#eleanor and fred

[avitha]

Aladdin and Jasmine - Begin the Beguine

for Superfan44t on Twitter

[clarulitas]

ELEANOR POWELL and FRED ASTAIRE — Broadway Melody of 1940 (1940) dir. Norman Taurog

[womansfilm]

A Millionaire for Christy (1951)

[musicalfilm]

eleanor powell & fred astaire in broadway melody of 1940 (1940)

[cinematicfinatic]

[shy-girl04]

Fred Astaire, Eleanor Powell, Begine the Beguine, 1940

[davidhudson]

Eleanor Powell, November 21, 1912 – February 11, 1982.

With Fred Astaire in Norman Taurog’s Broadway Melody of 1940.

[citizenscreen]

Fred Astaire and Eleanor Powell Rehearsing the now legendary tap routine in BROADWAY MELODY OF 1940

[lulu-cat-princess]

Kitty 🤝 Fred

A ray of sunshine who loves and cares for their relative, whose name begins with the letter E, despite the fact that they are mean. It took a death for their mean relative to regret their unkindness. While confronted with death, the mean relative wants to make amends for their unkindness.

[mthguy]

One of the greatest tap dance numbers ever! Fred Astaire and Eleanor Powell tap their way to stardom to "Begin the Beguine" in Broadway Melody of 1940.

[toongrrl-blog]

Couples Costumes!

Eeeeeeee @fishyyyyy99 @furoruisa, Happy Halloween NHIE and Flintstones Fans!

[clarulitas]

Fred Astaire swoons over Eleanor Powell in Broadway Melody of 1940 (1940) dir. Norman Taurog

[gatutor]

Eleanor Parker-Fred MacMurray "Un millonario para Christy" (A millonaire for Christy) 1951, de George Marshall.

[raynbowclown]

A Millionaire for Christy

A Millionaire for Christy (1951), starring Fred MacMurray, Eleanor Parker, Kay Buckley, Richard Carlson Synopsis of A Millionaire for Christy This hilarious comedy gave Fred MacMurray a chance to show his comedic chops as Peter, a radio personality who is told he’s just inherited two million dollars by a gold-digging secretary. Continue reading Untitled

[byneddiedingo]

Eleanor Powell and Fred Astaire in Broadway Melody of 1940 (Norman Taurog, 1940)

Cast: Fred Astaire, Eleanor Powell, George Murphy, Frank Morgan, Ian Hunter, Florence Rice, Lynne Carver, Ann Morriss, Trixie Firschke. Screenplay: Leon Gordon, George Oppenheimer, Jack McGowan, Dore Schary. Cinematography: Joseph Ruttenberg, Oliver T. Marsh. Art direction: Cedric Gibbons. Film editing: Blanche Sewell. Music: George Bassman, George Stoll; songs by Cole Porter. 

"Glorious Technicolor," as a song in Silk Stockings (Rouben Mamoulian, 1957) dubs it, was the hallmark of MGM's musicals, starting with The Wizard of Oz (Victor Fleming, 1939). The fourth and final iteration of MGM's series that started with the Oscar-winning (but now laughably antique) The Broadway Melody (Harry Beaumont, 1929) and continued with Broadway Melody of 1936 (Roy Del Ruth, 1935) and Broadway Melody of 1938 (Del Ruth, 1937) was supposed to be in color, but uncertainty about the European market where war was breaking out caused the studio to cut back on the budget. But who needs Technicolor when you have talent like Cole Porter, Fred Astaire, and Eleanor Powell, especially in the big shiny black set for the finale, with Astaire and Powell dancing to "Begin the Beguine"? We probably won't see the likes of that again ever. For that matter, who needs a plot? Most movie musical screenplays were just threads to string the gems on, and the one for Broadway Melody of 1940 is no exception. Astaire and George Murphy play a down-and-out dance team, one of whom gets a chance at the big time, performing with Powell in a new Broadway show. The problem is that there's a mixup about which one is owed the big break. Astaire's character is the one picked by the talent-scouting producer (Frank Morgan), but through the kind of mishap that mis-happens only in the movies, the co-producer (Ian Hunter) thinks that Murphy's character is the one he's chosen. Both guys fall in love with Powell's character, of course, and everything has to be sorted out. Norman Taurog had a good hand with this sort of comedy, thankfully, and Morgan's befuddlement, which also involves an ermine cape that he lends his dates, is moderately amusing. The only flaw is that the movie follows the tradition of its predecessors in inserting vaudeville-style specialty acts between the musical numbers, so we endure extended routines by a juggler and a comic soprano before Astaire, Powell, and Murphy can sing and dance again. This was the only teaming of Astaire and Powell, and each was reportedly intimidated by the other. Powell's dance style was more athletic and acrobatic than Astaire's, and it's demonstrated spectacularly in her solo number "All Ashore," but any fears that their styles might not mesh were put to rest by their duets to "I Concentrate on You" and "Begin the Beguine." Murphy gets shown up by both, and he looks ridiculous dancing on tippy-toes in the "Between You and Me" duet with Powell, which may be why he quit hoofing and went into politics.

