#editing before publishing the whole thing

[elerrinacrownedwithstars]

I don't think the story of Beren and Lúthien is somehow out of place in The Silmarillion. Yeah, most of the Silm consists of sad and tragic tales, but I don't think this makes B&L's story somehow inconsistent with the rest of the book. If anything, it serves as a contrast and elevates the Silm. It in some ways like a fairy tale, but at the same time it does break the conventions of fairy tales. It's about death, Tolkien's central theme, in more ways than most other tales of the Silm are.

It feels like this reading of Beren and Lúthien as a strange outlier comes out of treating and reading the Silm as a self-contained entity. But it is not. The Silm is still very much a part of Tolkien's legendarium, and despite the difficulties he had in writing and editing it, you can't really deny the ways it's connected and essential to Lord of the Rings.

And if you look at LOTR, the story of Beren and Lúthien appears very early in the Fellowship of the Ring. Aragorn sings their tale to the hobbits as they are spending the night by Weathertop, afraid of the Ringwraiths. Aragorn speaks of it as a sad tale that may nevertheless lift up the hobbits' hearts.

This, I think, is an important clue as to where the story will go. In many ways, Sam and Frodo's quest to destroy the Ring mirrors the quest of Beren and Lúthien to steal a Silmaril - and the two quests are interlocked because B&L's success enables the Silmaril to become the star of Eärendil, which in the form of Galadriel's star-glass will aid Sam and Frodo in some of the darkest moments of their journey. B&L's union also provides Middle-earth with a line of Men who will engage and keep Sauron busy long enough to be defeated, but that's beside the point of this post. The structure and nature of the two quests is similar: here are people who were underestimated by the powerful, going where the great cannot go, and doing things that even the mightiest could not have done. Before Sam and Frodo enter Shelob's lair, they even talk about Beren and Lúthien's quest, and note how they are in the same story still, as if to set the following scenes and the fight against Shelob in the very tone and memory of B&L's quest.

Beren and Lúthien's tale may on the surface seem different from the rest of the stories of the Silm. But if you look at the whole of the legendarium, it is more essential than many other tales of the Silm. The problem is that Tolkien himself had trouble constructing the myths and the early history of Arda in a way that would indeed fit the works he had already published at that point, and the uneasiness we may feel about B&L or whichever part of the story is because it was very intricate and Tolkien was not able to finish the story or find a satisfactory way to compile the many versions. Christopher Tolkien's editions of the Silm and HoMe are undoubtedly the result of a Herculean effort but even he knew and admitted there are other ways the fragments of his father's works could have been organised. Even so, there is no doubt of the fact that the tale of Beren and Lúthien is one of the core threads of the legendarium, and without it, the Silm and the story of Middle-earth would be much lesser.

[nonwal]

hiii!! I absolutely adore every single one of your critical role fics, your writing is absolutely brilliant!!! i had a question: is the sea the stars the dreamers back now that a body in absentia is presently wrapped up or is the among us thing you referenced something different? whichever it is, I'm so stoked to keep following your writing! Sending you the most excellent of vibes

yeah that's the Among Us AU I was referring to, sorry for the confusion. I'll be returning to the sea, the stars, the dreamers at...some point, soonish? Ideally before the end of the year, but at this point I'm trying not to make promises. I've hit an editing block and (spoilers I guess?) we're nearing the "all five stages of grief, simultaneously" chapters, which I really don't want to leave on a cliffhanger.

So I'm trying to at least get that part completed before I begin posting again.

[bogunicorn]

Always tempted to join the romance novels vs fanfic wars on the side of the novels by calling the fanfic side a bunch of cheap-asses, because "fanfic is overall better than published romance fiction" is just not true

[bluegarners]

the number one tip i can offer to every writer out there is to change the font before you finalize

go ahead and write and rewrite that draft, but before you submit it to wherever you're wanting to, change the font before you do so and re-read and analyze it. 9/10 you'll notice a mistake you didn't before or change something you now realize doesn't fit as well

staring at the same text for too long will make your brain normalize and gloss over easy mistakes to correct bc you've been looking at it for too long, so changing the font and seeing the shape of the words change will instantly make the draft seem like something new to your brain

[inkblackorchid]

With the next one of Aki’s stories being a long one, is it something you are planning on finishing before you start publishing chapters, or publishing as you go along? Just curious what your approach is for the longer fics

Ok so as I've said on tumblr (and I think maybe also in the author's notes on ao3?? I forget) before, I at the very least want to finish the first portion of this fic before I start uploading anything. (That portion's end being marked by a particular duel.) From the way my outline is looking right now, that means I'd probably write until chapter 5 or more before I might consider publishing a chapter (there are currently a total of 14 chapters planned). And as of right now, I'm about to finish the first draft of chapter 3.

...But. But. See, the thing is, this fic, due to being extremely plot-heavy, needs to be super tightly written. Like, this thing needs to work. And all the duels in it (yes, multiple) really need to hit the mark, or else this story loses some of its emotional impact. In other words, I'll definitely be extra thorough when it comes to editing this one, too. So at least where this particular fic is concerned, I'm kinda shying away from the "publish as I go along"-approach, because there are too many moving parts here and I want this to be as coherent as possible. So it's a bit of a tossup atm. If I feel confident enough in how fast I'm progressing with the story by the time that first portion is written out, I may start publishing before all the chapters are done. But if there's a chance that I might deviate from the outline later in a way that would require me to go back to a previous chapter to add some setup there? I'll hold off and wait until at the very least the first draft of the whole story is done.

As far as longer fics in general go, though, I'm always more the type who likes to write a bit in advance before publishing. Even with To Be of Use, which had little to no plot and was the only work I've genuinely published as the chapters got done so far, I didn't feel entirely happy throwing the chapters out as I had them. I'm a huge fan of setup and payoff, and callbacks, and foreshadowing, etc. and the thing is, even if you're a very practiced writer, as soon as you're writing a plot-heavy story, you'll encounter moments where you come up with an important thing you want to happen a little later in the story than you meant to, and suddenly need to go back to actually set that up, because you didn't in the first draft of an earlier chapter. (At least this is my experience, your mileage may vary, writing styles differ, etc.) So to write the best thing I can, I usually like to give myself the time to write the entire first draft, then revise that first draft, then do the final edit of each chapter just before publishing it. (This was also my modus operandi for basically all my 5Ds fics prior to Fields of Arcadia. Even if I didn't have the entire story edited and polished yet, the first draft was always complete before I ever started publishing. It's only now that my backlog of pre-written first drafts has caught up to me and I'm forced to keep y'all waiting as I prepare the next big thing completely from scratch in real time.)

