos reopened after closing due to the coronavirus.
In his videos, Christopher will take his fans through the motions of what it’s like to visit casinos during the pandemic from before you enter to what it looks once you get onto the gaming floor itself.
Christopher said most casinos take the same safety measures, including mandatory masks and requiring social distancing, but some casinos have gone the extra mile. Some measures he thought were particularly interesting were the casinos changing out pens between each customer; putting cards indicating when a machine had just been cleaned in the slots for player’s club cards; and temperature checking guests before they even exited their vehicles.
A personal touch 
Christopher said he isn’t afraid to get personal in his videos, telling stories about his life when he’s not spinning the reels. He said he’s frequently stopped by fans who talk to him about the experiences he’s shared as well as his positive energy in videos.
“That means the world to me that we can have that kind of impact by just playing slot machines and having a good time,” he said.
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-on November 06, 2020 at 01:26AM by Alex Groves
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The Weekend Warrior Home Edition 8/14/20 – SPUTNIK, THE SILENCING, FREELAND, SPREE, THE BAY OF SILENCE
Another week, another batch of movies to get through in hopes there’s one or two worth writing about… and then writing about all of them anyway. (Sigh). I hope there are people reading this, at least. If so, go to the bottom of this column and drop me a line!
Before I get to this week’s movies, I want to give a special congratulatory shout-out to the wonderful Melanie Addington, because this is the final week of the 17th annual Oxford Film Festival. I have to say as someone who regularly covers a couple other bigger festivals, she’s done such an amazing job pivoting to the virtual world, to the point where what usually is a five-day very localized festival turned into a nationwide digital festival that’s been stretched out for 16 weeks! Those bigger festivals like SXSW and Tribeca could take a lesson from Oxford, because what usually are two highly-anticipated festivals every year became a whole lot of nothing thanks to COVID. It’s like they gave up, rolled over and just died. Oxford, meanwhile, has done Zoom QnAs with a lot of the filmmakers and casts from its films to help maintain the community feeling that makes the festival such a great destination for those in-the-know. (I haven’t even gotten into the amazing drive-in screenings or the year-round On Demand program they’ve been having over the past couple months.)
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Anyway, OFF ends this week with the world-premiere of a movie that was supposed to open at SXSW, Mario Furlani and Kate McLean’s debut feature FREELAND, starring Krisha Fairchild from Trey Shults’ movie, Krisha. Freeland is a similarly strong indie r drama, this one starring Ms. Fairchild as Davi, a black market marijuana farmer in Humboldt County, Norther California, who sees her way of life changing when she’s forced to go legal after California legalizes marijuana. Instead, these changes might run her out of business. It’s a beautifully-shot (Furlani is also the cinematographer) character drama that spotlights Fairchild giving another memorable performance, surrounded by an equally excellent cast that includes Lily Gladstone from Certain Women. I hope a good distributor like IFC or Magnolia will scoop this up for release, as I think it’s an interesting look into the pot business from a unique perspective. I also think it could do VERY well at the Indie Spirits. You can watch Freeland for a couple more days (at least) with a QnA with cast and crew on Thursday night right here.
Also, check out the Eventive site for the final week line-up which includes a TON of shorts. (Be mindful, that some of the content, specifically The Offline Playlist, will only be watchable if you’re in Mississippi.)
Also starting this week on Thursday is the 5th Annual Dallas-based Women Texas Film Festival (aka WTxFF), also going virtual this year, which I don’t really know that much about, but it’s run by my friend, Justina Walford, and she generally knows her shit when it comes to movies. Its mission pledge is right there in the title, but all the movies in the festival have a woman in at least one creative role. You can check out the full list of movies playing here, although they are geoblocked to Texas unfortunately. The festival’s series of panels and QnAs, though, can be watched anywhere in the United States, and those should be good.  
Let’s get to the regular releases….
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This week’s “Featured Flick” is Russian filmmaker Egor Abramenko’s SPUTNIK (IFC Midnight), a sci-fi thriller taking place in 1983 after an incident the Russian spaceship Orbit-4 that leaves one of the cosmonauts in detention after the death of his commander. Oksana Akinshina (who was in The Bourne Supremacy) plays Tatyana Klimova, a psychologist sent to study the surviving cosmonaut, Konstantin Veshnyakov (Pyotr Fyodorov), and she learns that he brought back something with him from space.
