#episode 53 part 26

[zoe-oneesama]

Not exactly the party atmosphere we were hoping for.

Episode 53 Part 26 First < Previous > Next Season 1, Season 2, Season 3, Season 4, Season 5 Ep 41, Ep 42, Ep 43, Ep 44 Ep 45, Ep 46, Ep 47, Ep 48, Intermission, Ep 49, Ep 50, Ep 51, Ep 52

Ko-fi | Patreon

[hamaonoverdrive]

How to get into Hokuto no Ken, A Guide

Hokuto no Ken, localized as Fist of the North Star, is the wildly popular and influential series penned by Buronson and drawn by Hara starting in 1983. It is a timeless tragedy about the power of love that taps into imagery from both Catholicism and Buddhism, while also being an homage to a variety of western 80's pop culture from Mad Max to Blade Runner to Rocky.

In the current anime fanscape, HnK is perhaps best known for being one of the key influences behind Jojo's Bizarre Adventure and Berserk, however it should be known that the series' influence permeates the entire Shonen genre. Traces of the tropes and dynamics that it popularized can be seen throughout Shonen today, from Naruto's drive for love and friendship that contrasts with Sasuke's rejection of the idea and desire to sever any bonds of love, to the implementation of Haki in One Piece.

So with all that in mind, let's get into the specifics.

The place to start with this franchise is very straightforward: read the original manga or watch the anime adaptation. There are a number of movies that retell parts of the original story, but they all have different downsides and cut important aspects of the source material and thus are a bad place to start.

This primary canon is broken down into two (three) parts, as follows:

HnK or "HnK1" is the core of the series, starting at the Shin arc through the originally intended ending at chapter 136/episode 108. Most of the time if someone is referring to HnK, this is what they are talking about. The beginning of the series is a bit of a slow start, bouncing between villains of the week before actually kicking off the primary conflict (especially in the anime, more on this later). This is somewhat typical for the era-- these early arcs were written while the authors had no idea if they were going to get dropped from Shonen Jump. For this reason, I highly recommend sticking with the series until the Fang Clan Chieftain and Jagi arcs even if the beginning hasn't clicked with you yet.

HnK2 is the continuation of the series, where the authors were pressured to continue working on the series because of the money it was raking in. This naming convention comes from the title of the anime for this portion of the story, chapters 136-210/episodes 110-152. Quite frankly, the fact that this is past the originally intended ending is very evident; Buronson has been quoted as never re-reading it after publication.[1] It's very much worth checking out at least once if you enjoyed HnK1-- there are absolutely memorable characters and fights, as well as some of the best art in the series-- but be prepared for a general drop in writing quality.

"Post-Kaioh HnK" or "HnK3" is the last leg of the original manga, which has never been adapted elsewhere. Chapters 211-245.

Content Warnings

Explicit Sexual Assault

The elephant in the room when discussing this series is that some social aspects of it are very of-the-era. There are two instances of explicit sexual assault, which get dismissed as "well the perpetrator didn't have the best execution, but he did have the right idea..." The pages/timestamps to avoid this are:

Manga volume 02 pages 287-289; volume 03, pages 063-066 (Ultimate Edition numbering)

Anime episode 24, 13:04-13:53; episode 26 08:29-09:22

Mild Gore

I almost feel like it goes without saying, but this is famously the series where the protagonist makes baddies heads explode. While this is never depicted in graphic detail, HnK as a whole is going to be a bad fit if this distresses you in any way.

An early example of the aforementioned head asplosions.

Photosensitivity

The anime makes period-typical use of flashing lights in nearly every episode. If you are photosensitive (and can't take measures to mitigate the flashing), you should read the manga instead.

If you want to read the manga...

The manga is the way that I personally recommend getting into the series due to Hara's absolutely gorgeous art.

The manga is also generally seen as the true 'canon'; For example, colorschemes used in subsequent works typically draw from colored chapter/volume covers rather than the Toei anime. For this reason, this version of the series is what the Japanese audience usually thinks of when they think of HnK.

I know some people are very passionate about redhead Mamiya and crest toothpaste-head Rei, but the Toei colors functionally exist in their own separate continuity.

Reading the manga in English is far better now than it was even three years ago, as there are multiple English versions now available.

The official VIZ release is the defacto highest quality out there (support the print copies if you can). While there are a few odd translation choices and the SFX have been replaced with English ones, it has the highest fidelity copies of the original art and even has the original color pages that have not been published since the original Shonen Jump release.

To think that these wonderful colored pages were completely inaccessible, even to JP audiences, until Viz started rolling out the English volumes.

However, the Viz release is ongoing and only covers until volume 11 at the time of writing. If you want to read the rest of HnK2 (or highly value the original SFX and a smoother translation), you should seek out the official eOneBook release. This is sometimes labelled as "Digital - 2018" and is a rip of an official English translation that was released for a specialized eReader, copies of which been floating around online since about 2020.

There is also an older set of scanlations out there, which I would not recommend reading; The image quality is low-resolution and muddy, and there are a number of edgy translation choices such as inserting a homophobic slur that was not in the original text. I only mention this translation because it's the one on many online manga sites. Please love yourself and look elsewhere if you realize that you are reading these scans.

(left) English-language scanlations (right) Viz release from 2022. I distinctly remember first reading these pages and then immediately scouring the web to find a version of it that didn't have the contrast blown out, only to discover that this quality was all that available. Now, newcomers to the series don't have to worry about this at all.

There are two different versions of the complete manga, the original tankobons (27 total volumes) and the Ultimate Edition (17 volumes).[2] Both the Viz release and the eOnebook release are derived from the Ultimate Editions while the old scanlations are from the original tankobons, so this can be an easy way to identify which version you are reading.

As to what makes these versions different aside from chapters per volume, the Ultimate Editions clean up some of the art in the last few volumes and also includes "Last Piece", a one-shot by Buronson and Hara inserted between HnK1 and HnK2. This was written as a part of the 30th anniversary celebration, and Hara's art looks quite different 30 years down the road, making the abrupt change in style rather jarring-- consider this your heads-up.

TL;DR Read the Viz version for volumes 1-11, and the eOnebook rips for the rest.

If you want to watch the anime...

The 1984 anime adaptation of HnK is an all-time classic. It's often what western fans will think of first, between the manga being legally inaccessible in English until very recently and constant anime reruns in some markets (especially parts of Italy and France).

Toei has a tendency to copyright-strike anime clips on Youtube, so hopefully this clip of the opening will stand the test of time.

The anime genuinely excels in a few departments, namely: music, sound design, and voice acting. Even if you don't decide to watch the anime, I highly recommend looking up the OPs/EDs and putting on the OST while reading the manga.

That said, there are definitely some downsides to the anime, a lot of which were typical for Toei animations of the era. Character models and direction are all over the place, some of the animation itself aged like milk, flashing light effects make the series difficult to get through for photosensitive viewers, and stock footage gets reused many times. There also isn't a complete English dub of the show, as it got cancelled after episode 36.

And the biggest caveat to the anime: Filler episodes. Oooooh boy, early HnK filler episodes are baaaad. They don't match the rest of the series tonally and completely botch any sense of pacing. Remember how earlier I said that the series takes a while to get its footing because of early bad-guy-of-the-week format? The anime drags this out for about twice as long by adding new bad guys of the week.

The infamous "Nanto Cannonball Fist", where users are launched from a cannon and descend on their opponents with a sword. Yeah, I don't know how this counts as a school of martial arts, either. [img source]

For a first watch through, I highly recommend following a filler episode guide to skip these episodes in the Shin arc and get a better feel for what the series is about. Post Shin-arc filler tends to be a lot better, as these episodes match the manga's original tone and often fix pacing problems in the source material rather than worsening them.

That said, there are a few early filler episodes that are well-liked by fans for one reason or another, which I will detail here.

Episode 17: A (non-canonical) view into the internal politics of Shin's army.

Episode 18: In which Kenshiro fights a tank.

Episode 19: The goofiest of the goofy filler episodes. If you want to watch one filler episode to get a sense of what they are like, watch this one.[3]

Episode 21: A continuation of some of the conflicts from episode 17.

Episode 38: Features one of the best-written woman martial artists you'll see in this franchise. (This is after Shin arc, but I had to point her out. Watch this one.)

Rage Quitter 87's fansite also has an excellent episode-by-episode guide covering anime and manga differences, which can be very useful for highlighting some of the more subtle differences between the two.

An anime remake that more closely follows the manga has been announced, but we have no further details on it at the time of writing. (I wouldn't hold my breath for this, it could be several years before we know more.)

TL;DR skip the episodes listed here under "Shin arc".

So I got through the main canon, what next?

The sheer amount of secondary content for HnK out there can be overwhelming. It's one of the most profitable IPs of all time, with the bulk of those profits coming from pachinko machines that will never make it to the west outside Youtube phone clips and asset-flip games (more on this later). When the series isn't being used to sell soap, there are a number of supplemental works that are absolutely worth checking out. In this guide I will focus on works that are currently available in English.

The Official Gaidens

A series of manga with different protagonists and created with different creative teams, the Hokuto side-stories fill in some of the gaps in the primary canon. Most of them are very loving additions to the continuity and are a good place to go after finishing the primary material.

Toki Gaiden: Silvery Savior follows Toki starting from the founding of the Village of Miracles and ends after his climactic final fight, providing his lens on the events of the series and his relationship with Raoh. This gaiden does a good job of understanding what fans like about the series, and has a lot of secondary character interactions that were missing in the original work such as conversations between different Ken-oh underlings.

Jagi Gaiden: Flower of Carnage follows Jagi through his childhood, interspersed with the events of canon. This gaiden does a lot to explain why Jagi ended up the way he did, provides additional context to what the Hokuto children's training looked like, and how the world changed when the apocalypse happened. cw: rape

Yuria Gaiden: The Affectionate Mother Star follows Yuria before the apocalypse happens, giving us a snapshot of domesticity with Kenshiro, a better understanding of her abilities, and illustrating how her life was always influenced by those who had fallen for her.

Juza Gaiden: The Wandering Clouds follows Juza as meanders around canonical events, giving insight into what he was like as he shifted from wandering without drive or purpose to becoming a sworn guardian to the Last Nanto General.

Rei Gaiden: Bloody Wolf's Darkness is one that I wish I could leave off of this list, but that I will include for completeness' sake. It follows Rei before his appearance in HnK as he goes through the exact same character arc that he has in canon. The city that he wanders into has a setup directly out of a porn plot, thoroughly justifying the manga's ecchi genre-tag. cw: sexual assault. repeatedly.

Souten no Ken and Souten no Ken: Regenesis

Souten no Ken, otherwise known as Fist of the Blue Sky, is a prequel series that follows Kenshiro Kasumi, 62nd successor to Hokuto Shinken and uncle to the Kenshiro from HnK, as he has martial arts adventures and tumbles with gangsters in 1930's Shanghai. The series revisits many of the character archetypes from HnK and plays around with the same plot points in different contexts, ultimately dealing with themes of friendship and fate.

Souten no Ken is a complete manga, drawn by Tetsuo Hara with plot supervised by Buronson. Souten no Ken: Regenesis is a direct sequel that is currently ongoing, drawn by Hideki Tsuji and written by Hiroyuki Yatsu. Regenesis has been on hiatus since 2020 due to Hideki Tsuji's ongoing health problems.

While there are animes with both of these names, here I am referring specifically to the manga-- neither anime is worth your time.

There. Now you've seen the only things that matter from both animes.

Fist of the North Star: Lost Paradise

Released in Japan as "Hokuto ga Gotoku" (Like a Big Dipper), Lost Paradise is an action-adventure game from the studio behind the Yakuza/Like a Dragon/Ryu ga Gotoku series. Fans of the RGG franchise will immediately recognize the game structure and mechanics, which balance advancing the main story thread with a semi-open world where the player can stumble into comedic sidestories and play assorted minigames.

Bartending is just one of the jobs that Kenshiro can take up in Lost Paradise.

The core story of the game features an entirely original cast, but most of the main characters of HnK show up for just long enough to have fights and cutscenes full of loving references to the source material. It's pure fanservice, in the non-horny sense of the word.

Team RGG really knows how to nail dynamic fight intros and epic QTEs.

Fist of the North Star: Ken's Rage and Ken's Rage 2

Even though some of the character design choices for this game are painfully mid-aughties (looking at you, tribal tattoo pattern Ken), this intro still goes hard.

For many years the Ken's Rage series were the definitive HnK games, and with good reason. A Musou game much like the Warriors series, you can play as most main characters from the series and mow down waves upon waves of bandits. Some may find the gameplay repetitive, but it can also be relaxing depending on how you look at it. (If you've played a Warriors game before, you know what you're getting into.)

Ken's Rage 2 in particular brings "Dream Mode" to the table, which is a "what if" story mode told from the POV of each playable character. This gives us a lot of interactions that we didn't get to see in canon (such as the delightfully shippy Jagi story featuring Amiba) and also expanding on some characters that should have gotten more screentime in the original material.

Hokuto no Ken (1986 animated movie)

It's the movie produced by (largely) the same team as the anime, created simultaneously to the show. If you want to know what the anime would look like if it wasn't trying to stretch every yen as thin as it could, this is your ticket.

That said, there are some odd choices made to carve a 110 minute long arc out of the early manga. The movie starts with Ken receiving his iconic scars, and ends with the first confrontation with Ken-oh.

DD HnK

This officially kicks off the "HnK comedy series" part of this list. I feel like comedy in particular can be subject to personal tastes, so keep in mind that each of these projects approaches the series from a different angle and that some may resonate better than others.

DD HnK is a comedic take on what the Hokutobros would get up to if the world didn't end. They end up working at a convenience store managed by Ryuken (voiced by Akira Kamiya, the original VA for Kenshiro), where hijinks ensue when other characters from the series show up.

It's worth noting that there are two animes and a manga with this name. The first anime is a Flash-based ONA (which is hard to find nowadays, for understandable reasons) and the second anime is the TV anime; Both of these series as well as the manga are very largely different. All series are complete, although the English fan translation for the manga is ongoing.

DD stands for "Design Deformation", evidently.

Ichigo Aji (Strawberry Flavor)

An average day with the Holy Emperor.

Ichigo Aji follows Souther on his quest to make some good friends. :) No really, that's more or less the premise of this spinoff.

While there are animated IA shorts at the end of every episode of DD HnK2, the meat and potatoes of this series are in the manga. The manga is ongoing (albeit on long-term hiatus) and the English fantranslation is currently incomplete (also on hiatus). Each volume of the manga also has a serious chapter following different characters from the series, serving as "mini gaidens" of sorts.

Genius Amiba's Other World Overlord Legend - Even If I Go to Another World, I Am a Genius!! Huh? Was I Mistaken...

In what originally started as an April Fool's Joke, the Amiba Isekai is perhaps one of the most unexpected additions to this franchise. The story begins after Amiba's death at Kenshiro's hands, where he finds himself transported to a fantasy realm where magic and creatures like dragons are real. He decides to use his self-proclaimed "genius" to learn magic in lieu of the martial arts that he studied earlier.

This manga series started in 2021 and is is still ongoing, although the English fantranslation is incomplete and has been on hiatus.

End of the Century's Drama Shooting Arc

The End of the Century's Drama Shooting Arc, more colloquially known as the Actor AU, is a retelling of the series as though it was a live-action TV show, covering the efforts and foibles of the actors and production crew as they struggle to produce the series.

The manga for this series started in 2021 alongside the Amiba Isekai and is ongoing, although the English fan translation is currently incomplete (Noticing a reoccurring trend here? a12 and Sakura Leaves, if you're out there, we really miss your work 🥹). If you can navigate the points system (new chapters are free within a few days of release) and use Google Lens, you can get a rough translation from the official Comics Zenon website.

The Winckler Dub

While not intentionally a comedy spinoff, I'm including the Winckler Dub in this section. There are apocryphal stories about this dub being produced as a means to teach Japanese schoolchildren basic English, interviews point to this dub being a sincere project to create a version of this series palatable to an English-speaking audience.

Please, just unmute this series of clips.

The only editing I did here was to append the files. They just. Speak with pauses like that.

With several downright bizarre directing decisions (Raoh is a pirate now, evidently?) and some of the strangest line-reads I've heard in an anime, this relic of an older localization industry can easily fall under "so bad it's good". Watch this with a group of friends after having a few drinks or late night at an anime convention, ideally.

The dub does not cover the whole series, instead bundling sets of 4 episodes into a series of 6 movie-length "sagas": Shin, Ray (sic), Souther, Toki, Raoh, and Kaioh.

Hokuto no Ken: Legends ReVIVE

I feel like it would be a bit disingenuous to finish this list without mentioning Legends ReVIVE, the current ongoing gacha for the franchise. (Worth noting: I am the admin for the unofficial discord server for this game, which is also the largest and most active English-speaking community for HnK.[4])

This game is possibly one of the biggest lovenotes to the franchise as a whole, with character releases that reach into the most obscure pieces of fiction, from Last Piece to (formerly) Pachinko-only Gento practitioners. Early character models and story cutscenes were entirely asset-flips from pachinko models, but things have grown far past that in the game's past 4.5 years.

As a part of the 40th anniversary celebration for the manga, it was mentioned that there would be a new continuation of the manga's plot featured in-game, but at the time of writing we have little elaboration on this.

For a gacha, the game is relatively F2P friendly and doesn't ask much of your time on a day-to-day basis. But at the end of the day, it is a gacha that relies on predatory monetization and exploitation of gambling addictions. Caveat emptor.

But what about [x]...?

Legend of the True Savior: this movie series is another adaptation of the manga's plot, but this one doesn't really bring anything novel to the table. The same caveats about making a movie out of the manga apply, in that some odd choices get made to get arcs to fit in a movie timespan. It's there I guess, if you can stomach the artstyle.

Shin HnK/New Fist of the North Star: is victim-blamey rape apologia. There really isn't any reason I can recommend watching it, outside maybe looking up the final fight (where Junichi Hayama's direction really stands out) and the closing song (Oasis by Gackt).

Animated Gaidens (ex Ten no Haoh, Kenshiro Den, etc): these are one of the few things I haven't seen, and for the most part they don't come up in discussion. They're probably fine, but I just don't have the knowledge to comment on them.

Live Action Movie: don't. It's not even so-bad-it's-good, just don't.

In Conclusion

I hope this guide helped take the edge off of trying to figure out how to navigate such a sprawling series, and that it was genuinely informative about both what each work entails and the general context around it. This franchise is something I've really enjoyed digging into over the years and I did my best to convey that love and enthusiasm in this guide.

I may write more meta about HnK in the future, because I absolutely have a lot more to say. There's a lot for me to go on about regarding what the series means to me and why more people should pick it up, as well as putting together standalone character analyses from assorted ramblings on Discord.

Thanks for reading!

References

[1] From running the provided link through DeepL:

Buronson: By the way, I don't read much when a work is published in book form. As far as Fist of the North Star is concerned, the second part has never been published. Interviewer: What? Not even once? You didn't read it at all? Buronson: That's right. But I read the whole book from the beginning the other day.

[2] Not to be confused with the unrelated Master Edition, which was the first attempt to bring the manga to the English market. This version is a full-color version of the original tankobon release, of which only the first 9 volumes were completed. It can be a neat novelty to check out once you're familiar with the series, but the non-Hara colorings can be a mixed bag.

[3] There is a story that this episode was so goofy that it made Hara and Buronson visit Toei in person and tell them to cut that shit out. This claim comes from the book "Our Favorite Fist of the North Star" , which is a fanbook that featured some interviews with members of the anime studio staff, with absolutely zero input from Hara and Buronson themselves. Between the fact that Hara and Buronson were both stated to have been incredibly busy with producing HnK and did not have time to watch the anime and the fact that this claim directly contradicts how they barely met in-person during the production of the series, it seems likely that this bit was made up as a gaff and/or hyperbole by the interviewee.

[4] There are also smaller, more fandom oriented, centers for discussion-- but I'm not about to link them on a post that gets recirculated publicly.

Special Thanks

@/KiliHito (discord) for helping me source the interviews, digging into the truth about the fabled Nanto Cannonball episode, and giving me context for some of HnK's influence in modern shonen.

@takis-breathing-dragon for having the Winckler Dub clips on hand and spotting some typos.

[wen-kexing-apologist]

Dead Friend Forever: Squicks and Triggers

Hello friends, I am here to sing my praises for Dead Friend Forever and implore as many people as possible to watch it. I know that it is in the horror/slasher genre and there are some pretty heavy things going on in it, so in case you want to jump aboard the incredible writing, story-boarding, editing train that is DFF but are worried about the content, here are as many of the possible squicks and triggers I could find. Color coded time stamps are where something plot relevant happens. If you are not able to watch that scene you are welcome to reach out to me via DM or ask for a summary of what occurs: 

Episode 1

00:31- A bloody altar with offerings that include intestines

00:43-00:51- creepy masked figure wielding an ax followed by significant blood splatter

01:00-01:19- intro sequence includes creepy masked figure, gun, bloody handprints, knife

1:35-1:55- blood and intestines, mentions of ritual animal sacrifice, close up on intestines crawling with maggots. Reference to mass suicide (These are all only on screen for less than a second at a time, and interspersed among the primary visual of the main characters sitting in the back of a truck)

02:52-03:00- Vomiting      

16:17-16:30- two audio cue semi-jumpscares, no visuals and nothing happens 

18:40-18:41- Jumpscare 

19:16- 19:28- random disembodied hand painted completely black appears from nowhere and slides across a character’s crotch

20:10-20:14-  jump scare of creepy masked figure and under scoring 

20:33-20:48- Blood on ground 

25:12-25:23- sounds of screaming 

25:50 - blood trail on the ground 

26:01- masked figure appears 

26:12- character run straight in to a sharp branch and is impaled 

29:41-29:45- blood

30:16-30:19- blood, including blood pouring out of a mouth 

30:34-30:38- blood, including blood pouring out of a mouth 

36:38-36:40- jumpscare

37:37- Blood, catatonic person impaled by branch visible throughout the scene

39:28-39:29- jumpscare

39:33- 39:35- creepy masked figure

40:10-40:12- jumpscare 

40:12-42:27- scene is interspersed with visual of unconscious, impaled character

Please note 42:27 is the end of the episode, next episode preview occurs after that, there is potentially triggering stuff in the preview. For space saving reasons I am not going to do the previews, just skip them. 