[signiorbenedickofpadua]

Writer This or That

I was tagged by @pellaaearien, thank you <3<3<3

rules: answer in a separate post

Type it up or write it down // Write during the day or write late at night // Plan it out or write it as it comes // Scheduled updates or sporadic updates // Wips in a folder or wips all over // Angst or fluff // Get to the point or long and detailed // Notes in a notebook or notes on your phone // Edit now or edit later // Beta reader or edit yourself  // Post chapters or post entire work // Music or silence // Snacks or no snacks // Tropes or new ideas // Beginning first or ending first // Show your irl friends or show your online friends // write every day or write when you’re inspired // fiction or non fiction // write for yourself or write for others 

I tag @sirnotappearinginthisblog and @scifrey, if you feel up to it <3

[scarlettscribbles]

might have a jace x sister!oc in the works 👀

[drchucktingle]

THE TEXAS LIBRARY ASSOCIATION TELLS CHUCK TINGLE TO STAY HOME BUT WE PROVE LOVE ANYWAY

just when you buckaroos thought 2024 would be a break from book drama, here comes chuck tingle in the mix. recently i was asked to be a featured speaker at the TEXAS LIBRARY ASSOCIATION annual conference. a few days ago they rescinded my invitation. here is what happened.

(EDITED TO ADD THIS LINK. if you have a hard time reading this on way of tumblr you can also read for free on chucks patreon)

i would like to start off by saying it is not my intent to start a fight, and all those reading this should know that the actions of a few misguided folks do not speak for the whole TEXAS LIBRARY ASSOCIATION. i am sure there are many involved who will be very upset to learn what others at TLA have done in their name. there are many individuals here, so please do not paint them all as villains in your mind. besides, chuck loves the dang library everyone knows that.

the point of writing this is not to vilify. i am writing this is because MOMENTS OF DARKNESS are the best places to SHINE A LIGHT AND PROVE LOVE IS REAL. this is a perfect time for learning and growing and for us talk on some very important things that queer buckaroos and neurodivergent buckaroos face every day. this is an unfortunate moment that WE can turn around and use to prove love is real.

i am also writing this to understand some of my own personal feelings on the matter. for something that seems very simple on the surface, the trot is complex, and i am still working out my emotions on the whole dang thing. i am learning in this way.

PART ONE: BAG OF LOVE

a few months ago chuck was asked to be a featured speaker at the 2024 TEXAS LIBRARY ASSOCIATION ANNUAL CONFERENCE. i have been asked to do things like the before and it is ALWAYS a fun time to meet bookseller and librarian buds. trotting around face to face and talking about my story of conquering chronic pain and overcoming my mental hurdles is VERY IMPORTANT to me. i say YES to these things whenever i can. (here i am with authors at CALIFORNIA INDEPENDENT BOOKSELLERS ALLIANCE conference. they are a WONDERFUL group and they proved love with their OWN invitation to chuck. this was such a moving event with so many amazing authors and stories. got very teared up during this photo)

ANYWAY BUCKAROOS i get the TEXAS LIBRARY ASSOCIATION invite and say 'YES BUD LETS TROT'. we are then confirmed.

months pass. a few weeks ago i get a call from my manager and agent and publisher saying ‘the TLA have rescinded their invitation.’

turns out some things had been going on behind the scenes

at some point the TLA asked chucks INCREDIBLE HEROIC BAD ASS PUBLISHER if chuck would be okay with not wearing the mask, to which tor/nightfire/macmillan said ‘what the heck are you talking about of course chuck is going to wear his mask. this is how chuck presents himself’ (NOT EXACT QUOTE)

as you all know, my pink bag way is a VERY IMPORTANT SPACE. as an autistic buckaroo it is a boundary that allows me to express myself freely and relieve my chronic pain from neurotypically masking all day. i have talked about this for years, and it is why i consider my private identity a SACRED THING. it is literally a health issue.

fortunately THE PINK BAG is never really a problem when making appearances. i have spent years going on television shows, doing interviews, speaking at other conferences and conventions, hosting book events on tour, and even MEETING WITH LAWYERS in my pink face covering. it is always respected and that is very validating to my way.

when arriving anywhere i always take precautions. i always warn buckaroos ahead of time that there is a masked man coming. i always have someone go in ahead of me JUST IN CASE. again, there has never been an issue. at a big conference where i am a special guest there is ESPECIALLY not an issue because my face and bio are printed IN THE DANG PROGRAM

SOME FUN TIMES AT BIG EVENTS BELOW:

CHUCK ON TV SHOW NAME OF 'AT MIDNIGHT' BACK BEFORE I WROTE LOVE IS REAL ON MY HEAD:

well, there has never been an issue.... UNTIL NOW.

PART TWO: RESCINDED

a few days ago TEXAS LIBRARY ASSOCIATION suddenly messaged my publishers and said that chuck tingle is no longer invited. my invitation was rescinded. the reason given was that people could possibly be uncomfortable with my mask

right out of the gate i would like to say this: it is absolutely the right of the texas library association to disinvite someone from their conference. it is their event, after all, and they can ban anyone they would like, for any reason.

of course, that doesnt mean other folks HEARING THIS NEWS wont have their own opinions the TLA choices. if the TLA disinvites someone, their reasoning for doing this can be discussed and analyzed. whether or not they follow their own guidelines can be questioned, and certainly their kindness and tact can be considered

there are a few BIG POINTS to make regarding this choice from the TLA

first and foremost, i just gotta say buckaroos, it is incredibly rude to invite someone to be a guest speaker at your event, have them confirm and mark off their calendar and turn down other offers, then rescind their invitation. this is maybe the simplest of the points, but it is an important one.

second, (DEEP BREATH HERE WE GO BUCKAROOS) i personally do not think of my autism as a disability very often, but i also KNOW that despite these feelings it ABSOLUTELY IS. autism is important to be listed as a recognized disability because of the help some autistic buckaroos need regarding government programs and things like that. ALSO just because my neurodivergence has helped me in some ways (hyperfocus and a unique artistic sensibility for example). i personally need to step back and remember my battle with stress and chronic pain from having to neurotypically mask all the time. for as much as i love being autistic it has made some things very difficult.

in other words, i am perfectly capable of speaking and interacting with folks without this pink bag on my head BUT WHEN I AM IN THE CHUCK TINGLE SPACE I REQUIRE IT. i can ONLY use this space while covering my face. is not a want. it is a need. holding this boundary is more important than i can ever say. i will not, and can not, let these spaces cross.

TLA not letting an autistic author wear the face cover theyve set up to express their neurodivergence in a safe, healthy way is--for lack of a better term--NOT A GOOD LOOK.

i cannot fathom them disinviting another author for using a disability aid. i cannot fathom them saying that a buckaroo who hears better with a hearing device cannot use it during their panel because it would make others 'uncomfortable'.

but here we are.

