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#even if they could be clunky
thsx · 2 years
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ok i SWEAR i'll stop talking shit but what is this new tiny love like what does the stumbled on sublime thing even mean???
they do this in regret me where it feels like they're just jamming words in there that they think sound cool? my friend calls it word salad lol
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catominor · 8 months
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fingers in his open wound friday...
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ganondoodle · 18 days
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(idk if anyone wants to keep hearing my opinions on totk book stuff but-)
apparently it says that rauru DID have kids, multiple even, which yeah... is kinda necessary for zelda to even be connected to them so much so that sonia can SENSE a blood connection (which, even with all the excuses with magic, is just a little too far for me to suspend my disbelief bc its over, OVER, ten thousand years worth of generations that seperate her from them that one lil touch of the hand can sense that (feels more like an attempt to make you care about them or .. see them as zeldas "better" parents just bc they exchange a few nice words, i never got the feeling they were 'better' parents and its also kinda disrespectful to her actual parents, like sure rhoam wasnt the best but i wouldnt call rauru better just bc he was polite)- i could see maybe the light power of hylia or sth but since its the coolest dude that ever lived rauru now that had it which still doesnt make sense and makes me unreasonably annoyed and she can sense BOTH of their powers in her? nah) the fact theres NOTHING about them in the game itself is just so ... no way they planned any of this
i dont think theres anything they can do or say that wont make be believe they either
are making it up alla 'fix it in post' mentality trying to hastily explain stuff the game never bothers to do to try and appease fans or let it appear as if they thought about it at all
something went really REALLY wrong during development, which kinda seems likely given how the game turned out (im sorry i cannot let go, its not just the writing, the game design too and how little was changed in the map while being so damn expensive, i dont know how people dont feel scammed q_q)
given that they (allegedly) spent the last entire year of development on polish (where??? where????? huh??? like it would make it more understandable (EXCEPT for the price) if there was alot of trouble, which was also bc it got delayed and ... turned out like this, but they dont want to say it, especially given their reputation, with that quote i have heard way too many times 'a delayed game blah blah') i just??
are they just gonna go and do it like they did with kashiwa (kass)? "they uuuh where flying around the whole time ony cool sonau tech maschines, you just dont see or hear from them ooooorrr they were uuuuh out of the country at the time" (sending invitations to other continents to join their glorious kingdom ;) )
(bet they are also gonna say they did all the stuff like ... moving the shrines around (lol?) and lifting the islands up into the sky- which is still weird bc ... didnt they also say they were living in the sky before coming to the surface?? so where?? did they park all their islands on the surface and the mystery kids had the keys so they had to repark them back into the sky after they returned off camera?? xD also why are the islands so different as an environment if they where from the surface? like even the STONE up there is different- and if they were first in the sky then on the surface and the nback in the sky .. why is there not a single yellow tree or grass in the past- you cant really argue that it changed bc they were up there so long bc .. nothing else changed, the suddendly and totally always there sonau buildings are largely in prime condition, only some slightly moldy, and what we see of the glorious past looks barely any different from the present, aside from like ... some standard trees shuffled, no castle yet and that glowy uwu filter DESPITE that stupidly long time frame between it)
#ganondoodles talks#zelda#ganondoodles rants#idk if others feel like that too but i cant shake the feeling there was something that either went horribly wrong during development-#-or the entire thing was neglected the whole time which is why its so .. i hesitate to even call it bare bones#...which is WILD given that its the supposed sequel to their best seeling zela game#like wtf where you doing#i get that the pressure can be immense but imo it wasnt that hard to make a sequel to thats better than totk#like i think it was harder to make totk like it is NOW bc it scraps and throws away so many things you could have easily used-#-as sequel material#its all so weird to me#my tin foil hat theory is still that they saw the success of the mario movie and immediately shifted everything to make more movies#bc it made so much money#and a movie is easier to make than a good game#so totk or botw2 at the time got the short end of the stick#which is why everything feels like .. so ... bare bones .. untested .. unfinished .. non sensical...#like an alpha build that got enough visual polish to look like a full game when its still an alpha build at its core#some main ideas like the abilities implemented and the basic map layers#mechanics functioning but untested on how it feels to play#like the sage controls and arrow fusing and ... contradictory game mechanics that dont work together#like the bulding WORKS but its clunky and underused- everything can be cheated so easily you dont even feel good cheating-#-bc it feels like the teacher just allowed you to mark your test with a green circle and you still got an A (or however USA grades work)#despite not even reading the questions- why attempt to solve a puzzle if you can just skip it#and how they tell you to be creative with it yet creativity gets punished and only efficiency is rewarded#which completely undermines the entire thing#...theres so much more you know i have ranted about it all before#ALSO rauru and sonia seemed like a rather newly wed couple to me- not one that had multiple kids that never appear-#since it only mentions rauru ..... if its only his then ... that doesnt explain anything bc zelda needs both sonia and rauru dna#................do sonau leave eggs to incubate somewhere heavenly or sth#watch out the springs where built to hatch rauru eggs bc they need the gods holy blessing bc they are oh so holy to hatch
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alackofghosts · 7 days
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TFOTA update (major spoilers for book 1): chapter 20
this book just keeps throwing plot twist after plot twist after plot twist on me and I'm falling for every.single.one. gosh. first jude kidnaps the human girl to free her into the mortal world, and she drowns herself? Then Dain yells at Jude for the thing I WASN'T expecting (stabbing Valerian) and then Jude fucking KILLS Valerian not even a few minutes later, then buried the body in HER house, then Balekin gatecrashes and slaughters almost everyone in his fucking blood line in the matter of MINUTES. Madoc kills Dain?? And ghost kills Caelia?? Rhyia kills herself?? Taryn and Locke might secretly have an affair??