Episode 2

General Content Warning: At many different points in the show you will see a character catatonic and impaled laying on the couch. He will (for the most part) remain this way throughout Episode 2-4. From this point forward I am only going to add squicks and triggers around that character unless some sort of change or special attention is called to the character. 

Episode 2 begins at 00:40

004:47-05:09- intro sequence

05:26-5:45- knocking, lights flickering, objects falling and breaking

06:04-7:00- horror movie shit, door unlocks, smoke appears, creepy masked figure enters with heavy breathing, close up on mask with blood, cut after a swipe with an ax

10:48-10:52- flashback to the creepy shit that happened in the bathroom [6:04-7:00]

1:47-12:49- close up of bloody impalement 

15:14-15:26- a raised and bumpy rash akin to boils 

15:26-15:28- creepy masked figure seen in mirror

23:18-23:25- creepy sound

24:30-24:32- close up of the impalement wound with squelch sound effect 

26:38: jumpscare

26:59-27:02- egregious amounts of blood pouring out of every visible orifice 

27:04-27:12- visual of blood dripping down a character’s face from the eye sockets and the mouth 

27:13-27:55- character being strangled to unconsciousness, appearance of creepy masked figure in background

28:00-28:04- disembodied, agonized screaming 

28:32-28:35- bloody rag and knife 

36:52-36:53- man drives straight through a garotte stretched across the road 

37:06- 37:11- decapitated body spurting blood

38:02-38:04- close up of decapitated head

38:49-38:58- gagging sounds 

39:09-39:11- decapitated head 

39:53- jumpscare of creepy masked figure

43:17-43:20- decapitated head

43:33-43:40- decapitated head, decapitated body, something starts moving underneath the decapitated body’s t-shirt

Episode 3

Recap is 00:00-03:09 and contains potentially triggering content (as listed above) 

03:10-03:16- decapitated body and then decapitated head depicted on screen

06:50-07:17- Show intro- same deal

10:36-10:38- dead body 

12:27-12:47- close up of decapitated head, followed by pooling blood and the sound of flies, squelching and something moving underneath the shirt of the decapitated corpse

12:58-13:00- something moving underneath the shirt of the decapitated corpse with squelching

13:11-13:28- something moving underneath the shirt of the decapitated corpse with squelching, close up of decapitated head, dog sniffing at the decapitated corpse

15:25-15:27- jumpscare, creepy masked figure throws an ax 

22:04- character grabs at the impaled object, squelching sound

25:18-25:21: blood

26:12-26:18-  significant blood smear 

26:49-27:09- bloody tapestries, bloody altar, bloody statues

27:23-27:33- bloody tapestries, bloody altar, blood splatter

28:37-28:46- bloody figurines, intestines and other organs covered in blood and maggots underscored with creepy piano music 

30:22-30:28- bloody altar, bloody statuettes 

30:29-31:40- attempted ax murder by creepy masked figure, it approaches from behind, its mask is covered in blood, there is a grapple but no one is maimed

32:50- 34:12- creepy masked figure on screen pushing over empty coffins to find where people are hiding 

34:43-35:02- characters trapped in coffin 

36:38-37:49- attempted ax murder #2, two characters being strangled, creepy masked figure on screen 

38:43-39:21- seizure on screen 

40:27-40:52- character threatened with gun

40:57-41:06- creepy masked figure

Episode 4

00:10-00:40 - Show Intro

00:40- - Show recap, includes potentially triggering content from Ep 3

01:47-02:26- seizure on screen

03:20-05:30- character held at gunpoint 

05:32-05:40- close up of a bloody impalement injury followed by choking sounds from seizing character

06:05-07:30- close up of a wound which is then sutured (suturing begins at 06:42)

08:15-09:09- characters trapped in coffin, starting to lose oxygen (they do escape)

11:42-11:56- creepy masked figure 

12:23-12:25- jumpscare

13:07-13:09- silhouetted figure lurking in background with creepy whisper sound effects 

13:35-13:49- figure reappears in background with creepy whisper sound effects, character shown covered in blood 

13:57-13:59- close up of blank faced character covered in blood

19:23-19:27- vomiting

20:19-20:24- vomiting

24:38-24:41-FLASHING LIGHTS

24:43-25:00- creepy masked figure, on screen seizure, lots of rapid camera cuts of someone choking interposed over the seizure

25:01-25:06- blood dripping out of an eye, eye opens red and full of blood

26:52-27:33- unconscious body sits up, turns head slowly, and then looms menacingly over someone while creepy music plays underneath 

27:36-27:49- very creepy smile, impaled object is slowly and painfully starting to be pulled out of someone’s body

28:00-30:24- creepy smile, gaping wound seeping blood, close up of wooden stake dripping blood, threatening character at gunpoint, struggling for a gun.

30:29-32:27 character death, distressed sobbing, CPR  

37:56-39:58- characters being threatened at gunpoint

NOTE REGARDING EPISODES 5-8: One of the main threads of episode 5-8 is pretty severe bullying, there are overtones of romantic feelings between an adult and a minor that does eventually lead to a sexual relationship, lots of mental illness related plot, etc. I am going to mark some of the more explicit scenes when it comes to this, but just want to warn in advance that I will not be able to time stamp everything because these are fundamental to the plot

Episode 5

00:10-00:40- show intro 

00:40-01:10- recap, which includes some potential triggers from ep 4

45:32-46:05- severe psychological distress

46:05-46:17 suicide attempt via drug overdose (interrupted before anything happens)

Episode 6

00:00-00:40- show intro 

15:05-17:26 scene contains hints at attraction between teacher and student

23:08-23:12- jump scare of creepy masked figure 

23:19-24:27- creepy masked figure + jumpscare

33:00-33:23- character being beaten

35:57-37:13- police interrogation that includes flashing camera lights

38:50-39:50- character in emotional distress while parents fight about him in his presence 

42:53-44:06- suicide attempt via drug overdose (interrupted with character being forced to spit pills out)

Episode 7

00:00-00:40- show intro

01:04-01:10- character being forced to spit out pills during suicide attempt (in the recap) 

19:00-19:02- use of the “r” word

24:00-24:23- creepy masked figure, character being strangled

26:10-30:00- clear attraction between teacher/student, including the teacher putting his hand on the student’s knee and holding hands

30:00-31:00- flirting and kissing between teacher and student (kissing begins at 30:34)

40:08-43:33- teacher/student with sex scene (sex with minor beginning at 41:34)

44:02-44:50- teacher/student sex scene 

45:00-45:23- revenge porn posted on social media, video of teacher/student sex visible

49:25- 49:54- psychological distress that includes character hitting himself in the head repeatedly

Episode 8

00:00-00:40- show intro

05:23-05:28- implication that character was hit by car

06:00-06:46- parents arguing about how bad their child is while he watches 

07:44- 08:42- emotional distress

09:20-09:22- child slapped by parent

11:07- 12:04-psychological distress

13:19-13:35- person impaled 

13:40-13:47- creepy masked figure

13:52-14:12- lots of blood coming out of orifices, strangulation, creepy masked figure 

14:12-15:17- Severe emotional and psychological distress

24:30-25:37- creepy masked figure + knife attack 

29:38-30:40- police interrogation

43:42-44:02- creepy masked figure and character being strangled 

[midnightrings]

Hawk & Tim's scenes in chronological order

Okay, so I made a list with the timestamps of each scene between Hawk and Tim to be able to watch them in chronological order (you know, to make everything even more painful). I already watched through it yesterday and it worked well, so I thought I might share it.

Note that this only includes direct interactions between Hawk and Tim. The only scenes I included where they didn’t interact directly is Mary telling Tim that Hawk betrayed him, the letter Lucy burned, and the final scene at the AIDS quilt.

If you want to watch their entire story, including all the scenes of them talking about each other, I honestly think it’s easier to just watch the episodes in order and skip to the right parts (maybe I’ll also do another one for the entire series).

I hope I didn’t forget anything. Also, I can't gurantee that everything will be 100% accurate - it probably depends on where you watch the show (e.g. if the upload comes without the recap of the previous episode, this will probably be off)

(Below the cut due to length)

1952-54

Episode 1:

4:00 – 6:15 11:11 – 14:10 17:04 – 18:34 20:32 – 30:31 37:20 – 42:13 43:07 – 43:32 45:16 – 49:07 55:00 – 57:56 1:00:08 – 1:00:59

Episode 2:

6:18 – 10:45 36:40 – 37:31 39:37 – 43:49

Episode 3:

9:32 – 11:47 2:02 – 2:23* 13:39 – 15:39 23:08 – 25:33 28:22 – 31:53 34:26 – 38:08 41:50 – 44:07 52:08 – 53:56

Episode 4:

25:42 – 33:20

Episode 5:

6:41 – 8:22 20:07 – 21:49 42:12 – 44:00 51:16 – 55:20

(unspecified year in the 1950s)

Episode 6:

46:58 – 47:44

1957

Episode 8:

10:10 – 13:41 25:08 – 31:42 39:46 – 41:13 47:31 – 49:25 50:34 – 51:58

1968

Episode 6:

6:15 – 7:02 8:33 – 10:18 13:12 – 16:34 28:50 – 31:48 41:15 – 43:38 49:04 – 50:09

1979

Episode 7:

6:06 – 10:33 15:12 – 18:04 20:11 – 24:53 27:37 – 30:06 34:55 – 40:02 45:23 – 47:29 49:32 – 51:40

1986

Episode 1:

57:57 – 59:31

Episode 2:

46:04 – 48:29 56:42 – 57:02

Episode 3:

2:24 – 5:26 25:33 – 27:37 53:57 – 55:43

Episode 4:

3:52 – 7:05 22:30 – 24:50

Episode 5:

2:05 – 3:00 55:20 – 56:10

Episode 6:

2:00 – 2:50

Episode 7:

54:50 – 56:12

Episode 8:

4:43 – 7:43 38:46 – 39:46 41:14 – 43:50 44:38 – 44:52 46:08 – 46:18 51:59 – 58:42 1:04:04 – 1:06:02

[cerealforkart]

Dungeons and Daddies the Manga the Masterpost

Welcome to Dungeons and Daddies the Manga! A complete, fan-run yonkoma-style recap of the second season of Dungeons and Daddies (a podcast about four teens kinda from our world trying to save our world after their grandparents messed it up). Use this masterpost to easily navigate yourself to your favourite episodes and remember all the nonsense our favourite daddies have crammed into this wild season.

Order the physical version of the manga, with 24 new exclusive pages over here!

Support me and this project and get a drawing with my ko-fi!

Lesson List:

Lesson 1: Dungeons and D.A.D.D.I.E.S.

Lesson 2: The Game of Life [Any% WR Speedrun]

Lesson 3: The Unbearable Linkness of Peeing

Lesson 4: Barf Bum Movie Men

Lesson 5: Dance Dance Revelations

Lesson 6: Dance Dance Revelations 2ndMix Link Version

Lesson 7: The Gofast Club

Lesson 8: Slumber Party Mayorssacre

Lesson 9: Debate Me, Cowards

Lesson 10: Dad Me To Hell

Lesson 11: That Thing? You, Dude!

Lesson 12: Scary Movie 2

Lesson 13: Children of the Code

Lesson 14: Welcome to Earth

Lesson 15: California Pizza Kombat

Lesson 16: Needlejuice

Lesson 17: OSHA’s Eleven

Lesson 18: Grand Theft Gato

Lesson 19: Pop Punk

Lesson 20: I Brought You My Catbus, You Brought Me Your Love

Lesson 21: Finding Forest Her

Lesson 22: Army of Tree

Lesson 23: Alright

Lesson 24: Spider-Boyz: Homecoming

Lesson 25: Stand and Delivery

Lesson 26: The Staircase

Lesson 27: Ei8ht

Lesson 28: King of the Hell

Lesson 29: S.O.C.C.E.R.: Shadow of Scorenogoal

Lesson 30: Mrs. Swallows-Oak-Garcia’s Home for Peculiar Teenagers

Lesson 31: Halt and Catch Fireball

Lesson 32: Con Mayor

Lesson 33: An Extremely Goofy Episode

Lesson 34: Finding Tori

Lesson 35: Apollo Four Teens

Lesson 36: When Terry Met Terry

Lesson 37: Cut My Life Into Pizzas

Lesson 38: Main Character Syndrome

Lesson 39: Hey, Dude

Lesson 40: The Teenhigh Saga: Break-in Wrong: Part 1

Lesson 41: We Need to Talk About Heaven

Lesson 42: Spirit Hallow Peen

Lesson 43: Attack on Titanic

Lesson 44: Atonyment

Lesson 45: Hell or High Father

Lesson 46: Lincoln in the No Holds Bardo

Lesson 47: Inside the Actor’s Funeral

Lesson 48: Next to Normal

Lesson 49: Halo Reach

Lesson 50: Larry the Capable Guy

Lesson 51: Cool Hand Linc

Lesson 52: Dood Riddance (Time of Your Life)

Lesson 53: Urination (Friends Forever)

Extras

Style Guide: [Part 1] [Part 2] [Part 3]

New Years 2023

Page 69.5

Anniversary

New Years 2024

The Team:

Manga by @cerealforkart​

Transcripts by @confusedfoam​

[smolwritingchick]

Forced To Believe Masterlist

A Dean Ambrose x OC story! The Shield 4th member.

Summary: Taking place during the start of The Shield's debut in 2012, follow Morgan Lopez's career as she becomes a member of The Shield, revamps herself as The Outspoken Diva and makes a name for herself in WWE.

OC Profile of Morgan Lopez

Chapter 1- So, You Wanna Wrestle?

Chapter 2- My WWE Debut

Chapter 3- Fighting Back

Chapter 4- My First Wrestlemania

Chapter 5- Becoming Heel

Chapter 6- Total Divas Season 1 Episode 1

Chapter 7- The Shield's Girl

Chapter 8- Total Divas Season 1 Episode 2

Chapter 9- The Shield Isn't Unstoppable

Chapter 10- Total Divas Season 1 Episode 4

Chapter 11- Justice Continues Being Served

Chapter 12- The Underdog from Philly

Chapter 13- Catching Up Before MITB

Chapter 14- Money In The Bank 2013

Chapter 15- Total Slap!

Chapter 16- Frustration

Chapter 17- Total Divas Season 1 Episode 5

Chapter 18- I Know What I Have To Do

Chapter 19- Do You Know Who I Am!?

Chapter 20- Total Divas Season 1 Episode 6

Chapter 21- Army of One

Chapter 22- Wiping That Smirk Off Your Face

Chapter 23- You Look Like You've Seen A Ghost

Chapter 24- Total Divas Season 1 Episode 7

Chapter 25- Mommy Knows Best

Chapter 26- Revenge Is Sweet

Chapter 27- Total Divas Season 1 Episode 8

Chapter 28- Is That You Being Serious?

Chapter 29- In Due Time

Chapter 30- Trying To Gain Momentum

Chapter 31- The Slammy Awards

Chapter 32- That Was A Miracle

Chapter 33- The Answer Is No

Chapter 34- Tribute To The Troops

Chapter 35- Morgan's Answer

Chapter 36- Move Thief

Chapter 37- Meeting Hot Rod

Chapter 38- Respect

Chapter 39- I Hate Snakes

Chapter 40- If Only You Knew

Chapter 41- Making A Statement

Chapter 42- Yikes

Chapter 43- Sister Abigail

Chapter 44- I Lost Her

Chapter 45- She Belongs To Us Now

Chapter 46- I See What You Want

Chapter 47- Armageddon

Chapter 48- Armageddon Part 2

Chapter 49- That Supernatural Stuff Don't Work

Chapter 50- What Are You Doing!?

Chapter 51- Things Got Personal

Chapter 52- He Kept His Word

Chapter 53- Harley Mode Was Captivating

Chapter 54- Rosa's Mind Games

Chapter 55- Togetherness

Chapter 56- Public Displays of Affection

Chapter 57- The Shield Against The Authority

Chapter 58- Bad News Dinner

Chapter 59- Getting The Upper Hand

Chapter 60- Annihilated

Chapter 61- Catching Up With Old Friends

Chapter 62- Wrestling's Fun

Chapter 63- Get Back Here!

Chapter 64- War

Chapter 65- Trust Is Dead To Us Now

Chapter 66- Confronting The Sellout

Chapter 67- Going Our Separate Ways

Chapter 68- They Can't Control Me

Chapter 69- Clock Is Ticking Morgan

Chapter 70- Outsmarting The Architect

Chapter 71- Closing The Chapter

Chapter 72- I Win (All Hell Breaks Loose)

[animefeminist]

Chatty AF 200: Revolutionary Girl Utena Watchalong – Part 1

We’re celebrating 200 episodes! And what better way than for mega Utena fan Vrai to talk Cy and Chiaki through their very first viewing of the series?

Episode Information

Date Recorded: October 29th, 2023 Hosts: Vrai, Cy, Chiaki

Episode Breakdown

0:00:00 Intros 0:04:02 Past experience 0:10:08 Utena in modern culture 0:12:26 Series info 0:17:55 Favorite character 0:19:20 Sub vs Dub 0:25:18 Abuse of Anthy 0:32:30 Saionji 0:35:31 Incest 0:41:53 Learning how to watch Utena 0:46:44 Experience with Ikuhara 0:50:32 Utena’s gender and sexuality 0:56:47 Outro

Further Reading

Empty Movement / @empty-movement

Vrai’s Utena Episode Analyses (with spoilers)

Dear Brother Watchalong

[lysreadsbookssometimes]

I watched the finale of young royals and here are some of my rambles, collected while watching. Enjoy.

Spoilers!!!

So i didn't make it a minute, i paused at 00:59 because i could already feel the tears coming up. What the hell.

I honestly didn't expect the reactions to the closing to be that way. A lot of screaming and blaming? Sure. But August breaking down? Very in character, but unexpected.

I was especially surprised by Vincent going for a hug to calm him down. Really surprised me.

Felice is probably my favorite person in this show ngl

And they see each other from across the room, through the partying people, and we have come full circle back to the first episode. Honestly poetic. I love it.

August got redeemed. And although i am still rationally thinking about the consequences, emotionally it works. My emotional side thinks he's earned it. Somehow.

Felice and Sara making up is healing my soul

Nils finally coming out to his friends. No comments, just that.

They are wrapping everything up so beautifully in the first 30 mins. All the smaller things. The rush from the "last" everything, everybody finally getting their shit in order, all of it. Beautiful.

I am also insanely worried about what is going to happen now. I am writing this at timestamp 26:25 and the 30:53 of emotional damage on the other side of the progress bar is still staring at me. We'll see.

And the interaction between August and Sara just killed me. And its not even over. I had to pause so i could handle Augusts puppy eyes after the rejection. Judging from the big sip of cider i just took i was subconsiously rooting for them. I think i just want them to be happy. All of them. Even Sara and August.

Okay homebro is panicking so bad he PROPOSED, he is down BAD

Also the line "You love who you are when you are with me" was killer, oh my god

The last kiss. The wiping away the tears. "It will pass." Wound, Salt, and then they twist the knife.

But it is a fitting ending. It works. It fits their characters, their journeys. They wouldn't have worked out in the long run and they get their ending. Both heartbroken, but on their way to healing.

I love and hate the idea of "one last night together". It implies and ending i am still dreading. But they deserve to forget everything for a night.

I honestly didn't realize it was still sun out and it caught me off guard so bad (or is that a sunrise? I am so confused)

I don't have the scene on hand but i am pretty sure they framed the scene in the bed at the end of s3e5 the same way as them lying on the blanket (?) here. Super interesting visual storytelling.

(Small detail here, i recently had a crash course on tv journalism and a big part of that was scenes and pictures, thats why i pay so much attention to the visual language here)

The entire lake scene is beautifully shot. The way they have mirroring motions (like brushing hair out of Willes face) in different perspectives, the way the water is shot, the entire calmness of all of it. And then they have these emotional conversations under it that build up these emotions, with these big pauses in speech, drawing out this bit of retrieve from everything.

The way they show Simon swimming away, the distance between them, when they speak about exactly that.

And how they go from Wille sitting at the lake, watching Simon swim, being physically not in the same thing as him (the lake), Simon swimming away, and then the cut over to him alone in his bed.

Beautiful, artistic storytelling.

Also fucking heartbreaking, i am nearly crying already and there are 23 minutes and 54 seconds left to completely destroy me.

I am clutching to the hope that twenty minutes are left to figure everything out and that that would be too long for this to be the end. Twenty minutes, 30% of the finale, cannot and will not be the epilogue, i dont think thats likely and i also refuse to believe that.

Okay, Stella and Frederika are finally together, at least some of my sanity is clutching on. I literally yelled "fuck yeah" and punched the air.

Henry and Valter (i hope i spelled that right) together in the fields also makes me happy. I know they were shipped a lot and although I am not a religious shipper of them, i am rooting for them. Go them.

Wille taking down the pictures could also be taking the happiness out of my heart. Whats wrong with the showrunners for making us do this rollercoaster?!?!

Also him taking off Erik and him before Simon and him. Beautiful.

OH MY GOD THE BIRTHDAY GIFT

I am not prepared. Not at all. Oh my god.

Is that like a farewell? Or a "stay with me"?

Not ready. Will press play though and hug my pillow expectantly.

I made it like three seconds. WILLES SONG?!?!?!!?!?

Wille walking through Hillerska. Seeing all those spots. All those memories.

EVERYONE TAKING DOWN PICTURES. THE GOODBYES.

THE SONG. THE SONG.

Don't let them make you hide yourself.

The callback to the football field.

"WE WERE NEVER WHAT WAS WRONG" !!!!!

All the callbacks. "I could be free" was from the "he would give up the crown for you" scene, if i recall correctly. Simon is revisiting every moment in their story.

"'Cause we were a revolution" WHY IS THIS IN PAST TENSE? NO. NO!

It shouldn't be a revolution to love another.

That quote itself. Then showing August and Sara. Back to Wille.