PART THREE: WHAT DOES A BUCKAROO GOTTA DO TO GET BANNED AROUND HERE?

this is the TLAs official stance on disability issues according to their website:

when poking around on the TLA website i noticed a few other things. i noticed a previous guest speaker wearing a niqab, and i was left wondering if the religious significance is what make that okay but chuck tingle banned. that made sense until i looked deeper and saw mascot buckaroos dressed up on the exhibition floor, and saw some kind of spiderbud in a costume contest. nobody around them seemed to be all that scared. their invitations REMAINED INTACT.

it should be mentioned here that AT ONE POINT during the discussions an email was sent from TLA saying chuck is allowed to come and wear his mask in the exhibition halls and smaller panels, just not at any of the big PAID PANELS i was once supposed to participate on. this was a confusing offer, but their explanation was that people who paid for something should have the option to not see chucks 'scary neurodivergence aid'. i tried to wrap my head around WHY they would make a distinction. maybe the exchange of money (rather than time) causes some kind of philosophical adjustment that i just cant grasp?

i wonder, would the author who wears a niqab ALSO be banned from the paid panels? i hope not

my answers trotted up short until i investigated deeper and found this quick moment from one of the TLA help videos. while some events DO require additional buckaroo cash, it actually appears that THE ENTIRE CONFERENCE IS TICKETED AND COSTS MONEY.

at this point i realized there is clearly no actual official policy about not covering your face (other than one from a few years ago saying that you HAVE to cover your face), and the addition of 'money' is a red herring. these excuses make no sense

PART FOUR: CLOSE THOSE GATES

it appears that my neurodivergence is 'scary' enough to get me uninvited, REGARDLESS what their disability and mask policies may say

BUT WHY? why is chucks preferred physical presentation valued SO little by the TLA that a THEORETICAL complaint is worth more? is my neurodivergent expression so awful? is my own safety as a queer activist such an afterthought?

is a pink bag with the words 'love is real' scrawled across the front REALLY going to frighten someone when the posters and pamphlets on the way into in panel would have a photo of my masked face saying THIS IS LITERALLY WHO IS ABOUT TO APPEAR BEFORE YOU.

if THAT accommodation is too much, would it really be so difficult to have someone trot out beforehand and make an announcement? to say 'there is someone on this upcoming panel who needs a mask to express this part of himself, if this makes you uncomfortable then this panel might not be for you'.

and really, i have to heckin ask, is this physical expression of my raw inner truth really so hideous and frightening that fear of making someone uncomfortable is a REAL problem?

(a terrifying display of autism. apparently)

i cannot imagine what kind of precautions they need to take before a stage play featuring costumes and masks.

you MIGHT think chucks queerness and left leaning politics could be the issue with this organization, but they have had drag queens as past speakers (also featuring some GLORIOUS makeup and hair that covers almost all of their faces. VERY CURIOUS). regardless, the TLA do not seem like a conservative bunch.

if you are bisexual or an autistic person who is good at 'passing' you probably already know where this is headed, your dang spiderbuckaroo senses are tingling at FULL ALERT. i will say i do not KNOW the real reason why i was uninvited, and i do not have enough information to make any concrete statement of the real answer. there is only evidence that masks have been fine at TEXAS LIBRARY ASSOCIATION events in the past, but not much else to go on.

so the FACTS part of our discussion ends there, but i think it opens us up to talk about some very important feelings that bisexual and autistic buckaroos know well.

THIS is where we take a unfortunate, hurtful moment and turn it into a discussion. this is where we prove love is real.

as someone who is constantly doubted and put through purity tests because of my unique way, we are pushing up against a subject i know well. thats right buckaroos: we are talking GATEKEEPING

AGAIN, i do not know if this is the answer, but someone in my position might be VERY STRONGLY INCLINED TO THINK that a few well-meaning left leaning buckaroos think i am a joke and that this is a character, and that there is something problematic about my work because i am not really a real person.

any upstanding left leaning organization would OF COURSE allow a mask for a neurodivergent buckaroo with an unusual visual presentation, an autistic buckaroo who conquered his chronic pain ONLY by creating this important space... but what about a FAKE autistic buckaroo?

any upstanding left leaning organization would OF COURSE allow a mask for a queer LGBTQ activist standing up for gay and trans rights against a torrent of scoundrels hunting for his legal identity. its a matter of safety... but what about a FAKE queer activist?

let me be very clear for the 100th time: i am a real person. this is not a joke. i am not playing a character. i am really autistic and bisexual. tinglers are sincere and they are not ‘so bad theyre good’. they are just good. camp damascus is not ‘my first serious book’ because my queer erotica is serious. my art is important and real.

when people tell me to unmask they often do not know WHY they want it, and of course one very good reason is innocent curiosity. but there are SOME cases where i start to get THAT feeling--that tingle all of us ‘passing’ buckaroos get when we can sense the real intent behind the poking and prodding. that is the feeling of stumbling into a gatekeepers crosshairs.

if i was to take off my pink bag, what about my face would you analyze to tell if i was REALLY queer. my eye color? my ear shape? if you learned my legal name, would you see if it sounded autistic? is my voice neurodivergent enough?

or is all of that utterly absurd? i am curious what the TEXAS LIBRARY ASSOCIATION thinks.

PART FIVE: GENDERED

this will be the shortest of parts, but it has to be said. i have a very complex relationship with gender, as written about at length here and here. i understand these things can be difficult to parse for some, but i ask that you trust me when i say that the ONLY reason i have been able to talk about my gender and sexuality and learn these things about myself is because of this pink bag. this outward appearance is a direct expression and reflection of my gender journey.

if the texas library association does not care about my appearance as an expression of my autism, then i cant imagine them giving a dang about it as an expression of my gender and queerness. that being said, it is personally very important to me and i think it should be mentioned

PART SIX: SO YOU WANT TO REMOVE AN AUTISTIC QUEER AUTHOR FROM YOUR EVENT BECAUSE PEOPLE MIGHT FIND THEIR DIFFERENCES SCARY

there is a question to be asked here: how could the TLA have done this correctly?

i have one very big piece of advice i would like to shout from the rooftops. please, for the love of sweet barbara, DO ENOUGH RESEARCH to know if this appearance will be a problem and, IF SO, dont extend an invitation in the first place. unique buckaroos with different presentations are constantly left in this place of limbo because we are bombarded with careless actions like those of the TLA. before you consider extending a branch to an artist who might need more accommodations than usual, think to yourself 'CAN WE MAKE THESE ACCOMMODATIONS?'

putting all of this on the shoulders of a single 'buckaroo with a difference' is exhausting. as the TLA has shown, we currently live on a timeline where a buckaroo like myself never really knows if an invite is SOLID without doing a deep dive history lesson on how often a group discriminates and against who.

i did not want to spend my whole family holiday worrying whether or not i should say something publicly or just lie down and shut my dang mouth. i had to consider HOW i should say it. i had to worry whether or not its worth standing up for myself in the face of the largest state library association in the country. i think buckaroos with differences are with me when i say: WE ARE SICK OF HAVING TO DO THIS WORK TO COVER FOR THE POOR BEHAVIOR OF LARGE ORGANIZATIONS WHO TREAT US BADLY

another option would just be to use kindness and common sense and happily accommodate artists with unique presentations to your conventions