[reyofluke-ocs]

8, 18, 28, 38, 48, 58, 68, 78, 88, and 98 for Spotify Wrapped ask game

cries Ali I love you but whyyy

Send me 1-100 and I'll tell you what Spotify wrapped song it is and what oc/ship it applies to!

8. Cosmic Love - Florence + the Machine

Really any ship that could become dark. Obviously the first to come to mind is Karina Lantsov and her relationship with Mal, Alina and Aleksander bc Aleksander would LOVE to drag all three into the darkness with him. But also some of my AUs for Eleanor Winters, especially the ones involving Lycan!Chris and alive Wesker (which totally does not turn into Eleanor x Chris x Wesker bc what am I if not predictable). For OCs themselves, likely Ashley Williams and Octavis Octavius. In TLoU P2, Ashley kinda goes off the rails at Joel's death (though I go back and forth between killing him and not). And Octavius, there's the whole anti-heroine Madame Octopus thing.

18. Meet Me in the Woods - Lord Huron

ELEANOR. In fact, I should double check if I've added this to her playlist yet. The lyrics just scream the aftermath of House of the Rising Sun/All Things End. Goes with Ethan to figure what wtf is going on with Mia, gets (unknowingly) killed and turned into a B.O.W, goes through hell, meets and eventually falls in love with Chris only to get betrayed bc of Mother Miranda bullshit... should probably change this to be her them song tbh.

28. Ain't No Grave - Crooked Still

This is on my Ashley Williams playlist and fits her perfectly, because nothing will keep her from her loved ones (Ellie and later Joel). She grew up doing all sorts of questionable things just for Ellie; she's even willing for a good chunk of the journey to throw Joel to infected or groups if it'll buy Ellie time to escape and live.

38. Setting Sun - Lord Huron

Funny, as much as I adore this song, it's hard to apply it to an OC or ship without diving into massive AU territory. The Darkling I can see being like this, but Karina is a Malarklina ship so kinda not at the same time since he considers all three his? Same thing could apply to an AU involving Eleanor x Chris x Wesker or Lyall x Diana or even Luke x Jana. Pretty much add unhinged possessive behavior in a dark au to an oc or ship and you get this song, haha.

48. Fire and the Flood - Vance Joy

Romantically, Eleanor x Chris. Platonically... a lot. Eleanor & Ethan, Ashley & Ellie & Joel, Nelda & Eragon and Nelda & Murtagh.

58. Renegades - X Ambassadors

My Star Wars OCs. And DBH OCs. And havent introduced her yet but my Hunger Games OC, Ada Steelberg. Rebels and resistance in some way? Yeah, this song is for them.

68. Pompeii- Bastille

Eleanor Winters, Sidney and Donna Riley-Weathers, Maureen Prescott, Nelda (to a lesser extent when you factor in events from Murtagh). 'Does it almost feel like nothings changed at all?' And for all of them, in some way, that's true. Eleanor gets dragged back into facing off B.O.W.s in Romania; Sidney, Donna and Maureen all deal with Ghostface and being legacies of og Woodsboro survivors (and as the child of Sidney and Billy in Maureen's case). It's heavily hinted at in Murtagh that there's shaping up to be a new big bad that might have been behind Galbatorix and whatnot in Murtagh, so Nelda is going from one war to another, basically.

78. Seven Devils - Florence + the Machine

Even though it's on my Eleanor playlist, it could also fit Ashley, because of the lengths she's willing to go for the few people she cares about.

88. Gasoline - Halsey

Too many, tbh. Obviously it's added to my Eleanor Winters and Ashley Williams playlists but it also applies to my DBH OCs Fred and Christi bc of the lyrics 'I think there's a flaw in my code' bc you know, they become deviants and all.

98. In Dreams - Ben Howard

I have no idea. Mind immediately goes to Eleanor but also not quite because she does get a happy-ish ending with Chris even though she does lose Ethan. In a way it also kinda reminds me of Ashley. 'I may be troubled but I'm gracious in defeat'; she's okay with who she becomes and what she has to do for Ellie and later Joel. Idk this was honestly hard.