What is slightly concerning to me is that they haven't shown Simon yet. His voice is singing, but they show everyone but him. (Sara was on the picture, i count that, but he is nowhere. Just a ghost of memories.)

"You were my revolution before it fell apart" I'M SORRY JUST TAKE MY HEART, BREAK IT AND STOMP ON IT. SURE, GO AHEAD, DIDN'T NEED IT ANYWAY

(sorry, this shit is getting to me)

(Although, you apparently read this far through my chaos, so honestly your fault)

(Still cool you're still here)

THE SNOW GLOBE. IN THE TRASH. BROKEN. DISCARDED.

Now, are we discarding Erik or are we discarding broken and damaged things? Like this relationship? fucking tell me i am losing it here

Wille looking at August after he officially graduated. I can't read his look. And i am so confused to the situation and emotions here. Because last time they were drunk, now they are sober and both their relationships with the Erikssons are basically over. That is an interesting dynamic.

SIMONS SONG INSTEAD OF THE CLASSIC HILLERSKA HYMN. SIMONS SONG ABOUT LOVING WILLE. THE ENTIRE REVOLUTION.

Wille standing alone. Then seeing his parents, behaving different from the other parents, but at least being there.

His mom trying. The hug.

And i am finally crying. These breaks to write down my thoughts have kept this at bay so far, but a mother trying and asking for forgiveness has finally broken me. (I should bring this up with my therapist)

Wille going after Simon. And his mother smiling at that.

The heartbeat in the background. After "I never gave up on us." Hope.

WHY ARE YOU SAYING GOODBYE

YOU STILL HAVE THIRTEEN MINUTES TO FIGURE IT OUT

And again Wille is telling Simon to enjoy a holiday. It was christmas. Now its the summer holidays.

But no "i love you"s. Just a heartbeat.

Simon leaving. Again.

And Wille is hesitating. I swear the heartbeat is speeding up. He is hesitating.

And i find myself yelling at the tv for him to finally move and go after him. Fight for him. Fight for them.

Fucking move. Get your man.

And this idiot walks physically backwards. Back to society and his parents, away from his love.

Fuck me, he called Simon the love of his life. And maybe he's young and doesn't know better. But i am not much older and am fairly sure someone would not say that if they didnt mean it. SO BETTER FUCKING GO AFTER HIM.

WHY ELSE WOULD THE HEARTBEAT BE THERE? i mean i am not a medical expert but i am pretty sure that was not one heartbeat, that sounded off. I hope it was two, two hearts and their beats, two lives entangled.

Felice and Sara are actively healing my soul. I am pretty sure i have written that sentence earlier but i refuse to check.

Also Wille being uncomfortable in the car. He should have run after Simon, than he wouldnt be, change my mind.

"You will be a fantastic king."

What if i don't want that?

Ladies, Gentlemen and friends of other assorted genders: FUCKING FINALLY

An honest, open, (somewhat) calm conversation. The one thing they have needed for three seasons. We finally have it. Finally.

The visual conflict of emotions in the queen. The motherly pride and concern for her child and the disappointment and fear of the monarch losing their heir. It's brilliant acting.

The realization on Augusts face hitting him when he sees Wilhelm leave.

The shaky camera as Wille is looking around, searching. The camera was steady in the car, a bit shaky around August, and now it is full on wobbling around. It is a panic, with the music, the emotions swelling.

And then he runs. And yells. And the camera gets steadier.

The regret in his face when he can't keep up anymore. And then the hope when he sees the car stop.

The relief in Willes voice when he tells Simon. And the pain in Simons eyes. Slowly morphing into hope.

The distance between them. When Wille was coming clean, they showed the faces, not the distance between them. Just that they were talking face to face. Now, as Wille asks, if Simon is done with him, they show this distance between them.

Simon starting to smile.

And now, paused, my brain moving faster than i can type, i was wondering why he was sitting in the backseat. They must have someone else in the car. And you can see Felice peeking through the rear window.

And the way they kiss. Passionately. Not holding back. Finally free.

All their moments. Their story. Their love. Finally, them saying i love you. To each other. In the open. Free. Declaring themselves. Together.

And Wille coming with them. Their little found family. Them whoooing in the car, like they did on that night at the football game on the motor bikes.

Them being happy.

And then that final look in the camera. Finally happy, finally free.

Cut to black.

Okay, that was absolutely brilliant.

I loved it, every second of it. It was a beautiful way of wrapping everything up, a happy ending at last. For everyone.

August becomes king. Or whatever. We dont care.

Sara and Felice make up. Are friends again. Are free together.

Felice finds herself outside of money and in people. In her friends.

Sara realizes she has people that care for her and see her as she is. She finds happiness in platonic love, not romantic.

Simon and Wille end up together, overcome their differences. Find a way.

Simon has his love and reconsiled with his sister. He can be true to himself and created his song, his music. Music that touches others, Music that others like.

And Wilhelm got out of that system that caused him so much pain. He got closure, threw away the snow globe, quit being royalty. He is free, the one thing he wanted all this time. Be happy, be himself, be free.

Sometimes family is a former crown prince, his musician boyfriend, a neurodivergent horse girl and the worlds best best friend.

[I think this is the point where i thank you for reading all this. I am going to post this without reading it a second time to keep myself surprised and not edit any reactions. But i hope the rambling made some sense. Thank you!]

[heartdrift]

Every Caryl Scene (S1-11) (1080p/Logoless)

PART 1

PART 2

PART 3

PART 4

PART 5

PART 6

PART 7

Whew. I'm not gonna lie to y'all, this took forever. My goal with this was to recreate my previous Caryl compilation with 1.) all scenes intact, not missing anything and 2.) much better quality. I ran into many issues that I won't bore you with, but in summary - almost everything here is completely lossless from the original files, aside from S10, which I unfortunately had to reencode to fix a few issues I could not solve no matter how much I fiddled with it. However, it is still much better quality than the previous file I had up! These also have 6CH audio, which means that if you make fan videos and use something like Vegas Pro, you will be able to isolate the spoken audio from the music/random background noises and have better, cleaner voiceovers!

All of the seasons add up to about 123 GB, so I'm sorry that these will take up quite a bit more space than before, but the improved quality hopefully makes up for that! These are not perfect, so please forgive any little framerate bugs or very slight (hopefully) issues with video/audio syncing. I'm aware that the audio for S10 is a bit behind, but hopefully not to an extent that ruins anything - that season gave me quite a hard time, and I'm not really sure how to get it just right. It bothers the hell out of me, so I'm sorry, but I did my best. Otherwise, any issues should be pretty minor, but let me know if you run into anything major.

As always -

Credit is not necessary.

You are free to - and encouraged to - use these for anything creative that your heart desires. Just don't claim that you put these together yourself and I'm happy.

If you want me to see something you made with the scenes, tag me! I love seeing new creations in the tag, so don't be shy.

This is my love letter to y'all. It's not much, but I hope it sparks joy!

(Pssttt, psstt. If you would like episode timestamps for each season, click the link below. It's pretty lengthy and they're not precise, I just did my best.)

Season 1

00:00 to 02:52 - Episode 5, Wildfire

02:52 to 04:17 - Episode 6, TS-19

Season 2

00:00 to 14:21 - Episode 1, What Lies Ahead

14:22 to 20:05 - Episode 2, Bloodletting

20:06 to 21:38 - Episode 3, Save the Last One

21:39 to 26:16 - Episode 4, Cherokee Rose

26:17 to 27:18 - Episode 5, Chupacabra

27:19 to 42:17 - Episode 7, Pretty Much Dead Already

42:18 to 45:16 - Episode 8, Nebraska

45:17 to 51:00 - Episode 9, Triggerfinger

51:01 to 55:03 - Episode 11, Judge, Jury, Executioner

55:04 to 57:49 - Episode 12, Better Angels

57:50 to 01:12:48 - Episode 13, Beside the Dying Fire

Season 3

00:00 to 11:34 - Episode 1, Seed

11:35 to 20:08 - Episode 4, Killer Within

20:09 to 26:13 - Episode 5, Say the Word

26:14 to 31:12 - Episode 6, Hounded

31:13 to 33:14 - Episode 7, When the Dead Come Knocking

33:15 to 39:58 - Episode 9, The Suicide King

39:59 to 43:41 - Episode 10, Home

43:42 to 44:45 - Episode 11, I Ain't a Judas

44:46 to 46:18 - Episode 15, This Sorrowful Life

46:19 to 46:37 - Episode 16 - Welcome to the Tombs

Season 4

00:00 to 02:11 - Episode 1, 30 Days Without an Accident

02:12 to 06:11 - Episode 2, Infected

06:12 to 10:03 - Episode 3, Isolation

10:04 to 13:49 - Episode 4, Indifference

13:50 to 14:53 - Episode 5, Internment

14:54 to 16:18 - Episode 8, Too Far Gone

Season 5

00:00 to 20:07 - Episode 1, No Sanctuary

20:08 to 33:23 - Episode 2, Strangers

(^tw for emetophobia at 22:27 to 22:42, I know it might seem silly since this show is full of blood and gore, but I don't want to catch y'all off guard with something unexpected that might really bother you to see.)

33:24 to 34:19 - Episode 3, Four Walls and a Roof

34:20 to 34:52 - Episode 4, Slabtown

34:53 to 01:16:24 - Episode 6, Consumed

(^yes, I included this entire ep, y'all ain't missing a second of it.)

01:16:25 to 01:23:28 - Episode 8, Coda

01:23:29 to 01:27:29 - Episode 10, Them

01:27:30 to 01:28:14 - Episode 11, The Distance

01:28:15 to 01:30:58 - Episode 12, Remember

01:30:59 to 01:33:56 - Episode 13, Forget

Season 6

00:00 to 01:31 - Episode 1, First Time Again

01:32 to 09:26 - Episode 3, Thank You

09:27 to 12:59 - Episode 6, Always Accountable

13:00 to 14:59 - Episode 9, No Way Out

15:00 to 17:18 - Episode 11, Knots Untie

17:19 to 19:40 - Episode 13, The Same Boat

19:41 to 25:28 - Episode 14, Twice as Far

25:29 to 28:38 - Episode 16, Last Day on Earth

Season 7

00:00 to 02:55 - Episode 1, The Day Will Come When You Won't Be

02:56 to 03:55 - Episode 9, Rock in the Road

03:56 to 20:43 - Episode 10, New Best Friends

20:44 to 28:13 - Episode 13, Bury Me Here

Season 8

00:00 to 08:46 - Episode 1, Mercy

08:47 to 13:22 - Episode 4, Some Guy

13:23 to 15:22 - Episode 5, The Big Scary U

15:23 to 17:45 - Episode 11, Dead or Alive Or

17:46 to 20:02 - Episode 13, Do Not Send Us Astray

20:03 to 27:51 - Episode 16, Wrath

Season 9

00:00 to 02:33 - Episode 1, A New Beginning

02:34 to 07:27 - Episode 2, The Bridge

07:28 to 08:28 - Episode 6, Who Are You Now?

08:29 to 23:25 - Episode 7, Stradivarius

23:26 to 28:00 - Episode 10, Omega

28:01 to 29:41 - Episode 13, Chokepoint

29:42 to 31:01 - Episode 14, Scars

31:02 to 58:58 - Episode 15, The Calm Before

58:59 to 01:22:21 - Episode 16, The Storm

Season 10 (Part 1)

00:00 to 09:24 - Episode 1, Lines We Cross

09:25 to 35:48 - Episode 3, Ghosts

35:49 to 38:34 - Episode 4, Silence the Whisperers

38:35 to 39:46 - Episode 5, What It Always Is

39:47 to 53:52 - Episode 6, Bonds

53:53 to 01:06:48 - Episode 7, Open Your Eyes

01:06:49 to 01:19:18 - Episode 8, The World Before

01:19:19 to 01:44:24 - Episode 9, Squeeze

Season 10 (Part 2)

00:00 to 08:41 - Episode 9, Squeeze (continued from the previous part)

08:42 to 16:35 - Episode 11, Morning Star

16:36 to 20:04 - Episode 12, Walk with Us

20:05 to 31:45 - Episode 14, Look at the Flowers

31:46 to 40:01 - Episode 15, The Tower

40:02 to 01:02:20 - Episode 16, A Certain Doom

01:02:21 to 01:07:40 - Episode 17, Home Sweet Home

01:07:41 to 01:33:05 - Episode 18, Find Me

01:33:06 to 02:05:42 - Episode 21, Diverged

02:05:43 to 02:08:40 - Episode 24, Here's Ne/gan

^I don't want this post to show up in that character's tag on mobile, it would just be annoying for those fans since this doesn't have anything to do with him.

Season 11

00:00 to 09:55 - Episode 1, Acheron: Part I

09:56 to 15:29 - Episode 9, No Other Way

15:30 to 18:51 - Episode 10, New Haunts

18:52 to 24:27 - Episode 14, The Rotten Core

24:28 to 27:26 - Episode 17, Lockdown

27:27 to 37:24 - Episode 18, A New Deal

37:25 to 57:18 - Episode 20, What's Been Lost

57:19 to 01:19:32 - Episode 21, Outpost 22

1:19:33 to 01:20:56 - Episode 22, Faith

01:20:57 to 01:32:27 - Episode 23, Family

01:32:28 to 02:00:35 - Episode 24, Rest in Peace

[aricastmblr]

jungkook preocupado por jimin (a mi ver)

JiminxJungKook Are You Sure?! Jeju Disney+ Season2 Episode 3

Inicio viaje el 26 Sept 2023

BTS Map of the Soul ON:E oct 2020

Run BTS! 2019 EP.81 - 방탄 VR 1

jungkook weverse live JK BTS 03.27. 11:53 슈취타 Suchwita - se quema jimin la boca con la comida caliente en su ep.7

Run bts tv on air part 2 2022 special episode

BTSxMMA

BANGTANTVBOMB MCountdown 1st place 7mayo2022

[sirenthatmakesyouwantcake]

these are my thoughts on interview with the vampire episode 5 season 2

I've heard a few things about this episode, I've been really wanting to watch it just havent had had the time yet. I've also heard that they don't actually unpack any of it.which seems pretty on brand for them

(6:10) Sometimes, ii think i have bad handwriting, but then there’s daniel’s, which makes my feel a lot better about my own

(7:52) definitely gay (8:11) definitely

This whole interview is just a who can be the sassiest and most insane old gay guy possible

(9:46) daniel is like that one fall out boy song, he spent an entire decade high and doesn't remember any of it (or that he is gay)

(10:04) i like how they had him standing at the window, it's a nice touch

(12:53) if i just found out that vampires are real, i think i would be pretty fucking afraide too

I've been painting my nails while watching and ended up skipping on of my nails

(13:35) that was perfect, it was so close to quoting the book, it was good enough that i even recognised it before i even looked up the first few pages

(16:03) I like this louis more than the other few, he’s so much more fun and happy instead of seeming like he only sort of wanted to be there.

(17:18) it's no wonder he doesn't remember the first interview, he looks like he could barely stand if he wanted to

(22:55) 70’s armand is millennial grey

(24:21) i think someone is a little jealous (another weirdly spelled word) ((25:19) and the other one is schizophrenia), i also think two someones need to go the marriage therapy

(26:16) well that took quite a turn, and i think its shows their relationship well, how even thought why both had just yelled at each other, armand still saved him right away, and then, though i haven't gotten there yet, i assume that armand made him forget how bad it hurt, (38:22), i take parts of that back, armand basically torched him, they really do need therapy, i'm surprised they didn't end up killing each other in the time between the interviews

(29:23) poor daniel got caught in the middle of their messed up relationship

(30:01) for some reason, i thought the guy in the bag was daniel, and somehow he was revived and turned into a vampire, i clearly didn't think this through much because now that i'm thinking about it again, there in no way that would have worked

Armand is supposed to look 17, he looks 20 or so, i know his actor is somewhere in his 20’s and he did play him well, i don't think they could have done the show the same way if he was played by a younger actor.

(38:22) about time

(45:31) louis is quite a jump scare when the rest of your room is dark and quite

(51:01) once again, not talking about the problems

OTHER

I really like how both daniel’s had similar voices, specifically the gravely (i think that's the right word) parts

Conclusion of this episode: maybe all four of them could use some therapy or atleast to talk to each other and work out their problems (the last part doesn't really apply to lestat, he was not part of the sort of ok guys, not good guys, i don't think any of them really qualify as good guys except daniel, he was just caught up in everything)

This episode really put their relationship through it but i think it may have helped parts of it as well, maybe if armand and louis could actually talk they could have a better relationship that isn't just hanging off a cliff

@certainunkownlove2 was telling me about this post and i think all of you need to read it, he is so wonderful for this

Thank you for reading, now it is time for me to rest (literally speaking, it's late and i'm tired)

other episodes

S2E1 S2E2 S2E3 S2E4 S2E6

[livcarns]

Fall of the House of Usher: Jumpscares

SPOILERS AHEAD! (duh)

i love all things mike flanagan, but i’m a big chicken, so jumpscares really freak me out. so for everyone else out there who is equally as freaked out by them as me, here is a list with timestamps of all of the jumpscares in the show! some timestamps might be a few seconds off, but i did my best. enjoy!

i’ll update as i finish episodes!

Episode 1: A Midnight Dreary

0:29 Creepy, not necessarily too jumpy

0:53 Creepy again, could jumpscare you if your volume is up

17:04 After debating whether to call a doctor, their mother appears behind young Roderick in the lightning flashes

20:18 Not a jumpscare, but so so creepy. After older Roderick tells Dupin that his mother is right behind him, the detective goes on a rant about interrogation techniques. When the camera jumps back to show the room behind him, the mother is standing there, perfectly still. At 20:50, she leaves. 

51:00 Not a jumpscare, but creepy. All of the dead children stand on the balcony where the woman in the mask just was. They’re all visibly bloody and dead. 

51:59 First real jumpscare of the season. A clown in the backseat of the taxi? Scary af

Episode 2: The Masque of the Red Death

4:02 Not a jumpscare, but really creepy. Roderick falters before he can finish his sentence, and then the ghost of Prospero appears behind Dupin. He’s gone a moment later. 

19:43 He’s back. He approaches this time.

20:33 Real jumpscare this time. Thunder crashes and we cut to a closeup of Prospero’s deformed face. Dupin doesn’t even notice anything. 

56:00 Not a jumpscare, just really gross

Episode 3: Murder in the Rue Morgue

2:00 Immediately very nasty. Lots of shots of the dead bodies from the party, all decayed and gross. 

3:16 Minor jumpscare, one of the bodies isn’t quite dead and grabs Pym’s ankle. There’s a music cue with it. Kind of expected to be honest. 

24:33 Roderick freezes. A pair of blackened hands appear on his shoulders, and we cut to a shot that reveals a dead Camille is standing over him.

25:35 Real jumpscare. As Roderick is going on his little rant, he pours himself another drink. When he turns back to Dupin, Camille is in front of him, along with a music cue. He throws his glass. 

36:59 The cat is dead!! Oh no!! Napoleon follows the trail of blood to find Pluto has been stabbed. Fortunately for all animal lovers, it’s a very fake looking cat.

50:47 Jumpscare. A monkey slams against the bars of its cage behind Camille. 

Chimps pretty much are just slamming against the bars repeatedly through this scene. Beware!

Episode 4: The Black Cat

This is a very gory episode! Beware!

24:50 Leo lifts his pillow to reveal a dead rat(?) with a big musical cue

26:30 Big jumpscare! As Roderick is saying “pour your energy into kickbox-“ Leo’s body falls from the ceiling and hits the floor. It’s accompanied by a loud musical cue.

Majority of this episode is just this cat terrorizing Leo, so there’s a lot of small dead animals. Beware!

47:50 Shit gets crazy. Leo hurts the cat after it attacks him, and then the scary lady (Veena) looks super gory. 

53:53 After Roderick unties Juno’s robe, a burnt Perry appears behind her, then leans into Roderick’s face. 

57:23 When Leo breaks down the final section of the wall, the cat and Veena are there, both with an eye hanging out and pretty gross.

Episode 5: The Tell Tale Heart

5:19 The camera pans in front of Roderick to see Perry’s burnt ghost in front of him. A moment later, Roderick looks up into the balcony to see the clown. 

6:40 Roderick turns around to look back at the coffins and sees the ghosts of all three of the “bastards” standing in front of their respective coffins. 

24:12 After Dupin starts bleeding, he looks up at the ceiling, and when he looks back down, he is instead Vic. She starts screaming, but at a crack of thunder, it returns to normal. 

53:30 After this point, it gets pretty gory as we see Ali dying. 

55:09 This part is pretty horrific. Roderick opens the door to reveal Ali’s dead body. The room is covered with blood and we get some close ups of the machine in her heart. It’s very gross. 

57:05 Vic turns the scissors on herself and stabs herself. 

Episode 6: Goldbug

2:04 Not a jumpscare, but we see someone in the doorway in Tamerlane’s hallway. 

4:06 When Tamerlane opens the Goldbug box, it’s filled with maggots(?) and bloody stuff. She jumps away, accompanied by a musical cue. 

7:07 After Roderick says “Don’t all answer at once” the camera cuts to show the four dead children watching him. 

16:04 After Roderick asks “Can you see them too?” Lenore turns around and the four dead kids are behind her. 

25:21 As Roderick says “Isn’t it all just water under the-“ the window behind him is shattered and he flies forward. While laying on the ground, Tammy steps towards him, then stands over him all creepy like. It’s done when Dupin says “Roderick?”

50:53 From this point forward, it gets mildly bloody, with Tammy cutting herself on some glass. 

52:54 After “Before the inevitable” a hand reaches out and grabs Tammy around her ankle. 

Episode 7: The Pit and the Pendulum

18:00 Not a jumpscare or even scary, but the implications of what is about to happen are fucking brutal. My stomach dropped. We don’t watch what happens (thank fuck) but we do see the aftermath, and it is gory. 

23:26 The clock chimes. Scared the poop out of me because it was unexpected. 

25:28 Freddy gets all terrifying? Honestly the only way to explain it. After Annabel talks for a moment, young Freddy’s body splits in half. 

Episode 8: The Raven

2:34 Holy shit jumpscare. It’s the fucking clown again. There’s a metallic clinking sound, and when Roderick turns, the clown jumps out and grabs him. 