PART SEVEN: LOVE IS STILL REAL

i would like to close by saying THANK YOU to my publisher nightfire and editor kelly for standing up for me. they immediately stood firm and had my back. they are the real dang deal. THANK YOU to my management and agent buds dongwon and gino for trotting along beside me. THANK YOU to the folks at the texas library association who initially invited chuck with goodness in their heart and then likely got bowled over by someone else, and maybe even got knocked to the side by a big closing gate.

i hope there are librarians in texas who are still interested in carrying BURY YOUR GAYS when it comes out (which is ironically about someone who creates a space through art to express their queerness where they cant otherwise). libraries prove love is real and what they do IS SO IMPORTANT. it was SO IMPORTANT TO ME as a young buckaroo and i cannot thank you enough. i am not sure if me writing all of this will hurt my sales in some way, but this opportunity to speak about the reality of disability awareness and queer gatekeeping is too important to stay silent. (if you have not already preordered BURY YOUR GAYS then give it a preorder to make up for some texas library losses i guess.)

which leads me to my final thank you. THANK YOU to the buckaroos reading this. yes YOU. i am in the position to stand up and speak my mind against scoundrel forces ONLY because i have the might of you buckaroos by my side. the buckaroo trot is ALL OF OUR TROT and we are ALL HERE TO PROVE LOVE. i cannot tell you how much i appreciate the way you have created a space for me to express these important parts of myself. you have seen this pink mask over my face and saying YES, I ACCEPT YOU, you have literally saved my life. for that i am so thankful.

if you are UPSET by what youve read here, then turn it into something positive. you can support autistic creators, or make a donation to the AUTISTIC SELF ADVOCACY NETWORK

and besides WHO IS REALLY MISSING OUT? this is what it looks like when you invite the worlds greatest author chuck tingle to your event and treat their identity as valid. WE HAVE A DANG GOOD TIME

KEEP TROTTING INTO THE FUTURE. KEEP KICKING DOWN GATES WHEREVER THEY MAY BE. KEEP PROVING LOVE IS REAL AND PROVING IT TOGETHER. lets go buckaroos - chuck

UPDATE AN HOUR AFTER POSTING:

true buckaroo TJ KLUNE was set to be another author on panel chuck was removed from and has informed me he has now chosen to decline his invitation in support and solidarity with chuck. i am so deeply moved by this. thank you from bottom of heart buckaroo

to be very clear TJ has a huge platform and DOES NOT NEED TO DO THIS. these conferences are great for book sales and he is taking a hit out of pure solidarity. this is queer buckaroos standing up for eachother. i am floored by this kindness and love

please consider checking out his books if they are not already covering your dang bookshelf. chuck blurbed IN THE LIVES OF PUPPETS and i was blown away i heckin loved it

MOST RECENT UPDATE:

here is more

[emeryleewho]

Saw a fun little conversation on Threads but I don't have a Threads account, so I couldn't reply directly, but I sure can talk about it here!

I've been wanting to get into this for awhile, so here we go! First and foremost, I wanna say that "Emmaskies" here is really hitting the nail on the head despite having "no insider info". I don't want this post to be read as me shitting on trad pub editors or authors because that is fundamentally not what's happening.

Second, I want to say that this reply from Aaron Aceves is also spot on:

There are a lot of reviewers who think "I didn't enjoy this" means "no one edited this because if someone edited it, they would have made it something I like". As I talk about nonstop on this account, that is not a legitimate critique. However, as Aaron also mentions, rushed books are a thing that also happens.

As an author with 2 trad pub novels and 2 trad pub anthologies (all with HarperCollins, the 2nd largest trad publisher in the country), let me tell you that if you think books seem less edited lately, you are not making that up! It's true! Obviously, there are still a sizeable number of books that are being edited well, but something I was talking about before is that you can't really know that from picking it up. Unlike where you can generally tell an indie book will be poorly edited if the cover art is unprofessional or there are typoes all over the cover copy, trad is broken up into different departments, so even if editorial was too overworked to get a decent edit letter churned out, that doesn't mean marketing will be weak.

One person said that some publishers put more money into marketing than editorial and that's why this is happening, but I fundamentally disagree because many of these books that are getting rushed out are not getting a whole lot by way of marketing either! And I will say that I think most authors are afraid to admit if their book was rushed out or poorly edited because they don't want to sabotage their books, but guess what? I'm fucking shameless. Café Con Lychee was a rush job! That book was poorly edited! And it shows! Where Meet Cute Diary got 3 drafts from me and my beta readers, another 2 drafts with me and my agent, and then another 2 drafts with me and my editor, Café Con Lychee got a *single* concrete edit round with my editor after I turned in what was essentially a first draft. I had *three weeks* to rewrite the book before we went to copy edits. And the thing is, this wasn't my fault. I knew the book needed more work, but I wasn't allowed more time with it. My editor was so overworked, she was emailing me my edit letter at 1am. The publisher didn't care if the book was good, and then they were upset that its sales weren't as high at MCD's, but bffr. A book that doesn't live up to its potential is not going to sell at the same rate as one that does!

And this may sound like a fluke, but it's not. I'm not naming names because this is a deeply personal thing to share, but I have heard from *many* authors who were not happy with their second books. Not because they didn't love the story but because they felt so rushed either with their initial drafts or their edits that they didn't feel like it lived up to their potential. I also know of authors who demanded extra time because they knew their books weren't there yet only to face big backlash from their publisher or agent.

I literally cannot stress to you enough that publisher's *do not give a fuck* about how good their products are. If they can trick you into buying a poorly edited book with an AI cover that they undercut the author for, that is *better* than wasting time and money paying authors and editors to put together a quality product. And that's before we get into the blatant abuse that happens at these publishers and why there have been mass exoduses from Big 5 publishers lately.

There's also a problem where publishers do not value their experienced staff. They're laying off so many skilled, dedicated, long-term committed editors like their work never meant anything. And as someone who did freelance sensitivity reading for the Big 5, I can tell you that the way they treat freelancers is *also* abysmal. I was almost always given half the time I asked for and paid at less than *half* of my general going rate. Authors publishing out of their own pockets could afford my rate, but apparently multi-billion dollar corporations couldn't. Copy edits and proofreads are often handled by freelancers, meaning these are people who aren't familiar with the author's voice and often give feedback that doesn't account for that, plus they're not people who are gonna be as invested in the book, even before the bad payment and ridiculous timelines.

So, anyway, 1. go easy on authors and editors when you can. Most of us have 0 say in being in this position and authors who are in breech of their contract by refusing to turn in a book on time can face major legal and financial ramifications. 2. Know that this isn't in your head. If you disagree with the choices a book makes, that's probably just a disagreement, but if you feel like it had so much potential but just *didn't reach it*, that's likely because the author didn't have time to revise it or the editor didn't have time to give the sort of thorough edits it needed. 3. READ INDIE!!! Find the indie authors putting in the work the Big 5's won't do and support them! Stop counting on exploitative mega-corporations to do work they have no intention of doing.

Finally, to all my readers who read Café Con Lychee and loved it, thank you. I love y'all, and I appreciate y'all, and I really wish I'd been given the chance to give y'all the book you deserved. I hope I can make it up to you in 2025.