I was a little worried about this movie, only because the opening reminded me so much of my experience watching the original Russian film Solaris so many years ago. Its quizzical opening in space leads to Akinshina’s character being introduced in a way that’s so slow and talkie that I worried about what I should expect from the movie as a whole. Thankfully, about 20 minutes in, we meet the creature that’s seemingly come down from space inside the cosmonaut, and it immediately changes the very nature of the film.
I don’t want to spoil too much about why the movie gets so interesting, because it’s not non-stop creature kills, although the movie does get quite exciting every time this creature emerges, particularly when it’s being fed various Russian convicts. Even so, the film always remains fairly cerebral about the creature’s origins and its relationship to the cosmonaut, who abandoned a child before his fateful space accident.  Adding to the grey area about whether Tatyana should ally herself with Konstantin is her supervising officer, played by Fedor Bondarchuk, who clearly wants to use the creature as a weapon, knowing that both Konstantin and his “other” only trusts Tatyana, so they all need her.
Needless to say, the creature design is absolutely fantastic, and the comparisons this movie is going to get to Alien are quite apt, because the creature is on par with the xenomorph. I only wish I could see it better since it only comes out in the dark, and watching a movie that plays with light like this one does is just not conducive to watching on a laptop. (In fact, if you’re in a position to see Sputnik in a theater, even a drive-in, and you’re not averse to subtitles, I’d recommend going that route.)
Sputnik might fool you at first into expecting something in the vein of the original Solaris. In fact, it’s more in line with The Invisible Man, a creature feature that explores one man’s inner demons through the lens of science fiction. This probably would have been a better Venom movie than the one we actually got.
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Jamie Lannister himself, Nicolaj Costar-Waldau stars in THE SILENCING (Saban Films) the English language debut of Belgian filmmaker Robin Pront (The Ardennes), a dark action-thriller set in the rural area of Echo Falls where a serial killer is hunting and killing young women and girls.
Robin Pront’s The Silencing is usually the type of movie I’d enjoy, if only I haven’t seen the exact same movie so many times before. I wasn’t sure whether it’s Costar-Waldau’s alcoholic hunter Rayburn Swanson, whose daughter disappeared years earlier, or it was cause of Annabelle Wallis, the town’s sheriff, Alice Gustafson, whose troubled brother Brooks (Hero Fiennes Tiffin) is caught up enough in the towns drug issues to act as the movie’s second-act red herring. Throw in the Native American aspect of the movie, and you’re right back at Taylor Sheridan’s Wind River, which was just a much better version of this movie all around.
Adding to the lack of originality is the fact that there are now so many television shows about serial killers, which is a shame since Pront’s previous film showed so much promise but also suffered from similar issues. Costar-Waldau gives a credible performance, maybe slightly better than Wallis, but we’ve seen this movie so many times before that even trying to throw in a twist or two goes awry since no one ever commits. The major plot twist about halfway in has an opportunity to change everything but instead, it’s negated mere minutes later.
Slow and grim, The Silencing suffers from being an overused genre that’s been done so much better before. It’s already been playing on DirecTV but will be in select theaters, On Demand and Digital this Friday.
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Next up is the thriller THE BAY OF SILENCE (Vertical Entertainment), starring Claes Bang from The Square as Will, whose girlfriend and baby momma Rosalind (Olga Kurylenko) vanishes with their twin daughters and baby son, and her father Milton (Brian Cox) seems to know more than he’s telling.  The film is written and produced by British actor Caroline Goodall (who has a small role in this one), adapted from Lisa St. Aubin de Teran's 1986 novel and directed by Dutch filmmaker Paula van der Oest, who has made some decent films like Black Butterflies and the Oscar-nominated Zus & Zo.
We meet Will and Ros as they’re having a romantic moment in the titular bay in Luguria, Italy, and after a few odd occurrences, Ros vanishes with her twin girls and the baby boy they had together. It doesn’t take long for Will to find her, but she seems to have gone insane, and Will needs to find out what happened.
Honestly, it’s not worth getting too deep into this movie’s plot, not so much due to spoilers, but more because there are just so many WTF moments that happen out of the blue, and then the next moment they’re forgotten. For whatever reason, the movie just doesn’t allow any of the tension or mystery to build, and even the most horrificly grim plot turn is handled so matter-of-factly.
There’s no question that van der Oest is a fine filmmaker, something you can tell from the general look of the movie, but the pacing and tons is generally all over the place as nothing happens and then a LOT happens. Bang’s decent performance is countered by a lot of overacting from Kulryenko, and while Cox plays a much bigger role in the story than you might expect, his scenes do very little to elevate the film’s plodding tone.