Jude feels pleasure in seeing Cardan miss out on the coronation bc he got drunk which is ironically the best thing he did bc he dodged a bullet?? Now Cardan is the only hope elfhame has, which is also super ironic since Jude was marvelling over how glad she was that cardan wasn't ever going to be king in the first few chapters.
I NEED A MOMENT TO TAKE ALL THIS IN
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oughhhhhhhhh i’m reading the knight!sugu fic again……………………………. maybe . i’ve already hit my peak
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panlight · 1 year
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IS there a cringier piece of writing in Twilight than:
Aro started to laugh. “Ha ha ha,” he chuckled. Or is that like, the pinnacle? I'm not talking ~problematic stuff just like, clunky writing generally, dialogue that was so awkward it pulled you out of the story, etc. Please share!
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storfulsten · 11 months
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my silly viera wol alt bc reasons uwu
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plusultraetc · 1 year
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"Completely blinded by a selfish desire for revenge... You're about as far away from being a hero as I can imagine."
pt 1 | pt 2
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hoapes · 3 months
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all of the bad stuff about the acolyte is starting to pile up idk the hot ppl and the action scenes and the interesting ideas aren't enough for me
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the-unconquered-queen · 11 months
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death-himself · 24 days
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my favorite thing about junji ito stuff is that it’s incredible, unique horror concepts with some of the shittiest clunkiest dialogue ever that’s only made even worse with translation
i’m watching the junji ito collection and there was this part where a guy went “no but what if you die in the process!?” and the guy responds “i refuse to die”
in another episode some girl was running away from someone and yelled something like “please don’t harm me or do anything else awful to me!”
like that is not how a human talks but we’ll just ignore that keep showing me nightmarish images horror man
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I understand people who wish house could’ve changed and become a better person but I also feel like they’re kind of missing the point of him NOT changing
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mabaris · 19 days
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ok i’m listening to yesterday’s vows and vengeance episode and i had to pause immediately because harding swearing by the stone was so unexpected??? the idea that surfacer dwarves still believe in the stone as an actual religion is so interesting because unlike the other religions in thedas that believe they were abandoned by their respective deistic force(s), it is the individual who abandons the stone. the maker left the physical world and the creators were locked away against their will, but the stone is always there until you leave it, by choice or by force.