[fuckyeahgoodomens]

The Season 2 Poster Details

From top to bottom :)

This is a Buddy Holly song Everyday which was originally supposed to be the Good Omens theme :)

Neil talks about it in the Introduction to the Script Book: “In the scripts, Buddy Holly’s song ‘Every Day’ runs through the whole like a thread. It was something that Terry had suggested in 1991, and it was there in the edit. Our composer, David Arnold, created several different versions of ‘Every Day’ to run over the end credits. And then he sent us his Good Omens theme, and it was the Good Omens theme. Then Peter Anderson made the most remarkable animated opening credits to the Good Omens theme, and we realised that ‘Every Day’ didn’t really make any sense any longer, and, reluctantly, let it go. It’s here, though. You can hum it.”

And there is also the Buddy Holly Everyday record! :)

Book The Crow Road by Iain Banks. The novel describes Prentice McHoan's preoccupation with death, sex, his relationship with his father, unrequited love, sibling rivalry, a missing uncle, cars, alcohol and other intoxicants, and God, against the background of the Scottish landscape

Book Lord Jim by Joseph Conrad. An early and primary event in the story is the abandonment of a passenger ship in distress by its crew, including a young British seaman named Jim. He is publicly censured for this action and the novel follows his later attempts at coming to terms with himself and his past and seeking redemption and acceptance.

Important themes in Lord Jim include the consequences of a single, poor decision, the indifference of the universe, and the inability to know oneself or others.

There is book The Body Snatcher by Robert Louis Stevenson. Its characters were based on criminals in the employ of real-life surgeon Robert Knox (1791–1862) around the time of the notorious Burke and Hare murders (1828). Neil said: Oddly enough, episode 3 will take us to a little stint of body snatching in the era.

There is Catch-22 book by Joseph Heller that coined the term Catch-22: situation from which an individual cannot escape because of contradictory rules or limitations.

Is there only one hand or are there two? :) EIther 6 ;), or 6:30 :).

Through the window we can see the coffeeshop Give Me Coffe or Give Me Death where Nina works! :)

Azi is wearing his nifty glasses :).

Crowley is wearing his new glasses, they are RIGARDS X UMA WANG - THE STONE ECLIPSE (VINTAGE BLACK/BLACK STONES) - $435

There is the Holy Bible Aziraphale used in Season 1 :)

There seems to be a broken phone :).

The cakes behind Aziraphale are Eccles cakes :).

Azi is reading A Tale of Two Cities by Charles Dickens published in 1859, set in London and Paris before and during the French Revolution. The novel tells the story of the French Doctor Manette, his 18-year-long imprisonment in the Bastille in Paris, and his release to live in London with his daughter Lucie whom he had never met. The story is set against the conditions that led up to the French Revolution and the Reign of Terror. 

Another book there is Pride and Prejudice by Jane Austen - Neil said said that we will learn a lot about Jane Austin we didn’t know before.

And finally the Treasure Island book by - again :) - Robert Louis Stevenson, an adventure novel with pirates.

There are three geckos cuties. Who are they? Pets? Is Ligur haunting the bookshop? Who knows :).

A mysterious pamphlet, 'The Resurrectionists’ leaflet. (unofficial spoiler :)).

Also there is an old camera... mmm 🤔 Did Azi made some photos (of what? Him and Crowley, ducks? :)) Will we see them? :)

Their positions is an homage to the book covers! :)(x)

Will update this as fandom discovers new things! :)❤

[dduane]

The Young Wizards series turns 40!

...And yes, we're having a sale to celebrate. But that can wait. :)

I'm sitting here looking at the date and considering how amazing it is that, despite the changes in the publishing world, anything can stay in print nonstop for forty years.

But this book has. Here's how it started:

...Well, not how it started. It started with three things:

A newbie YA writer being deeply annoyed with a non-newbie one for (as she thought) stripping their teenage characters of their agency without good reason.

A suddenly-appearing joke involving two terms or concepts that wouldn't normally appear together: the 1950s young-readers' series of careers books with titles that always began So You Want To Be A..., and the word "wizard."

And the idea immediately springing from that juxtaposition. What if there was such a book? Not a careers book, but a book that told you how to be a wizard—maybe some kind of manual? One that would tell you the truth about the magic underlying the universe, and how to get your hands on it... assuming you felt you could promise the things that power would demand of you, and survive the Ordeal that would follow?

Six or seven months after that confluence of events, there was a novel with that joke-line as its title. A month or so after that, the novel was bought. So You Want To Be A Wizard came out as a Fall 1983 book, as you can see from the Locus Magazine ad above (from back when Locus was only a paper zine). The first reviews were encouraging.

And by the middle of 1984, the publishers were asking, "So, what's next?" A question I'm still busy answering.

There's been a lot of water under the wizardly bridge since. In SYWTBAW's case, this involved a couple/few publishers, a surprising number of covers, a fair number of awards here and there; and lots more books. (I always knew there'd be more, but how many more continues to surprise me. Which is a bit funny, considering how much stuff that universe has going on in it.)

So here we are at forty, and looking ahead to The Big Five-Oh with some interest. More books? Absolutely. Young Wizards #11 is in progress at the moment, and YW #12 is in the late concept stages. More covers for So You Want To Be A Wizard? Seems inevitable. A TV series, perhaps? (shrug) Stranger things have happened: we'll keep our fingers (or other manipulatory instrumentalities) crossed. The New Millennium Editions in translation? and in international paperback? Working on that right now. The sky's the limit.*

And meanwhile, to celebrate, just for today we'll have a sale. (Except in the UK. To our British friends, the usual sad apology: the expensive bureaucracy of Brexit has made it impossible for us to sell directly to you any more. Details here, with our apologies.)

As has been mentioned before, changes are afoot at Ebooks Direct, so this kind of sale won't be happening again for the foreseeable future. (In fact I thought we were all done with them already. But the number 40 suggested one last opportunity that wouldn't be recurring, so I thought, "Aah, what the heck? Let's.")

New things first! Today, to mark this occasion, we're introducing the "All The Wizardry" Bundle. This is Ebook Direct's entire inventory of Young Wizards works; the contents of the bundle are listed on its product page. The $29.99 price listed there is for today only, to celebrate SYWTBAW's birthday, and will go up as of 23:59 Hawai'ian time tonight. As always, should you ever lose your ebooks or need to change reading platforms, we'll change your formats as necessary, or replace the books, for free.

Just click here, or on the image below, for the "All The Wizardry" Bundle. (Please ignore the category listings under the "Pay Using..." icons on the product page: they plainly think they're in a different universe. Kind of an occupational hazard around here...)

The other, older kind of sale folks will have seen here is on the "I Want Everything You've Got" Bundle, which is the whole Ebooks Direct store—obviously including all the Young Wizards books as well: more than 2.5 million words in 36 DRM-free ebooks. Just for today, in honor of the birthday book, we're dropping the whole-store price to USD $40.00. This, too, will go away just before midnight Hawai'ian time tonight... and it will never be lower. So if you want everything we've got at that price, don't wait around.