The Bay of Silence is a highly uneven and bland thriller that tries to offer a twist a minute with very of them ever really connecting, instead feeling grim and tedious and like a lot of wasted potential. Oddly, it feels more original than The Silencing above but just doesn’t come together even as well.
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Where do I even begin with Eugene Kotlyarenko’s SPREE (RLJE Films) except that it stars Stranger Thing’s Joe Keery as Kurt Kunkle “of Kunkle’s World,” a social media vlog where he tries to get viewer’s attention and likes. He finally decides to go on a killing spree (get it?) while picking up passengers in his car ride service Spree (see?), until he encounters a stand-up comic (Sasheer Zamata) who fights back.
Listen, I understand fine why a movie like Spree might get made, since it’s meant to be relevant to the youngsters, who are much like Kurt, totally obsessed with their own social media and getting attention. The idea of some kid becoming a serial killer just to draw more attention to himself is not exactly incredible. I found Kurt so annoying that I didn’t think I would ever be able to have any empathy for him, and I was right.
We basically watch Kurt driving around and killing various people, most of them pretty horrible, granted, but Keery comes off more like a bargain-basement Christian Bale in American Psycho. Zamata is generally the best part of the movie, which is why the last third starts to get past some of the movie’s earlier problems to become more about an actual influencer showing Kurt how it’s done. (Zamata’s “SNL” castmate Kyle Mooney can’t really do much to make their scenes together funnier, since it’s just another sleazeball hitting on her.)
David Arquette also has a few funny scenes as Kurt’s father, but what’s probably gonna throw a lot of people off and make or break the movie is that so much of it is made to look like it was filmed on a smartphone, complete with running commentary from the viewers that you’re supposed to read, and presumably enjoy? Me, I just found it annoying.
Spree is gonna be one of those love-it-or-hate-it movies depending on which side of the age gap you’re on. To me, it just seemed way too obvious and not something I could possibly recommend to anyone over 19.
Okay… Documentary time!
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I really wanted to like Amanda McBaine and Jesse Moss’ BOYS STATE (A24/Apple TV+), which won the Grand Jury Prize at Sundance and received Special Jury Prize at SXSW Film Festival, but it’s a pollical doc that deals with a subject that just didn’t interest me very much. It follows a thousand teen boys from Texas who come together to form a government from the ground up, and that’s the problem right there. The fact this is all about guys. I just couldn’t get interested enough to watch the whole thing since it seemed obvious how it would turn out. Boys State was supposed to open in select cities last month but instead, it will be on Apple TV+ Friday after getting a few drive-in preview screenings, cause that’s just the way things are going these days.
Willa Kammerer’s Starting at Zero: Reimagining Education in America (Saul Zaentz Charitable Foundation/Abramorama), which will open in Virtual Cinema Friday after a Virtual Premiere tonight. It seems very timely, as it deals with investing in high-quality early child education. Just as timely is Muta’Ali Muhammad’s Yusuf Hawkins: Storm Over Brooklyn (HBO Documentary Films), which premieres on HBO tonight, looking at the events around the 1989 murder of teenager Yusuf Hawkins by a group of white men in Bensonhurst, Brooklyn.  Erik Nelson’s doc Apocalypse ’45 (Discovery/Abramorama), which will be in theaters this Friday and on Discovery over Labor Day weekend, is about the end of World War II, using never-before-seen footage with narration by 24 men who were there for it.
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Quiver Distribution has two movies out this Friday, both which could probably be seen as young adult movies – not really a genre I like very much, so your mileage may vary?
ENDLESS from director Scott Speer (Midnight Sun) is a romantic drama starring Alexandra Shipp (X-Men: Apocalypse) as graphic novelist Riley, whose boyfriend, Nick Hamilton’s Chris gets stranded in limbo after he’s killed in a car crash. Taking the blame for his death on herself, Riley struggles to find ways to reconnect with Chris in the afterlife.
I wasn’t sure if this movie would be for me, since I’m not a very big fan of young adult movies generally. So many of them have hard-to-believe high-concept premises involving two lovelorn teens – Midnight Sun being a good example. Unlike so many of these movies, Endless isn’t based on a popular book, and I was a little worried about Speer’s skills as a director and whether he could avoid turning this into a very obvious teen version of Ghost. There’s a little bit of that but on a whole, the movie isn’t a complete waste of time. For instance, Shipp is decent in this sort of dramatic role, probably better than Hamilton, and it avoids getting too weepy thanks to DeRon Horton’s animated Jordan, who befriends Chris in limbo and quickly becomes the movie’s frequent saving grace.
