#exit wound

[godsopenwound]

The father dead has euchered the son out of his patrimony. For it is the death of the father to which the son is entitled and to which he is heir, more so than his goods. He will not hear of the small mean ways that tempered the man in life. He will not see him struggling in follies of his own devising. No. The world which he inherits bears him false witness. He is broken before a frozen god and he will never find his way.

— Cormac McCarthy, Blood Meridian

[thedangoratio]

You shot me clean through

Could’ve sworn that I was bulletproof

That’s just what you do

[spectralarchers]

What if I made stat sheets for the versions of CoD characters that are in Exit Wound?

Like, what would Death!Ghost be like? What would the Boar/Graves be?

Would any of you even use it in a campaign? Or is that dumb? 😅

[forensicated]

Smiffina Episodes: Exit Wound

Peter returns to the station to try and speak to Gina. Diane and Dan see him first and say they'll go get her. Dan tries to boost her and his expression as his brain catches up with his mouth is adorable 😂

Peter tells Gina he wants to give her some flowers and she sighs, pointing out it's her place of work - and she knows people are watching and gossiping. She tries to remain polite, telling him the flowers are very pretty but it's all a bit late. He explains he's left Mary, it's Gina that he loves and he wants to move on with her - if she will.

To escape all eyes on her in the station, Gina heads out with Dan and Reg to an abandoned 999 call. Dan finds a lady out cold and shouts for Gina. Whilst Reg does a Reg and tries to sweet talk the ladies budgie that has gotten out of its cage.

At the moment everything seems to point towards a break in. The woman's fiance returns home and says she has a heart condition. Gina asks him to answer questions and then they'll take him to the hospital. Dan reports that a girl has been seen in the area knocking on doors to raise money for Canley Youth Club refurbishment. The spare key is not where it usually is and the scenes of crime officer tells Gina that the smashed window was faked and was not the real scene of entry. Dan locates the girl on CCTV and Gina recognises her as a known shoplifter. The victims fiance claims he was on his morning walk when the break in happened but admits the couple argue a lot and that his fiancée, Lillian had threatened to call the wedding off.

Gina heads to the magistrates court for a warrant, but not before Dan puts his foot in it again asking her if it'll be a social call! The literal terrified step back and gulp...! 😂😂

Gina receives a warrant for the known shoplifter, Sally's, house as her fingerprints have been found all over Lillian's phone. Peter comes running after her but she refuses to be drawn to go for a drink or to meet him later. Peter points out that whilst he was married he was a low risk commitment but now he reckons she's terrified she might have to admit she cares about someone. Gina finds the sponsorship form and Sally tries to pretend it's nothing to do with her and that she's never seen it before - and that she hadn't been on the road in question, except the sponsorship form gives her away. In the kitchen Reg has found Lilian's jewellery, credit cards and passport. After some initial mouthing off, she admits going round to the house and says she broke the window to break in and took a few things. She insists she didn't know anything was wrong with Lillian and thought she wasn't in. When she saw her unconscious she says she rang 999 without speaking and left. Gina scoffs and tells her more likely she broke in, stole things and upset Lillian with the shock and caused the heart attack. The fiance identifies the jewellery but says he doesn't understand how Sally got it as it would have been in a safe hidden in the kitchen and that noone - not even him - knows the combination other than Lillian. Sally admits that she saw the safe, followed Lillian inside when she tried to check that her youth club scam was legit - threatened her into opening it when she said she didn't feel well - she then collapsed.

Gina calls Peter to meet her and tells him that it has to be goodbye. She knows herself well enough to know when something isn't right for her and she knows that this isn't right - and that she'd never fully trust him.

[moodymeangirl]

“i came back from the hotel where you turned and said to me {deborah greenwood vocals} white bars of heaven keeping me from you i know you're living in hell, but what can I do? (she said) {leven & greenwood} white bars of heaven keeping me from you i know you're living in hell, but what can I do? {chorus} i stood under the shattered stars and watched the drunks fall by...” from Exit Wound, by Jackie Leven (ft Deborah Greenwood)

[pityroad]

— Thanksgiving 2006, Ocean Vuong, from 'Night Sky with Exit Wounds'

[text ID: Brooklyn's too cold tonight

& all my friends are three years away.

My mother said I could be anything

I wanted — but I chose to live.]

[ky-landfill]

[godsopenwound]

Franz Kafka, Letter to His Father

[aztarion]

the sixth love language is unethical experimentation

[frankiebirds]

[kiisuuumii]

@kiisuuumii (lifeline)

[spectralarchers]

10+ years of Marvel fandom and fanfics and I've never written anything that made it past 10k hits.

Six months of Call of Duty and we've made 30k.

New fandom energy truly be making brain go brrrr ❤️

Thank you for the hits, comments and bookmarks.

[columboposting]

genuinely insane to me that Torchwood gave Jack a secret evil brother and somehow he is the least interesting character in the entire goddamn show. No character traits allowed. His one outfit is BEIGE??? What if Hayden Christensen like, actually couldn’t act. Sucking black hole of charisma. Jack having a fucking secret evil brother should be the campiest wildest shit imaginable and instead its like watching fucking paint dry. Unreal. (It does not help that John Hart is standing next to him the entire time serving cunt). How did they fuck that one up that badly.

[wedarkacademia]

How sweet. That rain. How something that lives only to fall can be nothing but sweet.

- Ocean Vuong, Night Sky with Exit Wounds

[the-torchwood-archive]

[pityroad]

— from My Father Writes from Prison, Ocean Vuong, in 'Night Sky with Exit Wounds'

[text ID: some nights you are the lighthouse / some nights the sea / what this means is that I don't know / desire other than the need / to be battered & rebuilt /]