Make sure you use this link or the one associated with the image to get the baked-in discount at checkout. (If it fails to display correctly, use the discount code "40FOR40" in the checkout's "discount code or gift code" field.)

Meanwhile? Onward into the next decade. The new A Day at the Crossings novel unfortunately won't make it out before the end of 2023; other work in-house currently has taken priority. But as for early 2024... stay tuned.

And for those of you who're Young Wizards readers, and have kept this book, and its sequels, alive for pushing half a century?

Thank you, again and always!

*Though actually, it's not, is it? As the proverb has it, "Wizardry doesn't stop at atmosphere's edge..."

[daisywords]

I personally know there are multiple types of editing but I've never seen anyone explain it in a way that actually made me understand what the types of editing actually were (yeah cool that you say {}editing is different from []editing but *how*). So if you wanna explain, feel free to.

Your handy-dandy guide to different types of editing

disclaimer: writers, you can literally edit however works for you. these distinction can be useful to your process, or just if you're looking to hire an editor. Not all editors make distinctions in this way; there are various ways of dividing. But no matter what vocabulary you use, it's best practice to start with broad, big-picture stuff and move towards narrower issues. Some editors do all levels of editing, while some specialize.

Developmental Editing (Is it a good story?)

Developmental editing has to do with the content. For a novel, that means working on the bones of the story. The plot. The pacing. The characters. Do their motivations make sense? Can the reader understand why things are happening? Does the story drag in places, or seem to brush past important elements? Do all of the subplots get resolved? etc. etc. (At this stage an editor is mostly going to be offering suggestions, pointing out issues, and throwing out potential solutions. Beta readers can also be very helpful at this stage to get a reader's perspective on the story beats and characters.)

Line Editing (is it well written?)

Sometimes called substantive editing, line editing is zooming in a little bit more to focus on scenes, paragraphs and sentences. Once we've decided that a scene is going to stay, lets look at the mechanics of how it plays out. Does the scene start to early or too late? Does the writing style communicate the emotions we want the reader to feel? Does the dialogue match the characters' voices? do any of the sentences sound awkward or ugly? Is the movement being bogged down by too much purple prose anywhere, or is there not enough detail? (This can get pretty subjective, so it's important that the writer and the editor are on the same page with taste, style goals, etc.)

Copy Editing (is is correct?)

Copy editing is all about the details. Think grammar and punctuation. Do the sentences make sense? are they grammatically correct? Is the dialogue punctuated correctly? Any misspellings? Should this be hyphenated? Should this be capitalized? Should we use a numeral, or write out the number? etc etc. A significant part of copy editing is matching everything to a style manual (like Chicago or AP) a house style guide (individualized preferences from a publisher, for example), and a project's own internal style sheet (are the character's names spelled the same every time? if we used "leaped" in chapter 4, we shouldn't use "leapt" in chapter 7) Copy editing is still subjective, but less so than the earlier levels, so a copyeditor will be more likely to just go in and make a bunch of (tracked!) changes without consulting the author for everything.

Bonus: Proofreading (did the copyeditor catch everything? are there typos? formatting issues? have any errors been introduced?)

Lots of people say editing when they really mean proofreading. Proofreading is the absolute last thing to get done. It's the one last pass just before something is published. It's important, but as you can see, there's a whole lot more to editing than just checking for typos.

[therealcocoshady]

Ahhhh!! I love your stuff, you're so talented !!!

Could you write a Marshall x bookworm!female!reader oneshot abt reader always just having her head in books and Marshall wanting some attention please??

Thank youuu xx

More than me ?

Eminem X Bookworm!Female!Reader

Author’s Note : Hey ❤️. Thank you so much for your request ! I had some fun writing it ☺️. I hope you enjoy it !

No one expected a bookworm like you to end up with a rapper. On paper, it didn’t make much sense and yet, everyone around you agreed that Marshall was the perfect match for you. The two of you were somewhat nerdy, introverts who’d rather spend time in your house than go to a party with tons of people. And even if he didn’t read a ton of books, he made up for it by fully supporting your passion for literature. When you moved into his house, he let you transform one of the guest rooms into a library and he often surprised you with books on your wishlist. On special occasions, he would go the extra mile and gift you beautiful editions, sometimes first ones, much to your delight. And even though he politely refused your many offers to let him borrow some books, he was always happy to let you talk his ear off about books you liked.

- You should really read it, you said excitedly.

- Yeah but if I read it, there would be no point in you telling me about it, he said with a grin. I’d miss the best part.

- Sorry, you giggled. Is that too much ?

- Never, he said before pressing a kiss to your temple. I love that you’re passionate. I like listening to you. It’s like a podcast.

- You know, Shelly at the library keeps telling me to start one, you chuckled.

- Maybe you should give it a try, he replied. No one talks about books like you.

- Maybe I’ll ask Hailie for pointers, you shrugged.

This was the start of a crazy adventure for you. A year later, you were able to quit your job, relying on your podcast and advertisement to make a comfortable living. Advertisers were constantly soliciting you, willing to take advantage of your massive following. You had managed to gather a big community of bookworms such as yourself, who enjoyed hearing about your latest reads. It was your safe space and you simply loved it. Another perk was that publishing houses sent you tons of books for free, hoping you’d talk about them in an episode. Marshall’s house was big but you now had books in every room and always more books you needed to read. Your boyfriend was already used to always seeing you with a book but now, you had more time to read and were doing this full time. It wasn’t always sunshine and candy, though and, sometimes, you were on a schedule to finish reviewing a book before recording your next episode. At some point, you had decided to review a whole series that had been sent to you a week ago, and reading those eight books definitely took most of your time.

- Are you coming to bed ? Marshall asked.

- I have to read a couple more chapters, you said apologetically. Sorry, my love.

- You’ve spent the whole day reading, babe, he pointed out. How about you rest your eyes a little ? I could make them roll back into your skull…

- Are you propositioning me ? You asked with a grin.

- Absolutely, he replied with a smile. What do you think ?

- That’s tempting, you admitted.

Before you had even finished your sentence, he was grabbing your book, placing your bookmark, closing it and taking you to the bedroom. As soon as you reached the bed, he pinned you to the mattress and whispered in your ear.

- Been waiting for this all day, he said.

- All day ? You giggled. You were at work…

- And yet, you were the only thing on my mind, he grinned. Couldn’t think of anything else.

He made sure to show you exactly what had been on his mind, ravishing you in all sorts of positions, making you cry from pleasure, until you were both panting and exhausted.

- I love you, he said as he caught his breath. God, I missed you this week.

- I missed you too, you cooed. You’ve been working so hard, lately.

- So have you, he pointed out.

- I have to keep busy while you’re finishing your album, don’t I ? You giggled.

- Well, you have me to yourself for the next two days, he said. Told the team not to bother me unless someone dies. I’m all yours. And we’re not leaving this room.

- Interesting, you giggled. I have some work, though.