Otherwise, the movie feels like any other soppy teen romantic drama, being very predicable with way too much overacting, particularly from Fammke Janssen as Chris’ Mom. Even though the relationship between Shipp and Hamilton works fine, unless you’re on board with the whole concept of the latter spending the entire film as a spirit, you’re going to have a hard time fully enjoying the movie.
In Bobby Roth’s PEARL, Larsen Thompson plays the title character, a 15-year-old piano prodigy whose mother Helen (Sarah Carter from The Flash) is murdered by her stepfather (Nestor Carbonell). She’s sent to live with Jack Wolf (Anthony LaPaglia), an unemployed film director, who used to be one of her mother’s ex-lovers, who also might be Pearl’s father. I know! Let’s spend an entire movie going back and forth trying to figure it out, okay?
I don’t have a ton to say about this movie, but if for some reason, you want to watch it just cause you’re a fan of Carter from The Flash, you should know that she appears in the movie via a series of black and white flashbacks to show her relationship with Jack, but those might be the best part of a very bad movie.
Thompson just isn’t a very solid actor to carry this, and Roth must have pulled a lot of favors to get this movie made ‘cause it wasn’t financed based on the script. Her relationship with LaPaglia just seems kinda creepy. Things just gets worse and worse, especially when Pearl goes to school and the other girls act like they’re in prison. There’s also Barbara Williams as Pearl’s alcoholic grandmother – the fun just never begins, does it?
At its worst, Pearl comes across like a Lifetime movie – not the first time I’ve used this statement this year and probably not the last. It’s just very dull and not a very good movie; LaPaglia is way too good an actor who deserves better than this.
Also on VOD this week is Kevin Tran’s Dark End of the Street (Gravitas Ventures), an indie horror movie involving a community in the suburbs plagued by someone who is killing the residents’ pets. This wasn’t a terrible movie but I had a hard time getting past the general premise about killing pets, so it was hard to get into what Tran tried to do in terms of putting a twist on a tried-and-true horror genre. Maybe I’ll give this another try after finishing this column.
Also, Ben Galland’s action-comedy Gripped: Climbing the Killer Pillar (1091) follows Rose (Megan Kesley), a L.A. gym climber who falls for rugged outdoorsman Bret (Kaiwi Lyman) as they embark on a trip to climb the “Killer Pillar” in California’s Sierra Nevada mountains, only to get caught on a cliff edge.
The Metrograph’s Live Screening Series is continuing with a great line-up over the rest of August with the Satoshi Kon Retrospective continuing with Millennium Actress playing until midnight tonight, plus Masaaki Yuasa & Koji Morimoto’s popular 2004 film Mind Game starting Wednesday night at 8pm. Claire Denis’ Trouble Every Day (2001) will screen on Friday at 8pm, and then Monday, Jenna Bliss’ animated The People’s Detox (2018) will join the screening library. To become a digital member, it’s only $5 a month or $50 for a year, which is a great deal for the amount of movies you see.
Film at Lincoln Center’s Virtual Cinema will stream Paulo Rocha’s 1963 film Change of Life starting Friday while Film Forum will stream Weiner Holzemer’s doc Martin Margiella: In His Own Words about the fashion designer, as well as Bert Stern’s Jazz on a Summer’s Day which is a 1959 documentary about the fashion photographer filming the 1958 Newport Jazz Festival with the likes of Louis Armstrong, Hoagy Carmichael, Mahalia Jackson, Thelonious Monk and many more.
Apparently, Netflix has a new movie out on Friday called Project Power, starring Jamie Foxx and Joseph Gordon-Levitt, but I received ABSOLUTELY NADA about it from Netflix, so this is all you get. Watch out, Netflix, there are a lot of streaming options out there now!
Speaking of drive-ins (which I was WAY up there), on Wednesday, you can catch the latest in Amazon Studios “A Night at the Drive In” series. “Movies to Make You Open Your Eyes,” which will screen Spike Lee’s Do the Right Thing and Jordan Peele’s Get Out.
Next week, more movies not in theaters!
By the way, if you read this week’s column and have bothered to read this far down, feel free to drop me some thoughts at Edward dot Douglas at Gmail dot Com or drop me a note or tweet on Twitter. I love hearing from readers … honest!
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