10:48 Not a jumpscare, but when Annabel turns and walks away, there’s a bloody hole in the back of her head. 

12:50 Repeat of the clown jumpscare from the first episode. 

51:56 Not a major jumpscare, but a crash of thunder is accompanied by a musical cue that’s a little startling. 

52:36 During a flash of lightning, Lenore’s ghost appears behind Roderick. It continues to move closer as he turns. 

53:05 The raven squawks loudly as it flies by Roderick. 

54:34 After Roderick says “Haven’t we?” there’s a crash of thunder and when he turns around, all of his dead family members are sitting around the conference table. 

1:06:36 After Roderick says “I bet I still could’ve sold it” Madeline bursts out of the basement all bloody and gross.

And that’s it!! Hope this helps!

[j2spntranscripts]

★ 2006 Paley Television Fest

Official name: 23rd William S. Paley Television Festival Location: The Museum of Television & Radio (The Paley Media Center), John H. Mitchell Theatre, Los Angeles, California Time: Saturday, March 4, 2006, 7:00pm (GMT-7) Panelists: David Bushman, Peter Johnson, Kim Manners, John Shiban, Jensen Ackles, Jared Padalecki, Robert Singer, Eric Kripke Last episode: 1x16 “Shadow”- 2/28/2006 Next episode: 1x17 “Hell House”- 3/30/2006

Question Index: 1- (10:37) SPN Origins (Kripke) 2- (12:28) Sam and Dean Motivation (Kripke) 3- (14:18) Firsts Impressions "J2," Auditioning Sam and Dean (Kripke) 4A- (16:11) Auditioning for Sam and Dean (Jared) 4Aa- (17:01) SPN Appeal (Jared) 4B- (19:24) Auditioning for Sam and Dean (Jensen) 5A- (22:13) SPN Start (Manners) 5B- (26:07) SPN Start (Shiban) 5C- (27:38) SPN Start (Singer) 6- (31:05) SPN Mythology/Formula (Shiban, Kripke) 7- (34:18) Pre-Finale Thoughts (Kripke) 8A- (35:38) Location Significance- John in Sacramento (Shiban) 8B- (36:13) Location Significance- Lawrence Kansas (Kripke) 9- (36:59) Fear "Paranormal"- (Manners, Shiban, J2, Kripke) 10- (38:55) Continuity Mistake "4 years vs 2 years at Standford" (Kripke) 11- (40:40) Network Censorship "Gore"- (J2, Kripke, Singer) 12- (43:57) Paranormal on Set (J2) 13- (46:10) Network Censorship “Sex” (Kripke) 14- (47:20) Pre-series Sam and Dean (Kripke) 15- (49:07) Samulet (Jensen, Kripke) 16- (49:55) Special effects, Gag Reels (Jensen, Jared, Manners) 17- (53:17) Religion “Jensen,” Dean Winchester cellphone # (Jared, Jensen) 18- (55:39) Impala 67 (Jensen, Manners) 19- (56:16) SPN Music (Kripke, Singer) 20A- (58:42) Acting Advice “Start” (Jared) 20B- (1:00:09) Acting Advice “Start” (Jensen) 21- (1:01:03) Props "Alcohol" (Jared, Jensen) 22A- (1:02:15) Favorite Scene (Manners) 22Aa- (1:04:13) Acting Challenges “Shadow” (Jensen) 22B- (1:05:01) Favorite Scene (Shiban) 22C- (1:06:15) Favorite Scene (Jensen) 22D- (1:07:35) Favorite Scene (Jared) 22E- (1:09:19) Favorite Scene (Singer) 22F- (1:10:19) Favorite Scene (Kripke)

(transcript below the cut)

(*if you notice any mistakes in the video transcripts please point them out thanks*👍)

◘Supernatural Season 1 - Museum of Television & Radio's Paley Television Festival Q&A by Supernatural Insider◘

(0:08)

David Bushman is standing alone on stage in front of a mic reading off a script.

Bushman: Um, hi, everyone. My name is David Bushman. I'm television curator at the Museum of Television and Radio. And I want to welcome all of you to the museum's 23rd am-annual William Paley television festival. (thumbs to his right)

That clip that you just saw is from “Route 66,” which is one of the shows that, um, the creator Eric Kripke of, um, of “Supernatural,” um, often cites is one of his influences and that explains why we picked it. (thumbs to his right) That's part of our collection. We have 120,000 television and radio, uh, programs in our collection. And I would encourage all of you to visit the Museum in Beverly Hills, and in New York w-when you're there.

Um, tonight we're really excited to be honoring “Supernatural” which was named one of the top five new series of 2005 by Entertainment Weekly. “Supernatural” is aaa- a vibrant fresh exciting show that combines all sorts of genre elements: family drama, comedy, suspense, and on top of that it just scares the hell out of you. (audience laughs) I really want to thank Warner Brothers for all they did in helping make this night happen, particularly the PR department Holly Ollis and Winson Seto. Thank- thank you very much.

Um, what we're gonna do tonight is we're gonna, um, introduce right up front the cast and the creative team, our panels for the evening. Introduce them very briefly. Um, Eric is going to say a few words about what you're going to see. Then we're gonna.. watch an episode of the program, which Eric will talk about. Then we'll bring the panelists back up. I'll ask some questions and then you guys are on. So, start thinking of questions now. Okay?

(1:42)- first introductions

Bushman: Um, so, let me start with the panelists’ intros. First, uh, one of the producers of “Supernatural,” please welcome Peter Johnson.

Audience claps and cheers. Bushman looks to his left. Johnson walks on to the stage. Bushman meets him and shakes his hand. Johnson waves then goes down the stages stairs to sit in the front row. Bushman returns to the mic.

Bushman: Uh, next we have co-executive producer and director Kim Manners.

Audience claps and cheers. Bushman walks away from the mic. Manners enters on stage with his hands fiddling with his pants’ pockets and walks off the stages stairs to sit in the front row.

Bushman: Next we have co-executive producer and writer John Shiban.

Audience claps. Shiban walks out on stage waves to the audience and goes down the stairs to sit on the front row.

Bushman: Next, he plays Dean Winchester. Please welcome Jensen Ackles.

Audience screams and claps. Jensen walks out on stage and waves. He then jogs down the stage stairs to sit in the front row.

Bushman: Next, Sam Winchester. Please welcome Jared Padalecki.

Audience screams and claps. Jared speed walks out on stage, but walks passed the stairs a bit. He grimaces then bends down to look for the stairs while laughing a little, and then jogs down the stairs to sit in the front row.

Bushman: Next, the executive producer and director, Robert Singer.

Audience claps. Singer comes out on stage and waves to Bushman. Then he walks down the stairs to sit in the front row.

Bushman: Finally, the man whose vision, uh, created “Supernatural,” is the creator, executive producer, and writer. Please welcome Eric Kripke.

Audience cheers and claps. Kripke walks out on stage. He waves to the audience then walks to Bushman and shakes his hand. Bushman walks off stage and Kripke takes over the mic.

Kripke: Hey everybody. (audience responds back) Thank you so much, uh, for coming. Uhhh, it's a little, uh, overwhelming and- and amazing, uh, quite frankly.

This is to my knowledge, I mean, the first gathering of any “Supernatural” fans anywhere. So, thank you to you and give yourself (audience cheers and claps) a round of applause.

Uhm, just quick story from the set of “Supernatural” ‘cause it just happened last night. Uh, which is they were, uh, they shoot up in Vancouver. And, uh, they were shooting up at Stanley Park or about to begin production which is a-a public park up in Vancouver. Um, and, uh- uh, we're about to start filming when they got a call that, uh, there was a man about 100-200 yards from the film company, uh, with a handgun and, uh, they called, you know, Jared and Jensen. Said, you know, “Don't come to set. There's a man with a handgun.” And- and they shut down the whole production for two hours. They called in the police. They called in the SWAT team. Uh, they stormed-

This is all true. (laughs) (audience laughs) Very true. This all just happened last night. Uh, they all stormed Stanley- you know, SWAT teams storm Stanley Park, uh, looking for this man with a gun. Uh, and it turned out to be a, uh, member of our special-effects crew. (audience laughs) (laughs) So, good times from the set of “Supernatural.”

Ehahm, anyway. So, uh, I'm supposed to introduce the episode. So, let me- let me do that. Uh, the episode we're showing tonight is, uh, “Scarecrow.” Uum. (audience claps) (nods) All right, “Scarecrow” fans in the house. Uh, “Scarecrow,” uh, was written by the, uh, very brilliant, uh, John Shiban. Uh, (audience claps) so, round of applause for John. And it was directed by the very brilliant Kim Manners. (audience claps) (clears throat) Um, and so the reason, uh, we chose “Scarecrow” is we sort of felt it was, uh, just a good mix of sort of everything that the show is about.

Um, you know we think there's really some good drama between the brothers. We think there's some good comedy. Uh, we think there's, you know, good mythology about Dad and this is the char- is the episode that introduces Meg which people online had problems with (audience laughs) I seem to remember.

Um.. and, uh- And it's, you know, just, we think a-a scary, uh, damn good episode and- and- and based on a-a good series of, uh, you know, very fun urban legends about scarecrows. And so, I'll stop rattling on. Enjoy “Scarecrow.” We'll talk after. Thank you (audience claps)

Kripke goes off stage. Video fads to black.

(6:05)- second introductions

Visual comes back. Audience is clapping while Bushman walks on a lit stage with seven empty chairs and three round coffee tables each with bottle waters on top.

Bushman: Um, are there any “X-File”fans out there in the audience right now? (audience cheers and claps) It’s, uh- Every time I see this episode I feel like shaking Dean and saying, “What are you doing trusting the cigarette-smoking manager.” (audience laughs) (looks down to read his script)

Um, I'm going to bring our panelists back up on stage. Um, our first panelist is co-executive producer and director on “Supernatural.” He's directed nearly 300 hours of television, including 53 episodes of the “X-Files” which he also produced. Please welcome Kim Manners. (audience claps and cheers)

Manners walks on stage from the front row. Bushman shakes his hand and directs him to “move all the way down, please.” Manners follows the direction and sits on the farthest chair from the stairs.

Bushman: Our next panelist is a co-executive producer and writer on “Supernatural.” He began his career as a staff writer on the “X-files,” writing or co-writing over 20 episodes, and eventually serving as executive producer. He was also co-creator and executive producer of the “Lone Gunman” and supervising producer of “Harsh Realm” and is written for and produced “Star Trek Enterprise,” “Threat Matrix,” and “USA Network's Frankenstein.” Please welcome John Shiban. (audience claps)

Shiban walks on stage from the front row. He nods at Bushman and briefly holds a hand out to the audience and then walks to sit beside Manners. A stage assistant stands behind his chair to help Shiban with his clip-on mic. The footage then switches goes back to Bushman reading his script.

Bushman: Our next panelist portrays Dean, (audience squeals and claps) (laughs) wisecracking older Winchester brother. Before “Supernatural” (laughs at audience still chuckling) (one audience member briefly screams) Before- (laughs) Before “Supernatural” he was familiar to WB viewers is Jason Teague on “Smallville.” (audience squeals and claps) I don't know if I'm going to get through these intros. (audience laughs) He had a recurring role on “Dawson's Creek” and was a regular on “Dark Angel.” He- (audience claps and cheers) (smiles and laughs) He received three Daytime Emmy nominations for his role on Days- (audience cheer) (briefly laughs, lowers his script and then looks audience) Pl-please welcome Jensen Ackles. (Audience screams, cheers, and claps.)

Jensen waves at the audience as he walks on stage. He shakes Bushman’s hand and then goes to sit beside Shiban. He shrugs at Shiban and Manners. Before he sits down he takes off his leather jacket and says, “For you Jared.” The audience laughs. Bushman laughs and then looks back down at his script.

Bushman: Um, our next panelist portrays Sam, the rebellious- (audience screams) (Bushman and the audience laugh) rebellious younger Winchester brother. Before “Supernatural” he was best known as Rory's boyfriend Dean on Gilmore Girls. (audience screams) His- (laughs) His- (laughs) (audience laughs) His film credits include-

Audience member: I love you! (audience laughs and Bushman smiles)

Jared: (from his seat) I love you!

Bushman: (increases dialogue speed) His film credits include: “House of Wax,” “Cheaper by the Dozen,” “Flight of the Phoenix.” Please welcome Jared Padalecki.

Jared walks on stage and shakes Bushman’s hand. And goes to sit beside Jensen. Jensen holds out his hand to Jared, which claps it before he sits down. The audience laughs. Jensen shakes his head and then thumbs at Jared, who’s scratching his head. The camera goes back to Bushman.

Bushman: Our next panelist executive produces “Supernatural” and directs episodes of this series. Formerly- (audience laughs) (glances at the panelists) Uh, formerly vice president of NBC drama development. He later teamed with Daniel Blatt to produce films and TV series including “V the final battle” (audience woo’s) and Stephen King's “Cujo”. On his own, he has executive produced “Midnight Caller,” Lois Clark- “Lois & Clark the new Adventures of Superman” (audience claps and cheers) and “Reasonable Doubts” which he also created. Please welcome Robert Singer.

Audience (or possibly J2 screaming) screams, claps, and cheers. Singer walks up the stairs and shakes Bushman’s hand while walking to his seat beside Jared. Singer mimics a repetitive smacking motion with both hands towards Jared and Jensen. The audience laughs. Singer and Jared shakes hands before he sits down. The stage assistant gets Singer’s attention. J2 are smirking. The camera goes back to Bushman.

Bushman: Um, our final panelist today is the creator of “Supernatural,” in addition to executive producing and writing for the series. His previous TV credits include the WB series “Tarzan.” He also wrote and co- (Jared? woo’s) -produced (audience and Bushman laugh. The audience claps and cheers.) He also wrote and co-produced the feature film “Boogeyman.” (audience starts cheering) Please welcome Eric Kripke.

Kripke walks up stage and shakes Bushman’s hand. Then he walks to his seat beside Singer. Bushman then goes to the last seat at the end and waits for Kripke’s mic to be clipped on his jacket by the stage assistant.

Bushman: Okay. I'll start with a few questions before (gestures at audience) we open it to you guys. Eric the first one would be for you.

•(10:37)- PaleyFest06;Q1 – SPN Origins (Kripke)

Bushman: I'm just kind of curious how- how this the idea for this series, um, the genesis of it. And-and how it evolved from concept to, uh, what we see on the screen.

Kripke: Um, I, eh- For a really long time I wanted to do a show about, uh, American folklore and urban legends. (Bushman nods) Sort of (gestures) kind of a subject that, you know, even back to elementary school I've been, you know, kind of obsessed with.

As a matter of fact the very (bounces his pointer finger out) my very, very first TV pitch when I first started in town when I was 23- (shrugs) 24 was a-a-a (gestures) urban legend show and I kept (gestures) trying different versions of it and kept getting Smackdown. (audience giggles and Jared smiles) Um, I tried to do it as an anthology (taps his pointer) and then I had this idea of like a (gestures) bunch of reporters in a van, like “Scooby Doo” style. (audience laughs) A-all these sort of terrible ideas.

And then, uh- And then I was, you know, working with Warner Brothers and- and- and just come off of, uh- uh, (fake coughs) ”Tarzan.” And- (audience laughs. Jared laughs.) (Kripke laughs) And, uh- and they said, you know, “What do you- What- What show would you want to do?” And I said (gestures), “Well, an urban legend show.” And they said, “Well, what- what's the concept?”

And I had this (gestures) really long elaborate storyline that I'd spent weeks and weeks on, uh, on about (gestures) a reporter. Um, and it was almost exactly (laughs and gestures) “Night Stalker.” (audience laughs) which was hilarious. Um, and, uh- and, uh, they- they (tilts his head) kind of looked at me and they were like, (shrugs) “Nah.” (audience giggles) There’re like, you know, (shrugs) “Any other, you know?” (shrugs) “What else?” and I said, “Well” (mimics writing) Because I-I'd literally scribbled it my notebook the day before, which was- I said, “Well, you know, it could be like Route 66. Like two guys on a road trip.” And they're like, (stop gesture) “We love that do that.” (Jared and audience laugh) And I-I- So, just kind of came out of nowhere, and just sort of, uh, developed from there.

And- and it turned out to be just the- the right, uhh- You know, the right way into this show. Because they can just drive it- You know, the boys can just drive in and out of a different horror movie every week, so. (audience chuckles)

•(12:28)- PaleyFest06;Q2- Sam and Dean family motivation (Kripke)

Bushman: Did you- Did you, um, at that point know w-in terms of characters who those two guys were? I mean, how did the whole this whole family element, which is so important to the show. I mean even, you know, um, you know, Jared says to-to the girl in this episode, uh, “I've got to go back because it's my family.” How did that whole family aspect-

Kripke: Um, just you know you- you write what you know. And- and I'm from a very, uh, close-knit, (Bushman clears his throat) uh, family and I have a (gestures) big brother. Um, and, uh you know, and I have, you know, a lot of, you know, really great friends and s- and just you know sort (gestures) of the way guys talk and the way they communicate without (gestures) ever really communicating anything. And.. (audience laughs) (smiles)

Um, and, uh- So, (gestures) it just kind of- It- it kind of grew- grew out of that. And, uh, so I knew I wanted to do, you know, uh- You know, in terms of characters, I knew I wanted you know the- the little brother to, you know, (gestures) be conflicted and have a lot of, you know, a lot of the angst and problems which I (gestured to Jared) threw right to Jared. (audience laughs) (J2 smile. Jared nods and clears his throat)

Um, and I wanted a- and-and- I wanted a big brother just be a total smartass. (audience laughs) I mean, that's how I started you know? (Jensen smiles, chuckles and turns to his right. Jared nods and then claps Jensen’s knees. The audience laughs.) Um, and— (Bushman: mm) and so you know and-and-and- it's- and it's, you know, w-w-with a show like this it’s, you know, the, eh, with the genre and it's sort of out there it's-it's- it really needs like a grounding influence. And so, to ground the show into family and elements of family. Um, and that (gestures), you know, that care that these brothers have for each other, uh,  (Jared offers to pour Jensen water in his glass. Jensen gives him a go ahead gesture.) really helps us because these two guys. (audience giggles) (Kripke stops and looks at J2 and J2 are biting their lips)

Shiban: They hug. They hug.

Singer and Kripke look at Jared. Jared smiling makes to put the water bottle behind his chair, but then sets it on the table. The audience keeps giggling. Kripke: Oh. Bushman: He’s pouring him a glass of water. (Kripke looks at Bushman) (mimics pouring water) He’s pouring him a glass of water.

Kripke: Yeah. (gestures) Because these two guys, I mean, the- (J2 are silently laughing) the relationship they have. I mean sometimes we have, you know, (Jensen scratches behind his ear. Jared is biting his finger and silently laughing and then Jared slaps Singer’s thigh) good subject matter and sometimes, you know, we don't. Um, (laughs) (audience, J2, and Singer laugh) but the- but the- the relationship with the brothers- these two actors always sees us through, so.

•(14:18)- PaleyFest06;Q3 - first impressions “J2”, auditioning for Sam and Dean (Kripke)

Bushman: Did- Um, were you familiar with their work? Um, or did you just bring in a ton of actors to audition for the roles?

Kripke: Uh, we, uh, auditioned everybody in town. Um, as you always do kind of on these pilots. (Bushman: uh-huh) Um, my, uh, my wife was quite the “Gilmore Girls” fan. So, (audience laughs) (Kripke looks at Jared) I, uh, I knew, uh-

Jared looking around at the audience. Audience laughs and claps. Jared points around the audience. Then smiles and laughs.

Kripke: (laughs) So, uh, I knew, uh, I-I knew Jared's work. And Jensen, uh, our director David Nutter, (Bushman: uh-huh) who directed the pilot, um, knew Jensen from, uh, (looks over at Jensen) either- Was it “Dark Angel?” From.. (Jensen: mhm, yeah) And he knew him from “Dark Angel” and so, uh- (gestures to the audience) “Dark Angel!” (gestures to Jensen) Jensen in Dark Angel!  

The audience claps and cheers. Jared woo’s and claps. Jensen gives the audience two thumbs up. Jared then goes to drink his water. Jensen looks down chuckling.

Kripke: And, uh- So, when we were, you know. (Jensen scratches his forehead. Audience member laughs.) When we were casting the characters it was- it was David Nutter who said, you know, “We have to- we have to fly down Jensen.” Who was up shooting “Smallville” at the time. So, he wasn't really in the- in the- in the pilot pool. And, you know, (shakes head) thank God we did. Because he walked- eh-uh (holds up his hands) Actually the story, which was funny, is Jensen walked in the room and-and met with us and-and-and David and Peter Johnson and I. And-and we talked to him and talked to him and we walked out the door and we looked at each other we were so exciting we're like we found and we found Sam.

Audience ohs and laughs. Jensen raises his eyebrows and nods. Kripke looks over at the boys.

Jared: I didn't get flown down. I had to ride myself (Kripke laughs: Yeah. Yeah.) Soo. (Kripke: And, uh-) I just wanted that to be known. (laughs) (Jensen is looking down smirking)

Kripke:  And it- and it was- and so, you know, these things just kind of form as-as puzzle pieces come together. And it wasn't until we met Jared that we're like, “Well that's Sam!” And we're like, (Jared chuckles) “And then, you know, Jensen could be Dean!” And then, it all just kind of, you know, it all kind of came together from there.

Bushman: That’s real interesting. Well, how about you guys, Jared and Jensen? Can you tell the story of-  

Jared: (thumbs to Jensen) I’ll let Jensen take that one.

Bushman: from your, um-

Jensen: Uh (points to Jared) you go ahead. (scratches the bridge of his nose)

Jared: (swipes hand in the air) Oh, Jensen (laughs) (Jensen: Oh no) that’s- that’s totally you. (pets his pants leg) What was the- (Jensen: honestly.) (looks at Bushman) What’s the- What’s the exact question?

Bushman: the question is-

The audience laughs. Jared rolls his tongue laughing and then turns his head down to scratch his hair. Jensen is smiling.