- You can read chapters in between rounds, he shrugged before burying his head in your neck.

You smiled and enjoyed his touch, the warmth of his breath on your skin. You ran your hands in his back and stroked his head. Moments later, he was asleep. His soft snores brought a smile to your face and you figured he needed the rest. Lately, he had been waking up extra early and coming home later than usual, occasionally going to California to work with Dre. You gently made him roll to his side of the bed and wrapped yourself in your silk robe before going back to your reading room and resuming your reading. Hours later, a grumpy boyfriend came to get you.

- You left, he groaned sleepily.

- You were sleeping, you said with a smile.

- Well, not anymore, he said. Come back ?

- I just have to finish this-

- Later, woman, he groaned.

- Ten minutes, you pleaded.

- Babe, he sighed. It’s 11PM.

- Yeah but-

- I need you, he said with puppy eyes. You don’t want me to get all lonely in bed, now, do you ?

You smiled at him, yet made a point of shaking your head in disapproval. He knew full well his lost puppy act would get him anywhere with you. You closed your book and went back to the bedroom. As soon as you got back in bed, he wrapped you in his arms, in a possessive stance. You chuckled and whispered sweet nothings before drifting off to sleep.

You woke up the next day to the sound of Marshall entering the room with a breakfast tray in his hands.

- Breakfast in bed ? You yawned with a smile. What’s the occasion.

- I thought we might enjoy a lazy day in bed, he said with a smile. You, me, food and movies ?

- Sounds good, you nodded.

He settled in bed next to you and you ate the copious amount of food he had prepared. You spent a few hours in each other’s arms, watching movies and cuddling. Marshall seemed exceptionally clingy, which made you smile. Physical touch had always been one of his love languages, but it was rare for him to spend hours on end cuddling. After a while, though, you decided to get back to reading. However, you didn’t find your book where you had left it.

- Babe, have you seen the book I had yesterday ? You asked. It’s blue, with flowers on the cover.

- I haven’t, he shrugged. Come here, you’ll find it later.

- I really have to finish, you said. I’ll go and search…

- Babe, he groaned, can’t we just have a few hours together ? I’ll help you search for it. Later.

- Ok, you shrugged. But it’s important.

He sighed and gestured for you to come back in his arms. He didn’t pay a lot of attention to the movie, though, and just enjoyed your presence until he fell asleep. Or so you thought. Because as soon as you moved, he let out a grunt.

- What ? He asked.

- Just going to search for my-, you began.

- Screw it, he groaned. Here’s your damn book.

He reached for his nightstand and handed it to you. You looked at him in disbelief.

- You realized I’ve searched for it for half an hour ? You asked.

- Yeah well here it it, he groaned.

- Why did you take it ?

- Because I want you to be with me, he sighed. It’s all about your books, these days.

- I’m working, you said defensively. It’s my passion !

- Yeah well why don’t you move into your reading room then ? He suggested. You like these books more than me anyway.

You sighed and then put the book down before taking his hand.

- What’s with you today ? You asked.

- Nothing, he shrugged with a frown.

- Marsh, you said tentatively. You’re short-tempered and clingy. Clearly, something’s wrong.

- I miss you, he sighed. That’s all.

- I’m right here, you pointed out. I even work from home. I’m literally always here.

- I like that you’re having fun but… you work too much, he said.

- I do work a lot, but it’s because I want to be successful, you said. And you’re one to talk. You’re a literal workaholic.

- Yeah well I’m tired of all this work and I want to hug my girl, he said. I’m stressed out and I need you.

You smiled and kissed his cheek before putting your book away.

- You know you could just have told me you needed me, right ?

- I guess, he said grumpily. I guess I didn’t want to sound like a total simp.

- I like it, you said. It’s cute.

- So you’re staying, this time ? He asked.

- Of course, babe, you replied. If you need me, that’s my priority. But… is there something wrong ?

- Nothing, he said. I guess I’m just under pressure. I just need you. You’re my safe space. I miss you, lately. And now that you have this shit ton of followers, you don’t even tell me about your books. I miss that too.

You nodded and pressed a kiss to his forehead.

- I’m sorry, my love, you said. I just got really into all of it. But you’re my priority, you know ?

- Am I ? He asked.

- Of course, you replied.

- I love you, he said. Sorry I stole your book.

- Next time you try that, I’m messing up with your cassette wall, you threatened.

- You wouldn’t ! He gasped.

- Try me, you said with a raised eyebrow. Who knows ? Maybe all of them are in the wrong case. Maybe I’ve already done it.

He looked at you nervously and you gave him a threatening smirk. Knowing how much he cherished that cassette collection it was enough of a threat and a sure fire way to mess with his head. He groaned and got up.

- Where are you going ? You asked.

- To check my cassettes, he said.

- What ? You asked in a falsely offended voice. If you go, it means you love them more than me !

- Babe… of course I love them more, he said with a grin. Know your place, woman !

Note : I hope you enjoyed this one shot ❤️. If you did, you can support my writing via Ko-Fi ! I will also be giving previews of upcoming parts of Recovery and Love Game over there 😏.

[sindar-princeling]

LOTR Newsletter 3 Shire Drift - FAQ

Hello everyone!

Just like last year: for those of you who are already familiar with The Lord of the Rings Newsletter, this serves as an announcement that I'm doing it again; and for those who aren't - an introduction to the project :)

What is LOTR Newsletter?

I'm one of the people who subscribed to Dracula Daily in May 2022, and immediately thought, "Hey, I can do this too but with XYZ!" - XYZ being The Lord of the Rings. Because the events of LOTR also have specific dates ascribed to them, we're gonna be reading LOTR as it happened.

When does it take place?

Because of the way the beginning of LOTR is structured (read: because I don't want to leave six-month-long breaks between the first entries), we're gonna start on September 15th - a week before September 22nd, when the main events start to take place. It's also the publishing date of the Silmarillion, but that's just a fun fact for my own enjoyment.

From September 15th to September 19th, we'll read the prologue, and the fragments preceding Frodo's departure from the Shire. From September 20th, we'll be reading according to the dates in the book until April 8th. Then we'll be reading last parts of the book - which are stretched over a long time - once a week, to once again avoid lengthy breaks in delivery.

The Newsletter will last from September 15th to May 26th.

Where do I go if I want to post/talk about something related to the Newsletter with other readers?

We discuss current (and not only current) entries in the #lotr newsletter tag, and we have a Discord server set by the amazing @k-she-rambles! (I really hope this time I managed to generate a link that never expires...)

How do I subscribe?

Since the original platform I was using (TinyLetter) was shut down halfway through the second year of the newsletter, I had to figure out an alternative way to execute this project.

For the lovely people who joined the last edition of the newsletter, just a short announcement - I weighed all the pros and cons and decided to continue carrying out the newsletter the way I did after TinyLetter shut down.

