#emily tbt

[fan0femily]

Emily Feld

[shefightslikeagirl]

TBT - The Double Door, Chicago, 2006

[lifesliced]

❝ so i was thinking —— wanna have a party this weekend? look, i''ve been totally bored lately. i mean, all we do now is study or play video games. [ ... ] c'mooon, whaddya say? let's loosen up a bit! i'll invite everyone... even the girls. especially the girls. heh. ❞ // * @muutos liked for a starter for chris from josh !!

[archer-antiope]

hereby voicing the wish for an “oops all dms!” campaign with murph, brennan, aabria, gabe hicks, jasmine, and potentially matt mercer and griffin mcelroy

[longlistshort]

In March, Strauss Studios hosted Diane Belfiglio: An Artist’s Legacy, an exhibition celebrating the late artist. The Ohio artist and educator’s exploration of light and shadow give her subjects a unique graphic quality.

Here Belfiglio discusses her acrylic paintings-

My paintings prominently feature closely-cropped, sunlit architectural forms. Although realistic in their presentation, I rely heavily on their underlying abstract qualities to give to the already imposing images an even greater sense of power. Shadows, ethereal by nature, take on a rigid structural aspect in these compositions. Colors range from brilliant to subtle in an effort to reproduce the strong sense of sunlight streaming through each piece. Although these images are visually powerful, the delicate details in the architecture—and often in the surrounding vegetation–are also prominently featured in my work. The resultant blend produces a heightened, stylized reality. I work to transform the mundane into the extraordinary, so that we see beauty in images that generally go unnoticed by most of us on a daily basis.

Here she talks about her decision to work with watercolor, like in the pair above-

Never say never. For the majority of my life, I have not taken to watercolor as a medium I ever wanted to use professionally. But in 2015-16, the Canton Museum of Art had a spectacular show of Joseph Raffael’s watercolor paintings. The colors and luminosity in his work were so amazing that I just couldn’t get the images out of my head. A couple of years later, I was called upon to teach Watercolors at Walsh University, a class I normally don’t teach. So there was another toe in the water (pun intended). Fast forward to 2020, when I finally had the urge to vanquish my demons and give it a try. I started slowly, making plenty of mistakes, but soon realized that I could create the luminosity that I crave in my work in this medium.

Tomorrow (5/3/24), Strauss Studios will be open late for Canton First Friday and showing the new exhibition Exploring Light and Darkness featuring artists Emily Orsich, Heather Bullach, Jo Westfall, Joe Ostrowske, Mary Crane Nutter, Patricia Zinsmeister Parker, and Susan Wilkof.

[tvintedspvrkmoved]

thinking this thought

and also this thought

@cordelliism has ruined my life tbh

[belliautore]

[sanctamater]

im back in my sweeney to.dd cringe era bye

[thesiouxzy]

#FBF I can’t even with how long ago this was taken… 15 years! 😫 How was 2008, one of my favorite years, already 15 years ago?! 😳 I still look exactly the same, right? RIGHT?!!! 😉😄 I loved this haircut. Viva la Every Thursday! 🎉🍻

[multimuse-rp32]

[ 𝐌𝐔𝐒𝐈𝐂 ] ― sender puts on the radio to listen to music with receiver

"Hunter! Did you wanna hear de singer of my contry, Brasil? "

Hunter was sitting on the couch looking at Emily.

"Brazil? What is that?"

Hunter says as he looks at Emily with confusion not understanding what Brazil is.

[fan0femily]

Emily Feld

[shefightslikeagirl]

View this post on Instagram

A post shared by EventMedia.Info (@uglyscenemedia)

TBT - Emilie Autumn for Ugly Scene Media, March 2011

[kitchensunflowers]

Human beings are made up of gaps. We're created by the pauses in sentences, the blank spaces that exist when we think nobody's looking. 'The Americans' understands that every single face we wear is false. Some are just falser than others.

- Emily St. James, The Americans is the best show on TV. So why isn't anybody watching it?

[hyaeth]

i need an individual headcanon thing for my babies but uh emily;

read more cus this turned into a long one 

fdgjdfkjs Her. so i’ve been writing her for 11 years now, since i was 14. so she’s very special to me. noting i do write her as very high chaos. with some alternate endings to the game. i also don’t use DH2 as a source of inspiration since i don’t care for the second game. honestly it’s my fault for pouring everything i had into her and then her turning out different LMAO so my adult emily is also different from DH2 emily, even design wise. 

sooo headcanons below for my dearest, again i don’t take anything from the second game into account, if there’s similarities then great minds think alike ig

emily has frequent contact with the outsider. and is considerably closer to him than what’s shown in the game. he stops her nightmares by transporting her into the void when she sleeps, she’s become very accustomed to the void, and views the outsider as a friend. although she would never say it, she’s still kind of a brat.

she becomes an heir to the void, of sorts. offered by the outsider. he is the void, the end and beginning of all things. his body is simply a vessel. and if he were to die, the void would consume everything. therein comes emily as the new vessel should she suffer the same fate as him. 

emily has the plague, but is asymptomatic. 

this was briefly mentioned in the game, but i kinda took it and ran with it. emily can talk to rats, they whisper to her, tell her the secrets within the walls. warning her of any decenters. she has a very special rat friend named Scruffy, he’s usually seen on her shoulder and she speaks to him frequently.

whether she is marked by the outsider is on a case by case basis. which verse i feel like writing. 

she’s extremely intuitive, this is of course something that was needed due to her circumstances, she’s very good at reading people, sometimes to the point that it seems supernatural, surreal. 

she bears a certain resentment towards her mother, not hatred, nothing so concrete. it’s betrayal, anger, knowing that she was powerless to do anything about it. she’s angry at the world and at everyone around her.

if we’re going full on high chaos, i always had this idea that she has corvo track down the guards that were supposed to be on duty when the assassination occurred, and has them killed. 

emily has makeshift gravesites for the Loyalists in the Hounds Pits Pub, she had corvo find the bodies to bury, but when he came to gather them, they were already eaten by rats. corvo brought other corpses wrapped in cloth, but emily knew. however she said nothing. 

she blames herself for callista’s death

[aemiliu-aa]

mun & muse

[austerulous]

◈   @silentknives​​ sent ❂ to get a moodboard for our muses