Jared: W (laughs to Jensen) I can-

Jensen: (to Jared) Is it a (briefly throws his hand up) spelling Bee? (Jared laughs and looks back at Bushman)

Bushman: Can you, uh, Can-

Jared: Can you use the word in a sentence?

Kripke: Spell. Spell leopard.

Jensen: Yeah, can you use that in a sentence? (straightens his shirt)

Jared: Leper?

Kripke: Leopard.

Jared: Leopard.

•(16:11)- PaleyFest06;Q4A- Auditioning for Sam and Dean (Jared)

Bushman: No, no, no. The question was, uh, Can you talk about the audition process from y-your perspective.

Jared: Well, it’s interesting, actually for me, hearing it from Eric's perspective. Um. I, uh, I’ve obviously been working with Warner Brothers for “Gilmore Girls.” And, um, the five years prior to doing the show I worked on Gilmore Girls to sort of developed a relationship with, um, some of the people at the Warner Brothers offices.

And I had kind of heard about a few of the pilots coming out. And I read this one in particular and I really enjoy the- the characters. And it really struck me as something that- I remembered hearin’ sort of (gestures) once in its breakdown of like it's (gestures) kind of a supernatural. It’s called “Supernatural” (Kripke laughs). And I was thinking like great (briefly throws up hand) “Charmed” or “Buffy,” (audience laughs) which are all great shows, but not the show I wanted to be a part of, you know? I didn't want to do “Roswell” or “Charmed” or “Buffy.” And then, when I read it I was like wow this is- this is very interesting and- and so much more than just like, “Ooo, scary show.” So-

•(17:01)- PaleyFest06;Q4Aa- SPN Appeal (Jared)

Bushman: what- what, uh, appealed to you about it?

Jared: Well, I sort of, uh, I grew up son of an English teacher. So, she was always big- and she would actually taught heroes myths and legends. So, I was familiar with mythology and sort of, uh, the Joseph Campbell taught, teachings. (turns to audience) The taught-teachings of Joseph Campbell. (audience laughs) And, uh, (Kripke chuckles) (scratches head)

Singer: Didn’t- didn't rub off that she was an English teacher. (Jensen mimics closing a film clapperboard)

Jared: It didn’t rub off. (looks down smiling and claps) (Kripke laughs)

Shiban: Yes. (Singer clears throat)

Jared: Uh, yeah. It didn't. It didn’t. I just work till 4:30 this morning in Vancouver. So, I’m a little worse for ware.

Bushman: It’s kind of interesting that you mentioned Joseph Campbell, cuz there's a little bit of “The Reluctant Hero” in your character.

Jared: Very much. I mean there's more than- there's so much more than just the Reluctant Hero. I mean, when you get into the archetypes they're sort of- each script is just bursting at the seams with archetypes and (briefly throws his hand up), you know, last thing I think these people want to hear is me going to a (Bushman chuckles) explanation of- (Audience laughs. Jensen fakes snoring) (briefly throws his hand up) I love the script. (turns to Jensen) I love the character. (shakes Jensen’s leg)

Bushman: Did, uh, so- (Jensen mimics waking up with a shout)

Jared: (leans towards Jensen rotating his pointer finger in the air) We're doing a- we're doing, um, a answer-

Jensen: (shrugs and frowns) I’m awake (reaches for the water)(audience laughs)

Jared: Okay. (turns back to Bushman, smiling and scratching his head)

Bushman: So, uh- Well, so your agent sent you script and you were- you were auditioning for Sam all along?

Jared: Uhh, right. (hits his knee) Right. I guess- I guess w-where the- where the process.. or how the process- where it was when it reached me was: read the script, see if you like the character, see if you like the script. (gestures) It was sort of like do you, you know, do you mesh with this- (gestures) Do you feel you could mesh with this script. And I felt I could and so I went in (thumbs towards Kripke) and I- and I met some of the guys, and I re-met Nutter and.. you know, sat in an office with- Who was it Kripke? (Jared leans forward than back to see Kirpke)

Kripke: (leans forward than back, in response Jared starts rapidly leaning back and forth) It was, uh, Me, Nutter, Peter Johnson we were at the-

The audience laughs. Kripke then notices the movement and starts mimicking Jared. Singer hunches down. Jensen starts laughing to himself while looking away.

Kripke: Wonderland. Offices. (Jared and Kripke stop. Audience laughs) And, uh.. Uh, yeah. And he- he came in and he had at such energy and- and just so, uh, (gestures) lived the character. (gestures) Just so was the guy. You know, it's a (gestures) cliche to say that but he really was. So, it was- it was an easy choice.

Bushman: (to Jared) And did you feel real good about it coming out?

Jared: Uvh, well (push his hair behind his ear) yeah. I-I-it was- it was b-by no means that short process, you know? I mean, that was sort of the beginning of a week or two week long (gestures) finding of scripts and characters. And I think the scripts are still being rewritten. I remember I'd seen a script and they’re like, (gestures) “This is changing. You know. Read the script, but (gestures) that's nothing to do with this.”

Kripke: (laughs) Right. Yeah. (audience laughs)

Jared: “It’s gonna change so much.” (gestures towards Jensen)

Kripke: (nods) This is true.

Jared: Which is much like it- it is nowadays. You know, (Kripke: Yeah) we get a script and they're like, “Okay, we're shooting this in a week, but it'll be a completely-“ You know? (audience giggles) (gestures) It’s just like- it-it can always can get better. And- and everybody's always working hard (flings his hand) up to the very last second, you know? Till they call action. (points up) People are working here. People are working in Canada. Just, you know, sprinting.

•(19:24)- PaleyFest06;Q4B- Auditioning for Sam and Dean (Jensen)

Bushman: Okay. (Jared nods) Jensen, what was your experience?

Jensen: (resting his head on his fist, briefly points to Jared) Pretty much the same.

Jared immediately fake sleep-snores and leans his head on Jensen’s shoulder. Kripke and the audience laugh. Jensen smirks. Jared sits up, laughing, and reaches for his water.

Jensen: Uhhh

Jared: Well said Jensen.

Jensen: (rubs his chin, laughs, sits up) Yeah. (rubs his hands) Uh, w-well, (thumbs to Kripke) like-like Eric said, they- they had originally brought me in for, uh, for the role of Sam. And, uhm, I- I knew David Nutter very well. Uh, I-I worked on, uh, testing for some- a number of pilots, um, before that. So, I-I felt very comfortable with him and with his recommendation to me coming in. And he feel good about it. (gestures) And I had a conversation with him on the phone before I come- before I came in and just he kind of gave me a spiel about Sam and, uh, (rubs his mouth) and what he thought. And- and then I read the script. And-and I was just like, “W-what about Dean?” (audience laughs.) “I liked Dean.” (audience laughs) “He's funny.” (audience laughs)

And-and, uh, it's- but (gestures) I, you know, I study for Sam. And-and I went in there and I actually kind of studied for (rubs his tear duct) Dean a little bit too just in case. And, um, I went in there and I read for Sam. And-and, uh, like Eric said. And they were like, you know. They were pleased with it. And then.. went home that evening and got a phone call and he said, “Well, uh- uh, there's this guy, Jared, uh, Pada- Pada- something-” (audience laughs)

Jared: I said Pada-something.

Jensen: (nods) Pada-something. (Smiles)

Jared: Pada-something

Jensen: and uh (grins)

Jared: Pada-some- (laughs)

Jensen: “And-and-and they really ar-are liking him” (gestures) “for-for one of the brothers.” And I'm like, “Okay.” So, of course I look him up online (audience laughs) and I'm like (throws up his hand) “He’s- he’s-“

Jared: (to the audience) He thought I was hot. (audience laughs and claps)

Jensen: He’s- (Jared laughs and scratches his head) “This guy's smoking hot.” (Jared leans back and laughs clapping his hands) “I can't play his brother and-“ Uuum, no. And-and-and- and then they said- (Jared facepalms) they'd said, “But would they like to bring you back in for Dean.” And, I of course was.. very excited about it and I came back in. (Jared clears his throat) And-and I was thrilled. So, uh, (gestures) that's kind of how it all. (gestures)

Bushman: Sut- So by the time you guys actually performed together you had already had the parts. They weren't auditioning-

Jensen: Well, no. We hadn't- we didn't have it- we didn't have it (gestures), uhh, officially.

Jared: (leans forward, to Kripke) Did we? (Jensen leans forward)

Kripke: No. We had-

Jensen: We had to do the-

Kripke: We were the on- (nods his head towards J2) they were the only actors we brought in to network. Because we- (gestures) You have to have a network audition.

Jensen: Formality of the network.

Jared: It’s usually a really terrifying process of (Jensen: Yea.) sort of (Jensen: Yeah.) these guys and gals at you audition with all year long. And it's five people that you're very, very afraid of, sitting in the room with you going for the same part. (Looks at Jensen) And when we got there it was like, “Hey.” “Hey.” “Where's everybody?” “Uh, there is nobody.”

Jensen: “Just you and me pal.” (audience laughs)

Kripke: Right. (briefly turns to Bushman) Yeah.

Jensen: And, uh-

Jared: We started (mimics writing) typing numbers down on a page- (shakes his head) I’m just kidding.

Jensen: Yeah, well (gestures) we went in and-and-and (scratches tear duct) that was yeah that was the first time we actually met. (gestures) And then we (gestures) (Jared: mhm) did a scene together, uh, for a- a-a roomful of executives and, uh, that was that.

Bushman: Okay.

Jensen: (points at Jared) and we’ve hated each other ever since. (reaches for his water) (audience laughs)

Jared: (nods) Yeah. (turns to Jensen) I poisoned your water, so.

The audience laughs. Jensen pauses and stares at his cup. Audience laughs. Jensen inspects his cup by slightly tilting it. He shrugs, takes a drink, and then sets his cup back down on the table.

Kripke: It’s a little unnerving. (Jared laughs)

•(22:13)- PaleyFest06;Q5A- SPN Start (Kim Manners)

Bushman: How about everyone on the panel? Kim, we could start with you and Ben. Talk about how you became involved with, uh, Supernatural.

Manners: I read for Sam. (most of the panelist and the audience laugh)

Jared: (throws his hands up) did everybody read for Sam or?

Manners: Well, David Nutter, who directed the pilot, is a good friend. He did season 1 of “X-files” And, uh, he called and asked if I would do a favor and, uh, come in and do one episode. Because I was kind of semi-retired after X Files. Uh, (nodding) very semi-retired. (audience laughs) And I, uh, came in did a show, uh, called “Dead in the Water,” uuh, enjoyed myself fell in love with, uh, (points to J2) Jan and Dean or is it Sam and Dean? (Jared and audience laugh. Singer pours himself some water.) Uhm, and I was driving home to my home in Missouri and they called me and said, uh, “We want you to come on as a part of the team.” And I turned around and here I am. So.

Jensen: Thank God.

Manners: And I’m having a good time.

Jared: (nods) Yeah. Thank God.

Manners: Yeah.

Kripke: Yeah, I don't know what we’d do without Kim up there. He's unbelievable.

Shiban: (nods) Yeah.

Bushman: Kim, uh, John.

Manners: I know whatchu do, you get another guy. (most of the panelist and the audience laugh)

Shiban: No, there is no other guy.

Jensen: No.

Kripke: Not true. No other guy.

Jared: There's no other guy.. named Kim.

Manners: (nods) Yep. (audience laughs) (points towards Jared and then clears throat) You know if this whole thing fails you guys can go right into stand-up. (audience laughs)

Jensen: Yea. (nods) (Jared claps his hands laughing) (points at Jared) I don't want to stand up to him another time. (audience laughs) I got to stand up on apple boxes all the time. (audience laughs)

Jared: (scratches ear) I'm pretty lazy. I’d rather sit. (Manners and audience laugh)

Bushman: John how did you-

Jared: (points to Jensen) Meanwhile! What-what (Shiban: Meanwhile?) what he- want he- what he doesn't know- what he didn't know about this whole process is that after we had him direct, uh, the- I guess it was our fourth episode we had: (counts his fingers) “the Pilot” (Jensen: yep.) with David Nutter, “Wendigo” with David Nutter, “Hookman” with David Jackson, (Manners: and then) and then (points at Manners) Kim came in.

And immediately I think from day one we were on the phone with everybody. (Manners takes a drink) (gestures) We were on the phone with (thumbs to his left) Peter and (points to Eric) with Erik and saying, “This guy is incredible.” (gestures) “Sw-Who is this guy?” (Manners sets his glass back down) And David Nutter had sort of given him this very.. sort of mysterious.. “You'll love Kim,” kind of sentence (audience giggles) at the very beginning.

Because we were going over this list of seven dir-

Jensen: Yes, the Jedi (waves his hand)

Jared: Very Jedi. (audience laughs) Yeah it was like-

Jensen: You’ll love him.

Jared: (mimics reading a script) “Who is Kim- Who is this guy?” “Oh, (waves hand) I knew him from this.” (mimics reading a script) “Who is Kim Manners?” (nods and waves hand) “You'll love Kim Manners.” (audience laughs) And sure enough, we were like, (double takes) “What?” And, um and he- and he- (his mic clip falls off) came on. And he was just incredible. (picks up mic by hand and talks directly into it.) And he was just incredible. (Jensen takes off his mic and hands it to Jared) And um, (nods to Singer) Can I- (reaches for Singer’s mic) Can I borrow? (audience laughs)

Singer: Sure. Yeah (But Jared doesn't take it and takes back his hand)

Shiban: Wow.

Jared: And, uh, (hands Jensen back his mic) And so we- w-we, uh, we basically begged and pleaded (J2 attach their mics back on to their shirts) to get him, um-

Manners: (fake mourning voice) A job! (throws his hands up) (Shiban pats his back) Just a job. (Jared: A job.) It’s all I wanted. (audience laughs)

Jared: He was hungry. (Manners laughs while rubbing his brow) He was, you know. He kept trying to bite my arm. (audience laughs) I was really worried about him (laughs).

Bushman: Yeah, I don't want to embarrass Kim, but what was so incredible about him?

Manners: about- (Bushman: about-) Who?

Jensen: Well, I-I think that- I think that, uh-uh, Jared and I just- w-we just responded well to him. I mean, he-he directed in a fashion that-that, uh, we really liked. And, uhm.. You know, it was kind of a set where guys could be guys. (thumbs at Manners) And he wasn't someone who-who directed, you know, behind a (throws hands up) screen with a (makes a phone hand gesture) telephone somewhere in LA, and was like, you know, (gestures and mimics a LA director) “Do it over and over. And then a closed up and a close up and let's get out of here and move on in the next set.” He was- (Singer reaches for his water) he was in there.

And-and you know a-a story about another, uh, episode that he directed, “Bugs,” uh, (Manners shakes his head) this was a-a scene where we had to get in (Manners mimics putting a gun in his mouth. the audience laughs) to a room with-

Manners: (turns to Jensen and waves) s-sorry.

Jensen: Yeah, no that’s-

Jared: It’s alright.

Jensen: I mean, ah, you know we get in this-this tiny little room with 65,000 bees and, uh, (Jared: ?Billions?) (gestures) the whole camera crew and (gestures) the sound crew (Manners laughs. Shiban smiles) and (gestures) then everybody's got (gestures) full bee outfits on. (audience chuckles) Then they're like, “Alright, Jared, Jensen, hop on in.” (audience laughs) And, uh-

Jared: And don't swat them, ‘cuz it makes them angry.

Jensen: And, Yeah. And I'll-and I’ll give it to Kim. He said, “You know what? If-if you guys don't have bee suits on. I'm not either.” And he went in there with, uh, (Jared: Right.) shorts and a t-shirt and a monitor.

Kripke?: Wow.

Jensen: And sat down on a box and directed us from inside the room (Manners silently laughs) with bees crawling all over our faces. (Manners and Shiban nod)

Kripke: Woah.

Jensen: It's just- it's-it that- it's that kind of relationship with Kim.

Bushman: Okay.

The audience cheers and then claps. Shiban and Jared clap. Manners briefly salutes two fingers to the audience.

•(26:07)-PaleyFest06;Q5B- SPN Start (John Shiban)

Bushman: John, how'd you get involved?

Shiban: Uh, I was going through the, uh, annual ritual of staffing season. Uh, I had a-a pilot that didn't go. So, I was available and reading all the pilots and taking meetings. And.. and read the script. Aaand loved it. Uh, and met Eric and loved him.

Kripke: Awww. (audience aw’s)

Shiban: Annnd- (smiles) I know. Aaand-

Kripke: John’s my guy. (audience laughs, Shiban, Jared and Manners smile)

Shiban: Yeah, it’s that. It’s true. Um, and, uh-uh, eh- there are a lot of- Uh, you know, I spent a long time on the “X-Files” and, uh, (gestures) I’m-I'm offered a lot of.. (gestures) scary television shows every year. It's like, (gestures) “Will you do this. Will you-“(Bushman: Yeah) And this one just struck me right away. Ehh, especially (gestures) when I finally saw the- the-the cut of the pilot.

Because it had those two things that I think (briefly pets his beard) you need to have a successful show like this. One is a great franchise, (gestures) which is the engine that runs the show. The idea that the two brothers on the road trip with a very personal agenda, eh-uh, is just great. And you can imagine- I can see instantly five years of suffering for these guys-

Jared nods. The audience chuckles. Jensen dramatically throws his head back. Jared smirks and nods. Kripke?, and audience laugh.

Shiban: And, uhhh, episode after episode. Uhh, and the second thing honestly is- is, uhh, is casting.. and chemistry. And chemistry is something you can't (rubs his hand) manufacture. And these guys have it. And they're so great to write for and they're so fun to write for.

Jensen slowly looks at Jared. Jared with a pressed smile, looks back. Audience woo’s and laughs. Shiban shrugs. Jared moves his face closer and puckers his lips. Audience laughs. Jensen shakes his head no and points to the audience. Jared stops halfway and looks down laughing to himself, and then looks up scratching his nose with a big smile. The audience laugh and clap. Shiban and Manners are smiling.

Jared: Worth a try. Worth a try.

Shiban: Yeah. (Jared chuckles) So, I said, “Yeah. I'm coming up.”

•(27:38)- PaleyFest06;Q5C- SPN Start (Bob Singer)

Bushman: Okay. Bob, how about you?

Singer: (Jared laughs) (gestures to J2) I-Can I just watch them, I don’t. (J2, Manners, and Audience laugh) Uubm, t-they had actually made this pilot. And, uh, I saw the pilot and, uh, really liked it a lot. And I think, uh, what the studio wanted was, um- (gestures) After they saw it and I got picked up, and the studio one point probably said to themselves-

Singer holds up his hands but then stops when audience starts laughing, raising an eyebrow.

Jared: (laughs) Just keep it (unintelligible)

Kripke: (opens his hands) You can't get anything done.

Jared: I can’t- (sets down his glass and then repositions himself)

Singer: (gestures to J2) This is what it's like to direct them too. (audience and Kripke laugh) Uhh- uh, the studio said, “Well, we-we-we can't give ff-40-plus million dollars to Eric Kripke.” And-(shrugs)

Kripke: (laughs) Yeah. (Jared laughs and claps his hands) Very true. (laughs)

Singer: And let him run wild. So, they said, “What we need i-is” (shrugs) “You know, some-”

Audience laughs. Singer stops and briefly looks to his right and up. Audience laughs. Singer rubs his chin and closes his eye laughing to himself. Kripke scratches his lip, looks at Singer, and laughs.

Singer: (shakes his head and then looks up at Kripke) This is so hard. (rubs his brow) (Kripke, audience, and Jared laugh)

Singer leans and reaches over and briefly covers Jared’s face, then returns to his original position. Jared laughs. Jensen is holding a glass of water and reaching for another.

Shiban: These people are very tired.

Jared: Yeah. (laughs)

Singer: Um. So, they thought they needed some, uh, you know, uh, a-a-an experienced hand to guide the young man through these rocky waters. (Jared laughs) The young- the young man of course felt what do I need this old fart for. (Jared and audience laughs)

Kripke: No way. (Singer laughs) He-

Singer: Um, anyway (gestures) we met and we met a number of times. And, um, finally our-got comfortable enough with me for, uh, for us to join up and, uh-uh, partner on this thing. And, um, (shrugs) it-it's interesting because I mean we are sort of from different generations. (gestures) And we approach, uhm, (gestures back and forth) drama in kind of a different way.

Um, but (gestures) as we sort of work together we found (gestures) that we always we really arrived (Kripke nods) at the same place even though kind of the methods (gestures) are a little different of how we get there. And it's a-

Bushman: Can you explain what you mean when you say that (Singer sits up) coming from different generations you approach drama in different ways?

Singer: Well, I don't know if that's a generational thing but I'm very, eh..

Kripke: Sober. (audience and Singer laugh) (Shiban?: And uh) compared to the drunk.

Singer: (nods) There's that, yeah.

Shiban?: (?low court?)

Singer: Um…eh- t-t-this is so boring, but, um, (audience giggles) for, um- I-I-I kind of come in (waves his hand) everything from a character standpoint of view. It’s-it's all about character to me. And I'll kind of (gestures) let the plot work itself out  given (Kripke nods) what the characters are-are gonna do.

And what I'm interested in the scenes is how.. that, you know, it drives the plot. But I'm most interested in how the characters react to it. Umm (scratches brow) and-and-and so the (laughs) stories I do (wiggles his hands up in the air) to tend to get a little like-like this but (shrugs) the character stuff is probably interesting.

Eric really works very, very hard on the stories, um, and gets the plot down. And knows that once his plot is good the-the character stuff will come naturally to that. (Kripke nods) So, we sort of go-go like this (Kripke nods) when we're in the room together. And we’ll arrive at that place which both things are serviced. And-and-and I think you- we’re really sort of one voice now (Eric nodding: mhm) that we-we rarely disagree on stuff. And it's a- (shrugs) You know, I've worked alone for a long time, so it's kind of really cool to have a partner. (shrugs)

Eric: (looks at Bushman and nods) Yeah. And (points to Singer) tah-tah blow smoke up his ass for a minute. (audience laughs) He brings a depth, uh, and-and maturity of care- of character of just depth to the drama that I could not do, you know? It-Me on me alone like is “Boogieman.” (Bushman and audience laughs) And.. and.. and like all of a sudden with him like, you know, we have a-a show where you have these characters that are psychologically rich and true and-and-and- and Bob is-is behind huge amounts of that. So, uh, we- (shakes his head) this show would not succeed, uh, at all without him. So.