For the new folks, a lengthier explanation: check out this post if you want to learn the details, but long story short: I can't send the newsletter as e-mails anymore, so instead I decided to provide you with a ready copy of the entire thing. I prepared formatted copies of the whole newsletter - September 15th to May 26th - as an .odt file, as a .pdf file, and most importantly as an .epub file, because I assume most of you are reading on your phones (if you don't already have an .epub reader, I use FBReader, and everything worked fine on my phone). At the beginning you'll find the whole table of contents with hyperlinks, so the navigation inside the document should be easy!

The MEGA folder can be accessed right here, and it's available for everyone!

In the folder linked, you'll also find a calendar file made by @none-ofthisnonsense that you can download on your phone and import into your calendar app so that all days when we read are marked in your calendar!

If you want to receive notifications about when there is an entry to read, you can also follow @is-today-a-lotr-newsletter-day and turn on notifications! This is a blog created solely for notifying you all when we're reading a new fragment of the newsletter, so all notifications you'll get will be about new entries, and nothing more. The notifications are meant to be the equivalent of sending e-mails.

Anything else I should know?

Please don't rat me out to Tolkien Estate/j, and have fun reading!

(And as a PS.: Thank you very much if you join - or join again! Last year was very tumultuous because of all the changes in the format, and I know the new way is not for everyone - but introducing more changes again felt like once more creating new chaos, so I decided to stick to a solution that mostly worked. I hope you understand!)

See you on September 15th!

[mask131]

November is usually my Shining month, and so I want to bring forward again something I have been repeating for a long time now but that I don't see being picked up a lot by people. A detail that is well-hidden inside the Doctor Sleep movie, but that makes the piece even more infinitely appreciable and shows it was made by true Shining fans.

And this detail is... the ghosts of the Overlook Hotel.

Now, when this bunch appeared during the final scene some familiar faces could be spotted. Grady of course, the Injured Guest from the "Great party, isn't it?" scene, the Twins, and of course the Woman of Room 217 -sorry, 237. But there are other faces there - seemingly random people in fancy outfit just for the sake of it. People were confused as to who these people were...

But all you have to do is look at the end credits. And you have a big surprise.

The familiar faces are confirmed to be the ghosts we always thought we were, or to correspond to famous ghosts of the original novel. The twins are confirmed as Grady's two daughters, while the woman in the white dress (not on the picture above but you can her in the scene) is Mrs. Grady. Meaning we have the whole Grady family as ghosts. The woman of room 237 is confirmed to be indeed Mrs. Massey, just like in the book ; as for the Injured Guest (only referred to as "injured guest" in the original scripts of The Shining), the sequel decided to make him Horace Derwent. Meaning he likely can switch between a young/attractive and older/more gruesome form, just like Massey's ghost, since in the original movie Derwent was clearly seen though not named in the scene with the man wearing a dog-bear-like costume (the script confirms it is supposed to be a dog costume though).

Alright, but what of the others? Now this is where things get interesting! The bald man to the right of Grady? That's Vito the Chopper. Yes, the Vito the Chopper from the novel by King, the mafia boss who got his head blown off in the Presidential Suite - as for the two men near him, they are his two bodyguards, Victor T. Boorman and Roger Macassi. Also from the book. These three characters are actually an Easter egg for those who read the book (and we know from the original treatment of Kubrick's movie that the criminal paradise-era of the Overlook and the murders at the Presidential Suite were originally supposed to play a big role in the cinema version of the story too).

But things get even better with the last ghost of the group. He doesn't appear in the picture above either, like Mrs. Grady, but you can notice him during the scene, a large man right behind Mrs. Grady when the ghosts first appear (he is played by Marc Farley). And the ghost's name, as revealed in the credits is... James Parris.

Now, fans of the novel might wonder "Wait... Who's that? I don't recall reading about him". And indeed, you did not! At least if you just read the regular version of the novel! James Parris is however a true character of the Shining, a true victim of the Overlook Hotel, a character written about and invented by Stephen King... But he is part of the deleted prologue of the novel, "Before the Play". You know this prologue that was not part of the published novel but was released in various TV magazines several times, and then finally re-added to the main novel in the collector Cemetery Dance edition of "The Shining"? You must have heard of it - even before the Cemetery Dance release the prologue was going around the Internet, published on small fan websites and discreet literature blogs...

And James Parris was, according to the first part of this prologue (detailling the building and creation of the Overlook... and its first victims) the second owner of the Overlook Hotel. A man that was touched by the same obsession and madness for the hotel that had overtaken Watson's grandfather (the actual builder and first owner of the Hotel), and, if I recall well, ended up dying of a heart attack on the hotel's garden-grounds (near the topiary beasts if I recall well, but I am not too sure, I haven't read the prologue in a while).

So all of that to say - not only did they bother placing an Easter Egg for the fans of King who had read the original book ; but they also placed an Easter Egg for those that knew of or had read the Before the Play prologue, which most regular fans of the novel never even heard about! If this isn't commitment to researching your source material, I don't know what is!

[mxqdii]

Haii! New follower here I was wondering if you could do hcs for Matt Sturniolo having a gf who’s a solo artist/in a band ??

hi love!! thank u sm for the follow! and tysm for the request! hope u enjoy<3

headcannons - m.s x singer gf

pairings: matt sturniolo x reader

summary: matt x singer reader headcannons!

warning(s): N/A

matt would so SO supportive like prove me wrong

he would go to every concert you/you & your band have + singing EVERY lyric (yes he knows 'em all)

he'd repost all your/concerts performances on his story 100%

if you were going on tour, he'd post the announcement along with some cringe cute paragraph saying how proud he is of you (im in tears)

honestly finds it so 🤭 that you can sing/play as well as you do (always praising u on how good you do)

if you have trouble writing a song, he wouldn't let you beat yourself up abt it considering how amazing you are.

he'd give you lyric/song ideas !!

IF YOU WROTE A SONG ABT HIM??? he's listening to the whole thing eyes wide (imagining this has me sobbing)

wears your merch (fans notice in the car vids)

fans would totally edit you two to one of your songs

if you wrote/played a sad song he'd probably ask you a bit about it but other than that absolutely astonished at your talent

if you're anxious before a show he'd be so good at calming your nerves, like i can totally see him backstage hyping you up and giving you breathing exercises

"you're gonna do great baby i know you will" AHHHSJKSJ

reminder that nick and chris would absolutely LOOOVVEE your music as well and support u the whole way through.

if you wrote and published a song you didn't like, matt would start posting with it and playing it until you liked it. (or he'd compliment little details of the song)

(for example ^) "i really like the drums during this part" or like "oh my god the lyrics during this part?" he'd do pretty much anything to make you as proud as he is (but you and him both know that's not possible as he is your number 1 fan.)

if you're in a band, he loves your bandmates and they all love him, they all mesh really well together.

would help you set up the stage before a concert

usually gets spotted in the crowd (vip section obvi) and fans edit they way he looks at you while you're performing.

if you WERE in a band and then announced a solo album, he would be so endlessly proud

you obviously show him all your music before you release it and he finds it so adorable, he'd watch you rant about every song and listen so intently.

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@strniolo @stargirlv0id @annaisabookworm