to have someone born and raised on the surface who still pays some importance to the stone introduces the idea of redemption to the philosophy of the stone. to me, being on the surface and still putting some kind of importance on it implies you left unwillingly right? because if you choose to walk away from it, you don’t care about preserving those ties. i wonder if she’s going to be something of a foil to varric—a child of exiles, born and raised on the surface, but she actually does have a desire to connect to that culture. and maybe that desire to reconnect is related to her weird new powers
#The Ones Who Walk Away From Orzammar. if you will#i was going to say that would be a different thing but actually. not really#and. yknow. there is something to be said about the fact that the casteless work for the carta is essentially to the city’s operation#we. don’t actually have a lot of info about people who choose to leave orzammar. maybe some do leave out of moral qualms with the system#but anyway. i don’t remember if harding says anything in the descent about it#i’m sure she does but i always thought of her as not particularly caring one way or the other#i’m literally not even two minutes in and had to pause and inhale deeply and go. ok maybe it was intentional lmao#and yknow what. the podcast has different writers than the game so maybe this doesn’t mean anything abt what her writing will be in the game#anyway i’m definitely choosing to read too much into this bc the most likely explanation is#they threw it in there as a clunky signifier that she’s a dwarf. even tho it doesn’t rly fit for her personally from what i thought i knew#or maybe it’s just a figure of speech at this point. i don’t know how many generations her family has been on the surface#maybe her parents are from orzammar and she was just kinda raised around it. i was raised catholic and don’t believe anymore but#i still say ‘jesus christ’ a lot lol#oh now i’m also thinking abt whatshisname from awakening#the gavorn (brothers? cousins?) i feel like they also say something about stone sense and that feels adjacent to this#sry i know this is v long and could be more concise but i’m at work and don’t have time to look it over#but i wanted to get it out. if i remember i’ll come back later and make a more coherent post lol#mine#harding
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rationalisms · 1 year
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been thinking a lot about this specific phenomenon that's hard to put into words (so bear with me) where the technological limitations of the medium at the time a work of art was created are sometimes exactly the thing that helps lend it the atmosphere that makes it so compelling. and how sometimes superior technology is, despite the progress that's been made in so many ways, entirely unable to capture that same atmosphere for a multitude of reasons.
like, there's that brian eno quote ("whatever you now find weird, ugly, uncomfortable and nasty about a new medium will surely become its signature") that gets at some of what i mean, but not all of it.
i'm thinking about video games in particular, the way the forward march of technology does open new avenues but at the same time it inherently disappears older technologies and their aesthetics in the process, which is so tragic to me. and of course there's always nostalgia-driven attempts to recreate them, but those recreations inherently can't ever be entirely faithful to the specific charm of those older technologies and their drawbacks. (pixel art is a good example because sure, there's pixel art games being made now, but on modern LCDs they just won't ever look the same as they did on fuzzy CRTs; the fuzziness of the image made the pixel art come alive in a way modern TVs just can't.)
and this is extra amplified if games are set in a specific real world period or trying to emulate a specific real world aesthetic. because there's a little golden window of time where a game's technical limitations and the resulting art direction, and the period of time the game is meant to be set in, can perfectly compliment each other, like some sort of time prism. and any games made after that point can still do a good job at capturing the aesthetic of the era, but they won't ever be able to harness the inherent authenticity and atmosphere that e.g. noughties games and their 5 polygons can lend to a game set in the noughties.
there's no real solution to this and i'm obviously not advocating that we should be stopping any and all technological progress in favour of preserving certain aesthetics in amber, but it's still really melancholy that this is all so transitory. but i guess on the other hand we do get to enjoy those moments when technology and art/narrative can converge in the exact way they need to.
anyway, this was all just a really longwinded way to say that persona 4 is actually the best video game of all time. sorry if you thought this was about literally anything else
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dont-offend-the-bees · 5 months
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Bout to sit down to watch DW with the folks already internally cringing bc I saw it this morning and they are gonna haaate it
#I'm not even sure I liked it!#i like bits of it#but it's definitely upped the Silly Factor in ways that often feel more clunky and cringey than fun and camp idk#I feel like I'm being the fun police but is it too much to ask that my silly campy spacetime fun also be good???#i feel like it used to be#it was stupid and we had farting aliens and shit but like#very little 'oh i am actually kind of embarrassed to be seen watching this'#believe me i do not WANT to ve cringing about it I'm all for 'cringe is dead'#but I just think there's a difference between low budget surreal but grounded and deceptively well-made/written silly TV#and high budget cgi saturated awkward dialogue fest that barely hangs together and keeps making me wince#it's like I'm getting the wincing feeling from that one awful clunky 'like some kind of volcano' line from fires of pompeii#but ten times an episode minimum#i want to like it!!! i want it to be good i want ncuti to have an absolutely killer era!!#and it defo has its moments!#but bro....... so much tv is just. Bad now.#and it's probably a mix if factors#effects of writers strikes and producer meddling and whatever else#but I'm sick of tuning in to watch a new thing and finding them all riddled with the same brand of very fixable clunkiness#things that could have been fixed with very minor revisions more often than not!!#anyway not posting this in the tag bc i do NOT wanna be a hater or start fucking discourse about this#I just miss feeling excited about tv#i miss having some flimsy sense of trust that things might feel well put together even if i disagree with how they take the story#mr. bees speaks
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