Singer: Aw.

Kripke: Aw.

Audience aw’s. Singer leans over and rests his head on Kripke’s chest. Kripke holds him for a sec.

Jared: Aw. (Audience claps)

Shiban: Come on give him a kiss, would yah?

Singer: (turns towards J2) You guys can do it. We can do it.

Jared: No, it’s alright like that.

Jensen: Hey. Hey.

Manners: You guys wanna mow the lawn?

Jensen: Yeah. Around the curtains?

•(31:05)- PaleyFest06;Q6- SPN Mythology + Formula (Shiban, Kirpke)

Bushman: Let me ask one more question before I- before I open this up. But this is for the writers mostly. Um, which I guess is Eric and John. But, um- you know, Eric, you've been quoted, um, as saying that, uh, you know this show differs from a lot of the other, uh, suspense or supernatural shows that you (Kripke nods) say there, because you don't want to get involved so much in those long drawn-out stories or-or the mythology so much as you just- I don't know whether these are accurate quotes but you want to, um, just focus on scaring people and on the- on the urban, uh, folklore and-and so on and just scaring people.

But, um, I think I-I- speaking for myself, and-and maybe some people out here too, I find the mythology, uh, with the-the kids with their mom.. (Kripke: mhm.) and their dad, and, uh- um, you know, one of the really compelling parts of this story. So, um, I'm wondering how you just- an-an-and, you know, you start to see even with the last episode that-that (Kripke nods) aired last Tuesday. You're starting to see you guys are coming back to that. (Kripke nods: mhm)

Um, and I'm wondering how do you decide when it's time to sort of veer away from what “X-Files” used to call the “monster of the week” story and come back to the.. mythology of the show. So it's really for John and Eric. How do you decide when it's time to do that or-

Kripke: John?

Shiban: Uh, two things I made a lot of painful, uh, hair-pulling discussions and arguments and when should we when shouldn't we. But part of it is driven to, by just the nature of television you want to save some of your big.. moments for sweeps. And so you kind of.. work the season around that. Works a actually a very nice five or six episodes that are.. (finger quotes) “non-mythology” and then you can- you can pull the Mythology back. And, uh, and, uhh, again do the nature television. You want to end the season with some- something astounding.

And, uh, (gestures to Singer) also going to back to what Bob was saying, eehh, the mythology is all about character. It's all about.. what the boys are going through and family. (shrugs) And, so that's where we are going to head when we want to do something spectacular. So. (Singer drinks his water)

Kripke: Yeah. we- we had a- we have. And surprisingly have stuck to it. We have a, uh, a-a m-mythology plan for season one. We also have, y-you know God willing a pickup, we have mythology plans for season two and season three. But.. we have this plan of where the story goes in-in- (audience starts cheering) Yeah!

Shiban: On the CW. (Jensen is holding out a hand)

Kripke: On the CW!

Jensen: (to Shiban) When do we get to see this? (Shiban whispers to Jensen)

Kripke: Um, and-and so, you know, it was sort of the plan, which is the first.. (Jensen elbows Shiban while laughing, then Shiban keeps whispering to Jensen) seven ur- sev- about, really, the first seven (Jensen throws his head back and softly laughs) episodes you wanted to be the self-enclosed stories so you could kind of pick up new viewers. And then you start threading in a little bit more mythology.

But I think it's a balance. Because, I mean, it's my own just, you know, kind of personal taste, which is- I mean, I like a- you know, I want a satisfying story every week too. And-and um, you know, I mean “Lost” is (waves hand) an untouchable show. I mean, it's an- it’s-it's a (waves hand) brilliant and unbelievable show, but I-I- I find the endless mystery, my own, taste frustrating.

Bushman: mhm

Kripke: And- and if you're going to give ongoing mystery- (audience claps) Alright, people who believe. And, if you're going to give ongoing mystery, at least give, like, a rollicking badass story… apart from it that can have a beginning middle and end. And you can be satisfied. And the good guys can win. And you and you can have the experience being told a story. (waves hand) And then, you know, thread in the ongoing mystery.

 So, I think it's-it's-it's keeping a lot of different plates spinning. And it's not- it shouldn't be any one thing er-or another.

•(34:18)- PaleyFest06;Q7- SPN Ending, Pre-finale thoughts (Kripke)

Bushman: Do you know where the story ends?

Kripke: Um, I do actually. Yeeeah.

Bushman: Does anyone else on this panel know where the story ends?

Singer: Yeah, but we tell you, we have to kill you.

Kripke: Yeahh. Yeah. (Audience and Bushman laugh. Jared smiles) I mean, it's hard it- because you never know when you're gonna get cancelled or if you're gonna go, you know, 37 years like “Gun Smokers” (audience laughs) Or something. (Jensen chuckles)

Shiban: Oh, god. Please.

Kripke: But, uh.. Yeah.

Jared: Oh no.

Manners: The boys are in walkers. (mimics walking in a walker)

Jensen: (gruff voice) Sam! (audience laughs)

Kripke: Yeah. (nods) Right. (Kim laughs) (laughs) They’ll finish up the season and then they'll slowly die.

Jensen: Yeah. (laughs)

Audience laughs. Jensen is scratching his forehead smiling. Jared is drinking his water.

Kripke: And, uh.. So but-but yes we have, you know, really a-a-a fi- if-if I could somehow find out what the last season was going to be, or-or a five, six year plan, I mean, I sort of know that, you know, the-the final, you know, battle as it were t-that all shapes up. And, uh- But yeah, you know, it’s sort of-

Bushman: We’re gonna have to wait.

Kripke: Yeah.

Bushman: Okay. Let's take some questions from the audience. (holds hand over eyes and looks at the audience) Um, I'm gonna.. to call on two people, um, first question, a second question. Please wait for the mic, because this event is being taped, so we need to be able to hear you.

Uh, (points to the back of the audience) okay there's one all the way in the back over there, and (points his other hand towards the left of the audience) then there's one in a green shirt right down here.

(points to the green shirt again) We can start down here with the green shirt and then go to the back question.

•(35:38)- PaleyFest06;Q8A- Location Significance: John Winchester in Sacramento (Shiban)

Fan: Sorry, I had to take out my gum. Hi, um, I'm- Let me just say, I'm originally from Sacramento so I w-I wanted to know if there's any significance with their dad, John, being in Sacramento twice or just random or.. spoilery or.. Shh

Manners?: Joohn.

Kripke: You wrote it, John. Why did you use Sacramento? (audience laughs)

Fan: It’s-

Shiban: I don't want to give it away, yet. (Kripke? laughs)

Jensen: So, yes there is.

Kripke: No there’s-

Shiban: (points at Jensen) I'm gonna tell you either. (Jensen throws his hands up)

Jensen: I want to know.

Kripke: Yeah. Why?

Shiban: After. After.

Jensen: Ah, thanks a lot.

Singer: Tickets for a Sacramento Kings (Jensen: Yes.) game. Eh. (shrugs) (J2 laugh)

Bushman: So, their-their- the answer is that there is, but you're not gonna say what it is.

Shiban: Exactly.

•(36:13)- PaleyFest06;Q8B- Location Significance: Lawrence Kansas (Kripke)

Bushman: Okay. And speaking of location is there any significance to Lawrence Kansas? That it started in Lawrence Kansas?

Kripke: Um-

Shiban: (points to Kripke).. I’d have to give that to him.

Kripke: Uh, I would say, well, uh-uh i-if anyone does a, uh-uh, w-

Jared: In other words, yes.

Kripke: Yes. (audience laughs. Jared and Manners laugh.) There-there is and-and the-and the one thing I'd say is, because we tend to be really research oriented in our show (Bushman: uh-huh) and about American urban legends and there's a- there's a very famous, uh, urban legend, uh, near Lawrence Kansas. Um, that, uh-

Bushman: That somehow factors?

Kripke: Yeah. (to the audience) You know, if you guys go home and do Google searches on Lawrence (Bushman: Right) Kansas and stuff will come up. (nods)

Bushman: Okay. (points to J2) Do you guys know what it is.. Jared and Jensen?

Kripke: I don't think I've ever told you.

Jared: (looks at Jensen) Y-yeah.

Jensen: Uh, yeah.

Jared: Good gosh. (blows)

Jensen: Yeah. Yeah. Of course. (nods and leans back to rub his chin) (Bushman, Kripke, and audience laugh)

Jared: I haven’t decided when I'm gonna tell Kripke what it is.

Jensen: Yeah. (audience and Kripke laugh)

Jared: I’m mean, honestly. Tell him, “Hey, uh-

Bushman: (laughs) Okay. In the back all the way.

•(36:59)- PaleyFest06;Q9- Fear “Paranormal” (Manners, Shiban, Jensen, Jared, Kripke)

Fan: Hi. Uh, I just want to say I'm from Texas too. So.

Kripke: Wooo!

Jensen?: (J2 raise their hands) woo! (audience laughs)

Fan: Anyway I had a question, um, for everybody. What urban legend or folklore really does scare you guys?

Kripke: (points to Manners) (Manners shrugs) Kim?

Manners: Um, mm- nothing scares me. (audience and Shiban laughs)

Jared: That's true.

Manners:  I direct television.

Jensen: Yeah, I believe it.

Manners: And I- so (shrugs) (audience laughs) You know, if-if you- if you can live through that nothing scares yah. (shrugs) Really.

Shiban: Good answer.

Manners: Yeah. Well, it’s true. (Shiban laughs) What scares you John? ..Late scripts? (laughs)

Shiban: You do- Yeah. (audience laughs) Yeah. You do. Yeah. When you call me and say, “Where's the damn script?” (audience chuckles) That's frightening. (audience chuckles. Shiban and Manners take a drink)

Bushman: Any-any urban-

Shiban: (bumps Jensen’s arm) What about you guys?

Jensen: (shrugs) I-d-I'm dealing with him all season man. (Kripke and audience laugh) I’m scared of them all. (Kripke: All of em.)

Shiban: What about those bees?

Jensen: Yeah, bees that’s what I’m s-

Jared: You know I have a c- I'll- I’ll say something. I- uh, my daddy used to make me watch a show called, “Shadow Man,” or something, when I was growing up. And it was about a shadow that lived under this kid's bed. And, uh, he was sort of- (audience giggles) What's that? (audience giggles) (Jared smiles) And anyways and, uh, (audience laughs) it was his buddy.

Shiban: And he’s here tonight.

Jared: he wasn’t very popular in school. And so the shadow man started kind of getting all the bullies for him. And then one day came another.. kid’s shadow man got- (sniffs) Yeah it’s probably not as scary as it seems. (laughs, ducks and scratches his head) (most of the panelist and the audience laugh) (hides face behind his jacket)

Kripke: (thumbs to Singer) You wanna? You?

Singer: (laughs) Go ahead. (audience aw’s)

Kripke: (gestures to the audience) Someone has to give her a straight answer. (Jared: Y-yeah.) Hook-Hookman freaked me out when I was a kid. The killer with the hook. All the different stories of the killer with the hook of, uh, you know, the-t-the “Aren't you glad-” “Aren't you glad you didn't turn on the light?” I thought was really cool. And there's, uh, (gestures) the licked hands. If you ever heard the licked hand, which is a really cool one. (briefly looks down) And um, so (gestures) like that- that was always, you know, really sort of- sort of freaky for me.

Bushman: Okay, let's take two more questions. (points to the audience) Um, we'll get this one down here and there's one all the way in the back. Right- right next to you. Right… (points) Go ahead.

•(38:55)- PaleyFest06;Q10- Continuity Mistake “4 years vs 2 years at Stanford”

Fan: Um, in the pilot we know that, uh, when Sam wanted to go to college John told him to get lost. And he's in as presumably his fourth year because he's interviewing for Law School. Um, but d-he says that he hasn't talked to Dean in two years. Is there an answer to what happened two years ago? (Kripke is smiling and looking down at the other panelists)

Jared: Uhhh, y-you mean does that-

Kripke: I-I actually-

Shiban: Eric.

Kripke: (looking down at his lap) I have an answer to that. (nods) (audience laughs)

Fan: Do we get to know?

Kripke: Well, I know you're supposed to.. You know, (gestures to Shiban) do what Shiban does (Shiban nods) which is kind of go, “you'll find out.” (audience laughs. Shiban smiles and nods) But, uh, fact of the matter was is, uh, it-ii- (gestures) you know, these things happen so fast and furious. (mimics writing) And you’re- and- and that it was actually a mistake. (audience giggles)

Shiban: Oh no. (Shiban whispers to Jensen and then Manners)

Kripke: We-we wanted it-d.. Jared is or Sam's character supposed to be a junior in college and starting the interviewing process for, uh, the interviewing process for law school. (Jensen whispers to Shiban) And, uh, so hasn't seen him since he left- So he spent his freshman year and his sophomore year away from Dean and hasn't seen Dean. Then this is beginning of junior year. (briefly looks at the panelists)  This is.. fall of junior year.

So, it's been technically two years as he's beginning (gestures) th-the process. But, because, I think.. Because what happens, eh.. You know, you guys, you know, the-the you know- (gestures) I’m-I'm-I’m lying, (audience chuckles) like, sort of putting it all- Eh, because what happened 22 years ago he-he was slightly older than a junior should be. So, no one sort of bought that he was a junior and, uh, (Jared smiles. Audience giggles) so there's a (gestures) lot of discussion of these two “lost years.” And you’re just- and I just like, (hunches down covering his mouth) “he he.” (shrugs) “Like, just a mistake.” (panelists and audience laughs)  

Jensen: (?Hey, uh, I really wanna back this.?)

Shiban: That’s right (unintelligible) (Jensen laughs)

Kripke: But hold on let me give the real answer. “You'll find ouut.” (Jared and audience laugh)

Shiban: (gives him a thumbs up) Now you're talking.

Bushman: Okay. In the back.

•(40:40)- PaleyFest06;Q11- Network Censorship “Gore” (J2, Kripke, Singer)

Fan: Are there any stories about, uh, t-the show being too scary. Like, do you do trade-offs with the network? Like, they say, “Well, you can have two seconds of this, you know, bloody face, if you do this or that.” (?Jared?:mhm)

Jared: Yeah.

Jensen: Yeah, we’ve run into a few-few times that season- this season. (looks at Kripke) Haven’t we?

Kripke: You talking about Night- The Night- the.. On Nightmare was the first time.

Singer: (looks at Kripke) Oh right. Yeah. Yeah, you get into strange dis-discussions of, um, “Can we not see the decapitated- decapitated head (rolling gesture) roll?” (audience and Kripke laugh) And then you start arguing about, “Well.. can it do a half a turn?” (audience and Kripke laugh) Then say, “Okay. You can do a half a turn but the blood gush can't be for two seconds. It has to be for once sec-” Uh- um, so those are ongoing discussions, but a-a-actually the network's been great. We really push the envelope (Kripke: Yeah) in-in every sense. And, uh, they let us get away with more than I thought they would.

Jensen: There was also the, uh, when-

Jared: The gun rig.

Jensen: Yeah, the gun rig with me when I- uh, when Dean was shot in the head.

Kripke: Yeah. The- Night-Nightmare- The episode “Nightmare” was the first and only time that we’ve ever had issues with standards and practices. And so, everything else they just were like, “Give us more.” And we- again we were shocked by that. But there-the-the- there's a scene where, it's a- it's a vision it doesn't really happen, but where Dean gets his brains blown out (gestures brain splat) (audience giggles) in “Nightmare” (audience laughs) and-and… (Kripke briefly looks to his left) And we actually rigged it. And we thought, like, you know- We rigged it so-

Jensen: Yeah, the rig was awesome.

Kripke: Yeah. You-you rigged it so (mimics the shot going through his forehead) the shot actually goes into his forehead and-and the blood explodes out the back (laughs) (audience laughs) on to the wall. And we're like, (makes an excited gesture) “Haha, this is our lead and we're just, you know.”  But and-and-and- and network was like, “No way.”

Jensen: Yeah, this giant- this giant backpack filled with, like, grapes and-and corn syrup (audience ughs) and, uh, and- and it was this tube (partial turns and gestures at the curve of the back of his head) just kind of coming right- right out of the back and, uh, from the head on. And I had a little button in my hand. And they just yelled action. (mimics the scene) And, we timed it with a gunshot, and I hit the button, and gave reaction, and the whole wall went splatium.

Shiban: Yeah.

Kripke: Heheh

Singer: By the way-

Jensen: It was an awesome rig, but then they ended up having to cut to (box gesture) just the splat (Kripke nods) and then back to me with the hole in the head.

Singer: (point to his center forehead) Back to him with a hole. (Jensen: Yeah) But, the, uh, the director of that episode is here tonight, (pointing at the left side of the audience) sitting next to my wife as it is.

Jared: Where is he?

Kripke: Phil Sgriccia.

Singer: And- Phil Sgriccia.

Jared: Phil! (claps)

Kripke: Really good job. (audience claps)

Jared: Wooo!

Kripke: Stand up!

Singer: And, uh, when I looked at those dailies, uh, and I called Phil and I said- he said, “How are they? How are they? Is-” You know, because (swipes at Manners) Kim can tell you all us directors are.. so self-confident (Manners laughs) that we don't need constant approval or anything. (audience chuckles) Um- uh, he said- I said, “They're great, Phil. But what the hell are you doing?” (audience chuckles) And he said, “Well, you know, they look at that and they'll give me all the rest of the stuff.” So (gestures) (J2 and audience laugh)

Manners: We actually play a game with BSP broad-broadcast standards and practice where we cut the show and we cut it way too violent. (Kripke chuckles) So then they come in they go, “Well, you have to take out four frames of that shot.” And you go, “Oh god, not four frames.” “Yes, four frames.” So you take it out, but you always knew that you didn't need those four frames. (laughs) (audience laughs) So, we kind of stack the deck. (audience chuckles)

Bushman: (points) Okay, there's a question over there in the corner. (points) And there's one back there. Over there too.

•(43:57)- PaleyFest06;Q12- Paranormal on Set (J2)

Fan: Oh, okay. Um, well, we've had the question about what urban myths scare you. But for those of you who are actually on set regularly, has there ever been… you know, a blood splatter or that freaky scarecrow or anything that just really creeped you out just to be around on set even though you knew it was plastic or, you know, karo syrup or something?

Jared: I know one- and just one time randomly we're, uh, we're filming “Skin” the episode where (points at Jensen) he's a shapeshifter. (audience giggles) And we're inside this house- this brilliant house. (audience claps) Yeah. (Jared looks at Jensen and claps) It was a great episode. And, um, we were inside this house. And just this clock on the wall just up and leaned over and fell off. Just this round clock no one was near it. No one was (mimics hammer) hammering on the wall outside. It just kind of fell off and everybody sort of looked around. But instead of kind of going, “Who did that?” we're all just were like, (mimics scene) “Ignore it and go back doing business.” (audience laughs) Just tried- decided to not look into it any further. (audience chuckles) The way real brave people do it (audience laughs) this round.

Jensen: So, the, um, the show “Asylum,” uh, was.. (Jared: Oh, yeah.) Um. (Audience claps) (nods) Yeah. (claps) that was- that was shot in an actual abandoned, uh, mental institute and so.. Uh, the-the halls and the rooms and-and we're all very used at one point. (audience giggles) And-and, uh, you know, it said that-that-that- (gestures) the crew says not to go up to the fourth floor (?entrance?). (audience giggles) And, you know, don't-

And-and I remember we broke for lunch. And, uh, I thought I'd be (gestures), you know, clever and take a shortcut (nods then shakes his head) (audience laughs) I’d-I came down a stairwell and went into one door and it was just a (gestures) long dark hallway, because the-there's (Jared chuckles) no lights on. The only lights on it are what the-the film crew puts out. And, uh, that- I was like, (mimics looking back and forth in the hallway) “Well, it's not that long.” (audience laughs) “I can make it.” (audience laughs)

That freaked me out. (nods) (audience laughs)  

Bushman: Okay.

Manners: (points at Jensen) Dean W-Winchester, ladies and gentleman.

Jensen: Yeah. Thank you. (Jared and Shiban clap. Audience claps and cheers)

Kripke: Goodnight. (Jensen bows) Afraid of nothing. (Shiban takes a drink. Jensen laughs)

Bushman: In the back over there. Yeah.

•(46:10)- PaleyFest06;Q13- Network Censorship “Sex” (Kripke)

Fan: Now that there's a new network that you're probably going to be moving to, the CW, are they gonna and loosen up and give us a little more NC-17 like we got the Jensen storyline the other week. (audience giggles and some woo)

Shiban: Bob? (Jared chuckles)

Jensen: I'm confused. (audience laughs)

Audience member: Next episode!

Fan: Sex.

Audience member: Sex.

Jensen: What?

Fan: Sex.

Audience member: The sex.

Jared: Oh right.

Jensen: Aaahh. (audience laughs) (adjusts his position, shrugs) How can I forget. (audience laughs) (leans forward to look at Kripke) Thank you for that, man. (audience laughs) (Jensen shakes his head, leans back and hides a laugh behind his hand)

Kripke: (briefly holds his hands up) Sure… Happy birthday Jensen.

Jensen: Yes. (nods)

Jared: (laughs) Happy birth-

Kripke: Um, yyou know, I mean, CW is huge on full frontal male nudity. (Jensen is looking down hiding his mouth behind his fist. Jared chuckles into a laugh and then claps and goes to take another drink. The audience screams and cheers.) Well, uh, I think there's a lot in store. (gestures) Stay tuned! (Jared laughs while drinking his water. Jensen laughs) (shrugs) You know, I mean, we'll give ‘em- you know, we'll give ‘em love interests and (Jared coughs) love stories as it's appropriate.

Jared curls up and coughs behind his arm. Jensen reaches over and pats Jared’s back. Audience laughs. Jared folds over and continues coughing. Jensen with his arm on Jared’s back, makes a “come here” motion towards the audience.  

Jensen: We're gonna need it. (Kripke laughs)

Jensen continues to pat Jared’s back. Jared sits up, looks around and coughs one last time behind his fist.

Bushman: Um, okay. Uh, we’ll (points) take one there and one in the middle.

Jared: (wipes his eye and then his forehead) Oh jeez.

Bushman: (points) One down here and one in the middle. (nods) Yeah. Yeah. You just-

•(47:20)- PaleyFest06;Q14- Sam and Dean pre-series (Kripke)

Fan: Hi. Um, first of all thanks so much for being here. Um, if you guys are always like this, can I come work on your set? (laughs) (Manners laughs. Audience chuckles)

Jared: (throws his hands up) Yeah.

Fan: uh-

Jared: Thank y'all guys for being here. This is-

Jensen: Yeah. Thank you. (claps)

Jared: Yeah.

Manners: Thank you! (panelists clap)

Fan: No bother.

Jared: Honestly.

Fan: Um, so we came into this story, uh, when the boys are already adults. And I know there's a lot to explore in the future, but I was wondering about the past. Um, because I know that.. there's a lot of speculation about what their childhood (Jensen nods) was like growing up, (Jared nods) moving around. How much Miller time dad was doing. (Jensen nods: mhm) (Jared smiles. and audience chuckles) And how Sam and Jess met. Stuff like that. So, I was just wondering, um, if you were gonna explore that aspect of their lives?

Kripke: We just- Uh, it's funny you say that. We just yesterday, uhh.. Actually (points to the front row) I think, uh, I'm talking to Brad, who's at the network. I think you're getting a cut on Monday. (audience giggles) Um, of-of an episode that, uh, not only do the boys in-in present day, you know, deal with a creature, but, uh, (gestures) it's a creature they dealt with in the past. (gestures) And there's extensive flashbacks to, uh-uh, Sam and Dean. And John is there, you know, as the boys were children and dad and you get to see a, uh, an element of-of what their past was like or what their childhood was like. (Jensen nods)

Um, and it was- I really happy with how it turned out. And it- You know we won’t- We wanted to try it once. And I think it'll be happening a lot more. (gestures) Because there's this great (Manners and Jensen are leaning forward, looking at Kripke) 22 year window of-of what happened. And-and-and that's- there's a lot of story there that you can- you can flesh out. (nods then shakes his head) So, I think we're definitely to go there.

(nods and gestures) Because it's coming up in, uh, (briefly looks up) I think, uh, April, that episode. And it- I was really pleased with how it turned out. So, yeah. We’re really doing it-

Jared: Another positive is that if little Sam and little Dean filming, big Sam and big Dean are sleeping

Kripke: (laughs) Yeah. Right. (Jensen smirks. Audience laughs. Jensen holds up two thumbs.)  (Jared: Soo-) So, there's that.

Jensen: This is good. This is good.

Jared: So, keep pushing yeah (rocks fist)

Jensen: Yeah, keep pushing.

Jared: Keep pushing.

Kripke: Yeah.

Jensen: (nods and raises eyebrows) Flashbacks.

Jared: Very important. (laughs and scratches back of his head) (audience chuckles)

Bushman: Okay. (points) There was a question there in the middle.

Fan: (off mic) Um, Dean always wears this like- (audience giggles) 

Kripke: Aw.

Audience member: What?

•(49:07)- PaleyFest06;Q15- Samulet (Jensen, Kripke)

Fan: Oh, okay. (voice cracked giggle) (Manners laughs. Kripke smiles) Dean always (laughs)- Dean always wears a certain necklace does it mean anything?

Kripke looks down at Jensen. Jensen is leaning on his knees looking back.

Jensen: (to Kripke) You gonna hang me out to dry on this?

Singer: Oh yeah. (Jensen looks down. Jared laughs. Audience laughs.)

Kripke: I mean we can’t s- I mean it does but we can't…say.

Jensen: (looks at fan) Yeah. It-it-it does have significance and it- it’ll..(rubs his brow) it- but it we can't talk about it.

Kripke: Yeah. (laughs) (audience laughs) (Jensen rests his head on his hand)

Shiban: It's from Sacramento.

Jensen, Kripke, and the audience laugh. Jensen pats Shiban’s shoulder.

Bushman: That's a great question, though, that you picked up on that necklace. So. (Kripke: Yeah.) (Jensen nods. A few of the audience give woo’s.) Um-

Fan: (off mic) I always notice weird stuff. (audience giggles)

Bushman: Okay. I'm trying to spread ‘em out. Uhh. (points) You got somebody back there? Okay. (Points) And then this woman down here in the red shirt… (points) But go ahead in the back first.

•(49:55)- PaleyFest06;Q16- Special effects, Gag Reels (Jensen, Jared, Manners)

Fan: Um, I thought I heard you guys m-mention on a show one time you guys do green screen, blue screen, that kind of thing for special effects. Is that gotten a lot easier for you to do and kind of.. You know… fake it? (laughs) (audience laughs)

Jared: Yeah.

Fan: And, um, and the second part to the question was, uh, when the DVD set comes out are you guys gonna have a lot of.. behind the scenes jokes, cuz, yeah, this is funny. (audience laughs)

Jensen: We, uh, we-we actually just had a film crew on set with us, uh, this past week doing behind the scenes stuff for the DVD. (nods) So. (audience cheers and claps)

Um. (gestures) Going back to your first question the green screen and, uh, and stuff, we.. we do, do a lot of-

Jared: You-

Jensen: (leans back and looks at Jared) I said doo-doo. (Jared presses his lips. Audience laughs.)

Manners: He said doo-doo. (Jared smiles and shrugs)

Jared: He said doo-doo. (shrugs) (Jensen looks at the audience and briefly raises his eyebrows) (chuckles)

Jensen: (licks his lips and leans forward on his knees) Uumm.

Jared laughs. Manners laughs. Jared then throws his head back, laughing, and claps. Jensen closes his eyes and bits his lips. The audience laughs.

Jensen: We do (gestures) work a lot with- (Jared snorts)

Manners: Doo-doo. (Jensen looks over) (shrugs) (J2 laugh)

Jensen: (quickly sits back and points at Jared) Jared you can take this one. (Jensen stares at Jared with a smirk)

Jared: (laughing) Yeah. (sits up with his feet on the table) Uumm.. (claps his knee) as Kim and Jensen were saying, we doo-doo. (audience laughs) And, uh- No. We do- it was- it was- (puts his feet back on the floor) I guess it was a big learning process for everybody. Just- You know, it's-it’s a very interesting.. sort of task to be given to- Especially these kind of crazy either emotional sequences or these crazy physical sequences when they're like, “Alright. Now, um, you're in the woods.”(Jensen nods) “And, uh, you know, it's dark, and it's scary, and you're hearing things.”And then you look behind you and there's just this (gestures) big blue wall with (gestures) tape (audience chuckles) And, you know, a couple crew guys standing back there smoking cigarettes. (audience laughs) You know, cursing and.. showing off tattoos (audience giggles) And so it's-it's- it's, uh, I think I've- (briefly looks to his right, then gestures to the audience) speaking for myself, I-I hope I've gotten more of a hang of it.

Jensen: Aside from just the actual green-screen of it that w-we can just be in a normal set and-and they're going to, um- visual effects will-will then put in something (Jared: Right.) like, uh, “Phantom Traveler” with the, uh, (gestures) the smoke that would come out of the vents (Jared: Right.) and-and stuff like that. That's not something that we obviously see. Um.. so we have to pretend that it's there. And that there's no real green screen work going on there.

But, uh, there's also an episode coming up (thumbs to Manners) that Kim directed called, uh, “Shadows.” And we deal with, uh- (audience starts murmuring)

Kripke: Yeah, it just aired.

Shiban: It aired (?).

Jared: (leans over) It aired, Jensen.

Manners: (to the audience) Well, what happened in “Shadow-” Did you see-

Jensen: (adjusts his seating position) I haven’t seen it. (audience and Kripke laughs)

Manners: (points to Jensen) He loves my work.

Jensen: Yeah. That’s right. And we hadn’t- (nods)

Manners: Uhh, If you remember the shot wheree Meg did the high fall (gestures)… (audience’s says yes) (shakes his head) they hung her six feet off the ground. And she was.. (gestures to his belt. Clip on mic falls in his lap) picked-  Wah- we call it picked, with two wires on her hips. And she was looking up at the cabin or doing this (looks up and clawing at the sky).  (looks down and pats for his mic.) Hello. (audience chuckles) (picks up mic from his lap) She was looking up at the camera doing this. (claws at the air with one hand) (audience laughs) And she just laid back and (leans back) she just laid out and flattened out. And they dropped her visually w-, uh, with the computer seven stories. She never went anywhere. That was all just.. in one place, I guess. True story. (clips mic to his jacket)

Jensen: And then when we ran up to the window.. she wasn't even there and we were actually staring at a.. a big.. red X.

Manners: yeah. (audience laughs)

Kripke: So, Jensen, does that mean that you guys actually have to act? (audience gives mixed reaction)

Jared: No, no, no. No. I'm actually not here right now.

Kripke: (chuckles and then to the audience) Oh, I’m kidding.

Jared: We're actually in Canada. (Jensen: Yeah.) (gestures) This is- this is-

Jensen: These are our body doubles (Jared and Singer chuckle)

?Kripke?: yeah. (Jensen nods)

Bushman: Yeah, over here.

•(53:16)- PaleyFest06;Q17- Religion “Jensen,” Dean Winchester cellphone # (Jared, Jensen)

Fan: Um, actually I have two questions. The first one is, Jensen in a past interview he said you were a Christian. I was wondering is it hard to do this kind of show like.. having that background?

And the other question is in an episode, I don't remember which one it was, you gave the phone number what you're trying to reach your dad you're like, “Give me a call this is my number.” But whenever you call you can- you- y- it says, “This is Dean Winchester.” And it says, “Leave your coordinates.” Did you ever hear- like, you- Can you actually voice ‘em on there? Did you hear like- Did you have a lot of fans leaving messages at that number? (Jensen points to Kripke) Because it wasn't a five, five, five number.

It was very small to pick up on, because my sister and I we watch it- She watches it her place. I watch it at mine. (audience giggles. J2 smile.) And I was like “Did you see the number?” She's like, “Was it a real number?” And so anyway that was my question. (Jensen gives a one-handed shrug and then looks at Kripke. audience laughs)

Jared: If you want to actually call him it's 800-Wet-Legs. (Kripke laughs and audience laughs) So, that’s- this is- (Jensen leans over to talk in Jared’s ear)

Kripke: Don’t- don’t give out his number. (Manners laughs)

Jared: Oh, he changed- Oh, you changed it. (audience chuckles) Oh, scratch that. Scratch that. (scratches his head)

Jensen: Um, (readjusts his position) I’m lost.

Shiban: What was the question?

Jensen: What was the- what was the question? (picks up mic from lap) Wha?

Jared: Something about-

Manners: (leans over) You're a Christian!

Jared: (?subliminal worshiping?)

Jensen: (clips his mic back on his shirt) Uh, Yes. Okay. Uhhh, (gestures) Your first question. Uh, y-yes I-I was raised, uh-um, with a very religious family. (gesture) And-and in that, uh-um.. I mean, (open hands) what I do this is, you know.. W-we.. This is acting. (gestures) We're telling stories. I’m-I'm- I portray a character. Um, you know, does my grandmother cringe sometimes? (nods) Yeah. (smiles) (audience giggles) Um, but at the end of the day I'm-I'm, you know, it's- it's something that I'm cool with.

Uhh and, uh- and then as far as the- the-the phone numbers (gestures and looks at Kripke) and I think there’s even websites- there's a-a-

Kripke: Yeah. Yeah. When they called-

Jensen: (looks at fan) Email.

Kripke: Yeah, every so often.

Jensen: There’s actually been a (looks at Kripke) huge response to it.. from what I know.

Kripke: Yeah. Yeah. We got a couple. Wuh-uh- I listened- I mean we couldn't listen all of them, but there’s was a couple thousand voicemail messages. (audience chuckles) (Jensen: Yeah.) of people who called. And-and, uh, I mean I listen to you know maybe, you know, thirt- twenty or thirty of them.

Jared: (to Jensen) Two thousand (Jensen smiles)

Kripke: But some of our hilari- They're like, you know, (dramatic voice) “Sam and Dean! There- there's a ghost in my attic!” (audience and Jared laugh) “You have to come quick!” (Shiban coughs) Those are- those are my favorites.

Jared: (laughs) That’s funny.

Jensen: (scratches head) That's awesome. (audience giggles. Jared laughs)

Bushman: Alright, uh- (more hands in the audience are raised)

Jared: Woah.

Jensen: Woah.

Jared: Wow. (audience chuckles)

Jensen: Yes.

Jared: Can you do that again? (Jensen and audience laugh)

Bushman: Um, take one all the way in the back up there. And one right here in the front.

•(55:39)- PaleyFest06;Q18- Impala 67 (Jensen, Manners)

Fan: Hi. (Bushman: ?second?) My son and I are really big fans. And you guys are great. And I want to know what kind of car it is you drive. It's- it's great.

Jensen: It's a, uh, 67 (?Jared?: Impala) Chevy Impala. (J2 nod. Audience cheers and claps)

The audience starts yelling out, “Metallicar!” Jensen smiles. Kripke laughs. Jensen laughs. A few more Meallicar response are said.

Jensen: The Metallicar.

Manners: They’re gonna sell well.

Jensen: Yeah. (shrugs) There it is. And we've got about- (looks around)

Manners: We've just bought our fifth one.

Jensen: (nods) Fifth one. We got about five of them. Yeah.

Jared: that's why you can't find him on eBay. Cuz we’ve been buying- (audience laughs) (Jared takes a drink)

Jensen: Yeah. We have them all. (nods)

Jared: (while drinking) mhm (sets down glass)

Bushman: Right there.

•(56:16)- PaleyFest06;Q19- SPN Music (Kripke, Singer)

Fan: Okay so let's talk about the music.

Jensen: Yeeesss. (audience and Jared clap)

Fan: Yes. Yes. Alright, I grew up in the 70s. I grew up on the mullet rocks. So, yeah. Let's talk about where the inspiration.. came from with that.

Kripke: That.. That was something that was r-really important to me, uh, coming into the show, coming into the pilot. Um, you know, I'm from a small town in Ohio and (gestures) this is the music I listen to. And I was a huge, huge Zeppelin fan. And.. and-and so, ehhh- You know, and so, uh, (gestures) when it came time to write the pilot I-I- and-and produced it, it was- it was so important to me that it had that music. And- and not have, you know, (gestures) all-all due respect to my beloved Network, not half the music that's usually on that network. (audience chuckles)

Um, and-and it was so important to me. (gestures) I was so like rabid about it that in the original draft of the pilot I even wrote in the- in the script. (mimics writing) I wrote, “Cue music. And you can take your anemic alternative pop and shove it up your ass.” (audience laughs, claps and cheers. Manners and Shiban laugh)

And, uh.. and the r- and the reason I wrote the scene when they're in the-in the pilot

Jensen: (? It’s how I knew??) (Jared nods and laughs) (briefly raises his eyebrows)

Kripke: they have the scene where they're talking about tapes and he's like, you know; ac/dc, you know, uh, Motorhead, Metallica. And the reason I wrote that in is I said, “Well, if we shoot that and it gets from the pilot then we have to use my music.” (audience laughs) (frantically gestures) “Because it's already in the- it's already in the sh- it’s in the show and they can't, you know. They can't put in some, you know, Sarah McLaughlin in the- in the- in post.” (Manners laughs)

So, uh- So I- You know, this is- y-you know- (turns to Singer) And we’ve-we've had a great time I mean in-in- with, you know, Phil also in post-production and with Bob (gestures) of figuring out these songs. And coming in one morning and being like, “Oh! Billy Squier! What about Billy Squier?” (Singer chuckles. The audience laughs.)

And, uh- and I think it's like a real signature to the show. And-and is-is the real- (gestures) plus it's Midwestern. You know, it's like two guys in- (thumbs to J2) from Kansas in a muscle car. (shrugs) And this is the music they listen to. So, um, but it's- I- I mean I- I love it. There-there was- The other night was Joe Walsh “Rocky Mountain Way” (Jensen nods) and I'm just laughing my ass off. (audience laughs) “Yeah! I Rocky Mountain Way on The WB! It’s-“ (Jensen and audience laugh)

Singer: It also, uh- It also spreads. Because one of the editors, uh, said to me- And he's a very hip guy and really good musically. (laughs) He- I walk into his room. We were going through songs. I said, “Well, do this song. Do this song.” (unintelligible) Two days there I walk in, he goes, “Do you know Bad Company's really good.”

The audience cheers and claps. Kripke laughs. Jensen nods and smirks.

Bushman: Okay. Let's take two questions from the middle. One- (points) One over there and (points) one on the other side. (points) O-on this side and then (laughs) one on that side.

•(58:42)- PaleyFest06;Q20A- Acting Advice “Start” (Jared)

Fan: Mm, hi, I'm an inspiring actor. And (giggles) I wanted to know-

Singer: We’re sorry. (The audience laughs. Kripke laughs then aw’s)

Fan: I wanted to know, um, how hard was it for you two to get started acting? (Jared looks at Jensen)

Jensen: (gestures to Jared) Go ahead. (audience giggles)

Jared: Uuh. Alright, I'll feel this. I-It’s a it's not the first time I've actually heard that question and I'm- I'm so at a loss for what to tell you. (scratches knee) I have a very interesting story. When I was in high school I won a contest to being on the Teen Choice Awards. (some of the audience laughs) And hold trophies and give them to Freddie Prinze Jr. when he got (audience laughs) “Best Hottie of.. the World”

Jensen: Pretty much went downhill since then. (audience laughs)

Jared: It’s basically gone down, yeah. (Kripke laughs) Yeah, and I just- (laughs) I rode on Freddie Prinze's coattails. (audience giggles. Jensen smirks) No. Um, and I- and I met an agent at the, uh, at the show. I met a manager actually. And-and, Dan Spilo, I'm still with to this day, sitting with my girl Sandy over there. Um, he- we- (gestures) We started kind of talking over the phone with sides. And he had faith in me and I was going back to high school. And I've mommy that's a teacher and a daddy that was an accountant. (audience giggles) And they were like, “He's finishing high school. He's finishing high school.” And I was like, “Why can’t I go act? Why can’t I go act?”

And anyways, I flew out for about a week during pilot season. And I booked a pilot and then I used that money to go out during the summer. So, I had a really kind of crazy interesting story, but I have a lot of buddies who are, you know, much more talented and-and more committed than I am that are still struggling to make it. So, uh- It's a- It's a.. tough, tough industry but just, you know, keep working hard and keep making yourself better. (nods)

•(1:00:09)- PaleyFest06;Q20B- Acting Advice “Start” (Jensen)

Bushman: Jensen how did you get started?

Jensen: Um. Well, I mean like Jared said there's- there's really no set formula, uh, for- for.. how we, you know, we've gotten to where we've got. Um, mine was kind of a (throws up hand and shakes his head), um, sheer luck thing as-as well.

I was, uh, doing theater in Dallas and I happen to have a-a (throws up hand) talent agent from- from LA sitting in and came up to me afterwards and gave me his-his.. (throws up hand) pitch and I said, “Nah, you're full crap.” (Bushman and audience laugh. Jared smiles.) I told him to bugger off. (audience chuckles) And, uh, h- And then he went up to my-my folks and kind of gave him their pitch as well. And I guess they seemed a little bit more interested in a-

And so a few years later after his, um, persistence I-I finally said, “Ah, maybe I'll go out there for a couple of months and check it out. See if he's, uh- See if he'll talk the talk.” And, uh, I came out. And-and started working right away and that was about eight or nine years ago.

Bushman: Mm. Okay. So, question on that side.

•(1:01:03)- PaleyFest06;Q21- Props “Alcohol” (Jared, Jensen)

Fan: First of all, um, “Shadow” was a kick-ass episode. (audience claps followed by J2 and Shiban clapping) And I want to thank you all for that one, cuz it's awesome.

But let's get down to, like, what really matters. What alcohol do you guys like to drink? (audience laughs. Kripke and Singer look at J2.)

Jared: What alcohol do you got? (Kripke shakes his head with opens his hands at the audience, and then laughs with the audience)

Fan: Because I see a lot of beers and stuff in the episode. And it's always my thing to place what y'all are drinking. So, I was just wonderin,’ you hard guys? You light guys?

Jared: (laughs and then claps. Jensen smiles at Jared) Uh, my mom would kill me. (audience laughs) Umm-

Jensen: Yeah, can we cut the tape like right now? (audience laughs)

Jared: Yeah, could we? We were rolling. Check. Check. Actually (Jensen adjusts his position) one of the funny things about the, uh, about the beers is our-our prop master, Chris Cooper, um, he's.. some of the (gestures) (a clicking noise is made) beer labels they're always fake labels. (audience laughs) (Jared looks up) God?

Jensen: (?somebody get?) a staple gun. (audience laughs)

Shiban: (?Give me a minute.?)

Jared: And, uh, (chuckles) They're always fake labels and it usually have some do with the city that we're filming that episode in. You know like if we’re in Texas it'll be like, “Lone Star Logger,” or if we’re in.. (one person laughs) Minnesota it'll be like, “Timber Wolf Ale” or something (audience chuckles) like that.

But, you know, (looks at Jensen) we’re Texas boys. I- I think-

Jensen: Yeah, we, you know, would probably drink what you imagine a couple Texas boys drink. (J2 smirk. Audience giggles)

Jared: Put in a cup. (audience laughs. Jensen nods)

Jensen: That’s right. (Jared rubs his hand over his face and laughs. The Audience laughs)

•(1:02:15)- PaleyFest06;Q22A- Favorite SPN Scene (Manners)

Bushman: I have a question for you guys. (audience laughs. Jared nods while pressing his lips together. Jensen scratches his ear) Um, I'm curious if, ueh, this is possible to answer this question, if you could pick a scene that you either wrote or acted in or directed that's probably like your favorite scene that you've worked on since this show started and if you tell me why. Um, (Jared?: mm) anybody want to.. take. (Manners gestures at Bushman) Kim go ahead.

Manners: I'll take that, um. (rubs his tear duct) “Shadow,” where the boys finally f- saw their father. Uhh d- (audience claps and cheers) (shakes his head and clears throat) “Shadow” was- u-uh, I'm incredibly proud of because there were four great scenes. The scene where the boys were arming up and, uh, Dean blows at Sam and says, “Why do you think I-I got you out of Stanford in the first place?” “Why do you think I came to get you? Because I want us to be family again.”

And, uh, (Jensen dramatically wipes his eyes with the back of his hand. Audience laughs) I'll tell you Jensen had a tough time with that and we kind of arm wrestled over it. And he- and, uh- (Jensen nods) tooo get him there and, you know, because- because Dean is, uhh, you know, he's got his walls up. And-and to break down that wall for (gestures) just a minute to look in the Dean’s heart was- was magical for me.

And then when they met dad in the apartment, uh, and in the alley it was just- (nods) We worked very hard. (Jensen nods: mhm) (Jared nods) The boys- they- their game of tennis improves 2000% when they work with Jeffrey Dean or somebody like Niki.. (audience woo’s and claps. Jared claps) Aycox. (shakes head and then scratches nose)

You know, we find the nuances and, uh, it-it- in acting i-it becomes the crap that it is and it becomes real (Jensen nods), uh, life. And the words become (points at J2) their own and the emotions become their own and that's special, for me. (Jensen nods then looks at Manners. Manners looks back)

Jared: And not just to say this, but having a great director to.. tell you exactly what to do doesn't.. make it hard. (briefly looks at Manners) So you know (Manners: Thank you.) I think (tilts his head at Jensen) Jensen and I would tell you.. a thousand times every day like.. you know.. “Kim got it out in that episode.”

Jensen: (scratches head) (unintelligible) Yeah. (?That happened?)

•(1:04:13)- PaleyFest06;Q22Aa- Acting Challenges “Shadow” (Jensen)

Bushman: Hey, Jensen. Did you not want to do that scene because you thought that Dean wouldn't.. say that?

Jensen: Umm, yeah. Sometimes I-I- I guess I can be a little protective of just of-of Dean and-and him (open hands) showing emotions. And I, you know, I always, um… A-and as an actor as you grow with a character on the series you- you really- you really kind of become close to it. (gestures) And You- you protect it. (Bushman: mhm) Em, you protect that character.

And, um, I guess that, that was probably what-what- what that was. And, uh, I just didn't- I wasn't (gestures) real sure how.. uh, how much of the layers, uh, to peel away (gestures) in that scene. And I guess in that confusion I just- I-I kind of put up my own barrier. (Thumbs to Manners) But, uh, if there was anybody to get me through it, it was Kim. So, I'm glad he was there.

Bushman: Great.

Jensen: Yeah.

•(1:05:01)- PaleyFest06;Q22B- Favorite SPN Scene (Shiban)

Bushman: John you have a favorite scene?

Shiban: Uuuh, there was a moment in “Skin” that-that I'm.. proud of. And actually it- in the- it sort of says something about how we (sniffs) tell our stories because we're always saying, “Okay, we want to do this type of episode. We want to do this monster. But how would Supernatural do it? How is it special for our show?” And I rremember being in- in Kripke’s palatial office of Warner Bros. (audience and Manners? chuckle)

Kripke: Not so fam- fountains and- (Jared smiles)

Shiban: Yeah. And uh- uh- (The audience, Jensen, and Manners chuckle.) We're (gestures) talking through the story of “Skin,” and the shapeshifter and obviously, you know, there's all kinds of (gestures) shape-shifting that's been done on television and movies etc. And he said, “We got to find our own.” And, uh, we kicked it around and came up with that scene, uuh, where Shapeshifter Dean goes down in the sewer.

 And.. and I remember reading a, um- uhh, some online posts some friends send me that someone else (mimics writing) -a fan was watching the show and giving her impressions as she watched it, (mimics typing) “Oh my god! Dean's taking his shirt off!” (audience laughs. Kripke smirks) and then followed immediately- followed immediately by, “Oh my god! He's taking his skin off.” (Jensen and the audience laugh) I knew then that we, you know, we had it. (Jensen takes a drink) And I was very-  I was very pleased with that.

Jensen: (places his glass down on the table) Oh, the things we do.

•(1:06:15)- PaleyFest06;Q22C- Favorite SPN Scene (Jensen)

Bushman: Jensen, you have a scene?

Jensen: Uuum.. (smacks lips) Yeah. I-I- one of my favorite, uh- um, it's not really a-a- a full scene but it's-it’s more of a shot. Um, and it was in, uh, it was in “Dead in the Water” (scratches arm) with, um- (points at Manners) Kim directed. Um, where I-I saved the little boy out of the lake. (nods) Uuh (some of the audience aw’s and then giggling) and coming- coming up out of the water. Uhm, and that was- It was just- It was, you know, slow-motion shot. It was very emotional, coming out with water and it was- That was really neat, um, but the build-up to that shooting it was, uh, (Manners chuckles) was really- (chuckles) (audience chuckles)

Uhhh, I had this 10 year-old boy in my hand and I'm keeping both of us (mimics holding the boy while swimming with one arm) afloat with one- one arm, uum, (rubs his chin) because I came with my feet (mimics holding a foot) because I got two divers holding my feet below me who were about to pull me under. And-d (one hand shrug) , you know, I-I'm fine. I grew up swimming in lakes and j- and all my life. But tah.. to have that sensation of somebody pulling you under water, um, especially when you've got the life of a-a 10 year old, you know, little actor in your hand and-and you're trying to keep him afloat. And he's got to play dead it was just- (shakes his head and rubs forehead) (audience murmurs) It was, uh- (looks up at Bushman) it was a little overwhelming.  And.. and it was definitely unforgettable.

But, uh, we got through it. (throws up hand) We get- and it turned out to be an awesome shot. (thumbs at Manners)

Bushman: That's a great story.

Jensen: Yeah.

•(1:07:35)- PaleyFest06;Q22D- Favorite SPN Scene (Jared)

Bushman: Jared?

Jared: uhh, you know what? I've had some time to think while.. (Kripke chuckles) (scratches head) (audience chuckles) they've answered their questions. And I'm gonna go back to, uh, a scene in “Wendigo” that we did at the very, you know, (throws hand up) second episode of the year and I member there was just such (gestures) a long period of time between the “Pilot” and “Wendigo.” It was.. What? From m-March-April till July. (Kripke: mhm)

And, uh, there were so many (gestures) questions in my head when I found that we were getting picked up. Like, what's gonna happen? Where are we gonna start? Like, how do we.. start? How do we finish? How do we continue this story that we started a pilot with so many things going down? How do we.. keep the momentum going?

And there was this one particular scene that, uh, (points at Jensen) Jensen and I did on stage where he's got (gestures) dad's journal he's saying this is what it's about (Kripke nods) and Sam is saying, “I got to find Dad.” And I remember we, uh- We had a huge day that day. We had like eight or nine (turns his head towards Jensen) pages of dialogue. (Jensen nods) And, uh, Jensen and I realized we had to do the scene. We're like, “Oh, crap.” (J2 turn towards each other) Like, (laughs) “W-what? Let’s go memorize this in my trailer.” (gestures) We sat down in my trailer. And there was an acting coach that I-I work with whenever I can, named Karen Thorpe, up there with us. (Kripke nods)

And, uh, you know he kind of pushed and prodded me a little bit. (throws up hand) And I don't know what he did to Jensen. (audience laughs) But, uh..

Jensen shakes his head. Jared makes a grimace. Kripke? Giggles. The audience laughs. Jensen smiles into his hands. Jared smiles and scratches his head.

Jensen: I don’t want to talk about it.

Jared: It was noisy.

Jared and the audience laugh. Kripke laughs. Jared claps and then looks down, hiding his face behind his arm and scratches and combs his hair.

Jensen: Never again.

Jared: That’s between y’all and the wall. (audience laugher and ughs?) But, anyways we ended up- we ended up kind of getting the scene and-and putting something there. (scratches leg) And I think, um, it was one of the first times I ever felt like (throws up hand)… um, I was- I was hopefully doing what Kripke wanted, you know? Like, I think, like, I felt like, “You know, I think this is what Eric was envisioning.” Like, I really felt, for some reason, there's one of those times when you finish a scene and you're like, “Wow. I don't know where that came from but.” (shrugs) “I don't know.” (Kripke nods) “Whatever.”

Kripke: I remember seeing the dailies on that too. Uh, we were just through the roof. It was incredible. (Jared pats his knees with his fingers)

•(1:09:19)- PaleyFest06;Q22E- Favorite SPN Scene (Singer)

Bushman: Bob?

Singer: Um, I think, um, my favorite scene is a really quiet scene. And It's at, um, is at the end of the “Faith” episode. And-and (gestures) that whole episode was really about (Kripke nods) (gestures) I think, very… topical for today about what's.. what's real faith. And, uh, Julie Benz comes in has a, uh, scene with Jensen. And, uh, Jensen says to her, um, “I-I'm not much for praying, but I-I'll pray for you.” (Jensen nodding: mhm) And (gestures) she said, “Well, that's a miracle right there.”

And, uh, (gestures) I-I thought that, that kind of- I-I thought that was really sweet. I thought it was incredibly well acted, um, with both Julie and Jensen. And-and I thought that, um, I probably.. If people were listening, I think that probably was our.. You know, our finest moment to, uh, say something semi political and-and be, um, on the right side of that. (shrugs) I just hope it affected people the way it affected me. (audience claps. J2 and Shiban clap.)

•(1:10:19)- PaleyFest06;Q22F- Favorite SPN Scene (Kripke)

Kripke: Um, I-I (slice gestures) agree with.. all of those. All those are incredible scenes I would also add, uh, the scene when, uh-uh, Dean first calls his father in “Home” and tells him that “Come to Lawrence” and just the way that Jensen was able to try (gestures) to put up those walls, but the walls kept breaking down and that was amazing. (gestures)

But all those amazing scenes aside, (gestures) everyone's given such classy answers. (audience giggles) I have to say that when the when the dude stuck his hand the disposal in-in “Home”. (j2 and audience laugh. Jensen claps) And-and then the monkey starts clapping and- and (mimics camera) we had that shot beneath the sink and you could actually see all the goo come out. (audience ew’s) And I said I- and we shot it in dailies. I said, “They'll never let us use that.” And we used it. And, uh, it's- it's more probably- than any other scare sequence in the show. (Manners laughs) It's the one that people watch (Jensen: Yeah) (mimics viewers cringing and blocking the scene from their eyes) And they just- they can't even, you know, keep their eyes on the screen. (gestures to himself) And, you know, to me that's sort of the fun at getting the effect out of the audience. (to Bushman) So, I'm going to say the (gestures) garbage disposal scene in the “Home.” (audience laughs and claps)

Bushman: It's great because that explains what Bob was talking about before with the two different approaches to dra-

Kripke: See. (gestures) There you go.

(1:11:24)- closing

Bushman: Alright. (to audience) Okay, I want to thank you guys. You guys have been a great audience. (audience, Manners, Singer, and J2 clap)

Kripke: Can I say-

Bushman: Uh, also, uh, Before you go! Before you go! Don't go yet. I also (two security personnel walk on stage) want to thank Er- First of all Erik's got something to say.

Kripke: (holds up hand) Well, I just wanted to say, uh, we have a lot of, uh, the people who work in- on “Supernatural” in the audience. And I want a round of applause for them for this unbelievable season. (audience and panelists cheer and clap) All of them have done such a- They’ve all.. (gestures) They’ve all murder themselves to-to (gestures) bring you this show. And-and we couldn't do it without any of them. So- so, thank you to them. We-(gestures) it's-

Audience member: Are we getting (?pics off?)

Bushman: I- I also want to thank (gestures to panelists)-

Kripke: Hope so.

Bushman: I want to thank you guys, all of you, for.. not just being here tonight, but also for the great work that you're doing.

Jensen: (bows head) Thank you. (audience claps and cheers)

Bushman: And you’re obviously touching our cords. Thank you very much.

Singer: (nods) Thank you.

Kripke: Thank you. (audio cuts)

Jared’s clapping. Jensen is taking off his mic. Shiban is clapping. Manners is sitting up. Four security personnel walk and stand in front of the panelists, along with a woman and two stage assistants. The panelists all take off their mics and stand and mingle with the people on stage. The audience is also standing and exiting. Video fades to black.

[heroesfixated]

Mysterious Person | Part 4

Part 1 || Part 2 || Part 3 || Part 4

Episode 22 - Mo All Mighty/Good Old Mo

Time - 07:50

Time - 14:37

Episode 23 - Perfect Aim/BooBoo Cat

Time - 02:05

Time - 17:53

Episode 24 - Sam Crawls the Web/Faaaaaast

Time - 16:01

Episode 25 - Sam Plays With Time/Who Took the Fly Swatter

Time - 05:35

Time - 11:25

Honorable mention: Amber's detective board

Time - 14:51

Episode 26 - Swatteroo the Sublime

Time - 07:32

Time - 09:48

Honorable mention: their POV

Time - 14:37

And of course, the one we all know:

If new images are found, this post will be updated.

Part 1 || Part 2 || Part 3 || Part 4

[kittydragondraws]

*cracks knuckles*

2:53 – In the episode it's shown that Solver Drones can't directly use their power directly on other drones infected by the Solver. It's possible she spared him because she couldn't kill him directly and it would've been inefficient to kill him.

However it's also possible she didn't kill him because she respects him. In episode 5 she compliments him on raising a good daughter.

5:26 – Doll hasn't shown the ability to create tentacles. I'd say a more likely theory is that she grabbed his boots instead. Objects attached to or close to Solver infected drones are still able to be manipulated. In episode 7 Uzi jams the pod keys into N so she can fling him away. Something that (N also being Solver infected) she wouldn't have been able to do normally.

5:35 – It always irks me when people use the fork scene to claim drones are fragile and that Khan surviving the wall is an exception.

Drone's visor are most likely made of some kind of glass and/or plastic, so of course they'd be more fragile then other parts of their bodies. Not to mention forks are sharp, with enough force you could break anything with one.

You know nail beds? Well the reason people don't get impaled when they lay on them is because the nails are evenly placed and an equal amount of force is pressing on their entire back. That's what separates the fork from the wall. Once intense pressure point versus an evenly spread one. The reason Khan didn't get any visible injuries is because there was nothing that could have injured him, he landed on an entirely flat surface.

6:59 – That's… not how Solver infection works…

Real world computer viruses are often compared to bacterial infections all the time, it's rather common terminology. Code can't be spread without some kind of physical connection between the devices, like a wire, and this seems to be the case in the show as well.

The only real way it's shown the Solver activates in a drone is if they're a Zombie Drone or had it passed down to them from a parent, and since drones weren't intended to reproduce being reactivated as a Zombie Drone is the only real way for Solver to activate. Which I'd say is more likely if Khan were to have the Solver.

[spenglerstwinkie]

Jotaro Kujo’s ‘Yare Yare’ Compilation

Found myself rewatching JJBA, so I decided to document all of Jotaro Kujo’s Yare Yare’s (Not including recaps that contain the same ones over again.)

This list has the “yare yare” followed by the timestamp of about where it is in the episode, then the episode number and name.

Here are all of them combined:

Stardust Crusaders

Episodes without: 1, 4, 8, 10, 12, 14, 16, 20, 21, 22, 30, 34, 36, 37, 38, 39, 43, 45, 46 (19)

1. “Yare Yare Daze” 2:18, Episode 2: Who Will Be the Judge?

2. “Yare Yare” 8:06, Episode 3: The Curse of Dio

3. “Yare Ya-” 21:02, Episode 5: Silver Chariot

4. Yare Yare Daze” 21:52, Episode 5: Silver Chariot

5. “Yare Yare Daze” 5:16, Episode 6: Dark Blue Moon

6. “Yare Yare Da” 5:45, Episode 6: Dark Blue Moon

7. “Yare Yare” 5:15, Episode 7: Strength

8. “Yare Yare” 6:57, Episode 7: Strength

9. “Yare Yare” 18:09, Episode 7: Strength

10. “Yare Yare” 19:44, Episode 7: Strength

11. “Yare Yare Daze” 10:57, Episode 9: Yellow Temperance

12. “Yare Yare Da” 14:29, Episode 9: Yellow Temperance

13. “Yare Yare” 19:07, Episode 9: Yellow Temperance

14. “Yare Yare” 21:42, Episode 9: Yellow Temperance

15. “Yare Yare Daze” 21:35, Episode 11: The Emperor and the Hanged Man, Part 2

16. “Yare Yare Daze” 1:35, Episode 13: Wheel of Fortune

17. “Yare Yare Daze” 17:47, Episode 15: Justice, Part 2

18. “Yare Yare Da” 19:44, Episode 17: The Lovers, Part 2

19. “Yare Yare” 21:04, Episode 17: The Lovers, Part 2

20. “Yare Yare” 20:04, Episode 18: The Sun

21. “Yare Yare” 20:31, Episode 18: The Sun

22. “Yare Yare” 17:32, Episode 19: Death 13, Part 1

23. “Yare Yare” 21:28, Episode 23: High Priestess, Part 1

24. “Yare Yare” 9:50, Episode 24: High Priestess, Part 2

25. “Yare Yare” 13:29, Episode 24: High Priestess, Part 2

26. “Yare Yare” 7:51, Episode 25: Iggy the Fool and Geb’s N’Doul, Part 1

27. “Yare Yare” 10:37, Episode 25: Iggy the Fool and Geb’s N’Doul, Part 1

28. “Yare Yare” 17:54, Episode 26: Iggy the Fool and Geb’s N’Doul, Part 2

29. “Yare Yare Daze” 18:44, Episode 26: Iggy the Fool and Geb’s N’Doul, Part 2

30. “Yare Yare Daze” 9:55, Episode 27: Khnum’s Oingo & Thoth’s Boingo (kinda?)

31. “Yare Yare” 12:24, Episode 27: Khnum’s Oingo & Thoth’s Boingo (I guess?????)

32. “Yare Yare” 1:20, Episode 28: Anubis, Part 1

33. “Yare Yare” 20:27, Episode 28: Anubis, Part 1

34. “Yare Yare” 18:57, Episode 29: Anubis, Part 2

35. “Yare Yare” 21:16, Episode 31: Bastet’s Mariah, Part 2

36. “Yare Yare” 12:50, Episode 32: Set’s Alessi, Part 1

37. “Yare Yare” 15:56, Episode 33: Set’s Alessi, Part 2 (kid Jotaro ver)

38. “Yare Yare” 5:01, Episode 35: D’Arby the Gambler, Part 2

39. “Yare Yare” 20:42, Episode 35: D’Arby the Gambler, Part 2

40. “Yare Yare” 10:23, Episode 40: D’Arby the Player, Part 1

41. “Yare Yare” 9:48, Episode 41: D’Arby the Player, Part 2

42. “Yare Yare Daze” 11:12, Episode 42: The Miasma of the Void, Vanilla Ice, Part 1

43. “Yare Yare Daze” 21:09, Episode 44: The Miasma of the Void, Vanilla Ice, Part 3

44. “Yare Yare” 8:28, Episode 47: Dio’s World, Part 3

45. “Yare Yare Daze” 13:18, Episode 47: Dio’s World, Part 3

46. “Yare Yare Daze” 10:53, Episode 48: Long Journey Farewell, My Friends

47. “Yare Yare” 9:12, Episode 48: Long Journey Farewell, My Friends

Total: 47

Diamond Is Unbreakable

Episodes without: 4, 6, 7, 8, 9, 10, 12, 13, 14, 15, 17, 18, 19, 20, 21, 25, 26, 27, 28, 29, 30, 31, 32, 33, 34, 35, 36, 37, 38 (29)

48. “Yare Yare” 1:42, Episode 1: Jotaro Kujo! Meets Josuke Higashikata

49. “Yare Yare” 7:02, Episode 1: Jotaro Kujo! Meets Josuke Higashikata

50. “Yare Yare” 7:51, Episode 1: Jotaro Kujo! Meets Josuke Higashikata

51. “Yare Yare” 18:58, Episode 2: Josuke Higashikata! Meets Angelo

52. “Yare Yare Daze” 22:19, Episode 2: Josuke Higashikata! Meets Angelo

53. “Yare Yare Daze” 6:51, Episode 3: The Nijimura Brothers, Part 1

54. “Yare Yare Daze” 7:51, Episode 3: The Nijimura Brothers, Part 1

55. “Yare Yare” 12:01, Episode 3: The Nijimura Brothers, Part 1

56. “Yare Yare Daze” 21:05, Episode 5: The Nijimura Brothers, Part 3

57. “Yare Yare Da” 20:14, Episode 11: Red Hot Chili Pepper, Part 1

58. “Yare Yare” 12:37, Episode 16: Let’s Go Hunting!

59. “Yare Yare Daze” 17:28, Episode 16: Let’s Go Hunting!

60. “Yare Yare” 22:18, Episode 16: Let’s Go Hunting!

61. “Yare Yare Da” 19:40, Episode 22: Yoshikage Kira Just Wants To Live Quietly, Part 2

62. “Yare Yare” 22:00, Episode 22: Yoshikage Kira Just Wants To Live Quietly, Part 2

63. “Yare Yare Da” 8:15, Episode 23: Sheer Heart Attack, Part 1

64. “Yare Yare Daze” 10:53, Episode 23: Sheer Heart Attack, Part 1

65. “Yare Yare” 14:23, Episode 24: Sheer Heart Attack, Part 2

66. “Yare Yare” 8:32, Episode 39: Goodbye, Morioh - the Heart of Gold

Total: 19

Vento Aureo

Episodes without: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 24, 25, 26, 27, 28, 29, 30, 31, 32, 33, 34, 35, 36, 37, 38, 39 (39)

Total: 0💔

Stone Ocean

Episodes without: 1, 2, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 24, 25, 26, 27, 28, 29, 30, 31, 32, 33, 34, 35, 37, 38, 39 (36)

67. “Yare Yare Da” 15:02, Episode 3: The Visitor, Part 1

68. “Yare Yare Da” 9:26, Episode 4: The Visitor, Part 2

69. “Yare Yare Da” 11:04, Episode 4: The Visitor, Part 2

70. “Yare Yare Da” 18:46, Episode 36: Made In Heaven, Part 1

Total: 4